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I'm Ricky. I live in Bristol. | 0:00:02 | 0:00:05 | |
By day, I work as an animator, which is lucky, cos I love art. | 0:00:05 | 0:00:10 | |
I live for art. | 0:00:10 | 0:00:11 | |
I even dream of art... Excuse! | 0:00:11 | 0:00:13 | |
I draw. | 0:00:13 | 0:00:14 | |
I paint. | 0:00:14 | 0:00:16 | |
I make things. | 0:00:17 | 0:00:19 | |
I hang out with my mates, | 0:00:21 | 0:00:22 | |
Gavin, Michelle, | 0:00:22 | 0:00:24 | |
Rich and Sarah. | 0:00:24 | 0:00:26 | |
Most importantly, I make ninja moves. | 0:00:26 | 0:00:28 | |
Some people call me... | 0:00:30 | 0:00:34 | |
Today, I'll show you how to turn your salad into a face place mat. | 0:00:34 | 0:00:38 | |
Ninja skills. | 0:00:38 | 0:00:39 | |
More food for thought, with fruit pompoms, | 0:00:39 | 0:00:43 | |
and I get fit, and fit in some art, with some other guys dressed in red. | 0:00:43 | 0:00:47 | |
Because today, it's... | 0:00:48 | 0:00:50 | |
HE YAWNS | 0:00:54 | 0:00:56 | |
It's a new day. | 0:00:56 | 0:00:58 | |
But it seems like I've overslept. It's almost lunchtime! | 0:00:58 | 0:01:01 | |
I'd better get my ninja on. | 0:01:01 | 0:01:04 | |
And my clothes. | 0:01:04 | 0:01:05 | |
Whoa. | 0:01:19 | 0:01:20 | |
I feel dizzy! I didn't realise I was afraid of heights. | 0:01:20 | 0:01:24 | |
Ooh, I still feel a bit dizzy. Maybe I'm just hungry. | 0:01:28 | 0:01:31 | |
I'll nip out and get some supplies. | 0:01:31 | 0:01:33 | |
Can't wait to tuck in to these doughnuts. | 0:01:35 | 0:01:38 | |
Hi, Ricky. Word's got round you need some help eating some doughnuts. | 0:01:38 | 0:01:42 | |
You don't even like doughnuts. | 0:01:42 | 0:01:43 | |
I don't. But Michelle, Matt and Rich do. | 0:01:43 | 0:01:48 | |
You don't mind if I take some for them, do you? | 0:01:48 | 0:01:50 | |
-But now there's none left for me! -Probably for the best. | 0:01:50 | 0:01:53 | |
Less a six-pack, more of a family pack. | 0:01:53 | 0:01:56 | |
Mm. This is much better for me, | 0:02:02 | 0:02:05 | |
and it's given me an idea to brighten this place up. | 0:02:05 | 0:02:07 | |
It's... | 0:02:07 | 0:02:09 | |
the Art Ninja fruit pompoms. | 0:02:09 | 0:02:11 | |
Get rid of that. Ooh, in the bin. | 0:02:13 | 0:02:16 | |
So I've got myself some card and an old CD here. | 0:02:17 | 0:02:19 | |
Just going to draw round that with a pencil, | 0:02:19 | 0:02:23 | |
and around the centre bit there. | 0:02:23 | 0:02:25 | |
And just to make that hole in the middle slightly larger, | 0:02:25 | 0:02:28 | |
I'm going to draw round a glue stick. | 0:02:28 | 0:02:30 | |
There we are. | 0:02:32 | 0:02:34 | |
Going to draw a couple of lines now, just to make a horseshoe shape. | 0:02:34 | 0:02:37 | |
I'm going to cut that out. | 0:02:39 | 0:02:40 | |
Now I'm going to need two of those, so I'm going to use my ninja skills. | 0:02:51 | 0:02:55 | |
There we go. Now I'm going to grab some wool. | 0:02:56 | 0:02:59 | |
Just get a little bit of white here. | 0:03:01 | 0:03:03 | |
I'm just going to lay that loosely on one of the cardboard horseshoes. | 0:03:06 | 0:03:10 | |
And with a couple of bits of masking tape, | 0:03:10 | 0:03:12 | |
stick it down on the other side. | 0:03:12 | 0:03:14 | |
I'll show you what this bit of thread is for later. | 0:03:14 | 0:03:17 | |
Then I'm going to sandwich that between the two pieces of card. | 0:03:20 | 0:03:24 | |
There we are. This is the frame that I'm going to wrap | 0:03:24 | 0:03:26 | |
most of the wool around to make the pompom. | 0:03:26 | 0:03:29 | |
Start off with a nice bit of red. Very vibrant red. | 0:03:29 | 0:03:32 | |
Just pop it in like that. I don't need to tie it off. | 0:03:33 | 0:03:36 | |
I can literally just start wrapping it round. | 0:03:36 | 0:03:39 | |
As long as I go over the loose piece, it won't come undone. | 0:03:39 | 0:03:42 | |
And I'm not going to detach the red, I'm going to leave it on there, | 0:03:47 | 0:03:50 | |
just loose like that, and I'm going to add a couple of threads of white. | 0:03:50 | 0:03:54 | |
Every now and again I'm going to stop | 0:03:54 | 0:03:56 | |
and disperse a bit more white through it. | 0:03:56 | 0:03:58 | |
And those little white loops every now and again | 0:03:58 | 0:04:00 | |
interspersed throughout it will become the seeds. | 0:04:00 | 0:04:03 | |
That's it, and then back on the red. | 0:04:05 | 0:04:06 | |
Just going to intersperse a couple more loops of white in here | 0:04:10 | 0:04:13 | |
so the seeds go all the way out of the fruit. | 0:04:13 | 0:04:15 | |
So you may have guessed from the colours that I'm using | 0:04:15 | 0:04:18 | |
that I'm doing a strawberry with some white seeds, | 0:04:18 | 0:04:21 | |
and the green wool is for the stalk at the top. | 0:04:21 | 0:04:24 | |
A great way to unwind, although I'm winding up. | 0:04:27 | 0:04:30 | |
By making the horseshoe larger or smaller, | 0:04:32 | 0:04:35 | |
you can create bigger or smaller fruit. | 0:04:35 | 0:04:37 | |
Right, I'm done with that red now. Snip that bit off. | 0:04:37 | 0:04:40 | |
I'm done with the white too. | 0:04:40 | 0:04:43 | |
Now I'm going to do the stalk of the strawberry. | 0:04:43 | 0:04:45 | |
That's this nice green colour. Very rich green. | 0:04:45 | 0:04:48 | |
I'm just winding the green on one end | 0:04:52 | 0:04:54 | |
because the stalk's only at one end of a strawberry. | 0:04:54 | 0:04:57 | |
There we go. I think that's done. | 0:04:57 | 0:04:59 | |
Chop off the excess of the green. | 0:04:59 | 0:05:01 | |
Just going to ease free our little loose bits of wool | 0:05:05 | 0:05:08 | |
that I tied between the horseshoes at the beginning. | 0:05:08 | 0:05:12 | |
That's the first one. And one from the other side. | 0:05:12 | 0:05:15 | |
Now I'm just going to tie a loose knot in it, like that. | 0:05:15 | 0:05:19 | |
Not a very tight knot because I need a bit of space | 0:05:19 | 0:05:21 | |
so I can get my scissors between the two pieces of cardboard. | 0:05:21 | 0:05:25 | |
I'm going to slide a pair of scissors between them like that, | 0:05:25 | 0:05:27 | |
and start cutting the wool. | 0:05:27 | 0:05:29 | |
Now this is a tricky bit, so maybe get an adult to help. | 0:05:29 | 0:05:32 | |
Don't worry about cutting the card | 0:05:33 | 0:05:36 | |
cos that's going to slide out later, anyway. | 0:05:36 | 0:05:38 | |
There we go. It's starting to look a bit more like a strawberry now, | 0:05:42 | 0:05:45 | |
full and juicy. | 0:05:45 | 0:05:46 | |
Now I'm going to tie those two pieces of wool a lot tighter | 0:05:46 | 0:05:49 | |
to hold it all together and slide out these pieces of card. | 0:05:49 | 0:05:53 | |
Looks like a bit of a fluffy weird strawberry at the moment, | 0:05:56 | 0:05:58 | |
so we can start giving it a bit of a haircut. | 0:05:58 | 0:06:01 | |
You see how all the white bits | 0:06:03 | 0:06:05 | |
I wrapped round every now and again have become the seeds. | 0:06:05 | 0:06:08 | |
Just cutting the stalk into shape now. | 0:06:10 | 0:06:12 | |
And I've left these two white strands here | 0:06:14 | 0:06:16 | |
so I can hang it up once I've finished. | 0:06:16 | 0:06:18 | |
They are decorations, after all. | 0:06:18 | 0:06:20 | |
There we are. I think that's done. | 0:06:22 | 0:06:24 | |
A fabulous strawberry. I'll just add it to my display. | 0:06:24 | 0:06:26 | |
You can use different coloured wool and make any fruit you like. | 0:06:26 | 0:06:29 | |
I've made a watermelon and a couple of slices of kiwi fruit too. | 0:06:29 | 0:06:33 | |
The fruit pompom - a juicy decoration for any occasion. | 0:06:35 | 0:06:40 | |
What is Gav talking about, more family pack than six-pack? | 0:06:48 | 0:06:53 | |
I'm looking good. | 0:06:53 | 0:06:54 | |
What are you talking about? Look at that belly! | 0:06:54 | 0:06:57 | |
Hey, you, don't be so cheeky. | 0:06:57 | 0:07:00 | |
A six-pack is far more fitting for a ninja, though. | 0:07:00 | 0:07:02 | |
On reflection, maybe he's right. | 0:07:02 | 0:07:05 | |
Maybe I'd lose more junk from my trunk if I was animated. | 0:07:06 | 0:07:10 | |
A bit like this picture. | 0:07:10 | 0:07:12 | |
Hey, guys, watch this. | 0:07:12 | 0:07:14 | |
-Dude! -Wow! | 0:07:19 | 0:07:21 | |
Is this is a new trick of Rich's? | 0:07:21 | 0:07:23 | |
No, it's just an animation. | 0:07:23 | 0:07:25 | |
A floaty one. | 0:07:25 | 0:07:27 | |
I've no idea how that happened. | 0:07:27 | 0:07:29 | |
Well, usually in animation if we want to hold | 0:07:29 | 0:07:32 | |
a character in the air, we'd use some wire that we call rigging. | 0:07:32 | 0:07:35 | |
Then we'd take a clean plate of the animation set | 0:07:35 | 0:07:37 | |
without the model in, and we'd paint them out afterwards. | 0:07:37 | 0:07:40 | |
But in this case, we're going to do a little trick. | 0:07:42 | 0:07:45 | |
So to make this cool friend-floaty animation, | 0:07:45 | 0:07:48 | |
you'll need a friend... | 0:07:48 | 0:07:50 | |
..or some friends. | 0:07:52 | 0:07:54 | |
Yeah. And a tablet device with some kind of animation app. | 0:08:01 | 0:08:05 | |
And you can put it together in just three ninja moves. | 0:08:05 | 0:08:08 | |
'Ninja move number one.' | 0:08:08 | 0:08:11 | |
So the first thing I need to do is practice | 0:08:11 | 0:08:13 | |
getting good at taking a picture at just the right time, | 0:08:13 | 0:08:15 | |
and that's when Rich is at his highest point in his jump. | 0:08:15 | 0:08:18 | |
Hmm, that was a little bit too late. Try again. | 0:08:20 | 0:08:23 | |
Hey, that's better. | 0:08:24 | 0:08:26 | |
About...there. | 0:08:26 | 0:08:28 | |
That's the good bit there. Also, | 0:08:28 | 0:08:29 | |
I'm going to want him to try and keep his hands in the same place. | 0:08:29 | 0:08:32 | |
Otherwise it goes like this. | 0:08:32 | 0:08:34 | |
Let's try a couple more, Rich. Go. | 0:08:34 | 0:08:36 | |
Ah, that's perfect. | 0:08:36 | 0:08:38 | |
'Ninja move number two.' | 0:08:38 | 0:08:39 | |
Time for me to start shooting my animation. | 0:08:39 | 0:08:41 | |
Rich, I think you've got it easy. | 0:08:41 | 0:08:43 | |
Last year I was like face down on the floor, with him on my back. | 0:08:43 | 0:08:46 | |
'Ninja move number three.' | 0:08:48 | 0:08:49 | |
We can have him fly all over the skate park. | 0:08:49 | 0:08:52 | |
We're going to do some fly-bys, try some close-ups, some wides, | 0:08:52 | 0:08:55 | |
maybe a few following camera angles. | 0:08:55 | 0:08:57 | |
And the whole time, we're going to try and have some fun. | 0:08:57 | 0:09:00 | |
We've shot all our frames of the animation. | 0:09:11 | 0:09:13 | |
So, Rich, are you ready to see it? | 0:09:13 | 0:09:15 | |
Well, I think it's time to take a look at our mini-masterpiece. | 0:09:17 | 0:09:21 | |
If I want to get back to full ninja fitness, | 0:09:34 | 0:09:36 | |
it's time I started a fitness regime. | 0:09:36 | 0:09:39 | |
RIPPING | 0:09:53 | 0:09:54 | |
BOINGING | 0:09:56 | 0:09:58 | |
I didn't exactly exercise a healthy balance there. | 0:10:03 | 0:10:06 | |
So, back to the drawing board. | 0:10:06 | 0:10:08 | |
Maybe eating more healthily is the key, like this salad. | 0:10:08 | 0:10:12 | |
Mm. | 0:10:14 | 0:10:15 | |
I think I can make this even better with a face. | 0:10:17 | 0:10:21 | |
If I may be so bold as to make a suggestion? | 0:10:21 | 0:10:24 | |
Who are you? | 0:10:24 | 0:10:25 | |
I am Giuseppe Arcimboldo. | 0:10:25 | 0:10:28 | |
I was an artist in Italy in the 16th century. | 0:10:28 | 0:10:33 | |
Yeah, but why are you on a lettuce leaf? | 0:10:33 | 0:10:35 | |
Well, if you'd just "lettuce" explain, | 0:10:35 | 0:10:38 | |
I am most famous for creating realistic portraits out of food. | 0:10:38 | 0:10:43 | |
Fruits, vegetables and fish, and flowers too. | 0:10:43 | 0:10:46 | |
Here's an example of my work now. | 0:10:46 | 0:10:48 | |
Right. So I could make a salad face place mat | 0:10:51 | 0:10:54 | |
inspired by you, Arcimboldo. But why do I have to use lettuce? | 0:10:54 | 0:10:59 | |
Just "cos". | 0:10:59 | 0:11:01 | |
Ha-ha! Just "cos". | 0:11:01 | 0:11:03 | |
Good lettuce joke. I'm "green" with envy. | 0:11:03 | 0:11:06 | |
Not as green as this! | 0:11:06 | 0:11:08 | |
I'm going to start making my salad face, | 0:11:10 | 0:11:12 | |
and I'm going to make a self-portrait. | 0:11:12 | 0:11:15 | |
I'm going to start with some mushrooms. | 0:11:15 | 0:11:17 | |
These are going to be my eyes, | 0:11:17 | 0:11:19 | |
and I've sliced the tops off, so they're flat. | 0:11:19 | 0:11:21 | |
Bits of cucumber will be my irises. | 0:11:22 | 0:11:26 | |
Mm, relaxing. | 0:11:26 | 0:11:28 | |
Pop them on. | 0:11:30 | 0:11:31 | |
And then some black olives, halved, will be the pupils. | 0:11:31 | 0:11:36 | |
Boop, boop. | 0:11:36 | 0:11:38 | |
This carved piece of cucumber will be my nose. Fit in there. | 0:11:38 | 0:11:41 | |
And I've hollowed out a tomato to be my mouth. | 0:11:41 | 0:11:44 | |
Going to make some eyelids. | 0:11:46 | 0:11:47 | |
These are from little shavings of cucumber. | 0:11:47 | 0:11:51 | |
You can make these with a vegetable peeler. | 0:11:52 | 0:11:54 | |
Going to put a little olive in there | 0:11:57 | 0:12:00 | |
so it's like I'm going mwah! | 0:12:00 | 0:12:02 | |
Now I'm going to tear up some cauliflower | 0:12:02 | 0:12:05 | |
and that's going to become the skin on my face. | 0:12:05 | 0:12:08 | |
Tearing and twisting the cauliflower breaks it up into nice tiny bits. | 0:12:14 | 0:12:18 | |
I think I'll do the ears next, and I'm going to use a mushroom. | 0:12:25 | 0:12:28 | |
Pull out the stalk and I'm going to tear it in half. | 0:12:28 | 0:12:31 | |
And each side is going to become an ear. | 0:12:34 | 0:12:37 | |
I'm going to do my ninja headband with some halves of strawberry. | 0:12:38 | 0:12:41 | |
Now some hair. | 0:12:50 | 0:12:52 | |
I'm going to use some yellow pepper. | 0:12:53 | 0:12:55 | |
Now just to give the chin a little bit more definition, | 0:13:01 | 0:13:04 | |
I'm going to tear up some little strips of lettuce. | 0:13:04 | 0:13:07 | |
Now it's time for my trademark glasses. | 0:13:16 | 0:13:19 | |
For that, I'm going to use a red onion. | 0:13:19 | 0:13:22 | |
Cut it open. All these lovely rings, they're going to be my lenses. | 0:13:22 | 0:13:25 | |
So let's just pop out the middle. | 0:13:25 | 0:13:28 | |
One lens. | 0:13:31 | 0:13:32 | |
I can use one of these larger rings from the onion | 0:13:33 | 0:13:35 | |
to do the rest of the glasses frames. | 0:13:35 | 0:13:38 | |
There we go. I'm finishing off my place mat | 0:13:39 | 0:13:41 | |
with a knife and fork. | 0:13:41 | 0:13:43 | |
Yep, it looks just like me. | 0:13:43 | 0:13:45 | |
That's the first stage. Now I need to take a photo. | 0:13:45 | 0:13:48 | |
I'll just print that out. | 0:13:50 | 0:13:51 | |
Ninja skills. | 0:13:53 | 0:13:54 | |
But to make it more like a place mat, | 0:13:54 | 0:13:56 | |
it's going to need a plastic coating. | 0:13:56 | 0:13:58 | |
I'm putting sticky-backed plastic on | 0:13:59 | 0:14:01 | |
so if I drop food on the place mat, I can just wipe it off. | 0:14:01 | 0:14:05 | |
And you need to take your time when you're sticking this on | 0:14:06 | 0:14:09 | |
cos it can be quite tricky, | 0:14:09 | 0:14:10 | |
but I don't need to do that cos I'm a ninja. Hi-ya! | 0:14:10 | 0:14:12 | |
Check that out. | 0:14:13 | 0:14:15 | |
There you go - the Arcimboldo salad-face place mat, | 0:14:16 | 0:14:19 | |
and you can make other place mats with similar bite. | 0:14:19 | 0:14:22 | |
So how about this one? | 0:14:22 | 0:14:24 | |
With some nice carrot eyelids and sweetcorn teeth. | 0:14:24 | 0:14:27 | |
TEETH RATTLE | 0:14:27 | 0:14:29 | |
Or an entire carrot face, | 0:14:29 | 0:14:30 | |
with a long carrot nose and green lettuce hair. | 0:14:30 | 0:14:33 | |
Or this one, with a carrot-top beard. | 0:14:33 | 0:14:36 | |
Not only does this carrot face look good, but you can eat it, too. | 0:14:38 | 0:14:42 | |
I'm still a bit peckish. | 0:14:43 | 0:14:45 | |
PHONE RINGS | 0:14:47 | 0:14:48 | |
Hi, Ricky, it's your mum! | 0:14:48 | 0:14:51 | |
I hope you're keeping fit. | 0:14:51 | 0:14:53 | |
Anyway, here's some more art to fit in. | 0:14:53 | 0:14:55 | |
A ball game with bite! | 0:14:55 | 0:14:58 | |
THEY CHEER | 0:14:58 | 0:14:59 | |
Amazing edible eyes! | 0:14:59 | 0:15:02 | |
And you swap your skateboard for a new set of wheels. | 0:15:02 | 0:15:06 | |
Ricky, pose as much as you like - it's a workout you need, son. | 0:15:06 | 0:15:11 | |
-BOTH: -Ricky, Ricky, Ricky. | 0:15:11 | 0:15:13 | |
Fat chance of that with these ninja apprentices about. | 0:15:13 | 0:15:16 | |
Ricky, can you make art with a stamp? | 0:15:16 | 0:15:19 | |
I'm sorry, I'm going to have to return that suggestion to sender. | 0:15:19 | 0:15:22 | |
-BOTH: -Awww. | 0:15:22 | 0:15:24 | |
Ricky, can you make art with a plastic bottle? | 0:15:24 | 0:15:27 | |
Yeah, all right. I choose you. | 0:15:27 | 0:15:30 | |
-BOTH: -Yay! | 0:15:30 | 0:15:32 | |
-What's your names? -My name's Lola... | 0:15:32 | 0:15:34 | |
My name's Bailey. | 0:15:34 | 0:15:37 | |
Nice to meet you, Lola and Bailey. And where are you guys from? | 0:15:37 | 0:15:40 | |
-We're from Bristol. -Oh, yeah. Awesome. | 0:15:40 | 0:15:43 | |
So I'm going to use a green plastic water bottle | 0:15:43 | 0:15:45 | |
to make something that lives in the water. | 0:15:45 | 0:15:47 | |
I'll just go and grab my stuff. | 0:15:47 | 0:15:50 | |
Some fun tools, some glue, and a plastic water bottle. | 0:15:50 | 0:15:54 | |
All right, I'm going to start by taking off the lid. | 0:15:54 | 0:15:57 | |
But I'm going to keep hold of it cos I need that for later. | 0:15:57 | 0:16:01 | |
Then I'm going to draw a line about two-thirds of the way | 0:16:01 | 0:16:04 | |
down the bottle, where I'm going to cut off. | 0:16:04 | 0:16:06 | |
-What are you going to make? -What are you going to make? | 0:16:06 | 0:16:08 | |
I'll give you a clue. It goes snap-snap. | 0:16:08 | 0:16:10 | |
-Crocodile. -Crocodile! | 0:16:10 | 0:16:12 | |
Yeah. Crocodile. | 0:16:12 | 0:16:14 | |
All right. Cut plastic can be quite sharp | 0:16:14 | 0:16:17 | |
so it would be good to get an adult to help you. | 0:16:17 | 0:16:21 | |
Now, I'm going to draw a line for the mouth, | 0:16:21 | 0:16:23 | |
cos otherwise, how's the crocodile going to eat, | 0:16:23 | 0:16:26 | |
-if he hasn't got a mouth? -Yeah! | 0:16:26 | 0:16:28 | |
OK. I'm just going to cut out the edges now. | 0:16:29 | 0:16:31 | |
I've just drawn a line round where the mouth's going to be. | 0:16:31 | 0:16:33 | |
OK, so here's how his mouth's looking. | 0:16:35 | 0:16:38 | |
He can't catch his prey without eyes or teeth, | 0:16:38 | 0:16:40 | |
so I'm going to make those out of some white card. | 0:16:40 | 0:16:43 | |
I'm doing nine big teeth. | 0:16:43 | 0:16:44 | |
I'm going to do seven small ones. | 0:16:46 | 0:16:49 | |
Let's see your teeth. Can you do a crocodile chomp? | 0:16:49 | 0:16:51 | |
HE LAUGHS | 0:16:51 | 0:16:53 | |
You guys are being quite scary. | 0:16:53 | 0:16:56 | |
Right, so I'm just drawing its eyes, | 0:16:56 | 0:16:57 | |
cos how's it going to see otherwise, right? | 0:16:57 | 0:16:59 | |
OK, now I'm going to cut them out. | 0:16:59 | 0:17:01 | |
Just doing a bit of dentistry here, friendly little gnashers. | 0:17:01 | 0:17:05 | |
Right. Bailey, make your funny face. I'm going to put them on the screen. | 0:17:08 | 0:17:12 | |
Yeah! | 0:17:12 | 0:17:14 | |
Lola, now you. | 0:17:14 | 0:17:15 | |
Whoa, that is freaky. | 0:17:16 | 0:17:18 | |
Now I'm going to do some little green bumps | 0:17:18 | 0:17:21 | |
to go along the back of the crocodile. | 0:17:21 | 0:17:23 | |
I'm going to use some glue stick. | 0:17:25 | 0:17:26 | |
And I probably don't need that last bump there, so let's chop that off. | 0:17:31 | 0:17:34 | |
Let's put on some eyes so he can see. | 0:17:34 | 0:17:36 | |
Now the cool thing about this crocodile | 0:17:37 | 0:17:39 | |
is it's going to be a little bit of a game. | 0:17:39 | 0:17:42 | |
I'm just going to grab some sticky tape. | 0:17:45 | 0:17:46 | |
HE GROWLS | 0:17:53 | 0:17:56 | |
I'm going to start sticking the teeth in now, | 0:17:56 | 0:17:58 | |
and just for ease, you can do it with sticky tape. | 0:17:58 | 0:18:01 | |
Right in the middle. | 0:18:02 | 0:18:04 | |
Nearly finished my dentistry now. | 0:18:06 | 0:18:08 | |
Just need a couple of fillings. | 0:18:08 | 0:18:10 | |
So what do you think of the crocodile so far? | 0:18:13 | 0:18:16 | |
-Good. -Good. | 0:18:16 | 0:18:18 | |
I need something for him to eat. | 0:18:19 | 0:18:21 | |
I'm going to do that using some orange card, | 0:18:21 | 0:18:23 | |
a bit of thicker card, to make a fish. | 0:18:23 | 0:18:25 | |
Now I'm just going to poke a hole through the fish | 0:18:27 | 0:18:29 | |
and I'm going to do that by putting down a bit of modelling clay | 0:18:29 | 0:18:32 | |
to keep the table nice and safe. | 0:18:32 | 0:18:34 | |
So I've got a bit of string and I'm going to tie it through the fish. | 0:18:34 | 0:18:38 | |
The string should be slightly longer than the bottle. | 0:18:39 | 0:18:43 | |
And remember I told you I kept the lid from earlier? | 0:18:43 | 0:18:45 | |
-Yeah. -Mm-hmm. | 0:18:45 | 0:18:47 | |
Well, now I'm going to put the bit of string through the top. | 0:18:47 | 0:18:51 | |
And screw the lid on over the top of it so it's held in place. | 0:18:53 | 0:18:56 | |
-So you girls ready to see it? BOTH: -Yeah. | 0:18:57 | 0:19:00 | |
-You ready to see it in action? BOTH: -Yeah. | 0:19:00 | 0:19:03 | |
Here's the game. | 0:19:03 | 0:19:04 | |
HE GROWLS, THEY CHEER | 0:19:05 | 0:19:08 | |
First go. What would you guys score it? | 0:19:08 | 0:19:11 | |
-BOTH: -10! | 0:19:11 | 0:19:13 | |
I'll take that. Thanks very much, guys. Bye-bye. | 0:19:13 | 0:19:15 | |
-BOTH: -Bye! | 0:19:15 | 0:19:17 | |
Don't lose your bottle! Have a go yourself. | 0:19:19 | 0:19:22 | |
Here's a quick art tip of how to draw a muscleman. | 0:19:22 | 0:19:25 | |
So I'm going to give him a nice chunky head, | 0:19:25 | 0:19:28 | |
a bit of a chiselled jaw, | 0:19:28 | 0:19:31 | |
and a mouth, some eyes... | 0:19:31 | 0:19:34 | |
..bit of hair. | 0:19:35 | 0:19:36 | |
Now for the muscles. I go straight onto the shoulders, | 0:19:38 | 0:19:41 | |
and they're going to be circular. Big biceps. | 0:19:41 | 0:19:43 | |
And the arms are going to end with tiny hands, | 0:19:46 | 0:19:48 | |
just to accentuate the big muscles. | 0:19:48 | 0:19:49 | |
And the body's going to be a kind of V-shape. | 0:19:51 | 0:19:54 | |
All the way down to his feet. | 0:19:54 | 0:19:55 | |
Just highlights I've added here are really big strong broad shoulders. | 0:19:55 | 0:19:59 | |
Now on his chest, some pectorals, little squiggles for a six-pack. | 0:19:59 | 0:20:04 | |
I'm also going to give this guy | 0:20:04 | 0:20:05 | |
a couple of big dumbbells he's easily lifting. | 0:20:05 | 0:20:08 | |
There you go - a quick art tip. | 0:20:12 | 0:20:14 | |
Why don't you flex your artistic muscles and have a go? | 0:20:17 | 0:20:21 | |
Ooh! | 0:20:23 | 0:20:24 | |
Hey, Gav, what are you doing back? | 0:20:29 | 0:20:32 | |
-Any more doughnuts I can help you with? -No. | 0:20:32 | 0:20:34 | |
There is something you can help me with, though. | 0:20:34 | 0:20:36 | |
I need some advice on how I can get fitter. | 0:20:36 | 0:20:38 | |
I do have this. Healthy Heart, Healthy Art. | 0:20:38 | 0:20:43 | |
Annoying Best Mate Monthly still not arrived, then? | 0:20:43 | 0:20:45 | |
Ha-ha. Just trying to help. Catch you later. | 0:20:45 | 0:20:48 | |
Cheers. Don't think I'll be needing that. | 0:20:48 | 0:20:51 | |
-Hey, you there. -Not him again! Where's the remote? | 0:20:51 | 0:20:55 | |
Ever have trouble facing your food? | 0:20:55 | 0:20:58 | |
Can't face you right now. | 0:20:59 | 0:21:00 | |
Now you can put a face ON your food! | 0:21:00 | 0:21:04 | |
Delicious. Here's how you make them. | 0:21:04 | 0:21:09 | |
You'll need some edible rice paper. | 0:21:09 | 0:21:12 | |
Some pens with edible ink. Tasty. | 0:21:14 | 0:21:18 | |
Take one of the pens and design yourself some funny eyes. | 0:21:18 | 0:21:22 | |
You can buy edible ink pens in a craft shop. | 0:21:22 | 0:21:26 | |
These are smiley eyes. | 0:21:28 | 0:21:30 | |
These are - ohh - sleepy eyes. | 0:21:32 | 0:21:36 | |
And these are dizzy eyes. | 0:21:37 | 0:21:40 | |
Cut those out with some scissors. | 0:21:41 | 0:21:44 | |
Careful, it's delicate. | 0:21:44 | 0:21:47 | |
One set. | 0:21:48 | 0:21:50 | |
There. Take a plate of food. | 0:21:53 | 0:21:57 | |
Take a bowl of water, | 0:21:57 | 0:21:59 | |
and lightly dab the back of the eyes to stick them to your food. | 0:21:59 | 0:22:05 | |
This is a sleepy pepper. | 0:22:05 | 0:22:07 | |
Poor sleepy pepper, need a sleep? | 0:22:07 | 0:22:10 | |
"Yes." Ha-ha. | 0:22:10 | 0:22:11 | |
And a dizzy aubergine. | 0:22:11 | 0:22:14 | |
Hey, look - happy AND tasty! | 0:22:17 | 0:22:21 | |
Mm. | 0:22:24 | 0:22:25 | |
I'm not going to get a six-pack by just eating. | 0:22:25 | 0:22:28 | |
Where's that fitness magazine? | 0:22:28 | 0:22:30 | |
Here it is. But I've spilt paint on it. Oh, no. | 0:22:31 | 0:22:35 | |
I wanted to check out the ad for fitness training. | 0:22:35 | 0:22:38 | |
I mean, it looks like a ninja training camp. | 0:22:38 | 0:22:41 | |
I can't read all of it, cos of the red splodge, but there's an address. | 0:22:41 | 0:22:45 | |
I'm going to go check it out. | 0:22:45 | 0:22:47 | |
Ninja training camp, here I come. | 0:22:47 | 0:22:50 | |
That'll get me fit. | 0:22:50 | 0:22:52 | |
Ninja skills. | 0:22:59 | 0:23:01 | |
They're wearing red, | 0:23:05 | 0:23:07 | |
but they don't LOOK like ninjas. | 0:23:07 | 0:23:09 | |
I think I've come to the wrong place. | 0:23:11 | 0:23:13 | |
-Oh! -Where do you think you're going, recruit? | 0:23:19 | 0:23:22 | |
Is this not the ninja fitness facility? | 0:23:22 | 0:23:24 | |
You're at the home of the British Army's Freefall Display Team, | 0:23:24 | 0:23:27 | |
the Red Devils. | 0:23:27 | 0:23:28 | |
Get in there and get on the floor. | 0:23:34 | 0:23:36 | |
Move! Move, move. | 0:23:36 | 0:23:38 | |
Faster. Faster, faster. | 0:23:38 | 0:23:40 | |
-Stand still. -What do you want me to do? | 0:23:40 | 0:23:42 | |
You, get on that board. | 0:23:42 | 0:23:44 | |
OK, carry on. | 0:23:46 | 0:23:47 | |
Why are we doing this? | 0:23:50 | 0:23:52 | |
We practice this on the ground before we throw you out the plane. | 0:23:52 | 0:23:55 | |
-But I don't want to get thrown out of a plane! -Tough. | 0:23:55 | 0:23:58 | |
These are fun, aren't they? Can I have one of these? | 0:23:59 | 0:24:01 | |
No, you can't. | 0:24:01 | 0:24:03 | |
Your hands are so soft. | 0:24:05 | 0:24:06 | |
All these moves are making me really dizzy. | 0:24:08 | 0:24:11 | |
But they have given me an idea for some great art. | 0:24:11 | 0:24:14 | |
But first, we'd better get our ninja on. | 0:24:14 | 0:24:17 | |
Squad, halt. | 0:24:22 | 0:24:24 | |
Art ninja! | 0:24:24 | 0:24:26 | |
Do you know how you use your boards to practise your moves? | 0:24:28 | 0:24:32 | |
Well, get a load of my board. | 0:24:32 | 0:24:34 | |
Now, I'm going to need you guys to wheel me around on that cog. | 0:24:34 | 0:24:37 | |
-You up for that? -Too right. | 0:24:37 | 0:24:39 | |
Too right, too left, too right. | 0:24:39 | 0:24:41 | |
Get on with it. | 0:24:41 | 0:24:43 | |
I'm going to try and make a giant pattern. | 0:24:44 | 0:24:47 | |
So this board is going to go around this big cog on the outside. | 0:24:47 | 0:24:50 | |
I'm going to take a little seat on it... | 0:24:50 | 0:24:52 | |
..and with a felt pen I'm going to poke it through one of the holes. | 0:24:53 | 0:24:56 | |
-Matt, can you come and give me a push, mate? -All right, Ricky. | 0:24:56 | 0:24:59 | |
A nice smooth motion all the way round. | 0:24:59 | 0:25:02 | |
OK. | 0:25:02 | 0:25:03 | |
Make sure the teeth are going all the way into these little nooks. | 0:25:04 | 0:25:07 | |
And as we move around, we're going to create lines, | 0:25:07 | 0:25:11 | |
which will make a pattern. | 0:25:11 | 0:25:13 | |
How's it looking, Alex? | 0:25:13 | 0:25:14 | |
Yeah, it's looking good. It's starting to take shape. | 0:25:14 | 0:25:17 | |
Coming to an end...and stop. There we go. | 0:25:17 | 0:25:20 | |
Right, I'm changing pens, to red, and I'm changing personnel. | 0:25:20 | 0:25:25 | |
-Gaz. -OK, mate.OOh! -You're up dude. OK. | 0:25:25 | 0:25:29 | |
I'm going to put the pen into a different hole | 0:25:29 | 0:25:32 | |
and this will create a different pattern. | 0:25:32 | 0:25:34 | |
I know you're used to pulling ripcords, mate, | 0:25:38 | 0:25:41 | |
but mind you don't rip the paper. | 0:25:41 | 0:25:43 | |
And stop. | 0:25:48 | 0:25:50 | |
Oh, yeah. Good work, dude. | 0:25:50 | 0:25:51 | |
-Thanks, mate. -You're free to go. | 0:25:51 | 0:25:53 | |
Now I'm going to change colour one last time, | 0:25:54 | 0:25:57 | |
from red to a nice ninja black. | 0:25:57 | 0:25:59 | |
Come on, Matt, you're back in. | 0:25:59 | 0:26:01 | |
All right, Ricky. | 0:26:01 | 0:26:02 | |
Now, I've called you over cos I think you have true ninja potential. | 0:26:02 | 0:26:05 | |
-Oh, thanks, Ricky. -Do you think I could be a Red Devil? | 0:26:05 | 0:26:08 | |
HE LAUGHS | 0:26:08 | 0:26:09 | |
Oh, are you being serious? | 0:26:09 | 0:26:11 | |
Just push me. | 0:26:11 | 0:26:12 | |
By putting the pen into the hole closest to the middle, | 0:26:12 | 0:26:15 | |
I will create a totally new pattern. | 0:26:15 | 0:26:17 | |
Go for it. Remember, get it right into those teeth. | 0:26:17 | 0:26:20 | |
OK. | 0:26:20 | 0:26:21 | |
Nearly there. | 0:26:27 | 0:26:28 | |
Can you just roll us into the middle, please, mate? | 0:26:30 | 0:26:32 | |
There we have it. | 0:26:34 | 0:26:36 | |
Revolutionary art. | 0:26:36 | 0:26:38 | |
Brought to life with a little bit of digital magic. | 0:26:39 | 0:26:42 | |
Look at that. Good teamwork, guys. | 0:26:45 | 0:26:48 | |
You made me jump. | 0:26:48 | 0:26:50 | |
Funny you should say "jump". You ready to do yours? | 0:26:50 | 0:26:52 | |
Cos this parachute's got your name on it. | 0:26:52 | 0:26:54 | |
Let's go. | 0:26:54 | 0:26:56 | |
HE GULPS | 0:26:56 | 0:26:58 | |
OWL HOOTS | 0:26:59 | 0:27:01 | |
Well, that day really flew by. | 0:27:02 | 0:27:05 | |
Today has taught me a valuable Art Ninja lesson - | 0:27:05 | 0:27:08 | |
if you're making art on a higher level, | 0:27:08 | 0:27:11 | |
just grab pens, a board, and the nearest Red Devil. | 0:27:11 | 0:27:15 | |
The funny thing is, I didn't actually get to go up in a plane. | 0:27:15 | 0:27:18 | |
The weather turned bad. What a shame. | 0:27:18 | 0:27:21 | |
So, it turned out to be an awesome day, after all. | 0:27:21 | 0:27:25 | |
PHONE RINGS | 0:27:25 | 0:27:26 | |
Who's that? | 0:27:26 | 0:27:28 | |
Hey, Corporal. | 0:27:30 | 0:27:32 | |
What's that? The weather's good tomorrow? | 0:27:32 | 0:27:36 | |
I'm all booked in for a jump in the morning? | 0:27:36 | 0:27:38 | |
Yes, Corporal. OK. I'll see you then. | 0:27:38 | 0:27:41 | |
Argh!! | 0:27:43 | 0:27:44 |