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Hello, and welcome to Alesha's Street Dance Stars. | 0:00:23 | 0:00:27 | |
This is my quest to find Britain's ultimate young street-dance crew. | 0:00:27 | 0:00:30 | |
We've auditioned hundreds of brilliant performers | 0:00:30 | 0:00:33 | |
from across the UK, | 0:00:33 | 0:00:34 | |
and now 24 crews have been invited to strut their stuff on this stage. | 0:00:34 | 0:00:38 | |
The winners will be crowned Alesha's Street Dance Stars 2011, | 0:00:38 | 0:00:42 | |
and take home this fabulous trophy. | 0:00:42 | 0:00:45 | |
So, practise your popping, cos this is going to be epic. | 0:00:45 | 0:00:49 | |
It's round one of the qualifiers, | 0:00:55 | 0:00:58 | |
and it's our crews' first chance to impress. | 0:00:58 | 0:01:02 | |
It's a nervous wait backstage as the crews warm up. | 0:01:02 | 0:01:05 | |
But the atmosphere is electric. | 0:01:05 | 0:01:08 | |
Eight crews will be dancing today, | 0:01:09 | 0:01:11 | |
but only five will be selected to go through to the heats, | 0:01:11 | 0:01:14 | |
so the pressure is on to deliver a perfect performance. | 0:01:14 | 0:01:18 | |
So, we have eight crews ready to perform. | 0:01:19 | 0:01:22 | |
Now, let's meet the three people who will decide their fate. | 0:01:22 | 0:01:25 | |
It's our judges. | 0:01:25 | 0:01:26 | |
MUSIC PLAYS | 0:01:30 | 0:01:32 | |
My name's Kenrick "H2O" Sandy, a choreographer | 0:01:40 | 0:01:42 | |
and a pioneer of UK street dance. | 0:01:42 | 0:01:44 | |
For me, it is about pioneering, it is about innovating, | 0:01:46 | 0:01:49 | |
bringing the next new thing. | 0:01:49 | 0:01:51 | |
Technique in street dance is very important. | 0:01:53 | 0:01:56 | |
It's the difference between someone who's very, very good | 0:01:56 | 0:01:59 | |
and someone who's OK. | 0:01:59 | 0:02:01 | |
I'm Lizzie Gough, | 0:02:12 | 0:02:13 | |
I'm a choreographer and professional dancer. | 0:02:13 | 0:02:17 | |
I'm most famous for being on So You Think You Can Dance. | 0:02:17 | 0:02:20 | |
I was a finalist, and I came third in the country. | 0:02:20 | 0:02:24 | |
I'm looking for fresh, new ideas, but also knowing their foundation, | 0:02:24 | 0:02:30 | |
cos I feel that's very important. | 0:02:30 | 0:02:31 | |
I'm Turbo, international street-dance star. | 0:02:42 | 0:02:45 | |
The thing I'm going to be looking for on the show while I'm judging is | 0:02:45 | 0:02:49 | |
people that can deliver. | 0:02:49 | 0:02:50 | |
Show me your showmanship, show me that you can perform to me | 0:02:50 | 0:02:53 | |
and you can perform to a wide audience. | 0:02:53 | 0:02:55 | |
Without street dance, there's no Turbo. Just like that. | 0:02:57 | 0:03:01 | |
Alesha will be on hand backstage to fire up our crews | 0:03:11 | 0:03:14 | |
before they perform. | 0:03:14 | 0:03:15 | |
First up in front of our judges, it's an all-girl crew who mean business. | 0:03:18 | 0:03:22 | |
They describe themselves as being giggly, | 0:03:22 | 0:03:25 | |
hard-working and best friends. | 0:03:25 | 0:03:28 | |
-ALL: -Hi, we're Shockarellas, and we're from Manchester. | 0:03:28 | 0:03:31 | |
-Are you guys in it to win it? -ALL: -Yes. | 0:03:32 | 0:03:34 | |
-You think you can win it? -ALL: -Yes. | 0:03:34 | 0:03:37 | |
-Going to show the judges who's boss? -ALL: -Yes. | 0:03:37 | 0:03:39 | |
-Shockarellas, are you ready? -ALL: -Yes! -Off you go, girls, good luck! | 0:03:39 | 0:03:43 | |
See you when you come out. | 0:03:43 | 0:03:45 | |
# Ching, ching Getting paid over here | 0:03:53 | 0:03:56 | |
# Ching, ching Getting paid over here | 0:03:56 | 0:03:58 | |
# Thirsty, baby, bring it over here | 0:03:58 | 0:04:00 | |
# Thirsty, baby Bring it over here ... # | 0:04:00 | 0:04:02 | |
I don't know what to say, other than | 0:04:03 | 0:04:06 | |
give me more, give me more, give me more! | 0:04:06 | 0:04:09 | |
# I whip my hair back and forth | 0:04:09 | 0:04:10 | |
# I whip my hair back and forth | 0:04:10 | 0:04:12 | |
# I whip my hair back and forth | 0:04:12 | 0:04:13 | |
# I whip my hair back and forth | 0:04:13 | 0:04:15 | |
# I whip my hair back and forth | 0:04:15 | 0:04:16 | |
# I whip my hair back and forth | 0:04:16 | 0:04:18 | |
# I whip my hair back and forth... # | 0:04:18 | 0:04:20 | |
Your swagger - you guys are making me bite my teeth! | 0:04:20 | 0:04:23 | |
# Motownphilly's back again | 0:04:27 | 0:04:29 | |
# Doin' a little east-coast swing | 0:04:32 | 0:04:34 | |
# Boyz II Men going off | 0:04:36 | 0:04:38 | |
# Not too hard, not too soft... # | 0:04:41 | 0:04:43 | |
Ladies, that was really, really, really good. | 0:04:47 | 0:04:50 | |
What I like to see is females doing their thing | 0:04:50 | 0:04:52 | |
and making it feel like | 0:04:52 | 0:04:53 | |
street-dance hip hop is not just a masculine thing, | 0:04:53 | 0:04:56 | |
it's not just about the mandem - the girldem as well! | 0:04:56 | 0:05:00 | |
You understand? Sometimes it feels as though | 0:05:00 | 0:05:03 | |
girls shouldn't do certain things, | 0:05:03 | 0:05:05 | |
and youse were physical, youse were fierce, youse were strong, | 0:05:05 | 0:05:08 | |
you all have nice facials, and the performance was really good. | 0:05:08 | 0:05:12 | |
-And you took the stage. Well done. ALL: -Thank you. | 0:05:12 | 0:05:14 | |
I thought you guys were amazing. Your musicality was on point. | 0:05:14 | 0:05:17 | |
Just one thing is your locking. | 0:05:17 | 0:05:20 | |
I think you need to go back again to the basics, | 0:05:20 | 0:05:22 | |
cos you have it, don't get me wrong, | 0:05:22 | 0:05:24 | |
but sometimes just the way you did the move wasn't correct, in a sense. | 0:05:24 | 0:05:29 | |
GIRLS SQUEAL | 0:05:29 | 0:05:31 | |
Well done, girls. Well done. | 0:05:33 | 0:05:36 | |
This b-boy crew have a neat trick up their sleeves - one of them can | 0:05:40 | 0:05:43 | |
spin on his head without the use of his hands. | 0:05:43 | 0:05:46 | |
Will it be enough to impress our judges? | 0:05:46 | 0:05:48 | |
-ALL: -We're the Minions, and you'd better watch your back. | 0:05:50 | 0:05:52 | |
Going to bring it to the table? Feeling good? | 0:05:52 | 0:05:55 | |
-You going to win this? -ALL: -Yeah. -You going to win this? -ALL: -YEAH! | 0:05:55 | 0:05:58 | |
Let me see you guys do it. Off you go, good luck, guys. | 0:05:58 | 0:06:00 | |
-Have a good one, all right? Hair looks good, by the way. -Thank you. | 0:06:00 | 0:06:04 | |
You know I love music | 0:06:16 | 0:06:18 | |
And every time I hear something hot it makes me want to move. | 0:06:18 | 0:06:21 | |
It makes me want to have fun. | 0:06:22 | 0:06:23 | |
But there's something about this joint right here. | 0:06:23 | 0:06:26 | |
This joint right here, it makes me want to, oh... | 0:06:26 | 0:06:30 | |
# No time for moping around - are you kidding... # | 0:06:30 | 0:06:33 | |
I was smiling watching you guys, inside and out. | 0:06:33 | 0:06:36 | |
I felt it entertained. | 0:06:36 | 0:06:38 | |
# It's been a long week I put in my hardest | 0:06:38 | 0:06:41 | |
# Going to live my life Feels so good to get it right | 0:06:41 | 0:06:44 | |
# So I like what I see When I'm looking at me | 0:06:44 | 0:06:46 | |
# When I'm walking past the mirror | 0:06:46 | 0:06:48 | |
# No stress through the night At a time in my life | 0:06:48 | 0:06:50 | |
# Ain't worried about if you feel it | 0:06:50 | 0:06:53 | |
# Got my head on straight I got my vibe right | 0:06:53 | 0:06:55 | |
# I ain't going to let you kill it | 0:06:55 | 0:06:57 | |
# See, I wouldn't change my life | 0:06:57 | 0:06:59 | |
# My life's just fine, fine Fine, fine, fine, fine, woo | 0:06:59 | 0:07:05 | |
-# Fine, fine... # -This is serious! | 0:07:05 | 0:07:07 | |
Them head spins is ridiculous, OK? | 0:07:09 | 0:07:10 | |
And you did it without a hat. I know that really hurts. | 0:07:13 | 0:07:16 | |
I have to do it with a hat, I'm such a wuss. I feel like a wuss now. | 0:07:16 | 0:07:19 | |
# I wouldn't change my life | 0:07:19 | 0:07:21 | |
# My life's just... # | 0:07:21 | 0:07:23 | |
Your landings were on point, your threading was great on the floor, | 0:07:25 | 0:07:28 | |
I just want to see more from you. | 0:07:28 | 0:07:31 | |
I would definitely like to see more choreography. | 0:07:31 | 0:07:34 | |
For me, I'm about evolution and innovating and pushing, | 0:07:34 | 0:07:37 | |
so I'd like to see youse lot push those boundaries, definitely, | 0:07:37 | 0:07:40 | |
-and choreography. -It was sick, | 0:07:40 | 0:07:42 | |
very sick, and is there space for another member, OK?! | 0:07:42 | 0:07:46 | |
I'm not that old, a'ight?! | 0:07:46 | 0:07:47 | |
THEY CHEER | 0:07:50 | 0:07:52 | |
High fives, high fives! Come on, high fives! | 0:07:54 | 0:07:58 | |
-As Turbo said, sick, sick, sick. Are you pleased? -ALL: -Yeah. | 0:07:58 | 0:08:02 | |
-Definitely. -That was amazing. | 0:08:02 | 0:08:04 | |
They've flown all the way from Belfast. | 0:08:09 | 0:08:11 | |
Let's see if they can get this party started. | 0:08:11 | 0:08:13 | |
-ALL: -We're Party Rockers and we're from Belfast! | 0:08:13 | 0:08:17 | |
Is there anything you can tell me about your dance style? | 0:08:17 | 0:08:20 | |
What is it? Is it straight-up dance, | 0:08:20 | 0:08:22 | |
is there any locking or popping, or is it just...? | 0:08:22 | 0:08:25 | |
It's locking, popping, breaking, new school, whacking. | 0:08:25 | 0:08:29 | |
Right, I wish you guys the best of luck. I'll be waiting for you | 0:08:29 | 0:08:32 | |
-when you come out. -Bye-bye. -Bye-bye! | 0:08:32 | 0:08:34 | |
# For you I'd be, woah-woa Running a thousand miles | 0:08:42 | 0:08:46 | |
# Just get to where you are | 0:08:46 | 0:08:48 | |
# Step to the beat of my heart | 0:08:48 | 0:08:50 | |
# I don't need a whole lot | 0:08:50 | 0:08:52 | |
# Coming for you I admit | 0:08:52 | 0:08:54 | |
# I'd rather give you the world | 0:08:54 | 0:08:56 | |
# I just need somebody to love | 0:08:56 | 0:09:01 | |
# I don't need too much Just somebody to love | 0:09:01 | 0:09:04 | |
# Somebody to love... # | 0:09:04 | 0:09:06 | |
I really liked your flavour, your vibe, | 0:09:06 | 0:09:09 | |
and the variety of the grooves that you're using. | 0:09:09 | 0:09:12 | |
# Calling me Mick Jagger I be rolling like a stone | 0:09:12 | 0:09:15 | |
# Jetsetter, jetlagger... # | 0:09:15 | 0:09:17 | |
You got mad skills. | 0:09:17 | 0:09:18 | |
When you did your applejacks, you guys kick at the same time, | 0:09:18 | 0:09:22 | |
and I see you guys timed it perfectly. | 0:09:22 | 0:09:24 | |
# Chicks in the club | 0:09:24 | 0:09:26 | |
# Honey, what's up? # | 0:09:26 | 0:09:29 | |
I thought that was really, really good. | 0:09:29 | 0:09:31 | |
I can see a lot of grounding, I can see a lot of foundation, | 0:09:31 | 0:09:34 | |
and then you had the hype man! | 0:09:34 | 0:09:35 | |
You had your little hype man here, waiting, going, "You know what? | 0:09:35 | 0:09:39 | |
"I'm-a do my thing," he does his thing, | 0:09:39 | 0:09:41 | |
"I'll chill for a minute... I'll do my thing again," | 0:09:41 | 0:09:43 | |
which is really, really good. | 0:09:43 | 0:09:45 | |
I feel if he was involved in it more, that would have been good, | 0:09:45 | 0:09:48 | |
but it was a really good performance, so well done, guys. | 0:09:48 | 0:09:51 | |
-ALL: -Thank you. -I enjoyed watching you guys. | 0:09:51 | 0:09:54 | |
One thing I have to pick out, as well, | 0:09:54 | 0:09:56 | |
which I personally like was, from your house, | 0:09:56 | 0:09:59 | |
you started doing some house steps, and it went into hype steps. | 0:09:59 | 0:10:03 | |
OK, I see where you're going, all right! Watching out for you guys! | 0:10:03 | 0:10:07 | |
-Well done, guys! How was that? -ALL: -Brilliant. | 0:10:07 | 0:10:11 | |
Our next crew pride themselves on being perfectionists. | 0:10:17 | 0:10:20 | |
They're hoping that a perfect performance today will | 0:10:20 | 0:10:23 | |
leave our judges speechless. | 0:10:23 | 0:10:25 | |
-ALL: -We're Beat Breakers, and we're from Plymouth. | 0:10:25 | 0:10:28 | |
-OK, guys, are you ready? -Yeah. -Best of luck. Fingers crossed. | 0:10:29 | 0:10:32 | |
Have a good one, we'll be waiting for you, OK? Good luck. | 0:10:32 | 0:10:35 | |
# I'm fly, so fly | 0:10:45 | 0:10:47 | |
# See me now, I'm so fly | 0:10:47 | 0:10:48 | |
# I'm fly, so fly | 0:10:48 | 0:10:51 | |
# Na-na-na-na-na-na-ni-ni-ni | 0:10:51 | 0:10:53 | |
# Na-na-ni-ni-ni | 0:10:53 | 0:10:54 | |
# Na-na-na-na-ni-ni-ni... # | 0:10:54 | 0:10:57 | |
# Spirit is moving, spirit is moving | 0:10:57 | 0:11:00 | |
# Can't stop moving Can't stop moving | 0:11:00 | 0:11:02 | |
# Can't stop moving... # | 0:11:02 | 0:11:03 | |
I loved the beginning, you have a great technique, | 0:11:03 | 0:11:06 | |
and you're so light on your feet. | 0:11:06 | 0:11:08 | |
# Told me not to change it | 0:11:08 | 0:11:10 | |
# If a change could ever be... # | 0:11:10 | 0:11:13 | |
Beat Breakers! | 0:11:36 | 0:11:38 | |
Yes! | 0:11:38 | 0:11:39 | |
Smashed it! | 0:11:39 | 0:11:40 | |
You've got good skills, you've got really good skills, | 0:11:40 | 0:11:43 | |
and you've got good foundation. | 0:11:43 | 0:11:45 | |
Just work on how you finish your moves. | 0:11:45 | 0:11:47 | |
There was one bit where you went... | 0:11:47 | 0:11:49 | |
Make sure you're all on the same page with that. | 0:11:49 | 0:11:52 | |
-But for me, that was some good hip hop. ALL: -Thank you. | 0:11:52 | 0:11:54 | |
Over all I really liked that, even with your flips, | 0:11:54 | 0:11:57 | |
you couldn't hear you land, that's how light you were. | 0:11:57 | 0:11:59 | |
Just be careful in between moves that you don't fidget, | 0:11:59 | 0:12:02 | |
like, pull your trousers up or pull your jumper down, | 0:12:02 | 0:12:05 | |
cos just for half a second it just takes your focus off that. | 0:12:05 | 0:12:08 | |
But other than that, it was brilliant. | 0:12:08 | 0:12:11 | |
-You, sorry, what's your name? -Perry. | 0:12:11 | 0:12:13 | |
You actually make me want to house with you. | 0:12:13 | 0:12:16 | |
I can see you get into it. I can see that you enjoy it. | 0:12:16 | 0:12:18 | |
I love house. | 0:12:18 | 0:12:19 | |
Talking about loving the house! | 0:12:19 | 0:12:22 | |
High five! Well done. Well done. Well done. | 0:12:29 | 0:12:33 | |
-Thank you. -It was amazing. | 0:12:33 | 0:12:36 | |
Tell me, why was it amazing? | 0:12:36 | 0:12:38 | |
-They liked it. -Yes. -It went really well. | 0:12:38 | 0:12:41 | |
I don't think they had anything bad to say, did they? | 0:12:41 | 0:12:45 | |
Just pulling our jumpers down. | 0:12:45 | 0:12:48 | |
I didn't even notice that when I was watching. | 0:12:48 | 0:12:50 | |
Our trousers! ALESHA LAUGHS | 0:12:50 | 0:12:52 | |
Here's a look at the fantastic performances so far. | 0:12:54 | 0:12:57 | |
Shockarellas, from Manchester. | 0:12:59 | 0:13:01 | |
The Minions, from Coventry. | 0:13:05 | 0:13:07 | |
Party Rockers, from Belfast. | 0:13:07 | 0:13:10 | |
And from Plymouth, Beat Breakers. | 0:13:12 | 0:13:14 | |
This handsome crew are proper street, | 0:13:21 | 0:13:23 | |
practising their moves in the park after school every night of the week. | 0:13:23 | 0:13:28 | |
-ALL: -We're Demolition, and we're young, talented and handsome! | 0:13:28 | 0:13:32 | |
-I hear that some of you are family. -Yeah, us three are brothers. -Ages? | 0:13:32 | 0:13:37 | |
-13. -11. -15. -Excellent. | 0:13:37 | 0:13:40 | |
-So you guys have been dancing together since you were tiny? -Yeah. | 0:13:40 | 0:13:42 | |
-Feeling ready, guys? -ALL: -Yeah. -Are you nervous? -ALL: -Yeah. | 0:13:42 | 0:13:45 | |
-Going to show them who's boss? -ALL: -Yeah. | 0:13:45 | 0:13:47 | |
-Off you go, good luck. -ALL: -Thank you. | 0:13:47 | 0:13:50 | |
I really liked the transitions and the formations, | 0:14:11 | 0:14:15 | |
the way youse lot changed. | 0:14:15 | 0:14:16 | |
# People in the place | 0:14:17 | 0:14:20 | |
# If you wanna get down | 0:14:20 | 0:14:24 | |
# Put your hands in the air | 0:14:24 | 0:14:27 | |
# Yup, yup | 0:14:27 | 0:14:28 | |
# I be rockin' them beats | 0:14:28 | 0:14:30 | |
# Y-y-yup, yup Huh, huh, huh | 0:14:30 | 0:14:33 | |
# Here we go, here we go Satellite radio | 0:14:33 | 0:14:35 | |
-# Y'all gettin' hit with the... -Boom boom | 0:14:35 | 0:14:37 | |
# Beats so big I'm steppin' on leprechauns | 0:14:37 | 0:14:39 | |
-# Y'all getting hit with the... -Boom boom | 0:14:39 | 0:14:41 | |
# Turn me up | 0:14:42 | 0:14:43 | |
# Don't turn me down | 0:14:43 | 0:14:44 | |
# Cut me up | 0:14:44 | 0:14:47 | |
# Don't let me down | 0:14:47 | 0:14:48 | |
# Find, find a way | 0:14:48 | 0:14:51 | |
# Find a way to get out Without a hit out | 0:14:51 | 0:14:53 | |
# You dig in, you dig out You get out | 0:14:53 | 0:14:55 | |
# Ghettomusick, ghettomusick | 0:14:55 | 0:14:59 | |
# Find a way to get in To fit in, to get on | 0:14:59 | 0:15:01 | |
# You get out, without a doubt | 0:15:01 | 0:15:02 | |
# Ghettomusick, ghettomusick. # | 0:15:02 | 0:15:06 | |
GLASS SHATTERS | 0:15:06 | 0:15:08 | |
Who did the choreography? | 0:15:08 | 0:15:10 | |
Oh, you did. Ah, so you don't have a choreographer to watch you? | 0:15:10 | 0:15:13 | |
Well done to you, then. It is hard to choreograph AND be in it. | 0:15:13 | 0:15:16 | |
Make sure you don't chew your tongue when you're dancing. | 0:15:16 | 0:15:19 | |
I noticed that, OK? And all of you look up, yeah? | 0:15:19 | 0:15:23 | |
Just be more confident, that's all you need to be. | 0:15:23 | 0:15:25 | |
Once you get on that stage, it belongs to you, | 0:15:25 | 0:15:28 | |
so you got like one minute... | 0:15:28 | 0:15:30 | |
you control it, use it. All that space there is yours. | 0:15:30 | 0:15:33 | |
One thing for me is just make sure that you work on your flavour | 0:15:33 | 0:15:38 | |
and your swagger. | 0:15:38 | 0:15:39 | |
Really kind of get earthy on that, yeah? | 0:15:39 | 0:15:42 | |
-Well done. -Thank you. -Well done. -Thank you. -Well done. | 0:15:42 | 0:15:46 | |
Well done, well done, well done. | 0:15:46 | 0:15:48 | |
It's about quality and quantity for the power crew going up next. | 0:15:52 | 0:15:57 | |
With 11 girls and just one boy, | 0:15:57 | 0:16:00 | |
they're aiming to blow the judges away with their routine. | 0:16:00 | 0:16:03 | |
-ALL: -Team! | 0:16:03 | 0:16:04 | |
-ALL: -We're Xtreme and we're from Rotherham! | 0:16:04 | 0:16:07 | |
There's a lot of you here. We've got one guy over there. | 0:16:08 | 0:16:11 | |
What's your name? | 0:16:11 | 0:16:13 | |
-Kesho. -How does it feel to be in amongst the lovely ladies? | 0:16:13 | 0:16:15 | |
It's great! | 0:16:15 | 0:16:17 | |
THEY LAUGH | 0:16:17 | 0:16:20 | |
# I wanna rock right now | 0:16:36 | 0:16:37 | |
# I wanna, I wanna rock right now | 0:16:37 | 0:16:40 | |
# I wanna I wanna rock right now, now... # | 0:16:40 | 0:16:42 | |
Wow! | 0:16:42 | 0:16:44 | |
When you guys started dancing, those colours started to come out. | 0:16:44 | 0:16:47 | |
It's like I can see colours on stage - | 0:16:47 | 0:16:49 | |
you just brightened the stage up with your energy. | 0:16:49 | 0:16:51 | |
# Live your life, live your life | 0:16:51 | 0:16:55 | |
# Let that love inside... # | 0:16:55 | 0:16:58 | |
Like, you really surprised me. | 0:16:59 | 0:17:00 | |
I didn't expect that from you guys at all, the girls doing the tricks. | 0:17:00 | 0:17:04 | |
# It's inside you | 0:17:04 | 0:17:07 | |
# Don't let 'em bring you down | 0:17:07 | 0:17:09 | |
# No | 0:17:09 | 0:17:10 | |
# Oh-whoa | 0:17:12 | 0:17:14 | |
# Don't you know? Don't you know? | 0:17:14 | 0:17:16 | |
-# Oh-whoa -Beautiful, don't you know? | 0:17:16 | 0:17:19 | |
# Oh-whoa | 0:17:19 | 0:17:21 | |
# Don't you know? Don't you know? | 0:17:21 | 0:17:23 | |
# Oh-whoa | 0:17:23 | 0:17:25 | |
# Beautiful Don't you know, know, know, know | 0:17:25 | 0:17:27 | |
# Know, know, know | 0:17:27 | 0:17:29 | |
# You'll be with those beautiful people. # | 0:17:29 | 0:17:33 | |
I really enjoyed that, guys. | 0:17:37 | 0:17:38 | |
There was so much going on, it was like, "Oh, where do I look?" | 0:17:38 | 0:17:42 | |
I would like to see more from you guys, different styles, | 0:17:42 | 0:17:45 | |
a slower hip-hop kind of thing | 0:17:45 | 0:17:47 | |
or something that's more down in the ground, | 0:17:47 | 0:17:49 | |
rather than the really fast stuff. | 0:17:49 | 0:17:51 | |
Cos what you did was really great, | 0:17:51 | 0:17:53 | |
so it'd be nice to see another side of you guys. | 0:17:53 | 0:17:55 | |
I did like your ending as well, cos, like, some people just end - BANG! | 0:17:55 | 0:17:59 | |
Finished, stop there. But you guys were like, "Beautiful people..." | 0:17:59 | 0:18:03 | |
THEY LAUGH | 0:18:03 | 0:18:05 | |
THEY SCREAM | 0:18:05 | 0:18:08 | |
Well done, guys. Well done. | 0:18:08 | 0:18:11 | |
That was amazing. | 0:18:11 | 0:18:12 | |
And what was it that Turbo picked up? He said he liked your ending. | 0:18:12 | 0:18:16 | |
ALL: Yeah. | 0:18:16 | 0:18:17 | |
The continued ending. Show me that. | 0:18:17 | 0:18:19 | |
Up next, it's 5XS. | 0:18:31 | 0:18:32 | |
They may be extra small by name, but don't be fooled - | 0:18:32 | 0:18:36 | |
these guys are guaranteed to give an XXL performance. | 0:18:36 | 0:18:40 | |
-ALL: -We're 5XS and we're from Leicester. Woo! | 0:18:40 | 0:18:44 | |
What will you guys bring that's different? | 0:18:44 | 0:18:46 | |
Going to show everyone that you're the winners? | 0:18:46 | 0:18:49 | |
Yeah, we're going to do proper dancing, hardcore. | 0:18:49 | 0:18:52 | |
Hardcore, proper dancing. | 0:18:52 | 0:18:53 | |
# Lights, lights, all of the lights | 0:19:10 | 0:19:13 | |
# Turn up the lights in here, baby | 0:19:13 | 0:19:16 | |
# Extra bright I want y'all to see this | 0:19:16 | 0:19:19 | |
# Turn up the lights in here, baby | 0:19:19 | 0:19:22 | |
# You know what I need | 0:19:22 | 0:19:24 | |
# Want you to see everything | 0:19:24 | 0:19:26 | |
# Want you to see all of the lights... # | 0:19:26 | 0:19:29 | |
Some of the lines that you guys were creating were more dancier. | 0:19:29 | 0:19:32 | |
# I could stick around and get along with you | 0:19:35 | 0:19:38 | |
# Hello... # | 0:19:38 | 0:19:39 | |
-Major Lazer... -Ha-ha! Yes! You see his little face? | 0:19:42 | 0:19:46 | |
Wicked! | 0:19:47 | 0:19:49 | |
Pon de floor. | 0:19:49 | 0:19:51 | |
Pon de floor. | 0:20:05 | 0:20:07 | |
Pon De Floor, the dip you hit in there. | 0:20:07 | 0:20:09 | |
When she said, "Pon de floor," BAM! You hit the floor. I'm like, "Yeah." | 0:20:09 | 0:20:13 | |
Nearly jumped up and hit the ceiling. | 0:20:13 | 0:20:15 | |
You're standing here like this... | 0:20:15 | 0:20:17 | |
"Pow! This is me." Like, "This is my stage, OK? This is me. | 0:20:17 | 0:20:20 | |
"You watch me, you watch what we do, OK?" | 0:20:20 | 0:20:22 | |
Guys, youse lot are good. | 0:20:22 | 0:20:24 | |
Youse lot are very mature. | 0:20:24 | 0:20:27 | |
I want you to be more confident in your grooves and swagger. | 0:20:27 | 0:20:30 | |
So any time that you've got the arm here, | 0:20:30 | 0:20:33 | |
make sure you're using your chest. A lot of power comes from there. | 0:20:33 | 0:20:36 | |
So even though you're using your arms, | 0:20:36 | 0:20:38 | |
your power's coming from here, so use that a lot more. | 0:20:38 | 0:20:41 | |
-THEY CHEER -Well done, guys. | 0:20:41 | 0:20:44 | |
Well done. What did the judges say to you? | 0:20:44 | 0:20:47 | |
They said that we were, like, mature, cos they thought we were 14, 15, | 0:20:47 | 0:20:50 | |
but we're only like 11 to 14, so... | 0:20:50 | 0:20:53 | |
-Ah, interesting! -They said we didn't need flips and stuff - | 0:20:53 | 0:20:56 | |
the choreography was good. | 0:20:56 | 0:20:57 | |
Yeah, you guys owned it. So are you very pleased? | 0:20:57 | 0:20:59 | |
-ALL: -Yeah. -Ready to come back and do it again? | 0:20:59 | 0:21:02 | |
-ALL: -Yeah. -Definitely. -Good luck, guys. | 0:21:02 | 0:21:04 | |
Last but not least, this crew have been dancing together for two years. | 0:21:09 | 0:21:13 | |
They describe themselves as dedicated, | 0:21:13 | 0:21:16 | |
adventurous and, of course... | 0:21:16 | 0:21:18 | |
Wicked. | 0:21:18 | 0:21:20 | |
-ALL: -We're Wicked and we're from Dartford. Woo! | 0:21:20 | 0:21:24 | |
How long have you been a crew? There's ten of you. So... | 0:21:24 | 0:21:27 | |
how long has this collective been together? | 0:21:27 | 0:21:29 | |
-Two years. -That's amazing. You're like family? | 0:21:29 | 0:21:32 | |
-ALL: -Yeah. | 0:21:32 | 0:21:33 | |
If you've been together for two years, you'll be tight. | 0:21:33 | 0:21:36 | |
-ALL: -Yeah. -I wish you the best of luck. | 0:21:36 | 0:21:38 | |
-ALL: -Thank you. -All right guys, good luck. | 0:21:38 | 0:21:40 | |
Ha-ha-ha. What you laughin' at? | 0:21:50 | 0:21:52 | |
# I got 21 seconds to flow | 0:21:58 | 0:22:00 | |
# I got 21 seconds to go | 0:22:00 | 0:22:02 | |
# Cos if you like me, let me know Let me in the studio | 0:22:02 | 0:22:04 | |
# I got 21 seconds before I gotta go | 0:22:04 | 0:22:06 | |
-# Did you see me in the video? -Oh, no! | 0:22:06 | 0:22:07 | |
-# Did you see me in the video? -Oh, no! | 0:22:07 | 0:22:09 | |
# So if you like me, let me know Let me in the studio | 0:22:09 | 0:22:11 | |
# I got 21 seconds before I gotta go... # | 0:22:11 | 0:22:13 | |
I really liked the formations, the transitions | 0:22:13 | 0:22:16 | |
and the use of the stage. | 0:22:16 | 0:22:18 | |
# Whatever I do I feel the pain | 0:22:18 | 0:22:23 | |
# With or without you | 0:22:23 | 0:22:25 | |
# Hey, yeah | 0:22:26 | 0:22:28 | |
# Let your body fly | 0:22:32 | 0:22:33 | |
# Everybody jumpin'... # | 0:22:33 | 0:22:35 | |
Hee-hee! | 0:22:35 | 0:22:36 | |
# Keep on jumpin' | 0:22:37 | 0:22:39 | |
# Let your body fly. # | 0:22:39 | 0:22:40 | |
They're really good! | 0:22:40 | 0:22:41 | |
# Everybody jumpin' | 0:22:41 | 0:22:43 | |
# Till you see the sun in the sky | 0:22:43 | 0:22:44 | |
# Keep on jumpin' | 0:22:44 | 0:22:46 | |
# Let your body fly | 0:22:46 | 0:22:48 | |
# Everybody jumpin' | 0:22:48 | 0:22:50 | |
# Till you see the sun in the sky | 0:22:50 | 0:22:52 | |
# Keep on jumpin' | 0:22:52 | 0:22:53 | |
# Let your body fly | 0:22:53 | 0:22:55 | |
# Everybody jumpin' | 0:22:55 | 0:22:57 | |
# Till you see the sun in the sky | 0:22:57 | 0:22:59 | |
# Keep on, on, on, on. # | 0:22:59 | 0:23:01 | |
SHE MIMES: Ha-ha-ha! What you laughin' at? | 0:23:01 | 0:23:05 | |
I really enjoyed that, guys. There's just so much going on. | 0:23:05 | 0:23:08 | |
There's no tricks in the routine whatsoever but it held its own. | 0:23:08 | 0:23:12 | |
When you do your steps, go through your feet, all I heard was... | 0:23:12 | 0:23:15 | |
-TAPPING -You know, from your trainers, | 0:23:15 | 0:23:17 | |
so you just need to make it a bit more oozy | 0:23:17 | 0:23:20 | |
so that when you're doing the house, it's got a bit more flavour to it. | 0:23:20 | 0:23:24 | |
Be careful when you're doing transitions and formations - | 0:23:24 | 0:23:27 | |
your routine starts to lose its tightness. | 0:23:27 | 0:23:29 | |
When it starts to open up a little bit, I'm starting to see | 0:23:29 | 0:23:32 | |
mistakes here and there. Other than that, it was really good. | 0:23:32 | 0:23:35 | |
The beginning bit - "You see me in the video? Oh, no." | 0:23:35 | 0:23:38 | |
There's a part where you guys go, "Oh, no," | 0:23:38 | 0:23:40 | |
and I'm like, "Ooh, yes, get in there! | 0:23:40 | 0:23:42 | |
"Get it, get it, dig it deep!" I like that. | 0:23:42 | 0:23:44 | |
You got the swagger down, I went... | 0:23:44 | 0:23:46 | |
HE GROANS HAPPILY | 0:23:46 | 0:23:48 | |
OK? | 0:23:48 | 0:23:49 | |
It was "Wicked"! | 0:23:49 | 0:23:51 | |
THEY LAUGH | 0:23:51 | 0:23:52 | |
THEY ALL SCREAM | 0:23:53 | 0:23:55 | |
It's time for the judges to begin deliberating. | 0:24:02 | 0:24:05 | |
Sadly, we have to say goodbye to three of our crews | 0:24:05 | 0:24:08 | |
and only the strongest performances will go forward. | 0:24:08 | 0:24:10 | |
Who will they choose? | 0:24:10 | 0:24:12 | |
Here's a quick reminder of all eight stage-shattering performances. | 0:24:12 | 0:24:17 | |
Earlier, we saw Shockarellas from Manchester. | 0:24:17 | 0:24:19 | |
The Minions from Coventry. | 0:24:22 | 0:24:24 | |
Party Rockers from Belfast. | 0:24:26 | 0:24:28 | |
And Beat Breakers from Plymouth. | 0:24:31 | 0:24:33 | |
Then we saw Demolition from Leicester. | 0:24:35 | 0:24:39 | |
Xtreme from Rotherham. | 0:24:39 | 0:24:41 | |
5XS from Leicester. | 0:24:44 | 0:24:46 | |
And, from Kent, it's Wicked. | 0:24:46 | 0:24:49 | |
I like these guys. | 0:24:56 | 0:24:57 | |
They're fresh. | 0:24:57 | 0:24:59 | |
-Even their routine, I think they had something different as well. -Mm-hm. | 0:24:59 | 0:25:02 | |
-They were really good trickers. -Oh, yeah, definitely. But... | 0:25:02 | 0:25:05 | |
overall content, was there enough street? | 0:25:05 | 0:25:09 | |
Enough hip hop? | 0:25:09 | 0:25:10 | |
5XS is different because we don't really do many tricks. | 0:25:10 | 0:25:13 | |
We just dance. | 0:25:13 | 0:25:14 | |
We worked hard and it doesn't matter if we don't get through, | 0:25:14 | 0:25:17 | |
we're so proud. | 0:25:17 | 0:25:18 | |
-In or out? BOTH: -Compared to the others? | 0:25:18 | 0:25:20 | |
Out. | 0:25:20 | 0:25:21 | |
This group right here. Boy. | 0:25:21 | 0:25:23 | |
-They're untouchable, frankly. -Yeah. -For me. | 0:25:23 | 0:25:26 | |
-It's quite scary. -I'm going to say yes. | 0:25:26 | 0:25:28 | |
I was going to say no. | 0:25:28 | 0:25:30 | |
THEY LAUGH | 0:25:33 | 0:25:34 | |
Why have youse lot put it on me?! | 0:25:34 | 0:25:36 | |
Right... | 0:25:36 | 0:25:38 | |
can we leave them in the middle? | 0:25:38 | 0:25:40 | |
Right now. Yeah? OK. | 0:25:40 | 0:25:42 | |
Please put us through to the next round, | 0:25:42 | 0:25:44 | |
because all of us have so much more to show you. | 0:25:44 | 0:25:47 | |
And I hope you like it. | 0:25:47 | 0:25:48 | |
If we get through to the next round, we've got so much more to bring. | 0:25:48 | 0:25:52 | |
-I like them. -Yeah. | 0:25:52 | 0:25:53 | |
They're strong. I feel like they have more definitely, anyways. | 0:25:53 | 0:25:57 | |
So, guys, is this our final decision? | 0:25:57 | 0:26:01 | |
These five? | 0:26:01 | 0:26:03 | |
These five. | 0:26:03 | 0:26:04 | |
For me, yeah, I'm happy. | 0:26:05 | 0:26:06 | |
Turbo? | 0:26:06 | 0:26:08 | |
I'm happy. | 0:26:08 | 0:26:10 | |
-I'm very sure of that. -Mm-hmm. -Cool. -Yeah? -Yeah. | 0:26:10 | 0:26:13 | |
OK. Good. | 0:26:13 | 0:26:14 | |
That's it, the judges have made their decision. | 0:26:15 | 0:26:18 | |
Let's find out who they chose. | 0:26:18 | 0:26:20 | |
Going through to the heats from today's show are... | 0:26:20 | 0:26:23 | |
-ALL: -To the competition, good luck! | 0:26:27 | 0:26:29 | |
But we're raising our game for the heats. | 0:26:29 | 0:26:31 | |
ALL: Watch out in the heats, cos The Minions are burning rubber! | 0:26:33 | 0:26:37 | |
Good luck to the others, but we'll bring it harder this time. | 0:26:39 | 0:26:42 | |
We're through to the heats! | 0:26:42 | 0:26:44 | |
THEY LAUGH AND CHEER | 0:26:44 | 0:26:46 | |
They performed well, but sadly we'll be saying goodbye to... | 0:26:46 | 0:26:50 | |
Which means the other two crews going through are... | 0:26:54 | 0:26:57 | |
-ALL: -5XS are in the heats! Woooo! | 0:26:59 | 0:27:03 | |
Good luck to all the other crews, but watch out - we're Wicked! | 0:27:04 | 0:27:07 | |
-We're through to the heats! -THEY CHEER | 0:27:07 | 0:27:09 | |
So it's congratulations to... | 0:27:09 | 0:27:12 | |
Shockarellas, The Minions, | 0:27:12 | 0:27:13 | |
Beat Breakers, 5XS and Wicked. | 0:27:13 | 0:27:17 | |
Coming up next time, | 0:27:19 | 0:27:21 | |
the swagger continues as we see performances from Lil' Diamondz, | 0:27:21 | 0:27:24 | |
K Lic, Paradox, Super 6, Dem Lot, | 0:27:24 | 0:27:28 | |
Nu Flo, Mischief and Street Kids. | 0:27:28 | 0:27:30 | |
Subtitles by Red Bee Media Ltd | 0:27:33 | 0:27:36 | |
Email [email protected] | 0:27:36 | 0:27:39 | |
We've never been in a competition at this level | 0:27:39 | 0:27:42 | |
or anything like this before. | 0:27:42 | 0:27:43 | |
It's a relief that we've finished dancing and we can relax now | 0:27:43 | 0:27:47 | |
and enjoy ourselves. | 0:27:47 | 0:27:48 | |
We're all best friends, so we just know each other | 0:27:48 | 0:27:51 | |
and we'll know where we'll be and we trust each other. | 0:27:51 | 0:27:54 | |
It's a relief that it's over and all our nerves have gone. | 0:27:54 | 0:27:57 | |
Alesha was lovely. She spoke to us like we were friends. | 0:27:57 | 0:28:00 |