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# Where do you go when you know Nobody can understand you | 0:00:06 | 0:00:09 | |
# When it's just too much to handle | 0:00:09 | 0:00:12 | |
# What do you do when you end up somewhere you never planned to | 0:00:12 | 0:00:15 | |
# Wash that stress out like it was shampoo? | 0:00:15 | 0:00:17 | |
# You should stay | 0:00:17 | 0:00:19 | |
# It can't change | 0:00:19 | 0:00:20 | |
# There's good days and bad days | 0:00:20 | 0:00:23 | |
# But one day down the line this time be sure to stop | 0:00:23 | 0:00:26 | |
# So the only time is now 4 O'Clock | 0:00:26 | 0:00:28 | |
# 4 O'Clock. # | 0:00:28 | 0:00:30 | |
Morning, primates. | 0:00:30 | 0:00:31 | |
So Josh, how many thousand hits did you get on your website last night? | 0:00:35 | 0:00:39 | |
-Nine. -9,000? | 0:00:39 | 0:00:41 | |
-No, nine. -A bit feeble. | 0:00:41 | 0:00:44 | |
Yeah, I need something really epic to, like, build the traffic. | 0:00:44 | 0:00:50 | |
Hey, Josh, have you seen the lens on this thing? Look. | 0:00:50 | 0:00:54 | |
You can go in and you can go out, | 0:00:54 | 0:00:57 | |
and you can go in, and you can go out. | 0:00:57 | 0:01:00 | |
Ash, you're kind of making me feel sick. | 0:01:00 | 0:01:02 | |
-Whoa, it's even better than I thought! -My dad got it for me. | 0:01:02 | 0:01:05 | |
I was thinking about making my first film. | 0:01:05 | 0:01:07 | |
I want to do something like The Dark Knight, moody and edgy. | 0:01:07 | 0:01:10 | |
Yeah, totally that... | 0:01:10 | 0:01:12 | |
but with a mutant monkey that wants to eat everything. | 0:01:12 | 0:01:15 | |
No, Ash, I want to establish myself as a serious director. | 0:01:15 | 0:01:18 | |
What's more serious than people running and screaming, | 0:01:18 | 0:01:22 | |
torn between fear of the giant monkey and respect? | 0:01:22 | 0:01:28 | |
A monster monkey rap movie - | 0:01:28 | 0:01:31 | |
terrified kids fleeing from a giant gorilla, | 0:01:31 | 0:01:35 | |
fear, screams and an epic soundtrack by the rap-meister J-Carter? | 0:01:35 | 0:01:42 | |
-Yes! -I've got the monkey. | 0:01:42 | 0:01:45 | |
But where are you going to get thousands of screaming kids? | 0:01:45 | 0:01:48 | |
I don't want our school to be just a school. | 0:01:51 | 0:01:55 | |
This new scheme will turn this into a place where people can really | 0:01:55 | 0:01:59 | |
feel connected with one another, a community. | 0:01:59 | 0:02:04 | |
-Hear, hear! -Yeah, good point, headmaster. | 0:02:04 | 0:02:09 | |
Now, in a community, you have rights and responsibilities. It's exciting. | 0:02:09 | 0:02:14 | |
He keeps confusing the word "exciting" with the word "dull". | 0:02:14 | 0:02:17 | |
From now on you'll have the responsibility | 0:02:17 | 0:02:21 | |
not to distract each other with loud voices and chewing gum. | 0:02:21 | 0:02:26 | |
You will have the right to a calm and relaxed working environment, | 0:02:26 | 0:02:32 | |
undisturbed by running in the corridor. | 0:02:32 | 0:02:35 | |
Basically, we have to do exactly as we're told. Yay, lucky us(!) | 0:02:35 | 0:02:39 | |
FIRE ALARM RINGS | 0:02:39 | 0:02:41 | |
This ain't a false whatsit. | 0:02:41 | 0:02:43 | |
If it was, they'd have done a practice thingy. | 0:02:43 | 0:02:45 | |
But they didn't. This is happening! We're all going to die! | 0:02:45 | 0:02:48 | |
SCREAMING AND COMMOTION | 0:02:48 | 0:02:50 | |
Remember, calm walking in single file. | 0:02:51 | 0:02:55 | |
Leave it with me, headmaster! | 0:02:55 | 0:02:57 | |
Stop running! | 0:02:57 | 0:03:00 | |
Ash, I believe you. Mutant monkeys is a great idea. | 0:03:00 | 0:03:04 | |
-Wrap it up before we get caught. -Chill out, Beverly. | 0:03:04 | 0:03:06 | |
Keep shooting. Keep shooting. I can feel the hits racking up. | 0:03:06 | 0:03:10 | |
-Ding-dong alert. -Join the crowd. Merge. | 0:03:10 | 0:03:13 | |
Mr Chimpy! | 0:03:13 | 0:03:16 | |
You three - my office, now. Time for a friendly chat. | 0:03:16 | 0:03:20 | |
It's not going to be a friendly chat | 0:03:21 | 0:03:23 | |
because even the way he says "friendly" is unfriendly. | 0:03:23 | 0:03:26 | |
You're on the radar, Carter, and not in a good way. | 0:03:29 | 0:03:32 | |
-Note the size of that file. -I guess people do like to talk about me. | 0:03:32 | 0:03:37 | |
And you, Ash Newman. Time and time again, you let yourself down. | 0:03:37 | 0:03:43 | |
Ryan, sir. | 0:03:43 | 0:03:44 | |
Yes, exactly. You too, Ryan. | 0:03:44 | 0:03:47 | |
They're repeat offenders, Mr Bell, all three of them. | 0:03:49 | 0:03:53 | |
Look, sir, I ain't excusing anything, | 0:03:53 | 0:03:55 | |
but we didn't set off the alarm. | 0:03:55 | 0:03:58 | |
See, we just seized the opportunity to record the events | 0:03:58 | 0:04:01 | |
that unfolded, for the benefit of others. | 0:04:01 | 0:04:03 | |
Oh, really? | 0:04:03 | 0:04:05 | |
'All we've got to do is set off the fire alarm.' | 0:04:07 | 0:04:10 | |
FIRE ALARM RINGS | 0:04:10 | 0:04:12 | |
SCREAMING | 0:04:12 | 0:04:14 | |
It saddens me that you missed an exciting | 0:04:17 | 0:04:19 | |
opportunity to learn about the school's new initiative, | 0:04:19 | 0:04:23 | |
and it saddens me that I am going to have to give you | 0:04:23 | 0:04:26 | |
a week's worth of detention. | 0:04:26 | 0:04:27 | |
Maybe if you let us off, it will cheer you up again. | 0:04:27 | 0:04:30 | |
It will put that spring back in your step. | 0:04:30 | 0:04:32 | |
But then I would just be short-changing you | 0:04:32 | 0:04:35 | |
for the sake of my own happiness... | 0:04:35 | 0:04:38 | |
So, no. | 0:04:38 | 0:04:40 | |
You can go now. | 0:04:40 | 0:04:41 | |
Hey, Mr Bell. Great assembly this morning. | 0:04:47 | 0:04:50 | |
Your bit, I mean - not the fire alarm. | 0:04:50 | 0:04:53 | |
Is there a point you're meandering towards? | 0:04:53 | 0:04:55 | |
That thing you said about community | 0:04:55 | 0:04:57 | |
and us being connected to each other - I totally agree. | 0:04:57 | 0:04:59 | |
Hmm. That part should be viewed as a lead-in to the more important | 0:04:59 | 0:05:03 | |
point about the children behaving more responsibly. | 0:05:03 | 0:05:05 | |
Right. Yeah. That too. | 0:05:05 | 0:05:07 | |
In fact, a group of pupils from your detention club aren't making | 0:05:07 | 0:05:11 | |
any relevant progress at all. | 0:05:11 | 0:05:12 | |
I had to talk to three of them this morning | 0:05:12 | 0:05:14 | |
-about their improper use of this. -That's not good. Not good at all. | 0:05:14 | 0:05:19 | |
But what I need are disciplined pupils who can pass exams, | 0:05:19 | 0:05:21 | |
wear a tie and not talk back. | 0:05:21 | 0:05:23 | |
-Can you give me that? -Yes. Absolutely. | 0:05:23 | 0:05:25 | |
I can get through to them. Leave it with me. | 0:05:25 | 0:05:27 | |
This messes my whole game plan, man. I need that camera back. | 0:05:30 | 0:05:34 | |
Oh, Josh, I didn't realise you cared. | 0:05:34 | 0:05:36 | |
It's not for you, you melon. It's so we can do my video. | 0:05:36 | 0:05:39 | |
So I need to turn them into a disciplined, unified group, | 0:05:41 | 0:05:45 | |
ideally all in ties. That'll be easy, won't it? | 0:05:45 | 0:05:47 | |
This bit's my favourite. | 0:05:47 | 0:05:50 | |
'You are not allowed to escape the fire until I say so! Ow!' | 0:05:50 | 0:05:54 | |
SHE LAUGHS | 0:05:54 | 0:05:56 | |
-Oh, injured in the line of duty? -Extreme circumstances. | 0:05:56 | 0:06:02 | |
-Normally, they respect my authority. -Fear isn't the same as respect. | 0:06:02 | 0:06:06 | |
That just came out. | 0:06:07 | 0:06:08 | |
Strange, because when you talk, | 0:06:08 | 0:06:10 | |
all people hear is this vague sort of buzzing noise. | 0:06:10 | 0:06:13 | |
KNOCK AT DOOR | 0:06:15 | 0:06:17 | |
Mr Harris, I had an idea about the 4 O'Clock Club | 0:06:19 | 0:06:22 | |
-that I really think would fit in with your skills. -Oh, skills. | 0:06:22 | 0:06:26 | |
Yeah, the idea is, we shoot a video, could be a rap video, | 0:06:26 | 0:06:29 | |
but it means we'll need Ryan's camcorder. | 0:06:29 | 0:06:32 | |
-How does that fit in...? -Sweet. I'll let that idea sit with you. | 0:06:32 | 0:06:35 | |
-Hmm. -Film making? | 0:06:35 | 0:06:38 | |
That's a group activity. You can't make a film by yourself. | 0:06:38 | 0:06:42 | |
-You need actors, editors, dancers, trapeze artists. -Maybe not trapeze. | 0:06:42 | 0:06:47 | |
But making a film will give them a sense of community, | 0:06:47 | 0:06:49 | |
responsibilities and other good things. | 0:06:49 | 0:06:51 | |
Would it be too much if I had one of those director's chairs? | 0:06:51 | 0:06:54 | |
-Check the girls dancing on the car. -Bit sexist. | 0:06:55 | 0:06:59 | |
But you can't have a rap video without girls dancing on a car. | 0:06:59 | 0:07:03 | |
It's, like, illegal. | 0:07:03 | 0:07:04 | |
So you're probably thinking today is a normal day. | 0:07:05 | 0:07:08 | |
Normal day, normal detention. Well, today is not normal. | 0:07:08 | 0:07:12 | |
Who are you calling not normal? You're not normal. You're a Norman. | 0:07:12 | 0:07:16 | |
-What do you reckon to making a film together? -Funny you should say that. | 0:07:16 | 0:07:20 | |
I just made my own storyboard. | 0:07:20 | 0:07:22 | |
That's great, but this is a group project. | 0:07:22 | 0:07:24 | |
-Yeah, but... -Oi, it ain't all about you. | 0:07:24 | 0:07:27 | |
You got two of these, one of them. You're always butting in. | 0:07:27 | 0:07:29 | |
You never keep your trap shut and listen, yeah? | 0:07:29 | 0:07:31 | |
I want you to make a film about | 0:07:34 | 0:07:36 | |
what you think about rights and responsibilities. | 0:07:36 | 0:07:38 | |
You mean the scheme Ding-dong was boring us with in assembly? | 0:07:38 | 0:07:41 | |
Where we all behave like well-behaved robots? | 0:07:41 | 0:07:43 | |
Yeah, but it'll be your film. You can write, direct, act. | 0:07:43 | 0:07:47 | |
The assembly was "yeah, right". So the film'll be, like, whatever. | 0:07:47 | 0:07:50 | |
If you don't want it to be, like, whatever, | 0:07:50 | 0:07:52 | |
then don't make it, like, whatever. | 0:07:52 | 0:07:54 | |
Ooh! | 0:07:54 | 0:07:56 | |
-Puppets? -Yeah, sure. | 0:07:56 | 0:07:58 | |
Totally ours? I could get into that. | 0:08:02 | 0:08:06 | |
-Sounds better than doing homework. -Yeah. -No, man. Slow down. | 0:08:06 | 0:08:10 | |
# Great Well, that's just perfect | 0:08:12 | 0:08:14 | |
# All that getting the camera back wasn't worth it | 0:08:14 | 0:08:17 | |
# Now this lot can have a laugh Shoot their little movie | 0:08:17 | 0:08:20 | |
# While my video has been sabotaged | 0:08:20 | 0:08:22 | |
# And I guarantee you it would have been a classic | 0:08:22 | 0:08:24 | |
# A rap vid that struck a chord with the masses | 0:08:24 | 0:08:26 | |
# London, New York Tokyo, Paris, Berlin, Sydney | 0:08:26 | 0:08:29 | |
# All over the planet | 0:08:29 | 0:08:31 | |
# Man, it could have travelled everywhere | 0:08:31 | 0:08:34 | |
# That is if it wasn't for that fluffy melon Harris | 0:08:34 | 0:08:36 | |
# So excited I am delighted | 0:08:36 | 0:08:39 | |
# Never had a connection that was like this | 0:08:39 | 0:08:41 | |
# Guess I really am full of surprises | 0:08:41 | 0:08:44 | |
# Now the kids get what the Dexter Harris vibe is | 0:08:44 | 0:08:46 | |
# When I talk, there is no more vague buzz | 0:08:46 | 0:08:48 | |
# Just a voice and a presence that they love | 0:08:48 | 0:08:51 | |
# Finally I am making a connection | 0:08:51 | 0:08:53 | |
# And I'm heading in the correct direction | 0:08:53 | 0:08:56 | |
# But the respect is the best bit | 0:08:56 | 0:08:58 | |
# Thanks to this Muppet I am so disconnected | 0:08:58 | 0:09:01 | |
# Finally I can feel I've done enough good | 0:09:01 | 0:09:03 | |
# From here on it's onwards and upwards | 0:09:03 | 0:09:06 | |
# But the respect is the best bit | 0:09:06 | 0:09:08 | |
# Thanks to this peanut I am so disconnected | 0:09:08 | 0:09:11 | |
# It's like I've lost the crowd | 0:09:11 | 0:09:13 | |
# Even when I am screaming and shouting loud | 0:09:13 | 0:09:15 | |
# But the fact is I have lost the connection | 0:09:15 | 0:09:18 | |
# Just like a mobile phone No reception | 0:09:18 | 0:09:21 | |
# Now I'm on the fringes no one's going to watch me | 0:09:21 | 0:09:23 | |
# Probably be more likely to watch Molly | 0:09:23 | 0:09:25 | |
# Bet she'll set the script all the group accepting it | 0:09:25 | 0:09:28 | |
# Then she wins an Oscar Just for writing and directing it | 0:09:28 | 0:09:31 | |
# Everyone is on the red carpet | 0:09:31 | 0:09:33 | |
# And I'm alone like some dude who just... | 0:09:33 | 0:09:35 | |
# My red carpet is reaching ever near | 0:09:35 | 0:09:37 | |
# Collecting my award for teacher of the year | 0:09:37 | 0:09:40 | |
# I'm creating unity so we're soon to be | 0:09:40 | 0:09:43 | |
# One big Four O'clock Club community | 0:09:43 | 0:09:45 | |
# Just like Mr Bell suggested | 0:09:45 | 0:09:47 | |
# Team Elmsbury interconnected | 0:09:47 | 0:09:50 | |
# Finally I am making a connection | 0:09:50 | 0:09:52 | |
# And I am heading in the correct direction | 0:09:52 | 0:09:55 | |
# But the respect is the best bit | 0:09:55 | 0:09:57 | |
# Thanks to this doughnut I'm so disconnected | 0:09:57 | 0:10:00 | |
# Finally I can feel I have done enough good | 0:10:00 | 0:10:02 | |
# From here on it's onwards and upwards | 0:10:02 | 0:10:05 | |
# But the respect is the best bit | 0:10:05 | 0:10:07 | |
# Thanks to this chicken-fed | 0:10:07 | 0:10:08 | |
# Corn-bread, train-wreck brain-ape, butt-head | 0:10:08 | 0:10:10 | |
# I'm disconnected | 0:10:10 | 0:10:12 | |
# But I am not going to let this stop me filming | 0:10:12 | 0:10:15 | |
# I will get on the set quick | 0:10:15 | 0:10:17 | |
# Whatever they want their film to be | 0:10:17 | 0:10:19 | |
# I will guarantee they'll be filming me. # | 0:10:19 | 0:10:22 | |
I've got some great ideas for moody shots. | 0:10:24 | 0:10:27 | |
-Hey, Josh. -Hey, little peeps. What's up? | 0:10:27 | 0:10:30 | |
Have you fallen out with your friends again? | 0:10:30 | 0:10:32 | |
-The rules of social etiquette can be very cruel. -It's dog eat dog, man. | 0:10:32 | 0:10:37 | |
No, they just got here before the Josh-meister. | 0:10:37 | 0:10:41 | |
I am a little thing that's called fashionably late. | 0:10:41 | 0:10:45 | |
I mean, come on. It's me. | 0:10:45 | 0:10:46 | |
Is it possible for you to look deep in thought? | 0:10:46 | 0:10:50 | |
That's more like constipated. | 0:10:50 | 0:10:52 | |
Ash is looking after hair and make-up. | 0:10:52 | 0:10:54 | |
He's getting that blond wig he had out of the bin. | 0:10:54 | 0:10:56 | |
Zoe-Marie is the lead. | 0:10:56 | 0:10:58 | |
I wrote a part for a strong female protagonist. | 0:10:58 | 0:11:01 | |
A gobby girl. | 0:11:01 | 0:11:03 | |
Who are you calling gobby? I'll do it. | 0:11:03 | 0:11:05 | |
OK, team. Nice to see you're stepping up, but what's going on? | 0:11:05 | 0:11:09 | |
-My script is finished. -Sweet. I finished my rap. | 0:11:09 | 0:11:12 | |
Right. With all this, Josh, I'm not sure we'll have time. | 0:11:12 | 0:11:17 | |
BELL RINGS | 0:11:17 | 0:11:19 | |
-That'd make a great wide-angle shot. -You saying I got wide teeth? | 0:11:19 | 0:11:23 | |
No, I'm saying you look good on film. Please... don't... hurt me. | 0:11:23 | 0:11:27 | |
Bit awkward. | 0:11:30 | 0:11:31 | |
You can hang out with us if you want. | 0:11:31 | 0:11:33 | |
Mel? Good morning. | 0:11:45 | 0:11:47 | |
-Good morning, Dexter. -Good morning, Mr Thorn. | 0:11:47 | 0:11:49 | |
That thing you said about the kids | 0:11:49 | 0:11:51 | |
just hearing a vague buzzing sound when I talk? | 0:11:51 | 0:11:54 | |
-That was funny. -It's not true. -Really? -They listen. They respond. | 0:11:54 | 0:11:59 | |
-They're making a film because I suggested it. -A film? Harsh. | 0:11:59 | 0:12:04 | |
You really showed them who's boss there. | 0:12:04 | 0:12:07 | |
That was sarcasm, wasn't it? | 0:12:07 | 0:12:09 | |
Thorn is a vile, irritating, loathsome human being | 0:12:09 | 0:12:12 | |
who makes you want to scream and break stuff, | 0:12:12 | 0:12:15 | |
but just... don't let it get to you. | 0:12:15 | 0:12:17 | |
And... action! | 0:12:19 | 0:12:21 | |
You have the right to be silent, the right to not think | 0:12:21 | 0:12:25 | |
and the right to empty heads with no opinions. | 0:12:25 | 0:12:27 | |
You know what, Mr Teacher? We're done with these rights. | 0:12:27 | 0:12:30 | |
We have our own opinions. Whatever. | 0:12:30 | 0:12:32 | |
-I added "whatever." More natural. -She's right. | 0:12:32 | 0:12:35 | |
We don't want to listen to your rights any more. | 0:12:35 | 0:12:37 | |
ALL: Right! | 0:12:37 | 0:12:39 | |
We're united against teachers! | 0:12:39 | 0:12:41 | |
Right, could you pause just for a sec? | 0:12:41 | 0:12:44 | |
Good, Molly. But united against teachers? | 0:12:44 | 0:12:47 | |
That's a bit strong, maybe? But the group thing, I like. | 0:12:47 | 0:12:50 | |
Could you be united against bad behaviour instead, maybe in ties? | 0:12:50 | 0:12:55 | |
Hmm. Let me think about that - no. | 0:12:55 | 0:12:58 | |
We should be united FOR bad behaviour. | 0:12:58 | 0:13:01 | |
That's a cause I could get behind. | 0:13:01 | 0:13:03 | |
We want to smash the system! | 0:13:03 | 0:13:04 | |
ALL SHOUTING | 0:13:04 | 0:13:07 | |
Maybe you need, like, a whole other direction, | 0:13:07 | 0:13:09 | |
something more in tune with Bell's whole respect and reputation thing. | 0:13:09 | 0:13:15 | |
Maybe I could write you a rap. | 0:13:15 | 0:13:16 | |
-That's what I could do, seeing as we are housemates and all. -A rap? | 0:13:16 | 0:13:20 | |
You've got to admit this is pretty big of me. | 0:13:20 | 0:13:23 | |
It's rights and responsibilities, not respect and reputation. | 0:13:23 | 0:13:26 | |
That's what I am saying. | 0:13:26 | 0:13:27 | |
What about Molly? She's worked really hard. | 0:13:27 | 0:13:30 | |
-It's not fair if we just cut her out. -So don't cut her out. | 0:13:30 | 0:13:33 | |
We'll make a vote - her script or my rap. | 0:13:33 | 0:13:37 | |
-Voting is classic righteous and responses! -A vote could work. | 0:13:37 | 0:13:43 | |
-May the best person win. -Don't worry, man. I will. | 0:13:43 | 0:13:48 | |
Dexter, I was thinking about your problem with that lot in detention. | 0:13:56 | 0:13:59 | |
-Sorted. -What? -It's all under control. | 0:13:59 | 0:14:01 | |
-It will be sorted tonight. -Oh, right. Good. | 0:14:01 | 0:14:05 | |
Only, don't do anything stupid like get your hopes up or tell Bell. | 0:14:08 | 0:14:13 | |
KNOCK ON DOOR | 0:14:17 | 0:14:19 | |
Mr Bell, I wonder if you're free this evening at four o'clock? | 0:14:19 | 0:14:23 | |
Darius! My man! | 0:14:26 | 0:14:30 | |
-We're not friends. -No, we're not, and I respect your attitude. | 0:14:30 | 0:14:35 | |
I mean, you don't let people push you around. | 0:14:35 | 0:14:37 | |
Except for Molly, of course. | 0:14:37 | 0:14:39 | |
-Is that because you like her? -Shut your face. I don't. -Oh, you don't. | 0:14:39 | 0:14:43 | |
So I can count on your vote tonight? You're the man, Darius. | 0:14:43 | 0:14:47 | |
-Zoe-Marie, wait up. -I'm not going anywhere. | 0:14:50 | 0:14:52 | |
Even if I was, I have a mission. But I'm not, so shut up. | 0:14:52 | 0:14:55 | |
I only need to talk to you for a minute. Then you can leave. Or not. | 0:14:55 | 0:15:00 | |
# There is going to be a vote tonight | 0:15:00 | 0:15:02 | |
# Two different ideas on show | 0:15:02 | 0:15:04 | |
# But I know you're going to go for mine | 0:15:04 | 0:15:06 | |
# I don't only rhyme I'm a leader too | 0:15:06 | 0:15:08 | |
# Look me in the eyes You know just what you need to do | 0:15:08 | 0:15:11 | |
# Everyone who's unsure or who needs persuading | 0:15:11 | 0:15:14 | |
# I sow the seed in your head and the seeds have taken | 0:15:14 | 0:15:16 | |
# I give an evil chuckle then crack up in laughter | 0:15:16 | 0:15:19 | |
# I pull the strings, bruv I'm the puppet master | 0:15:19 | 0:15:21 | |
# And Elmsbury is my stage I can get who I want | 0:15:21 | 0:15:24 | |
# To act the right way | 0:15:24 | 0:15:25 | |
# I got the right to be right You see | 0:15:25 | 0:15:28 | |
# And you lot got the responsibility to agree with me | 0:15:28 | 0:15:31 | |
# This ain't about a rap vid any more | 0:15:31 | 0:15:33 | |
# It's about leadership You know the score | 0:15:33 | 0:15:36 | |
# Cos I'm the man in charge Look at the man in charge | 0:15:36 | 0:15:40 | |
# This isn't about the film any more | 0:15:40 | 0:15:43 | |
# It's about respect being calm and assured | 0:15:43 | 0:15:46 | |
# See, I'm the man in charge Look at the man in charge | 0:15:46 | 0:15:50 | |
# It's time to elevate from assistant teacher | 0:15:50 | 0:15:54 | |
# That's right, Mr Leader | 0:15:54 | 0:15:55 | |
# I've sowed the seeds Treat them one and the same | 0:15:55 | 0:15:58 | |
# Help the school grow I'm the sun and the rain | 0:15:58 | 0:16:01 | |
# And I've got these kids free thinking | 0:16:01 | 0:16:04 | |
# Like I've watered the seeds keep drinking | 0:16:04 | 0:16:07 | |
# I can make them all believers | 0:16:07 | 0:16:08 | |
# I'm such a good teacher I could teach the other teachers | 0:16:08 | 0:16:12 | |
# This ain't about a rap vid any more | 0:16:12 | 0:16:14 | |
# It's about leadership you know the score | 0:16:14 | 0:16:16 | |
# Cos I'm the man in charge look at the man in charge | 0:16:16 | 0:16:21 | |
# This isn't about the film any more | 0:16:21 | 0:16:24 | |
# It's about respect being calm and assured | 0:16:24 | 0:16:27 | |
# See, I'm the man in charge Look at the man in charge. # | 0:16:27 | 0:16:30 | |
OK, people, before we start filming, | 0:16:33 | 0:16:35 | |
we all need to agree on one idea, Molly's script or a rap | 0:16:35 | 0:16:38 | |
written by Josh especially on the topic. So, let's vote. | 0:16:38 | 0:16:41 | |
-What? No way. -Out of my hands. | 0:16:41 | 0:16:44 | |
It's good. It's a democracy. | 0:16:44 | 0:16:47 | |
It's me getting done over, more like. | 0:16:47 | 0:16:49 | |
Let's hope this turns nasty. | 0:16:49 | 0:16:51 | |
-First up, Molly's script, so all in favour say aye. -Aye. | 0:16:51 | 0:16:56 | |
I want to develop my directing, work with actors, explore text. | 0:16:57 | 0:17:01 | |
Also, she scares me. | 0:17:01 | 0:17:03 | |
-Aye. -Aye. -Aye. -Aye. | 0:17:03 | 0:17:07 | |
OK. That's five for Molly. | 0:17:07 | 0:17:11 | |
So, all in favour of Josh's rap? | 0:17:11 | 0:17:13 | |
-Aye. -Aye. -Aye. -Aye. -Aye. | 0:17:13 | 0:17:16 | |
And five for Josh. | 0:17:16 | 0:17:19 | |
-It's a tie. -OK! | 0:17:20 | 0:17:22 | |
I guess you guys are going to want to hear the rap just to make sure | 0:17:24 | 0:17:27 | |
you've made the right call. | 0:17:27 | 0:17:28 | |
MUSIC STARTS | 0:17:30 | 0:17:31 | |
# Yeah, yeah... # | 0:17:31 | 0:17:32 | |
You always think it's about you, don't you, Josh? | 0:17:32 | 0:17:35 | |
-Turn it off. -Molly, calm down, man. It's my stuff. Get off. | 0:17:35 | 0:17:40 | |
-Fight, fight, fight! -SHOUTING AND COMMOTION | 0:17:40 | 0:17:43 | |
Be quiet! | 0:17:43 | 0:17:46 | |
Mr Bell, you're not seeing them at their best. They were a team. | 0:17:46 | 0:17:48 | |
If you need to blame someone, blame me. | 0:17:48 | 0:17:50 | |
-I do blame you. -Please, don't. | 0:17:50 | 0:17:54 | |
I think there's a different solution. | 0:17:54 | 0:17:56 | |
I am going to hand over responsibility of detention | 0:17:56 | 0:17:59 | |
to Mr Thorn. | 0:17:59 | 0:18:01 | |
-What?! -Effective immediately. | 0:18:01 | 0:18:04 | |
All right. | 0:18:06 | 0:18:08 | |
Were you ever into the film idea | 0:18:15 | 0:18:16 | |
or was it always just about your rap video? | 0:18:16 | 0:18:18 | |
It's not like you're so perfect. | 0:18:18 | 0:18:20 | |
Was this video for us or so you could impress Bell? | 0:18:20 | 0:18:23 | |
-I thought I could do both. -Man, you're going to have to pick a team. | 0:18:23 | 0:18:26 | |
-What was your side, then? Your own? Team Josh? -Whatever. | 0:18:30 | 0:18:33 | |
A serious director never loses sight of his artistic vision. And... | 0:18:39 | 0:18:43 | |
I figured out a way to shoot undetected. | 0:18:43 | 0:18:47 | |
What are you going to film, Ryan? The girls' lavvies? | 0:18:47 | 0:18:51 | |
I'm stuck with you. You're stuck with me, and let's get on with it, yeah? | 0:18:53 | 0:18:59 | |
Mr Thorn, I am glad you're here, actually. This place was chaos. | 0:18:59 | 0:19:04 | |
We were crying out for help. | 0:19:04 | 0:19:06 | |
We needed a strong leader, like you, to help us | 0:19:06 | 0:19:08 | |
finish this project we were doing with Bell - it's a rap video. | 0:19:08 | 0:19:12 | |
-Are you joking? -There won't be any rapping in my detentions or talking. | 0:19:12 | 0:19:17 | |
You will sit in total silence! | 0:19:17 | 0:19:20 | |
-Yeah, but... -Listen. Go and stand at the back. | 0:19:20 | 0:19:24 | |
-Are you being serious? -Yes, go on. | 0:19:24 | 0:19:26 | |
Further. | 0:19:31 | 0:19:33 | |
Sir, under Mr Bell's new initiative, we've got the right... | 0:19:35 | 0:19:38 | |
Yes, yes. That's right. Mustn't forget that. OK. | 0:19:38 | 0:19:41 | |
You have the responsibility to sit still and keep quiet. | 0:19:41 | 0:19:45 | |
Should have guessed you'd take a twisted scheme to the next level. | 0:19:45 | 0:19:50 | |
Congratulations. | 0:19:50 | 0:19:51 | |
You've just added another detention to your already busy schedule. | 0:19:51 | 0:19:54 | |
Do you have something to add? | 0:19:56 | 0:19:58 | |
Hmm? Come on. Answer me. | 0:19:59 | 0:20:01 | |
-Well? -Just flip on back, yeah? | 0:20:05 | 0:20:07 | |
You're all saying we've got this right, that right, | 0:20:07 | 0:20:10 | |
but you're seriously annoying, you're, like, so annoying. | 0:20:10 | 0:20:12 | |
You have a right not to be mooning down with your big, googly face. | 0:20:12 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:16 | |
Stop laughing! | 0:20:16 | 0:20:18 | |
-You can all shut up. So my brace makes a stupid sound. -That's it. | 0:20:18 | 0:20:22 | |
A month's worth of detention for everyone, | 0:20:22 | 0:20:25 | |
every night, in here with me. | 0:20:25 | 0:20:26 | |
How I see this, it's on you, Carter. | 0:20:32 | 0:20:35 | |
You texted. We came. | 0:20:45 | 0:20:46 | |
Yeah, so I've written a new rap. Molly, wait. I used your script. | 0:20:47 | 0:20:51 | |
-These are all your words. -Flatter me more. Make it convincing. | 0:20:51 | 0:20:55 | |
It's funny, smart. You make some really good points. | 0:20:55 | 0:20:59 | |
I guess I can hear you out. | 0:20:59 | 0:21:02 | |
Cool. Ryan, I want you to direct it. You can Dark Knight this bad boy. | 0:21:02 | 0:21:06 | |
-Ash, you can act as some weird mutant monkey. -Hold on. | 0:21:06 | 0:21:10 | |
Why do you suddenly care what we want? | 0:21:10 | 0:21:12 | |
Because we're going to have to do something all together | 0:21:12 | 0:21:15 | |
in order to stop Thorn. So who's in? | 0:21:15 | 0:21:18 | |
I'll do it. | 0:21:20 | 0:21:22 | |
I don't like any of you lot, but Thorn's a complete wazzock. | 0:21:22 | 0:21:25 | |
And Zoe-Marie? | 0:21:25 | 0:21:27 | |
Zoe-Marie, hear me out, man. I'm sorry for laughing at you. | 0:21:33 | 0:21:37 | |
-Don't worry about your brace. Tonnes of kids have them. -I ain't worried. | 0:21:37 | 0:21:40 | |
There's nothing wrong with how I sound, spanner face. | 0:21:40 | 0:21:43 | |
-I'm sorry, it's kind of funny! -No, it isn't. | 0:21:43 | 0:21:45 | |
OK, it isn't. | 0:21:45 | 0:21:48 | |
Look, we all have things about us that make us funny. Ryan is a nerd. | 0:21:48 | 0:21:52 | |
Molly is a vampire. I'm unnaturally cool. | 0:21:52 | 0:21:55 | |
It's just what makes us us. | 0:21:55 | 0:21:58 | |
So are you with us or...? | 0:21:58 | 0:22:01 | |
Yes. | 0:22:01 | 0:22:02 | |
# See, we know our rights | 0:22:04 | 0:22:06 | |
# And we can write a song on our greatest knowledge... # | 0:22:06 | 0:22:09 | |
'OK, we got to record this song, | 0:22:09 | 0:22:11 | |
'but we ain't allowed in the music room unsupervised, | 0:22:11 | 0:22:13 | |
'so we've got to work together to keep all the teachers away. | 0:22:13 | 0:22:17 | |
'First up, there is Ms Poppy. | 0:22:18 | 0:22:20 | |
'She's a pushover, way too nice for her own good. | 0:22:20 | 0:22:24 | |
'Then there's Thorn. | 0:22:24 | 0:22:26 | |
INAUDIBLE WHISPERING | 0:22:26 | 0:22:28 | |
'Agnes, see if you can leave something in the gym | 0:22:29 | 0:22:32 | |
'Thorn will have to tidy up. | 0:22:32 | 0:22:34 | |
'Then we've got to get all the other kids together | 0:22:45 | 0:22:47 | |
'to show off their best dance moves. Ash, get on it. | 0:22:47 | 0:22:51 | |
'Oh, and Ryan, you may need to help him, but trust me. | 0:22:51 | 0:22:54 | |
'It's going to be awesome.' | 0:22:54 | 0:22:56 | |
# On our greatest knowledge Knowing right from wrong. # | 0:23:01 | 0:23:04 | |
-Yes! -Yes! | 0:23:04 | 0:23:07 | |
Is this where you tell me | 0:23:11 | 0:23:12 | |
you're feeling a lot more positive about teaching? | 0:23:12 | 0:23:15 | |
This is the bit where I say no. I've been trawling the job section. | 0:23:15 | 0:23:19 | |
No, I am not climbing another tree to get a kite down. | 0:23:20 | 0:23:23 | |
Miss, Josh Carter needs to see you in the IT room. It's urgent. | 0:23:23 | 0:23:27 | |
We've done our video. | 0:23:32 | 0:23:34 | |
-Yours or Molly's? -Both. | 0:23:34 | 0:23:35 | |
# Teachers have got this sewn up tight | 0:23:39 | 0:23:41 | |
# Injustice, it so ain't nice | 0:23:41 | 0:23:43 | |
# If you're a pupil you have the right | 0:23:43 | 0:23:44 | |
# To do what they say they do what they like | 0:23:44 | 0:23:46 | |
# That's not right or responsible Whose fault? Put it on the school | 0:23:46 | 0:23:49 | |
# Got us walking around like robots While they can flip and go nuts | 0:23:49 | 0:23:52 | |
# It's the hypocrisy that we don't like | 0:23:52 | 0:23:55 | |
# So we're better off thinking up our own rights | 0:23:55 | 0:23:57 | |
# Make our own plans and research Take a stand, expose my teachers | 0:23:57 | 0:23:59 | |
# Some are bad, some are worse Some say bad things that'll hurt | 0:23:59 | 0:24:02 | |
# With no remorse that's raw | 0:24:02 | 0:24:04 | |
# Sting you like a plant with a bad Thorn | 0:24:04 | 0:24:07 | |
# I'm stuck with you Y-y-you're stuck with me | 0:24:07 | 0:24:09 | |
# Let's get on with it, yeah? Let's get on with it, yeah? | 0:24:09 | 0:24:14 | |
# There won't be any rapping in my detentions | 0:24:14 | 0:24:16 | |
# Are you- Are you not happy | 0:24:16 | 0:24:18 | |
# Experiencing this calm work environment? | 0:24:18 | 0:24:20 | |
# You tell us our responsibility But we're mature with the ability | 0:24:20 | 0:24:24 | |
# To be responsible for each other | 0:24:24 | 0:24:26 | |
# Tell us how to try? Why bother? | 0:24:26 | 0:24:28 | |
# Who cares how you're dressed in class? | 0:24:28 | 0:24:29 | |
Are you a bad kid if you don't look smart? | 0:24:29 | 0:24:31 | |
# And how's being quiet a help If underneath it all | 0:24:31 | 0:24:33 | |
# You're still selfish? | 0:24:33 | 0:24:34 | |
# See, we know our rights and we can write a song | 0:24:34 | 0:24:38 | |
# On our greatest knowledge Knowing right from wrong | 0:24:38 | 0:24:41 | |
# Said we know our rights and we can write a song | 0:24:41 | 0:24:45 | |
# On our greatest knowledge Knowing right from wrong. # | 0:24:45 | 0:24:48 | |
-You did all that together? -Yeah. | 0:24:50 | 0:24:52 | |
It's good. It's really good, and it wasn't even anti-teacher. | 0:24:52 | 0:24:56 | |
Well, not very. | 0:24:56 | 0:24:58 | |
Well, it is sort of anti... one teacher. | 0:24:58 | 0:25:01 | |
Hang on - how long has this been online? | 0:25:01 | 0:25:04 | |
I don't know, like, half an hour. | 0:25:04 | 0:25:06 | |
53 people have watched it already. | 0:25:06 | 0:25:09 | |
I hope for your sake Mr Bell doesn't see this. | 0:25:09 | 0:25:12 | |
Oh, yeah, that's a pretty good point. Let me just, erm... | 0:25:12 | 0:25:17 | |
Oh, no(!) Whoops(!) | 0:25:17 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:22 | |
SONG PLAYS OVER COMPUTER | 0:25:32 | 0:25:36 | |
Andress! | 0:25:36 | 0:25:37 | |
-Yes, Mr Bell? -Get me Thorn. I want a word. | 0:25:40 | 0:25:43 | |
We're going to be in big trouble. | 0:25:50 | 0:25:52 | |
-Huge, massive. -Don't cry, Ryan. | 0:25:52 | 0:25:53 | |
Have a suck on your dummy. | 0:25:53 | 0:25:55 | |
It's not a dummy, just an unfortunately shaped novelty rubber. | 0:25:55 | 0:25:59 | |
I'd like to begin by saying how impressed I am. | 0:26:01 | 0:26:04 | |
You've all taken on board my rights and responsibilities manifesto. | 0:26:04 | 0:26:08 | |
You have worked as a team and supported one another. | 0:26:08 | 0:26:10 | |
Are you taking the mick? | 0:26:10 | 0:26:12 | |
In fact, you have all learned so well in this... area | 0:26:12 | 0:26:16 | |
that we no longer need this scheme. | 0:26:16 | 0:26:18 | |
I am calling the exercise to a close. | 0:26:18 | 0:26:20 | |
Oh, and Cartwheel? | 0:26:23 | 0:26:26 | |
SNIGGERING | 0:26:26 | 0:26:28 | |
Given our success, | 0:26:34 | 0:26:35 | |
I don't think we'll be needing your video on the internet any more. | 0:26:35 | 0:26:39 | |
-Do you? -No, I could take it off, sir. | 0:26:39 | 0:26:41 | |
You know, that would be the right and responsible... | 0:26:41 | 0:26:46 | |
thing to do, sir. | 0:26:46 | 0:26:48 | |
Mr Bell, you have the right to cry publicly. | 0:26:51 | 0:26:54 | |
We have the right to find it entertaining. | 0:26:54 | 0:26:56 | |
We're still stuck with Thorn for detention, though. | 0:26:56 | 0:27:00 | |
No, apparently, he's suddenly busy with basketball team duties. | 0:27:00 | 0:27:03 | |
You've got me back. | 0:27:03 | 0:27:04 | |
Welcome back, Sir. Try not to mess it up next time. | 0:27:04 | 0:27:08 | |
-Nice work, Josh. -No, man, it's cool. | 0:27:12 | 0:27:14 | |
You ain't got to thank me, but I did it for my rap, not for you. | 0:27:14 | 0:27:19 | |
Right, yeah. Thank you. And by the way, you know you're not allowed | 0:27:19 | 0:27:22 | |
in the music room unsupervised. | 0:27:22 | 0:27:24 | |
That gives you a right to a detention. | 0:27:24 | 0:27:25 | |
You can't be serious, man! | 0:27:27 | 0:27:30 | |
-# Can't live with them -And you can't kick them out | 0:27:30 | 0:27:32 | |
# When they're up they rub it in your face | 0:27:32 | 0:27:35 | |
# Kick you when you're down | 0:27:35 | 0:27:36 | |
-# But when no-one understands them -You know what they're on about | 0:27:36 | 0:27:39 | |
-# Always going to be around -Got to find a common ground | 0:27:39 | 0:27:41 | |
# If you know so much about me Where do I go from here? | 0:27:41 | 0:27:45 | |
-# If you see 'em every day -you can never get away | 0:27:45 | 0:27:47 | |
# Only time that you're the boss - 4 O'Clock. # | 0:27:47 | 0:27:50 |