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I'm Ricky. | 0:00:02 | 0:00:04 | |
I live in Bristol. | 0:00:04 | 0:00:06 | |
I work as an animator, which is lucky, because I love art. | 0:00:06 | 0:00:10 | |
I live for art. I even dream of art. | 0:00:10 | 0:00:13 | |
I draw. | 0:00:13 | 0:00:15 | |
I paint. | 0:00:15 | 0:00:16 | |
I make things. | 0:00:16 | 0:00:17 | |
Nailed it. | 0:00:19 | 0:00:20 | |
I hang out with my mates, Gavin, Rich and Sarah. | 0:00:20 | 0:00:23 | |
SHE SCREAMS | 0:00:23 | 0:00:25 | |
Most importantly, I make ninja moves. | 0:00:25 | 0:00:28 | |
Some people call me the... | 0:00:28 | 0:00:29 | |
Today, I'll show you how to make art that's got bags of potential. | 0:00:33 | 0:00:37 | |
You can maximise your memories if you're feeling forgetful, | 0:00:37 | 0:00:41 | |
and we transform scrap into art-ificial intelligence. | 0:00:41 | 0:00:45 | |
Because today it's... | 0:00:45 | 0:00:49 | |
HE YAWNS | 0:00:53 | 0:00:54 | |
It's a new day. | 0:00:54 | 0:00:56 | |
I better get my ninja on... | 0:00:56 | 0:00:58 | |
..and my clothes. | 0:00:58 | 0:00:59 | |
Mm-mm! | 0:01:07 | 0:01:08 | |
Mmm? | 0:01:08 | 0:01:10 | |
HE SIGHS | 0:01:10 | 0:01:13 | |
Wow, what a mess! | 0:01:15 | 0:01:17 | |
I don't know where I'm going to put all of this. | 0:01:17 | 0:01:20 | |
Maybe in there. | 0:01:20 | 0:01:21 | |
What's this? I forgot I had this. | 0:01:25 | 0:01:28 | |
I think I was planning to do some art with it. | 0:01:28 | 0:01:31 | |
Hey, Ricky, you want to play? | 0:01:33 | 0:01:35 | |
Yeah, sure, but first, let's give you a new hairstyle. | 0:01:35 | 0:01:38 | |
Yeah, wow! | 0:01:41 | 0:01:42 | |
It looks just like my mate, Ella. | 0:01:42 | 0:01:44 | |
Whoa! | 0:01:46 | 0:01:48 | |
Ella and the dummy look like they could've been separated at birth. | 0:01:48 | 0:01:51 | |
I found these old photos in the pile of mess. | 0:01:53 | 0:01:56 | |
There's one of me and Sarah. | 0:01:56 | 0:01:58 | |
There's Rich with our woodland art. | 0:01:58 | 0:01:59 | |
Lovely landscape. | 0:02:01 | 0:02:02 | |
These photos would make a great montage | 0:02:02 | 0:02:05 | |
or a brilliant design for something like a bag. | 0:02:05 | 0:02:08 | |
Excellent idea, Ricky. | 0:02:08 | 0:02:10 | |
-Who are you? -Peter Blake. I'm famous for making collages like this one. | 0:02:10 | 0:02:16 | |
I'm also well known for designing record sleeves, | 0:02:18 | 0:02:21 | |
including some for the Beatles, Oasis and Live Aid, | 0:02:21 | 0:02:25 | |
and was a big part of the British pop art scene | 0:02:25 | 0:02:28 | |
in the swinging '60s. | 0:02:28 | 0:02:30 | |
That's probably why you popped up on this picture. | 0:02:30 | 0:02:33 | |
Talking of which, I must get going. | 0:02:33 | 0:02:36 | |
Oh, he's popped off. | 0:02:36 | 0:02:38 | |
Right, so we've got a little piece of card here. | 0:02:38 | 0:02:40 | |
I'm just going to draw a square 6.5cm by 6.5cm. | 0:02:40 | 0:02:46 | |
Because I'm going to make a collage bag inspired by Peter Blake. | 0:02:46 | 0:02:49 | |
Lovely. | 0:02:49 | 0:02:51 | |
You can make your squares any size you like. | 0:02:51 | 0:02:54 | |
This is going to be my template so that every picture I now cut out | 0:02:54 | 0:02:57 | |
will be the same size. | 0:02:57 | 0:02:58 | |
And when all the pictures are put together, | 0:02:58 | 0:03:00 | |
they'll make the fabric of my bag. | 0:03:00 | 0:03:01 | |
That's the first of my many squares. | 0:03:05 | 0:03:07 | |
I'm going to need a lot of these so I'm going to use my ninja skills. | 0:03:07 | 0:03:11 | |
Oh, yes. There we go. | 0:03:12 | 0:03:13 | |
Pop those down here. Right, I've got some sticky back plastic here and | 0:03:13 | 0:03:17 | |
I'm going to roll it out onto my table and just hold in place | 0:03:17 | 0:03:20 | |
with bit of sticky tack. | 0:03:20 | 0:03:22 | |
It's going to peel off the backing paper. | 0:03:22 | 0:03:24 | |
Now I get to position all of my squares in a grid | 0:03:28 | 0:03:31 | |
which will be 13 squares down by five squares across. | 0:03:31 | 0:03:35 | |
I'm using lots of bright colours just like Peter Blake. | 0:03:35 | 0:03:39 | |
These pictures can come from anywhere. | 0:03:39 | 0:03:41 | |
They can come from newspapers, postcards, magazines, | 0:03:41 | 0:03:44 | |
anywhere you like. | 0:03:44 | 0:03:45 | |
Moving onto the back. | 0:03:45 | 0:03:46 | |
I'm putting the pictures on facing the other way. | 0:03:48 | 0:03:50 | |
Now I'm going to the add the sides to my bag. | 0:03:50 | 0:03:53 | |
So we're going to count down here. One, two, three, four, five. | 0:03:53 | 0:03:56 | |
That's where I'm going to start building my sides. | 0:03:56 | 0:03:58 | |
And I'm going to add five squares along here. | 0:03:58 | 0:04:01 | |
And the same the other side. | 0:04:03 | 0:04:04 | |
I'm going to put another layer of sticky back plastic over this. | 0:04:08 | 0:04:13 | |
I'm pulling away the backing paper and as I do, | 0:04:13 | 0:04:16 | |
I'm smoothing down the plastic to make sure there's no bubbles. | 0:04:16 | 0:04:19 | |
You might need to get someone to give you a hand | 0:04:19 | 0:04:21 | |
because it is pretty tricky. | 0:04:21 | 0:04:22 | |
This is the fabric of my bag. | 0:04:26 | 0:04:29 | |
So, just cutting off the excess plastic here. | 0:04:29 | 0:04:31 | |
Around the edges. | 0:04:31 | 0:04:33 | |
Now I'm just going to fold it up into the shape of a satchel. | 0:04:35 | 0:04:38 | |
With the sides, I'm going to fold them in half to give it that | 0:04:38 | 0:04:41 | |
authentic satchel look. | 0:04:41 | 0:04:43 | |
I'm holding the sides together with sticky tape. | 0:04:47 | 0:04:50 | |
Taking my time to make sure the edges line-up. | 0:04:53 | 0:04:55 | |
I've also made a strap using exactly the same technique. | 0:05:00 | 0:05:02 | |
I folded it in half just to make sure it's strong and I'm sticking it | 0:05:02 | 0:05:05 | |
to the inside with plenty of tape or, you could use staples. | 0:05:05 | 0:05:09 | |
There we go. I'm happy with that. | 0:05:11 | 0:05:13 | |
It's perfect for my sketchbook and tablet. | 0:05:13 | 0:05:16 | |
OK, then, er, Ella. | 0:05:29 | 0:05:31 | |
I'll just get this other stuff put away. | 0:05:31 | 0:05:33 | |
Wow! I forgot I had this. | 0:05:36 | 0:05:38 | |
Seriously old school. | 0:05:38 | 0:05:40 | |
I wonder if it still works? | 0:05:40 | 0:05:42 | |
Whoa, cool! | 0:05:45 | 0:05:47 | |
# Waiting for a star to fall... # | 0:05:47 | 0:05:49 | |
And tune! | 0:05:49 | 0:05:50 | |
Weird power surge. | 0:05:50 | 0:05:52 | |
# That's where you belong | 0:05:52 | 0:05:53 | |
# In my arms baby, yeah. # | 0:05:53 | 0:05:55 | |
Ella! What are you doing here? | 0:05:55 | 0:05:56 | |
You scared the life out of me. | 0:05:56 | 0:05:58 | |
-Who's Ella? -Don't be a dummy. | 0:05:58 | 0:06:00 | |
Uh-oh, she is the dummy, but she's alive. | 0:06:02 | 0:06:06 | |
This is weird. | 0:06:06 | 0:06:09 | |
OK, why don't you hang out over there? | 0:06:09 | 0:06:11 | |
She doesn't know who I am. | 0:06:13 | 0:06:14 | |
I guess it's because she's a mannequin with no memory. | 0:06:14 | 0:06:17 | |
That's why I'm going to make... | 0:06:17 | 0:06:19 | |
The Art Ninja brain box memory keeper. | 0:06:19 | 0:06:21 | |
It's a thinking person's time capsule. | 0:06:21 | 0:06:23 | |
Got myself a confectionary box and I'm going to cut-off the lid. | 0:06:23 | 0:06:26 | |
Now going to cut around this top bit, here, just so I've got nice, | 0:06:28 | 0:06:31 | |
flush sides. | 0:06:31 | 0:06:33 | |
The ends of mine are coming apart so I'm going to hold it in place | 0:06:34 | 0:06:37 | |
with a little bit of masking tape. | 0:06:37 | 0:06:39 | |
Right, I've got a lot of memories, so I'm going to need two of these, | 0:06:39 | 0:06:42 | |
so I'll ninja another. | 0:06:42 | 0:06:43 | |
Ninja skills. | 0:06:45 | 0:06:47 | |
Right, now I need a big bit of card and using one of my boxes, | 0:06:47 | 0:06:50 | |
I'm going to draw a brain shape around it and a brain shape | 0:06:50 | 0:06:53 | |
is kind of like a hoof shape. | 0:06:53 | 0:06:54 | |
Drew a small one to begin with. | 0:06:54 | 0:06:57 | |
And a slightly larger one. | 0:06:58 | 0:06:59 | |
And then, a bigger one again. | 0:07:02 | 0:07:04 | |
Now, I'm going to cut those out. | 0:07:06 | 0:07:07 | |
OK. Taking the largest and the smallest template, | 0:07:11 | 0:07:14 | |
I'm going to masking tape the boxes to them. | 0:07:14 | 0:07:16 | |
It doesn't have to be perfect. | 0:07:16 | 0:07:18 | |
So we're going to cover this over later. | 0:07:18 | 0:07:20 | |
Here we are. Now I need to flesh out my brain a little bit. | 0:07:20 | 0:07:22 | |
And we can do that with some newspaper that I'm going to roll | 0:07:22 | 0:07:25 | |
into sausages. | 0:07:25 | 0:07:26 | |
And I'm going to hold it down with some masking tape. | 0:07:30 | 0:07:32 | |
I'll keep going until the paper reaches the edges of the cardboard. | 0:07:38 | 0:07:41 | |
There we are. I've tried to keep it as flat as possible on top. | 0:07:42 | 0:07:45 | |
Now I move onto the little one. | 0:07:45 | 0:07:47 | |
OK, now onto the top. | 0:07:52 | 0:07:53 | |
So, using more sausages, we're going to give it a kind of outline. | 0:07:53 | 0:07:57 | |
Then up through the middle. | 0:08:05 | 0:08:07 | |
Right, now I'm going to grab some more newspaper, | 0:08:09 | 0:08:11 | |
going to make a patty shape, kind of a long one. | 0:08:11 | 0:08:14 | |
This is going to work as one of the separate sides of the brain. | 0:08:14 | 0:08:17 | |
These are called hemispheres. | 0:08:17 | 0:08:19 | |
Do the same for both sides. | 0:08:19 | 0:08:20 | |
Right, now I'm going to give this a layer of papier-mache. | 0:08:24 | 0:08:26 | |
So I've got some glue and water mix. | 0:08:26 | 0:08:28 | |
That's two parts glue, one part water. | 0:08:28 | 0:08:30 | |
You know the score, the papier-mache will give it a neat, | 0:08:30 | 0:08:33 | |
smooth finish. | 0:08:33 | 0:08:35 | |
Now moving on to the top one. | 0:08:42 | 0:08:44 | |
Now if you're doing this at home, | 0:08:46 | 0:08:47 | |
you'll need to put some newspaper down to protect your table. | 0:08:47 | 0:08:50 | |
But my art table is made for this kind of action. | 0:08:50 | 0:08:52 | |
I should wait for this to dry, before I paint it. | 0:08:56 | 0:08:59 | |
But I'm going to use... | 0:08:59 | 0:09:00 | |
..Ninja skills. | 0:09:02 | 0:09:03 | |
There we go. I've even painted the insides too. | 0:09:04 | 0:09:07 | |
Right, now using some wool, I'm going to give it | 0:09:08 | 0:09:10 | |
some nice brain texture, like all the curly bits you see in pictures. | 0:09:10 | 0:09:14 | |
I've got some glue, undiluted. | 0:09:14 | 0:09:16 | |
A tip here is to be quite sparing with the glue. | 0:09:16 | 0:09:18 | |
So I'm going to start with a swirl. | 0:09:21 | 0:09:23 | |
And then on this bit, I'm going to do a kind of zigzag. | 0:09:27 | 0:09:30 | |
You can use any patterns you like here to make it look like an | 0:09:31 | 0:09:34 | |
authentic brain. | 0:09:34 | 0:09:35 | |
Do another swirl. | 0:09:36 | 0:09:38 | |
MUSIC PLAYS | 0:09:38 | 0:09:40 | |
That's looking pretty good. | 0:09:46 | 0:09:47 | |
Now for the other two. | 0:09:47 | 0:09:48 | |
Last little bit. | 0:09:52 | 0:09:53 | |
Now it's time to put it together... | 0:09:54 | 0:09:55 | |
..and get some memories on the inside. | 0:09:57 | 0:09:59 | |
Got some trinkets here. | 0:09:59 | 0:10:01 | |
Those tiny instruments I once ordered. Whoops! | 0:10:02 | 0:10:04 | |
Oh, yeah, a little skateboard. | 0:10:05 | 0:10:07 | |
Yes! Skills. | 0:10:07 | 0:10:09 | |
And some pictures of my friends. | 0:10:10 | 0:10:12 | |
One of Ella, great. | 0:10:12 | 0:10:13 | |
And there we go, the Art Ninja brain box memory keeper. | 0:10:15 | 0:10:17 | |
You don't have to make a brain to keep your memories in. | 0:10:24 | 0:10:27 | |
Why not try a delicious apple memory keeper? | 0:10:27 | 0:10:29 | |
Or, how about a globe that's out of this world? | 0:10:30 | 0:10:33 | |
CRASHING SOUND | 0:10:33 | 0:10:36 | |
I'd better stop Ella before she destroys the kitchen. | 0:10:36 | 0:10:38 | |
What are you doing? | 0:10:40 | 0:10:41 | |
That's not even human. | 0:10:41 | 0:10:42 | |
No, no, no. If you're hungry, I'll make you something tasty to eat. | 0:10:44 | 0:10:48 | |
Ricks, did you have a power surge here earlier? | 0:10:51 | 0:10:54 | |
Hey, Gav, come and meet new Ella. | 0:10:56 | 0:10:59 | |
New Ella? What happened to old, real Ella? | 0:10:59 | 0:11:03 | |
-That's a dummy. -Don't be mean. | 0:11:03 | 0:11:05 | |
Come on and say, "Hi." No, wait, she was just... | 0:11:05 | 0:11:09 | |
I must be the only one that can see this dummy alive. | 0:11:09 | 0:11:12 | |
-What? -Hang on, how did you hear that? | 0:11:12 | 0:11:15 | |
I thought I said it in my head. | 0:11:15 | 0:11:17 | |
-Sure, -Ricky. Here, let me feed you some beans. | 0:11:17 | 0:11:20 | |
Do you like baked beans, Ella? | 0:11:21 | 0:11:22 | |
Hey, Ricks, she's not very talkative for a human bean! | 0:11:22 | 0:11:27 | |
Do you get it, Ella? Sorry, Ella. | 0:11:27 | 0:11:30 | |
Come on, Gav, take your jokes, | 0:11:30 | 0:11:31 | |
new Ella is definitely not an annoying best friend. | 0:11:31 | 0:11:34 | |
Mate, she moves less than that picture. | 0:11:34 | 0:11:36 | |
That's because it's animated. | 0:11:37 | 0:11:39 | |
Who are you? | 0:11:46 | 0:11:48 | |
I'm you from the future. | 0:11:48 | 0:11:49 | |
And I've come here because I've got something really, | 0:11:49 | 0:11:51 | |
really serious to tell... | 0:11:51 | 0:11:52 | |
Wow, is that a retro game? | 0:11:52 | 0:11:54 | |
You don't get those in the future. | 0:11:54 | 0:11:55 | |
Can I have a go? No man, it's mine. Oh, go on. No. Go on. | 0:11:55 | 0:11:58 | |
Don't worry, mate, it's just an animation. | 0:12:05 | 0:12:08 | |
What was the really important thing? | 0:12:11 | 0:12:13 | |
To make this animation, you'll need... | 0:12:13 | 0:12:16 | |
..some sweets, a tablet with animation app | 0:12:16 | 0:12:19 | |
and you can put it together in just three ninja moves. | 0:12:19 | 0:12:22 | |
Ninja move number one. | 0:12:22 | 0:12:24 | |
Research. | 0:12:24 | 0:12:25 | |
Right, I'm making an animation that looks like an old retro game, | 0:12:25 | 0:12:29 | |
so I've be watching some old clips on the internet. | 0:12:29 | 0:12:31 | |
I'm going to use some retro sweets but you can use anything. | 0:12:31 | 0:12:35 | |
Literally anything. | 0:12:35 | 0:12:36 | |
Ninja move number two. | 0:12:36 | 0:12:38 | |
Time to start shooting. | 0:12:38 | 0:12:39 | |
What I'm doing here is moving my sweets along to their next position | 0:12:39 | 0:12:42 | |
and taking a new frame of animation. | 0:12:42 | 0:12:44 | |
Ninja move number three. | 0:12:44 | 0:12:46 | |
The thing that really sells these objects and their new roles isn't | 0:12:46 | 0:12:50 | |
just the way that they move, it's the sounds that they make, | 0:12:50 | 0:12:52 | |
so I'm going to need some good, old-fashioned retro sounds. | 0:12:52 | 0:12:55 | |
I'm going to have a go at recording these myself. | 0:12:55 | 0:12:58 | |
HE MAKES COMPUTER GAME SOUNDS | 0:12:58 | 0:12:59 | |
OK, I've shot all of my frames and I've added my awesome | 0:13:01 | 0:13:04 | |
home-made sound effects. | 0:13:04 | 0:13:05 | |
I think it's time to take a look at our mean masterpiece. | 0:13:05 | 0:13:09 | |
Oh, yeah, hey, that's wicked. | 0:13:20 | 0:13:22 | |
Just came back for the sweets. | 0:13:24 | 0:13:26 | |
Hey! | 0:13:26 | 0:13:27 | |
No-one else can see you moving. | 0:13:31 | 0:13:33 | |
-Weird. -You're weird. | 0:13:33 | 0:13:35 | |
Wow, now you're alive again, we can have a right laugh. | 0:13:36 | 0:13:40 | |
Yeah, you're funny, Ricky, go, Ricky, go, Ricky, go, Ricky. | 0:13:40 | 0:13:45 | |
# And we can build this dream together | 0:13:45 | 0:13:48 | |
# Standing strong forever | 0:13:48 | 0:13:51 | |
# Nothing's gonna stop us now | 0:13:51 | 0:13:55 | |
# And if this world runs out of lovers | 0:13:55 | 0:13:59 | |
# We'll still have each other | 0:13:59 | 0:14:01 | |
# Nothing's gonna stop us | 0:14:01 | 0:14:04 | |
# Nothing's gonna stop us now. # | 0:14:04 | 0:14:06 | |
PHONE RINGS | 0:14:06 | 0:14:08 | |
Argh! | 0:14:08 | 0:14:09 | |
Oh. | 0:14:09 | 0:14:10 | |
-Hi, Mum. -Ricky? | 0:14:13 | 0:14:15 | |
Of course, who else is it going to be? | 0:14:15 | 0:14:17 | |
Wow, I thought you'd be too busy having fun with your friends to | 0:14:17 | 0:14:20 | |
answer the phone to your mum. | 0:14:20 | 0:14:22 | |
Have you got a friend there now? | 0:14:22 | 0:14:23 | |
You could say that... she's a brand-new one. | 0:14:23 | 0:14:26 | |
She, she? | 0:14:26 | 0:14:27 | |
Put her on, put her on, this is exciting! | 0:14:27 | 0:14:30 | |
She's gone a bit shy. | 0:14:30 | 0:14:32 | |
OK, maybe I'll speak to her later, | 0:14:32 | 0:14:35 | |
after you make a wire feline with this cool cat, the ninja apprentice. | 0:14:35 | 0:14:40 | |
There's an art tip that tickles your funny bone. | 0:14:40 | 0:14:43 | |
And a magical wallet with the mystical grandmaster. | 0:14:44 | 0:14:47 | |
Anyway, must go, there's something wrong with the dishwasher | 0:14:47 | 0:14:51 | |
and by that, I mean your dad. | 0:14:51 | 0:14:53 | |
Bye, Mum. | 0:14:53 | 0:14:54 | |
LINE GOES DEAD | 0:14:54 | 0:14:55 | |
Oh, she's gone. | 0:14:55 | 0:14:56 | |
Here's a quick art tip of how to draw a skeleton. | 0:14:58 | 0:15:00 | |
So, I'm going to start with the skull. | 0:15:00 | 0:15:02 | |
That's kind of like a round bubble at the top | 0:15:02 | 0:15:04 | |
and coming off the bottom of it is your jaw and that's just a little | 0:15:04 | 0:15:07 | |
box hanging off the bottom. | 0:15:07 | 0:15:08 | |
I'm going to draw two nice, big eye sockets. | 0:15:08 | 0:15:11 | |
Colour them in black and the nose kind of like this, an upside down Y. | 0:15:11 | 0:15:16 | |
Mouth, a line with a couple lines crossing. | 0:15:16 | 0:15:19 | |
Could do a little bump like that at the top of the neck and the ribcage | 0:15:19 | 0:15:22 | |
is made up of these three lines crossing a central one. | 0:15:22 | 0:15:25 | |
Now the pelvis, that's like a pretzel shape, | 0:15:28 | 0:15:30 | |
it's got three holes in it. | 0:15:30 | 0:15:32 | |
Now I'm going to draw his legs. | 0:15:34 | 0:15:36 | |
Each bone being made of two straight lines... | 0:15:36 | 0:15:38 | |
..two little bumps coming off them. | 0:15:40 | 0:15:42 | |
And the feet are just going to be two ovals like this. | 0:15:46 | 0:15:48 | |
And the toes are just little smaller ones coming off. | 0:15:51 | 0:15:54 | |
Arms very much the same as the legs. | 0:15:55 | 0:15:57 | |
Couple of bones making up the main body of them | 0:15:57 | 0:16:00 | |
and the hands, here, just a circle and then, little circles coming off | 0:16:00 | 0:16:04 | |
to make up the fingers. | 0:16:04 | 0:16:06 | |
And now the other arm. A couple of bones. | 0:16:06 | 0:16:08 | |
This lower one being the forearm. | 0:16:09 | 0:16:11 | |
Of course, his hands and little bones coming off | 0:16:11 | 0:16:14 | |
to make up the digits. | 0:16:14 | 0:16:15 | |
And there you go. | 0:16:15 | 0:16:17 | |
There's your quick art tip of how to draw a skeleton. | 0:16:17 | 0:16:22 | |
-Ricky, Ricky, Ricky. -It's the ninja apprentices. | 0:16:32 | 0:16:36 | |
Can you make art with a sock? | 0:16:36 | 0:16:38 | |
-I could, but it might be odd. -Oh! | 0:16:38 | 0:16:41 | |
-Hi, Ricky. -It's Lily from So Awkward. | 0:16:42 | 0:16:45 | |
Ricky, do you think you could make art with maracas? | 0:16:45 | 0:16:48 | |
Yeah, I go crackers for maracas. | 0:16:50 | 0:16:53 | |
Can you make art with them? | 0:16:55 | 0:16:57 | |
-No, sorry. -Oh! | 0:16:57 | 0:16:58 | |
That was so awkward. | 0:17:00 | 0:17:02 | |
Hey, what's she got? | 0:17:03 | 0:17:04 | |
Ricky, can you make art with garden wire? | 0:17:04 | 0:17:08 | |
I don't see wire not. | 0:17:08 | 0:17:10 | |
-I choose you. -Yay! | 0:17:10 | 0:17:11 | |
-So what's your name? -Ava. -Nice to meet you, Ava. | 0:17:13 | 0:17:15 | |
-And where are you from? -Bristol. | 0:17:15 | 0:17:17 | |
Oh, local, great stuff. | 0:17:17 | 0:17:19 | |
Well, it's a good suggestion, I'll just go grab my bits. | 0:17:19 | 0:17:22 | |
So I've got a yoghurt pot that I've painted, some modelling clay, | 0:17:22 | 0:17:25 | |
a couple of extra bits of wire, you never know. | 0:17:25 | 0:17:29 | |
And I've got some pictures of a cat. | 0:17:29 | 0:17:31 | |
One that's profile and one that's face on. | 0:17:31 | 0:17:33 | |
-Everyone likes cat pictures, right? -Yeah. -Yeah, man. | 0:17:33 | 0:17:36 | |
I'm going to start by using a piece of the wire | 0:17:36 | 0:17:38 | |
to follow the profile of the cat. | 0:17:38 | 0:17:41 | |
So I'm just holding it over the picture and bending it | 0:17:41 | 0:17:43 | |
round the outline. | 0:17:43 | 0:17:44 | |
So I can see you've got some art on the walls behind you. | 0:17:44 | 0:17:47 | |
Can you talk me through it? | 0:17:47 | 0:17:48 | |
Yeah. When I made it, my marker, it exploded. | 0:17:48 | 0:17:53 | |
Your pen exploded? | 0:17:53 | 0:17:55 | |
Yeah. I added some pink paint to make the blue | 0:17:55 | 0:18:01 | |
splodges, I guess, stand out more. | 0:18:01 | 0:18:04 | |
Nice idea. So I've got my first bit of wire bent. | 0:18:04 | 0:18:07 | |
That's the cat's profile without the ears. | 0:18:07 | 0:18:10 | |
It doesn't look like much now but it'll be great by the end. | 0:18:10 | 0:18:13 | |
Now I'm going to use a longer piece of wire to go round the face on the | 0:18:13 | 0:18:16 | |
picture of the cat. I'm going to start at the chin. | 0:18:16 | 0:18:19 | |
Just pushing the wire around the outside of the face. | 0:18:19 | 0:18:22 | |
And when I get to a feature, | 0:18:24 | 0:18:26 | |
I'm bending the wire in to then trace around it. | 0:18:26 | 0:18:29 | |
It's kind of going to be like a continuous line drawing. | 0:18:29 | 0:18:32 | |
Just going round one of the ears. | 0:18:32 | 0:18:34 | |
Ava, can you do a cat impression? | 0:18:34 | 0:18:36 | |
Meow! | 0:18:36 | 0:18:39 | |
I've got these extra bits, here. | 0:18:39 | 0:18:40 | |
-What do you think they're for? -Whiskers. -Yeah, man. | 0:18:40 | 0:18:43 | |
-Can you do your cat noise again? -Meow! | 0:18:43 | 0:18:47 | |
Right, so, just going to bend these in half, like that, | 0:18:48 | 0:18:50 | |
and just slide them round the edge of the cable, there. | 0:18:50 | 0:18:53 | |
Pinch them so that they stick onto the wire. | 0:18:53 | 0:18:55 | |
Ava, have you got any pets? | 0:18:58 | 0:18:59 | |
No, but I want a dog. | 0:18:59 | 0:19:01 | |
What kind of dog would you get? | 0:19:01 | 0:19:03 | |
-A pug. -A pug! | 0:19:03 | 0:19:05 | |
-Yes. -There we go. | 0:19:05 | 0:19:06 | |
I'm going to make these 2-D images into a 3-D sculpture. | 0:19:07 | 0:19:11 | |
So I've got my yoghurt pot and my clay to make a stand. | 0:19:11 | 0:19:14 | |
I'm just going to push the clay into the bottom bit like that. | 0:19:14 | 0:19:18 | |
And start with the profile piece. | 0:19:18 | 0:19:19 | |
Just going to push that through the cup and the clay. | 0:19:19 | 0:19:22 | |
I'm going to push my other piece of wire into the base as well. | 0:19:22 | 0:19:25 | |
-Now, the next bit's going to look ace. -Oh! | 0:19:25 | 0:19:27 | |
I'm putting the cat's face into the base. | 0:19:27 | 0:19:30 | |
That rhymes! It's quite fiddly. | 0:19:30 | 0:19:33 | |
You might need to get someone to give you a hand. | 0:19:33 | 0:19:35 | |
Then, I'm bending it over the profile, matching it up | 0:19:35 | 0:19:38 | |
where the noses go. | 0:19:38 | 0:19:39 | |
-Are you ready to see it? -Yeah. | 0:19:40 | 0:19:42 | |
-What do you reckon? -Oh, it looks like a 3-D cat. | 0:19:42 | 0:19:47 | |
It's pretty cool, right? | 0:19:47 | 0:19:48 | |
So, what would you score it? | 0:19:48 | 0:19:50 | |
-A ten. -Oh, a ten? That's a model score. | 0:19:50 | 0:19:54 | |
And the great thing about this art is it casts amazing shadows. | 0:19:54 | 0:19:58 | |
Thanks very much for your suggestion, Ava. | 0:20:02 | 0:20:03 | |
High five. | 0:20:03 | 0:20:05 | |
-Bye-bye. -Bye-bye. | 0:20:05 | 0:20:08 | |
Come on, Ella, let's have some fun. | 0:20:23 | 0:20:25 | |
One, two, three, four. | 0:20:25 | 0:20:27 | |
# Don't need money, don't take fame | 0:20:27 | 0:20:31 | |
# Don't need no credit card to ride this train... # | 0:20:31 | 0:20:36 | |
Oh, no! | 0:20:39 | 0:20:41 | |
-There you go, Ella. -I'm OK, man. | 0:20:45 | 0:20:47 | |
-Greetings, dude! -Hey, Grand Master. | 0:20:48 | 0:20:51 | |
It's great to see you and all, but you're kind of spoiling my fun day | 0:20:51 | 0:20:55 | |
with Ella. | 0:20:55 | 0:20:56 | |
Lesson 9,009 to enlightenment. | 0:20:58 | 0:21:02 | |
Surreptitious cash carrier. | 0:21:02 | 0:21:05 | |
-Magic wallet. -Let's do it. | 0:21:07 | 0:21:10 | |
Grab some rectangles of card and some ribbon. | 0:21:10 | 0:21:13 | |
Weird. | 0:21:14 | 0:21:16 | |
Put two pieces of ribbon on one side and lay them out straight. | 0:21:16 | 0:21:20 | |
Put two pieces on the other side crossed over. | 0:21:20 | 0:21:23 | |
Hold them down with some sticky tape. | 0:21:23 | 0:21:26 | |
And fold the ribbon back the other way. | 0:21:28 | 0:21:30 | |
Magic! | 0:21:31 | 0:21:32 | |
Put another piece of card on top. | 0:21:33 | 0:21:37 | |
Fold the ribbon back over the top, | 0:21:37 | 0:21:40 | |
holding it in place with sticky tape. | 0:21:40 | 0:21:43 | |
Glue some patterned paper to this side. | 0:21:47 | 0:21:49 | |
Do the same on the other side, dude. | 0:21:53 | 0:21:56 | |
Ask a grown-up for some paper money and put it under the ribbons inside | 0:21:58 | 0:22:03 | |
the wallet. | 0:22:03 | 0:22:05 | |
Crossed ribbon, straight ribbon. | 0:22:05 | 0:22:08 | |
Watch it magically swap sides. | 0:22:08 | 0:22:11 | |
Magic, man. | 0:22:11 | 0:22:12 | |
Lesson 9,009 complete. | 0:22:14 | 0:22:17 | |
-Check it out. -Thanks, Grand Master. | 0:22:17 | 0:22:19 | |
I am richer for the experience. | 0:22:19 | 0:22:21 | |
Well, kind of. | 0:22:24 | 0:22:25 | |
You are most welcome. | 0:22:25 | 0:22:27 | |
Ella, you're back. | 0:22:34 | 0:22:35 | |
Let's play our song again. | 0:22:35 | 0:22:36 | |
# That's the power of love... # | 0:22:37 | 0:22:40 | |
Ella, another power surge! | 0:22:42 | 0:22:43 | |
Noooooooo! | 0:22:48 | 0:22:51 | |
-Ella! -Hi, Ricky. | 0:22:53 | 0:22:56 | |
You can let go of me now. | 0:23:00 | 0:23:01 | |
Oh, cool dummy. | 0:23:03 | 0:23:04 | |
-Nice hair. -Oh, that old thing. | 0:23:04 | 0:23:07 | |
I was actually just about to take it to the dump. | 0:23:07 | 0:23:09 | |
I'll come with you. Shall we go then, Ella? | 0:23:09 | 0:23:12 | |
-I said I was coming, didn't I? -Yeah, yeah. | 0:23:12 | 0:23:14 | |
You take that. | 0:23:16 | 0:23:17 | |
And let's go. | 0:23:19 | 0:23:20 | |
Ninja skills. | 0:23:37 | 0:23:38 | |
Here you go, Ella, put this on and dump the dummy | 0:23:41 | 0:23:43 | |
over there on the scrapheap. | 0:23:43 | 0:23:45 | |
That's the dummy, I'm Ella. | 0:23:45 | 0:23:47 | |
My mistake, here you go. | 0:23:48 | 0:23:49 | |
Let me give you a hand, come on. | 0:23:49 | 0:23:51 | |
-All right, Ricks? -Rich, you scared me! | 0:23:54 | 0:23:57 | |
Some great stuff for art over here, mate. | 0:23:57 | 0:23:59 | |
And I've got just the idea. | 0:23:59 | 0:24:00 | |
Let's get some scrap and get our ninja on. | 0:24:00 | 0:24:03 | |
Art Ninja! | 0:24:09 | 0:24:11 | |
-Strike a pose. -Like this? | 0:24:11 | 0:24:13 | |
Just freeze like a mannequin. | 0:24:13 | 0:24:14 | |
So what are we making, Ricky? | 0:24:19 | 0:24:21 | |
Well, I thought that this would make a pretty good body. | 0:24:21 | 0:24:24 | |
So can you run off and find me some more interesting bits of scrap? | 0:24:24 | 0:24:28 | |
On it like a car bonnet. | 0:24:30 | 0:24:32 | |
-What about this, Ricky? -Oh, yes, that will make a nice ribcage. | 0:24:40 | 0:24:44 | |
Great. | 0:24:46 | 0:24:47 | |
That's it, and one the other side. | 0:24:49 | 0:24:51 | |
Hey, Ella, you pass me that, we could really transform her. | 0:24:57 | 0:25:00 | |
Hey, Rich, can you give us a hand? | 0:25:07 | 0:25:09 | |
How about two? | 0:25:09 | 0:25:10 | |
OK, guys, let's go and get some more bits. | 0:25:18 | 0:25:20 | |
-Rich. -Yeah? -Did you move those mannequins over there? | 0:25:26 | 0:25:28 | |
No. I thought Ella did it. | 0:25:28 | 0:25:30 | |
No. | 0:25:30 | 0:25:32 | |
Weird. I feel like they're watching me. | 0:25:32 | 0:25:34 | |
No, you're just imagining it, Ricky. | 0:25:34 | 0:25:36 | |
Guys, can you see the...? | 0:25:39 | 0:25:40 | |
Ah! | 0:25:42 | 0:25:43 | |
So what are we making, Ricky? | 0:25:51 | 0:25:52 | |
Let me give you a clue. | 0:25:52 | 0:25:54 | |
Oh, I get it, why didn't you just say it? | 0:25:56 | 0:25:59 | |
-Why don't you just spray it? -I thought you'd never ask. | 0:25:59 | 0:26:02 | |
We need maybe some little bulbs for some eyes. | 0:26:13 | 0:26:15 | |
OK, we need a nose. | 0:26:19 | 0:26:20 | |
How about this? | 0:26:23 | 0:26:24 | |
Oh, yes. | 0:26:24 | 0:26:26 | |
A beard. | 0:26:26 | 0:26:27 | |
Ella, you keep knocking the eyes off. | 0:26:28 | 0:26:30 | |
Rich will be taking this much more seriously. Where is he? | 0:26:30 | 0:26:33 | |
Rich?! | 0:26:33 | 0:26:35 | |
Here I am, Ricky. | 0:26:37 | 0:26:38 | |
Let's use this as a hat. | 0:26:43 | 0:26:44 | |
There we go guys, great work. | 0:26:48 | 0:26:50 | |
I present to you, the Art Ninj-bot. | 0:26:50 | 0:26:54 | |
-Do you like it? BOTH: -Affirmative. | 0:27:00 | 0:27:02 | |
-ROBOT: -Ninja skills. -The robot's alive. | 0:27:13 | 0:27:14 | |
No, it's just this toy I found. | 0:27:14 | 0:27:16 | |
Give me that. | 0:27:16 | 0:27:17 | |
-Let's go. -Fair enough. | 0:27:18 | 0:27:21 | |
As if the robot could be alive. | 0:27:21 | 0:27:23 | |
How could that ever happen? | 0:27:23 | 0:27:25 | |
LAUGHTER | 0:27:25 | 0:27:26 | |
Phew. Back home safe. | 0:27:33 | 0:27:36 | |
It was fun having mannequin Ella come to life, | 0:27:36 | 0:27:38 | |
even if everyone thought I was talking to myself. | 0:27:38 | 0:27:41 | |
Not another power surge! | 0:27:45 | 0:27:46 | |
What's happened to me?! | 0:27:46 | 0:27:48 | |
ARGGGGGGGGGH! | 0:27:48 | 0:27:50 | |
Head over to our online gallery | 0:27:52 | 0:27:53 | |
and upload your masterpieces at... | 0:27:53 | 0:27:56 |