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I don't even know where to begin. The shoot was amazing. | 0:00:07 | 0:00:10 | |
Well, I kind of knew coming into a job with three other guys, | 0:00:10 | 0:00:13 | |
I thought, "It's going to be a ball. | 0:00:13 | 0:00:15 | |
"It's going to be fun." And it was exactly that. | 0:00:15 | 0:00:17 | |
Since day one, I think we all clicked. It's just been... | 0:00:17 | 0:00:21 | |
It's been so much fun. | 0:00:21 | 0:00:22 | |
They all bring something so different to the group. | 0:00:22 | 0:00:26 | |
A lot of fun to work with. Sometimes too much fun. | 0:00:26 | 0:00:28 | |
Jake, Sam, you will orienteer a seven kilometre walk | 0:00:30 | 0:00:34 | |
with Andy and Felix. | 0:00:34 | 0:00:35 | |
Brains and brawn. Excellent choice, sir. | 0:00:35 | 0:00:38 | |
-There's a shortcut. -Maybe it's not such a good idea to leave the path. | 0:00:39 | 0:00:42 | |
Let's go. | 0:00:42 | 0:00:43 | |
HE BIRD CALLS | 0:00:46 | 0:00:47 | |
The show is about four boys who get lost in a forest, | 0:00:49 | 0:00:52 | |
and when they come back to their own world, | 0:00:52 | 0:00:55 | |
'they've come to an alternate reality where they were never born. | 0:00:55 | 0:00:58 | |
'So the idea is what would happen if you didn't exist anymore? | 0:00:58 | 0:01:03 | |
'What would the world be like with out you, | 0:01:03 | 0:01:04 | |
'and how would your family have changed, | 0:01:04 | 0:01:07 | |
'how would your relationships have changed if you hadn't been there?' | 0:01:07 | 0:01:11 | |
Run! Run! | 0:01:16 | 0:01:17 | |
My name is Joel Lok. I play Andy. Andy Lau. | 0:01:22 | 0:01:26 | |
My name's Rahart Sadiqzai and I play Sam. | 0:01:26 | 0:01:28 | |
My name's Matt Testro. I play Jake Riles. | 0:01:28 | 0:01:32 | |
Dougie Baldwin. I play Felix Ferne, who's the Goth. | 0:01:32 | 0:01:37 | |
He begins the start of the series as the stereotypical nerd. | 0:01:37 | 0:01:41 | |
'Then you come to realise as the series progresses that, | 0:01:41 | 0:01:44 | |
'you know, he's actually got a lot of qualities of a leader, | 0:01:44 | 0:01:48 | |
'in a sense. His family have always been really protective | 0:01:48 | 0:01:51 | |
'and haven't really given him the opportunity to go and explore | 0:01:51 | 0:01:56 | |
'and be independent, and do all those things' | 0:01:56 | 0:01:58 | |
that he's always aspired to do. | 0:01:58 | 0:02:00 | |
'Sam's journey is a big one. | 0:02:00 | 0:02:03 | |
'He goes from being the one that everybody loves, | 0:02:03 | 0:02:06 | |
'everyone wants to be with, everybody wants to be him, | 0:02:06 | 0:02:10 | |
'to being the outcast. | 0:02:10 | 0:02:14 | |
'He finally gets to see what it's like to be the other' | 0:02:14 | 0:02:18 | |
person on the other side of popularity. | 0:02:18 | 0:02:21 | |
Jake is very grounded. | 0:02:21 | 0:02:25 | |
He is very mature, but to some he comes off as the bully at school. | 0:02:25 | 0:02:29 | |
He's the sporty jock, he's the footy captain. | 0:02:29 | 0:02:32 | |
'He's insecure about his home life, it's broken. | 0:02:32 | 0:02:35 | |
'He doesn't seem to have anything that he's proud of at home. | 0:02:35 | 0:02:40 | |
'When they get lost, at first he's the man of the group | 0:02:40 | 0:02:43 | |
'and he makes sure that they survive. | 0:02:43 | 0:02:45 | |
'He's very practical and logical.' | 0:02:45 | 0:02:47 | |
'He's cynical. He's had the bad side of life.' | 0:02:47 | 0:02:53 | |
He's only had people ridiculing him. | 0:02:53 | 0:02:55 | |
He's had people constantly disputing everything he does. | 0:02:55 | 0:02:58 | |
'He realises what everyone else is going through, | 0:02:58 | 0:03:00 | |
'that he's not the only one that might have problems.' | 0:03:00 | 0:03:03 | |
'Some things that are really similar between Sam the character | 0:03:03 | 0:03:07 | |
'and me, myself, Rahart, is a love for food. | 0:03:07 | 0:03:11 | |
'I... | 0:03:12 | 0:03:14 | |
'I love food. There's no two ways about it. That's a big part of Sam. | 0:03:14 | 0:03:20 | |
'In the series it's always on his mind, he's always hungry.' | 0:03:20 | 0:03:24 | |
Jake's probably a lot more grounded than I am. | 0:03:24 | 0:03:28 | |
'I'm quite an outgoing type.' | 0:03:28 | 0:03:31 | |
The shoot was 13 weeks, I believe. | 0:03:36 | 0:03:40 | |
'I remember at the start of the shoot, | 0:03:40 | 0:03:42 | |
'I used to be able to go to work with like three hours' sleep. | 0:03:42 | 0:03:45 | |
'Then, towards the end of it, eight hours wasn't even enough.' | 0:03:45 | 0:03:50 | |
I got here at 5.22am. | 0:03:50 | 0:03:52 | |
-I'm going to get some breakfast. -Deep breath. | 0:03:53 | 0:03:55 | |
This is Matt and my pre-scene workout. | 0:03:55 | 0:04:00 | |
-Helps us get into character. -It's like acting as a muscle. | 0:04:00 | 0:04:04 | |
Like any other muscle you would use. | 0:04:04 | 0:04:05 | |
Sorry, Christine, but we're doing Behind The Scenes. | 0:04:05 | 0:04:08 | |
I might just have to move you over somewhere else. | 0:04:08 | 0:04:10 | |
We're going to have to move. Come with us, come with us. | 0:04:10 | 0:04:13 | |
This is one of our walks. | 0:04:13 | 0:04:16 | |
We do certain... | 0:04:16 | 0:04:17 | |
-Like this. -You have to stretch the muscle. Work it. | 0:04:18 | 0:04:21 | |
Every single muscle of the body. | 0:04:21 | 0:04:23 | |
I'm ready. | 0:04:23 | 0:04:24 | |
As you can see, I voluntarily get in. | 0:04:28 | 0:04:30 | |
I stay here during lunch and I sleep here overnight. | 0:04:31 | 0:04:34 | |
-That's right. Ready for tomorrow. -Yeah. | 0:04:34 | 0:04:36 | |
You are all about saving time. | 0:04:36 | 0:04:38 | |
How do I stay warm? | 0:04:38 | 0:04:39 | |
I've got this top, this top, this jacket, this jacket, | 0:04:41 | 0:04:44 | |
and a hot water bottle. | 0:04:44 | 0:04:46 | |
Then, if I want to, I can get a hot chocolate. | 0:04:46 | 0:04:49 | |
Yeah! | 0:04:49 | 0:04:51 | |
Lunch time, look at it. | 0:04:52 | 0:04:53 | |
Spaghetti chicken pasta. | 0:04:53 | 0:04:56 | |
Yeah, so people think that we don't go to school because we're on set. | 0:05:01 | 0:05:05 | |
-They go to school. -This is school. | 0:05:05 | 0:05:07 | |
I've been doing Year 12. | 0:05:07 | 0:05:08 | |
I'm in my final year this year, | 0:05:08 | 0:05:10 | |
so I've been balancing my Year 12 studies | 0:05:10 | 0:05:14 | |
with my onscreen work and my work lifestyle. | 0:05:14 | 0:05:17 | |
Every ten minutes that I get free on set will be time spend doing | 0:05:17 | 0:05:21 | |
essays and time spent researching. | 0:05:21 | 0:05:25 | |
This is the tutoring room. | 0:05:25 | 0:05:26 | |
It was a green room, but it's been transformed into a tutoring room. | 0:05:26 | 0:05:29 | |
Joel doesn't spend any time here cos he doesn't go to school. | 0:05:29 | 0:05:32 | |
No time. No time at all. | 0:05:32 | 0:05:33 | |
I spend a lot of time in here. | 0:05:33 | 0:05:35 | |
I usually have the green room all to myself. | 0:05:35 | 0:05:38 | |
-Where he sleeps and listens to music. -Sleeps, eats. | 0:05:38 | 0:05:41 | |
Everyone knows me as the one that sleeps all the time. | 0:05:42 | 0:05:47 | |
'On shoot, you can definitely see me sleeping in deck chairs | 0:05:47 | 0:05:51 | |
'at every opportunity.' | 0:05:51 | 0:05:52 | |
Today on set we are introducing the tea trolley. | 0:05:52 | 0:05:56 | |
This is where we keep assorted biscuits. | 0:05:56 | 0:05:58 | |
Assorted biscuits for the day. | 0:05:58 | 0:06:00 | |
And shapes. | 0:06:00 | 0:06:01 | |
So you've got your sweets over here and your savouries over here. | 0:06:01 | 0:06:05 | |
Variety of teas. | 0:06:05 | 0:06:08 | |
There's English breakfast, Irish breakfast, peppermint, | 0:06:08 | 0:06:13 | |
Ceylon Orange Pekoe. | 0:06:13 | 0:06:15 | |
It's actually afternoon right now, | 0:06:15 | 0:06:17 | |
and I'm about to make my green tea. | 0:06:17 | 0:06:23 | |
-Do you want some cordial in it? -Do it! -No. No. | 0:06:23 | 0:06:26 | |
By the time everything was done in the day onset, | 0:06:26 | 0:06:29 | |
'it would probably be about six o'clock, | 0:06:29 | 0:06:33 | |
'by the time everything was done. | 0:06:33 | 0:06:35 | |
'Then I'd get home an rehearse for the next day. | 0:06:35 | 0:06:39 | |
'By the time that was done, I'd probably get to bed by 10-10.30.' | 0:06:39 | 0:06:44 | |
Then be up at four the next morning. | 0:06:44 | 0:06:46 | |
I feel like I am the most masculine. | 0:06:59 | 0:07:02 | |
Are we just going to keep throwing balls? | 0:07:02 | 0:07:04 | |
There was just basically myself, Joel and Dougie | 0:07:09 | 0:07:11 | |
running around a gym, beating each other up, getting videoed. | 0:07:11 | 0:07:15 | |
So that was fun. | 0:07:15 | 0:07:16 | |
Whoo! | 0:07:18 | 0:07:19 | |
Whoo! | 0:07:20 | 0:07:21 | |
-Day four of shooting. -Yeah. -It's been crazy. -We just TP-ed an entire gym. | 0:07:36 | 0:07:41 | |
It was awesome. | 0:07:41 | 0:07:43 | |
-We had lacrosse. -We got really sweaty. | 0:07:43 | 0:07:45 | |
I was just sitting there watching. | 0:07:45 | 0:07:47 | |
I didn't get to do it. | 0:07:47 | 0:07:48 | |
Aw! | 0:07:48 | 0:07:50 | |
THEY SHOUT | 0:07:50 | 0:07:53 | |
-BOTH: -There's a demon. | 0:08:06 | 0:08:08 | |
There's a demon chasing us, and Dougie and I... | 0:08:08 | 0:08:13 | |
There's a demon chasing us, and Dougie and I can't get in. | 0:08:13 | 0:08:16 | |
Then these two are at the door trying to help us. | 0:08:16 | 0:08:18 | |
When we finally get the door open... | 0:08:18 | 0:08:21 | |
When we finally get the door open, the demon comes out and haunts us. | 0:08:21 | 0:08:25 | |
He's trying to get in and trying to haunt us. | 0:08:25 | 0:08:28 | |
-He, she? -He, she... | 0:08:28 | 0:08:29 | |
"Cloaked figure" is what the script says. | 0:08:29 | 0:08:32 | |
Yeah, and we're just pretty much really, really scared. | 0:08:33 | 0:08:37 | |
Action. | 0:08:37 | 0:08:38 | |
FAN WHIRS | 0:08:40 | 0:08:42 | |
It shouts. | 0:08:42 | 0:08:43 | |
Run into the forest. | 0:08:44 | 0:08:45 | |
-Let's ask you where this place is. Where are we? -Where are we, huh? | 0:08:48 | 0:08:52 | |
That's right, the hideout. | 0:08:52 | 0:08:54 | |
WHIRRING | 0:08:57 | 0:09:00 | |
SHOUTING | 0:09:05 | 0:09:07 | |
-How does that feel? -Yeah, good. | 0:09:19 | 0:09:20 | |
COUGHING | 0:09:24 | 0:09:26 | |
Oh, that was so fun! | 0:09:28 | 0:09:29 | |
-Whoo! -That was fun. | 0:09:29 | 0:09:31 | |
-That was intense. -A lot of yelling. -One of my favourite scenes. | 0:09:31 | 0:09:34 | |
-Crazy. -Especially... Difficult. -With that fan. | 0:09:34 | 0:09:38 | |
It made it easy cos it was blowing the thing in your face. | 0:09:38 | 0:09:41 | |
It was great. | 0:09:41 | 0:09:42 | |
There was a lot of dust. I've got a lot of dust in my mouth still. | 0:09:42 | 0:09:45 | |
In my nose, in my mouth. | 0:09:45 | 0:09:47 | |
-My eyes, my ears. -Yeah, there's still a bit of grass in your hair. | 0:09:47 | 0:09:50 | |
Let me. Let me get that for you. | 0:09:50 | 0:09:53 | |
Got it? Have you got it? | 0:09:53 | 0:09:55 | |
I've got it, I've got it. | 0:09:55 | 0:09:56 | |
Have you got it? | 0:09:56 | 0:09:57 | |
No, I haven't got it. | 0:09:57 | 0:09:58 | |
This is Billy, my stunt double. | 0:10:02 | 0:10:04 | |
-Hello. -We look alike, don't we? | 0:10:04 | 0:10:07 | |
Yeah. But, no, when the helmet's on, we look exactly the same. | 0:10:07 | 0:10:13 | |
Pretty much whenever I have to do any skating, he's here right with me. | 0:10:13 | 0:10:16 | |
And action. | 0:10:16 | 0:10:17 | |
In the scene we had to do today, Billy had to do some... | 0:10:26 | 0:10:29 | |
Or Sam had to do some aerial tricks. | 0:10:29 | 0:10:33 | |
-Did you do a kick flip today? -Yeah. | 0:10:33 | 0:10:34 | |
Couple of kick flips and whatnot. We did some fake skating as well. | 0:10:34 | 0:10:39 | |
A bit of these. Pretending without a skateboard. | 0:10:39 | 0:10:43 | |
I think it was for sound. | 0:10:43 | 0:10:46 | |
Yeah, cos the skating echoed. | 0:10:46 | 0:10:48 | |
Yeah, the sound of the skateboard echoing. | 0:10:48 | 0:10:50 | |
This is the part where he saves my life. | 0:10:50 | 0:10:52 | |
This is the part where he actually does the trick. | 0:10:52 | 0:10:54 | |
Am I nervous for him? | 0:10:54 | 0:10:55 | |
Heh... Hell yeah. | 0:10:57 | 0:10:58 | |
CHEERING | 0:11:12 | 0:11:13 | |
He did well. | 0:11:18 | 0:11:19 | |
I was hoping they'd give me a shot. | 0:11:19 | 0:11:22 | |
'There was the mat there and everything for the first time. | 0:11:22 | 0:11:25 | |
'I was like, "Yeah, I could do this," but then, he made it look easy.' | 0:11:25 | 0:11:28 | |
Hi, I'm Darci McDonald and I play Ellen. | 0:11:32 | 0:11:36 | |
I'm Tamala Shelton, and I play Mia. | 0:11:36 | 0:11:38 | |
This is... What's your last name? | 0:11:38 | 0:11:40 | |
-Eh... -Jesse Jesse. -Is it Jesse Williams? | 0:11:40 | 0:11:44 | |
-Jesse Williams. -This is Jesse... Is it actually? | 0:11:44 | 0:11:46 | |
-Yeah, it is. -OK. This is Jesse Williams, and he plays Sammy. | 0:11:46 | 0:11:50 | |
They're constantly giving us putdowns. Yeah... | 0:11:50 | 0:11:53 | |
They're just jealous, really. | 0:11:53 | 0:11:55 | |
Joel is always sleeping. Just never stops. | 0:11:55 | 0:11:59 | |
The best part was when I got to do awesome stunts with Joel. | 0:11:59 | 0:12:04 | |
-I saved her life. -He saved me from a bus. That was pretty fun. | 0:12:04 | 0:12:09 | |
What else did...? I don't know, I've just enjoyed everything, really. | 0:12:09 | 0:12:12 | |
This is the lovely Michala Banas, who plays Phoebe in the show. | 0:12:12 | 0:12:16 | |
She's our creepy auntie. MICHALA LAUGHS | 0:12:16 | 0:12:18 | |
I thought that coming on to a show with four teenage boys | 0:12:18 | 0:12:21 | |
was going to be hard work. | 0:12:21 | 0:12:23 | |
Cos sometimes teenage boys are hard work. | 0:12:23 | 0:12:25 | |
No! You know what, they've been great. | 0:12:25 | 0:12:28 | |
'They've been like mates. | 0:12:28 | 0:12:32 | |
'They've formed a really nice bond together, the four of them, | 0:12:32 | 0:12:35 | |
'and then as someone who comes in and out of the show, | 0:12:35 | 0:12:37 | |
'I just felt really comfortable. | 0:12:37 | 0:12:39 | |
'They're all really good, decent guys.' | 0:12:42 | 0:12:44 | |
Michala, as professional as she is, she laughed out of place one time | 0:12:45 | 0:12:48 | |
because she heard a motorbike and she thought it sounded like a fart. | 0:12:48 | 0:12:51 | |
-I remember that. -It totally did though! | 0:12:51 | 0:12:53 | |
It was in the hideout back there. | 0:12:53 | 0:12:55 | |
-It totally... It sounded like a fart. -It did. | 0:12:55 | 0:12:58 | |
This is Damien. | 0:12:58 | 0:12:59 | |
-He's just awesome. -Thanks. | 0:13:00 | 0:13:03 | |
Cut that, then. | 0:13:04 | 0:13:05 | |
We're done here, I think. | 0:13:06 | 0:13:08 | |
Damien? Well, he's just been fantastic. | 0:13:08 | 0:13:10 | |
He's absolutely hilarious off set. | 0:13:10 | 0:13:12 | |
'Just such a great actor to work with on set. | 0:13:14 | 0:13:18 | |
'To have him opposite you just helps so much.' | 0:13:18 | 0:13:21 | |
I think it boosts the performance in the scene in general. | 0:13:21 | 0:13:24 | |
Being possessed. Well, the demented chicken, | 0:13:24 | 0:13:26 | |
as they've been calling it. Yeah, I've heard about that. | 0:13:26 | 0:13:28 | |
I'm not sure they had any control in that | 0:13:28 | 0:13:31 | |
or are even meant to do that to be a chicken. | 0:13:31 | 0:13:33 | |
'I just saw Nick, who's playing the school teacher, being possessed. | 0:13:34 | 0:13:40 | |
'I thought it was fantastic.' | 0:13:40 | 0:13:42 | |
I thought he did a really good job of it. | 0:13:42 | 0:13:43 | |
So I tried to do my version of him, | 0:13:43 | 0:13:45 | |
but apparently it looks more like a chicken. | 0:13:45 | 0:13:48 | |
At one point, Dam-o hissed. | 0:13:49 | 0:13:52 | |
I did. Well, the take had been going on for a while. | 0:13:52 | 0:13:55 | |
We'd been rolling for quite a while, so I thought, | 0:13:55 | 0:13:57 | |
"The editors have got enough here to cut in, | 0:13:57 | 0:13:59 | |
"so why don't I give them a hiss?" Chuck in a... | 0:13:59 | 0:14:01 | |
HE HISSES | 0:14:01 | 0:14:03 | |
That dog looks like a Pokemon. | 0:14:23 | 0:14:25 | |
Like Pikachu. | 0:14:25 | 0:14:27 | |
-I'm Sarah from Film Livestock. This is Caroline. -Hi. | 0:14:27 | 0:14:31 | |
We've got these fine gentlemen chasing us. | 0:14:32 | 0:14:35 | |
They're pretty placid right now. | 0:14:35 | 0:14:36 | |
But when you see them, they do have... | 0:14:36 | 0:14:40 | |
Their inner demons come out. | 0:14:40 | 0:14:43 | |
SHOUTING | 0:14:43 | 0:14:45 | |
Fred, Deacon, Taya, go! | 0:14:45 | 0:14:47 | |
DOGS BARK | 0:14:47 | 0:14:49 | |
-We've got Fred over here. -Stay. Yeah. | 0:14:55 | 0:14:58 | |
So Fred's actually mine in the TV show. | 0:14:58 | 0:15:02 | |
This is Taya. Her real name's Taya. | 0:15:02 | 0:15:05 | |
You've got Duffy over here. She's 12 weeks old. | 0:15:05 | 0:15:08 | |
This is Deacon. Is it Deacon? | 0:15:09 | 0:15:11 | |
Deacon. | 0:15:11 | 0:15:13 | |
How do you get them to attack us? | 0:15:13 | 0:15:15 | |
SARAH: We've had about three weeks of prep on these dogs, | 0:15:15 | 0:15:18 | |
so it's a process. | 0:15:18 | 0:15:20 | |
Luckily we've had some volunteers at home who have played you | 0:15:20 | 0:15:22 | |
guys for us over the time that we've been training, | 0:15:22 | 0:15:25 | |
so we've just taught the dogs to run after the people. | 0:15:25 | 0:15:28 | |
They've also been trained to show aggression behaviours. | 0:15:28 | 0:15:35 | |
Whatever you do, don't look him in the eye. | 0:15:35 | 0:15:37 | |
How do you do that? | 0:15:37 | 0:15:39 | |
It's a lot of positive reinforcement, | 0:15:39 | 0:15:41 | |
'so what we do is we shape the behaviour of the dogs, | 0:15:41 | 0:15:44 | |
'so they'll offer us maybe just a little bit | 0:15:44 | 0:15:46 | |
'of something that we like - maybe just a lip lift - | 0:15:46 | 0:15:49 | |
'and we reward that, | 0:15:49 | 0:15:51 | |
'and we build on it.' | 0:15:51 | 0:15:52 | |
Can you get one of them to growl now? | 0:15:52 | 0:15:53 | |
SHE HISSES | 0:15:53 | 0:15:54 | |
SHE HISSES | 0:15:57 | 0:15:58 | |
Yes, good girl. | 0:16:03 | 0:16:04 | |
Are you guys OK? | 0:16:12 | 0:16:13 | |
Dude, come on. We've got to get out of here. | 0:16:13 | 0:16:16 | |
This is Sean and he's being Dougie for today, | 0:16:32 | 0:16:34 | |
because Dougie's pre-occupied. | 0:16:34 | 0:16:36 | |
I'm Dougie. | 0:16:36 | 0:16:37 | |
And I'm Matt, and we're filming the climax of the series. | 0:16:37 | 0:16:41 | |
So if you haven't seen all the episodes yet, spoiler alert. | 0:16:41 | 0:16:46 | |
MACHINE WHIRS | 0:16:46 | 0:16:47 | |
Here it goes again. | 0:16:50 | 0:16:51 | |
They're doing another take cos Joel just can't get it right, can he? | 0:16:51 | 0:16:54 | |
-Look at him. -That's classic Joel. | 0:16:54 | 0:16:56 | |
MACHINE WHIRS | 0:16:57 | 0:16:58 | |
I was kidding, by the way. We love Joel. Joel's fantastic. | 0:17:02 | 0:17:05 | |
This is Russell. He teaches us how to do all our stunts. | 0:17:05 | 0:17:09 | |
Ah, you're too strong, man. | 0:17:09 | 0:17:11 | |
That's hilarious. | 0:17:11 | 0:17:13 | |
From the last time you threw me into a tree. | 0:17:13 | 0:17:15 | |
Me and Russell had the same weights programme. | 0:17:15 | 0:17:17 | |
-As you can tell. -I'm actually Matty's double. | 0:17:17 | 0:17:22 | |
I'm the only one that has the same sort of physique as Russell. | 0:17:23 | 0:17:27 | |
You know? | 0:17:29 | 0:17:30 | |
This here is Mark. He is one of our stuntmen. | 0:17:30 | 0:17:33 | |
Mark will be fitting me wit this jerk harness here, | 0:17:33 | 0:17:35 | |
which will throw me back into that tree. | 0:17:35 | 0:17:41 | |
So that's going to be terrifying, but Mark's a very safe guy | 0:17:41 | 0:17:46 | |
and he's going to take care of me. | 0:17:46 | 0:17:49 | |
We're going to be all right, aren't we? | 0:17:49 | 0:17:51 | |
We are going to look after the tree. | 0:17:51 | 0:17:53 | |
This stuff is called skydeck. | 0:17:53 | 0:17:56 | |
It was insulation on space ships first, wasn't it? | 0:17:56 | 0:17:58 | |
-Has been. Also in the US Military. -There you go. | 0:17:58 | 0:18:01 | |
It's great for holding eggs, as you can see. | 0:18:01 | 0:18:04 | |
You can fit one, two... You can fit a lot of eggs in here. | 0:18:04 | 0:18:08 | |
I'm going to put it on the tree and I'm going to launch back into it. | 0:18:08 | 0:18:11 | |
It's kind of hard, but, you know, I'm tough, so we'll be all right. | 0:18:11 | 0:18:15 | |
I do a stunt where I'll be getting sucked up into the tornado | 0:18:29 | 0:18:32 | |
up in the sky. I have to hold on to that rope. | 0:18:32 | 0:18:34 | |
I'm going to go upside down, with a woman's harness | 0:18:34 | 0:18:37 | |
because I'm too small for a man's one. | 0:18:37 | 0:18:39 | |
RAHART LAUGHS | 0:18:42 | 0:18:43 | |
Doing his own stunts. | 0:18:46 | 0:18:47 | |
You're at Millipede. | 0:19:08 | 0:19:10 | |
I'm Will. | 0:19:10 | 0:19:12 | |
I'm the founder of the studio and the creative director on this project. | 0:19:12 | 0:19:15 | |
I'm Jason. | 0:19:16 | 0:19:18 | |
I guess the technical leader, or lead programmer for Nowhere Boys. | 0:19:18 | 0:19:22 | |
So we've developed a story that runs completely parallel to the TV series, | 0:19:22 | 0:19:29 | |
so basically augments the adventure of what's going on. | 0:19:29 | 0:19:34 | |
It's focused on a boy who's lost in this... | 0:19:34 | 0:19:38 | |
..in between dimensions, called negative space. | 0:19:38 | 0:19:42 | |
Pretty much trying to find a way home. | 0:19:44 | 0:19:47 | |
Along the way, | 0:19:47 | 0:19:48 | |
he's realised that the boys in the TV series are in the same predicament, | 0:19:48 | 0:19:52 | |
and they're actually working to help each other. | 0:19:52 | 0:19:55 | |
So they actually do things that influence each other | 0:19:55 | 0:19:57 | |
and aid each other's quests. | 0:19:57 | 0:19:59 | |
Yeah, it's an interesting premise. | 0:19:59 | 0:20:01 | |
'An episode will play, and that will trigger a game chapter to unlock. | 0:20:01 | 0:20:05 | |
'So hopefully at the end of the episode, | 0:20:05 | 0:20:08 | |
'there's a call to action to encourage people to go on | 0:20:08 | 0:20:10 | |
'and continue the story online.' | 0:20:10 | 0:20:12 | |
They can go on, the game will be ready to play. | 0:20:12 | 0:20:15 | |
Yeah, they'll see a lot of familiar things | 0:20:17 | 0:20:19 | |
that they've just witnessed in the TV series | 0:20:19 | 0:20:21 | |
actually creep through into the game, then do some tasks. | 0:20:21 | 0:20:24 | |
They'll see the results actually occur in the next episode | 0:20:24 | 0:20:28 | |
when that airs. | 0:20:28 | 0:20:29 | |
What I really want, I think | 0:20:30 | 0:20:32 | |
what we all really wanted from the start, | 0:20:32 | 0:20:34 | |
is to create something that was unique to what's out there now, | 0:20:34 | 0:20:39 | |
and also something that can really get | 0:20:39 | 0:20:42 | |
the player into the mythology, to the big world of the Nowhere Boys. | 0:20:42 | 0:20:47 | |
What we wanted to do was take an idea, | 0:20:52 | 0:20:54 | |
take the concept of magic, | 0:20:54 | 0:20:57 | |
and make it very real. | 0:20:57 | 0:20:58 | |
I've got Felix's Book of Shadows. | 0:20:58 | 0:21:01 | |
It's where he puts all his spells. | 0:21:04 | 0:21:06 | |
Show him the research that he's done on us. | 0:21:06 | 0:21:08 | |
So this page is Andy. | 0:21:08 | 0:21:10 | |
Oh, oh, that's just his personal diary. He just likes us a lot. | 0:21:10 | 0:21:15 | |
Pretty much Felix has written down elements | 0:21:15 | 0:21:18 | |
of the of the individual that can relate to the magic somehow. | 0:21:18 | 0:21:23 | |
I'm water, water. Andy's water because he's a logical thinker. | 0:21:23 | 0:21:27 | |
I'm earth because I'm grounded and that's sort of thing. | 0:21:27 | 0:21:31 | |
-Stubborn. -Yeah. | 0:21:31 | 0:21:33 | |
Sam's air, because he's an airhead, which gets mentioned in the script. | 0:21:33 | 0:21:36 | |
-He's quite flowing, just kind of flows around life. -Yep. | 0:21:36 | 0:21:40 | |
I think I'm fire because I'm just angry at life. | 0:21:40 | 0:21:43 | |
Because you're hot. | 0:21:43 | 0:21:45 | |
I'm kind of just angry at how my life has turned out. | 0:21:45 | 0:21:47 | |
Angry at everyone around it. | 0:21:47 | 0:21:49 | |
Here it's got a zodiac sign. | 0:21:49 | 0:21:51 | |
-Apparently I'm a Libra. -I'm a Leo. | 0:21:52 | 0:21:57 | |
So the magic's loosely based on zodiac signs and runes. | 0:21:57 | 0:22:02 | |
Elements. | 0:22:02 | 0:22:04 | |
TONY: 'The whole idea of the series was | 0:22:04 | 0:22:05 | |
'that we were going to slowly build this sense of threat | 0:22:05 | 0:22:08 | |
'throughout the series.' | 0:22:08 | 0:22:09 | |
There's this kind of dark magical force which is trying to | 0:22:09 | 0:22:13 | |
eliminate the boys from the alternate reality that they've entered. | 0:22:13 | 0:22:16 | |
'At one point, one of the characters says, | 0:22:16 | 0:22:18 | |
'"Well, maybe magic is just science that you don't understand.' | 0:22:18 | 0:22:23 | |
"Science that you haven't discovered." | 0:22:23 | 0:22:27 | |
'I think that was the central idea that we're playing with - | 0:22:27 | 0:22:30 | |
''that there are all of these really interesting theories | 0:22:30 | 0:22:33 | |
'about the multiverse, about alternate universes, | 0:22:33 | 0:22:35 | |
'about the ripple effect, a butterfly effect. | 0:22:35 | 0:22:38 | |
'We're playing with that' | 0:22:38 | 0:22:39 | |
and playing with the idea that a magical event can trigger that. | 0:22:39 | 0:22:43 | |
Run. Run! | 0:22:52 | 0:22:53 | |
The big thing that we had was a big tornado that chases the boys. | 0:22:55 | 0:22:59 | |
The tricky thing about that is, again, we've got | 0:23:01 | 0:23:04 | |
a limited time to do it and we're in the forest... | 0:23:04 | 0:23:08 | |
..which is not green-screen-able, really, | 0:23:09 | 0:23:13 | |
in the time. | 0:23:13 | 0:23:14 | |
That was quite a challenge of how to cover that | 0:23:16 | 0:23:18 | |
'in such a way that we didn't have to erect green screens.' | 0:23:18 | 0:23:22 | |
Of course, technology has advanced so much | 0:23:22 | 0:23:25 | |
that you have options to do that, it's just time consuming. | 0:23:25 | 0:23:28 | |
'So it was about finding a part of the forest that was open enough | 0:23:28 | 0:23:33 | |
'to give us space for a tornado, and removing the boys to one side | 0:23:33 | 0:23:39 | |
'so the tornado gets its part of the frame | 0:23:39 | 0:23:41 | |
'and the boys get their part of the frame.' | 0:23:41 | 0:23:44 | |
The tornado gets its own shot. | 0:23:44 | 0:23:45 | |
Faster. Faster. | 0:23:47 | 0:23:48 | |
This way. | 0:23:49 | 0:23:51 | |
TORNADO SCREECHES | 0:23:51 | 0:23:52 | |
TONY: 'The visual effects' bees are really cool. | 0:23:54 | 0:23:56 | |
'The crows are great. | 0:23:56 | 0:23:57 | |
'Then the visual effects helps enhance the dog threat | 0:23:59 | 0:24:01 | |
'that we're trying to create. | 0:24:01 | 0:24:03 | |
'So all of that is terribly exciting.' | 0:24:03 | 0:24:07 | |
Within the boundaries of the world that we're in, | 0:24:07 | 0:24:09 | |
it gives it another element. | 0:24:09 | 0:24:13 | |
It really makes the magic come to life. | 0:24:13 | 0:24:15 | |
CROW CAWS | 0:24:18 | 0:24:19 | |
CROWS CAW | 0:24:24 | 0:24:25 | |
Yesterday consisted of very mixed emotions. | 0:24:34 | 0:24:38 | |
I was excited, like, "No more 3.45 starts!" | 0:24:38 | 0:24:41 | |
But also I knew I was going to miss everyone like crazy. | 0:24:43 | 0:24:49 | |
'I don't think it'll hit me till Monday morning when I wake up | 0:24:49 | 0:24:51 | |
'and I'm like, "I don't have any lines to learn.' | 0:24:51 | 0:24:53 | |
"I'm not going to work. What am I going to do?" | 0:24:53 | 0:24:57 | |
I just finished my last scene. | 0:24:57 | 0:24:59 | |
-It's weird. -Oh, yeah. How did that feel? -I don't know. It's always... | 0:24:59 | 0:25:03 | |
You have so much fun and forget that it's going to end. | 0:25:03 | 0:25:06 | |
Then it ends and you're like, "Aw." | 0:25:06 | 0:25:08 | |
-Kind of bittersweet. Throw your hat in the air, accomplished. -Yeah. | 0:25:08 | 0:25:11 | |
But it's sad. | 0:25:11 | 0:25:12 | |
'Everyone's probably really tired. | 0:25:12 | 0:25:14 | |
'Especially the crew, they work all day, every day. It was relentless. | 0:25:14 | 0:25:18 | |
'You guys have been studying. | 0:25:18 | 0:25:20 | |
'When I get time off, I get to go and have a little quiet read | 0:25:20 | 0:25:22 | |
'and chill out, they're going straight into tutoring. | 0:25:22 | 0:25:26 | |
'But we've had a ball.' | 0:25:26 | 0:25:28 | |
-DARCI: -'I'm really sad and I'll probably cry. | 0:25:28 | 0:25:31 | |
'I've just had such a blast.' | 0:25:31 | 0:25:33 | |
Rahart is such a gentleman. | 0:25:33 | 0:25:35 | |
-Aw. -I'm a gentleman too. | 0:25:35 | 0:25:36 | |
'What am I going to miss the most? | 0:25:37 | 0:25:39 | |
'Probably doing what I do, the scenes, and the four boys. | 0:25:40 | 0:25:44 | |
'Except I'll see them, so I won't miss them. | 0:25:46 | 0:25:48 | |
'It's like... I explain it as just a really,' | 0:25:48 | 0:25:50 | |
really awesome school excursion every day. | 0:25:50 | 0:25:53 | |
-Those ones at school to the zoo or something? -You go, "Whoo!" | 0:25:53 | 0:25:56 | |
'Yeah, and you just have the best time. | 0:25:56 | 0:25:58 | |
'It has to end, but it doesn't. Well, it does. Cos it's ending now. | 0:25:58 | 0:26:02 | |
'Yeah, today's ending is kind of like when your mum comes over | 0:26:02 | 0:26:05 | |
'to your friends house and is like, "All right, honey, we have to go."' | 0:26:05 | 0:26:08 | |
-It's like, "Mum, can I just stay?" -Yeah. | 0:26:08 | 0:26:09 | |
We'll definitely keep in contact. | 0:26:09 | 0:26:11 | |
We can't not, we've spent so much time together, | 0:26:11 | 0:26:13 | |
we're all brothers now. It's good. | 0:26:13 | 0:26:16 | |
CHEERING | 0:26:16 | 0:26:17 | |
Nowhere Boys - The 5th Boy has landed on the CBBC games page. | 0:26:36 | 0:26:40 | |
Battle your way through negative space | 0:26:40 | 0:26:42 | |
and explore the mysterious world around you. | 0:26:42 | 0:26:45 | |
Gain amazing powers as you fight for survival | 0:26:45 | 0:26:48 | |
and try to find a way back home. | 0:26:48 | 0:26:50 | |
Check out Nowhere Boys - The 5th Boy | 0:26:50 | 0:26:53 | |
on the CBBC website now. | 0:26:53 | 0:26:54 |