Browse content similar to Grace Victory's Top Picks. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
(Right.) | 0:00:02 | 0:00:03 | |
Too early for this. | 0:00:04 | 0:00:06 | |
Hi, I'm Grace Victory, | 0:00:06 | 0:00:08 | |
I am a fashion blogger from the UK, | 0:00:08 | 0:00:10 | |
and you might know me as uglyfaceofbeauty from YouTube. | 0:00:10 | 0:00:13 | |
And my message is pretty clear. | 0:00:13 | 0:00:16 | |
I'm a size 16 and I really want other girls, even boys out there, | 0:00:16 | 0:00:20 | |
to feel comfortable and confident with who they are. | 0:00:20 | 0:00:23 | |
So I'm so excited to be vlogging today | 0:00:23 | 0:00:26 | |
and taking you with me to London Fashion Week. | 0:00:26 | 0:00:29 | |
Oh, my God. It's going to be amazing. | 0:00:29 | 0:00:31 | |
I'm good to go behind the scenes, go on the catwalk, celeb-spot as well. | 0:00:31 | 0:00:36 | |
I just cannot wait. | 0:00:36 | 0:00:37 | |
Right, I've got to go, | 0:00:37 | 0:00:39 | |
but if you want to see the latest trends on the catwalk, | 0:00:39 | 0:00:41 | |
keep on watching and I'm going to be teaching you how to rock them | 0:00:41 | 0:00:44 | |
straight from the high street. | 0:00:44 | 0:00:46 | |
Got to go. Bye! | 0:00:46 | 0:00:48 | |
-Simon! -Yeah? | 0:00:50 | 0:00:52 | |
Need your help now, because I've got to get stuff done | 0:00:52 | 0:00:55 | |
and I'm late, as always. | 0:00:55 | 0:00:57 | |
I need my powder, brush, my lipstick. Please. | 0:00:57 | 0:01:02 | |
Lipstick, powder, brush. | 0:01:02 | 0:01:04 | |
-So, Simon is my boyfriend. -The one and only. | 0:01:04 | 0:01:08 | |
-It's not just like this random boy... in my house. -The best boyfriend. | 0:01:08 | 0:01:12 | |
And he helps me with life, basically. | 0:01:12 | 0:01:15 | |
-And... -Make-up. | 0:01:15 | 0:01:16 | |
..he's been in my videos before and, like, helped with my make-up. | 0:01:16 | 0:01:19 | |
And you can contour, can't you? | 0:01:19 | 0:01:22 | |
I'm getting there. | 0:01:22 | 0:01:23 | |
You missed a bit. | 0:01:24 | 0:01:26 | |
Go on, then. | 0:01:26 | 0:01:27 | |
-Just one nice... -No, my eyebrows! Oh, my God, do not do that. | 0:01:28 | 0:01:32 | |
Right, bronzer... and then I need this... | 0:01:32 | 0:01:36 | |
-as well. -What does this do? -Just have some. | 0:01:36 | 0:01:40 | |
It sets your face in place | 0:01:40 | 0:01:41 | |
and it's good for, like, a refresh throughout the day. | 0:01:41 | 0:01:44 | |
Yeah, so, I'm ready now. | 0:01:44 | 0:01:45 | |
I just need to, erm, | 0:01:45 | 0:01:48 | |
put this on - | 0:01:48 | 0:01:49 | |
this is my statement coat. | 0:01:49 | 0:01:52 | |
Do you like it? | 0:01:52 | 0:01:54 | |
It's kind of like Hugh Hefner-esque type... Do you like it? | 0:01:54 | 0:01:58 | |
No, I love it. | 0:01:58 | 0:01:59 | |
You looked at it like, "You're wearing that?!" | 0:01:59 | 0:02:01 | |
-Reversible. -Yeah, it's from H&M. 50 quid. | 0:02:01 | 0:02:03 | |
So you guys need to get out - got to get changed. | 0:02:03 | 0:02:06 | |
Go. Go! Bye! | 0:02:08 | 0:02:09 | |
So a few months ago I did the Cosmo shoot. | 0:02:17 | 0:02:20 | |
It was The Curve Edit for Evans. | 0:02:20 | 0:02:23 | |
It was just one of the best things I've ever done, I loved it. | 0:02:23 | 0:02:26 | |
This is me here. I look very different. | 0:02:26 | 0:02:29 | |
I had, like, a black straight-hair wig, | 0:02:29 | 0:02:32 | |
skinny jeans, and I had these heels. | 0:02:32 | 0:02:34 | |
I kept falling through the wood on Brighton Pier. | 0:02:34 | 0:02:37 | |
Which was not fun. But it was so good. | 0:02:37 | 0:02:39 | |
Sometimes I can't believe that's me. | 0:02:39 | 0:02:41 | |
It's crazy. | 0:02:41 | 0:02:43 | |
I guess I never knew that I'd actually get here. | 0:02:43 | 0:02:46 | |
I kind of had a difficult childhood and, like, my teenage years, | 0:02:46 | 0:02:51 | |
so to go through that and then suddenly be in magazines modelling | 0:02:51 | 0:02:54 | |
and strutting my stuff, it's crazy, like, the journey that I've been on. | 0:02:54 | 0:02:58 | |
It blows my mind every time I do, like, fun things. | 0:02:58 | 0:03:01 | |
Amazing! | 0:03:11 | 0:03:12 | |
Take a look. | 0:03:17 | 0:03:19 | |
So we're outside the Brewer Street car park. | 0:03:19 | 0:03:24 | |
And this is where the hub of Fashion Week is taking place, | 0:03:24 | 0:03:28 | |
and it is crazy. | 0:03:28 | 0:03:30 | |
There's, like, queues for everything. | 0:03:30 | 0:03:32 | |
There's paps and people taking photos, bloggers I think. | 0:03:32 | 0:03:37 | |
Just people walking by. | 0:03:37 | 0:03:39 | |
I'm scared! | 0:03:40 | 0:03:42 | |
Right, let's get in. | 0:03:42 | 0:03:44 | |
While the crowds hover outside, | 0:03:46 | 0:03:48 | |
hoping to get a ticket to one of the first shows of the weekend | 0:03:48 | 0:03:51 | |
by Turkish-born designer Bora Aksu, | 0:03:51 | 0:03:53 | |
I've been given access all areas. | 0:03:53 | 0:03:56 | |
Right, so I'm here. | 0:03:58 | 0:04:00 | |
My first show is Bora Aksu. | 0:04:00 | 0:04:02 | |
He's known for elegance, seductiveness, | 0:04:02 | 0:04:05 | |
just really beautiful pieces. | 0:04:05 | 0:04:07 | |
And I'm backstage and I haven't been here before, | 0:04:07 | 0:04:09 | |
so I actually can't quite believe it. I'm so excited. | 0:04:09 | 0:04:12 | |
And this is where all the models will do all the quick changing. | 0:04:19 | 0:04:22 | |
Yup. | 0:04:22 | 0:04:23 | |
-As you can see, it's quite manic at the moment. -Yeah. | 0:04:23 | 0:04:27 | |
Let's go through here and I'll show you make-up. | 0:04:27 | 0:04:30 | |
-All the models should be here by now, but... -Some running late! | 0:04:30 | 0:04:33 | |
-Some are running late. -Lost somewhere. | 0:04:33 | 0:04:35 | |
I love it. Crazy. | 0:04:37 | 0:04:38 | |
-Crazy, it is crazy. -It's, like, amazing. | 0:04:38 | 0:04:40 | |
Do you want to have a look at the collection? | 0:04:40 | 0:04:42 | |
Yeah, take us through. | 0:04:42 | 0:04:44 | |
-This is very much kind of classic Bora. -Yeah, yeah. | 0:04:46 | 0:04:49 | |
It's kind of very feminine but a bit tomboyish at the same time. | 0:04:49 | 0:04:53 | |
Yeah, it's really nice, I love the shorts. Kind of high-waisted. | 0:04:53 | 0:04:57 | |
Yeah, and I haven't actually seen the collection myself! | 0:04:57 | 0:05:00 | |
I love the colours in that. | 0:05:00 | 0:05:02 | |
Yeah, especially, I think, for this season, | 0:05:02 | 0:05:04 | |
there's going to be quite a lot of the peaches and pinks. | 0:05:04 | 0:05:08 | |
Yeah, coral tones coming through. | 0:05:08 | 0:05:10 | |
This piece in particular I think is absolutely stunning. | 0:05:10 | 0:05:14 | |
The crochet, which is on the high street at the moment. | 0:05:14 | 0:05:18 | |
Net, sheer panels. And also, so on-trend, lace-up peep-toe shoes, | 0:05:18 | 0:05:22 | |
which are amazing. | 0:05:22 | 0:05:24 | |
Hi, nice to meet you, thank you so much. How is today going? | 0:05:24 | 0:05:28 | |
-How are you feeling? -It's going fine. It started a bit of stressful | 0:05:28 | 0:05:32 | |
-because this is the first time using this venue. -Yeah. | 0:05:32 | 0:05:35 | |
Move over to this side, because it's not a straightforward catwalk! | 0:05:35 | 0:05:39 | |
Concentrate. | 0:05:39 | 0:05:40 | |
So you're a London-based designer. | 0:05:40 | 0:05:42 | |
-Yeah. -Turkish. -Yes. | 0:05:42 | 0:05:43 | |
What inspired you to make this collection this year? | 0:05:43 | 0:05:46 | |
I usually like to do my collections | 0:05:46 | 0:05:48 | |
really through personal stories or memories, | 0:05:48 | 0:05:50 | |
and this time I looked back into my childhood memories. | 0:05:50 | 0:05:54 | |
And the garden, I always remember going in that in mornings, | 0:05:54 | 0:05:58 | |
and the colours, it was almost like, as a child I see it as... | 0:05:58 | 0:06:01 | |
-Yeah, sunsets and stuff. -..magical gardens. | 0:06:01 | 0:06:04 | |
And that colour's actually inspired me to do the collection. | 0:06:04 | 0:06:08 | |
It's very summery and fresh. | 0:06:08 | 0:06:09 | |
I thought it was sensational. | 0:06:22 | 0:06:23 | |
I think Bora's signature | 0:06:25 | 0:06:27 | |
is a kind of folkloric craftsmanship. | 0:06:27 | 0:06:30 | |
And sometimes it's crochet, or embroidery, | 0:06:31 | 0:06:33 | |
or beadwork, lace, | 0:06:33 | 0:06:35 | |
but it always has a slightly folkloric feel to it. | 0:06:35 | 0:06:39 | |
And it's very feminine, but it's not kind of cutesy. | 0:06:39 | 0:06:43 | |
I mean, there were pieces there, you know, | 0:06:43 | 0:06:45 | |
that a woman of any age would wear. | 0:06:45 | 0:06:47 | |
This was just delightful. | 0:06:53 | 0:06:55 | |
And I love the way you started with those icy pastels | 0:06:55 | 0:06:58 | |
and then suddenly these firework colours. | 0:06:58 | 0:07:02 | |
Yellow and shocking pink and orange. | 0:07:02 | 0:07:05 | |
Beautiful. | 0:07:05 | 0:07:06 | |
That was an amazing show, I feel totally inspired. | 0:07:11 | 0:07:14 | |
I'm going to go and blog about it right now, so follow me. | 0:07:14 | 0:07:16 | |
The go-to destination for bloggers during London Fashion Week | 0:07:19 | 0:07:22 | |
is The Apartment. | 0:07:22 | 0:07:24 | |
This is where hard-working bloggers | 0:07:24 | 0:07:25 | |
grab something to eat and drink between shows, | 0:07:25 | 0:07:27 | |
get their make-up touched up, | 0:07:27 | 0:07:29 | |
and report on the latest looks trending from the catwalk. | 0:07:29 | 0:07:32 | |
"Loved the Bora Aksu show. | 0:07:33 | 0:07:37 | |
"All those beautiful colours." | 0:07:37 | 0:07:41 | |
Tweet. | 0:07:41 | 0:07:42 | |
The highlights for me were the bright orange | 0:07:43 | 0:07:46 | |
and the bright purple-pink - like a fuchsia colour - | 0:07:46 | 0:07:49 | |
was just amazing, especially for my skin tone. | 0:07:49 | 0:07:52 | |
The only problem is, | 0:07:52 | 0:07:53 | |
obviously this stock isn't out until, you know, next year. | 0:07:53 | 0:07:57 | |
And the other slight snag is that, | 0:07:57 | 0:08:00 | |
obviously, myself, and probably you guys, | 0:08:00 | 0:08:04 | |
can't afford to shop at Bora. | 0:08:04 | 0:08:07 | |
But I'm going to show you how to create that look | 0:08:07 | 0:08:09 | |
but with high-street prices. | 0:08:09 | 0:08:11 | |
If you'd have asked me years ago | 0:08:14 | 0:08:17 | |
how quickly will a show that we've just seen | 0:08:17 | 0:08:18 | |
get to the high street, | 0:08:18 | 0:08:20 | |
traditionally it's spring/summer '16, | 0:08:20 | 0:08:21 | |
so you would be seeing it drop in March. | 0:08:21 | 0:08:24 | |
But, of course, what happens now, I've just been tweeting pictures, | 0:08:24 | 0:08:27 | |
so somebody can see these beautiful kind of lace-embroidered dresses now | 0:08:27 | 0:08:31 | |
and probably, the reality is, someone like a Topshop, or a Zara, | 0:08:31 | 0:08:33 | |
or another high-street retailer, | 0:08:33 | 0:08:35 | |
will probably do something very similar way before then. | 0:08:35 | 0:08:39 | |
So you'll actually start to see it - I couldn't give you an exact date - | 0:08:39 | 0:08:42 | |
but very, very soon it will filter through. | 0:08:42 | 0:08:44 | |
New Look's always a good place to find stuff. | 0:08:44 | 0:08:47 | |
Now, that is a bit of Bora. | 0:08:47 | 0:08:50 | |
The detail, the kind of crochet textures. | 0:08:50 | 0:08:54 | |
That as well. | 0:08:54 | 0:08:55 | |
I mean, that's a bit more kind of flirty, I quite like that. | 0:08:57 | 0:09:00 | |
That is definitely not Bora. | 0:09:01 | 0:09:04 | |
With the high street, | 0:09:04 | 0:09:05 | |
they'll use the inspiration of the catwalk, | 0:09:05 | 0:09:08 | |
and that happens everywhere now. | 0:09:08 | 0:09:11 | |
The designers see that as a flattering thing. | 0:09:11 | 0:09:13 | |
There will be a girl who will buy that Prada suit | 0:09:13 | 0:09:16 | |
and there will be a girl who will buy | 0:09:16 | 0:09:19 | |
a similar-looking suit from the high street. | 0:09:19 | 0:09:22 | |
This isn't Bora, but fringe is really in this season - | 0:09:22 | 0:09:25 | |
that whole '70s vibe, which I absolutely love. | 0:09:25 | 0:09:28 | |
Fringe galore. | 0:09:28 | 0:09:30 | |
I told you it was on-trend. | 0:09:30 | 0:09:32 | |
What you see now is, | 0:09:32 | 0:09:33 | |
yes, you've got all this high-end fashion, | 0:09:33 | 0:09:36 | |
you'll see it filter down to an audience | 0:09:36 | 0:09:39 | |
who can then kind of interpret it in their own way. | 0:09:39 | 0:09:42 | |
Now, this is Bora. | 0:09:42 | 0:09:44 | |
You've got to pose with the bag, you know? | 0:09:44 | 0:09:46 | |
Can you rock the bag, Grace? | 0:09:46 | 0:09:49 | |
Are working it, Grace? You are. Is it worth the price? | 0:09:51 | 0:09:53 | |
£27.99. | 0:09:53 | 0:09:55 | |
Quite like that. | 0:09:55 | 0:09:57 | |
Fashion really has a responsibility to filter down, | 0:09:57 | 0:10:00 | |
because everything is so democratic now. | 0:10:00 | 0:10:02 | |
I mean, fashion really shouldn't be for the elite, | 0:10:02 | 0:10:05 | |
and actually isn't for the elite. | 0:10:05 | 0:10:07 | |
And, actually, I always laugh about high fashion | 0:10:07 | 0:10:09 | |
because it's like the older you get, | 0:10:09 | 0:10:10 | |
you're more likely to be able to afford it, | 0:10:10 | 0:10:12 | |
but a lot of the younger girls, like our readers, | 0:10:12 | 0:10:15 | |
it looks amazing on them, | 0:10:15 | 0:10:16 | |
so you need something like the high street to deliver that to them. | 0:10:16 | 0:10:19 | |
So I love this belt. | 0:10:19 | 0:10:22 | |
This kind of detail, | 0:10:22 | 0:10:23 | |
the flower, the colours, is very, very Bora. | 0:10:23 | 0:10:26 | |
So I think... | 0:10:26 | 0:10:27 | |
I'm going to get that. | 0:10:27 | 0:10:29 | |
So I'm all shopped out and I've got all my goodies, | 0:10:34 | 0:10:36 | |
ready to help you nail that Bora look. | 0:10:36 | 0:10:39 | |
# Keep going, keep going Keep going | 0:10:51 | 0:10:54 | |
# Get up, get up, get up Get up, get up | 0:10:54 | 0:10:57 | |
# Get up, get up, get up get up, get up | 0:10:57 | 0:10:59 | |
# Get up, get up, get up Get up, get up | 0:10:59 | 0:11:01 | |
# Get up, get up, get up Get up, get up | 0:11:01 | 0:11:04 | |
# Sit back down. # | 0:11:04 | 0:11:06 | |
So it's day two, I'm super-tired from yesterday, which was amazing. | 0:11:06 | 0:11:09 | |
But I can't complain, | 0:11:09 | 0:11:10 | |
because I could be back at home working in my office, | 0:11:10 | 0:11:13 | |
but instead I'm off to see one of my favourite designers, | 0:11:13 | 0:11:16 | |
a presentation by Markus Lupfer. | 0:11:16 | 0:11:17 | |
Markus Lupfer we absolutely love. | 0:11:24 | 0:11:26 | |
His knitwear is fantastic. | 0:11:26 | 0:11:28 | |
Despite the fact he's German, he's actually picked up on | 0:11:28 | 0:11:31 | |
that kind of almost quintessential English sort of kitsch. | 0:11:31 | 0:11:34 | |
But you can always tell the true Markus Lupfer product, | 0:11:34 | 0:11:37 | |
and it's very distinctive. | 0:11:37 | 0:11:39 | |
Yeah, it's just got that tongue-in-cheek | 0:11:39 | 0:11:41 | |
kind of kitschness to it, | 0:11:41 | 0:11:43 | |
which is on a luxury base. | 0:11:43 | 0:11:45 | |
You love it. And the editor loves it, yeah. | 0:11:46 | 0:11:50 | |
We have Markus Lupfer Day where we all wear our Markus Lupfer jumpers. | 0:11:50 | 0:11:53 | |
I can't have a bit of glitz and glamour without Markus, | 0:11:55 | 0:11:57 | |
so it's perfect. | 0:11:57 | 0:11:59 | |
And it's a pretty-girl vibe, | 0:11:59 | 0:12:01 | |
but also a little bit tomboyish as well with the flats. | 0:12:01 | 0:12:05 | |
Just the kind of crazy prints | 0:12:05 | 0:12:07 | |
and the kind of fun aspects | 0:12:07 | 0:12:09 | |
that he always puts out every season. | 0:12:09 | 0:12:11 | |
It's just always very beautiful. | 0:12:11 | 0:12:12 | |
It's always really intricate, like, embroidery, beading, sparkles. | 0:12:12 | 0:12:16 | |
And we like the sunglasses a lot. | 0:12:16 | 0:12:18 | |
The sunglasses are fantastic, yeah. | 0:12:18 | 0:12:20 | |
Markus - strong, edgy, individual designer | 0:12:22 | 0:12:25 | |
who is one of London's favourites. | 0:12:25 | 0:12:28 | |
All the fashion press love him. | 0:12:28 | 0:12:30 | |
He's one of the darlings. | 0:12:30 | 0:12:32 | |
It's one of those things that, you know, you want to go, | 0:12:32 | 0:12:34 | |
you want to see the show, | 0:12:34 | 0:12:36 | |
you want to see the presentation. | 0:12:36 | 0:12:38 | |
So if you haven't seen a presentation before, this is it. | 0:12:38 | 0:12:41 | |
Kind of a static catwalk. | 0:12:41 | 0:12:43 | |
The models are the art and they don't really move, | 0:12:43 | 0:12:45 | |
which is kind of weird but exciting. | 0:12:45 | 0:12:47 | |
Some bomber jackets at the back, | 0:12:52 | 0:12:54 | |
they're always in, | 0:12:54 | 0:12:56 | |
with the gold detail, floral print here. | 0:12:56 | 0:12:59 | |
This is a really nice floral print. | 0:12:59 | 0:13:01 | |
I haven't seen a floral print like that before. | 0:13:01 | 0:13:03 | |
I'm going to get a picture. | 0:13:03 | 0:13:05 | |
Love that. | 0:13:07 | 0:13:09 | |
Loving the sheer material here. | 0:13:09 | 0:13:12 | |
Plimsolls with, like, a floral print over the top, which is amazing. | 0:13:12 | 0:13:17 | |
We've got a lot of embroidery. | 0:13:17 | 0:13:18 | |
And the main colour, as far as I can see, is black. | 0:13:18 | 0:13:23 | |
So, for Markus, black is back. | 0:13:23 | 0:13:25 | |
And I'm excited, because I always wear black. | 0:13:25 | 0:13:28 | |
When I design, I have, like, | 0:13:28 | 0:13:31 | |
-this little story in my head. -Yeah. | 0:13:31 | 0:13:33 | |
So, for example, this time, I was in imagining this girl, | 0:13:33 | 0:13:37 | |
she is in the desert, | 0:13:37 | 0:13:38 | |
and suddenly it starts raining | 0:13:38 | 0:13:40 | |
and it's like... Suddenly the flowers are coming up | 0:13:40 | 0:13:44 | |
and she stands in this field of flowers. | 0:13:44 | 0:13:47 | |
And so that whole collection | 0:13:47 | 0:13:49 | |
is based on this harsh and hard land on one side, | 0:13:49 | 0:13:54 | |
-and those pretty flowers on the other. -It's amazing. | 0:13:54 | 0:13:57 | |
I liked the coat with the flowers on, the sheer coat. | 0:13:57 | 0:14:00 | |
-It was just... Oh, my God, amazing. -Thank you. | 0:14:00 | 0:14:03 | |
So if you could describe kind of like Markus Lupfer's vibe, | 0:14:03 | 0:14:06 | |
because, obviously, your collection changes, | 0:14:06 | 0:14:08 | |
do you kind of have, like, three words that describe | 0:14:08 | 0:14:11 | |
what you kind of always think about when you're creating something? | 0:14:11 | 0:14:14 | |
-Or does it always change? -It changes a little bit, | 0:14:14 | 0:14:16 | |
but there's always something which I think is important. | 0:14:16 | 0:14:19 | |
It's like, to feel at ease, | 0:14:19 | 0:14:22 | |
to feel good at it | 0:14:22 | 0:14:24 | |
and to make you feel special. | 0:14:24 | 0:14:26 | |
The other thing is chic but it's also casual. | 0:14:26 | 0:14:29 | |
It's that balance between the two, | 0:14:29 | 0:14:31 | |
and it's like you can wear it during the day, | 0:14:31 | 0:14:33 | |
you can wear it in the evening. | 0:14:33 | 0:14:35 | |
It's always a bit like two-in-one. | 0:14:35 | 0:14:38 | |
Transition pieces, yeah. | 0:14:38 | 0:14:40 | |
-Yeah. I love that. -Yeah, you could just put it on and you're like, | 0:14:40 | 0:14:42 | |
-"Yes, I look amazing." -Oh, yes. | 0:14:42 | 0:14:44 | |
Oh, amazing. Thank you so much for talking to me today. | 0:14:44 | 0:14:46 | |
-Thank you so much, thanks for coming. -No, it's fine, love it! | 0:14:46 | 0:14:50 | |
That was amazing. I made a new best friend. | 0:14:50 | 0:14:54 | |
He was so welcoming, he was so sweet, took a selfie for Twitter. | 0:14:54 | 0:14:57 | |
He was, like, just like a normal person. | 0:14:57 | 0:15:00 | |
It was just incredible and I'm buzzing. Day made. | 0:15:00 | 0:15:03 | |
Markus Lupfer's a great designer. | 0:15:03 | 0:15:04 | |
I mean, we've worked with him in the past, | 0:15:04 | 0:15:06 | |
we've done a collaboration. | 0:15:06 | 0:15:08 | |
But I think what's so amazing about his pieces | 0:15:08 | 0:15:10 | |
are that they are really accessible. | 0:15:10 | 0:15:11 | |
Anybody can wear them. | 0:15:11 | 0:15:13 | |
You can kind of pair it with a pair of jeans, | 0:15:13 | 0:15:15 | |
especially his jumpers and his T-shirts. | 0:15:15 | 0:15:17 | |
So, I love Asos, Missguided and other online stores. | 0:15:17 | 0:15:21 | |
Pretty budget, but they have such amazing pieces. | 0:15:21 | 0:15:24 | |
A lot of inspired stuff from the catwalk. | 0:15:24 | 0:15:26 | |
So I'm going to look on Asos first | 0:15:26 | 0:15:29 | |
for an outfit that's kind of Markus Lupfer-inspired. | 0:15:29 | 0:15:34 | |
I'm going to go for, like, a sports-luxe vibe. | 0:15:34 | 0:15:36 | |
It's comfortable, it's very, very him, and it's just easy to get. | 0:15:36 | 0:15:40 | |
So these harem pants I think I'm going to get. | 0:15:40 | 0:15:43 | |
They've got my size. I'm going to get those. | 0:15:43 | 0:15:45 | |
Trousers in the bag, | 0:15:47 | 0:15:48 | |
I'm hitting Carnaby Street in Soho, | 0:15:48 | 0:15:50 | |
the original shopping mecca for all those funky fashionistas, | 0:15:50 | 0:15:54 | |
to see what else I can find. | 0:15:54 | 0:15:56 | |
So I'm bound to find a Markus Lupfer-inspired look in here. | 0:15:58 | 0:16:01 | |
It's Monkey, and it's my favourite high-street store. | 0:16:01 | 0:16:04 | |
Not many people know about Monkey, but the ones who do love it | 0:16:04 | 0:16:07 | |
because it's affordable and so on-trend. | 0:16:07 | 0:16:11 | |
So I'm going to have a look around and see what I can find. | 0:16:11 | 0:16:14 | |
Oh, I like bomber jackets | 0:16:14 | 0:16:16 | |
and a metallic skirt. | 0:16:16 | 0:16:17 | |
If you could style that up... | 0:16:17 | 0:16:19 | |
props to you, because I could not pull that off! | 0:16:19 | 0:16:23 | |
I like these, but they're not... I think I could do better. | 0:16:23 | 0:16:26 | |
What do you think? Do I look good? | 0:16:26 | 0:16:28 | |
Oh, look, gold - I love gold. | 0:16:28 | 0:16:30 | |
Oh, my God, yes. | 0:16:33 | 0:16:35 | |
This is very Markus Lupfer. | 0:16:35 | 0:16:37 | |
The print, the kind of bomber jacket, | 0:16:37 | 0:16:40 | |
sports-luxe vibe. | 0:16:40 | 0:16:42 | |
This, the kind of geometric print. | 0:16:42 | 0:16:46 | |
Silver. | 0:16:46 | 0:16:47 | |
I love that. | 0:16:47 | 0:16:50 | |
So I found my glasses, these are perfect for Lupfer. | 0:16:50 | 0:16:52 | |
In the spirit of Markus' street-style vibe, | 0:16:55 | 0:16:58 | |
I'm going to model his look for you | 0:16:58 | 0:17:00 | |
right here in Carnaby Street. | 0:17:00 | 0:17:02 | |
# Express yourself | 0:17:03 | 0:17:04 | |
# You don't ever need help | 0:17:08 | 0:17:11 | |
# From nobody else | 0:17:11 | 0:17:14 | |
# All you got to do now | 0:17:14 | 0:17:16 | |
# Express yourself | 0:17:18 | 0:17:20 | |
# Whatever you do | 0:17:24 | 0:17:25 | |
# Do it good... # | 0:17:29 | 0:17:31 | |
If there's one thing any savvy fashionista knows, | 0:17:34 | 0:17:37 | |
it's that you can complete an outfit with just one killer designer item, | 0:17:37 | 0:17:41 | |
and the designer showrooms at London Fashion Week are full of them. | 0:17:41 | 0:17:45 | |
That is what you call bling. | 0:17:45 | 0:17:47 | |
Oh, my God. | 0:17:47 | 0:17:49 | |
I love it. Very, like... | 0:17:51 | 0:17:54 | |
Big Bird. | 0:17:54 | 0:17:57 | |
There's a thing called fashion maths, | 0:17:57 | 0:17:59 | |
and basically that means, you know, | 0:17:59 | 0:18:01 | |
you wear a high-street outfit - your jeans, your top, your blazer... | 0:18:01 | 0:18:05 | |
..and then you kind of splurge | 0:18:07 | 0:18:09 | |
on a timeless... | 0:18:09 | 0:18:11 | |
kind of amazing piece. | 0:18:11 | 0:18:14 | |
Now, I need, like, a Markus Lupfer-style bag. | 0:18:14 | 0:18:18 | |
I love these. | 0:18:18 | 0:18:20 | |
Like, pop-art kind of slogan, | 0:18:20 | 0:18:24 | |
statement bags, | 0:18:24 | 0:18:25 | |
that cost a lot but that last forever. | 0:18:25 | 0:18:28 | |
So, this - this is it. | 0:18:30 | 0:18:31 | |
This, this, this. Oh, my God. | 0:18:31 | 0:18:34 | |
This is like a boarding-pass... clutch bag | 0:18:34 | 0:18:38 | |
and it says, "First-class...I think". | 0:18:38 | 0:18:41 | |
And that is me - because I can't afford first-class, and I wish I did! | 0:18:41 | 0:18:44 | |
That is amazing. | 0:18:44 | 0:18:46 | |
I absolutely love that. | 0:18:46 | 0:18:48 | |
Gone are the days | 0:18:53 | 0:18:54 | |
where people will just wear a head-to-toe catwalk look. | 0:18:54 | 0:18:56 | |
It's much more about mixing, you know... | 0:18:56 | 0:18:59 | |
a trainer with a Topshop jean with a Mulberry bag. | 0:18:59 | 0:19:02 | |
That's the way girls are dressing. | 0:19:02 | 0:19:04 | |
Hi, guys, can I talk to you about your outfits that you've worn today? | 0:19:04 | 0:19:07 | |
Yeah. This, I bought it from H&M. But this is also vintage trousers. | 0:19:07 | 0:19:13 | |
It's vintage and this is Topshop. | 0:19:13 | 0:19:14 | |
Nice. Yeah, and this is obviously Chanel. | 0:19:14 | 0:19:18 | |
The way the fashionistas dress, the way they style clothes, | 0:19:18 | 0:19:21 | |
the way they put outfits together, | 0:19:21 | 0:19:24 | |
is a really good way of showing a look | 0:19:24 | 0:19:26 | |
and showcasing a look | 0:19:26 | 0:19:27 | |
that's a lot more accessible than the designer's vision of it, | 0:19:27 | 0:19:30 | |
or the designer's vision on the catwalk. | 0:19:30 | 0:19:32 | |
This is Stella McCartney. | 0:19:32 | 0:19:34 | |
-Amazing. -This is Monkey. | 0:19:34 | 0:19:36 | |
-OK, I love Monkey. -Me too. | 0:19:36 | 0:19:38 | |
-This is charity shop. -Yup. | 0:19:38 | 0:19:40 | |
This is Vivienne Westwood and these are Swedish Hasbeens. | 0:19:40 | 0:19:43 | |
I think it's really inspirational to see, as well, | 0:19:43 | 0:19:45 | |
the diversity in nails and hair and make-up, | 0:19:45 | 0:19:48 | |
which is really exciting. | 0:19:48 | 0:19:49 | |
And you only really get that in London. | 0:19:49 | 0:19:52 | |
If you go to New York, | 0:19:52 | 0:19:53 | |
everyone is very glossy and very put-together, | 0:19:53 | 0:19:56 | |
but in London you'll see lots of cool styles. | 0:19:56 | 0:19:59 | |
Could I just ask who your fashion inspiration is | 0:19:59 | 0:20:01 | |
and what you're wearing today? | 0:20:01 | 0:20:03 | |
-Erm...I'm wearing my own designs. -OK. | 0:20:03 | 0:20:07 | |
-And your shoes as well? -No. SHE LAUGHS | 0:20:07 | 0:20:10 | |
The blazer. The shoes aren't mine. Vivienne Westwood are the shoes. | 0:20:10 | 0:20:13 | |
-Nice. -The jewellery is mine. -You look amazing. -Thank you. | 0:20:13 | 0:20:15 | |
Hi, sorry, could I just ask about your trainers? | 0:20:15 | 0:20:19 | |
They're from Nike, | 0:20:19 | 0:20:21 | |
and they are being released next week. | 0:20:21 | 0:20:24 | |
And they are the Paris version, inspired by macaroons. | 0:20:24 | 0:20:27 | |
-This is amazing, it's like a cape. -Yeah. -And is this, like, attached? | 0:20:27 | 0:20:31 | |
-What is this contraption here? -No, this is attached to the top. | 0:20:31 | 0:20:34 | |
OK, that's a top. Oh, OK. I get it, I get it. | 0:20:34 | 0:20:38 | |
I really like your outfit, I really like this. | 0:20:38 | 0:20:40 | |
-Oh, thanks, H&M this is from. -H&M?! | 0:20:40 | 0:20:43 | |
-Yeah, 50 quid. -Nice meeting you. | 0:20:43 | 0:20:44 | |
-You too, and your eyebrows. -Thank you. | 0:20:44 | 0:20:47 | |
I'm off to one of the hottest tickets in town for London Fashion Week. | 0:20:48 | 0:20:51 | |
It's the PPQ show, a kind of cool DJ vibe, | 0:20:51 | 0:20:55 | |
and I've also got my boyfriend a ticket too. Let's go. | 0:20:55 | 0:20:57 | |
# I'm in with the in-crowd | 0:21:03 | 0:21:06 | |
# I go where the in-crowd go... # | 0:21:07 | 0:21:10 | |
Everyone always wants a PPQ ticket | 0:21:10 | 0:21:12 | |
because it's such good fun. | 0:21:12 | 0:21:15 | |
They have a great front row, | 0:21:15 | 0:21:16 | |
they've always got all the It girls of the moment on their front row | 0:21:16 | 0:21:19 | |
so, even just for the people-watching, | 0:21:19 | 0:21:21 | |
it's a hot ticket. | 0:21:21 | 0:21:22 | |
Really looking forward to it. | 0:21:22 | 0:21:24 | |
Amy's one of my best mates anyway, so I absolutely adore her. | 0:21:24 | 0:21:27 | |
I've been wearing her clothes since before I met her. | 0:21:27 | 0:21:31 | |
I think they're a really cool brand. | 0:21:31 | 0:21:33 | |
I think Percy's a really, really cool guy. | 0:21:33 | 0:21:34 | |
They always come up with really inventive, different things, | 0:21:34 | 0:21:37 | |
and it's British as well, | 0:21:37 | 0:21:38 | |
so we should be proud supporters of our home industry. | 0:21:38 | 0:21:41 | |
They're quirky and they've got a retro feel as well, | 0:21:42 | 0:21:46 | |
slight '50s thing going on. | 0:21:46 | 0:21:48 | |
And they do surprise you, | 0:21:48 | 0:21:50 | |
you'll always think, "Oh, OK, I wasn't expecting to see that," | 0:21:50 | 0:21:53 | |
but it works. | 0:21:53 | 0:21:55 | |
Sorry, come on. Quick, quick, quick! | 0:21:55 | 0:21:57 | |
# T'ain't no big thing | 0:22:00 | 0:22:01 | |
# To wait for the bell to ring | 0:22:02 | 0:22:05 | |
# T'ain't no big thing | 0:22:07 | 0:22:09 | |
# The toll of the bell | 0:22:10 | 0:22:12 | |
# Aggravated, spare for days | 0:22:15 | 0:22:19 | |
# I troll downtown the red-light place | 0:22:19 | 0:22:22 | |
# Jump up, bubble up What's in store? | 0:22:22 | 0:22:26 | |
# Love is the drug and I need to score... # | 0:22:26 | 0:22:30 | |
Yeah, I loved it. | 0:22:30 | 0:22:31 | |
It was like the most amazing show I've ever seen, | 0:22:31 | 0:22:33 | |
I couldn't believe it. | 0:22:33 | 0:22:35 | |
-Really? -Yeah, it was literally so... The front row was amazing. | 0:22:35 | 0:22:39 | |
And I just loved the pieces. | 0:22:39 | 0:22:41 | |
I think I need to get a leather jacket that's, like, blue... | 0:22:41 | 0:22:44 | |
-It's just amazing. -How much are they paying you?! | 0:22:44 | 0:22:48 | |
No, that was honest. | 0:22:48 | 0:22:49 | |
This is his first time at London Fashion Week. | 0:22:49 | 0:22:52 | |
Having fun? | 0:22:52 | 0:22:53 | |
Oh, I love it. | 0:22:53 | 0:22:55 | |
The sleeveless blue leather. | 0:22:55 | 0:22:58 | |
Well, we do a lot of cocktail dresses | 0:22:58 | 0:23:01 | |
and, for us, when you tailor... For a younger girl, as well, | 0:23:01 | 0:23:04 | |
when you put a tailored jacket on as well, | 0:23:04 | 0:23:06 | |
it's a bit sort of, mmm, you know? | 0:23:06 | 0:23:07 | |
We need to...harden it a little bit, so... | 0:23:07 | 0:23:11 | |
A bit edgy. | 0:23:11 | 0:23:12 | |
As soon as that jacket came out, we both went, "Yeah, that's the one." | 0:23:12 | 0:23:16 | |
It's like biker chic, it was amazing. Good for, like, younger people. | 0:23:16 | 0:23:19 | |
Yeah, congratulations, | 0:23:19 | 0:23:21 | |
it was seriously something. | 0:23:21 | 0:23:23 | |
CHEERING AND APPLAUSE | 0:23:23 | 0:23:25 | |
That was cray-zee. | 0:23:36 | 0:23:38 | |
Leather, a lot of leather, kind of '80s. | 0:23:39 | 0:23:42 | |
-Lots of blue. -Electric blue. Electric blue is, like, THE colour. | 0:23:42 | 0:23:45 | |
Which I'm happy about, because I really like that colour on me | 0:23:45 | 0:23:48 | |
and I think it looks great on, like, a lot of people. | 0:23:48 | 0:23:51 | |
And the structured leather jacket, | 0:23:51 | 0:23:53 | |
a lot of, like, whimsical, kind of floaty dresses. | 0:23:53 | 0:23:55 | |
I think that's probably one of my favourite shows ever. | 0:23:55 | 0:23:58 | |
Yeah, I really liked that. I might have to take it up. New career. | 0:23:58 | 0:24:01 | |
There was loads of celebs there. | 0:24:01 | 0:24:02 | |
There was, like, everyone from Made In Chelsea, | 0:24:02 | 0:24:04 | |
Diana Vickers, loads of people in the front row. | 0:24:04 | 0:24:07 | |
Right behind them, the press was going crazy. | 0:24:07 | 0:24:09 | |
-Absolutely loved it. -It was really intense but really good. | 0:24:09 | 0:24:12 | |
-And now I'm, like, flustered. -Maybe need a shower now. | 0:24:12 | 0:24:15 | |
Yeah! It was so hot in there. It was amazing. | 0:24:15 | 0:24:17 | |
And I'm quite a fan of PPQ. | 0:24:17 | 0:24:20 | |
Lights... | 0:24:23 | 0:24:24 | |
camera... | 0:24:24 | 0:24:26 | |
action. | 0:24:26 | 0:24:28 | |
# It's Grace! | 0:24:29 | 0:24:30 | |
# It's Grace! | 0:24:47 | 0:24:50 | |
# Slave | 0:24:56 | 0:24:59 | |
# To the rhythm... # | 0:24:59 | 0:25:01 | |
That's a wrap. | 0:25:01 | 0:25:02 | |
And I'm out. | 0:25:02 | 0:25:05 | |
# To the rhythm. # | 0:25:05 | 0:25:07 |