Browse content similar to Tennis, Windmills and Orange Racing!. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Join your CBBC buddies on a madcap dash around the UK! | 0:00:02 | 0:00:04 | |
Ed winds up Johny. | 0:00:04 | 0:00:06 | |
Naomi gets deep. | 0:00:06 | 0:00:08 | |
I have never been this deep! | 0:00:08 | 0:00:10 | |
Iain makes a RACKET. | 0:00:10 | 0:00:11 | |
Right, come on! | 0:00:11 | 0:00:12 | |
Rani finds herself full of wind. | 0:00:12 | 0:00:14 | |
And Barney gets orange squashed! | 0:00:14 | 0:00:17 | |
# All over the place | 0:00:19 | 0:00:22 | |
# All over the place | 0:00:22 | 0:00:24 | |
# North, south, east, west On a bizarre quest | 0:00:25 | 0:00:27 | |
# Me and my mates, all over the place! | 0:00:27 | 0:00:29 | |
# It's true what you've heard, everything is absurd | 0:00:29 | 0:00:32 | |
# Whatever we do is strange but true! | 0:00:32 | 0:00:35 | |
# All over the place | 0:00:35 | 0:00:36 | |
# All over the place | 0:00:37 | 0:00:38 | |
# Bet you didn't know this stuff was in the UK | 0:00:40 | 0:00:43 | |
-# But it turns up... -..all over the place! # | 0:00:43 | 0:00:47 | |
MOBILE PHONE RINGS | 0:00:49 | 0:00:52 | |
Oh, Ed! | 0:00:52 | 0:00:54 | |
You all right, Ed Petrie, mate? | 0:00:54 | 0:00:56 | |
What? | 0:00:56 | 0:00:57 | |
Of course I'm ready to play real tennis. | 0:00:57 | 0:01:00 | |
I'm hardly going to play it in my imagination, am I? | 0:01:00 | 0:01:03 | |
TWINKLING HARPS | 0:01:03 | 0:01:05 | |
What's that? | 0:01:06 | 0:01:08 | |
Leamington Spa Tennis Club? Yeah, yeah. | 0:01:08 | 0:01:10 | |
Pick me up in about five minutes? | 0:01:10 | 0:01:12 | |
Wicked! See you, bye. | 0:01:12 | 0:01:15 | |
CAR TYRE SCREECHES Here we go! | 0:01:15 | 0:01:18 | |
Er, Ed, where's the tennis court? | 0:01:18 | 0:01:20 | |
Oh, the real tennis court's inside. | 0:01:20 | 0:01:22 | |
Oh, I'm glad the REAL tennis is in that REAL building(!) | 0:01:22 | 0:01:25 | |
Are you the real Ed Petrie? Is this a real car, mate? | 0:01:25 | 0:01:29 | |
-Is that a real headband? -Get off! | 0:01:29 | 0:01:33 | |
And this is real confusion on Iain's face. | 0:01:34 | 0:01:37 | |
Aww, bless! | 0:01:37 | 0:01:38 | |
He looks like a puppy that's just been shown a magic trick! | 0:01:38 | 0:01:42 | |
What is this place? | 0:01:42 | 0:01:44 | |
I told you, this is real tennis. | 0:01:44 | 0:01:46 | |
Real tennis is the original game of tennis. | 0:01:47 | 0:01:50 | |
It's known as the sport of kings and it was played by Henry VIII. | 0:01:50 | 0:01:55 | |
The game's been around for 700 years and it's still played today | 0:01:55 | 0:01:58 | |
in the UK, France, Australia and the US of A. | 0:01:58 | 0:02:01 | |
The rules and scoring are similar to lawn tennis, | 0:02:01 | 0:02:04 | |
but there are differences. | 0:02:04 | 0:02:06 | |
For example, you can only serve from one side of the court | 0:02:06 | 0:02:09 | |
and can hit the balls off the walls! Crazy! | 0:02:09 | 0:02:11 | |
I just wondered if you could help? | 0:02:11 | 0:02:13 | |
I brought my friend here to amaze and confuse him, | 0:02:13 | 0:02:16 | |
-but I don't know how to play myself. -OK. | 0:02:16 | 0:02:18 | |
This is Kevin, he's a professional real tennis player - | 0:02:18 | 0:02:22 | |
a special title, as there's only 6,000 in the world! | 0:02:22 | 0:02:26 | |
It's very much like squash. | 0:02:26 | 0:02:28 | |
You've got to keep the ball underneath that white line | 0:02:28 | 0:02:31 | |
and below the ceiling. | 0:02:31 | 0:02:32 | |
The rest of the game is very much more like tennis. | 0:02:32 | 0:02:35 | |
You have this net. | 0:02:35 | 0:02:36 | |
And the point-scoring at this game is exactly the same as lawn tennis. | 0:02:36 | 0:02:40 | |
The scoring might be similar, but the court isn't! | 0:02:40 | 0:02:43 | |
These lines and numbers help in the scoring system | 0:02:43 | 0:02:47 | |
and determine where the player serves the ball from. | 0:02:47 | 0:02:50 | |
A real tennis court has a very hard floor. | 0:02:50 | 0:02:53 | |
This one's made from concrete, so you guys better not fall over! | 0:02:53 | 0:02:57 | |
Oh, and they're already looking REAL competitive! | 0:02:58 | 0:03:02 | |
They're doing a proper REAL warm up. | 0:03:04 | 0:03:06 | |
I somehow think they're going to be REAL rubbish. | 0:03:06 | 0:03:10 | |
ED GRUNTS | 0:03:12 | 0:03:14 | |
The problem is this racket! It's stupid! It's out of shape. | 0:03:14 | 0:03:17 | |
It's like someone's hit it on the floor. | 0:03:17 | 0:03:19 | |
That'll be me in about ten minutes! | 0:03:19 | 0:03:21 | |
And real tennis rackets are heavier than modern ones, Ed. | 0:03:21 | 0:03:25 | |
The flat side makes it easier to hit the ball when closer to the ground, | 0:03:25 | 0:03:29 | |
although it isn't helping you! The balls are different too. | 0:03:29 | 0:03:33 | |
Look at these things! They're like weapons! | 0:03:33 | 0:03:36 | |
Look at the dodgy stitching. Look at that! I could stitch better! | 0:03:36 | 0:03:40 | |
Look how much they weigh! Watch this. No tennis ball should do this. | 0:03:40 | 0:03:44 | |
That's right, these balls aren't very bouncy | 0:03:44 | 0:03:46 | |
because they're made from cloth and wool, not rubber. | 0:03:46 | 0:03:50 | |
In normal tennis, you have to, | 0:03:50 | 0:03:51 | |
"Oh, better hit it nice, keep it in the box." | 0:03:51 | 0:03:54 | |
In this, I can hit it as high or as hard as I want | 0:03:54 | 0:03:58 | |
and the ball just bounces back in. This is amazing! | 0:03:58 | 0:04:01 | |
-Iain, come on! -Right, come on! | 0:04:01 | 0:04:04 | |
Rargh! | 0:04:05 | 0:04:07 | |
Ooh! | 0:04:09 | 0:04:10 | |
Aww! | 0:04:10 | 0:04:12 | |
-Ah! -Yeah-h-h! | 0:04:12 | 0:04:14 | |
-Good game, mate. -Good game! -Tell you what, that is difficult! | 0:04:14 | 0:04:18 | |
Real tennis is really tiring. | 0:04:18 | 0:04:20 | |
Yeah, I can't believe how quickly the ball just comes at you as well. | 0:04:20 | 0:04:24 | |
-My knees hurt from this floor. -Let's get some water. | 0:04:24 | 0:04:27 | |
-Ah, water! -I'm not surprised King Henry VIII never lost a game. | 0:04:27 | 0:04:31 | |
I wouldn't want to get on the wrong side of him! | 0:04:31 | 0:04:34 | |
WIMBLEDON THEME PLAYS | 0:04:34 | 0:04:36 | |
'Yes, welcome to Wimbledon and the match between world champion | 0:04:36 | 0:04:40 | |
'Ivan Quiteamouthfulovitch and King Henry VIII.' | 0:04:40 | 0:04:45 | |
Rargh-ah! | 0:04:45 | 0:04:46 | |
'And it looks like the King's got a problem already, John.' | 0:04:49 | 0:04:53 | |
'Yes, David, probably because his strings are still made of cat gut. | 0:04:53 | 0:04:56 | |
'Thankfully, he brought a spare cat just in case.' | 0:04:56 | 0:04:59 | |
MIAOW! Argh, argh! | 0:04:59 | 0:05:02 | |
'Oh, dear! Looks like the cat has other ideas, John. | 0:05:02 | 0:05:05 | |
'Well, he's opted for a new racket instead. | 0:05:05 | 0:05:08 | |
'And it's Henry VIII to serve.' | 0:05:08 | 0:05:10 | |
Service! I demand service! | 0:05:10 | 0:05:13 | |
'Ah! The reason we call it a serve is because the King's servant | 0:05:13 | 0:05:16 | |
'throws the ball up for him. | 0:05:16 | 0:05:19 | |
'But serving up tea and cakes as well, John? | 0:05:19 | 0:05:22 | |
'Yes, he's clearly trying to upset his opponent. | 0:05:22 | 0:05:25 | |
'Very unsportsmanlike. | 0:05:25 | 0:05:27 | |
'But now we're off!' | 0:05:27 | 0:05:30 | |
Rargh! | 0:05:32 | 0:05:33 | |
Uh-h-h-h! | 0:05:33 | 0:05:34 | |
'A terrific return from Quiteamouthfulovitch!' | 0:05:34 | 0:05:38 | |
Uh! | 0:05:38 | 0:05:39 | |
'Lovely backhand by the King.' | 0:05:41 | 0:05:43 | |
-UMPIRE: -Out! -What?! -Yeah! | 0:05:45 | 0:05:47 | |
Thou cannot be serious! | 0:05:47 | 0:05:49 | |
There's no way that was out! | 0:05:49 | 0:05:52 | |
Even my ex-wife knew that wasn't out! | 0:05:52 | 0:05:54 | |
And she's had her head cut off! BOO-O-O! | 0:05:54 | 0:05:57 | |
Right, that's it, off with his head! | 0:05:57 | 0:05:59 | |
And his head! | 0:05:59 | 0:06:01 | |
And her head! And his head! | 0:06:01 | 0:06:03 | |
'We've seen this happen so many times before. | 0:06:03 | 0:06:06 | |
'We have, but it wouldn't be Wimbledon without it.' | 0:06:06 | 0:06:09 | |
Cut all their heads off! | 0:06:09 | 0:06:11 | |
Apart from her! I quite like her, she's got nice shoulders. | 0:06:11 | 0:06:14 | |
# Things that stick out of the sea-a-a-a! # | 0:06:14 | 0:06:18 | |
'Folkestone!' | 0:06:19 | 0:06:21 | |
Oh, I am so excited about going to France! | 0:06:21 | 0:06:24 | |
The shopping, the cafes, the croissants. | 0:06:24 | 0:06:27 | |
The language Francais. | 0:06:27 | 0:06:29 | |
I've been learning French! | 0:06:29 | 0:06:31 | |
Don't we cross the English Channel to go to France? | 0:06:31 | 0:06:34 | |
Oui, oui, mon cheri. | 0:06:34 | 0:06:36 | |
Well, how is a train supposed to cross the sea? | 0:06:36 | 0:06:40 | |
Oh! | 0:06:40 | 0:06:41 | |
Via the Channel Tunnel, of course. | 0:06:41 | 0:06:45 | |
This tunnel is the largest undersea tunnel in the world, | 0:06:45 | 0:06:48 | |
and it connects England to France. | 0:06:48 | 0:06:51 | |
Oh, wow! A tunnel that runs under the sea? That's deep! | 0:06:51 | 0:06:56 | |
VOICEOVER: 'Ed and Naomi, you have 54 seconds each | 0:06:56 | 0:06:59 | |
'to find out as much as you can about the Channel Tunnel. | 0:06:59 | 0:07:04 | |
'Ed, you've got Paul, our expert from France, | 0:07:04 | 0:07:07 | |
'so you're going to be doing this en Francais! | 0:07:07 | 0:07:10 | |
'Naomi, you've got John, our expert from the UK, | 0:07:10 | 0:07:13 | |
'so you get to do yours in English. | 0:07:13 | 0:07:16 | |
'Trois, deux, un, depeche-toi!' | 0:07:16 | 0:07:19 | |
THEY SPEAK FRENCH | 0:07:19 | 0:07:23 | |
-How long did it take to dig the tunnel? -Six years. | 0:07:23 | 0:07:26 | |
Um, uh... | 0:07:26 | 0:07:28 | |
No, no, no, er... | 0:07:35 | 0:07:37 | |
How did you do the tunnel under the sea? | 0:07:37 | 0:07:39 | |
With a great big tunnel-boring machine. | 0:07:39 | 0:07:41 | |
How long does is a single journey from London to Paris? | 0:07:48 | 0:07:51 | |
Two hours 15 minutes. | 0:07:51 | 0:07:52 | |
How much did it cost to build it? | 0:08:04 | 0:08:06 | |
£6 billion. | 0:08:06 | 0:08:08 | |
HORN BLASTS | 0:08:13 | 0:08:14 | |
Brilliant! I think we did pretty well. Thanks, John. | 0:08:14 | 0:08:18 | |
We've run out of time, basically, is what's happened. | 0:08:21 | 0:08:25 | |
VOICEOVER: 'And the winner is... | 0:08:25 | 0:08:27 | |
'Naomi!' | 0:08:27 | 0:08:29 | |
Yes-s-s! In your face! | 0:08:29 | 0:08:30 | |
-ED SHOUTS IN FRENCH -Aw-haw-haw-haw! | 0:08:30 | 0:08:33 | |
Ah-h-h, zut alors! | 0:08:33 | 0:08:35 | |
Tres bien, Naomi! And I hope you're not scared of the dark, guys, | 0:08:35 | 0:08:38 | |
cos you're going in the Channel Tunnel service tunnel! | 0:08:38 | 0:08:41 | |
And it's going to be really dark, I'm assuming? | 0:08:41 | 0:08:44 | |
It is going to get darker and darker as we go down. | 0:08:44 | 0:08:47 | |
The service tunnel is the third tunnel that runs in-between | 0:08:49 | 0:08:53 | |
the two rail tunnels. | 0:08:53 | 0:08:54 | |
That's the most times I've ever said "tunnel" in one sentence. | 0:08:54 | 0:08:58 | |
In here are doors that lead into the railway tunnels. | 0:09:02 | 0:09:06 | |
In this tunnel, the trains are going that way to France. | 0:09:06 | 0:09:10 | |
-Just there, they're going that way. -Over there, they go to England. | 0:09:10 | 0:09:14 | |
And we're in the middle of it all! | 0:09:14 | 0:09:16 | |
-You see that door over there? -Yeah. -"Ne pas ouvrir," | 0:09:19 | 0:09:22 | |
that means "Do not open." | 0:09:22 | 0:09:24 | |
-I know that cos it says it above in English. -Oh, yeah. | 0:09:24 | 0:09:28 | |
So we must be even deeper now, are we? | 0:09:33 | 0:09:36 | |
-Right here we've got 60m of sea. -What?! | 0:09:36 | 0:09:41 | |
And then 40m of rock, making 100m below sea level. | 0:09:41 | 0:09:45 | |
100m? That's the same height as 23 double-decker buses | 0:09:45 | 0:09:49 | |
piled on top of each other! | 0:09:49 | 0:09:51 | |
-100 metres under the sea! -I have never been this deep! | 0:09:51 | 0:09:54 | |
That is so exciting, I think it deserves a deep celebration! | 0:09:54 | 0:09:58 | |
PARTY! | 0:09:58 | 0:10:00 | |
MUSIC: "Party Rock Anthem" by LMFAO | 0:10:00 | 0:10:03 | |
PARTY WHISTLES BLOW | 0:10:06 | 0:10:08 | |
Aww! That was great! | 0:10:09 | 0:10:12 | |
This is so impressive! | 0:10:12 | 0:10:13 | |
I can't believe they've managed to build a tunnel under the sea. | 0:10:13 | 0:10:17 | |
Well, if you think that's impressive, come and see this. | 0:10:17 | 0:10:21 | |
Away from what looked like one of the best parties I've ever seen, | 0:10:21 | 0:10:25 | |
at the top of the tunnel is the pretty cool control centre. | 0:10:25 | 0:10:28 | |
It's very techy and from here you can see all the trains and traffic | 0:10:28 | 0:10:32 | |
arriving and departing. | 0:10:32 | 0:10:34 | |
So here we are. | 0:10:34 | 0:10:36 | |
This is the control room. | 0:10:36 | 0:10:38 | |
What's this mean? | 0:10:38 | 0:10:39 | |
-This is France and all the trains and platforms. -Wow! | 0:10:39 | 0:10:42 | |
These are the tunnels here? | 0:10:42 | 0:10:44 | |
-These are the tunnels here. -What's that at the top? | 0:10:44 | 0:10:47 | |
-That's the service tunnel. -What's this thing? | 0:10:47 | 0:10:50 | |
We're back in England now. | 0:10:50 | 0:10:51 | |
Our train's going to France soon, so we'd better get going! | 0:10:51 | 0:10:55 | |
-Oh, yeah. -You ready? | 0:10:55 | 0:10:56 | |
Yeah, there's something I'm going to do. I'll catch up with you. | 0:10:56 | 0:11:00 | |
-OK, don't be long! -I won't! | 0:11:00 | 0:11:02 | |
Watch this! | 0:11:06 | 0:11:07 | |
This is an important station announcement. | 0:11:10 | 0:11:13 | |
Would all the passengers on the platform please stand on one leg. | 0:11:13 | 0:11:17 | |
# Stand in the place where you were... # | 0:11:17 | 0:11:21 | |
And jump up and down. | 0:11:21 | 0:11:22 | |
# You can rock it You can roll it | 0:11:22 | 0:11:24 | |
# You can stop and you can stroll it At the hop, hop, hop, hop... # | 0:11:24 | 0:11:28 | |
And dance the Charleston. | 0:11:28 | 0:11:30 | |
CHARLESTON TUNE PLAYS | 0:11:30 | 0:11:32 | |
-'Ah-ha-ha-ha!' -Oh, come on! | 0:11:35 | 0:11:37 | |
Petrie! Pe... | 0:11:37 | 0:11:39 | |
-Petrie! Is that you? -Ah-ha-ha! | 0:11:39 | 0:11:42 | |
I am going to get you for this! Oh, look, Ed! Our train's coming! | 0:11:42 | 0:11:46 | |
-Oh, you're going to miss it! -What?! Oh, no, no! No, no, no! | 0:11:46 | 0:11:49 | |
Only joking! | 0:11:49 | 0:11:51 | |
# What are you thinking? | 0:11:51 | 0:11:53 | |
# What are you thinking? | 0:11:53 | 0:11:54 | |
# What are you thinking? # | 0:11:54 | 0:11:56 | |
'Chesterton!' | 0:11:56 | 0:11:58 | |
'What is it with this wind, Rani? | 0:11:59 | 0:12:02 | |
'Eh, yeah, sorry about that. | 0:12:02 | 0:12:04 | |
'That'll be the sprouts from lunch time! | 0:12:04 | 0:12:06 | |
'Er, I was talking about the weather. That's disgusting! | 0:12:06 | 0:12:11 | |
'Talking of wind, look at that!' | 0:12:11 | 0:12:13 | |
# They talk a lot of wind And they talk a lot of wind | 0:12:13 | 0:12:17 | |
# And they talk a lot of wind And they talk a lot of wind | 0:12:17 | 0:12:20 | |
-# They talk a lot of wind. # -'This is Chesterton Windmill. | 0:12:20 | 0:12:23 | |
'Wow, it is big! | 0:12:23 | 0:12:25 | |
'It was built in 1632. | 0:12:25 | 0:12:27 | |
'It's made from limestone and sandstone. | 0:12:27 | 0:12:29 | |
'Now, Ed, did you know that the UK is the windiest country in Europe? | 0:12:29 | 0:12:36 | |
'I also know a lot about the other wind. | 0:12:36 | 0:12:39 | |
'Did you know that our bodies pass half a litre of gas per day? | 0:12:39 | 0:12:43 | |
-'Half a litre? -Ooh, yeah! | 0:12:43 | 0:12:44 | |
-'That's approximately 14 passes of wind per day! -14 times? | 0:12:44 | 0:12:49 | |
'If Britain has a population of 60 million people, that's lots of wind!' | 0:12:49 | 0:12:54 | |
'I wonder what would happen if there was no wind?' | 0:12:57 | 0:13:02 | |
If there was no wind, well, you'd have to wear nose pegs | 0:13:02 | 0:13:06 | |
because the wind won't be there to blow all the smells away. | 0:13:06 | 0:13:10 | |
As it's so sunny, you'd be walking around in your bikini | 0:13:10 | 0:13:13 | |
and everyone will be like, "Hi!" And even men will wear bikinis. | 0:13:13 | 0:13:16 | |
If you were, like, rich and famous, you could, like, hire people | 0:13:16 | 0:13:20 | |
that walked around with fans. | 0:13:20 | 0:13:22 | |
If there was no winds, you wouldn't have to close your eyes | 0:13:22 | 0:13:26 | |
for when grannies' skirts blow up and you see their pantaloons! | 0:13:26 | 0:13:31 | |
Frilly ones especially! | 0:13:31 | 0:13:34 | |
# Grown ups collect stuff to-o-o-o! # | 0:13:34 | 0:13:39 | |
'Northleach!' | 0:13:39 | 0:13:42 | |
I'm really looking forward to this one, Ed. | 0:13:42 | 0:13:44 | |
-What a unique place to visit! -I think you're right. | 0:13:44 | 0:13:47 | |
Yeah, I mean, even its name's called... O-o-o-o-ooh! | 0:13:47 | 0:13:50 | |
Johny? | 0:13:50 | 0:13:52 | |
Johny?! | 0:13:52 | 0:13:53 | |
Oh, typical BBC! | 0:13:55 | 0:13:57 | |
I didn't realise Johny was one of those old clockwork presenters! | 0:13:57 | 0:14:01 | |
I suppose we're in the right place. | 0:14:01 | 0:14:03 | |
MECHANICAL WHIRRING AND TICKING | 0:14:03 | 0:14:06 | |
VOICEOVER: '50 years collecting! | 0:14:06 | 0:14:09 | |
'50 in the collection! | 0:14:09 | 0:14:11 | |
'Keith is Mechanical Music Man!' | 0:14:13 | 0:14:19 | |
WHIRRING AND CLICKING | 0:14:19 | 0:14:22 | |
-..orld! -There you are. That's better. | 0:14:22 | 0:14:26 | |
-That's a relief, I was a bit worried. -Thanks, Keith. -You're welcome. | 0:14:26 | 0:14:30 | |
-Can we have a look around? -Of course. With pleasure. -Still a bit stiff. | 0:14:30 | 0:14:33 | |
MECHANICAL MUSIC AND CHIRRUPING | 0:14:33 | 0:14:36 | |
Wind them up and watch them go. | 0:14:41 | 0:14:43 | |
Or listen to them go? | 0:14:43 | 0:14:45 | |
MECHANICAL MUSIC PLAYS | 0:14:45 | 0:14:48 | |
What's this, Keith? It's like a juke box or something. | 0:14:55 | 0:14:58 | |
Well, it's called a Polyphon. It's a disc-playing musical box. | 0:14:58 | 0:15:03 | |
The programming device is this metal disc. | 0:15:03 | 0:15:07 | |
They were effectively the world's first floppy disc, you see. | 0:15:07 | 0:15:11 | |
This is how you listened to music 100 years ago. | 0:15:11 | 0:15:14 | |
-Would you like to choose a tune? -Have you any Tinie Tempah? | 0:15:14 | 0:15:17 | |
-LAUGHS -No, no. | 0:15:17 | 0:15:19 | |
-I like the sound of "She's My Wife"! -She's My Wife? | 0:15:19 | 0:15:21 | |
-Yes, let's go with that one. -There you are. So we line that up... | 0:15:21 | 0:15:26 | |
-and then you can... -Ah, look at this. | 0:15:26 | 0:15:29 | |
-..see the action. -No electricity powering this? | 0:15:29 | 0:15:32 | |
No, it's entirely mechanical. | 0:15:32 | 0:15:34 | |
SWEET CHIMING MUSIC | 0:15:34 | 0:15:38 | |
We take it for granted now. We plug our MP3 players in | 0:15:38 | 0:15:41 | |
and listen, but here it looks so complex. | 0:15:41 | 0:15:43 | |
It has to go to so much trouble to play one song. It's incredible. | 0:15:43 | 0:15:46 | |
# She's my wife! | 0:15:49 | 0:15:52 | |
-# Hands off! Hands off! -She's my wife! | 0:15:52 | 0:15:56 | |
# I know what you're up to You think she's quite nice | 0:15:56 | 0:16:01 | |
# But I'll tell you again She's my wife! | 0:16:01 | 0:16:04 | |
-BOTH: -# She's my wife! # -LAUGHTER | 0:16:04 | 0:16:07 | |
Well, here we have a little milk churn. This is very handy | 0:16:07 | 0:16:10 | |
if I feel like a drink of milk, you see. So, um... | 0:16:10 | 0:16:13 | |
-Oh, dear! Oh, dear. -MILK CHURN PLAYS MUSIC | 0:16:13 | 0:16:17 | |
The kitten's got there first! | 0:16:17 | 0:16:20 | |
-ED LAUGHS -He's drunk all the milk. | 0:16:20 | 0:16:23 | |
That is the creepiest looking kitten that I've ever seen in my life. | 0:16:23 | 0:16:27 | |
That looks exactly the same! | 0:16:29 | 0:16:32 | |
PIANO PLAYS JOLLY TUNE | 0:16:39 | 0:16:42 | |
I didn't know you played the piano, Johny. | 0:16:44 | 0:16:46 | |
There's a lot of things you don't know about me, Ed. | 0:16:46 | 0:16:49 | |
-I'm not just a pretty face. -You're really good. -Thanks. | 0:16:49 | 0:16:52 | |
If the only skill you needed to play an instrument was to wind it up, | 0:16:52 | 0:16:58 | |
like the mechanical music in this collection, | 0:16:58 | 0:17:00 | |
then surely ANYONE could do it. | 0:17:00 | 0:17:02 | |
And to prove it, here's a new release from Ed and Iain, | 0:17:02 | 0:17:05 | |
I mean O'Petrie and O'My on the All Over The Place charts. | 0:17:05 | 0:17:09 | |
VOICEOVER: 'Always innovators, never imitators, O'Petrie and O'My | 0:17:09 | 0:17:13 | |
'present the classic new album Mechanical Dreams - | 0:17:13 | 0:17:15 | |
'a melodic marathon motivated by many miscellaneous mechanical marvels. | 0:17:15 | 0:17:19 | |
'Not 'alf! Including the hit single, Don't Let The Birds Out! | 0:17:19 | 0:17:24 | |
# Don't let the bird out! | 0:17:24 | 0:17:26 | |
# Don't let the bird out! | 0:17:26 | 0:17:28 | |
# It is not real It cannot fly | 0:17:28 | 0:17:31 | |
# In a gilded cage We know not why | 0:17:31 | 0:17:34 | |
# Built in 1990 in gay Paris | 0:17:34 | 0:17:38 | |
# I can swear it is staring at me | 0:17:38 | 0:17:42 | |
# Don't let the bird out | 0:17:42 | 0:17:44 | |
-BOTH: -# Don't let the bird out! # | 0:17:44 | 0:17:49 | |
'Featuring the unfeatherable, unreal, | 0:17:49 | 0:17:51 | |
'unbelievable epic - A Rabbit In A Cabbage.' | 0:17:51 | 0:17:54 | |
# When the bunny came up and out to play | 0:17:54 | 0:17:57 | |
# Oh ee ai ooh ai! | 0:17:57 | 0:17:59 | |
-# Its eyes lit up and I ran away -Oh ee ooh ai hu-way! # | 0:17:59 | 0:18:02 | |
'Of course they've captured the corrosive, | 0:18:06 | 0:18:08 | |
'creepy and convolutedly named Good White Faced Clown With Mandolin.' | 0:18:08 | 0:18:13 | |
# In 1876 it was made | 0:18:13 | 0:18:17 | |
# It plays its music | 0:18:17 | 0:18:19 | |
# In swathes and swathes | 0:18:19 | 0:18:21 | |
# This pretty clown takes pride of place | 0:18:21 | 0:18:25 | |
# And I am terrified of its evil face. # | 0:18:25 | 0:18:30 | |
'Help yourself to O'Petrie and O'My and help them pay for | 0:18:32 | 0:18:35 | |
'the new extravagant album and figure-hugging tops.' | 0:18:35 | 0:18:40 | |
Here we are near West Wycombe in Buckinghamshire, at the site of | 0:18:48 | 0:18:51 | |
an amazing underground feature dating from the 18th century - | 0:18:51 | 0:18:54 | |
the Hellfire Caves! | 0:18:54 | 0:18:56 | |
# Hellfire! # | 0:18:56 | 0:19:00 | |
-Have you finished? -Yep. | 0:19:00 | 0:19:02 | |
So, as I was saying, here we are at the Hellfire Caves | 0:19:02 | 0:19:07 | |
and a high society club called Hellfire regularly... | 0:19:07 | 0:19:09 | |
# Hellfire! # | 0:19:09 | 0:19:13 | |
Why are you dressed like that? We're meant to be dressed | 0:19:13 | 0:19:16 | |
from the 18th century. | 0:19:16 | 0:19:18 | |
# Hellfire! # | 0:19:18 | 0:19:21 | |
-Let's just do the song. -Yeah, good to go. | 0:19:21 | 0:19:23 | |
# Back in the 18th century Sir Francis Dashwood | 0:19:31 | 0:19:35 | |
# Enjoyed partying with friends perhaps more than he should | 0:19:35 | 0:19:39 | |
# And so that they could enjoy their secret late-night raves | 0:19:39 | 0:19:43 | |
# He formed the Hellfire Club deep in the Hellfire Caves | 0:19:43 | 0:19:47 | |
# The caves went underground for a quarter of a mile | 0:19:47 | 0:19:53 | |
# He'd had them excavated in an ornate style | 0:19:55 | 0:20:02 | |
# Hellfire... # | 0:20:02 | 0:20:04 | |
-SPOKEN: -Dark and secret caves carved out of the chalk. | 0:20:04 | 0:20:07 | |
To reach the deepest cave is a 12 minute walk. | 0:20:07 | 0:20:11 | |
# ..Hellfire... # | 0:20:11 | 0:20:13 | |
Where members of the club once could be found | 0:20:13 | 0:20:15 | |
partying the night away deep under the ground. | 0:20:15 | 0:20:20 | |
# One member of the club name of Paul Whitehead | 0:20:28 | 0:20:32 | |
# Had an unusual request for after he was dead | 0:20:32 | 0:20:35 | |
# He donated his heart in this little urn | 0:20:35 | 0:20:40 | |
# It really is enough to make your stomach churn | 0:20:40 | 0:20:44 | |
# They say that Whitehead's chamber is colder than most! | 0:20:44 | 0:20:51 | |
# And the caves are haunted by his heartless ghost! | 0:20:51 | 0:20:59 | |
-# Hellfire... # -The miner's cave. The steward's cave. | 0:20:59 | 0:21:03 | |
Tunnels as well. | 0:21:03 | 0:21:04 | |
A banquet hall for dining guests each with a tale to tell. | 0:21:04 | 0:21:08 | |
-# ..Hellfire... # -The tunnel forks and there's a decision to make. | 0:21:08 | 0:21:12 | |
Right if I'm good, left if not. Ooh, which shall I take? | 0:21:12 | 0:21:16 | |
# ..To reach the inner temple you must cross the River Styx | 0:21:16 | 0:21:20 | |
# It separates us from the underworld according to Greek myths! | 0:21:20 | 0:21:25 | |
# The stalactites that hang here are beautifully displayed... # | 0:21:25 | 0:21:28 | |
Yeah, I think you'll find they're actually manmade. | 0:21:28 | 0:21:33 | |
-# Hellfire... # -The inner temple is deeper than a well. | 0:21:33 | 0:21:36 | |
A church above as Heaven, this cave below as Hell. | 0:21:36 | 0:21:41 | |
-# ..Hellfire... # -Dashwood and his posh mates partied all night long. | 0:21:41 | 0:21:45 | |
-# ..Hellfire... # -Playing cards and having fun and singing cheeky songs. | 0:21:45 | 0:21:49 | |
-# ..Hellfire... # -But now we know what these caves are all about... | 0:21:49 | 0:21:53 | |
..Can anyone remember which is the way out? | 0:21:54 | 0:21:57 | |
MUSIC ENDS | 0:21:57 | 0:21:59 | |
I love Devon - fresh air, | 0:22:09 | 0:22:11 | |
cream teas and Barney Harwood dressed as an orange. | 0:22:11 | 0:22:15 | |
Yeah. Why am I dressed as an orange? | 0:22:15 | 0:22:17 | |
We're here for the Totnes orange rolling race. | 0:22:17 | 0:22:20 | |
You aren't rolling me down a hill! | 0:22:20 | 0:22:22 | |
No, don't worry, Barney. We're not. | 0:22:22 | 0:22:25 | |
The course is 450 metres... | 0:22:29 | 0:22:33 | |
-Excuse me, Officer. -Good morning. | 0:22:36 | 0:22:38 | |
Trying to find out about orange rolling in Totnes. | 0:22:38 | 0:22:41 | |
-Do you know anything about it? -Yes, I do. | 0:22:41 | 0:22:44 | |
In Totnes, we have orange races every year. | 0:22:44 | 0:22:46 | |
So, is the idea to beat the orange? | 0:22:46 | 0:22:49 | |
-If the orange runs fast, you run faster than it to win the race? -No. | 0:22:49 | 0:22:53 | |
You finish the race with your orange, or bits of it. | 0:22:53 | 0:22:55 | |
What you do is roll the orange, chase after it. | 0:22:55 | 0:22:58 | |
Either kick it, or pick it up. You must finish with your orange. | 0:22:58 | 0:23:02 | |
-Could you teach us how to do this? -I could, yes. No problem. | 0:23:02 | 0:23:06 | |
So this is orange rolling. | 0:23:06 | 0:23:07 | |
Must we roll it underarm or can you chuck it overarm? | 0:23:07 | 0:23:10 | |
You can throw it overarm but most people will roll it underarm | 0:23:10 | 0:23:13 | |
to give you more control of the orange. | 0:23:13 | 0:23:16 | |
-OK. -One, two, three, go! | 0:23:16 | 0:23:18 | |
Hey! Which one's mine? Which one's mine? Does it matter? | 0:23:19 | 0:23:23 | |
As long as you kick one over the line, or pick it up, | 0:23:26 | 0:23:29 | |
before you finish the race. | 0:23:29 | 0:23:32 | |
Time for some practice. Things are about to get juicy. | 0:23:32 | 0:23:36 | |
-What are you doing? -I'm immersing myself in orange. | 0:23:36 | 0:23:39 | |
There's nothing more orange than these people. | 0:23:39 | 0:23:42 | |
Very cheeky, Mr Petrie! You can't call these celebrities orange! | 0:23:42 | 0:23:47 | |
I mean, look at them! They're... OK, maybe you can. | 0:23:47 | 0:23:50 | |
It's like a satsuma convention! | 0:23:50 | 0:23:53 | |
How's that going to help you win the orange race? | 0:23:53 | 0:23:57 | |
I hadn't really thought that bit through. | 0:23:57 | 0:23:59 | |
BOING! BOING! | 0:23:59 | 0:24:00 | |
BOING! BOING! | 0:24:00 | 0:24:02 | |
Yes! | 0:24:04 | 0:24:05 | |
I'm sorry, Dale. I'm sorry. He'll have to get a nose job now. | 0:24:05 | 0:24:09 | |
-That's it. No pain, no gain. -GRUNTS | 0:24:09 | 0:24:12 | |
What, you're feeling out of shape?! | 0:24:12 | 0:24:14 | |
You're an orange! You've only one shape! | 0:24:14 | 0:24:16 | |
-Gnargh! -That's OK. | 0:24:16 | 0:24:18 | |
Look at Clemmie. He knows what he's doing. He's got the right gear. | 0:24:20 | 0:24:23 | |
His camouflage is perfect. He's thinking about it. | 0:24:23 | 0:24:26 | |
He's showing commitment. You've got to show some passion...fruit! | 0:24:26 | 0:24:30 | |
GRUNTS AND STRAINS | 0:24:30 | 0:24:33 | |
That was a fruitless attempt. Training's over, boys. | 0:24:33 | 0:24:37 | |
-The event's starting. -Oyez! | 0:24:37 | 0:24:39 | |
Oyez! Today we have the orange races which will commence at 11:00am. | 0:24:39 | 0:24:46 | |
God save the Queen. | 0:24:48 | 0:24:50 | |
Can you keep off the road, cos the young ones are going to run down? | 0:24:50 | 0:24:55 | |
-APPLAUSE -Go on, mate! Go on! -Yay! | 0:24:55 | 0:24:59 | |
CHEERING | 0:24:59 | 0:25:01 | |
Can I run with my mum holding my hand? | 0:25:01 | 0:25:04 | |
It's a nutmeg. Yes! | 0:25:04 | 0:25:06 | |
Beautifully done. | 0:25:06 | 0:25:07 | |
Let these roll through your legs. Some of those oranges | 0:25:07 | 0:25:11 | |
are in good shape considering they've been thrown down a hill. | 0:25:11 | 0:25:15 | |
-I've noticed something. -What? | 0:25:15 | 0:25:16 | |
The little ones run down a really mini hill. | 0:25:16 | 0:25:20 | |
-That's the one we're running down. -Oh. | 0:25:20 | 0:25:23 | |
-It's a little bit steeper. -Steeper, longer, harder. | 0:25:25 | 0:25:28 | |
You're going to get juiced! | 0:25:28 | 0:25:30 | |
WHISTLE BLOWS | 0:25:30 | 0:25:32 | |
The legend behind orange rolling... | 0:25:32 | 0:25:35 | |
This caused the boy to drop his oranges... | 0:25:41 | 0:25:44 | |
..before they became orange squash. | 0:25:46 | 0:25:49 | |
There's a lot of obstacles. It's not just a case | 0:25:49 | 0:25:51 | |
of throwing it down the lane and chasing after it in a straight line. | 0:25:51 | 0:25:55 | |
But you can just cheat and nick somebody else's. | 0:25:55 | 0:25:58 | |
-Perfectly all right to do that. -I'm doing that. | 0:25:58 | 0:26:01 | |
You'll be all right. We've seen a lot of splattered oranges. | 0:26:06 | 0:26:09 | |
Our oranges are trembling. They're nervous about this cos they've seen | 0:26:09 | 0:26:13 | |
how their friends have turned out. | 0:26:13 | 0:26:16 | |
-BELL RINGS -It's time for Ed and Barney to race. | 0:26:16 | 0:26:18 | |
Oh! No! Don't go! | 0:26:18 | 0:26:21 | |
-False start. -Your orange nearly got away there. -It did. | 0:26:21 | 0:26:24 | |
-That was nearly a really bad start. -You've got a frisky one there. | 0:26:24 | 0:26:27 | |
I know. My orange is jumping out of my hands! | 0:26:27 | 0:26:30 | |
-Get set... -WHISTLE BLOWS | 0:26:32 | 0:26:33 | |
And they're off. Ed streaks into the lead. | 0:26:33 | 0:26:35 | |
SATSUMA way to do it, Petrie. And... Oh, | 0:26:35 | 0:26:38 | |
a policeman pushing another policeman. | 0:26:38 | 0:26:40 | |
It could be anyone's orange, it doesn't matter. | 0:26:40 | 0:26:43 | |
Barney is running out of his SKIN now. Is he PEELING away form Ed? | 0:26:43 | 0:26:48 | |
As we get to the closing stages of the race, | 0:26:48 | 0:26:51 | |
Ed picks up an orange, Barney's in front. | 0:26:51 | 0:26:53 | |
Will he PIP Ed to the post? And he does! | 0:26:53 | 0:26:55 | |
But hold on, ORANGE you missing something, Barney? | 0:26:55 | 0:26:58 | |
You need to be kicking or carrying some fruit! | 0:26:58 | 0:27:02 | |
Will anyone notice that Barney SQUASHED the rules, | 0:27:02 | 0:27:05 | |
or will he get away with it? | 0:27:05 | 0:27:07 | |
This is Tony, he's not involved in running the competition, | 0:27:07 | 0:27:10 | |
he always dresses like this. So, Tony, who won out of us two? | 0:27:10 | 0:27:13 | |
Well, thank you both for taking part in our special orange race, | 0:27:13 | 0:27:18 | |
-but I have to say, sorry, Barney, the winner is Ed! -Oh... | 0:27:18 | 0:27:23 | |
-Yey-hey! -Congratulations, Ed. Well done. -Thank you. Thank you. | 0:27:23 | 0:27:27 | |
-I beat you! -Don't complain. You must have an orange | 0:27:27 | 0:27:30 | |
-in your hand when you cross the line. -I DID have an orange. -You didn't! | 0:27:30 | 0:27:35 | |
-But as consolation, would you like some of mine? -Yes! | 0:27:35 | 0:27:37 | |
-You mean it? -Have my orange. -Thank you, that's lovely. | 0:27:37 | 0:27:40 | |
-It's the kind of guy I am. -Oh, thanks. | 0:27:40 | 0:27:42 | |
VOICEOVER: 'You've been watching All Over The Place!' | 0:27:42 | 0:27:45 | |
Subtitles by Red Bee Media Ltd | 0:27:58 | 0:28:02 |