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# Way-oh, way-oh | 0:00:02 | 0:00:05 | |
# Way-oh, way-oh | 0:00:05 | 0:00:08 | |
# No matter if you're young or old | 0:00:09 | 0:00:13 | |
# To leave your home is never cool | 0:00:13 | 0:00:16 | |
# We all get sad, if truth be told | 0:00:16 | 0:00:20 | |
# Nothing's going to beat your first day at school | 0:00:20 | 0:00:25 | |
# First days, new days are the very best days | 0:00:28 | 0:00:31 | |
# New things to discover, new people to meet | 0:00:31 | 0:00:35 | |
# Don't stress, breathe deep, take it in your stride | 0:00:35 | 0:00:39 | |
# Life is for the living down at Apple Tree House. # | 0:00:39 | 0:00:43 | |
TALKING LEAKS FROM HEADPHONES | 0:00:49 | 0:00:52 | |
Zainab, what song are you listening to? | 0:00:52 | 0:00:55 | |
TALKING LEAKS FROM HEADPHONES | 0:00:55 | 0:00:56 | |
Zainab? | 0:00:56 | 0:00:57 | |
Zainab? | 0:00:59 | 0:01:00 | |
Zainab! | 0:01:00 | 0:01:01 | |
-Did you say something? -Yes, what song are you listening to you? | 0:01:02 | 0:01:06 | |
Oh, it's not a song, it's a story. | 0:01:06 | 0:01:08 | |
It's what people nowadays call a talking book. | 0:01:08 | 0:01:11 | |
A talking book? | 0:01:11 | 0:01:14 | |
Yes. | 0:01:14 | 0:01:15 | |
Books don't talk. | 0:01:18 | 0:01:21 | |
Well, no, not really, no. | 0:01:21 | 0:01:24 | |
But people can record themselves reading books. | 0:01:24 | 0:01:28 | |
BOOK MUTTERS | 0:01:28 | 0:01:29 | |
And then I listen to them. | 0:01:29 | 0:01:32 | |
There's so many interesting things that get spoken into my ears. | 0:01:32 | 0:01:36 | |
ELEPHANT TRUMPETS | 0:01:36 | 0:01:37 | |
Sometimes, I hear stories from all around the world. | 0:01:37 | 0:01:42 | |
Sometimes, I learn about people I've never met. | 0:01:42 | 0:01:46 | |
Once, I even learned how to cook a risotto! | 0:01:46 | 0:01:50 | |
MAN SHOUTS | 0:01:50 | 0:01:51 | |
Talking books help me use my own imagination. | 0:01:53 | 0:01:57 | |
My mum listens to podcasts all the time. | 0:01:57 | 0:02:00 | |
Is that the same thing? | 0:02:00 | 0:02:02 | |
Yes, but I prefer listening to my old portable cassette player. | 0:02:02 | 0:02:06 | |
Huh? | 0:02:07 | 0:02:08 | |
Whoa. | 0:02:08 | 0:02:10 | |
Funny. | 0:02:10 | 0:02:11 | |
-Why? -Because I've got loads of cassettes. | 0:02:12 | 0:02:16 | |
Aren't those really old? | 0:02:16 | 0:02:17 | |
SHE CHUCKLES | 0:02:17 | 0:02:18 | |
Which cassette is your favourite? | 0:02:18 | 0:02:21 | |
That would be a wonderful old made-up story | 0:02:21 | 0:02:24 | |
that Mali's grandad recorded for me a very long, long time ago. | 0:02:24 | 0:02:29 | |
Can we hear it? | 0:02:29 | 0:02:30 | |
Of course. | 0:02:30 | 0:02:32 | |
I keep all my cassettes in this cupboard. | 0:02:32 | 0:02:36 | |
CRASHING | 0:02:42 | 0:02:43 | |
Whoops. | 0:02:43 | 0:02:45 | |
Whoops. I might need a hand, kids. | 0:02:45 | 0:02:47 | |
Hmm. Look, you could use them as glasses. | 0:02:52 | 0:02:56 | |
How does this work? | 0:02:57 | 0:02:59 | |
Ah, here it is, my favourite tape. | 0:02:59 | 0:03:03 | |
How I've missed listening to this. | 0:03:03 | 0:03:06 | |
SQUEAKING AND SCRATCHING | 0:03:15 | 0:03:17 | |
Uh-oh, that doesn't sound good. | 0:03:17 | 0:03:20 | |
And then let me get you some lunch. | 0:03:22 | 0:03:25 | |
SHE SIGHS | 0:03:25 | 0:03:26 | |
Hiya, Mum. What's the matter? | 0:03:26 | 0:03:28 | |
It's not your special one, is it, Mum? | 0:03:29 | 0:03:32 | |
Oh, no. | 0:03:32 | 0:03:34 | |
Mali, do you think your gran's OK? | 0:03:44 | 0:03:47 | |
I think she's upset about her broken cassette. | 0:03:47 | 0:03:50 | |
Maybe we should try and fix it. | 0:03:50 | 0:03:52 | |
But we know nothing about tapes. | 0:03:52 | 0:03:55 | |
They're like ancient history. | 0:03:55 | 0:03:57 | |
How hard could it be? | 0:03:57 | 0:03:59 | |
All we need is careful attention and a bit of science. | 0:04:03 | 0:04:08 | |
TAPE SOBS | 0:04:08 | 0:04:09 | |
I could be like a doctor and use a stethoscope thing to find | 0:04:09 | 0:04:13 | |
the problem. | 0:04:13 | 0:04:14 | |
Then I could untangle the tape and find where it's broken, | 0:04:14 | 0:04:19 | |
and then one little bandage and a bit of magic. | 0:04:19 | 0:04:25 | |
And we're fixed. Simple. | 0:04:25 | 0:04:27 | |
Dr Mali to the rescue! | 0:04:28 | 0:04:31 | |
I don't think that's going to work. | 0:04:31 | 0:04:33 | |
You'll have to think of something else. | 0:04:33 | 0:04:36 | |
I have an idea! | 0:04:36 | 0:04:38 | |
Meera, do you know the story that was on the cassette? | 0:04:38 | 0:04:42 | |
Well, yeah, of course I do, it's a family favourite. | 0:04:42 | 0:04:45 | |
Sam, Mali, I have the perfect plan, | 0:04:45 | 0:04:47 | |
but first we have to know what the story was that Zainab was | 0:04:47 | 0:04:51 | |
listening to. OK? | 0:04:51 | 0:04:53 | |
Er, OK. | 0:04:53 | 0:04:54 | |
Take it away, Meera! | 0:04:54 | 0:04:56 | |
Well, it's a story that's very dear to Grandma Zainab because it was | 0:04:56 | 0:05:00 | |
Mali's grandad's favourite tale. | 0:05:00 | 0:05:02 | |
It's the tale of the realistic painter. | 0:05:02 | 0:05:06 | |
I love it already! | 0:05:06 | 0:05:08 | |
Once upon a time, there was an extremely talented painter... | 0:05:08 | 0:05:13 | |
..and everyone in the village was amazed by how detailed his art was. | 0:05:14 | 0:05:18 | |
But his paintings were so realistic that one night, | 0:05:18 | 0:05:22 | |
they started coming to life! | 0:05:22 | 0:05:25 | |
GROWLING | 0:05:25 | 0:05:26 | |
When he went to sleep, the mice he'd painted jumped out of the canvas and | 0:05:26 | 0:05:30 | |
roamed the village, eating all the crops. | 0:05:30 | 0:05:34 | |
CRUNCHING | 0:05:34 | 0:05:36 | |
Next night, a dragon leapt off the picture | 0:05:36 | 0:05:38 | |
and breathed fire all around the houses. | 0:05:38 | 0:05:41 | |
Next, a picture of the ocean leaked off the canvas and created great big | 0:05:44 | 0:05:51 | |
lakes of water. | 0:05:51 | 0:05:52 | |
HE GASPS | 0:05:52 | 0:05:54 | |
The villagers became very angry with the painter because they had lost | 0:05:54 | 0:05:58 | |
their crops and their village was no longer a happy place. | 0:05:58 | 0:06:02 | |
They ran away from him. | 0:06:02 | 0:06:03 | |
THEY SHOUT | 0:06:03 | 0:06:05 | |
The painter had no idea what was going on or why no-one liked his | 0:06:06 | 0:06:09 | |
paintings any more. He decided that if his paintings were making people | 0:06:09 | 0:06:14 | |
unhappy, he would have to stop painting. | 0:06:14 | 0:06:17 | |
That night, he was so devastated that he couldn't get to sleep, | 0:06:17 | 0:06:22 | |
which meant that he saw everything. | 0:06:22 | 0:06:25 | |
He saw the mice, the dragon and the ocean start to leak off its canvas. | 0:06:25 | 0:06:32 | |
He realised what was happening, so he decided to, er... | 0:06:32 | 0:06:38 | |
-Go on. -Yeah. | 0:06:38 | 0:06:39 | |
-Go on. -I can't remember. | 0:06:39 | 0:06:41 | |
Oh, no. That ruins the plan. | 0:06:41 | 0:06:44 | |
-BOTH: -What was your plan? | 0:06:44 | 0:06:46 | |
I wanted to hear the story so that we could tell it to Zainab | 0:06:46 | 0:06:50 | |
-and cheer her up. -Oh, well, that's a lovely idea. | 0:06:50 | 0:06:54 | |
Does this mean I can't act as a doctor? | 0:06:54 | 0:06:56 | |
SHE GASPS | 0:06:56 | 0:06:57 | |
Act, that's it! Are you thinking what I'm thinking? | 0:06:57 | 0:07:00 | |
Yes! Let's get that stethoscope thing. | 0:07:00 | 0:07:03 | |
No, we can act the story for your gran. | 0:07:05 | 0:07:09 | |
That's better than my doctor idea. | 0:07:09 | 0:07:11 | |
-But we still don't have an ending. -Maybe we can make up an ending? | 0:07:11 | 0:07:15 | |
Oh, I'm not sure about that. | 0:07:15 | 0:07:17 | |
Why not? It could be a special Apple Tree House version. | 0:07:17 | 0:07:20 | |
Oh, OK. As long as it feels and looks just right. | 0:07:21 | 0:07:25 | |
All right, so, what would your gran say? | 0:07:25 | 0:07:29 | |
-ALL: -Let's get solving! | 0:07:29 | 0:07:32 | |
-Dad! Dad! -Hi, baby. -We need your help. | 0:07:53 | 0:07:55 | |
Have you done any acting before? | 0:07:55 | 0:07:57 | |
Have I done any acting before? | 0:07:57 | 0:07:59 | |
HE CHUCKLES | 0:07:59 | 0:08:00 | |
Of course! You're looking at the lead actor of my school play. | 0:08:00 | 0:08:06 | |
"To be or not to be." | 0:08:06 | 0:08:09 | |
Perfect. Oh, can we borrow this? | 0:08:09 | 0:08:12 | |
Yeah, sure. | 0:08:12 | 0:08:13 | |
Oh, and Bella, don't forget the ending. | 0:08:15 | 0:08:17 | |
-Don't you want me? -And we need an invite. | 0:08:17 | 0:08:19 | |
-Why? -For your grandma. -OK. | 0:08:19 | 0:08:23 | |
Alas, poor Yorick. I knew him well. | 0:08:23 | 0:08:26 | |
To be or not to be, that is the question. | 0:08:27 | 0:08:33 | |
Romeo... | 0:08:34 | 0:08:35 | |
Come on, Bella. | 0:08:37 | 0:08:38 | |
BELLA HUMS | 0:08:38 | 0:08:39 | |
We need an ending for Grandma! | 0:08:39 | 0:08:41 | |
Yeah. | 0:08:41 | 0:08:43 | |
And then we need to find somewhere to do the acting. | 0:08:43 | 0:08:46 | |
-Hiya, Flo. -Hello. -Um, got a bit of a favour to ask. | 0:08:50 | 0:08:54 | |
Do you think we could use your cafe for a very special | 0:08:54 | 0:08:57 | |
-performance tonight? -Performance? | 0:08:57 | 0:09:00 | |
That sounds very exciting. | 0:09:00 | 0:09:02 | |
-Do you hear that, Frank? -Huh? -A performance at our place. | 0:09:03 | 0:09:08 | |
Yeah! | 0:09:08 | 0:09:09 | |
-That's a yes from both of us. -Oh, great, thank you. | 0:09:09 | 0:09:12 | |
-I'll see you later. -Bye. | 0:09:12 | 0:09:14 | |
Mali, can you pass me that tape, please? | 0:09:22 | 0:09:25 | |
-What are you up to? -Nothing. | 0:09:28 | 0:09:31 | |
-Where are Sam and Bella? -Nowhere. | 0:09:31 | 0:09:33 | |
I haven't seen them all afternoon. | 0:09:33 | 0:09:35 | |
-What have they been doing? -Nothing, absolutely nothing. | 0:09:35 | 0:09:39 | |
-Oh, really? -And they're definitely not planning a surprise for you. | 0:09:39 | 0:09:43 | |
Come on, Bella. | 0:09:43 | 0:09:44 | |
GIGGLING | 0:09:44 | 0:09:46 | |
Dear Miss Zainab, you're cord...? | 0:09:46 | 0:09:50 | |
-Cordially. -Cordially invited to a special performance by the | 0:09:50 | 0:09:54 | |
-Apple Tree House story crew. -Happening now. | 0:09:54 | 0:09:56 | |
Right away. | 0:09:56 | 0:09:58 | |
-This instant. -At Flo's Cafe. | 0:09:58 | 0:10:01 | |
Come on, Grandma, let's go. | 0:10:01 | 0:10:03 | |
SHE CHUCKLES | 0:10:03 | 0:10:05 | |
Yeah, let's go! | 0:10:05 | 0:10:07 | |
Ladies, gentlemen, boys, girls and pets, | 0:10:10 | 0:10:14 | |
we present to you the Apple Tree House story crew performing the | 0:10:14 | 0:10:18 | |
story of the realistic painter! | 0:10:18 | 0:10:21 | |
CHEERING | 0:10:21 | 0:10:22 | |
Once, there was a painter who painted really realistic paintings. | 0:10:27 | 0:10:32 | |
LAUGHTER | 0:10:32 | 0:10:35 | |
He painted animals... | 0:10:40 | 0:10:42 | |
LAUGHTER | 0:10:42 | 0:10:43 | |
..and dragons. | 0:10:45 | 0:10:47 | |
-AUDIENCE: -Oooooo! | 0:10:47 | 0:10:49 | |
-Oh! -And he painted an ocean. | 0:10:49 | 0:10:54 | |
But his paintings were so realistic that one night, | 0:10:54 | 0:10:57 | |
they started to coming to life. | 0:10:57 | 0:10:59 | |
AUDIENCE GASP | 0:10:59 | 0:11:01 | |
Oh! | 0:11:01 | 0:11:02 | |
THEY GROWL | 0:11:05 | 0:11:07 | |
The next morning, the villagers were very angry. | 0:11:08 | 0:11:11 | |
-AUDIENCE: -Ooooooh! | 0:11:11 | 0:11:14 | |
Mr Painter! I am very angry because all of our crops have been eaten | 0:11:14 | 0:11:19 | |
and there are lakes of water everywhere and there is a-a | 0:11:19 | 0:11:25 | |
dragon, rahh, breathing fire all over the village, | 0:11:25 | 0:11:28 | |
um, and it is all your fault. | 0:11:28 | 0:11:30 | |
Huh? But what did I do? | 0:11:30 | 0:11:34 | |
This worried the painter. | 0:11:34 | 0:11:36 | |
HE SIGHS | 0:11:36 | 0:11:37 | |
He had trouble getting to sleep. | 0:11:37 | 0:11:40 | |
HE SHIVERS | 0:11:40 | 0:11:42 | |
But in the middle of the night... | 0:11:42 | 0:11:44 | |
GROWLING | 0:11:44 | 0:11:45 | |
Squeak, squeak. | 0:11:45 | 0:11:47 | |
Whoa! My paintings, they are coming to life! | 0:11:50 | 0:11:54 | |
That is why all the people in the village are so angry! | 0:11:54 | 0:11:58 | |
Now, I would like to invite a special guest to the stage. | 0:11:59 | 0:12:03 | |
Zainab, please, tell us what happens to the painter! | 0:12:03 | 0:12:07 | |
CHEERING | 0:12:07 | 0:12:08 | |
Well, Bella, the painter then decided to paint the tastiest | 0:12:10 | 0:12:16 | |
crops and the nicest houses, so that he could give them to the villagers | 0:12:16 | 0:12:20 | |
as a way of apologising. Better still, | 0:12:20 | 0:12:23 | |
he put his power to good by painting big clouds and a bright yellow sun | 0:12:23 | 0:12:30 | |
so that he could create the perfect conditions for the crops to grow | 0:12:30 | 0:12:35 | |
all year round. | 0:12:35 | 0:12:37 | |
That's perfect. | 0:12:38 | 0:12:40 | |
Just right, the end. | 0:12:40 | 0:12:43 | |
APPLAUSE AND CHEERING | 0:12:43 | 0:12:44 | |
That was incredible! | 0:12:46 | 0:12:48 | |
Bella, thank you so much. | 0:12:48 | 0:12:51 | |
Well, I couldn't have done it without my Apple Tree House crew. | 0:12:51 | 0:12:55 | |
APPLAUSE AND CHEERING | 0:12:55 | 0:12:57 | |
And to guarantee you never forget it, we've recorded the whole | 0:13:04 | 0:13:08 | |
performance for you and installed it onto an MP3 player. | 0:13:08 | 0:13:11 | |
I don't know what to say. | 0:13:11 | 0:13:13 | |
I can show you how it works. | 0:13:13 | 0:13:15 | |
No need, I know all about these things! | 0:13:15 | 0:13:17 | |
LAUGHTER | 0:13:17 | 0:13:18 | |
GIGGLING | 0:13:24 | 0:13:26 | |
THEY LAUGH | 0:13:30 | 0:13:31 | |
Bella's idea was pretty amazing. | 0:13:31 | 0:13:33 | |
Totally, and we did a good job working as a team. | 0:13:33 | 0:13:36 | |
I'm glad Grandma's books are talking to her again. | 0:13:36 | 0:13:39 | |
THEY GIGGLE | 0:13:39 | 0:13:41 | |
-You're a good friend, Mali. -And you're a great friend, Sam. | 0:13:44 | 0:13:49 |