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Last time, the Titanz secured the first spot in the Grand Final. | 0:00:02 | 0:00:07 | |
In today's dance-off, K.Allstar Youth, Base, | 0:00:09 | 0:00:13 | |
and Soul Dance Juniors will be going all-out. | 0:00:13 | 0:00:17 | |
Let's do it! | 0:00:18 | 0:00:19 | |
Only one can make it through to the Grand Final. Who will it be? | 0:00:19 | 0:00:24 | |
This is Alesha's Street Dance Stars. | 0:00:24 | 0:00:27 | |
Hello and welcome to Alesha's Street Dance Stars | 0:00:42 | 0:00:46 | |
and the second of our semifinals. | 0:00:46 | 0:00:48 | |
We have a brilliant show lined up for you today. | 0:00:48 | 0:00:50 | |
In just a few minutes' time, | 0:00:50 | 0:00:52 | |
our crews will perform two new routines. | 0:00:52 | 0:00:55 | |
Firstly, a special music challenge, | 0:00:55 | 0:00:57 | |
and secondly, a brand-new street routine. | 0:00:57 | 0:01:00 | |
Now, are you ready for this, guys? | 0:01:00 | 0:01:02 | |
AUDIENCE: Yeah! | 0:01:02 | 0:01:03 | |
Good stuff, because only one crew can go through to the Grand Final, | 0:01:03 | 0:01:07 | |
so the pressure is on. | 0:01:07 | 0:01:08 | |
Keeping the crews calm backstage today is the lovely Aidan Davis! | 0:01:08 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:15 | |
-All right? -How are you, Aidan? | 0:01:17 | 0:01:19 | |
-I'm good, I'm good. -You're looking lovely. | 0:01:19 | 0:01:22 | |
-I thought I'd put on a white shirt for a change. -Very, very smart. | 0:01:22 | 0:01:24 | |
I think the ladies in the audience are very happy you're here. | 0:01:24 | 0:01:27 | |
GIRLS SCREAM | 0:01:27 | 0:01:29 | |
-So, obviously, you've been with the crews. -Yeah. | 0:01:29 | 0:01:32 | |
-You know how they're feeling. -Yeah. | 0:01:32 | 0:01:33 | |
Do you think they're going to deliver? | 0:01:33 | 0:01:35 | |
Definitely. They're nervous but confident at the same time, | 0:01:35 | 0:01:38 | |
so I reckon they're going to smash it. | 0:01:38 | 0:01:40 | |
Thank you so much for being with us, Aidan, | 0:01:40 | 0:01:41 | |
and we'll catch up with you a bit later. Give it up for Aidan! | 0:01:41 | 0:01:44 | |
APPLAUSE | 0:01:44 | 0:01:48 | |
Right, let's get on with the show. | 0:01:48 | 0:01:50 | |
They're the ones with all the power | 0:01:50 | 0:01:51 | |
and they hold the key to the grand final. | 0:01:51 | 0:01:54 | |
Yes, that's right. It's the judges. | 0:01:54 | 0:01:56 | |
Let's take a look at what they said about today's semifinalists | 0:01:56 | 0:01:58 | |
the last time. | 0:01:58 | 0:01:59 | |
-Bang! -I don't even know what to say. | 0:02:06 | 0:02:09 | |
You five mean business. | 0:02:09 | 0:02:11 | |
You guys' tricks are nuts! | 0:02:11 | 0:02:13 | |
Like a little Buzz Lightyear! | 0:02:13 | 0:02:14 | |
You guys are all stars fo' sho'! | 0:02:18 | 0:02:21 | |
Raaa! | 0:02:21 | 0:02:23 | |
Let's welcome back our judges. | 0:02:28 | 0:02:30 | |
Go crazy for Dwayne! | 0:02:30 | 0:02:33 | |
Make some noise for Lizzie! | 0:02:36 | 0:02:37 | |
Show some love to Suzette! | 0:02:40 | 0:02:42 | |
Whoo, whoo, whoo! | 0:02:42 | 0:02:43 | |
And go ridonculous for Turbo! | 0:02:45 | 0:02:47 | |
Dwayne, this is our second semifinal. How can they impress you? | 0:02:51 | 0:02:55 | |
They've just got to bring it. Bring it. | 0:02:55 | 0:02:57 | |
Bring it on. Thank you, Dwayne. | 0:02:57 | 0:02:58 | |
As always, our judges are scoring on technique, | 0:02:58 | 0:03:01 | |
choreography and showmanship. | 0:03:01 | 0:03:02 | |
In the event of a tie, head judge Dwayne will decide who goes through. | 0:03:02 | 0:03:06 | |
Crews will be scored by our judges on both performances. | 0:03:06 | 0:03:09 | |
Their scores will be added together and only the highest-scoring crew | 0:03:09 | 0:03:12 | |
will secure a place in the Grand Final. | 0:03:12 | 0:03:15 | |
Now it's time for something a little bit different. | 0:03:15 | 0:03:17 | |
We're starting the show today with the second music challenge. | 0:03:17 | 0:03:20 | |
This time, the crews will perform a street dance routine | 0:03:20 | 0:03:23 | |
to Latin music. | 0:03:23 | 0:03:24 | |
We like to keep them on their toes! | 0:03:24 | 0:03:26 | |
Crews must lock and pop to the Latin groove | 0:03:26 | 0:03:29 | |
and lend their street dance moves to the maracas. | 0:03:29 | 0:03:32 | |
Aidan's been chatting with the first crew up today to find | 0:03:32 | 0:03:36 | |
if they're locked into a bongo beat. It's K.Allstar Youth! | 0:03:36 | 0:03:40 | |
Five, six, seven, eight. | 0:03:40 | 0:03:41 | |
All stars! | 0:03:41 | 0:03:44 | |
You're through to the semifinal. How does it feel? | 0:03:44 | 0:03:46 | |
It feels really, really good, but we've got hard competition, | 0:03:46 | 0:03:50 | |
so we're just working really, really hard. | 0:03:50 | 0:03:52 | |
Has it been fun doing Latin? | 0:03:52 | 0:03:54 | |
I've found it fun, because you're always wiggling your bum. | 0:03:54 | 0:03:57 | |
# Early in the morning | 0:04:02 | 0:04:03 | |
# When she's all alone | 0:04:03 | 0:04:06 | |
# I'mma take my time | 0:04:06 | 0:04:08 | |
# Do it how we want it | 0:04:08 | 0:04:09 | |
# Just to set the mood, girl | 0:04:09 | 0:04:11 | |
# Gonna bust some Marvin Gaye And Chardonnay | 0:04:11 | 0:04:14 | |
# Hold up, hold up, hold up | 0:04:16 | 0:04:19 | |
# Hold up, hold up, hold up | 0:04:19 | 0:04:21 | |
# Hold up, yeah | 0:04:21 | 0:04:22 | |
# She love the way | 0:04:22 | 0:04:24 | |
# So good she won't put | 0:04:24 | 0:04:26 | |
# Bottom line is, you the finest | 0:04:27 | 0:04:31 | |
# Gave you a new name | 0:04:31 | 0:04:33 | |
# My | 0:04:33 | 0:04:34 | |
# Hold up, hold up, whoa there | 0:04:34 | 0:04:36 | |
# Come on, shake your body, baby Do the conga | 0:04:36 | 0:04:39 | |
# I know you can't control yourself Any longer | 0:04:39 | 0:04:42 | |
# Come on, shake your body, baby Do the conga | 0:04:42 | 0:04:44 | |
# I know you can't control yourself Any longer | 0:04:44 | 0:04:46 | |
# Come on, shake your body, baby Do the conga | 0:05:00 | 0:05:02 | |
# I know you can't control yourself Any longer | 0:05:02 | 0:05:05 | |
# Feel the rhythm of the music Getting stronger | 0:05:05 | 0:05:07 | |
# Don't you fight it till you try To do that conga. # | 0:05:07 | 0:05:10 | |
APPLAUSE | 0:05:11 | 0:05:14 | |
That was fantastic! | 0:05:15 | 0:05:17 | |
-I love the outfits. How long did it take you to make them? -Long. | 0:05:17 | 0:05:20 | |
Long? You look brilliant. Shall we see what the judges thought? | 0:05:20 | 0:05:24 | |
OK. Lizzie, were you impressed with that? | 0:05:24 | 0:05:27 | |
Great, guys. It was a great start to the show. I'm really happy with it. | 0:05:27 | 0:05:31 | |
You used the whole stage, and at the beginning, | 0:05:31 | 0:05:33 | |
for me, I think it would have been nice | 0:05:33 | 0:05:35 | |
if you integrated a bit more Latin with the street dance. | 0:05:35 | 0:05:38 | |
Both were very, very strong, and I'm really interested to see | 0:05:38 | 0:05:41 | |
what your street dance routine is going to be like. | 0:05:41 | 0:05:44 | |
Brilliant, thank you, Lizzie. | 0:05:44 | 0:05:46 | |
Turbo, what did you think? | 0:05:47 | 0:05:49 | |
Guys, a very, very, very good show. | 0:05:49 | 0:05:52 | |
Very good show. As in, I could watch you guys on stage. | 0:05:52 | 0:05:55 | |
I would pay to watch a performance like that, | 0:05:55 | 0:05:57 | |
because you guys really brought it out. | 0:05:57 | 0:06:00 | |
You really gave it to us. I could watch that over and over again. | 0:06:00 | 0:06:03 | |
That's lovely. Thanks, Turbo. | 0:06:03 | 0:06:06 | |
Make some noise for the K.Allstar Youth! | 0:06:06 | 0:06:08 | |
Next up is the crew who really like a challenge, | 0:06:10 | 0:06:13 | |
so this could be right up their street. | 0:06:13 | 0:06:16 | |
Swapping break beat for the bachata - | 0:06:16 | 0:06:18 | |
a Latin type of music - it's Base! | 0:06:18 | 0:06:20 | |
Base! | 0:06:22 | 0:06:23 | |
First of all, you are through to the semifinal. How do you feel about it? | 0:06:25 | 0:06:28 | |
I'm just shocked that we got through to the semifinal. | 0:06:28 | 0:06:31 | |
We've put so much effort into this, and our hard work has paid off. | 0:06:31 | 0:06:33 | |
So, you've been given the Latin theme. | 0:06:33 | 0:06:37 | |
Would you say your rehearsals have been fun or too hard? | 0:06:37 | 0:06:40 | |
Sometimes they can be too hard. Most of the time it's fun. | 0:06:42 | 0:06:45 | |
# Bamboleo, bambolea | 0:07:00 | 0:07:02 | |
# Porque mi vida Yo la prefiero vivir asi | 0:07:04 | 0:07:07 | |
# Bamboleo, bambolea | 0:07:10 | 0:07:13 | |
# Porque mi vida Yo la prefiero vivir asi | 0:07:13 | 0:07:17 | |
# Here and now, Let's get this straight | 0:07:25 | 0:07:27 | |
# Boogaloo, baby, I made it great | 0:07:29 | 0:07:32 | |
# Because I gave it the Latin beat | 0:07:32 | 0:07:36 | |
# You know, child I'm kind of hard to beat | 0:07:36 | 0:07:39 | |
# Just to make your feet to skate | 0:07:39 | 0:07:43 | |
# Pick up your arms And make them shake | 0:07:43 | 0:07:46 | |
# Come on, shake your body, baby Do the conga | 0:07:55 | 0:07:57 | |
# I know you can't control yourself Any longer | 0:07:57 | 0:07:59 | |
# Feel the rhythm of the music Getting stronger | 0:07:59 | 0:08:01 | |
# Don't you fight it till you tried To do that conga. # | 0:08:01 | 0:08:04 | |
Oh, that was so good! | 0:08:08 | 0:08:10 | |
Suzette, did they make that look easy, or what? | 0:08:10 | 0:08:12 | |
Yes! That's what it's all about! | 0:08:12 | 0:08:16 | |
You guys listened to what the whole brief was about. | 0:08:20 | 0:08:22 | |
The whole Latin thing with the whole street. | 0:08:22 | 0:08:24 | |
You guys listened, and I loved that. | 0:08:24 | 0:08:27 | |
At the beginning, you've got little Zorro in the middle. | 0:08:27 | 0:08:30 | |
Know what I mean? | 0:08:30 | 0:08:32 | |
You guys did the house, with the music, | 0:08:32 | 0:08:34 | |
and then you guys did the popping, | 0:08:34 | 0:08:36 | |
and you guys did the whacking, | 0:08:36 | 0:08:39 | |
and then you, sir, did the krumping! | 0:08:39 | 0:08:42 | |
The krumping! | 0:08:42 | 0:08:44 | |
Who would have thought that you could mix krumping | 0:08:44 | 0:08:47 | |
with the Latin music? That was so good, that was amazing. | 0:08:47 | 0:08:51 | |
Fantastic start. | 0:08:51 | 0:08:52 | |
Thank you, Suzette. | 0:08:52 | 0:08:54 | |
Dwayne. | 0:08:54 | 0:08:56 | |
You really embraced the challenge. | 0:08:56 | 0:08:57 | |
First and foremost, let's just say, | 0:08:57 | 0:08:59 | |
the challenge that we set you, you did it. | 0:08:59 | 0:09:02 | |
The humour, just the fact that he was playing his little piano, | 0:09:02 | 0:09:05 | |
just playing, I was like, "Oh, look at little Stevie!" | 0:09:05 | 0:09:09 | |
I'm not going to say any more apart from well done, ace stuff. | 0:09:10 | 0:09:13 | |
Oh, that's nice! | 0:09:13 | 0:09:15 | |
Thank you, Dwayne. | 0:09:15 | 0:09:16 | |
Lizzie, what did you think? | 0:09:16 | 0:09:18 | |
Yeah, it was fantastic. | 0:09:18 | 0:09:19 | |
Just the way that you integrated house with the Latin, because | 0:09:19 | 0:09:23 | |
house is mainly about footwork, and so is Latin, so you managed | 0:09:23 | 0:09:25 | |
to put them together, which was perfect. | 0:09:25 | 0:09:28 | |
Each and everyone of you are all strong, so just be more confident. | 0:09:28 | 0:09:31 | |
I can't wait to see your street dance routine. | 0:09:31 | 0:09:33 | |
Excellent. Thank you so much, judges. Give it up for Base! | 0:09:33 | 0:09:37 | |
This next crew impressed our judges with their creativity, | 0:09:40 | 0:09:43 | |
so let's hope it comes in handy today. | 0:09:43 | 0:09:46 | |
Locking to the Latin pop, it's Soul Dance Juniors! | 0:09:46 | 0:09:49 | |
Soul Dance Juniors! | 0:09:50 | 0:09:53 | |
You're through to the semifinal. How do you feel about that? | 0:09:53 | 0:09:56 | |
We're really excited. We just can't wait to get out there and perform. | 0:09:56 | 0:09:59 | |
So, you've been given the Latin theme. Are you excited to do it? | 0:09:59 | 0:10:02 | |
Yeah, like, we found it a change, but it was really good, | 0:10:02 | 0:10:05 | |
and we feel like we can do it and we're confident about the routine. | 0:10:05 | 0:10:08 | |
# Come on, shake your body, baby Do the conga | 0:10:11 | 0:10:13 | |
# I know you can't control yourself Any longer | 0:10:13 | 0:10:15 | |
# Come on, shake your body, baby, Do the conga | 0:10:15 | 0:10:17 | |
# I know you can't control yourself Any longer | 0:10:17 | 0:10:19 | |
# Come on, shake your body, baby Do the conga | 0:10:33 | 0:10:36 | |
# I know you can't control yourself Any longer | 0:10:36 | 0:10:39 | |
# Feel the rhythm of the music Getting stronger | 0:10:39 | 0:10:40 | |
# Don't you fight it till you tried To do that conga beat. # | 0:10:40 | 0:10:44 | |
Well done! | 0:11:15 | 0:11:17 | |
Well done, guys. | 0:11:17 | 0:11:18 | |
Turbo, where you feeling the Latin vibes? | 0:11:18 | 0:11:21 | |
I was feeling it the beginning, that intro bit, where you guys | 0:11:21 | 0:11:24 | |
came out individually, like "Hey, this is me!" | 0:11:24 | 0:11:26 | |
I saw, individually, you guys had your own little flavour on it. | 0:11:26 | 0:11:29 | |
One thing I would have liked to have seen was a routine all together, | 0:11:29 | 0:11:33 | |
probably a little bit longer, | 0:11:33 | 0:11:34 | |
and fuse the street dance with the Latin a little bit more. | 0:11:34 | 0:11:37 | |
Other than that, I love the way you use each other. | 0:11:37 | 0:11:40 | |
When it comes to the point when you started to walk across, | 0:11:40 | 0:11:43 | |
the little flipping, you, | 0:11:43 | 0:11:45 | |
you're talking to every single girl in the line. I see! | 0:11:45 | 0:11:48 | |
Thanks, Turbo. | 0:11:48 | 0:11:49 | |
Lizzie. | 0:11:49 | 0:11:50 | |
I can see what you were trying to create. | 0:11:50 | 0:11:52 | |
For me, it was a bit of an intro, and then I was waiting for the rest, | 0:11:52 | 0:11:55 | |
and then you don't have as long to do it, because when you guys | 0:11:55 | 0:11:59 | |
were doing that amazing pas-de-deux section where, instead of doing | 0:11:59 | 0:12:03 | |
Latin, you were doing more hip-hop or more breaking, lifts and stuff, | 0:12:03 | 0:12:06 | |
which is brilliant, and I take my hat off because they're very hard, | 0:12:06 | 0:12:09 | |
what you guys were doing, but I think if you guys had done that | 0:12:09 | 0:12:12 | |
in the centre, and the other guys were enhancing it on the side by | 0:12:12 | 0:12:16 | |
doing street moves, it would have just made it more of a piece, | 0:12:16 | 0:12:19 | |
rather than an intro, but other than that, great effort, well done. | 0:12:19 | 0:12:22 | |
Well done, guys. I thought you were fabulous. | 0:12:22 | 0:12:25 | |
Let's hear it for the Soul Dance Juniors! | 0:12:25 | 0:12:27 | |
All three semifinalists have batted it out to the Bolera - Latin music. | 0:12:29 | 0:12:33 | |
While we verify the scores, | 0:12:33 | 0:12:35 | |
here's a quick look back at the Latin performances. | 0:12:35 | 0:12:38 | |
All of our crews have done brilliantly well. | 0:13:02 | 0:13:05 | |
The judges have scored them for their Latin music performance | 0:13:05 | 0:13:09 | |
and those points will be added to their score at the end of the show. | 0:13:09 | 0:13:12 | |
Do you want to see some street dance? | 0:13:12 | 0:13:13 | |
AUDIENCE: Yeah! | 0:13:13 | 0:13:15 | |
Me, too. The crews will now perform a brand-new street routine. | 0:13:15 | 0:13:18 | |
First up, their performance was described by Turbo as | 0:13:18 | 0:13:21 | |
"beyond ridonculous" at the qualifiers. | 0:13:21 | 0:13:24 | |
So Dwayne went to Essex to watch them perfect their technique. | 0:13:24 | 0:13:27 | |
That's right, it's the K.Allstar Youth! | 0:13:27 | 0:13:30 | |
Hello, guys! | 0:13:30 | 0:13:31 | |
SCREAMS | 0:13:31 | 0:13:32 | |
-Oh, my gosh, you lot scream. Ready for the masterclass? -Yeah! | 0:13:32 | 0:13:36 | |
These guys were so good, I can't wait to see them today. | 0:13:36 | 0:13:38 | |
-Are you guys feeling good? -Yeah. | 0:13:38 | 0:13:40 | |
-Are you ready to dance for me? -Yeah! | 0:13:40 | 0:13:42 | |
Yeah? Are you going to teach me something? | 0:13:42 | 0:13:44 | |
Yeah. | 0:13:44 | 0:13:45 | |
We'll be back. | 0:13:45 | 0:13:48 | |
K.Allstar Youth, in the qualifiers, were just amazing. | 0:13:48 | 0:13:52 | |
They were just so on point, clean, precise. | 0:13:52 | 0:13:54 | |
The best way I feel they can use what I taught them today | 0:13:54 | 0:13:57 | |
is to be creative. | 0:13:57 | 0:13:59 | |
Be yourself on the stage. That's what I want. | 0:13:59 | 0:14:01 | |
Again, let's go again! | 0:14:01 | 0:14:03 | |
I really enjoyed seeing these guys today. | 0:14:03 | 0:14:05 | |
I can't wait to see them in the semis. | 0:14:05 | 0:14:06 | |
Yeah, that is nice. I love that, too. | 0:14:06 | 0:14:09 | |
I want to see them excel, and be better than themselves. | 0:14:09 | 0:14:12 | |
I can't wait. | 0:14:12 | 0:14:13 | |
As they say in Spanish, gracias. | 0:14:13 | 0:14:15 | |
# Raah, raah, like a dungeon dragon | 0:14:18 | 0:14:21 | |
# Raah, raah, like a dungeon dragon | 0:14:21 | 0:14:23 | |
# Raah, raah, like a dungeon dragon | 0:14:23 | 0:14:24 | |
# Like a dungeon dragon Like a dungeon dragon | 0:14:24 | 0:14:27 | |
# I am not Jasmine, I am Aladdin | 0:14:27 | 0:14:28 | |
# So far ahead, I am Aladdin | 0:14:28 | 0:14:31 | |
# See me in that new thing, things is | 0:14:31 | 0:14:33 | |
# I'm startin' to feel Like a dungeon dragon | 0:14:33 | 0:14:35 | |
# Raah, raah, like a dungeon dragon | 0:14:35 | 0:14:37 | |
# I'm startin' to feel Like a dungeon dragon | 0:14:37 | 0:14:40 | |
# Look at my show footage How these girls ... | 0:14:40 | 0:14:42 | |
# I look like gettin' back to ... | 0:14:42 | 0:14:44 | |
# Yeah, I said it ... | 0:14:44 | 0:14:47 | |
# Hang it up, flatscreen | 0:14:47 | 0:14:49 | |
# Plasma Hey, Nicki, hey, Nicki, plasma | 0:14:49 | 0:14:52 | |
# I got the pumps It ain't got medicine | 0:14:52 | 0:14:55 | |
# I got bars, Xenocin | 0:14:55 | 0:14:57 | |
# I'm a bad ... I'm a ... | 0:14:57 | 0:14:59 | |
# And I'll kick that ... Ow! | 0:14:59 | 0:15:01 | |
# You need a job This ain't cuttin' it | 0:15:06 | 0:15:08 | |
# Nicki Minaj is who you ain't ... | 0:15:08 | 0:15:11 | |
# You li'l brag a lot You with a pad-a-lock | 0:15:11 | 0:15:13 | |
# I am a movie, camera block | 0:15:13 | 0:15:14 | |
# You outta work, I know it's tough | 0:15:14 | 0:15:16 | |
# But enough is enough | 0:15:16 | 0:15:18 | |
# Raah, raah, like a dungeon dragon | 0:15:18 | 0:15:20 | |
# Raah, raah, like a dungeon dragon | 0:15:20 | 0:15:23 | |
# Raah, raah, like a dungeon dragon | 0:15:23 | 0:15:24 | |
# Like a dungeon dragon Like a dungeon dragon | 0:15:24 | 0:15:27 | |
Very, very nice. Dwayne. | 0:15:32 | 0:15:34 | |
OK, you see, what I love about you guys | 0:15:34 | 0:15:35 | |
is that you just really excite me. | 0:15:35 | 0:15:37 | |
When you guys dance, I just want to be there with you, | 0:15:37 | 0:15:40 | |
I want to be on the stage and say, "Show me!" | 0:15:40 | 0:15:44 | |
And they did. Well done, I really enjoyed that, guys. | 0:15:44 | 0:15:47 | |
Thank you. | 0:15:47 | 0:15:48 | |
Lizzie. | 0:15:49 | 0:15:51 | |
You guys rock. Like, every part of you I enjoy so much. | 0:15:51 | 0:15:57 | |
Like, I loved the bit where, at the end, | 0:15:57 | 0:15:59 | |
when you were krumping, pulled you through the arch and then bam! | 0:15:59 | 0:16:02 | |
At the end, you on top of her shoulders. | 0:16:02 | 0:16:04 | |
I didn't know that was going to happen, | 0:16:04 | 0:16:06 | |
and there's always something going on. Well done. | 0:16:06 | 0:16:08 | |
Thanks, Lizzie. Suzette. | 0:16:08 | 0:16:09 | |
Allstars! | 0:16:09 | 0:16:12 | |
Baby Nicky Minaj, yeah. You are amazing! | 0:16:12 | 0:16:16 | |
I couldn't take my eyes off you! | 0:16:16 | 0:16:17 | |
Seriously, there was a bit where you went into the middle | 0:16:19 | 0:16:21 | |
and I was just like, "Where is she? I want to see more of her!" | 0:16:21 | 0:16:24 | |
From last time when I saw you, you guys really did step it up, | 0:16:24 | 0:16:27 | |
and you guys should be really proud. | 0:16:27 | 0:16:29 | |
Yeah. Thanks, Suzette. | 0:16:29 | 0:16:31 | |
Turbo. | 0:16:31 | 0:16:32 | |
Guys, you guys really know how to perform. | 0:16:32 | 0:16:34 | |
You really know how to command that stage. | 0:16:34 | 0:16:36 | |
Your krumping, madam. Mmm, gosh! Whoo! | 0:16:36 | 0:16:41 | |
Amazing. | 0:16:41 | 0:16:42 | |
You are strong. Guys, very, very good performance. | 0:16:42 | 0:16:45 | |
I could watch you guys all day. | 0:16:45 | 0:16:47 | |
You guys are fantastic. Make some noise for the K.Allstar Youth! | 0:16:47 | 0:16:51 | |
Right, you absolutely smashed that. | 0:16:54 | 0:16:56 | |
You, you little Nicky Minaj, with your krumping, little angry face. | 0:16:56 | 0:16:59 | |
Scared me a little bit. | 0:16:59 | 0:17:01 | |
What I want to know is how much work you put into that routine. | 0:17:01 | 0:17:04 | |
Er, we put loads and loads of work into that routine. | 0:17:04 | 0:17:08 | |
We gave up so many things just to put into that routine. | 0:17:08 | 0:17:12 | |
It's really good. | 0:17:12 | 0:17:13 | |
Everyone, give it up for K.Allstar Youth! | 0:17:13 | 0:17:16 | |
Lizzie said that our next crew meant business at the qualifiers. | 0:17:18 | 0:17:21 | |
Suzette went to Kent on her best behaviour to see them | 0:17:21 | 0:17:24 | |
working on their freestyling. You guessed it, it's Base! | 0:17:24 | 0:17:28 | |
Hey, you all right? | 0:17:28 | 0:17:30 | |
You guys ready for the masterclass? | 0:17:30 | 0:17:32 | |
Base really impressed me. I can't wait to work with them again. | 0:17:32 | 0:17:35 | |
Bop! Booyah! | 0:17:35 | 0:17:36 | |
With Base, they've got the moves on lock. | 0:17:36 | 0:17:39 | |
They know the foundation really well. | 0:17:39 | 0:17:41 | |
All they just need to do is just have that confidence on stage. | 0:17:41 | 0:17:44 | |
When you guys perform, make sure you're performing, | 0:17:44 | 0:17:47 | |
you're having fun on stage. | 0:17:47 | 0:17:49 | |
Even if it's three minutes long, and you're tired, still smiling. | 0:17:49 | 0:17:52 | |
"I'm tired, I'm tired, I'm still going!" | 0:17:52 | 0:17:54 | |
I'm really impressed with the group. | 0:17:54 | 0:17:56 | |
They look as if they was having fun, which is a good thing. I love them. | 0:17:56 | 0:18:00 | |
I think they're amazing. | 0:18:00 | 0:18:01 | |
Five, six, seven, eight! Tap! | 0:18:01 | 0:18:03 | |
If they just take their time, if they just listen to their music, | 0:18:03 | 0:18:07 | |
and if they have that confidence on stage, they can go far. | 0:18:07 | 0:18:09 | |
One, two, three, Base! | 0:18:11 | 0:18:13 | |
# I see your face and stop and stare | 0:18:25 | 0:18:28 | |
# Mama, Lord knows I care | 0:18:28 | 0:18:30 | |
# So I ball so hard ... want to fine me | 0:18:40 | 0:18:43 | |
# First ... gotta find me | 0:18:43 | 0:18:44 | |
# What's 50 grand to a m... like me Can you please remind me? | 0:18:44 | 0:18:48 | |
# Ball so hard, this ... crazy | 0:18:48 | 0:18:50 | |
# Y'all don't know That don't ... faze me | 0:18:50 | 0:18:53 | |
# The Nets could go 0-82 and I look at you like ... gravy | 0:18:53 | 0:18:56 | |
# At, at, at, at, at, at night | 0:19:13 | 0:19:15 | |
# At, at, at, at, at, at night. # | 0:19:15 | 0:19:18 | |
Yes, Base, nicely done. | 0:19:23 | 0:19:25 | |
Suzette, what did you think? | 0:19:25 | 0:19:27 | |
I thought it was amazing! Yes, Base! | 0:19:27 | 0:19:30 | |
You guys are, like, the only crew, | 0:19:30 | 0:19:32 | |
for me, that knows the foundation within the whole street, | 0:19:32 | 0:19:35 | |
like, you guys, you know, you're so powerful, | 0:19:35 | 0:19:39 | |
that when you did your flips straight into the locking, | 0:19:39 | 0:19:42 | |
that was clean as. | 0:19:42 | 0:19:43 | |
You guys are just a crew that is all about power, and I love it. | 0:19:43 | 0:19:48 | |
Thanks, Suzette. Good stuff. Turbo. | 0:19:49 | 0:19:53 | |
There was no lyrics, there was no treble, it was just Base! | 0:19:53 | 0:19:57 | |
Base in the place! | 0:20:00 | 0:20:01 | |
Mister, you remind me of me when I was you. | 0:20:01 | 0:20:05 | |
Amazing, very, very strong. I enjoyed it. And your house? Yes! | 0:20:08 | 0:20:11 | |
Well done, guys. Loved it. | 0:20:11 | 0:20:13 | |
Thanks, Turbo. | 0:20:13 | 0:20:14 | |
Dwayne. | 0:20:15 | 0:20:17 | |
Do I have any critique? No. | 0:20:17 | 0:20:19 | |
So smooth, and then you do this power. | 0:20:19 | 0:20:22 | |
Where do you get this force? Where is it from? | 0:20:22 | 0:20:25 | |
The base! The base! | 0:20:25 | 0:20:27 | |
From the base! | 0:20:27 | 0:20:29 | |
You guys were great, seriously, I loved it. | 0:20:29 | 0:20:31 | |
Lizzie, what did you think? | 0:20:32 | 0:20:34 | |
The only critic I would say is that I want to see more from you, | 0:20:34 | 0:20:37 | |
because it just was a whole package, and by favourite bit was | 0:20:37 | 0:20:41 | |
the house, that is my favourite bit, and the locking was great. | 0:20:41 | 0:20:44 | |
I love it, it's great. | 0:20:44 | 0:20:45 | |
You did amazing. Guys, give it up for Base! | 0:20:45 | 0:20:47 | |
Wow, you did amazing. Suzette and Turbo mentioned about the foundation. | 0:20:50 | 0:20:53 | |
Is that something you've been working on from when you were younger? | 0:20:53 | 0:20:56 | |
We've been working on it since we were younger, but we would | 0:20:56 | 0:20:59 | |
never have been able to do it without our dance teacher, Val. | 0:20:59 | 0:21:02 | |
So, everyone, give it up for Base! | 0:21:02 | 0:21:05 | |
After qualifiers, their tricks left Lizzie a little bit speechless, | 0:21:07 | 0:21:11 | |
so Turbo went to Sheffield to see if our next crew | 0:21:11 | 0:21:13 | |
could teach him a thing or two. | 0:21:13 | 0:21:14 | |
That's right, it's the Soul Dance Juniors! | 0:21:14 | 0:21:17 | |
Soul Dance Juniors live by their name. | 0:21:20 | 0:21:23 | |
They have soul in their movements and soul in their routines. | 0:21:23 | 0:21:26 | |
I can't wait for the masterclass. | 0:21:26 | 0:21:28 | |
-Hey, guys! -Hey! | 0:21:28 | 0:21:30 | |
-Ready for your masterclass? -Yeah! | 0:21:30 | 0:21:32 | |
Let's do this. | 0:21:32 | 0:21:34 | |
What impressed me most about Soul Dance Juniors today | 0:21:34 | 0:21:37 | |
in the masterclass was the way | 0:21:37 | 0:21:39 | |
they were ready to take in information and just get on with it. | 0:21:39 | 0:21:43 | |
They were open to whatever ideas or information I had to give them. | 0:21:43 | 0:21:48 | |
I hope, after today's masterclass, that they have more execution | 0:21:48 | 0:21:51 | |
in their moves, and I hope I can see that in the semifinal. | 0:21:51 | 0:21:55 | |
Come to me, my children! | 0:21:56 | 0:21:58 | |
OK, guys, I'm shooting off, but before I go, you've got to | 0:21:58 | 0:22:01 | |
practise and execute your moves, and most of all, have fun. | 0:22:01 | 0:22:04 | |
# Can you feel it? | 0:22:08 | 0:22:09 | |
# Can you feel it? | 0:22:09 | 0:22:11 | |
# Can you feel it? | 0:22:11 | 0:22:13 | |
# Whose house? | 0:22:33 | 0:22:34 | |
# Turbo's house! | 0:22:34 | 0:22:35 | |
# I'm fly So fly-y-y | 0:22:51 | 0:22:54 | |
# I'm fly So fly-y-y | 0:22:54 | 0:22:57 | |
# I'm up in sky | 0:22:59 | 0:23:00 | |
# Like an eagle in flight | 0:23:00 | 0:23:02 | |
# I'm fly | 0:23:02 | 0:23:04 | |
# So fly-y-y. # | 0:23:04 | 0:23:05 | |
Whose house? | 0:23:10 | 0:23:11 | |
Turbo's house! | 0:23:11 | 0:23:13 | |
-Whose house? -Turbo's house! | 0:23:13 | 0:23:15 | |
Well, let's start with you, then, Turbo. | 0:23:15 | 0:23:17 | |
Since it's your house. | 0:23:17 | 0:23:19 | |
It's my house, whoo! | 0:23:19 | 0:23:20 | |
Better pay some rent! | 0:23:20 | 0:23:22 | |
Guys, well done. Like, working with you guys... | 0:23:23 | 0:23:25 | |
No, seriously, well done. | 0:23:25 | 0:23:27 | |
I can see you guys have pushed it a little bit more. | 0:23:29 | 0:23:31 | |
I would have liked to have seen you guys push it a bit further, | 0:23:31 | 0:23:34 | |
but I can see you've actually stepped up, especially with | 0:23:34 | 0:23:36 | |
your flips and tricks, you're starting to use each other, | 0:23:36 | 0:23:40 | |
you're starting to knock on, make a little story, then you're going into | 0:23:40 | 0:23:43 | |
a flip, rather than do one from nowhere, | 0:23:43 | 0:23:45 | |
so I like the fact you guys took that on board. | 0:23:45 | 0:23:47 | |
Your footwork, you need to work on that. | 0:23:47 | 0:23:49 | |
You need to work on the foundation, but with the floor section, | 0:23:49 | 0:23:52 | |
you did a variation of a floor move. Very, very impressive. | 0:23:52 | 0:23:55 | |
I'm proud of you guys. Well done. | 0:23:55 | 0:23:58 | |
Excellent. Happy with that, so far? | 0:23:58 | 0:24:02 | |
Good. Dwayne. | 0:24:02 | 0:24:03 | |
You lot have got so much energy when it comes to your flips | 0:24:03 | 0:24:06 | |
and everything else, that you're really grounded in, | 0:24:06 | 0:24:09 | |
so don't be afraid, when you're doing other styles, | 0:24:09 | 0:24:12 | |
to give it the same energy. Apart from that, it was good. | 0:24:12 | 0:24:14 | |
-I know you guys can do better, but well done. -Thank you. | 0:24:14 | 0:24:18 | |
Lizzie. | 0:24:22 | 0:24:23 | |
That was great, guys. I've definitely seen | 0:24:23 | 0:24:25 | |
a much better improvement since last time. Very, very good. | 0:24:25 | 0:24:29 | |
I think the only thing missing, for me, is the formations | 0:24:30 | 0:24:34 | |
in your choreography, because you very much stayed in a line, | 0:24:34 | 0:24:37 | |
and moved the line, which is fine, there's nothing wrong with that, | 0:24:37 | 0:24:41 | |
but I'd just like to see you guys move around the stage more, | 0:24:41 | 0:24:44 | |
and just use your stage, because you have such great tricks, | 0:24:44 | 0:24:48 | |
but the thing is, you did your locking and your house, and stuff, | 0:24:48 | 0:24:51 | |
so you're very clever at putting those in, | 0:24:51 | 0:24:54 | |
and your locking was great. | 0:24:54 | 0:24:56 | |
The cannon and the knee-drop, I loved that bit. | 0:24:56 | 0:24:58 | |
Thank you, Lizzie. | 0:24:58 | 0:25:00 | |
Followed by the lovely Suzette. | 0:25:01 | 0:25:03 | |
Everyone's said everything, so, to be honest, | 0:25:03 | 0:25:05 | |
it's just like push harder, push more. Know what I mean? | 0:25:05 | 0:25:08 | |
Yeah. Take on the judges' comments. I'm sure they will. | 0:25:08 | 0:25:10 | |
Thank you so much, judges. | 0:25:10 | 0:25:13 | |
I think you guys did amazing. | 0:25:13 | 0:25:15 | |
Guys, give it up for the Soul Dance Juniors! | 0:25:15 | 0:25:18 | |
Well done, well done. | 0:25:22 | 0:25:24 | |
First of all, Turbo said that he was very impressed. | 0:25:24 | 0:25:26 | |
Do you think that's because you did the whole "Turbo's house" thing? | 0:25:26 | 0:25:30 | |
Probably half. | 0:25:30 | 0:25:34 | |
I think we did do a good job, and we tried our best, and we've been | 0:25:35 | 0:25:38 | |
putting a lot of effort in recently, so we hope it all paid off. | 0:25:38 | 0:25:41 | |
Everyone, give it up for Soul Dance Juniors! | 0:25:41 | 0:25:44 | |
Wow, what a dance-off. | 0:25:48 | 0:25:49 | |
Weren't they all fantastic? | 0:25:49 | 0:25:51 | |
AUDIENCE CHEER | 0:25:51 | 0:25:53 | |
Amazing. While we add up the scores and verify the results, | 0:25:53 | 0:25:56 | |
here's a reminder of some of the best bits. | 0:25:56 | 0:25:58 | |
Welcome back, K.Allstar Youth! | 0:26:23 | 0:26:25 | |
Base! | 0:26:28 | 0:26:29 | |
And Soul Dance Juniors! | 0:26:31 | 0:26:33 | |
Now, remember, the points from both performances | 0:26:36 | 0:26:39 | |
have been added together. | 0:26:39 | 0:26:40 | |
The results have been checked and verified and we have a finalist. | 0:26:40 | 0:26:44 | |
The crew with the most points | 0:26:44 | 0:26:45 | |
and going through to The Grand Final of Alesha's Street Dance Stars is... | 0:26:45 | 0:26:49 | |
..Base! | 0:27:00 | 0:27:01 | |
Congratulations, guys. Well done. | 0:27:12 | 0:27:14 | |
We look forward to seeing you in the final with another routine. OK? | 0:27:15 | 0:27:18 | |
Good girl. | 0:27:18 | 0:27:20 | |
Wow, what a brilliant semifinal this has been. | 0:27:20 | 0:27:23 | |
Thank you to all the crews who took part today. | 0:27:23 | 0:27:25 | |
A massive shout out to our fabulous judges. | 0:27:25 | 0:27:28 | |
APPLAUSE | 0:27:28 | 0:27:29 | |
-And give it up for Aidan Davis -APPLAUSE | 0:27:29 | 0:27:32 | |
Join us next time to find out who will be bagging the last place | 0:27:34 | 0:27:38 | |
in the Grand Final of Alesha's Street Dance Stars 2012. | 0:27:38 | 0:27:41 | |
See you soon! | 0:27:41 | 0:27:42 | |
Coming up next time, there's only one place left in the Grand Final. | 0:27:47 | 0:27:52 | |
Legacy from Essex, Superkids from Manchester | 0:27:52 | 0:27:56 | |
and Future Pride from the Wirral will go head-to-head to try and claim it. | 0:27:56 | 0:28:01 | |
Subtitles by Red Bee Media Ltd | 0:28:01 | 0:28:03 |