Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains strong language and scenes of Repetitive Flashing Images. | 0:00:09 | 0:00:15 | |
Belfast DJ, Steeky, here with tracks that will have you jumping | 0:00:17 | 0:00:23 | |
like an depressive off the Foyle Bridge. | 0:00:23 | 0:00:25 | |
But before I start putting on some phat tunes the night, | 0:00:25 | 0:00:28 | |
I'd just like to give a quick shout out to my niece, Leanne. | 0:00:28 | 0:00:31 | |
Leanne's got a big test coming up, | 0:00:31 | 0:00:34 | |
so I hope you're doing plenty of studying, wee girl. | 0:00:34 | 0:00:37 | |
But how much studying helps you when you're getting tested for AIDS, I do not know. | 0:00:37 | 0:00:41 | |
And here's a man with a lot of heart, he's smart, he's a work of art. | 0:00:41 | 0:00:46 | |
Sometimes follows through when he farts. You know him as Pablo! Respect, Pablo! | 0:00:46 | 0:00:52 | |
Reh-reh-reh! | 0:00:52 | 0:00:53 | |
On tonight's show, we have heavyweight boxer, Martin Rogan. | 0:00:53 | 0:00:57 | |
Fisting fun. | 0:00:57 | 0:00:58 | |
Man of the dead, wooooooh, Derek Acorah. | 0:00:58 | 0:01:02 | |
-Spooky. -Music in the Live Boudoir from Yes Cadets. -Sound. | 0:01:02 | 0:01:06 | |
And our quiz, Brain Dead. But first, some music. | 0:01:06 | 0:01:11 | |
DANCE MUSIC PLAYS | 0:01:11 | 0:01:15 | |
All right? | 0:01:19 | 0:01:20 | |
-Late again? -Your ma takes a while to finish, like. | 0:01:20 | 0:01:23 | |
You're mad as my da. | 0:01:23 | 0:01:25 | |
HE CHUCKLES Classic! | 0:01:25 | 0:01:28 | |
-Right then, come on. Let's do it. -Are you sure you want to do this? | 0:01:28 | 0:01:32 | |
-Yes, cos I'm going to win this time! -Not a chance. -Right, go. | 0:01:32 | 0:01:35 | |
All right. Let's count it off. | 0:01:35 | 0:01:37 | |
Three, two, one... gay-off. | 0:01:37 | 0:01:41 | |
-I washed my teeth special. -Oh God, you're not going to...? -Come on. -No. | 0:01:43 | 0:01:48 | |
-You know you want to. -Go on, back down. Back down. Aaah! No, no, no! | 0:01:48 | 0:01:52 | |
No, no, no! PABLO LAUGHS | 0:01:52 | 0:01:54 | |
-The difference is, you actually want this! You want it! -Yeaaah! | 0:01:54 | 0:01:58 | |
-Gay-off champion, 2011. -You want this. -One-nil. -You want Steeky. | 0:01:58 | 0:02:03 | |
You want Steeky. | 0:02:03 | 0:02:04 | |
Somebody has to. | 0:02:04 | 0:02:06 | |
I'd like to apologise to any epileptics who were listening last week. | 0:02:06 | 0:02:10 | |
Apparently, it's disrespectful to use them as rodeo rides for the kids. | 0:02:10 | 0:02:15 | |
Really sorry about that. | 0:02:15 | 0:02:16 | |
-My comments really seem to have shook some people up. -Steeks! -Oh, no! | 0:02:16 | 0:02:21 | |
Sorry, I mean when some people heard them, they almost had a fit. | 0:02:21 | 0:02:24 | |
-Steeky! -Ah, shit. | 0:02:24 | 0:02:26 | |
-The lift's going. -Who is it? | 0:02:28 | 0:02:29 | |
-It is none other than the hardest man in Belfast. -Martin Rogan? | 0:02:29 | 0:02:34 | |
Oh aye. But I'd take him. Ha ha! | 0:02:34 | 0:02:36 | |
Our guest is a heavyweight boxer who didn't think he'd turn professional. | 0:02:36 | 0:02:40 | |
Then he beat Audley Harrison to a pulp. So he's still not sure. | 0:02:40 | 0:02:44 | |
Please welcome, from Belfast, "Iron Man" Martin Rogan! | 0:02:44 | 0:02:48 | |
Yeeaaaah! | 0:02:48 | 0:02:51 | |
-Smoking room, huh? -Yes. | 0:02:51 | 0:02:54 | |
-Grab a pew. -Why did you keep me in the smoking area? | 0:02:54 | 0:02:56 | |
Sorry, that's where we have a non-stop joint rolling operation. | 0:02:56 | 0:03:01 | |
-As we call it, the playroom. -HE LAUGHS | 0:03:01 | 0:03:03 | |
So, have you been fighting recently? | 0:03:03 | 0:03:05 | |
-I was fighting last Saturday, yeah. -How did you get on? -I won on points. | 0:03:05 | 0:03:10 | |
-Yeah! -Yeah! We were there. | 0:03:10 | 0:03:12 | |
Lord Rogan, tell me this, | 0:03:12 | 0:03:15 | |
what is the best Audrey Harrison joke you've heard so far? | 0:03:15 | 0:03:18 | |
-The best...? -Do you want to hear mine? -Go ahead. | 0:03:18 | 0:03:22 | |
What have Audrey Harrison and Michael Jackson got in common? | 0:03:22 | 0:03:26 | |
They both wear gloves for nothing! Haaaaaa! | 0:03:26 | 0:03:32 | |
-High five! -Very good. | 0:03:32 | 0:03:34 | |
Sir Martin of Rogan, you have boxed in both the Immaculata and Holy Trinity Boxing Clubs. | 0:03:34 | 0:03:39 | |
-Yeah. -Tell me, are they in the Protestant or Catholic parts of town? | 0:03:39 | 0:03:44 | |
They're in the Catholic parts of town, they're in west Belfast. | 0:03:44 | 0:03:47 | |
One in Turf Lodge and one in Lower Falls. | 0:03:47 | 0:03:50 | |
Do you think that there's something about people from Belfast? | 0:03:50 | 0:03:53 | |
We like a wee bit of aggro, almost? We're kind of good at fighting. | 0:03:53 | 0:03:57 | |
-Never stop fighting, do we? -Exactly. | 0:03:57 | 0:03:59 | |
Thankfully, in the last ten years, we've stopped. | 0:03:59 | 0:04:01 | |
You want to see Pablo's moves when he's practicing for his boxing. | 0:04:01 | 0:04:05 | |
-Watch me go. -Look at that! -Left foot, right foot. | 0:04:05 | 0:04:08 | |
-Left foot, right foot. -Look at that. -Left foot. -Beautiful. | 0:04:08 | 0:04:12 | |
-Look at me dance. Look at me go. -Very good. | 0:04:12 | 0:04:15 | |
Oul' Pablo here reckons that he might have a wee chance against you. | 0:04:15 | 0:04:18 | |
-I'll go easy on you, right? -Look at that. | 0:04:18 | 0:04:21 | |
We'll fight Marquis of Sainsbury rules. | 0:04:21 | 0:04:23 | |
-I tell you what we'll do, right? Just say, for the crack, right? -Right. | 0:04:23 | 0:04:28 | |
It's the heavyweight Championship of South Belfast, right? | 0:04:28 | 0:04:31 | |
You, in the red shorts. In the blue, Pablo here. | 0:04:31 | 0:04:35 | |
-Well, brown shorts, really. -Yeah, probably. | 0:04:35 | 0:04:37 | |
Yes, they'll be brown after it. | 0:04:37 | 0:04:39 | |
Pretend it's the press conference, right, before the fight. | 0:04:39 | 0:04:42 | |
Yous have done your weigh-in. With, you know, all your things, | 0:04:42 | 0:04:46 | |
you're doing a bit of slabbering and all that there. | 0:04:46 | 0:04:49 | |
Give us a wee bit of slabbering. | 0:04:49 | 0:04:51 | |
Pablo's said he had a wee rattle at your ma, and she loved it. | 0:04:51 | 0:04:54 | |
-He had what? -That's what he said. -I've had what they say in France... | 0:04:54 | 0:04:57 | |
-No, no. -Petit... -Don't be saying nothing about my mother, now, Pablo. | 0:04:57 | 0:05:03 | |
Yeah, Pablo. Are they brown yet? | 0:05:05 | 0:05:08 | |
Yeah. | 0:05:08 | 0:05:09 | |
Have you browned yourself? | 0:05:09 | 0:05:11 | |
You do not want to look around this desk, mate. I tell you. | 0:05:11 | 0:05:15 | |
The smell's enough. | 0:05:15 | 0:05:17 | |
Would you like to visit somewhere? | 0:05:17 | 0:05:19 | |
-Steeky, I think I've got squirty bum-bum. -Oh, you have? -Oh no. You have, too. | 0:05:19 | 0:05:24 | |
I think you just... Never talk about the mother, now. | 0:05:24 | 0:05:28 | |
Talk about anything else, but never touch the mother. | 0:05:28 | 0:05:31 | |
-Is it ever OK to beat up a woman? -Pardon? | 0:05:31 | 0:05:35 | |
-Is it ever OK to beat up a woman? -No. -Not your mum, but a woman in general? -Never. Never ever. | 0:05:35 | 0:05:40 | |
But what if she's a bit of a melter? | 0:05:40 | 0:05:42 | |
-Sure we're all melters, aren't we? -Aye, that is true. | 0:05:42 | 0:05:46 | |
-A lot of men are melters too, aren't they? -Wise words. | 0:05:46 | 0:05:49 | |
You're away from home a lot. You have a baby. | 0:05:49 | 0:05:51 | |
-Is that not difficult for you to kind of cope with? -It does be, yeah. | 0:05:51 | 0:05:56 | |
She lightens the burden of what I have to do as well. | 0:05:56 | 0:05:59 | |
We have to work as a team. Just don't be teamworking in the gym, | 0:05:59 | 0:06:03 | |
it's teamwork in the house, you know? | 0:06:03 | 0:06:05 | |
At home, it's teamwork as well. | 0:06:05 | 0:06:07 | |
I cannot imagine you swapping the aul' boxing gloves for the Marigolds, though. | 0:06:07 | 0:06:12 | |
-You want to see me with an apron on! -Aw, mate, don't spoil it! -It's nice! | 0:06:12 | 0:06:16 | |
You're my hero, like. Is it one of the ones with a wee pair of boobies and all on it? | 0:06:16 | 0:06:21 | |
Oh, God. | 0:06:21 | 0:06:22 | |
-Yeah! -THEY LAUGH | 0:06:22 | 0:06:25 | |
Rogey, don't go away, we're going to play a wee track, | 0:06:25 | 0:06:28 | |
it's going to just melt the bake off you. | 0:06:28 | 0:06:31 | |
Houl' on, here it is here. | 0:06:31 | 0:06:32 | |
THUMPING DANCE MUSIC | 0:06:32 | 0:06:35 | |
Get down your bad self, Rogey. | 0:06:35 | 0:06:37 | |
One of the biggest tragedies, imagine if Rogey had a really good-looking daughter? | 0:06:38 | 0:06:43 | |
-Oh mate, you just would not. -Pointless, like. | 0:06:43 | 0:06:45 | |
-No way would you go near that. -No. | 0:06:45 | 0:06:47 | |
Martin McGuinness's daughter's gorgeous, right, she's a model. | 0:06:47 | 0:06:51 | |
What's the point? Looks are wasted on her, who'd want to go out with her? | 0:06:51 | 0:06:54 | |
Imagine if Marty says to you, right, | 0:06:54 | 0:06:57 | |
"I want our wee Marcella back by nine o'clock." | 0:06:57 | 0:07:00 | |
-Have her back by nine o'clock. -You have her back by eight. | 0:07:00 | 0:07:03 | |
Oh, you would, aye. Aye. | 0:07:03 | 0:07:06 | |
THEY LAUGH | 0:07:06 | 0:07:08 | |
Martin, you have said, though, that you can't forget, | 0:07:08 | 0:07:11 | |
but you can forgive. | 0:07:11 | 0:07:13 | |
A couple more fights down the line, you'll find it easy to do both? | 0:07:13 | 0:07:17 | |
LAUGHS NERVOUSLY | 0:07:17 | 0:07:18 | |
Yeah. That's easy for you to say. | 0:07:18 | 0:07:20 | |
LAUGHS NERVOUSLY | 0:07:20 | 0:07:21 | |
Are you worried? Seriously? Are you worried about... do you know what I mean, | 0:07:21 | 0:07:25 | |
you're getting punched in the face for a living! Is it not a worry? | 0:07:25 | 0:07:29 | |
If I was playing hurling, you'd be getting hit with a hurling stick. | 0:07:29 | 0:07:32 | |
Sure you go out the street in the morning, you get hit by a bus. | 0:07:32 | 0:07:36 | |
Yes, but not repeatedly, round the chops! | 0:07:36 | 0:07:39 | |
But the objective of the sport is not to get hit round the chops. | 0:07:39 | 0:07:42 | |
But unfortunately, I'm one of them ones that block punches with my face at times! | 0:07:42 | 0:07:46 | |
Tell me this, do you worry, or does your wife worry, | 0:07:46 | 0:07:50 | |
about you losing your good looks? | 0:07:50 | 0:07:52 | |
I never really had them to start with, so we're not too fussed on that one! | 0:07:52 | 0:07:56 | |
Mate, I'm closest to him, I'm the one who's going to take the beating. | 0:07:56 | 0:08:00 | |
-One thing I need to ask you, right? -Go ahead. | 0:08:00 | 0:08:03 | |
Well, right, I'm kind of scared, | 0:08:03 | 0:08:05 | |
it's a little bit of a personal question, right? | 0:08:05 | 0:08:08 | |
Hold on till I get a bit closer. | 0:08:08 | 0:08:09 | |
-Oh, Jeepers, oh, mate. Right. -Go ahead. -Pablo, Pablo... | 0:08:09 | 0:08:12 | |
-See before a fight... -Right, just say the word. | 0:08:12 | 0:08:15 | |
..Is it true you're not allowed to have a wee bit of nookie with the missus? | 0:08:15 | 0:08:19 | |
-Is that true? -It's not the fact that it's true, I think it's... | 0:08:19 | 0:08:23 | |
Well, they say that most of your vitamins is taken when you do that. | 0:08:23 | 0:08:27 | |
-It takes out all your vitamins. -What did you do? | 0:08:27 | 0:08:30 | |
Did you do, like, abstinence, or did you, like, get a wee bit of nookie? | 0:08:30 | 0:08:35 | |
-That's actually a personal question. -I just kept reading. | 0:08:35 | 0:08:39 | |
-What, Razzle? -A lot! | 0:08:39 | 0:08:41 | |
Right. So you're allowed a wee ham shank, like? | 0:08:41 | 0:08:44 | |
HE LAUGHS | 0:08:44 | 0:08:47 | |
Are you calling him a wanker? | 0:08:47 | 0:08:48 | |
I'm not calling boxing champion, Martin Rogan, a wanker. | 0:08:48 | 0:08:51 | |
What did he call me, Pablo? | 0:08:51 | 0:08:53 | |
No, I was saying that by him asking you did you enjoy a bit of | 0:08:53 | 0:08:56 | |
five knuckle shuffle, was he referring to you as a wanker? | 0:08:56 | 0:09:00 | |
I was not, Rogey, I swear to God. I was not. | 0:09:00 | 0:09:02 | |
A lot of men like the five knuckle shuffle, it depends who's doing it! | 0:09:02 | 0:09:06 | |
Is that why they bring a wee bucket on during the match? | 0:09:06 | 0:09:11 | |
Just in case, like, a wee bit spilled out. | 0:09:11 | 0:09:13 | |
That's in case you're out on your feet and they stick your head in it! | 0:09:13 | 0:09:16 | |
Give it a good shake. | 0:09:16 | 0:09:18 | |
So, Rogey, where is next for your Lordship, His Grace, Your Benevolence, Lord Roganson? | 0:09:18 | 0:09:23 | |
If we get the European title, which we're trying to get, | 0:09:23 | 0:09:26 | |
then the only next step is a World Title fight. | 0:09:26 | 0:09:30 | |
-Woooah! -And then hopefully, I can close the gap | 0:09:30 | 0:09:32 | |
and close all the people saying I should never have took up boxing, | 0:09:32 | 0:09:36 | |
I shouldn't think of World Titles. I wasn't supposed to beat the others. | 0:09:36 | 0:09:40 | |
I wasn't supposed to beat Matt Skelton. | 0:09:40 | 0:09:42 | |
And I beat the both of them! | 0:09:42 | 0:09:43 | |
BOTH CHEER | 0:09:43 | 0:09:45 | |
BOTH: Rogey! Rogey! | 0:09:45 | 0:09:47 | |
Rogey! Rogey! Rogey! | 0:09:47 | 0:09:49 | |
-Martin, it's been a pleasure. -Brilliant. | 0:09:49 | 0:09:51 | |
-Totally, mate. -And we absolutely love you. -Love yous too. | 0:09:51 | 0:09:55 | |
I really hope you beat the crap out of everybody. | 0:09:55 | 0:09:57 | |
Get me back onto the radio station, I want back up here, | 0:09:57 | 0:10:00 | |
Bring me back after I break into the European title. | 0:10:00 | 0:10:04 | |
Martin, thank you so much. You're an absolute legend. | 0:10:04 | 0:10:07 | |
Tickets will be in the post. | 0:10:07 | 0:10:09 | |
Good man. Happy days. | 0:10:09 | 0:10:10 | |
Don't hold your breath waiting on them. | 0:10:10 | 0:10:12 | |
Pablo, show the man out. | 0:10:12 | 0:10:14 | |
Martin Rogan there, ladies and gentlemen. As mentioned, | 0:10:14 | 0:10:17 | |
Martin has actually beaten heavyweight champion Audrey Harrison. | 0:10:17 | 0:10:20 | |
Of course, these days Audrey Harrison has been beaten around the ring | 0:10:20 | 0:10:24 | |
more often than that George Michael. But still... Moving on. | 0:10:24 | 0:10:27 | |
Martin, listen. Steeky's not looking and all but... | 0:10:27 | 0:10:30 | |
No. What is it? | 0:10:30 | 0:10:32 | |
Can I have a hug? | 0:10:33 | 0:10:35 | |
-A hug? -Aye. | 0:10:35 | 0:10:37 | |
All right. | 0:10:38 | 0:10:39 | |
Cheers, Martin. | 0:10:41 | 0:10:43 | |
-Thanks for the day. -Thank you. | 0:10:43 | 0:10:45 | |
-Take it easy now. Be careful now. -Thank you, Martin. | 0:10:45 | 0:10:47 | |
-Don't go, Martin. -I have to go. | 0:10:47 | 0:10:49 | |
Stay with us. | 0:10:49 | 0:10:50 | |
Good luck. Later. | 0:10:50 | 0:10:51 | |
See you later. | 0:10:51 | 0:10:53 | |
-Bye-bye. -Martin? | 0:10:53 | 0:10:54 | |
Martin? | 0:10:55 | 0:10:57 | |
Martin? | 0:10:58 | 0:11:00 | |
Martin! | 0:11:01 | 0:11:02 | |
That's probably one of the biggest myths, | 0:11:03 | 0:11:06 | |
the bigger they are, the harder they fall. | 0:11:06 | 0:11:08 | |
That is true, actually. The bigger they are, | 0:11:08 | 0:11:11 | |
the harder they are to fight, cos they're stronger. | 0:11:11 | 0:11:13 | |
I don't think anyone ever said that of Mike Tyson. | 0:11:13 | 0:11:16 | |
Mike Tyson, he's a big lad, but I bet you he goes down easy. | 0:11:16 | 0:11:19 | |
No neck, no neck at all. He just had a head and then a chest. | 0:11:19 | 0:11:23 | |
He was just muscle. A pair of eyes and then a chest. | 0:11:23 | 0:11:26 | |
Eyes and then nipples. That was it. | 0:11:26 | 0:11:29 | |
Now for our next caller, who apparently doesn't want to give his name out. | 0:11:29 | 0:11:32 | |
'I'm calling in a bomb warning.' | 0:11:32 | 0:11:35 | |
You what? I think you must have the wrong station, mate. | 0:11:35 | 0:11:37 | |
'Look, just let the police know.' | 0:11:37 | 0:11:40 | |
You want me to tell the police? Piss off. | 0:11:40 | 0:11:42 | |
'Sean, Andrea, Caroline, Jim. Look, the police need to know.' | 0:11:42 | 0:11:45 | |
Look, when the cops question me, I'm more quiet than a Jedward fan at a Megadeth gig. | 0:11:45 | 0:11:50 | |
My lips do less flapping than and Stephen Nolan's belly when he's on a treadmill. | 0:11:50 | 0:11:54 | |
EXPLOSION | 0:11:54 | 0:11:57 | |
Now, what were you saying? | 0:11:59 | 0:12:01 | |
'Doesn't matter now.' | 0:12:01 | 0:12:03 | |
LINE GOES DEAD | 0:12:03 | 0:12:05 | |
Now, on to the mystery quiz where our caller has two minutes to guess our mystery item. | 0:12:05 | 0:12:10 | |
Once more, we're playing with returning champion, Jez. | 0:12:10 | 0:12:13 | |
Jez, are you ready? | 0:12:13 | 0:12:15 | |
'Ready!' | 0:12:15 | 0:12:16 | |
Your time starts... now. | 0:12:16 | 0:12:18 | |
-It's something that people will spend their last pennies on before they buy food. -'Is it water?' | 0:12:18 | 0:12:23 | |
No, it's something people enjoy putting in their mouths and sipping on. | 0:12:23 | 0:12:27 | |
-'Oh, in that case...' -No, it's not that, Jez. Not that. They're white and orange, | 0:12:27 | 0:12:31 | |
they aren't very healthy, they're cheap | 0:12:31 | 0:12:33 | |
-and some people find them strangely compelling. -'Um, Jordan? | 0:12:33 | 0:12:36 | |
'No, wait. Is it a prehistoric monument | 0:12:36 | 0:12:38 | |
'rumoured to be constructed by Merlin in Arthurian legend?' | 0:12:38 | 0:12:41 | |
It isn't Stonehenge, no. | 0:12:41 | 0:12:43 | |
'Did it ever get really drunk on tequila and do a strip in a bar, | 0:12:43 | 0:12:46 | |
'fall on one of the bouncers, | 0:12:46 | 0:12:48 | |
'giving him a cheap thrill and a sexual infection?' | 0:12:48 | 0:12:51 | |
It's not my ma, no. It's bad for your health. | 0:12:51 | 0:12:53 | |
Some people think this is cool, but they're wrong. | 0:12:53 | 0:12:55 | |
And supermodels love this for no apparent reason. | 0:12:55 | 0:12:58 | |
-'Um, Pete Doherty?' -Almost out of time here, Jez. | 0:12:58 | 0:13:01 | |
'A packet of cigarettes?' | 0:13:01 | 0:13:02 | |
How does he do it? | 0:13:02 | 0:13:03 | |
'Ha ha, ha ha. | 0:13:03 | 0:13:05 | |
'I am victorious again.' | 0:13:05 | 0:13:07 | |
What? | 0:13:08 | 0:13:09 | |
There's a lift moving. That must be our next guest. | 0:13:09 | 0:13:12 | |
Who is it this time? | 0:13:12 | 0:13:13 | |
It's a band, you're going to like this one. | 0:13:13 | 0:13:15 | |
-OK. Is it the Pet Shop Boys? -No. | 0:13:15 | 0:13:18 | |
Is it Erasure? | 0:13:18 | 0:13:19 | |
No. | 0:13:19 | 0:13:21 | |
Is it the romantic piano of Richard Clayderman? | 0:13:21 | 0:13:23 | |
As much as I would love that, no. | 0:13:23 | 0:13:25 | |
Well, who is it? | 0:13:25 | 0:13:27 | |
They're a band called Yes Cadets. Clap when you see them. Here they come. | 0:13:27 | 0:13:30 | |
Right, OK. | 0:13:30 | 0:13:31 | |
The Yes Cadets. Morning. | 0:13:31 | 0:13:33 | |
The Yes Cadets! | 0:13:33 | 0:13:35 | |
Hi, Steeky. Hi, Pablo. | 0:13:35 | 0:13:37 | |
-Yay! -How are you getting on? | 0:13:37 | 0:13:39 | |
-Aye, not too bad. -All right. | 0:13:39 | 0:13:40 | |
They look lovely. | 0:13:40 | 0:13:42 | |
Told you they looked nice, didn't I? | 0:13:42 | 0:13:43 | |
Another four young ladies. | 0:13:43 | 0:13:45 | |
I know. Lovely. | 0:13:45 | 0:13:46 | |
Hold on, some of them have beards. | 0:13:46 | 0:13:48 | |
Lady beards. | 0:13:48 | 0:13:50 | |
You in the red dress. What's your name? | 0:13:50 | 0:13:53 | |
I'm Lisa. | 0:13:53 | 0:13:54 | |
Lisa. Are you the backing singer? | 0:13:54 | 0:13:56 | |
No, I'm the drummer. | 0:13:56 | 0:13:57 | |
-The drummer?! -A female drummer. | 0:13:57 | 0:13:59 | |
I have a weapon. You be nice now. | 0:13:59 | 0:14:01 | |
Are the rest of you boys not manly enough for the drums, no? | 0:14:01 | 0:14:05 | |
Anyway, you played the Oxegen Festival last year. Is that right? | 0:14:05 | 0:14:10 | |
That's right, yeah. | 0:14:10 | 0:14:11 | |
How was that for you? | 0:14:11 | 0:14:12 | |
It was a bit like the opening scene from... | 0:14:12 | 0:14:15 | |
Saving Private Ryan. | 0:14:15 | 0:14:16 | |
What? People got shot? | 0:14:16 | 0:14:18 | |
Right, tell us about the song you're going to do for us today. | 0:14:20 | 0:14:23 | |
It's called Lies. Or "leys". | 0:14:23 | 0:14:26 | |
And what's that about? | 0:14:26 | 0:14:28 | |
He's talking all posh. | 0:14:28 | 0:14:30 | |
Have you got signed to a label? Have you got an album coming out? | 0:14:30 | 0:14:33 | |
When can we see some more of Yes Cadets? | 0:14:33 | 0:14:35 | |
It's out, or maybe it's not... depends where you live. | 0:14:35 | 0:14:38 | |
You're in the band, aren't you? You do know what's going on? | 0:14:38 | 0:14:41 | |
It'll be out soon. | 0:14:41 | 0:14:43 | |
If you would kindly now go and step into the boudoir, | 0:14:43 | 0:14:46 | |
Steeky's boudoir. | 0:14:46 | 0:14:47 | |
It's going to see more action than it has done in recent months. | 0:14:47 | 0:14:50 | |
Watch it. | 0:14:50 | 0:14:51 | |
-Thank you very much, Yes Cadets. -Thank you. | 0:14:51 | 0:14:54 | |
Pleasure. | 0:14:54 | 0:14:56 | |
THEY YELL INDISTINCTLY | 0:14:56 | 0:14:59 | |
-Give it a heap. -And if you feel like going tops off, that is OK with us. | 0:14:59 | 0:15:03 | |
That's fine. But not for the blokes. | 0:15:03 | 0:15:06 | |
This week, I'd like to apologise for shouting at Stephen Hawking | 0:15:06 | 0:15:10 | |
when I saw him on the bus. | 0:15:10 | 0:15:12 | |
I now appreciate he had good reason for not giving that pregnant woman his seat. | 0:15:12 | 0:15:16 | |
Here, Steeks, did you know that if you drank, like, two bottles of vodka, you'd die? | 0:15:16 | 0:15:21 | |
Of course! Who doesn't know that? | 0:15:21 | 0:15:24 | |
My cousin Darren didn't know it. | 0:15:24 | 0:15:27 | |
He does now, mind you. | 0:15:28 | 0:15:30 | |
-Here's the lift again. -Who is it this time? | 0:15:33 | 0:15:36 | |
It's that fella from Liverpool. The one who communes with the dead. | 0:15:36 | 0:15:39 | |
Does house ghost busting! | 0:15:39 | 0:15:42 | |
Next up, a medium. Yes, ladies and gentlemen, | 0:15:42 | 0:15:45 | |
a man who communicates with the dead. | 0:15:45 | 0:15:47 | |
So there's only one question we all want to ask him. | 0:15:47 | 0:15:50 | |
Just what is Lady Diana wearing right now? | 0:15:50 | 0:15:52 | |
Please welcome Derek Acorah! | 0:15:52 | 0:15:55 | |
CANNED APPLAUSE | 0:15:55 | 0:15:58 | |
Hello, guys. | 0:15:58 | 0:16:00 | |
What about you, Derek. It is brilliant to see you here in our city. Are you well? | 0:16:02 | 0:16:06 | |
-I'm very well, thanks, Steeky. Yeah. Really well. -Excellent. | 0:16:06 | 0:16:10 | |
You are no stranger to the good city of Belfast. | 0:16:10 | 0:16:13 | |
Can you tell the people at home how you have come to know our great city? | 0:16:13 | 0:16:17 | |
Yes, well, many years ago, Steeky, I came out with the great | 0:16:17 | 0:16:20 | |
Alex Young, ex-Everton player, who signed for the Great Glens, Glentoran, player manager. | 0:16:20 | 0:16:25 | |
And Alex was a good friend, and he asked me whether I'd like to come out to join him at the Glens | 0:16:25 | 0:16:30 | |
and I did, and for the time that I was here, | 0:16:30 | 0:16:33 | |
I really, really enjoyed playing with the Glens. | 0:16:33 | 0:16:36 | |
Did you go out on the sauce, when you were in Belfast? Did you enjoy a tipple or two? | 0:16:36 | 0:16:40 | |
Yeah, just like anyone else, you know. Towards the weekends, not in the week when you were training, | 0:16:40 | 0:16:46 | |
but go out for a couple of drinks, and maybe a meal, and really enjoy it. | 0:16:46 | 0:16:50 | |
A bit of music, dancing. That's what life's all about, isn't it? | 0:16:50 | 0:16:53 | |
Are there a few little Dereks running about, probably in their twenties now? | 0:16:53 | 0:16:57 | |
Ha, ha! Only in my family, Steeky, only in my family. | 0:16:57 | 0:17:00 | |
When you were with Glentoran, did you ever play | 0:17:00 | 0:17:03 | |
alongside George Best, cos I think he played a testimonial or something. | 0:17:03 | 0:17:07 | |
No, I didn't, but I played against George Best | 0:17:07 | 0:17:10 | |
-when I was at Liverpool Football Club under the great Bill Shankly. -Wow. | 0:17:10 | 0:17:14 | |
I was playing for the reserves, we were playing up at Man Utd's ground. | 0:17:14 | 0:17:18 | |
It was a Wednesday night game under floodlights. | 0:17:18 | 0:17:21 | |
And Georgie Best was a young man that was coming through. | 0:17:21 | 0:17:24 | |
He'd had an injury so they were playing him in this reserve game. | 0:17:24 | 0:17:28 | |
And I had the unenviable job to mark Georgie Best. | 0:17:28 | 0:17:32 | |
And he left me on my arse more times than I was standing up. | 0:17:32 | 0:17:35 | |
He was that fast, he was that good. | 0:17:35 | 0:17:38 | |
He was better then your Peles, he was better than Eusebios. | 0:17:38 | 0:17:41 | |
Georgie Best was the greatest footballer, | 0:17:41 | 0:17:45 | |
all-round footballer, and goal scorer | 0:17:45 | 0:17:47 | |
that I've ever seen in football. | 0:17:47 | 0:17:50 | |
And drinker. | 0:17:50 | 0:17:51 | |
Unfortunately. How many players do have a drink too much? | 0:17:51 | 0:17:55 | |
It's unfortunate and sad. | 0:17:55 | 0:17:56 | |
Hold that thought, Derek. We're going to take a short break | 0:17:56 | 0:17:59 | |
for a banging piece of hard house music. | 0:17:59 | 0:18:03 | |
We'll be right back. | 0:18:03 | 0:18:04 | |
HOUSE MUSIC PLAYS | 0:18:04 | 0:18:06 | |
Like that. | 0:18:06 | 0:18:08 | |
PABLO SINGS ALONG | 0:18:08 | 0:18:12 | |
-To be fair, like, he was brilliant at drinking. -He was the best, mate. | 0:18:13 | 0:18:17 | |
Better drinker than Pele. Better than Messi. | 0:18:17 | 0:18:20 | |
-If there was a World Cup of drinking... -He'd fill it up with drink. | 0:18:20 | 0:18:23 | |
Aye, he would. | 0:18:23 | 0:18:25 | |
THEY LAUGH | 0:18:25 | 0:18:26 | |
When did you realise you could talk to the undead? | 0:18:26 | 0:18:29 | |
When I was a little boy, | 0:18:29 | 0:18:31 | |
I'd had an experience at my grandma's house | 0:18:31 | 0:18:33 | |
and a man appeared himself to me in one of the bedrooms, | 0:18:33 | 0:18:37 | |
and I thought, there's a stranger in my gran's house. | 0:18:37 | 0:18:40 | |
-Strange man in the bedroom? -It's not going to end well. | 0:18:40 | 0:18:43 | |
It was my grandfather who passed away two-and-a-quarter years before I was born. | 0:18:43 | 0:18:47 | |
I didn't know him. | 0:18:47 | 0:18:50 | |
But you have, like, what, is it called your spirit guide, Sam? | 0:18:50 | 0:18:53 | |
-Absolutely. He's here with me. He's here Pablo, here. To the back of me. -Where? | 0:18:53 | 0:18:58 | |
-He's here at the back of me. -Hello, Sam. -Hey, Sam. | 0:18:58 | 0:19:01 | |
-He can hear you guys. -Is he all right? Is he on good form today? | 0:19:01 | 0:19:04 | |
-He's a good man. -Is he with you, like, all the time, like, you know, | 0:19:04 | 0:19:08 | |
when you go to the toilet or when you're being intimate with your significant other? | 0:19:08 | 0:19:13 | |
No, he doesn't. My private time's my private time. | 0:19:13 | 0:19:16 | |
-Whenever you pass on yourself, Derek... -Yes. | 0:19:16 | 0:19:19 | |
Let's hope it's not for a very long time, | 0:19:19 | 0:19:22 | |
who will you choose as your spirit guide? | 0:19:22 | 0:19:24 | |
Well, I believe, Sam. It's going to be roles reversed. | 0:19:24 | 0:19:28 | |
He's coming back in a new life, and I'll be watching over him. | 0:19:28 | 0:19:31 | |
-So, watch out, world, because Sam's coming back. -Whoa... | 0:19:31 | 0:19:36 | |
And this time, it's personal. | 0:19:36 | 0:19:37 | |
-Oh, yes. -Do you think Sam might actually try to do you in, then? | 0:19:37 | 0:19:41 | |
Try to, like, steal your body or something? | 0:19:41 | 0:19:44 | |
No, no, he's a good friendly benign spirit man. | 0:19:44 | 0:19:48 | |
-Are you very sure? -Yes. I've checked him out. | 0:19:48 | 0:19:50 | |
-I've known him for a lot of years. -I've known Pablo for a lot of years but I still sleep with one eye open. | 0:19:50 | 0:19:55 | |
And he is right to do so. | 0:19:55 | 0:19:57 | |
Absolutely. | 0:19:57 | 0:19:59 | |
Can I ask, Derek, is he, like, in heaven, right? | 0:19:59 | 0:20:03 | |
Is Elvis, like, fat '70s Elvis, | 0:20:03 | 0:20:05 | |
or is he like, skinny, good-looking '50s Elvis? | 0:20:05 | 0:20:08 | |
Elvis, like anyone else, Pablo, once you go over there... | 0:20:08 | 0:20:12 | |
when you go over there, eventually, you know, your good self, | 0:20:12 | 0:20:15 | |
whatever age you go over, | 0:20:15 | 0:20:17 | |
you can revert back to the prime of your life. | 0:20:17 | 0:20:19 | |
So when Heather Mills goes, will she get her leg back? | 0:20:19 | 0:20:23 | |
Everything's renewed, Pablo. Everything's renewed. | 0:20:23 | 0:20:25 | |
If you lose your sight, you lose a limb, everything's renewed. | 0:20:25 | 0:20:29 | |
-I apologise. That was quite a rude question there, Pablo. -I'm sorry. | 0:20:29 | 0:20:32 | |
-Derek, a question that's been on my mind since childhood. -Yes. | 0:20:32 | 0:20:37 | |
Do all dogs go to heaven? | 0:20:37 | 0:20:39 | |
-Do all dogs? -Yes. -Absolutely. They've got spirit within as well. | 0:20:39 | 0:20:43 | |
But their kingdom is called the animal kingdom | 0:20:43 | 0:20:46 | |
which is separate to the human kingdom in the world of spirit, | 0:20:46 | 0:20:50 | |
so the animals can't go into the human kingdom aspect or dimension, | 0:20:50 | 0:20:54 | |
but the humans can go and play with those animals in the animal kingdom. | 0:20:54 | 0:20:58 | |
So you can go in and take your wee puppy for a walk and all that? | 0:20:58 | 0:21:01 | |
-Absolutely. It goes on all the time. -Brilliant! | 0:21:01 | 0:21:03 | |
We can go and see Pincher again. He's probably... | 0:21:03 | 0:21:06 | |
-if somebody came near him, he'd eat them, if they're dead or not. -True. | 0:21:06 | 0:21:10 | |
-He was quite a violent puppy. -Do know what, Derek? | 0:21:10 | 0:21:13 | |
-You see you believe in ghosts, right? -Yes. -Class. It's brilliant. | 0:21:13 | 0:21:17 | |
You know you do your... | 0:21:17 | 0:21:18 | |
-you know you took your Girls Aloud on like a ghost hunt, right? -Mm. | 0:21:18 | 0:21:22 | |
Were you tempted to touch any of them and blame a ghost? | 0:21:22 | 0:21:25 | |
Well, in actual fact, you know... | 0:21:25 | 0:21:27 | |
Yeah, all very pretty girls, aren't they? | 0:21:27 | 0:21:29 | |
-Well, four of them are. -I didn't... | 0:21:29 | 0:21:31 | |
Oh, Pablo! | 0:21:31 | 0:21:34 | |
That's not fair. | 0:21:34 | 0:21:35 | |
Anyway, Pablo, you know, it's true. | 0:21:35 | 0:21:37 | |
Had I intended to anything with those girls, | 0:21:37 | 0:21:40 | |
I've always got my wife in the background. Imagine what she'd do. Even if I thought that way. | 0:21:40 | 0:21:45 | |
-I'd have left her in the house. -So, Derek, can you see our souls? | 0:21:45 | 0:21:50 | |
-No medium can see anyone's souls. -You can't see our soles? | 0:21:50 | 0:21:55 | |
Your souls are hidden, but your spirit within, | 0:21:55 | 0:21:58 | |
I can see what type of guys you are. | 0:21:58 | 0:22:00 | |
-Would you like to see our souls? -You're totally different, you two. | 0:22:00 | 0:22:03 | |
Am I hearing things, or did he just say 'arseholes'? | 0:22:03 | 0:22:07 | |
Man, he's done programmes with boy bands. He should know what arseholes are by now. | 0:22:07 | 0:22:11 | |
THEY LAUGH | 0:22:11 | 0:22:13 | |
So, is there nobody in the studio right now? | 0:22:13 | 0:22:16 | |
I've been waiting, | 0:22:16 | 0:22:17 | |
but there's no one from the spirit world that I've stepped in, unfortunately. | 0:22:17 | 0:22:21 | |
Come on, lads. Get that finger out. | 0:22:21 | 0:22:23 | |
Is there anybody out there? | 0:22:23 | 0:22:26 | |
Come on, please. | 0:22:26 | 0:22:28 | |
Quick, Pablo, quick! | 0:22:28 | 0:22:31 | |
See your left? There's an outline of a lady. | 0:22:31 | 0:22:34 | |
I can't see her clearly, | 0:22:34 | 0:22:36 | |
but I don't know if you can feel her spiritual hand on your shoulder... | 0:22:36 | 0:22:39 | |
-No. -..because she's leaning her hand on your shoulder right now. -Whoa! | 0:22:39 | 0:22:44 | |
She seems a friendly soul, although I'm not seeing her clearly. | 0:22:44 | 0:22:47 | |
She's probably part of your family. | 0:22:47 | 0:22:49 | |
Probably linked on your mother's side, grandmother's side, | 0:22:49 | 0:22:53 | |
grandmotherly feeling with her. | 0:22:53 | 0:22:55 | |
I feel that she calms you down when you get angry, | 0:22:55 | 0:22:58 | |
when you want to throw things. | 0:22:58 | 0:23:00 | |
She calms you down, "Pablo, Pablo, calm down, calm down." | 0:23:00 | 0:23:04 | |
It's not his actual grandmother because she is actually in Maghaberry for GBH, so... | 0:23:04 | 0:23:08 | |
-it's probably not her. -To be honest, if somebody's calming me down, it doesn't work very often. | 0:23:08 | 0:23:13 | |
-Right. -Isn't that right, Steekster? -That is correct. | 0:23:13 | 0:23:16 | |
Derek, thank you very, very much for coming all the way over here | 0:23:16 | 0:23:19 | |
and talking to us about 'our souls' and all of that. | 0:23:19 | 0:23:22 | |
It's been an absolute pleasure. Thank you Derek Acorah! | 0:23:22 | 0:23:26 | |
-Pablo, will you show the man out? -I shall. | 0:23:26 | 0:23:29 | |
-Must be weird, though. -What? | 0:23:30 | 0:23:32 | |
Going to work | 0:23:32 | 0:23:33 | |
to an empty chasm of despair with the cold merciless eyes of the dead on you. | 0:23:33 | 0:23:38 | |
I'm sure he's used to it. He's played Irish League football. | 0:23:38 | 0:23:41 | |
-THEY LAUGH -That's true, actually. | 0:23:41 | 0:23:43 | |
Listen, Derek, thanks very much for coming along. Legendary. | 0:23:43 | 0:23:47 | |
-Listen, you're not leaving anybody behind are you? -I promise you, Pablo, | 0:23:47 | 0:23:50 | |
-I'm going to take any spirit people out with me now. That's a promise. -Sound. | 0:23:50 | 0:23:54 | |
-I've got to go now. -See you later, Derek. | 0:23:54 | 0:23:56 | |
-See you, Pablo. -Bye! | 0:23:56 | 0:23:59 | |
Thanks to Derek there. | 0:23:59 | 0:24:00 | |
Derek's spirit guide, Sam, has designer stubble | 0:24:00 | 0:24:03 | |
and likes listening to Shirley Bassey. | 0:24:03 | 0:24:05 | |
Confirmed bachelor Sam is also a lover of musical theatre. | 0:24:05 | 0:24:10 | |
And a big shout out to Tony who says | 0:24:10 | 0:24:13 | |
after splitting up with his girlfriend, he's never going out with a woman again. | 0:24:13 | 0:24:17 | |
Interesting. Do you reckon you could be gay, Pablo? | 0:24:17 | 0:24:20 | |
Don't know. How would it affect my benefits? | 0:24:20 | 0:24:23 | |
You really don't understand the gay thing, do you, Pabs? | 0:24:23 | 0:24:25 | |
What are the hours like? | 0:24:25 | 0:24:28 | |
PABLO HUMS | 0:24:30 | 0:24:32 | |
Right, mate, what are we doing now? | 0:24:32 | 0:24:33 | |
We are going over to the boudoir to hear that band that we seen and were talking to earlier. | 0:24:33 | 0:24:38 | |
-Space cadets? -Yes Cadets, mate. Yes Cadets. | 0:24:38 | 0:24:41 | |
-This is a song called Lies. -Yo! | 0:24:41 | 0:24:43 | |
MUSIC: "Lies" by Yes Cadets | 0:24:43 | 0:24:44 | |
# Da-ra-da-da-ra-ta | 0:24:44 | 0:24:46 | |
# Da-ra-da-da-ra-ta | 0:24:48 | 0:24:50 | |
# Da-ra-da-da-ra-ta | 0:24:51 | 0:24:54 | |
# Da-ra-da-da-ra-ta | 0:24:55 | 0:24:57 | |
# We | 0:24:58 | 0:25:01 | |
# Don't have to worry | 0:25:01 | 0:25:05 | |
# Though I sent the key to every city for free | 0:25:05 | 0:25:10 | |
# Da-ra-da-da-ra-ta | 0:25:10 | 0:25:12 | |
# Underneath the silver night | 0:25:12 | 0:25:15 | |
# I'll be where you lie | 0:25:15 | 0:25:18 | |
# You only have to close your eyes, I'll tell you what you want to hear | 0:25:18 | 0:25:25 | |
# If lie-ee-ie-ee-ies are the only thing to keep you satisfied | 0:25:27 | 0:25:32 | |
# I know one or two to whet your appetite | 0:25:33 | 0:25:36 | |
# I know one or two to whet your appetite | 0:25:36 | 0:25:39 | |
# If lie-ee-ie-ee-ies are the only thing to keep you satisfied | 0:25:41 | 0:25:46 | |
# We can turn a flicker to a blistering light | 0:25:46 | 0:25:50 | |
# I know one or two to whet your appetite | 0:25:50 | 0:25:54 | |
# Da-ra-da-da-ra-ta | 0:25:55 | 0:25:58 | |
# Da-ra-da-da-ra-ta | 0:25:59 | 0:26:02 | |
# We | 0:26:03 | 0:26:05 | |
# Don't have to worry | 0:26:05 | 0:26:08 | |
# You'll never have to burn another bridge for me | 0:26:08 | 0:26:14 | |
# Da-ra-da-da-ra-ta | 0:26:14 | 0:26:15 | |
# Underneath the silver night | 0:26:15 | 0:26:19 | |
# I'll be whoever you like | 0:26:19 | 0:26:23 | |
# Make up your precious mind | 0:26:23 | 0:26:26 | |
# Tell you what you want to hear | 0:26:26 | 0:26:29 | |
# If lie-ee-ie-ee-ies are the only thing to keep you satisfied | 0:26:30 | 0:26:36 | |
# I know one or two to whet your appetite | 0:26:36 | 0:26:40 | |
# I know one or two to whet your appetite | 0:26:40 | 0:26:43 | |
# If lie-ee-ie-ee-ies are the only thing to keep you satisfied | 0:26:46 | 0:26:50 | |
# We can turn a flicker to a blistering light | 0:26:50 | 0:26:54 | |
# I know one or two to whet your appetite | 0:26:54 | 0:26:57 | |
# When we find love or whatever it is | 0:26:59 | 0:27:03 | |
# I'll never give it all up, give it up for this | 0:27:03 | 0:27:06 | |
# Just get down then get up and forget about it | 0:27:06 | 0:27:10 | |
# Get down then get up and forget about it | 0:27:10 | 0:27:13 | |
# If lie-ee-ie-ee-ies are the only thing to keep you satisfied | 0:27:13 | 0:27:19 | |
# I know one or two to take you to a distant light | 0:27:19 | 0:27:23 | |
# I know one or two to whet your appetite | 0:27:23 | 0:27:26 | |
# Lie-ee-ie-ee-ies | 0:27:26 | 0:27:28 | |
# Da-ra-da-da-ra-ta | 0:27:28 | 0:27:30 | |
# Da-ra-da-da-ra-ta | 0:27:32 | 0:27:33 | |
# Da-ra-da-da-ra-ta | 0:27:35 | 0:27:37 | |
# Da-ra-da-da-ra-ta # | 0:27:39 | 0:27:40 | |
Subtitles by Red Bee Media Ltd | 0:28:07 | 0:28:10 | |
E-mail [email protected] | 0:28:10 | 0:28:13 | |
There's a Girls Aloud concert on tonight. Do you want to go? | 0:28:13 | 0:28:16 | |
Why would that be any fun? | 0:28:16 | 0:28:17 | |
LAUGHS SINISTERLY | 0:28:19 | 0:28:23 |