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Previously on Alesha's Street Dance Stars, | 0:00:02 | 0:00:05 | |
we saw Wicked and Lil Diamonds book their spots in the grand final. | 0:00:05 | 0:00:08 | |
This is it. The stakes couldn't get any higher. | 0:00:08 | 0:00:12 | |
There's just one place left, but who will claim it? | 0:00:12 | 0:00:15 | |
G25 from Manchester? D*FY from Telford? | 0:00:15 | 0:00:20 | |
Or will it be Ffres from Port Talbot? | 0:00:20 | 0:00:22 | |
There's only one way to find out. | 0:00:22 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:50 | |
Hello and welcome back to Alesha's Street Dance Stars. | 0:00:50 | 0:00:53 | |
This is the last semifinal. | 0:00:53 | 0:00:55 | |
Three crews have performed two routines, | 0:00:55 | 0:00:57 | |
and there's only one place up for grabs in the grand final. | 0:00:57 | 0:01:00 | |
You can really feel the tension in here, right, guys? | 0:01:00 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:04 | |
First, the judges have asked our crews to perform a routine | 0:01:04 | 0:01:07 | |
inspired by a dance style they're not used to. | 0:01:07 | 0:01:10 | |
Then they'll take to the stage with a brand-new street dance routine. | 0:01:10 | 0:01:13 | |
The Diversity boys, Perry and Jordan, | 0:01:13 | 0:01:15 | |
will be backstage, chatting to the crews, | 0:01:15 | 0:01:17 | |
and they're all hoping to win this piece of bling... | 0:01:17 | 0:01:20 | |
..and, more importantly, be crowned Alesha's Street Dance Stars 2011! | 0:01:22 | 0:01:28 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:29 | |
Here are the people with the power to decide who goes through. | 0:01:32 | 0:01:35 | |
-Please welcome back our judges! -CHEERING AND APPLAUSE | 0:01:35 | 0:01:38 | |
Give it up for Kenrick! | 0:01:38 | 0:01:40 | |
CHEERING AND APPLAUSE | 0:01:40 | 0:01:42 | |
The lovely Lizzie... | 0:01:42 | 0:01:44 | |
CHEERING AND APPLAUSE | 0:01:44 | 0:01:46 | |
..and the crazy man Turbo! | 0:01:46 | 0:01:48 | |
CHEERING AND APPLAUSE | 0:01:48 | 0:01:50 | |
Now, Turbo, it's the last semifinal. | 0:01:50 | 0:01:52 | |
Do you think today's crews can match the standard we've seen so far? | 0:01:52 | 0:01:56 | |
Well, they're gonna have to match up the previous crews we've seen, | 0:01:56 | 0:01:59 | |
because they brought some fire, so I want to see some more! | 0:01:59 | 0:02:02 | |
-You always want to see fire! -Fire, fire! | 0:02:02 | 0:02:05 | |
Our judges are scoring on technique, choreography and showmanship. | 0:02:05 | 0:02:08 | |
As always, in the event of a tie, | 0:02:08 | 0:02:10 | |
head judge Kenrick will decide who goes through. | 0:02:10 | 0:02:13 | |
So, on with the show. | 0:02:13 | 0:02:15 | |
As in each of the semifinals, the judges set the crews a challenge. | 0:02:15 | 0:02:18 | |
They asked them to prove there was more to them than simply locking and popping. | 0:02:18 | 0:02:22 | |
So, here's the dance style they have to perform today. | 0:02:22 | 0:02:25 | |
RHYTHMIC BEAT | 0:02:28 | 0:02:30 | |
Now, that looks like a challenge to me. | 0:02:45 | 0:02:47 | |
Our three resident judges have invited a ballet expert | 0:02:47 | 0:02:50 | |
who will ultimately decide who will win the special recognition prize. | 0:02:50 | 0:02:54 | |
Please welcome guest judge with a great name, Ashley Dixon! | 0:02:54 | 0:02:57 | |
CHEERING AND APPLAUSE | 0:02:57 | 0:02:59 | |
-How are you doing, Ashley? -Hi. | 0:03:00 | 0:03:02 | |
So, Ashley, what's the secret to a great ballet performance? | 0:03:02 | 0:03:06 | |
Well, as in every style of dance, performance is very important. | 0:03:06 | 0:03:10 | |
So are confidence and projection in the movements. | 0:03:10 | 0:03:13 | |
Thank you for being here, Ashley. | 0:03:13 | 0:03:15 | |
Let's meet the crew waiting backstage with Perry and Jordan. | 0:03:15 | 0:03:18 | |
They've mastered their street moves, | 0:03:18 | 0:03:20 | |
but can they perfect their pirouette? It's G25! | 0:03:20 | 0:03:23 | |
So, girls, as a street crew, do you think it's been difficult to adapt | 0:03:23 | 0:03:27 | |
to something different like ballet? | 0:03:27 | 0:03:28 | |
No, it's not difficult for us, cos we're versatile dancers, | 0:03:28 | 0:03:32 | |
so we can do a lot of different styles. | 0:03:32 | 0:03:34 | |
There's another all-girl crew in the ballet round. | 0:03:34 | 0:03:38 | |
Does that put pressure on your crew? | 0:03:38 | 0:03:39 | |
Not really, because we've put a storyline into our dance | 0:03:39 | 0:03:43 | |
and we've mixed ballet with street, so it makes it unique. | 0:03:43 | 0:03:46 | |
CHEERING AND APPLAUSE | 0:03:46 | 0:03:48 | |
MUSIC: Dance Of The Sugar Plum Fairy by Tchaikovsky | 0:03:53 | 0:03:56 | |
FUNKY BEAT BEGINS | 0:04:11 | 0:04:14 | |
CHEERING AND APPLAUSE | 0:05:10 | 0:05:12 | |
Well done, girls! Great start to the show. Kenrick, start us off, please. | 0:05:15 | 0:05:20 | |
That was very daring with regards to the music selection. | 0:05:20 | 0:05:24 | |
Not many people are used to that kind of music. | 0:05:24 | 0:05:26 | |
It's not popular music. The formations, the fusion, | 0:05:26 | 0:05:30 | |
-I thought it was bad. Bad, bad, bad! -"Bad, bad, bad!" That's nice! | 0:05:30 | 0:05:34 | |
Ashley, were you impressed with the girls' technique? | 0:05:34 | 0:05:39 | |
It was brilliant! Really good. Nice to see some pointe work in there! | 0:05:39 | 0:05:43 | |
CHEERING AND APPLAUSE | 0:05:43 | 0:05:45 | |
Really good use of the movements and liked the way | 0:05:45 | 0:05:48 | |
they integrated the ballet arms with the mixture of the street dance. | 0:05:48 | 0:05:52 | |
-Perfect. -Really good. -Thank you, Ashley. Great start, girls! | 0:05:52 | 0:05:57 | |
Give it up for G25, everyone! | 0:05:57 | 0:06:00 | |
Up next, it's our second all-girl group today. | 0:06:00 | 0:06:03 | |
They've had flexibility and power in all of their performances, | 0:06:03 | 0:06:07 | |
but how will they balance that with their plies? It's D*FY! | 0:06:07 | 0:06:11 | |
Ballet's so different to street dance. | 0:06:11 | 0:06:15 | |
What have your rehearsals been like - intense or fun? | 0:06:15 | 0:06:18 | |
We took the ballet challenge really seriously, but had fun with it too. | 0:06:18 | 0:06:22 | |
What's the hardest thing about dancing ballet as a crew? | 0:06:22 | 0:06:25 | |
It's hard, because it's a different style and attitude | 0:06:25 | 0:06:28 | |
to what we normally do. | 0:06:28 | 0:06:30 | |
We chose to choreograph it ourselves and we're really proud of it. | 0:06:30 | 0:06:33 | |
MUSIC: Dance Of The Sugar Plum Fairy by Tchaikovsky | 0:06:40 | 0:06:43 | |
Let's take it loose now! | 0:07:21 | 0:07:23 | |
MUSIC: Hot N Cold by Katy Perry | 0:07:23 | 0:07:27 | |
# You're in then you're out | 0:07:27 | 0:07:28 | |
# You're up then you're down | 0:07:28 | 0:07:30 | |
# You're wrong when it's right It's black and it's white | 0:07:30 | 0:07:34 | |
# We fight, we break up We kiss, we make up | 0:07:34 | 0:07:38 | |
# If you don't really want stay, go | 0:07:38 | 0:07:41 | |
# But you don't really want to go | 0:07:41 | 0:07:44 | |
# You're hot then you're cold You're yes then you're no | 0:07:44 | 0:07:48 | |
# You're in and you're out | 0:07:48 | 0:07:50 | |
# You're up and you're down. # | 0:07:50 | 0:07:53 | |
CHEERING AND APPLAUSE | 0:07:53 | 0:07:55 | |
Well done. OK, Ashley, give us your take on D*FY's performance. | 0:08:00 | 0:08:03 | |
Amazing. Great to see loads of different ballet, | 0:08:03 | 0:08:06 | |
then the complete change to the street dance. | 0:08:06 | 0:08:09 | |
-It was a really good contrast, so well done. -Well done, girls. | 0:08:09 | 0:08:15 | |
Listen, how difficult is it | 0:08:15 | 0:08:16 | |
to train your body to master new dance techniques? | 0:08:16 | 0:08:20 | |
It takes years. With our profession and your profession, | 0:08:20 | 0:08:23 | |
it takes so long to get to where you are, | 0:08:23 | 0:08:25 | |
and you didn't have much time to do the ballet - which was great. | 0:08:25 | 0:08:29 | |
It would've been nice to see more of a fusion, | 0:08:29 | 0:08:32 | |
but the technique was great in both! It was really great. | 0:08:32 | 0:08:35 | |
Brilliant! Well done, girls. | 0:08:35 | 0:08:38 | |
Let's hear it for D*FY! | 0:08:38 | 0:08:40 | |
CHEERING AND APPLAUSE | 0:08:40 | 0:08:42 | |
To be a ballet virtuoso takes time, commitment, | 0:08:42 | 0:08:45 | |
dedication and perseverance. | 0:08:45 | 0:08:48 | |
Have the boys from Ffres got what it takes? Let's find out. | 0:08:48 | 0:08:51 | |
So, boys, you're the only all-boy crew in the ballet round. | 0:08:51 | 0:08:56 | |
Do you feel like you have to prove more? | 0:08:56 | 0:08:58 | |
Yeah, the pressure's on - the fact that we're boys, | 0:08:58 | 0:09:00 | |
but we'll give the girls a run for their money. | 0:09:00 | 0:09:03 | |
I think we'll do better than them. | 0:09:03 | 0:09:05 | |
What can we expect from your routine? Any surprises? | 0:09:05 | 0:09:08 | |
Yeah, we've turned it on its head. It's not classical ballet. | 0:09:08 | 0:09:11 | |
We've got a few surprises. You'll have to wait and see! | 0:09:11 | 0:09:15 | |
MUSIC: Dance Of The Sugar Plum Fairy by Tchaikovsky | 0:09:22 | 0:09:26 | |
FUNKY BEAT BEGINS | 0:09:44 | 0:09:47 | |
CHEERING AND APPLAUSE | 0:10:32 | 0:10:34 | |
I'm not sure I need to ask, but, Turbo, how well did the boys do? | 0:10:37 | 0:10:42 | |
You just killed us! Totally! | 0:10:42 | 0:10:45 | |
What I really enjoyed was you used the ballet music to do street to, | 0:10:49 | 0:10:54 | |
but then you used the house music to do ballet to. | 0:10:54 | 0:10:58 | |
I loved that combination there. That was... You guys killed it! | 0:10:58 | 0:11:03 | |
Ashley, how did the boys do? Did they fuse the styles together well? | 0:11:06 | 0:11:10 | |
-It was so good! -CHEERING AND APPLAUSE | 0:11:10 | 0:11:13 | |
To get the dance of the little swans from Swan Lake | 0:11:15 | 0:11:19 | |
into a street dance number...! | 0:11:19 | 0:11:21 | |
I don't think I'll ever see it again, but it was just brilliant. | 0:11:21 | 0:11:25 | |
The two styles just blended together perfectly. Brilliant. | 0:11:25 | 0:11:29 | |
Thank you, Ashley. Amazing! | 0:11:29 | 0:11:31 | |
All right, guys, let's hear it for Ffres! | 0:11:31 | 0:11:34 | |
All three finalists have shown they can plie and jete | 0:11:36 | 0:11:40 | |
in our ballet challenge, | 0:11:40 | 0:11:41 | |
but which crew impressed Ashley the most? While we verify the scores, | 0:11:41 | 0:11:44 | |
let's get a quick reminder of their performances. | 0:11:44 | 0:11:48 | |
G25 from Manchester. | 0:11:53 | 0:11:55 | |
D*FY from Telford. | 0:11:59 | 0:12:02 | |
And from Port Talbot, Ffres. | 0:12:07 | 0:12:11 | |
All three crews rose to the ballet challenge, | 0:12:18 | 0:12:20 | |
but only one crew will receive the special recognition prize. | 0:12:20 | 0:12:23 | |
Now, Ashley, did our crews capture the essence of ballet? | 0:12:23 | 0:12:27 | |
They definitely did. | 0:12:27 | 0:12:28 | |
The link they made between the two styles was very, very good. | 0:12:28 | 0:12:32 | |
OK, please reveal the crew taking home the special recognition award. | 0:12:32 | 0:12:36 | |
Well, the crew I've picked is Ffres. | 0:12:36 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:40 | |
Well done to Ffres, and a huge thank you to Ashley Dixon. | 0:12:40 | 0:12:46 | |
Well done, boys! | 0:12:46 | 0:12:47 | |
LAUGHTER | 0:12:50 | 0:12:51 | |
Each crew has just one street dance routine to perform | 0:12:55 | 0:12:58 | |
and with just one place in the final, they know how much it counts. | 0:12:58 | 0:13:02 | |
Now, shall we find ourselves a finalist? | 0:13:02 | 0:13:05 | |
All right. | 0:13:05 | 0:13:06 | |
At the heats, the judges said this crew | 0:13:06 | 0:13:08 | |
had some serious swagger and fire in their performance. | 0:13:08 | 0:13:12 | |
Hoping to set the stage alight again, it's G25! | 0:13:12 | 0:13:15 | |
The first crew going through to the semifinal is... | 0:13:19 | 0:13:22 | |
G25! | 0:13:23 | 0:13:26 | |
We're through to the semifinals! | 0:13:29 | 0:13:32 | |
The judges didn't have anything to say that was bad about the routine. | 0:13:33 | 0:13:37 | |
They were just speechless. | 0:13:37 | 0:13:39 | |
It's amazing, the...the...capacity of what you're bringing right now. | 0:13:39 | 0:13:45 | |
Again, you just took over the stage. | 0:13:45 | 0:13:47 | |
We're really going to up our game for the semifinal. | 0:13:47 | 0:13:50 | |
We're going to have to work extra, extra hard. | 0:13:50 | 0:13:52 | |
ALL: Good luck to the other crews in the semifinal, | 0:13:52 | 0:13:56 | |
but next time, we're going to bring it even harder. | 0:13:56 | 0:13:58 | |
MUSIC: Rock Your Body by The Black Eyed Peas | 0:14:07 | 0:14:14 | |
# I wanna dance I wanna dance in the light | 0:14:14 | 0:14:17 | |
# I wanna rock I wanna rock your body | 0:14:17 | 0:14:21 | |
# I wanna go, I wanna go for a ride | 0:14:21 | 0:14:25 | |
# Up in the music And rock your body right | 0:14:25 | 0:14:29 | |
-# Come on, come on, rock your body -Rock your body | 0:14:29 | 0:14:33 | |
# Rock your body Come on, come on... # | 0:14:33 | 0:14:34 | |
MUSIC CHANGES | 0:14:35 | 0:14:38 | |
CHEERING AND APPLAUSE | 0:15:18 | 0:15:21 | |
Brilliant! Tell them how amazing it was. | 0:15:21 | 0:15:24 | |
That last little flip at the end, | 0:15:24 | 0:15:27 | |
I don't think any of us expected to see something like that. That is... | 0:15:27 | 0:15:30 | |
that is daring. For a bunch of girls, that was brilliant. | 0:15:30 | 0:15:34 | |
I'd like to see you a bit tighter, like in your previous routines, | 0:15:37 | 0:15:41 | |
-but ooh! G25! -G25! | 0:15:41 | 0:15:45 | |
Thank you, Turbo. Kenrick? | 0:15:45 | 0:15:48 | |
Um... | 0:15:48 | 0:15:49 | |
Again, a wicked performance, ladies. Well done for that! | 0:15:49 | 0:15:53 | |
CHEERING AND APPLAUSE | 0:15:53 | 0:15:55 | |
The transitions, the formations and the way you play with the musicality, | 0:15:55 | 0:16:01 | |
with regards to every beat that you have in your soundtrack, | 0:16:01 | 0:16:05 | |
is really nice. So, well done. CHEERING AND APPLAUSE | 0:16:05 | 0:16:08 | |
Great comments. | 0:16:08 | 0:16:10 | |
Lizzie? | 0:16:10 | 0:16:12 | |
I'm really pleased with you guys. Your musicality is en pointe! | 0:16:12 | 0:16:16 | |
-That's what I love about you guys. -CHEERING AND APPLAUSE | 0:16:16 | 0:16:19 | |
So, just keep it up, that's all I can say! | 0:16:19 | 0:16:22 | |
-I just want to watch you guys for ever! -Thank you, judges! | 0:16:22 | 0:16:25 | |
-Give it up for G25! -CHEERING AND APPLAUSE | 0:16:25 | 0:16:29 | |
Woo! Well done, girls! | 0:16:31 | 0:16:33 | |
The question is, do you think you've done enough to get to the final? | 0:16:33 | 0:16:37 | |
-We hope so! -We changed the set last night, | 0:16:37 | 0:16:39 | |
two hours before our rehearsal finished, | 0:16:39 | 0:16:42 | |
to make our set better. We put back flips in it, | 0:16:42 | 0:16:45 | |
some somersaults, and we tried our best, so fingers crossed. | 0:16:45 | 0:16:49 | |
-Well, girls, well done. -Thank you. | 0:16:49 | 0:16:52 | |
Kenrick said they were fierce, Lizzie said they were feminine, | 0:16:53 | 0:16:56 | |
and Turbo believes they defy gravity. | 0:16:56 | 0:16:58 | |
Who else could it be but D*FY! | 0:16:58 | 0:17:00 | |
The third and final place in the semifinal is going to... | 0:17:04 | 0:17:08 | |
..D*FY! | 0:17:09 | 0:17:11 | |
We're D*FY and we're from Telford. | 0:17:14 | 0:17:16 | |
We've just performed in the heats and it was amazing! | 0:17:16 | 0:17:21 | |
Some of the judges said that we were really fierce and we went for it. | 0:17:21 | 0:17:25 | |
-I'm actually quite scared... -ALESHA LAUGHS | 0:17:25 | 0:17:29 | |
..on the level of fierceness and physicality that you ladies have. | 0:17:29 | 0:17:33 | |
It is...amazing. | 0:17:33 | 0:17:34 | |
Getting through to the semifinals is going to add a lot of pressure, | 0:17:34 | 0:17:38 | |
because everybody will up their game. | 0:17:38 | 0:17:40 | |
Good luck to all the crews in the semifinal, but D*FY will smash you! | 0:17:40 | 0:17:44 | |
MUSIC: Till The World Ends Remix by Britney Spears ft Nicki Minaj & Keha | 0:17:51 | 0:17:55 | |
# I notice that you got it You'll notice that I want it | 0:17:55 | 0:17:59 | |
# Know that I can take it to the next level, baby | 0:17:59 | 0:18:03 | |
# If you want this, take it This is the remix | 0:18:03 | 0:18:07 | |
# Baby, let me blow your mind tonight. # | 0:18:07 | 0:18:11 | |
(RAPS) Anyway, Britney, why they so jealous that you teamed up with me? | 0:18:11 | 0:18:14 | |
Tell 'em they my son, yup, yella mama pick me | 0:18:14 | 0:18:16 | |
Anyway, burned, what's that, I don't know, boy, femme fatales. | 0:18:16 | 0:18:22 | |
MUSIC CHANGES | 0:18:22 | 0:18:23 | |
CHEERING AND APPLAUSE | 0:19:05 | 0:19:08 | |
Kenrick? | 0:19:17 | 0:19:18 | |
-Start us off! -First thing is just the arms, strengthening the arms. | 0:19:18 | 0:19:22 | |
Some of the lines were not as clean as I've seen you ladies do. | 0:19:22 | 0:19:26 | |
But apart from that, | 0:19:26 | 0:19:28 | |
the flavour and the grooves were really, really nice. Very eclectic. | 0:19:28 | 0:19:32 | |
CHEERING AND APPLAUSE | 0:19:32 | 0:19:34 | |
Lizzie? | 0:19:34 | 0:19:35 | |
I thought that you guys are fierce and feminine, | 0:19:35 | 0:19:38 | |
which is such a great combination. | 0:19:38 | 0:19:40 | |
-Um... Definitely! -CHEERING AND APPLAUSE | 0:19:40 | 0:19:43 | |
I loved the knee drop at the end, that's quite painful. | 0:19:43 | 0:19:46 | |
You guys always have a knee drop somewhere, which is great. | 0:19:46 | 0:19:49 | |
It's like your thing that you do. Keep it strong, girls. | 0:19:49 | 0:19:53 | |
-Thank you, Lizzie. -CHEERING AND APPLAUSE | 0:19:53 | 0:19:55 | |
Turbo? | 0:19:55 | 0:19:58 | |
You guys get me intrigued. CHEERING AND APPLAUSE | 0:19:58 | 0:20:01 | |
The headphones bit, it felt like I was a part of you guys. | 0:20:02 | 0:20:05 | |
I was like, "Yeah, I know what you're hearing. I can feel it." | 0:20:05 | 0:20:08 | |
And then everybody comes in together in a circle and BLAM! Knee drop, | 0:20:08 | 0:20:13 | |
to finish off. You guys are fierce! | 0:20:13 | 0:20:16 | |
Thank you, judges! | 0:20:16 | 0:20:18 | |
-Give it up for D*FY! -CHEERING AND APPLAUSE | 0:20:18 | 0:20:21 | |
Well done, girls. | 0:20:24 | 0:20:26 | |
-The performance was really good. -You looked amazing. | 0:20:26 | 0:20:29 | |
-How does it feel to perform in a semifinal? -It felt so different. | 0:20:29 | 0:20:32 | |
Such a buzz. The audience were amazing! | 0:20:32 | 0:20:34 | |
So, girls, judges' comments. | 0:20:34 | 0:20:36 | |
I think the comments were really good. | 0:20:36 | 0:20:38 | |
We were really pleased with our performance and their comments. | 0:20:38 | 0:20:42 | |
-Good luck, girls. Well done. -Well done. -Thank you! | 0:20:42 | 0:20:45 | |
It's time for the boys. They've been described by our judges as slick, | 0:20:45 | 0:20:50 | |
on the ball and wicked. | 0:20:50 | 0:20:51 | |
Back to prove they're worthy of a place in the final, it's Ffres! | 0:20:51 | 0:20:55 | |
The second crew going through to the semifinal is... | 0:20:58 | 0:21:02 | |
..Ffres! | 0:21:04 | 0:21:05 | |
ALL: We're Ffres and we're from Port Talbot. | 0:21:07 | 0:21:10 | |
We just found out we're through to the semifinals, and it feels amazing. | 0:21:10 | 0:21:13 | |
The performance went really well. | 0:21:13 | 0:21:16 | |
The reactions were better than I expected. | 0:21:16 | 0:21:18 | |
The only thing that's missing from you guys is me... OK? | 0:21:18 | 0:21:23 | |
..and a polka dot tie and polka dot pants. | 0:21:23 | 0:21:26 | |
Getting through to the semifinals and being in the top nine | 0:21:26 | 0:21:29 | |
means we have to try harder, rehearse more and up our game. | 0:21:29 | 0:21:33 | |
Good luck to all the other crews in the semifinal, | 0:21:33 | 0:21:35 | |
but we're coming back, bigger and better. | 0:21:35 | 0:21:38 | |
# Every day I'm shuffling | 0:21:50 | 0:21:52 | |
# Shuffling, shuffling | 0:22:05 | 0:22:06 | |
# I just wanna make you sweat | 0:22:36 | 0:22:39 | |
# I wanna make you sweat | 0:22:40 | 0:22:43 | |
# I just wanna make you sweat | 0:22:44 | 0:22:46 | |
# I wanna make you sweat | 0:22:47 | 0:22:49 | |
# Sweat, sweat. # | 0:22:50 | 0:22:52 | |
CHEERING AND APPLAUSE | 0:22:58 | 0:22:59 | |
Woo! Ai! | 0:23:06 | 0:23:08 | |
Lizzie? | 0:23:08 | 0:23:09 | |
You had so many amazing combos in there, | 0:23:09 | 0:23:13 | |
just everywhere. | 0:23:13 | 0:23:14 | |
And it wasn't too much. | 0:23:14 | 0:23:16 | |
Loved the locking, loved the jazz splits. | 0:23:16 | 0:23:19 | |
Um... | 0:23:19 | 0:23:21 | |
Speechless. | 0:23:21 | 0:23:23 | |
CHEERING AND APPLAUSE | 0:23:23 | 0:23:24 | |
You don't get better than that - "speechless" - I love it. | 0:23:24 | 0:23:28 | |
Turbolicious? | 0:23:28 | 0:23:29 | |
Turbolicious! Oh-hoh! | 0:23:29 | 0:23:32 | |
You... | 0:23:32 | 0:23:33 | |
You fresh like cucumber! | 0:23:33 | 0:23:37 | |
LAUGHTER AND APPLAUSE | 0:23:37 | 0:23:39 | |
I can see you guys are starting to sit in your house a bit more. | 0:23:39 | 0:23:43 | |
There's a bit of an improvement in there. Other than that, guys, | 0:23:43 | 0:23:46 | |
you blew my mind, I have to say! That was fresh! | 0:23:46 | 0:23:49 | |
Thanks, Turbo. Brilliant, brilliant. | 0:23:49 | 0:23:52 | |
All right, Kenrick? Finish us off! | 0:23:52 | 0:23:55 | |
My only concern... | 0:23:55 | 0:23:57 | |
is that I felt that the energy may have been too much, | 0:23:57 | 0:24:00 | |
which then means you lose control, in some of your choreography. | 0:24:00 | 0:24:03 | |
That's my opinion. | 0:24:03 | 0:24:04 | |
Energy is lovely, but have that control. | 0:24:04 | 0:24:07 | |
But transitions, formations, flavour, | 0:24:07 | 0:24:11 | |
how eclectic it was - can't knock that at all. | 0:24:11 | 0:24:14 | |
-That was a good performance. -Thank you so much, judges! | 0:24:14 | 0:24:17 | |
-Give it up for Ffres! -CHEERING AND APPLAUSE | 0:24:17 | 0:24:19 | |
Well done, boys. | 0:24:19 | 0:24:21 | |
Well done, guys! You smashed it. How did the performance go for you? | 0:24:21 | 0:24:26 | |
The judges' reactions and the performance went really well. | 0:24:26 | 0:24:29 | |
-I'm happy with it. -No matter what happens, you are semifinalists. | 0:24:29 | 0:24:33 | |
You did get down to the last nine. You must be so proud, as a crew. | 0:24:33 | 0:24:36 | |
-How are you feeling? -We started Ffres for CBBC, | 0:24:36 | 0:24:39 | |
so to get this far already is just amazing. | 0:24:39 | 0:24:42 | |
Well, good luck, guys. Well done. You deserve it. | 0:24:42 | 0:24:44 | |
Well done, yeah. | 0:24:44 | 0:24:46 | |
Well, that's it. All the crews have given superb performances. | 0:24:47 | 0:24:51 | |
They've done all they can. | 0:24:51 | 0:24:53 | |
While we add up the scores and verify the results, | 0:24:53 | 0:24:56 | |
let's get a quick reminder of the performances we've seen today. | 0:24:56 | 0:24:59 | |
G25 from Manchester. | 0:25:04 | 0:25:06 | |
D*Fy from Telford. | 0:25:10 | 0:25:12 | |
And from Port Talbot - Ffres! | 0:25:16 | 0:25:18 | |
The level of skill today has been staggering. | 0:25:28 | 0:25:31 | |
All of our crews put their heart and soul into their routines, | 0:25:31 | 0:25:35 | |
so let's have a huge round of applause for all three of them. | 0:25:35 | 0:25:39 | |
CHEERING AND APPLAUSE | 0:25:39 | 0:25:42 | |
But the fact is, only one crew can go through to the grand final. | 0:25:42 | 0:25:45 | |
The results have been checked and verified and the winner is... | 0:25:45 | 0:25:49 | |
We have a tie-break. | 0:25:57 | 0:25:59 | |
The two crews who are level on points... | 0:26:01 | 0:26:05 | |
..are Ffres and G25. | 0:26:06 | 0:26:08 | |
CHEERING AND APPLAUSE | 0:26:08 | 0:26:10 | |
That means that D*FY, I'm afraid, you've not made it to the final. | 0:26:10 | 0:26:16 | |
Please give them a huge round of applause. Thank you, D*FY. | 0:26:16 | 0:26:20 | |
CHEERING AND APPLAUSE | 0:26:20 | 0:26:22 | |
In a tie break situation, it's down to head judge, Kenrick, | 0:26:28 | 0:26:31 | |
-to choose who will go through to the final. -Um... | 0:26:31 | 0:26:35 | |
I just want to say that both groups were amazing. | 0:26:35 | 0:26:38 | |
Just the way they hold themselves on stage is so mature. | 0:26:38 | 0:26:41 | |
But we have to choose one to go through. | 0:26:41 | 0:26:43 | |
Um... | 0:26:43 | 0:26:45 | |
And, for me, I'm going to have to choose... | 0:26:50 | 0:26:53 | |
-..G25. -CHEERING AND APPLAUSE | 0:26:55 | 0:26:58 | |
Congratulations! | 0:26:59 | 0:27:01 | |
Let's have a huge round of applause for our runners up, Ffres! | 0:27:01 | 0:27:05 | |
CHEERING AND APPLAUSE | 0:27:05 | 0:27:07 | |
-Give it up for Ffres! -CHEERING AND APPLAUSE | 0:27:10 | 0:27:13 | |
How are you feeling, girls? | 0:27:18 | 0:27:20 | |
Speechless! | 0:27:20 | 0:27:22 | |
We're really happy, cos we tried our best and it paid off. | 0:27:22 | 0:27:26 | |
Well, congratulations! We'll see you in the final, | 0:27:26 | 0:27:29 | |
with a brand-new routine, OK, girls. | 0:27:29 | 0:27:32 | |
So, from hundreds of hopefuls, we now have our final three. | 0:27:32 | 0:27:36 | |
G25 join Wicked and Lil Diamonds in the grand final. | 0:27:36 | 0:27:40 | |
I know you'll be joining us next time | 0:27:40 | 0:27:42 | |
to find out who will be taking the title | 0:27:42 | 0:27:45 | |
of Alesha's Street Dance Stars 2011! See you later! | 0:27:45 | 0:27:48 | |
For top tips from our judges on how to perfect your street dance moves, | 0:27:52 | 0:27:56 | |
go to the CBBC website and click on Alesha's Street Dance Stars. | 0:27:56 | 0:28:01 | |
Subtitles by Red Bee Media Ltd | 0:28:01 | 0:28:04 | |
E-mail [email protected] | 0:28:04 | 0:28:08 |