Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains strong language. | 0:00:02 | 0:00:04 | |
It wasn't great, it was not great at all. | 0:00:04 | 0:00:06 | |
I can't keep blaming the fucking sound guy. | 0:00:06 | 0:00:09 | |
I says to Kat the other day, I says to her, | 0:00:10 | 0:00:13 | |
"I'm sick of looking at your two faces." | 0:00:13 | 0:00:16 | |
I like to change my hair with my mood. | 0:00:16 | 0:00:18 | |
My hair's fucking blue! I have blue hair! | 0:00:18 | 0:00:21 | |
Dear God, here we are at Voodoo's first launch. | 0:00:21 | 0:00:24 | |
# I need closure | 0:00:24 | 0:00:26 | |
# I need closure... # | 0:00:26 | 0:00:28 | |
You create the hype, you don't believe the hype. | 0:00:28 | 0:00:31 | |
'Well, this is where we held the first auditions for Voodoo. | 0:00:40 | 0:00:43 | |
'This is where Carly and Vicky came.' | 0:00:43 | 0:00:46 | |
Can't believe we're back here again. | 0:00:46 | 0:00:48 | |
I wanted us all to sit down and talk. | 0:00:48 | 0:00:51 | |
The first thing I did was ring her and say to her, | 0:00:51 | 0:00:53 | |
you need to speak to Vicky. | 0:00:53 | 0:00:54 | |
And she rang and... | 0:00:54 | 0:00:56 | |
..she didn't want to meet, did she? | 0:00:57 | 0:00:59 | |
She said she wasn't coming back. | 0:00:59 | 0:01:01 | |
She said she was leaving, that was it. | 0:01:01 | 0:01:04 | |
She wasn't going to go back on her word. | 0:01:04 | 0:01:07 | |
It was constant in my face, "You're flat, you're off." | 0:01:07 | 0:01:10 | |
I said that, I said that to Kat. | 0:01:10 | 0:01:12 | |
Here's me, "I'm fed up being told I'm flat, I'm off." | 0:01:12 | 0:01:15 | |
I says to her, "You're never told when you're flat and you're off." | 0:01:15 | 0:01:18 | |
And she was, like, "I know." I'm just not taking it no more. | 0:01:18 | 0:01:21 | |
I am happy with the decision I've made and I've left, and that's it, | 0:01:21 | 0:01:25 | |
and I'm really happy and excited to know what comes next. | 0:01:25 | 0:01:28 | |
I don't know. I'm gutted, like. I feel like an eejit. | 0:01:29 | 0:01:33 | |
Everybody's like, "Oh, how's the band going, what's the craic?" | 0:01:33 | 0:01:36 | |
You're like, "Mmm, we lost a member." | 0:01:36 | 0:01:39 | |
Vicky, see, to be honest, see why I'm ringing you? | 0:01:39 | 0:01:42 | |
It's basically...we've auditioned and kind of got someone | 0:01:42 | 0:01:47 | |
that's ready to move in, to join the band, like. | 0:01:47 | 0:01:50 | |
But I wanted to talk to you. Are you sure this is what you want? | 0:01:50 | 0:01:53 | |
-You're gone, are you? -'Yes, yes, I'm away.' | 0:01:53 | 0:01:57 | |
Hi. | 0:01:57 | 0:01:58 | |
INDISTINCT SPEECH OVER PHONE | 0:01:58 | 0:02:00 | |
'..I hope everything does do well, and I know Voodoo will do well. | 0:02:00 | 0:02:04 | |
'It's sad that things left on bad terms, | 0:02:04 | 0:02:06 | |
'things were said in the spur of the moment. | 0:02:06 | 0:02:08 | |
'I can't take nothing back now.' | 0:02:08 | 0:02:10 | |
All right, no problem, take care of yourself. | 0:02:10 | 0:02:12 | |
-'You too. Bye.' -Bye. | 0:02:12 | 0:02:15 | |
Are you still there? | 0:02:15 | 0:02:17 | |
Just doesn't give a fuck. | 0:02:20 | 0:02:22 | |
Well, that's it, she doesn't care. At least it was... | 0:02:22 | 0:02:25 | |
At least that's closure, I suppose. | 0:02:25 | 0:02:28 | |
How did I hold myself together there? My anger. | 0:02:28 | 0:02:31 | |
-What did you say to her? -Wait, she's away upset. | 0:02:31 | 0:02:33 | |
You heard her. "I don't care, that's what I want, I'm happy, I'm far happier." | 0:02:37 | 0:02:41 | |
That's it now. We just need to get a new member now. | 0:02:41 | 0:02:46 | |
Ten to three. Not one person showed up. | 0:02:46 | 0:02:48 | |
Vicky's broke my heart. | 0:02:48 | 0:02:50 | |
-Take it to the streets. -Let's take this shit to the streets. | 0:02:50 | 0:02:54 | |
Toast to a new start. Love yous. Katriona. | 0:03:04 | 0:03:07 | |
'I think somebody who's 6ft 10,' | 0:03:07 | 0:03:08 | |
-long, blonde hair to her bottom. All her own. -Nice. | 0:03:08 | 0:03:11 | |
-Orange face. -Not orange, my love. | 0:03:11 | 0:03:14 | |
-Tanned. -Tanned. | 0:03:14 | 0:03:16 | |
But great singing voice, great personality, hard-working. | 0:03:16 | 0:03:21 | |
We're a girl band currently out scouting for our third member. | 0:03:21 | 0:03:25 | |
-Preferably blonde, that's why we've stopped yourself. Can you sing? -No! | 0:03:25 | 0:03:29 | |
This is going to be much harder than we first anticipated. | 0:03:29 | 0:03:33 | |
Well, well, where are our blondies? | 0:03:34 | 0:03:36 | |
-Can you remotely sing? -Remotely. | 0:03:39 | 0:03:41 | |
-Jennifer, your sister, Hannah, can. -Yeah, my sister. | 0:03:41 | 0:03:44 | |
-Is she blonde? -Yeah, really tall, pretty. -Yeah! | 0:03:44 | 0:03:46 | |
What age is she, though? | 0:03:46 | 0:03:48 | |
-17. -Oh. | 0:03:48 | 0:03:50 | |
-Can you sing at all? -Yes. -Yeah! | 0:03:50 | 0:03:52 | |
-Do you want to give us a wee proof...? -No, I'm definitely not singing. | 0:03:52 | 0:03:56 | |
She's not allowed to come out, her manager's strict, | 0:03:56 | 0:03:58 | |
but she wants us to come back when she finishes work. | 0:03:58 | 0:04:01 | |
Her name is Sarah, and she's tall, taller than me. | 0:04:01 | 0:04:03 | |
She says she wasn't an amazing singer, but then neither am I. | 0:04:03 | 0:04:07 | |
We've got her number, she wants to audition. She's called Sarah. | 0:04:07 | 0:04:11 | |
'I'm Simon Cowell.' | 0:04:13 | 0:04:15 | |
'Can I be Cheryl? I'll be Cheryl.' | 0:04:15 | 0:04:17 | |
-Can you be Dannii? I don't like her. -I don't want to be Dannii - she's as dull as dishwater. | 0:04:17 | 0:04:22 | |
I'll be Louis. | 0:04:22 | 0:04:23 | |
-Hi! Come on in. How are you? -Very good. | 0:04:23 | 0:04:27 | |
-Thank you for coming. How are you? -Nice to meet you. | 0:04:27 | 0:04:30 | |
You have the right look, the look's there. Me and Kat... | 0:04:30 | 0:04:33 | |
I think I nearly choked in River Island when you were putting clothes away! | 0:04:33 | 0:04:38 | |
I know how intimidating it is - sometimes when you're nervous, you don't perform to your best. | 0:04:38 | 0:04:42 | |
-So we'll take that into account. -Don't worry. | 0:04:42 | 0:04:45 | |
Just as long as you have a voice. | 0:04:45 | 0:04:47 | |
# Since I've come on home | 0:04:47 | 0:04:49 | |
# Well, my body's been a mess | 0:04:49 | 0:04:52 | |
# And I miss your ginger hair | 0:04:52 | 0:04:54 | |
# And the way you like to dress | 0:04:54 | 0:04:57 | |
# Why don't you come on over | 0:04:57 | 0:04:59 | |
# And stop making a fool out of me? | 0:04:59 | 0:05:03 | |
# Why don't you come on over Valerie? # | 0:05:03 | 0:05:07 | |
Woo! | 0:05:07 | 0:05:08 | |
I'd really like to be a part of their band. | 0:05:08 | 0:05:11 | |
So, hopefully, they'll pick me! | 0:05:11 | 0:05:14 | |
-She's no singer. -She can't sing, like. | 0:05:14 | 0:05:17 | |
No, not she's no singer, she's not a solo singer. | 0:05:17 | 0:05:20 | |
But when we all sing, it's not as if she's fucking tone-deaf. | 0:05:20 | 0:05:23 | |
Bring a wee girl in like that that can do the harmonies, | 0:05:23 | 0:05:26 | |
take the low harmonies and isn't looking to fucking take over. | 0:05:26 | 0:05:29 | |
Then, I think you've got a good fit there, Carly. | 0:05:29 | 0:05:32 | |
I don't care. You don't need to be the best singer in the world. | 0:05:32 | 0:05:35 | |
You don't. We've said that every time. | 0:05:35 | 0:05:37 | |
It's not what you know, it's who you know. | 0:05:37 | 0:05:39 | |
-Right, do you want to ring her and tell her she's got it now? -No, no. | 0:05:39 | 0:05:43 | |
-What if Sarah comes and she's 20 times better? -She's not answering her phone. | 0:05:43 | 0:05:47 | |
-Let her wait tomorrow. -Don't be evil. Why don't we feel the love? | 0:05:47 | 0:05:51 | |
-No, feel the love tomorrow. -Let her! | 0:05:51 | 0:05:53 | |
She'll be more excited when she finds out tomorrow. | 0:05:53 | 0:05:56 | |
It'll look like you're too keen if you phone her now. | 0:05:56 | 0:06:00 | |
We're really, really happy. We absolutely loved you. | 0:06:00 | 0:06:03 | |
And, um, if you're happy, we're happy. | 0:06:03 | 0:06:07 | |
If you'd like to join Voodoo, we'd be delighted. | 0:06:07 | 0:06:10 | |
-It just... -Feels right. -It does. | 0:06:10 | 0:06:12 | |
I'm all about karma and feelings, and I liked that girl when we met her. | 0:06:12 | 0:06:16 | |
# She's got an orange face | 0:06:22 | 0:06:24 | |
# False hair to her waist | 0:06:24 | 0:06:26 | |
# Dreams of being on TV | 0:06:26 | 0:06:29 | |
# She's got a Fendi bag From her time as a WAG | 0:06:29 | 0:06:32 | |
# Back in 2003... # | 0:06:32 | 0:06:36 | |
I actually want you to look quite, sort of, like rag dolls, almost. | 0:06:36 | 0:06:41 | |
Edgy rag dolls. | 0:06:41 | 0:06:42 | |
-Kat, they're amazing. -Do you like those? | 0:06:53 | 0:06:56 | |
-Yes. -You have a really edgy look. | 0:06:56 | 0:06:58 | |
I think they're a little bit different to your normal girly band, | 0:07:03 | 0:07:06 | |
which is sort of bubblegum pop. | 0:07:06 | 0:07:08 | |
They're more edgy and a little bit more unique. | 0:07:08 | 0:07:12 | |
Chin up a little bit. | 0:07:12 | 0:07:13 | |
This is the part that I'm probably not most comfortable with, out of everything. | 0:07:13 | 0:07:18 | |
You know me, I'm a singer, I just want to sing, | 0:07:18 | 0:07:21 | |
so this part's totally new to me and very different. | 0:07:21 | 0:07:24 | |
You two look amazing, and I look disgusting. | 0:07:24 | 0:07:26 | |
I'm the size of a lemon. | 0:07:26 | 0:07:28 | |
You can't film this shit. | 0:07:29 | 0:07:32 | |
This is our lovely wee band, XXX. Say hi. | 0:07:38 | 0:07:42 | |
We had our own band going. | 0:07:42 | 0:07:43 | |
Still have, as such. | 0:07:43 | 0:07:46 | |
But we came in to help the girls out, anyway, | 0:07:46 | 0:07:50 | |
and see what comes out of it at the end of the day. | 0:07:50 | 0:07:52 | |
# Welcome to the life of a wannabe | 0:08:01 | 0:08:04 | |
# Oh-h-h | 0:08:04 | 0:08:06 | |
# One thing I'd love to be... # | 0:08:06 | 0:08:09 | |
'I'm feeling the pressure, because I've been asked about 100 times | 0:08:09 | 0:08:12 | |
'for demos for gigs and different things.' | 0:08:12 | 0:08:14 | |
I'm running about speaking to people and they're like, "Give me a demo." | 0:08:14 | 0:08:18 | |
And the demos we have have Vicky's vocals on them, | 0:08:18 | 0:08:21 | |
so they're obviously no good. | 0:08:21 | 0:08:23 | |
And Voodoo has a totally different sound now. | 0:08:23 | 0:08:26 | |
# I don't feel a thing | 0:08:26 | 0:08:29 | |
# I don't feel a thing... # | 0:08:29 | 0:08:33 | |
It sounds like fuck all, like. | 0:08:37 | 0:08:39 | |
And you know how good that was sounding. | 0:08:39 | 0:08:41 | |
-We have to just rearrange it, then. -It needs rearranged, I think. | 0:08:41 | 0:08:46 | |
-Why are you scared? -I'll tell you later. | 0:08:46 | 0:08:49 | |
-Tell me now. Because of Sarah? -(Yeah.) | 0:08:50 | 0:08:54 | |
You know, after the anger and hurt and all that's died down, | 0:08:57 | 0:09:00 | |
it's like we're back to the beginning again. | 0:09:00 | 0:09:02 | |
# Water's running in the wrong direction | 0:09:05 | 0:09:09 | |
# I got a feeling it's a mixed-up time... # | 0:09:09 | 0:09:12 | |
'Big ideas of what they're going to do, | 0:09:12 | 0:09:15 | |
'and I don't know if that'll work or not.' | 0:09:15 | 0:09:17 | |
I think they just need a bit more experience of what they're doing. | 0:09:17 | 0:09:20 | |
I think they know that themselves. | 0:09:20 | 0:09:22 | |
But if they write their own songs, which they have, | 0:09:22 | 0:09:25 | |
they've as good a chance as anybody of making it. | 0:09:25 | 0:09:28 | |
I still think they need to concentrate a lot on their vocals. | 0:09:28 | 0:09:32 | |
'Because they've been together from the start' | 0:09:39 | 0:09:41 | |
and they're obviously best friends now, | 0:09:41 | 0:09:44 | |
it's a bit weird trying to fit into that. | 0:09:44 | 0:09:46 | |
'They were saying Vicky had an amazing voice,' | 0:09:46 | 0:09:49 | |
but she didn't know how to harmonise or work together with the band. | 0:09:49 | 0:09:52 | |
I don't have a strong voice, but I know how to harmonise and I can work with the band. | 0:09:52 | 0:09:56 | |
'I think that's the difference.' | 0:09:56 | 0:09:58 | |
# Let's just get back together | 0:09:58 | 0:10:00 | |
# We should've never have broke up | 0:10:00 | 0:10:02 | |
# You're telling me That my heart won't beat again... # | 0:10:02 | 0:10:06 | |
# That's me in the spotlight | 0:10:13 | 0:10:17 | |
# Losing my religion... # | 0:10:17 | 0:10:19 | |
Kat, she's a great songwriter - the songs that she's written are really good. | 0:10:21 | 0:10:25 | |
'They maybe need a wee bit more in them, or something like that.' | 0:10:25 | 0:10:30 | |
They maybe need expanded a bit more. | 0:10:30 | 0:10:33 | |
But the songs are excellent. | 0:10:33 | 0:10:35 | |
You have to play for the enjoyment of it, because there's not much to be made out of it. | 0:10:40 | 0:10:44 | |
Unless you really hit the big time, which you're not likely to do. | 0:10:44 | 0:10:49 | |
'Two, two, one, two. One, two. | 0:10:56 | 0:10:59 | |
'One, two, one, two.' | 0:10:59 | 0:11:01 | |
Is the mix a wee bit loud? | 0:11:01 | 0:11:03 | |
Try not to sing too loudly into the mic | 0:11:03 | 0:11:06 | |
and just sing at the same level as me, | 0:11:06 | 0:11:09 | |
so I'm not trying to have to shout over the top of you. | 0:11:09 | 0:11:13 | |
You know how loud you have to sing. | 0:11:13 | 0:11:15 | |
You're going to have to dance a wee bit more. | 0:11:15 | 0:11:17 | |
I was more concerned about the vocals. | 0:11:17 | 0:11:19 | |
# It's so filthy... # | 0:11:19 | 0:11:23 | |
What way are we doing that leg-up thing, so we don't look like three wallies? | 0:11:24 | 0:11:28 | |
-I'll just go... -What do we do with our mics? | 0:11:28 | 0:11:32 | |
Give it up for Voodoo! | 0:11:32 | 0:11:34 | |
CHEERING AND APPLAUSE | 0:11:34 | 0:11:37 | |
This is an original. | 0:11:38 | 0:11:39 | |
It'll be on iTunes in about four weeks from now, | 0:11:39 | 0:11:41 | |
so get downloading. I hope you like it. | 0:11:41 | 0:11:44 | |
# Welcome to the life of a wannabe | 0:11:44 | 0:11:47 | |
# Oh, it doesn't come for free | 0:11:47 | 0:11:50 | |
# Welcome to the life of a wannabe | 0:11:50 | 0:11:54 | |
# It's so filthy. # | 0:11:54 | 0:11:59 | |
APPLAUSE | 0:11:59 | 0:12:02 | |
'Well, this is my wee gym, Brook Activity Centre,' | 0:12:12 | 0:12:15 | |
which is the local gym in Twinbrook, in the heart of the West. | 0:12:15 | 0:12:19 | |
This is where I come to do all my training. | 0:12:19 | 0:12:21 | |
Ugh! | 0:12:29 | 0:12:31 | |
Ah! | 0:12:31 | 0:12:33 | |
Oh, Jesus! | 0:12:33 | 0:12:34 | |
I'm so unfit. | 0:12:34 | 0:12:37 | |
I was noticing just, like, a lump. It was really, really small. | 0:12:41 | 0:12:46 | |
You know the way you kind of push things to the side? | 0:12:46 | 0:12:49 | |
It just got bigger and bigger and bigger. | 0:12:49 | 0:12:51 | |
And then my mum was freaking out, so I went to see the doctor. | 0:12:51 | 0:12:55 | |
And the doctor was, like, you need to get that checked out ASAP. | 0:12:55 | 0:12:58 | |
She put the fear of God in me, like. | 0:12:58 | 0:12:59 | |
It's actually just right below my vocal chords, | 0:12:59 | 0:13:03 | |
but it's got that big now, it's kind of rubbing on them. | 0:13:03 | 0:13:07 | |
You probably heard the other night, my voice gets to a certain point and breaks. | 0:13:07 | 0:13:10 | |
That's cos of that. | 0:13:10 | 0:13:12 | |
But it does need to come out, cos it's on my thyroid gland. | 0:13:12 | 0:13:15 | |
I shouldn't be running about with it, but I'm just putting it off. | 0:13:15 | 0:13:19 | |
I have to believe, I definitely do believe. | 0:13:19 | 0:13:22 | |
I think we're like a rough diamond. | 0:13:22 | 0:13:24 | |
We need so much work. So, so much. | 0:13:24 | 0:13:27 | |
I don't think we're amazing and fantastic, but... | 0:13:27 | 0:13:30 | |
..I think we're good enough, I do. | 0:13:32 | 0:13:34 | |
So, I just need to lose 10 stone, we need to get somebody to sign us | 0:13:34 | 0:13:40 | |
and have a number one | 0:13:40 | 0:13:42 | |
and all go off to live in London in penthouses and stuff. | 0:13:42 | 0:13:45 | |
That's the plan. | 0:13:45 | 0:13:46 | |
MALE VOICE SINGS | 0:13:46 | 0:13:48 | |
Do the harmony again. | 0:13:48 | 0:13:50 | |
-Hello, there. -Thanks for coming down. -Nice to meet you. | 0:13:56 | 0:13:59 | |
So, before I start giving any advice, I need to find out more. | 0:13:59 | 0:14:02 | |
-It'd be good to hear what you're doing. -Come in, have a nosey. | 0:14:02 | 0:14:05 | |
I ended up in London in the music business for a few years as a buyer | 0:14:05 | 0:14:09 | |
for a large chunk of the record business. | 0:14:09 | 0:14:11 | |
Then came back here, worked for a lot of record companies, | 0:14:11 | 0:14:14 | |
mainly independents, couple of majors. | 0:14:14 | 0:14:16 | |
# She's just a girl with a sad ambition | 0:14:16 | 0:14:20 | |
# Getting ahead is a dirty mission | 0:14:20 | 0:14:23 | |
# Welcome to the life of a wannabe | 0:14:23 | 0:14:27 | |
# Oh, it doesn't come for free... # | 0:14:27 | 0:14:31 | |
-Do you know what music you're trying to make? -No. Voodoo music. | 0:14:31 | 0:14:35 | |
Music for the soul. I don't know. | 0:14:35 | 0:14:38 | |
Cos the three of us are very different, we bring... | 0:14:38 | 0:14:42 | |
Although I do all the writing and stuff, you know... | 0:14:42 | 0:14:45 | |
It has to sell, doesn't it? It has to be commercial, people need to get it. | 0:14:45 | 0:14:49 | |
The sort of music market you're subconsciously trying to head towards is a very commercial one. | 0:14:49 | 0:14:56 | |
Usually there's hundreds of people involved in the whole process of creating a record. | 0:14:56 | 0:15:01 | |
So, you need to firmly decide what it is you want to be. | 0:15:01 | 0:15:06 | |
The other thing that would be pertinent to ask is, have any of you had vocal coaching? | 0:15:06 | 0:15:10 | |
-I have. -You've had vocal coaching? | 0:15:10 | 0:15:13 | |
-Do you still continue? -We did for a while. | 0:15:13 | 0:15:17 | |
It helped me out, because I'm good with the harmonies and everything. | 0:15:17 | 0:15:20 | |
But I don't really feel the benefit a lot. | 0:15:20 | 0:15:24 | |
What you're aiming for, to do it from Belfast, is way down the line and is very ambitious. | 0:15:24 | 0:15:29 | |
-But I wish you well. -We are ambitious. -I wish you well. | 0:15:29 | 0:15:32 | |
You need to want it, you need to want to be working two or three nights a week. | 0:15:32 | 0:15:36 | |
And buying lots of music and seeing how it's been made, | 0:15:36 | 0:15:40 | |
begin to understand the recording process. | 0:15:40 | 0:15:42 | |
You won't be filming in three weeks, and they've got a record deal. | 0:15:42 | 0:15:45 | |
That's not going to happen here. | 0:15:45 | 0:15:48 | |
But if they can get to the next stage and hone their skills. | 0:15:48 | 0:15:52 | |
If there's six songs with a hook, at least they can give it a go | 0:15:52 | 0:15:55 | |
to get to the first stage, get to first base. | 0:15:55 | 0:15:57 | |
Complimented my music, so I can't really say... | 0:15:57 | 0:16:01 | |
Cos he was very straight - he's not one of these people to blow wind up your ass. | 0:16:01 | 0:16:06 | |
If the songs hadn't been hooky, he'd have told us. | 0:16:06 | 0:16:08 | |
He wasn't completely negative, he had some good things to say. | 0:16:08 | 0:16:12 | |
He didn't even say he thought we were good or had the potential to go for it. | 0:16:12 | 0:16:15 | |
-He didn't really give us any criticism. -That's why I feel... | 0:16:15 | 0:16:21 | |
Yeah, he didn't say you have a good look or a good sound. He just said one of the songs was catchy. | 0:16:21 | 0:16:28 | |
Sheena writes lyrics, and I would never take that away from her, she's brilliant. | 0:16:28 | 0:16:31 | |
But there's three of us and we all work hard. | 0:16:31 | 0:16:34 | |
And I don't like that he concentrated maybe on one person. | 0:16:34 | 0:16:37 | |
He could've spoken to us all. It was rude. | 0:16:37 | 0:16:39 | |
We're putting the guys under pressure, we're hoping to bang out three songs in 30 minutes! | 0:16:49 | 0:16:55 | |
No, we're just going to get on and if we even got two nice songs, we'd be happy, wouldn't we? | 0:16:55 | 0:17:00 | |
I'm nervous about today, I've never done it before. | 0:17:03 | 0:17:06 | |
And I've got a really bad cough, that doesn't help! | 0:17:06 | 0:17:09 | |
The best thing about the studio is you can listen to your voice and know when you went wrong. | 0:17:09 | 0:17:14 | |
The sound technician's very good. | 0:17:14 | 0:17:16 | |
We do it ourselves first, and everyone's like, "Oh, my God, it sounds so shit." | 0:17:16 | 0:17:20 | |
But everyone sounds shit sometimes. | 0:17:20 | 0:17:22 | |
MUSIC PLAYS | 0:17:22 | 0:17:23 | |
Does he know what song we're doing? | 0:17:23 | 0:17:25 | |
Thomas - Good Girl. | 0:17:25 | 0:17:27 | |
# See this girl She's dancing on the bar | 0:17:27 | 0:17:32 | |
# Hold her close She might just be a star. # | 0:17:32 | 0:17:34 | |
I don't know how the fuck I'll sing this, cos the bits I'm singing, | 0:17:34 | 0:17:38 | |
whenever I go to sing, it stops again. | 0:17:38 | 0:17:40 | |
My head's away. Right, anyway. | 0:17:40 | 0:17:42 | |
-# Don't get me wrong... # -SHE SCREAMS | 0:17:42 | 0:17:46 | |
-It sounds great. -I'm sorry. I can't sing it, you may sing it. -No. | 0:17:46 | 0:17:49 | |
-Sing it. -No, keep going. | 0:17:49 | 0:17:51 | |
# I'm a good girl really Only when I'm sleeping. # | 0:17:51 | 0:17:56 | |
-She's really nervous. -What do I do in that bit? | 0:17:56 | 0:17:59 | |
-ALL: -# Only when I'm sleeping Only when I'm sleeping. # | 0:17:59 | 0:18:03 | |
-You need to come in... -# Don't try and judge me... # | 0:18:03 | 0:18:06 | |
You need to come in straightaway. | 0:18:06 | 0:18:08 | |
But come in previous to that on the last line of the first verse. | 0:18:08 | 0:18:12 | |
# I love when they pretend not to stare | 0:18:12 | 0:18:15 | |
# But don't try and judge me | 0:18:15 | 0:18:18 | |
# It's a statement, not a dare | 0:18:18 | 0:18:21 | |
# I'm that kind of woman who does her hair to match her underwear. # | 0:18:21 | 0:18:27 | |
Sorry, love, you're not singing, you need to sing. | 0:18:27 | 0:18:31 | |
# Don't try and judge me. # | 0:18:31 | 0:18:33 | |
You're still not singing, Sarah. | 0:18:33 | 0:18:35 | |
-Just give me a minute! -Are you OK? -She's crying. | 0:18:35 | 0:18:39 | |
She's crying and everything. | 0:18:39 | 0:18:41 | |
Babes, I'm not shouting at you, I'm just saying you need to sing. | 0:18:41 | 0:18:44 | |
Come here. | 0:18:44 | 0:18:46 | |
Take a deep breath. It's all very new. | 0:18:49 | 0:18:51 | |
You've only trailed in a couple of weeks ago. | 0:18:51 | 0:18:54 | |
-She's just nervous. -Aye, that's it. Easy done. | 0:18:54 | 0:18:57 | |
Sarah, I'm going to sing "Don't..." | 0:18:57 | 0:19:00 | |
before you come in, so you can get your note right. | 0:19:00 | 0:19:02 | |
# I love when they pretend not to stare | 0:19:02 | 0:19:06 | |
# Don't try and judge me | 0:19:06 | 0:19:09 | |
# It's a statement, not a dare. # | 0:19:09 | 0:19:11 | |
When it comes to recording, you're so naked and exposed, | 0:19:11 | 0:19:14 | |
if you don't have that confidence to say, | 0:19:14 | 0:19:17 | |
"I am good enough," you can just fall to pieces. It's very hard. | 0:19:17 | 0:19:20 | |
We just need to build Sarah's confidence up a bit | 0:19:20 | 0:19:23 | |
and we'll be flying. | 0:19:23 | 0:19:25 | |
-Are you OK, love? -Yeah. -I wasn't shouting at you. | 0:19:25 | 0:19:29 | |
'The more I did it, it was coming a bit easier. It was when I kept doing it wrong,' | 0:19:29 | 0:19:34 | |
and the girls were getting a bit annoyed with me, and it was kind of "Oh" | 0:19:34 | 0:19:38 | |
and it just all got to me. | 0:19:38 | 0:19:40 | |
But it's my first time, so it'll just get better. | 0:19:40 | 0:19:42 | |
It sounds good all mixed together. | 0:19:42 | 0:19:44 | |
But they've just kind of put my voice down to the minimum! | 0:19:44 | 0:19:49 | |
# Happy birthday dear Katrina | 0:19:56 | 0:19:59 | |
# Happy birthday to you! # | 0:19:59 | 0:20:03 | |
CHEERING | 0:20:03 | 0:20:06 | |
Ready for number one...! CHEERING | 0:20:06 | 0:20:10 | |
# You don't have to fear me | 0:20:25 | 0:20:28 | |
# It's a rule I'm always keeping...# | 0:20:28 | 0:20:31 | |
# I'm a good girl really | 0:20:31 | 0:20:34 | |
# Only when I'm sleeping | 0:20:34 | 0:20:37 | |
# Only when I'm sleeping! # | 0:20:37 | 0:20:39 | |
I've done a fair bit of partying these past couple of days. | 0:20:47 | 0:20:49 | |
We're really wrecked. | 0:20:49 | 0:20:51 | |
Sarah's in the clothes she was wearing partying last night. | 0:20:51 | 0:20:54 | |
-Katriona's up there fixing her. -I had half an hour's sleep last night. | 0:20:54 | 0:20:57 | |
Then I was up for colleague at nine. | 0:20:57 | 0:21:00 | |
Then I got out of colleague at half three, | 0:21:00 | 0:21:02 | |
was in work four to eight and came straight here. | 0:21:02 | 0:21:06 | |
I'm actually like, urgh! | 0:21:06 | 0:21:08 | |
# A quarter past September and I roll out of bed | 0:21:08 | 0:21:12 | |
# I've got a brass band percussion thumping tunes in my head | 0:21:12 | 0:21:15 | |
# An invisible friend whispering once in my ear | 0:21:15 | 0:21:18 | |
# You'd feel so much better if you'd just have a beer. # | 0:21:18 | 0:21:20 | |
At the minute, they're not blending, | 0:21:20 | 0:21:23 | |
you know. I think Kat is very strong, | 0:21:23 | 0:21:27 | |
but she can use a lot more of her range. | 0:21:27 | 0:21:29 | |
She can go higher than she realises. She likes to keep her voice down. | 0:21:29 | 0:21:34 | |
I, personally, think that Kat should be out on her own. | 0:21:37 | 0:21:40 | |
She has a great stage presence for what she wants - | 0:21:40 | 0:21:44 | |
she wants to portray that rock kind of look. | 0:21:44 | 0:21:48 | |
It's so clear when you're watching them on stage | 0:21:48 | 0:21:51 | |
that she is the one that is there doing that so naturally. | 0:21:51 | 0:21:57 | |
The other two girls have to work at it. | 0:21:57 | 0:22:00 | |
But I do understand why they want to be a band. We're fun. | 0:22:00 | 0:22:05 | |
-What did Pauline say? I should leave? -Yeah. -I know. | 0:22:05 | 0:22:09 | |
At the end of the day, if I wanted to be on my own, | 0:22:09 | 0:22:13 | |
I would have started out on my own. Do you know what I mean? | 0:22:13 | 0:22:17 | |
I do hope to God that my future's with them, you know what I mean? | 0:22:17 | 0:22:22 | |
I don't really want to do it on my own. | 0:22:22 | 0:22:24 | |
Too many people, I'd say, have too many opinions. | 0:22:24 | 0:22:28 | |
We'll have to watch each other's backs, because we'll get people... | 0:22:28 | 0:22:31 | |
Sure everybody thinks I'm not fucking singing! I couldn't care less! | 0:22:31 | 0:22:35 | |
Although Sarah's 18, she sees the bigger picture. | 0:22:35 | 0:22:38 | |
She's saying to herself, "At the end of the day, I'm in a pretty cool band | 0:22:38 | 0:22:42 | |
"who's got a lot of stuff going for them." | 0:22:42 | 0:22:44 | |
She's happy enough to... She's knows her place and is as happy as Larry. | 0:22:44 | 0:22:48 | |
All three of us, we're happy like that. | 0:22:48 | 0:22:51 | |
That's when we can relax and accept what we're about. | 0:22:51 | 0:22:57 | |
There's no more replacing, we're not the Sugababes. | 0:23:08 | 0:23:11 | |
I think if either me or Carly decide to throw the towel in, | 0:23:11 | 0:23:15 | |
they'd be no more replacing, and that would be that. | 0:23:15 | 0:23:18 | |
# ..Would you lie with me | 0:23:18 | 0:23:20 | |
# And just forget the world? | 0:23:20 | 0:23:24 | |
# Forget what we're told | 0:23:25 | 0:23:27 | |
# Before we get too old. # | 0:23:29 | 0:23:32 | |
-A real-life ostrich had to get plucked for this. -Ew! | 0:23:42 | 0:23:47 | |
It didn't die, at least! | 0:23:47 | 0:23:48 | |
# Come here, rude boy, boy Can you get it up? | 0:23:49 | 0:23:53 | |
# Come here, rude boy, boy Is you big enough? # | 0:23:53 | 0:23:55 | |
What you're gonna do, you're gonna hear the truck go | 0:23:55 | 0:23:57 | |
and look directly into the camera and sing away. | 0:23:57 | 0:24:01 | |
It's gonna take a while, a few takes from beginning to end. | 0:24:01 | 0:24:05 | |
# I'm a good girl really | 0:24:05 | 0:24:08 | |
# Only when I'm sleeping | 0:24:08 | 0:24:10 | |
# Only when I'm sleeping. # | 0:24:10 | 0:24:12 | |
Look into the camera. | 0:24:12 | 0:24:14 | |
Where's the models? I'm traumatised. | 0:24:14 | 0:24:16 | |
People just came...with my brother and she came and left. | 0:24:16 | 0:24:19 | |
"Ring to get in." What? What the fuck do you ring to get in, a bell? | 0:24:19 | 0:24:22 | |
They didn't leave a cow bell or something? | 0:24:22 | 0:24:25 | |
-Excuse me? -What's it for? | 0:24:26 | 0:24:28 | |
You just need to sit in the audience | 0:24:28 | 0:24:31 | |
and pretend you're part of the fashion show. | 0:24:31 | 0:24:33 | |
If you can find anybody else, bring them as well. | 0:24:33 | 0:24:36 | |
Thank you so much, girls. That's us more or less sorted. | 0:24:36 | 0:24:39 | |
# A quarter past September and I roll out of bed | 0:24:45 | 0:24:48 | |
# I've got a brass band percussion thumping tunes in my head | 0:24:48 | 0:24:51 | |
# An invisible friend whispering once in my ear | 0:24:51 | 0:24:54 | |
# You'd feel so much better if you'd just have a beer. # | 0:24:54 | 0:24:57 | |
DJ's here with me, and the socialites sing with Carly and wee Lauren and all. | 0:24:57 | 0:25:02 | |
Then...a prostitute scene on a main road, and that's it. | 0:25:02 | 0:25:07 | |
She's called you over. Right. And all of a sudden, there's no sign. | 0:25:07 | 0:25:11 | |
He's gonna get down and try and fix it, and I'm gonna get all that down there - | 0:25:11 | 0:25:17 | |
it looks like he's doing dirty things to me. | 0:25:17 | 0:25:20 | |
And it's Carly's boyfriend, so I feel like a nob! | 0:25:23 | 0:25:26 | |
-I am mortified. -You're the one that wanted the shot. Now, come on. Here! | 0:25:28 | 0:25:33 | |
Kat, Kat, it's either going to look really cool or really stupid. | 0:25:33 | 0:25:37 | |
-It could be worse - it could be Ricky doing it. -Give me that face. | 0:25:37 | 0:25:39 | |
Mouth open. Loving it. | 0:25:39 | 0:25:41 | |
Count to three and then walk into the window. | 0:25:41 | 0:25:44 | |
I'm the model coming off the runway and I'm walking out of the club | 0:25:44 | 0:25:47 | |
and then I go to get a lift, but there's prostitutes in the background, | 0:25:47 | 0:25:51 | |
so it looks as if I'm prostituting myself. | 0:25:51 | 0:25:55 | |
Can I just see your legs open, a wee bit open. Jesus! | 0:25:55 | 0:25:59 | |
-It's OK, just a bit higher again. OK, guys, that's a wrap! -Yay! | 0:25:59 | 0:26:04 | |
Well done, everybody. Woo-hoo! | 0:26:04 | 0:26:06 | |
I love all that, but because it was Carly's boyfriend... No! I don't love all that! No! | 0:26:06 | 0:26:11 | |
No, I love the craic. | 0:26:13 | 0:26:15 | |
It's exactly what it was! | 0:26:15 | 0:26:17 | |
We're so excited - shall we watch it now? | 0:26:23 | 0:26:25 | |
Yeah, but don't show me... I feel sick, I'm so excited. | 0:26:25 | 0:26:29 | |
I know this is what we said at the start, we wanted a music video. | 0:26:29 | 0:26:32 | |
Now we'll have one and now we're scared. | 0:26:32 | 0:26:35 | |
-Let's watch it. -Yes. -Let's do it. | 0:26:36 | 0:26:39 | |
# Don't try and judge me | 0:26:41 | 0:26:43 | |
# It's a statement, not a dare | 0:26:43 | 0:26:47 | |
# I'm the kind of woman | 0:26:47 | 0:26:48 | |
# Who does her hair to match her underwear | 0:26:48 | 0:26:53 | |
# You don't have to fear me | 0:26:53 | 0:26:55 | |
# It's a rule I'm always keeping | 0:26:55 | 0:26:58 | |
# I'm a good girl, really | 0:26:58 | 0:27:01 | |
# But only when I'm sleeping | 0:27:01 | 0:27:04 | |
# Only when I'm sleeping... # | 0:27:04 | 0:27:08 | |
LAUGHTER | 0:27:08 | 0:27:09 | |
# Don't get me wrong I'm full of ambition | 0:27:11 | 0:27:14 | |
# I'm not much of a cook but I'll heat up your kitchen | 0:27:14 | 0:27:17 | |
# I have an army of fans singing praise in my ear | 0:27:17 | 0:27:21 | |
# Give us a wave, love I'll give you a cheer | 0:27:21 | 0:27:23 | |
# Every deal has a memory I'll play truth or dare | 0:27:23 | 0:27:26 | |
# I've got my own booze but I really don't care | 0:27:26 | 0:27:30 | |
# ..Yesterday's favours | 0:27:30 | 0:27:32 | |
# I love when they pretend not to stare... # | 0:27:32 | 0:27:36 | |
-I look ugly on camera. -I'm rough as... | 0:27:36 | 0:27:38 | |
I look like I have a skin disease. Like a egghead. | 0:27:38 | 0:27:43 | |
-I think yous look lovely. -You look gorgeous. You're nuts. | 0:27:43 | 0:27:47 | |
I feel really emotional. | 0:27:47 | 0:27:50 | |
This time last year, we were saying we wanted to get a music video. | 0:27:50 | 0:27:53 | |
We didn't think we'd get there and we have one now. | 0:27:53 | 0:27:55 | |
-It's really overwhelming. -It's really well put together. | 0:27:55 | 0:27:59 | |
-They've made such a good job on it. -They've done a brilliant job, I'm so delighted. | 0:27:59 | 0:28:04 | |
-I feel like crying, I'm so... I dunno. -It's awesome. | 0:28:04 | 0:28:08 | |
-I'm so excited, I'm so proud of us. High-five. -High-five. | 0:28:08 | 0:28:13 | |
I think that makes us a bit more credible now. | 0:28:13 | 0:28:16 | |
When you see that we look polished. | 0:28:16 | 0:28:19 | |
That's the end product of the crazy, crazy year of hard work. | 0:28:19 | 0:28:23 | |
-Me and the girls know we have a long way to go. -Absolutely. | 0:28:23 | 0:28:26 | |
But I couldn't be happier. | 0:28:26 | 0:28:29 | |
-Watch this space, Voodoo! -Yeah. | 0:28:29 | 0:28:32 | |
# Don't try and judge me | 0:28:32 | 0:28:35 | |
# It's a statement not a dare | 0:28:35 | 0:28:37 | |
# I'm the kind of woman who does her hair to match her underwear | 0:28:38 | 0:28:44 | |
# You don't have to fear me | 0:28:44 | 0:28:47 | |
# It's a rule I'm always keeping | 0:28:47 | 0:28:51 | |
# I'm a good girl really | 0:28:51 | 0:28:53 | |
# But only when I'm sleeping | 0:28:53 | 0:28:56 | |
# Only when I'm sleeping | 0:28:56 | 0:28:58 | |
# You'll see this girl sleeping in your bed | 0:28:59 | 0:29:03 | |
# You'll see this girl Remember what she said | 0:29:03 | 0:29:06 | |
# You'll see this girl She's dancing on the bar | 0:29:06 | 0:29:09 | |
# Hold her close She might just be a star! # | 0:29:09 | 0:29:12 |