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Previously on Alesha's Street Dance Stars we saw eight phenomenal crews | 0:00:03 | 0:00:07 | |
battle it out in front of our judges for a place in the heat. | 0:00:07 | 0:00:10 | |
I need to find myself a red t-shirt, black shorts that match you guys | 0:00:10 | 0:00:14 | |
so I can jump on stage with you! | 0:00:14 | 0:00:16 | |
You guys have it, so believe in yourselves and I want to see more. | 0:00:16 | 0:00:19 | |
I really liked that one, I did! That was really good. | 0:00:20 | 0:00:25 | |
The standard was first-rate, | 0:00:26 | 0:00:28 | |
but only five crews were chosen to go through to the next round. | 0:00:28 | 0:00:32 | |
Hello and welcome back. | 0:00:55 | 0:00:57 | |
This is my search for Britain's best young street dance crew | 0:00:57 | 0:01:00 | |
and after travelling to every corner of the UK | 0:01:00 | 0:01:03 | |
to find the cream of the street dance crop | 0:01:03 | 0:01:06 | |
I can promise you that the next half hour | 0:01:06 | 0:01:08 | |
is going to feature some epic dance moves. | 0:01:08 | 0:01:11 | |
This is the third and final round of the qualifiers, | 0:01:11 | 0:01:13 | |
so get your swagger on and let's do this! | 0:01:13 | 0:01:16 | |
Eight crews will take to the stage today, | 0:01:20 | 0:01:23 | |
hoping to prove they've got what it takes | 0:01:23 | 0:01:25 | |
to eventually be crowned Alesha's Street Dance Stars 2011. | 0:01:25 | 0:01:28 | |
With only five places left in the heat, | 0:01:28 | 0:01:31 | |
the tension backstage is mounting. | 0:01:31 | 0:01:33 | |
Winning means everything and as well as the bragging rights | 0:01:33 | 0:01:36 | |
our champions will take home an amazing custom-made trophy. | 0:01:36 | 0:01:40 | |
Our judges are the masters of street dance. | 0:01:40 | 0:01:43 | |
Experts in technique, choreography and showmanship. Let's meet them. | 0:01:43 | 0:01:47 | |
I'm Lizzie Gough, | 0:01:59 | 0:02:00 | |
I'm a choreographer and professional dancer. | 0:02:00 | 0:02:04 | |
I'm most famous for being on So You Think You Can Dance. | 0:02:04 | 0:02:07 | |
I do street dance, locking, popping, break dance... | 0:02:07 | 0:02:12 | |
Choreography is very important in street dance, | 0:02:14 | 0:02:16 | |
but also knowing their foundation. | 0:02:16 | 0:02:19 | |
I just like to see new fresh ideas. | 0:02:19 | 0:02:21 | |
I'm Turbo, international street dance star. | 0:02:33 | 0:02:36 | |
I'm most famous for two of my moves. | 0:02:38 | 0:02:41 | |
My pneumatic drill shake and also my, er, tongue thing. | 0:02:41 | 0:02:44 | |
If I can't dance it feels awkward, it feels weird, | 0:02:48 | 0:02:51 | |
it feels like I'm strapped in a straightjacket. | 0:02:51 | 0:02:54 | |
My name's Kenrick "H2O" Sandy, | 0:03:07 | 0:03:09 | |
I'm a choreographer and a pioneer of UK street dance. | 0:03:09 | 0:03:12 | |
I'll be looking for tightness in the routine, | 0:03:13 | 0:03:16 | |
formation changes and transitions. | 0:03:16 | 0:03:18 | |
If don't feel I'm being performed to then I'm going to lose interest. | 0:03:18 | 0:03:22 | |
I think I'm known for my way of breaking convention | 0:03:23 | 0:03:28 | |
of hip-hop and street dance. I would say definitely I'm a rebel. | 0:03:28 | 0:03:32 | |
Alesha will be on hand backstage | 0:03:38 | 0:03:40 | |
to fire up our crews before they perform. | 0:03:40 | 0:03:43 | |
ALL: WOO! | 0:03:43 | 0:03:45 | |
We're starting big. | 0:03:45 | 0:03:47 | |
Well, we're starting with one of the largest crews in the contest. | 0:03:47 | 0:03:51 | |
There are ten of them and they call themselves Masters Of Motion. | 0:03:51 | 0:03:55 | |
ALL: We're Masters Of Motion and we deserve to be here. WOO! | 0:03:55 | 0:04:00 | |
What is it that you'll bring to the table today? | 0:04:00 | 0:04:02 | |
We're going to bring charisma, entertainment, | 0:04:02 | 0:04:05 | |
all different aspects of dance, we're going to show. | 0:04:05 | 0:04:08 | |
# You are now about to witness | 0:04:17 | 0:04:19 | |
# The strength of street knowledge. # | 0:04:19 | 0:04:21 | |
MUSIC: "Buzzin'" by 50 Cent featuring Mann | 0:04:37 | 0:04:40 | |
MUSIC: "Wanna Be Startin' Somethin'" by Michael Jackson | 0:04:55 | 0:04:59 | |
# (Masters Of Motion.) # | 0:05:08 | 0:05:12 | |
You guys had such a range of styles in that routine, | 0:05:12 | 0:05:14 | |
which is great to see. | 0:05:14 | 0:05:15 | |
You had your locking, tutting, your house, you had a bit of everything, | 0:05:15 | 0:05:19 | |
which I liked. | 0:05:19 | 0:05:20 | |
So, just shows you have more versatility. | 0:05:20 | 0:05:22 | |
Just be careful with your transitions and stuff | 0:05:22 | 0:05:25 | |
that you don't go in to the move early. | 0:05:25 | 0:05:27 | |
-What's your name? Young one in the middle, right next to you. -Arizona. | 0:05:27 | 0:05:32 | |
At the beginning there's a point where you're tutting | 0:05:32 | 0:05:35 | |
and I tell you now, it's actually very clean | 0:05:35 | 0:05:37 | |
because a lot of people that tut and it's messy, it's crazy, | 0:05:37 | 0:05:40 | |
like Rubik's Cubes of moves, | 0:05:40 | 0:05:42 | |
but I'm looking at you and I can see the shapes. | 0:05:42 | 0:05:45 | |
It was VERY creative, especially when yous lot work together. | 0:05:45 | 0:05:48 | |
Some of the transitions were really really nice as well. | 0:05:48 | 0:05:51 | |
-Pat yourself on the back! -Definitely. | 0:05:51 | 0:05:54 | |
-And, literally, pat yourself on the back. -Do it, do it! -Ha-ha-ha! | 0:05:54 | 0:05:58 | |
CREW CHEERS | 0:05:58 | 0:05:59 | |
Well done! That was a-maze-ing! | 0:05:59 | 0:06:03 | |
That was amazing! | 0:06:03 | 0:06:04 | |
This next crew are a thoroughly chilled bunch of lads | 0:06:08 | 0:06:12 | |
and very proud to be our only crew from Wales. | 0:06:12 | 0:06:16 | |
It's Ffres! | 0:06:16 | 0:06:17 | |
ALL: We're Ffres and we're from South Wales. | 0:06:17 | 0:06:20 | |
What style's have you brought to the table that's unique to Ffres? | 0:06:20 | 0:06:24 | |
-Me and Keenan pop. -Pop and locking, he's the main break dancer. | 0:06:24 | 0:06:27 | |
-Trickster. -Main break dancer. -And me and Davy are house. | 0:06:27 | 0:06:32 | |
Wicked, so you've got a nice little mix of styles going on. | 0:06:32 | 0:06:35 | |
# Prepare for launch in three... | 0:06:49 | 0:06:52 | |
# Two... | 0:06:52 | 0:06:53 | |
# ACTION! # | 0:06:53 | 0:06:55 | |
MUSIC: "Forget You" by Cee Lo Green | 0:07:19 | 0:07:22 | |
MUSIC: "You Know How We Do It" by Adri Fernandez remix | 0:07:28 | 0:07:31 | |
I really liked your creativity. | 0:07:41 | 0:07:43 | |
I liked the way that yous lot went from one section to another section, | 0:07:43 | 0:07:47 | |
how you actually started your title one, | 0:07:47 | 0:07:50 | |
give that shape that you made | 0:07:50 | 0:07:52 | |
because for me it looked interesting. | 0:07:52 | 0:07:54 | |
I enjoyed your flavour and your vibe. | 0:07:54 | 0:07:56 | |
That was really, really nice. | 0:07:56 | 0:07:58 | |
There were moments where the two short cats, over here, | 0:07:58 | 0:08:01 | |
you came in front and you went "BANG!" | 0:08:01 | 0:08:03 | |
I was like, "OK, all right." | 0:08:03 | 0:08:05 | |
It was very, very nice. | 0:08:05 | 0:08:06 | |
Just careful of transitions. At the beginning you were waving | 0:08:06 | 0:08:09 | |
and then you carried on with the routine, | 0:08:09 | 0:08:11 | |
but there was a moment when you were like, "I'm here early." | 0:08:11 | 0:08:14 | |
Make sure you know EXACTLY your timing | 0:08:14 | 0:08:17 | |
and your route to get there and how long it will take you. | 0:08:17 | 0:08:19 | |
What I like about your performance is your shape at the beginning... | 0:08:19 | 0:08:23 | |
your body logo...is what I'll call it. Body logo. | 0:08:23 | 0:08:26 | |
I like the fact you had it at the beginning, | 0:08:26 | 0:08:28 | |
then you finished with it at the end. | 0:08:28 | 0:08:30 | |
Like... | 0:08:30 | 0:08:31 | |
that, all right? | 0:08:31 | 0:08:33 | |
Well done, lads. | 0:08:33 | 0:08:35 | |
Well done, well done! | 0:08:35 | 0:08:37 | |
What was the best thing the judges said? | 0:08:37 | 0:08:39 | |
Well, they, kind of, like, said we could be, like, recognised, | 0:08:39 | 0:08:42 | |
like the, "body logo." | 0:08:42 | 0:08:44 | |
"Body logo." | 0:08:44 | 0:08:46 | |
Watch out for this next crew, you might be in for a shock. | 0:08:49 | 0:08:53 | |
It's Voltage! | 0:08:53 | 0:08:55 | |
ALL: We're Voltage and we're from Bristol. | 0:08:55 | 0:08:59 | |
-Feel like you can take everyone on? -ALL: Yeah! | 0:09:00 | 0:09:03 | |
Does anyone have any tricks up their sleeve, or is it straight-up dance? | 0:09:03 | 0:09:07 | |
We've got a couple of tricks, but... | 0:09:07 | 0:09:09 | |
-He's going to keep that one up his sleeve. -Yeah! | 0:09:09 | 0:09:11 | |
We'll be watching out here. | 0:09:11 | 0:09:13 | |
MUSIC: "Lose Control" by Missy Elliott | 0:09:22 | 0:09:24 | |
# Voltage! # | 0:09:41 | 0:09:43 | |
DUBSTEP MUSIC | 0:09:43 | 0:09:45 | |
# Timewarp complete Ready for transmission. # | 0:09:55 | 0:10:00 | |
That dubstep section, that music is going mad. | 0:10:18 | 0:10:22 | |
It's crazy. There's bits in there you can hit. | 0:10:22 | 0:10:25 | |
Try and hit those if you can. | 0:10:25 | 0:10:27 | |
# Baaaa, babababa-baa-baap. Babababa-baa. # | 0:10:27 | 0:10:30 | |
If you guys can hit that like, it's very entertaining to watch. | 0:10:30 | 0:10:35 | |
Sometimes you threw away the movements. At points, it was lost, | 0:10:35 | 0:10:39 | |
but I could see it. I was like, "Oh, that was really good." | 0:10:39 | 0:10:43 | |
When you get to that position, hold it. Your arms should be killing, | 0:10:43 | 0:10:46 | |
you should be aching because you're using your muscles. | 0:10:46 | 0:10:50 | |
The more you use it, the stronger you'll get. You'll just get better. | 0:10:50 | 0:10:54 | |
So is there anything that they gave you to take away | 0:10:54 | 0:10:58 | |
-and think about and work on? -They said put more energy into it | 0:10:58 | 0:11:02 | |
-and be more confident. -The energy levels were brilliant. | 0:11:02 | 0:11:06 | |
I have to say, the energy was great. | 0:11:06 | 0:11:09 | |
They may look angelic, | 0:11:12 | 0:11:13 | |
but these girls are a force to be reckoned with. | 0:11:13 | 0:11:16 | |
-Hoping to dazzle the judges, it's D*FY. -..E...F...Y! Woo! | 0:11:16 | 0:11:22 | |
We're D*FY and we're from Telford. | 0:11:22 | 0:11:25 | |
Where does the name D*FY come from? | 0:11:25 | 0:11:27 | |
D*FY basically comes from... | 0:11:27 | 0:11:30 | |
-SHE MIMICS GIRL -..comes from like we're defying | 0:11:30 | 0:11:34 | |
all the people that never believed in us and thought that... | 0:11:34 | 0:11:37 | |
THEY LAUGH | 0:11:37 | 0:11:38 | |
..and thought that we couldn't do well. | 0:11:38 | 0:11:40 | |
We're trying to prove them wrong. | 0:11:40 | 0:11:42 | |
MUSIC: "Fabolous" by Brooklyn | 0:11:51 | 0:11:54 | |
Go on, girls! | 0:11:57 | 0:11:59 | |
MUSIC: "Hit The Lights" by Jay Sean | 0:12:04 | 0:12:08 | |
Your shapes in the tutting section...sick. | 0:12:25 | 0:12:29 | |
She's wicked. | 0:12:34 | 0:12:36 | |
You guys are so mature and so feminine. It was brilliant. | 0:12:57 | 0:13:01 | |
You're so strong as a unit. It's great to see. | 0:13:01 | 0:13:04 | |
You had the femmes style, voguing, popping, house, | 0:13:04 | 0:13:08 | |
so many different elements, so clean, | 0:13:08 | 0:13:10 | |
and you all dance the same which is great. | 0:13:10 | 0:13:13 | |
You attacked it. When you came on, we were like, "Aw, they're sweet," | 0:13:13 | 0:13:17 | |
and then all of a sudden, we go, "Ooh, whoa!" | 0:13:17 | 0:13:21 | |
One thing I would say, with regard to the house, | 0:13:21 | 0:13:24 | |
just make it a bit bigger. I can see it's an area that you're new to, | 0:13:24 | 0:13:29 | |
and it's fresh. Take your steps, ba-ba-BA, boom boom BOOM, | 0:13:29 | 0:13:32 | |
-go with the steps, go with the music. -Three words that come to mind. | 0:13:32 | 0:13:36 | |
Fierce, daring, physical. Those things definitely come to mind. | 0:13:36 | 0:13:42 | |
It felt very eclectic, in the feel of the set. | 0:13:42 | 0:13:46 | |
It started very hardcore, then went commercial, | 0:13:46 | 0:13:49 | |
and then from that, I started to see hip-hop technique. | 0:13:49 | 0:13:52 | |
And for me, D*FY, you defied it today. Definitely. | 0:13:52 | 0:13:57 | |
You made sure that you defined why you're here. Well done. | 0:13:57 | 0:14:01 | |
THEY SQUEAL | 0:14:01 | 0:14:03 | |
Well done, girls. Well done. Oh, well done. | 0:14:03 | 0:14:08 | |
The crews we've seen so far have been incredible. | 0:14:08 | 0:14:11 | |
Here's a look back at their performances. | 0:14:11 | 0:14:15 | |
Masters Of Motion from Essex. | 0:14:15 | 0:14:17 | |
Ffres from Port Talbot. | 0:14:18 | 0:14:21 | |
Voltage from Bristol. | 0:14:23 | 0:14:26 | |
And from Telford, D*FY. | 0:14:26 | 0:14:28 | |
This crew are a bunch of confident individuals, | 0:14:34 | 0:14:38 | |
each with a speciality of their own. They dream about performing | 0:14:38 | 0:14:42 | |
-every day in true Ninja style. -We're the Ninjas from Essex! Hyaaa! | 0:14:42 | 0:14:48 | |
What can we expect to see today? Tricks? | 0:14:48 | 0:14:51 | |
-Yeah, we've got a lot of tricks. -That's the stunt man. | 0:14:51 | 0:14:55 | |
-Are we ready to do this? -ALL: -Yeah! -Give me your best Ninja pose. | 0:14:55 | 0:14:58 | |
-Hyaaaa! -Now get in there and show me how it's done. Ninjas! | 0:14:58 | 0:15:04 | |
You guys have so much character. All your swagger's great. | 0:15:35 | 0:15:39 | |
Your costumes are great. I was just entertained the whole way through. | 0:15:39 | 0:15:43 | |
MUSIC: "Pass Out" by Tinie Tempah | 0:15:43 | 0:15:46 | |
It was sick! | 0:16:09 | 0:16:10 | |
-Yes! -It actually was sick. | 0:16:10 | 0:16:12 | |
Like, the krump section at the beginning, there, | 0:16:12 | 0:16:17 | |
and the other krump section here, | 0:16:17 | 0:16:19 | |
I was close to getting out my seat and joining you guys. | 0:16:19 | 0:16:22 | |
I was about this close. Kenrick can probably vouch for me on that. | 0:16:22 | 0:16:26 | |
Technically, with regards to your locking, your krump | 0:16:26 | 0:16:29 | |
and your waving, really practise on those things, | 0:16:29 | 0:16:32 | |
because your performance, no-one can knock you for that, | 0:16:32 | 0:16:35 | |
but those little things, if there's too many it becomes a problem. | 0:16:35 | 0:16:39 | |
That was very good. | 0:16:39 | 0:16:40 | |
ALL: Hyaaa! | 0:16:40 | 0:16:43 | |
JUDGES LAUGH | 0:16:44 | 0:16:46 | |
THEY CHEER | 0:16:47 | 0:16:49 | |
That was so good! | 0:16:52 | 0:16:53 | |
It was amazing! | 0:16:55 | 0:16:56 | |
Their motto is, "Strengthen your wings to fly." | 0:17:01 | 0:17:04 | |
And this next crew are hoping to soar above the competition today. | 0:17:04 | 0:17:08 | |
ALL: We're Most Wanted and we're from Portsmouth! | 0:17:08 | 0:17:11 | |
What is your specific style that's unique to Most Wanted? | 0:17:12 | 0:17:16 | |
In the group, we have different strengths. | 0:17:16 | 0:17:18 | |
So we have the divas of the group... | 0:17:18 | 0:17:20 | |
Who's the divas? Who's the...? | 0:17:20 | 0:17:22 | |
THEY LAUGH | 0:17:22 | 0:17:26 | |
MUSIC: "Toxic" by Britney Spears | 0:17:35 | 0:17:37 | |
They mean business. | 0:17:46 | 0:17:48 | |
MUSIC: "Hypest Hype" by Chase & Status | 0:17:49 | 0:17:52 | |
MUSIC: "Red Alert" by Basement Jaxx | 0:18:09 | 0:18:12 | |
EVIL LAUGH, ORGAN PLAYS | 0:18:26 | 0:18:28 | |
SCREAM | 0:18:30 | 0:18:31 | |
SHE LAUGHS | 0:18:33 | 0:18:35 | |
I like you guys cos you have a lot of character | 0:18:36 | 0:18:39 | |
and you're confident, which is great with female performers. | 0:18:39 | 0:18:42 | |
You held your own ground. | 0:18:42 | 0:18:44 | |
You guys have a mad energy on stage. | 0:18:44 | 0:18:47 | |
There's like a slight bit of a krump section that you guys have. | 0:18:47 | 0:18:50 | |
You're actually scaring me. | 0:18:50 | 0:18:53 | |
Especially, madam, the X. | 0:18:53 | 0:18:56 | |
See, yep, I'm leaving after this. | 0:18:57 | 0:18:59 | |
Well done, ladies. Focus on the locking technique. | 0:18:59 | 0:19:03 | |
Clean up on your locking, the points, and get down more funky | 0:19:03 | 0:19:06 | |
so there's a differentiation between your street dance routines, | 0:19:06 | 0:19:10 | |
and your locking. | 0:19:10 | 0:19:11 | |
Yous lot took the stage and it was really nice. | 0:19:11 | 0:19:13 | |
-ALL: Thank you! -Yeah. Thank you very much, ladies. | 0:19:13 | 0:19:16 | |
THEY SCREAM | 0:19:16 | 0:19:19 | |
Well done, girls. | 0:19:21 | 0:19:23 | |
This break crew have been practising five times a week in preparation. | 0:19:27 | 0:19:32 | |
They're dedicated and say their bite is louder than their bark. | 0:19:32 | 0:19:36 | |
ALL: We're Bite Us, and we're from Leicestershire. | 0:19:36 | 0:19:39 | |
-Are you bringing something unique to the table? -ALL: Yes. | 0:19:39 | 0:19:42 | |
-Show what you've got. Are you ready to win? Can you do it? -Yeah. | 0:19:42 | 0:19:45 | |
-Going to do it for Leicestershire? -Yeah. | 0:19:45 | 0:19:47 | |
-All right, guys. Best of luck. -Thank you. -See you when you come back out. | 0:19:47 | 0:19:51 | |
MUSIC: "Good Times" by Roll Deep featuring Jodie Connor | 0:20:01 | 0:20:04 | |
MUSIC: "DJ Got Us Fallin' In Love" by Usher featuring Pitbull | 0:20:25 | 0:20:29 | |
Girl, when you come forwards, doing that whacking bit, there, whack away! | 0:20:53 | 0:20:57 | |
Right? Give it that power. | 0:20:57 | 0:21:00 | |
"I'm going to take control of the stage, this is my light, right there. | 0:21:00 | 0:21:04 | |
"I'm going to take it." Show that power. | 0:21:04 | 0:21:06 | |
I thought it was good but don't be afraid to show off, you know? | 0:21:06 | 0:21:10 | |
As dancers, we show off. We like to show off our skills | 0:21:10 | 0:21:13 | |
cos that's what we've been given. | 0:21:13 | 0:21:14 | |
Your neck isolation, your neck was gone. | 0:21:14 | 0:21:17 | |
Head was down there, neck was up there. | 0:21:17 | 0:21:21 | |
-Well done, guys. -Thank you. -How you feeling? | 0:21:24 | 0:21:28 | |
That was amazing. | 0:21:28 | 0:21:29 | |
Finally, they love to perform and describe themselves as fun, | 0:21:34 | 0:21:37 | |
hard-working and shy. Well, until they get on the stage. | 0:21:37 | 0:21:41 | |
ALL: Hi, we're G25, and we're from Manchester. | 0:21:41 | 0:21:46 | |
It's nice to see another female group. Have you got any tricks? | 0:21:46 | 0:21:49 | |
We've not got that many tricks and flips, because we want to bring dance | 0:21:49 | 0:21:54 | |
to the competition. | 0:21:54 | 0:21:55 | |
You seem shy. I'm sure you'll come alive out there. | 0:21:55 | 0:21:58 | |
I want to wish you lots of luck, girls. | 0:21:58 | 0:22:01 | |
MUSIC: "Baby" by Justin Bieber | 0:22:11 | 0:22:15 | |
I want to learn those routines, it was that good. | 0:22:39 | 0:22:42 | |
MUSIC: "What It Is" by Sophia Fresh featuring Kanye West | 0:22:42 | 0:22:47 | |
You're so stylised and you have such a good swagger | 0:23:11 | 0:23:14 | |
when you're dancing and just so confident. | 0:23:14 | 0:23:16 | |
I love the fact, at the beginning, you started off with that song | 0:23:16 | 0:23:20 | |
and I thought, "Aw, they're cute." | 0:23:20 | 0:23:22 | |
And then, like, bam! | 0:23:22 | 0:23:23 | |
You came in with all your attitude and it was great. | 0:23:23 | 0:23:26 | |
You guys... YOU GUYS are ridonculous. | 0:23:26 | 0:23:31 | |
You guys can take out a lot of adult dancers in this world, I would say. | 0:23:31 | 0:23:37 | |
-Thank you. -You... Mmm-hmm. | 0:23:37 | 0:23:39 | |
Go on, Ken. | 0:23:40 | 0:23:41 | |
Ladies, that was really good. There's a level of maturity | 0:23:41 | 0:23:45 | |
in how yous lot perform. A professionalism that is very good, | 0:23:45 | 0:23:48 | |
-so just keep it up. -ALL: Thank you. | 0:23:48 | 0:23:51 | |
-What was the best thing the judges said? -We're very pleased | 0:23:51 | 0:23:55 | |
because Turbo said we could rival a lot of adult groups. | 0:23:55 | 0:23:58 | |
I like it. "You guys are ridonculous!" | 0:23:58 | 0:24:00 | |
THEY LAUGH | 0:24:00 | 0:24:02 | |
The judges know there are just five places left in the heats. | 0:24:06 | 0:24:09 | |
Three of our crews will have to leave the show for good. | 0:24:09 | 0:24:12 | |
The decision is theirs. | 0:24:12 | 0:24:14 | |
It's last dance saloon for three of our crews. | 0:24:15 | 0:24:18 | |
Here's a reminder of all eight performances. | 0:24:18 | 0:24:21 | |
Earlier you saw Masters Of Motion from Essex. | 0:24:21 | 0:24:24 | |
Ffres, from Port Talbot. | 0:24:25 | 0:24:27 | |
Voltage, from Bristol. | 0:24:30 | 0:24:33 | |
D*fy, from Telford. | 0:24:37 | 0:24:39 | |
And then you saw Ninjas from Basildon. | 0:24:39 | 0:24:42 | |
Most Wanted from Portsmouth. | 0:24:44 | 0:24:46 | |
Bite Us from Leicestershire. | 0:24:46 | 0:24:49 | |
And from Manchester, G25. | 0:24:51 | 0:24:53 | |
-I really like these guys. -They shocked me. | 0:24:58 | 0:25:01 | |
They were powerful on stage. | 0:25:01 | 0:25:03 | |
-The fire, the fierceness, came out from these guys. -Yeah. | 0:25:03 | 0:25:06 | |
-I think yes for them. We can put them through. -Cool. | 0:25:06 | 0:25:10 | |
We're hoping that the way we chose our theme will make us stand out. | 0:25:10 | 0:25:13 | |
We got good results, good feedback | 0:25:13 | 0:25:17 | |
so we'll take that on board | 0:25:17 | 0:25:18 | |
and try to bring it back, but better, if we do get through. | 0:25:18 | 0:25:21 | |
-I'm very doubtful of these. -Yes, I agree as well. | 0:25:21 | 0:25:25 | |
I think they need more as well. They need nurturing, as well. | 0:25:25 | 0:25:29 | |
Yeah, they need... | 0:25:29 | 0:25:31 | |
I think we should talk about these girls cos they were serious. | 0:25:31 | 0:25:36 | |
-They scared me. -Yeah. -They were really serious. | 0:25:36 | 0:25:38 | |
-Cos they were talented. -Very. | 0:25:38 | 0:25:40 | |
-We're feeling quite nervous and excited at the same time. -Yeah. | 0:25:40 | 0:25:44 | |
Now, we're just nervous. | 0:25:44 | 0:25:46 | |
Boys versus girls. | 0:25:46 | 0:25:48 | |
I'm going to say it straight - they eat them. | 0:25:48 | 0:25:51 | |
-For breakfast, lunch... -And dinner. | 0:25:52 | 0:25:54 | |
-Yeah. -And a snack. | 0:25:54 | 0:25:56 | |
-We're ready to decide? -Yep. -Yep. | 0:25:56 | 0:25:59 | |
This is our final five. | 0:25:59 | 0:26:00 | |
Going once... | 0:26:00 | 0:26:03 | |
going twice... | 0:26:03 | 0:26:04 | |
OK... | 0:26:08 | 0:26:09 | |
-No, that's it. -Three times, done. End of story. Thank you very much, guys. | 0:26:09 | 0:26:13 | |
Thank you very much. | 0:26:13 | 0:26:14 | |
The judges have reached a decision. | 0:26:14 | 0:26:17 | |
Let's find out which of our crews have made it through. | 0:26:17 | 0:26:20 | |
The crews securing a place in the heats are... | 0:26:20 | 0:26:23 | |
ALL: We're in the heats! Woo-hoo! | 0:26:25 | 0:26:29 | |
-We're in the heats! -ALL: Woo! | 0:26:31 | 0:26:34 | |
-We're -through -to -the -heats! Woo! | 0:26:36 | 0:26:40 | |
They performed well but, sadly, the three crews going home are... | 0:26:40 | 0:26:43 | |
Which means the last two places go to... | 0:26:48 | 0:26:51 | |
ALL: The Ninjas are in the heats! Yeah! | 0:26:52 | 0:26:55 | |
ALL: I can't believe we're through to the heats! Woo! | 0:26:57 | 0:27:01 | |
Congratulations to Masters Of Motion, Ffres, | 0:27:01 | 0:27:04 | |
D*fy, Ninjas and G25. | 0:27:04 | 0:27:06 | |
Next time, the first of our heats, and the temperature is rising. | 0:27:08 | 0:27:12 | |
Five of our crews will once again take to the stage in an attempt | 0:27:12 | 0:27:16 | |
to secure a place in the semi-finals of Alesha's Street Dance Stars. | 0:27:16 | 0:27:21 | |
Make sure you join us then. | 0:27:21 | 0:27:23 | |
We're really nervous but excited at the same time. | 0:27:30 | 0:27:32 | |
As we're the only Welsh group in the competition, | 0:27:32 | 0:27:35 | |
-hopefully we've got Wales backing us. -Yeah. | 0:27:35 | 0:27:39 | |
We're an all-girl crew so we just want to kind of... | 0:27:39 | 0:27:42 | |
-Represent the girls! -Yeah! | 0:27:42 | 0:27:44 | |
You could poke someone in the eye with this. | 0:27:44 | 0:27:46 | |
We're the next generation, because we're young, | 0:27:46 | 0:27:49 | |
and we want to be the new generation as well. | 0:27:49 | 0:27:51 |