Browse content similar to Batman and Extreme Cheese. Check below for episodes and series from the same categories and more!
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-Roses are red. -Violets are blue. | 0:00:07 | 0:00:10 | |
On today's show... | 0:00:10 | 0:00:11 | |
Lindsey goes caving for cheese, Radzi meets Lego Batman, | 0:00:11 | 0:00:14 | |
and Gabrielle Aplin does her latest single, Miss You. | 0:00:14 | 0:00:16 | |
Kind of works as a poem, doesn't it? | 0:00:16 | 0:00:18 | |
Don't know if it did work. It did rhyme, though. | 0:00:18 | 0:00:19 | |
-Sounds like a good show. -Right. -It is. | 0:00:19 | 0:00:21 | |
CHEERING AND APPLAUSE | 0:00:36 | 0:00:38 | |
-Hello! -Hello! -Hello! Hello, hello, hello. -Hi! | 0:00:38 | 0:00:40 | |
Welcome to live Blue Peter. | 0:00:40 | 0:00:42 | |
Valentine's Day is around the corner, | 0:00:42 | 0:00:44 | |
which means this show is all about... | 0:00:44 | 0:00:47 | |
..loooove. | 0:00:48 | 0:00:49 | |
-OK, Rad, stop. -That was a bit weird. -That's a lot. -But it's true, | 0:00:50 | 0:00:53 | |
it's true, love IS in the air, | 0:00:53 | 0:00:55 | |
you can hear it courtesy of today's guest, Gabrielle Aplin. | 0:00:55 | 0:00:57 | |
Isn't it beautiful? If you think her playing's good, | 0:00:57 | 0:00:59 | |
wait 'till you hear her sing, later. | 0:00:59 | 0:01:01 | |
-Yeah. -It's like sitting in a bath of melted chocolate. | 0:01:01 | 0:01:03 | |
-True! -You smiled, then. | 0:01:03 | 0:01:04 | |
There's loads coming up on today's show, | 0:01:04 | 0:01:06 | |
but don't just take my word for it, | 0:01:06 | 0:01:08 | |
I'm going to hand over to the star of | 0:01:08 | 0:01:09 | |
the brand-new Lego Batman movie. | 0:01:09 | 0:01:11 | |
It's Will Arnett. | 0:01:11 | 0:01:13 | |
-GROWLING: -Coming up in today's show - | 0:01:13 | 0:01:15 | |
Lindsey's set an extreme cheese challenge in a cave. | 0:01:15 | 0:01:18 | |
Sounds grate! | 0:01:18 | 0:01:20 | |
We show you how to make the cutest Valentine's card gross. | 0:01:20 | 0:01:23 | |
And in Blue Peter's greatest ever moment in history, | 0:01:23 | 0:01:26 | |
me... | 0:01:26 | 0:01:27 | |
Batman. | 0:01:27 | 0:01:28 | |
# Nah-nah, nah-nah, nah-nah, nah-nah... | 0:01:28 | 0:01:31 | |
# Batman! # | 0:01:31 | 0:01:33 | |
-IN GRUFF BATMAN VOICE: -We'll also be playing Spot Shelley, | 0:01:33 | 0:01:35 | |
she is the master of disguises. | 0:01:35 | 0:01:37 | |
Where is she? Nobody knows. | 0:01:37 | 0:01:40 | |
-That's actually not too bad. -That was quite good, in fairness. | 0:01:40 | 0:01:43 | |
-Well done, Rad. -APPLAUSE | 0:01:43 | 0:01:44 | |
-By the way, I already found Shelley. She's right there. -Doesn't count. | 0:01:44 | 0:01:47 | |
Right, then, let's talk about | 0:01:47 | 0:01:48 | |
our Red Nose Day Totaliser, shall we? | 0:01:48 | 0:01:49 | |
-Walk this way. We've got some lovely shots we need to look at. -Let's go. | 0:01:49 | 0:01:52 | |
Look at it in all of its glory. | 0:01:52 | 0:01:54 | |
The idea is for us to capture as many jokes as we can, | 0:01:54 | 0:01:56 | |
and chuck them into the Totaliser to give us a big total. | 0:01:56 | 0:01:59 | |
Now, we smashed the total in the first week, | 0:01:59 | 0:02:00 | |
-how are we doing thus far, Radz? -Let's find out! | 0:02:00 | 0:02:03 | |
DRUMROLL | 0:02:03 | 0:02:05 | |
-Here we go. -The number of jokes sent into Blue Peter is... | 0:02:05 | 0:02:09 | |
Yay! | 0:02:10 | 0:02:11 | |
-1794, to be precise. -Wow! -Loads! | 0:02:11 | 0:02:16 | |
Wow! Crew, make some noise, that's pretty good! | 0:02:16 | 0:02:18 | |
CHEERING | 0:02:18 | 0:02:19 | |
But you know what? Guys at home, I think you can do even better, | 0:02:19 | 0:02:22 | |
we want even more jokes sent in. | 0:02:22 | 0:02:24 | |
And let us know what you're doing this year | 0:02:24 | 0:02:26 | |
for Comic Relief and Red Nose Day. | 0:02:26 | 0:02:28 | |
-There's two ways to get involved, Barney. -Yes, there are. | 0:02:28 | 0:02:30 | |
Oh, I've got my own shot. Hello. I love it when this happens. | 0:02:30 | 0:02:33 | |
It's all about me, darlings. | 0:02:33 | 0:02:34 | |
So this is the Comedy Classroom form, | 0:02:34 | 0:02:36 | |
download it from the website and fill it in. | 0:02:36 | 0:02:38 | |
We want three original jokes, please, | 0:02:38 | 0:02:40 | |
that's three jokes that you've made up. | 0:02:40 | 0:02:41 | |
Get them in and Miranda Hart and Richard Curtis | 0:02:41 | 0:02:43 | |
will actually be judging them, | 0:02:43 | 0:02:45 | |
to see which one they think is the best. | 0:02:45 | 0:02:46 | |
It could get read out on the Red Nose Day special, in March. | 0:02:46 | 0:02:49 | |
You've got 'till the 28th February to get these in, please. | 0:02:49 | 0:02:51 | |
Hurry up! Thank you very much. Don't forget, if you want inspiration, | 0:02:51 | 0:02:54 | |
-check out Peter Kay as well, he knows his stuff. -Ooh, yes. | 0:02:54 | 0:02:56 | |
One of my favourite interviews I've ever done in, well, 67 years. | 0:02:56 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:01 | |
Or option number two, | 0:03:01 | 0:03:03 | |
you can download this form, print it out, and write in there | 0:03:03 | 0:03:06 | |
three of your favourite jokes. | 0:03:06 | 0:03:09 | |
If that, my friends, is more up your strasse. | 0:03:09 | 0:03:11 | |
Someone who's done just that is Tiffany, check this out. | 0:03:11 | 0:03:14 | |
She's filled her form out, there's rainbows, there's pink. | 0:03:14 | 0:03:17 | |
-Barney, you've got a colourful beard. -I like it. | 0:03:17 | 0:03:19 | |
I'll be doing that next week. | 0:03:19 | 0:03:20 | |
And she's written out her top three favourite jokes. | 0:03:20 | 0:03:22 | |
I'm not going to tell them. Tiffany, it's over to you. | 0:03:22 | 0:03:25 | |
-Tell your joke. -Nice. | 0:03:25 | 0:03:26 | |
Knock, knock. | 0:03:26 | 0:03:27 | |
ALL: Who's there? | 0:03:27 | 0:03:28 | |
Little old lady. | 0:03:28 | 0:03:30 | |
ALL: Little old lady who? | 0:03:30 | 0:03:31 | |
I didn't know you could yodel! | 0:03:31 | 0:03:33 | |
LAUGHTER AND CHEERING | 0:03:33 | 0:03:34 | |
SHE YODELS | 0:03:34 | 0:03:35 | |
-That's a good joke. -Very good. Lol. -It made me lol. -Yeah, lol. | 0:03:35 | 0:03:38 | |
What about Meshari, though? How funny is he? Let's have a look. | 0:03:38 | 0:03:41 | |
What's the difference between a guitar and a fish? | 0:03:41 | 0:03:44 | |
You can't TUNA fish. | 0:03:44 | 0:03:45 | |
Really good. Tune a fish. | 0:03:47 | 0:03:48 | |
And back in 1992, that was my hair as well. | 0:03:48 | 0:03:51 | |
Now, though, let's talk about deadlines, | 0:03:51 | 0:03:53 | |
because the deadline for sending in your jokes | 0:03:53 | 0:03:55 | |
is Wednesday 22nd of March, | 0:03:55 | 0:03:57 | |
the day after, on the Thursday, will be our Red Nose Day special, | 0:03:57 | 0:04:00 | |
and there'll be maximum lol-age. | 0:04:00 | 0:04:02 | |
-So just for good measure, let's have one more joke. -OK. | 0:04:02 | 0:04:04 | |
Aimee, you're a genius. Watch this. | 0:04:04 | 0:04:07 | |
What do you call cheese that isn't yours? | 0:04:07 | 0:04:09 | |
Nacho cheese! | 0:04:09 | 0:04:11 | |
CHEERING | 0:04:11 | 0:04:12 | |
Really nice. Very good. | 0:04:12 | 0:04:13 | |
That reminds me, cheese. | 0:04:13 | 0:04:15 | |
Cheese. I absolutely adore it, | 0:04:17 | 0:04:21 | |
so when I found out I was doing a film about cheese, | 0:04:21 | 0:04:23 | |
I couldn't BRIE happier. | 0:04:23 | 0:04:26 | |
OK. So why, may you ask, am I starting a film about cheese | 0:04:26 | 0:04:29 | |
outside a cave in Somerset? | 0:04:29 | 0:04:31 | |
Well, all is going to be revealed, | 0:04:31 | 0:04:33 | |
but first I need to head about 45 miles that way, | 0:04:33 | 0:04:36 | |
to Dorset. | 0:04:36 | 0:04:37 | |
This is Ford Farm, | 0:04:39 | 0:04:40 | |
and I'm here because we need to go back to the beginning | 0:04:40 | 0:04:43 | |
and find out how cheese is made. | 0:04:43 | 0:04:46 | |
Nice hairnet, Lindz. | 0:04:46 | 0:04:47 | |
So, where do we start? With milk, of course. | 0:04:48 | 0:04:51 | |
Meet Martin, a cheese-making expert. | 0:04:52 | 0:04:55 | |
Hello, Martin, I am here | 0:04:56 | 0:04:57 | |
and I am ready to milk some cows. | 0:04:57 | 0:05:00 | |
Let's do this. | 0:05:00 | 0:05:01 | |
We've already done that, so we'll crack on and make some cheese today. | 0:05:01 | 0:05:04 | |
Right. Yes. I knew that! | 0:05:04 | 0:05:06 | |
Hands washed and sanitised, | 0:05:08 | 0:05:10 | |
we are good to go. | 0:05:10 | 0:05:11 | |
Oh, my goodness, is that milk? | 0:05:13 | 0:05:15 | |
We fill the tanks with milk. | 0:05:15 | 0:05:17 | |
This is now curds and whey. | 0:05:17 | 0:05:20 | |
-So that's why there's kind of little bits in it? -Yeah. | 0:05:20 | 0:05:22 | |
When a special ingredient is added to milk, | 0:05:22 | 0:05:25 | |
it splits into curds and whey. | 0:05:25 | 0:05:27 | |
Curds are the solid bits, and whey is the liquid. | 0:05:27 | 0:05:30 | |
The curds and whey are now being drained and separated. | 0:05:35 | 0:05:37 | |
It's foaming, it's hot. | 0:05:37 | 0:05:39 | |
It is hot. It is 40 degrees. | 0:05:39 | 0:05:41 | |
Once most of the whey has been drained, | 0:05:41 | 0:05:43 | |
it's time to cheddar the curds. | 0:05:43 | 0:05:45 | |
-So the idea is we cut it with a knife. -Yeah. | 0:05:45 | 0:05:48 | |
And then we roll the loaf over. | 0:05:49 | 0:05:52 | |
Oh, right. | 0:05:52 | 0:05:53 | |
-And that's cheddaring? -And that's cheddaring. | 0:05:53 | 0:05:55 | |
-And that's why it's called cheddar cheese. -Absolutely. | 0:05:55 | 0:05:57 | |
You cut, I'll roll. | 0:05:57 | 0:05:58 | |
Oh, it's quite heavy, isn't it? | 0:05:58 | 0:06:00 | |
Oh, it's really hot! | 0:06:00 | 0:06:02 | |
It's like wet, hot, scrambled egg. | 0:06:02 | 0:06:05 | |
And it's really heavy. | 0:06:05 | 0:06:07 | |
How long do you just keep doing this for? | 0:06:07 | 0:06:09 | |
-About two hours. -Two hours?! | 0:06:09 | 0:06:11 | |
Get strong. It's a good workout, cheddaring. | 0:06:12 | 0:06:15 | |
After cutting and turning the curds into blocks, | 0:06:15 | 0:06:18 | |
all our hard work is undone by this machine | 0:06:18 | 0:06:20 | |
which breaks it up again into small pieces, | 0:06:20 | 0:06:23 | |
to make sure that the cheese gets an even scattering of salt. | 0:06:23 | 0:06:26 | |
The curds are then are put into moulds to be pressed into shape. | 0:06:26 | 0:06:30 | |
-So these are the moulds. -OK. | 0:06:30 | 0:06:31 | |
-So, now, we tip the curds in. -Oh, and then it all gets pressed down? | 0:06:31 | 0:06:34 | |
And then press them down into it to make the shape. | 0:06:34 | 0:06:36 | |
Still wouldn't want to eat this in a sandwich, would you? | 0:06:42 | 0:06:44 | |
'After four hours of being pressed, our cheese is carefully... | 0:06:46 | 0:06:50 | |
'Yeah, very carefully...' | 0:06:51 | 0:06:52 | |
Come on, cheese! | 0:06:52 | 0:06:54 | |
'..taken out and covered with a layer of lard, | 0:06:54 | 0:06:56 | |
'to protect it from drying out.' | 0:06:56 | 0:06:57 | |
It's like a proper Blue Peter make. | 0:06:58 | 0:07:01 | |
'It's then wrapped and left to mature for 12 months.' | 0:07:01 | 0:07:04 | |
Quite proud of that, Martin. Done. | 0:07:05 | 0:07:07 | |
'I've just got one more thing on my to-do list.' | 0:07:07 | 0:07:10 | |
I feel like you can't come to a cheese factory | 0:07:10 | 0:07:13 | |
and not have a go at driving the cheese around. | 0:07:13 | 0:07:15 | |
So Martin's let me have a go. I'm in reverse. | 0:07:15 | 0:07:18 | |
Oh. Oh, I thought it'd go faster. | 0:07:19 | 0:07:22 | |
Oh, I could drive a forklift all day long. | 0:07:22 | 0:07:25 | |
This is just great. | 0:07:26 | 0:07:28 | |
LORRY HORN TOOTS | 0:07:28 | 0:07:29 | |
Except, I can't. | 0:07:29 | 0:07:30 | |
Because this cheese doesn't just sit on the farm for 12 months. | 0:07:32 | 0:07:36 | |
Oh, no. | 0:07:36 | 0:07:38 | |
Remember the cave from earlier? | 0:07:38 | 0:07:39 | |
Well, it's about to take centre stage | 0:07:39 | 0:07:43 | |
because this type of cheese is special. | 0:07:43 | 0:07:46 | |
To give it a unique, earthy flavour | 0:07:46 | 0:07:48 | |
it's kept 16 metres underground, | 0:07:48 | 0:07:51 | |
at the Wookey Hole caves in Somerset, | 0:07:51 | 0:07:54 | |
and that's exactly where our cheese is heading. | 0:07:54 | 0:07:57 | |
Mm, cheesy. | 0:07:57 | 0:07:59 | |
So our cheese is going to take place with the others, | 0:07:59 | 0:08:01 | |
but as you can see, this is a Blue Peter cheese, | 0:08:01 | 0:08:04 | |
and on Blue Peter we love a challenge, | 0:08:04 | 0:08:06 | |
so I want to take this cheese further | 0:08:06 | 0:08:08 | |
than any cheese has gone before. | 0:08:08 | 0:08:10 | |
To get our cheese into its home for the year, | 0:08:11 | 0:08:13 | |
I'm going to take it caving. | 0:08:13 | 0:08:16 | |
Guys, this is extreme cheese! | 0:08:16 | 0:08:19 | |
I don't really know what that is, but luckily, | 0:08:19 | 0:08:21 | |
caving guide Becca is here to help me. | 0:08:21 | 0:08:25 | |
Hi, how are you doing? Thank you for helping me today. | 0:08:25 | 0:08:27 | |
Let's do this. | 0:08:27 | 0:08:28 | |
I'm taking our cheese through some of the ancient tunnels | 0:08:30 | 0:08:33 | |
and caverns that have only recently been opened, | 0:08:33 | 0:08:36 | |
so I've wrapped it carefully in a bag. | 0:08:36 | 0:08:38 | |
That is a tight squeeze. | 0:08:39 | 0:08:41 | |
SHE GROANS AND STRUGGLES | 0:08:42 | 0:08:45 | |
It's incredible to think that some of the caves I'm travelling through | 0:08:47 | 0:08:50 | |
were created 50,000 years ago. | 0:08:50 | 0:08:53 | |
This cheese had better taste good. I'll tell you that much. | 0:08:55 | 0:08:58 | |
But caving is only the beginning. | 0:08:59 | 0:09:01 | |
It turns out I'll do anything for cheese. | 0:09:01 | 0:09:04 | |
Not just crawling through tunnels. | 0:09:04 | 0:09:06 | |
So, Becca, what are we doing? I'm scared. | 0:09:07 | 0:09:09 | |
Lindsey, you're going to do an abseil. | 0:09:09 | 0:09:11 | |
So when you're ready, | 0:09:11 | 0:09:12 | |
if you just want to kneel down, and go out to the edge. | 0:09:12 | 0:09:14 | |
-Let go? -Let go. | 0:09:14 | 0:09:16 | |
OK. Oh, my goodness. | 0:09:16 | 0:09:17 | |
-This is an intense way to store cheese, I've got to say. -It is. | 0:09:17 | 0:09:21 | |
We could have just put it in the fridge, you know? | 0:09:21 | 0:09:23 | |
'This is ridiculous. | 0:09:23 | 0:09:25 | |
'I'm dangling from a rock face, | 0:09:25 | 0:09:27 | |
'all for a block of cheddar.' | 0:09:27 | 0:09:28 | |
Just managed to do an abseil with two kilos of cheese on my back. | 0:09:30 | 0:09:34 | |
Can't say that every day, can you? | 0:09:34 | 0:09:36 | |
It doesn't end there. | 0:09:38 | 0:09:40 | |
Next on our route, traversing, | 0:09:40 | 0:09:42 | |
which involves making our way across the cave walls, | 0:09:42 | 0:09:45 | |
clinging to just a rope, | 0:09:45 | 0:09:47 | |
over a lake. | 0:09:47 | 0:09:48 | |
This is so tricky. | 0:09:50 | 0:09:52 | |
There's barely any room to place my feet. | 0:09:52 | 0:09:54 | |
But...finally... | 0:09:55 | 0:09:56 | |
After travelling nearly 500m through these beautiful caverns, | 0:09:58 | 0:10:01 | |
I've finally come to the place where the cheese is going to rest | 0:10:01 | 0:10:04 | |
for the next 12 months, | 0:10:04 | 0:10:06 | |
and just through here is cheese chamber expert Tanis. | 0:10:06 | 0:10:08 | |
-Tanis, hi. -Oh, hi! Nice to meet you. | 0:10:10 | 0:10:13 | |
Good to meet you. It is great to be here. | 0:10:13 | 0:10:14 | |
-How did you get here? -There's a path just down there. | 0:10:14 | 0:10:17 | |
'OK, that's a little bit annoying.' | 0:10:18 | 0:10:20 | |
Oh, right. | 0:10:20 | 0:10:21 | |
So, whereabouts is my cheese going to go? | 0:10:21 | 0:10:23 | |
It's going to go right here. | 0:10:23 | 0:10:25 | |
-Amazing! Shall we get it out? -Yeah. | 0:10:25 | 0:10:27 | |
I don't know if it's a bit battered and bruised. | 0:10:27 | 0:10:29 | |
-No, I'm sure it will be perfect. -Here we go. | 0:10:29 | 0:10:32 | |
The moment of truth. It's come a long way. | 0:10:32 | 0:10:33 | |
There we go. | 0:10:33 | 0:10:34 | |
Well done! | 0:10:34 | 0:10:36 | |
Blue Peter cheese! | 0:10:36 | 0:10:37 | |
So why is it important that it's in here, Tanis? | 0:10:37 | 0:10:40 | |
It is 11 degrees all year round, | 0:10:40 | 0:10:42 | |
it has a perfect humidity, | 0:10:42 | 0:10:44 | |
and it has a nice earthy flavour the caves bring out in it. | 0:10:44 | 0:10:47 | |
Our BP cheddar will take on those cave-y tastes | 0:10:48 | 0:10:51 | |
as it matures 16m below the ground for the next year. | 0:10:51 | 0:10:55 | |
Job done. | 0:10:55 | 0:10:57 | |
Do you know what? I am actually really proud of that, | 0:10:57 | 0:10:59 | |
cheese made with my own fair hands. | 0:10:59 | 0:11:02 | |
That is extreme cheese. | 0:11:02 | 0:11:03 | |
Do you know what? I'm actually still full from all the cheese | 0:11:04 | 0:11:07 | |
I ate on that day. A little cheese tummy! | 0:11:07 | 0:11:09 | |
Does that mean we can go back in a year | 0:11:09 | 0:11:11 | |
and have a ploughman's in that cave? That'd be amazing, wouldn't it? | 0:11:11 | 0:11:13 | |
-With our Blue Peter cheese. -Maybe! Let it mature. -OK. | 0:11:13 | 0:11:16 | |
"Which cheese is the cheesiest..." | 0:11:16 | 0:11:17 | |
was the question I came up with out of the back of that film. | 0:11:17 | 0:11:19 | |
Fear not, if you have the same question, | 0:11:19 | 0:11:21 | |
because we answered it yesterday. Radzi, say some words. | 0:11:21 | 0:11:23 | |
In honour of Aimee, we are having cheese, vs Nacho cheese. | 0:11:23 | 0:11:26 | |
That's not its official name, we just called it that. | 0:11:26 | 0:11:28 | |
We essentially ate a lot of cheese. The video evidence is right there. | 0:11:28 | 0:11:31 | |
There's also evidence of the post you sent in, | 0:11:31 | 0:11:32 | |
courtesy of the Big Badge Wall. | 0:11:32 | 0:11:34 | |
# Ba ba-da dah! # | 0:11:34 | 0:11:35 | |
That's the theme tune. | 0:11:35 | 0:11:37 | |
-Good. -Can you do that again, Lindz? -# Ba ba-da dah! # | 0:11:37 | 0:11:40 | |
-We're going to incorporate that into next week's show. -No, let's not. | 0:11:40 | 0:11:42 | |
Look at the heart which Mila Lily has sent in, you clever thing, you. | 0:11:42 | 0:11:46 | |
-Aww, look! -Shelley, Barney, Lindsey, myself, | 0:11:46 | 0:11:49 | |
and that has earned you your very own silver badge. | 0:11:49 | 0:11:51 | |
Well done, Mila Lily, coolest name ever! | 0:11:51 | 0:11:52 | |
That is well nice, yeah, thank you! | 0:11:52 | 0:11:54 | |
This one's been sent in from Amber. | 0:11:54 | 0:11:56 | |
Now, Amber makes these tiles, really special tiles, | 0:11:56 | 0:11:58 | |
for her friends and family, normally. | 0:11:58 | 0:12:00 | |
She collects bits of tile and stone and sticks them on to tile | 0:12:00 | 0:12:02 | |
and then sends them to people. | 0:12:02 | 0:12:04 | |
-It's lovely. -Aw! -Amber, well done. Thank you very much. | 0:12:04 | 0:12:06 | |
You've got yourself your very own green badge. | 0:12:06 | 0:12:08 | |
Guys, have a look at this from Theo from Reading. | 0:12:08 | 0:12:11 | |
He was clearly inspired by my awful tackle last week, | 0:12:11 | 0:12:13 | |
playing American football. Look at me there, my leg looks very bendy. | 0:12:13 | 0:12:17 | |
I think because I'm running fast. | 0:12:17 | 0:12:18 | |
There's the ball, I'm going for my first touchdown. | 0:12:18 | 0:12:20 | |
Theo, you're a legend, you've earned yourself a badge. Well done. | 0:12:20 | 0:12:23 | |
Please keep your post coming in. Here are the details you need. | 0:12:23 | 0:12:25 | |
We'd love to hear from you. You're amazing. | 0:12:25 | 0:12:27 | |
-Let's fill our Badge Wall with more stuff, please. -Now, boys... -What? | 0:12:27 | 0:12:30 | |
Maybe something you like to send in, in the future, is one of these... | 0:12:30 | 0:12:33 | |
-Not really! -Your very own Valentine's Day heart. | 0:12:33 | 0:12:35 | |
It's actually lovely, isn't it? | 0:12:35 | 0:12:37 | |
-Well, it looks like a normal card, doesn't it? -Yeah. | 0:12:37 | 0:12:39 | |
-But there is actually a secret message inside. -No, there's not! | 0:12:39 | 0:12:42 | |
-There is, I promise. Radz, I'll give it to you. -OK... -# Da da-da dah! # | 0:12:42 | 0:12:44 | |
-Ah, that's clever. -Look at that! -It says something on it. | 0:12:44 | 0:12:47 | |
It does, read the message. I wrote that for you earlier. | 0:12:47 | 0:12:50 | |
-Be my Valentine? Lindsey Russell! -That's right! -You shouldn't have. | 0:12:50 | 0:12:53 | |
-It's not for you. -What? | 0:12:53 | 0:12:54 | |
-It's actually for Gabrielle Aplin and she's going to help me. -Phew! | 0:12:54 | 0:12:57 | |
-Gabrielle's here! -That was a close one. | 0:12:57 | 0:13:00 | |
-CHEERING -Thank you, that's for you. So... | 0:13:00 | 0:13:02 | |
-You're going to be performing later. -Yes! -Which we're very excited about. | 0:13:02 | 0:13:06 | |
-What are you going to be doing? -I'm going to be performing | 0:13:06 | 0:13:08 | |
an acoustic version of my song, Miss You. | 0:13:08 | 0:13:10 | |
I've been a fan of yours for ages and I've seen you in | 0:13:10 | 0:13:12 | |
-rehearsals and I nearly cried it was so beautiful. -Oh, thank you! | 0:13:12 | 0:13:15 | |
Now, you're a big fan of art as well, aren't you? | 0:13:15 | 0:13:17 | |
Yes, I love making things. | 0:13:17 | 0:13:18 | |
-OK, before we do, let's chat about how you got into music. -Yes. | 0:13:18 | 0:13:21 | |
Because you used to upload videos. How old were you when you started? | 0:13:21 | 0:13:24 | |
-I was around 14, I think... -So, quite young. | 0:13:24 | 0:13:28 | |
..when I started putting videos online, yeah, I was really young. | 0:13:28 | 0:13:31 | |
-There you are. -That is me. I wanted feedback | 0:13:31 | 0:13:32 | |
from people all over the world, | 0:13:32 | 0:13:34 | |
so I put up my songs online and whilst - it's really important | 0:13:34 | 0:13:38 | |
also not to put too much online, | 0:13:38 | 0:13:40 | |
so, only my songs and not any personal information. | 0:13:40 | 0:13:43 | |
Yeah, no personal details. | 0:13:43 | 0:13:44 | |
And if you want to know how to stay safe online, | 0:13:44 | 0:13:46 | |
make sure you head to the CBBC website. The address is there. | 0:13:46 | 0:13:49 | |
-Check it out. For now, shall we get arty? -Yes! -High-five. | 0:13:49 | 0:13:53 | |
Come on, this is your first Blue Peter make. | 0:13:53 | 0:13:56 | |
Gabrielle, what are we going to need? | 0:13:56 | 0:13:58 | |
We are going to need... | 0:13:58 | 0:14:01 | |
Guys, round of applause, she's off to a good start! | 0:14:07 | 0:14:10 | |
-CHEERING AND APPLAUSE -Beautifully read, remembered, sorry, | 0:14:10 | 0:14:12 | |
beautifully remembered! OK, so the first thing we need to do | 0:14:12 | 0:14:15 | |
is grab a pencil like so. You need to grab a scrap of paper. | 0:14:15 | 0:14:19 | |
You can grab anything, wrapping paper, newspapers, magazines. | 0:14:19 | 0:14:24 | |
-What have you got? -I've got some psychedelic wallpaper. -We like that. | 0:14:24 | 0:14:28 | |
-Flowers, very girlie. I've gone for a nice bit of pink card. -Nice. | 0:14:28 | 0:14:33 | |
So, grab your pencil and slowly roll it round like that. | 0:14:33 | 0:14:37 | |
It is fiddly but it's worth it because it's the coolest card ever. | 0:14:37 | 0:14:41 | |
Roll it all the way like that and before you get to the end, | 0:14:41 | 0:14:44 | |
grab your glue and just put a little strip along like so. | 0:14:44 | 0:14:48 | |
Make it nice and sticky because you need to keep rolling the | 0:14:48 | 0:14:52 | |
pencil over and really press down. | 0:14:52 | 0:14:55 | |
Make sure that is stuck. You'll have more time at home. And there we go. | 0:14:55 | 0:15:00 | |
Ah, nice! | 0:15:00 | 0:15:01 | |
You need to make a few of these. I'll add that to your collection. | 0:15:01 | 0:15:05 | |
The reason is that you'll be making a heart shape out of all | 0:15:05 | 0:15:09 | |
these rolls. We've got some here, we've got a star, a circle, a heart. | 0:15:09 | 0:15:15 | |
To do that, we've helped you out on the BP website. | 0:15:15 | 0:15:19 | |
-Yes! -Because look at these. | 0:15:19 | 0:15:20 | |
Here are your templates, even the Blue Peter badge, | 0:15:20 | 0:15:24 | |
-in case you want to make that. We'll make the heart today. -Yes! | 0:15:24 | 0:15:26 | |
Gabrielle, please, show me how to use it. | 0:15:26 | 0:15:28 | |
Well, take our straw we just made and measure them out | 0:15:28 | 0:15:32 | |
-on this template. -Oh, cool. | 0:15:32 | 0:15:34 | |
-Some are a bit long, so you can mark it off here. -Very good. | 0:15:34 | 0:15:39 | |
-And trim it to size. -OK. | 0:15:39 | 0:15:42 | |
-Ask for help with scissors, by the way, if you do need that. -Yes. | 0:15:42 | 0:15:45 | |
-And then, top tip, go on, you can do it. -Are you sure? -It's a good one. | 0:15:45 | 0:15:48 | |
You can use the leftover bits for other parts. | 0:15:48 | 0:15:51 | |
-Oh, look! We love recycling on BP. -Love recycling. | 0:15:51 | 0:15:54 | |
You keep doing that because you've got lots of snipping to do. | 0:15:54 | 0:15:57 | |
I'll show you how to make the card. It will look something like this. | 0:15:57 | 0:16:00 | |
Here is a bit of pink paper or thicker paper, it doesn't | 0:16:00 | 0:16:04 | |
really matter because underneath we've got a bit of cereal box. | 0:16:04 | 0:16:07 | |
That just makes it nice and sturdy because later we're going to | 0:16:07 | 0:16:09 | |
put buttons on, glitter, all sorts. | 0:16:09 | 0:16:11 | |
You really can be creative and it will make it nice and strong. | 0:16:11 | 0:16:15 | |
The next thing, I know you're not quite finished, | 0:16:15 | 0:16:18 | |
but once you've got your heart-shape all cut out, all your | 0:16:18 | 0:16:20 | |
little rolls the right size, you need to get them | 0:16:20 | 0:16:23 | |
on the front of the card. How do we do that? | 0:16:23 | 0:16:25 | |
So, we start with the middle, biggest one, and we put that | 0:16:25 | 0:16:28 | |
in the middle of this card. | 0:16:28 | 0:16:30 | |
OK. And then work your way down and down... | 0:16:30 | 0:16:33 | |
Yes and we do that to remember where we are. | 0:16:33 | 0:16:35 | |
You line them up like so. You match them all up and glue as you go. | 0:16:35 | 0:16:40 | |
We haven't time today but once you've done that, | 0:16:40 | 0:16:42 | |
it should look something like this. Here's one we hashtag made earlier. | 0:16:42 | 0:16:46 | |
There you go. So, it's starting to take shape, as you can see. | 0:16:46 | 0:16:49 | |
Yeah, that's definitely a heart. | 0:16:49 | 0:16:51 | |
But now, it's time to get your secret message inside. | 0:16:51 | 0:16:53 | |
I like this bit. Would you like to do the secret message? | 0:16:53 | 0:16:56 | |
-I would love to do the honours, please. -OK. | 0:16:56 | 0:16:57 | |
-Show us what you're going to do. -It's a secret. -Oh, OK. | 0:16:57 | 0:17:00 | |
A secret, we're not allowed to know! You write your message, | 0:17:00 | 0:17:03 | |
I won't look, don't worry. | 0:17:03 | 0:17:04 | |
I'll show you how you get it inside the card. | 0:17:04 | 0:17:06 | |
Same pencil as before, open your card and there is a little | 0:17:06 | 0:17:10 | |
bit of tack, put that behind what you reckon is the strongest roll. | 0:17:10 | 0:17:15 | |
I'm going to go for this purple one, I think. | 0:17:15 | 0:17:19 | |
About a centimetre in, it doesn't need to be neat, plonk it down, | 0:17:19 | 0:17:23 | |
make a nice hole, oh, hello, don't drop your pencil like me! | 0:17:23 | 0:17:27 | |
You might need a bit of help. | 0:17:27 | 0:17:30 | |
Once you've done that, you can thread a bit of string | 0:17:30 | 0:17:33 | |
through there, it should fit through with a little button | 0:17:33 | 0:17:35 | |
on the end and it will look something like this one. | 0:17:35 | 0:17:38 | |
-It's starting to take shape. -It's starting to look good! | 0:17:38 | 0:17:41 | |
Which can only mean one thing, it's time to get the message inside it. | 0:17:41 | 0:17:45 | |
We'll use both of us because it can be a bit fiddly. | 0:17:45 | 0:17:49 | |
So, you roll the message up. | 0:17:49 | 0:17:50 | |
-Yes. -You put it inside the orange one. -OK. | 0:17:50 | 0:17:54 | |
And I will hold the string and we should see the string disappear. | 0:17:54 | 0:17:59 | |
Can you see? It is moving. Out of my hands, which is a good thing. | 0:17:59 | 0:18:03 | |
-And we've done it! The secret message. -Yay! | 0:18:03 | 0:18:07 | |
I'm relieved because that didn't work in rehearsals. | 0:18:07 | 0:18:09 | |
The secret message is in there, which is fantastic. | 0:18:09 | 0:18:12 | |
Now, just to make it really subtle, | 0:18:12 | 0:18:14 | |
of where the message is, we're going to put buttons and glitter | 0:18:14 | 0:18:17 | |
everywhere. But also, it's worth saying we tied a really neat | 0:18:17 | 0:18:21 | |
little knot just there. | 0:18:21 | 0:18:22 | |
-I've gone kind of wild with my creation. -Yeah! | 0:18:22 | 0:18:25 | |
There's glitter all over my hands. | 0:18:25 | 0:18:27 | |
-Gabrielle, you made one earlier. -I did. I've used stars on mine. | 0:18:27 | 0:18:31 | |
-Oh, look! That's really lovely! -I had a good time. | 0:18:31 | 0:18:33 | |
I can tell you had a good time. It's fab! | 0:18:33 | 0:18:35 | |
All the details you need are on the Blue Peter website... | 0:18:35 | 0:18:38 | |
So, make sure you please send them in because I haven't got | 0:18:41 | 0:18:44 | |
a Valentine's card yet this year, so, hint, hint. | 0:18:44 | 0:18:47 | |
-Let's see the message inside. -Would you like to do the honours? | 0:18:47 | 0:18:51 | |
OK, so I pull there... Ooh, it's out. What did you write? | 0:18:51 | 0:18:55 | |
-Well... -I hope it's really lovely. | 0:18:55 | 0:18:57 | |
It says, "Can we see what happened when Radzi met Batman?" | 0:18:57 | 0:19:01 | |
I thought you'd never ask. Have a look... | 0:19:01 | 0:19:03 | |
-GRUFF BATMAN VOICE: -I don't care what anybody says, | 0:19:05 | 0:19:07 | |
I've got the best Batman voice. | 0:19:07 | 0:19:09 | |
Because, to be honest, I am the real Batman. | 0:19:09 | 0:19:11 | |
-Radzi... -Yes? -Leave my toys alone! -Sorry. | 0:19:16 | 0:19:19 | |
-And lose the voice. -OK. | 0:19:19 | 0:19:22 | |
That was awkward. | 0:19:22 | 0:19:25 | |
Batman is back in brick form and this time he's got his own movie | 0:19:25 | 0:19:30 | |
and I've come to meet the star of Lego Batman, Will Arnett. | 0:19:30 | 0:19:35 | |
-It's an absolute pleasure to meet you. -The pleasure is mine. | 0:19:35 | 0:19:38 | |
Thank you for allowing us into the Batcave. | 0:19:38 | 0:19:40 | |
Yeah, I mean, just, we made a deal you won't tell anyone where it is. | 0:19:40 | 0:19:44 | |
-No, the secret's safe with us. -Great. -Now... | 0:19:44 | 0:19:47 | |
-Underneath Buckingham Palace. -It's official! | 0:19:47 | 0:19:50 | |
What did I say? | 0:19:50 | 0:19:52 | |
ECHOING: I'm home! I'm home! I'm home! | 0:19:52 | 0:19:55 | |
A big part of our show is the Blue Peter badge and we felt the | 0:19:55 | 0:19:58 | |
way you performed in Lego Batman is worthy of your very own. | 0:19:58 | 0:20:01 | |
This is beyond an honour. Look at that. | 0:20:01 | 0:20:04 | |
-I've also got a bit of a challenge for you. -Yeah? | 0:20:04 | 0:20:06 | |
Because I got a blue Peter badge delivered, so I thought, whilst | 0:20:06 | 0:20:09 | |
we find out about the film, we could possibly try to reassemble | 0:20:09 | 0:20:12 | |
this massive badge. | 0:20:12 | 0:20:14 | |
-OK, let us do our best. Let's go for it. -Absolutely. | 0:20:14 | 0:20:18 | |
First things first, for those who haven't seen the film, | 0:20:18 | 0:20:21 | |
what's it all about? | 0:20:21 | 0:20:22 | |
We loved the idea of a film that would kind of investigate | 0:20:22 | 0:20:26 | |
what makes Batman Batman. | 0:20:26 | 0:20:28 | |
When he's not saving Gotham, what is he doing? | 0:20:28 | 0:20:32 | |
Hey, Mom, hey, Dad. I, uh, I saved the city again today. | 0:20:32 | 0:20:38 | |
I think you would have been really proud. | 0:20:40 | 0:20:43 | |
-There you are! -Argh! | 0:20:43 | 0:20:46 | |
Alfred! I am so sorry. I have incredible reflexes. | 0:20:46 | 0:20:49 | |
Do you have a favourite enemy, a favourite foe of Batman? | 0:20:49 | 0:20:52 | |
Obviously, Batman's relationship with Joker is like | 0:20:52 | 0:20:55 | |
an iconic relationship, you know, he is the ultimate Batman enemy. | 0:20:55 | 0:20:59 | |
-You think you're my greatest enemy? -Yes! You're obsessed with me. | 0:20:59 | 0:21:03 | |
-Pfff! No, I'm not. -Yes, you are. -No, I'm not. | 0:21:03 | 0:21:05 | |
-Yes, you are! Who else drives you to one-up them the way that I do? -Bane! | 0:21:05 | 0:21:09 | |
-No, he doesn't. -Superman. -Superman's not a bad guy! | 0:21:09 | 0:21:12 | |
Then I'd say that I don't currently have a bad guy. | 0:21:12 | 0:21:15 | |
-I am fighting a few different people. -What?! | 0:21:15 | 0:21:18 | |
I think it's safe to say that some of this | 0:21:18 | 0:21:21 | |
isn't going quite as well as we possibly hoped. | 0:21:21 | 0:21:23 | |
Mm-hm. I think you get the blueprint, | 0:21:23 | 0:21:25 | |
the Blue Peter print, if you will. | 0:21:25 | 0:21:27 | |
And then you make it your own. Which we've done. | 0:21:27 | 0:21:31 | |
How do you do that with your voice? | 0:21:31 | 0:21:33 | |
It's a speaker inside and then I have a thing... | 0:21:33 | 0:21:36 | |
No, no, no... | 0:21:36 | 0:21:38 | |
Alfred left your lobster Thermidor in the fridge. | 0:21:38 | 0:21:40 | |
Oh, that's my favourite, I can't wait. | 0:21:40 | 0:21:42 | |
DEEP VOICE: Batman's like this. | 0:21:45 | 0:21:47 | |
-It's almost like a, like a forced rough whisper, if you will. -OK. | 0:21:47 | 0:21:53 | |
Which makes it really hard because in the film, | 0:21:53 | 0:21:55 | |
-Batman raps at the end. -Yes, he does! | 0:21:55 | 0:21:57 | |
-But how do you rap and do the voice? -It's very difficult. | 0:21:57 | 0:22:00 | |
'I don't want to do that!' That I will not do camera. | 0:22:00 | 0:22:03 | |
-No... -Sir. -No, no, no, no. -Sir. | 0:22:03 | 0:22:06 | |
# No-no, no-no, no-no, no-no No-no, no-no, no-no, no-no. # | 0:22:06 | 0:22:08 | |
HE BEATBOXES Gosh, I hope we were recording that! | 0:22:08 | 0:22:12 | |
Well, Will Arnett, it's been an absolute pleasure. | 0:22:12 | 0:22:14 | |
-The pleasure has been mine. -Thank you very much. -Thank you! | 0:22:14 | 0:22:17 | |
And this badge is... It's a work in progress. | 0:22:17 | 0:22:20 | |
# Yeah, uh-huh You know what it is... # | 0:22:20 | 0:22:23 | |
# Everything I do, I do it big... # | 0:22:23 | 0:22:25 | |
Can I just say, not only was Will an awesome bloke but actually that | 0:22:25 | 0:22:28 | |
badge was a lot harder in real life cos it was upside down. | 0:22:28 | 0:22:31 | |
-Radz... -It was a good effort. -Was it? -Puzzles are hard, we understand. | 0:22:31 | 0:22:34 | |
-Yeah, it was, Lindz! -We've had someone else have | 0:22:34 | 0:22:36 | |
a go and put it together the way it should have been. | 0:22:36 | 0:22:38 | |
-Look how quickly they're doing it. -Ha-ha! -There we are. | 0:22:38 | 0:22:41 | |
That's embarrassing! | 0:22:41 | 0:22:43 | |
Lego Fastman. And that is the badge here in the studio. | 0:22:43 | 0:22:45 | |
Do I get a high-five for that? | 0:22:45 | 0:22:46 | |
-Let's go again cos they didn't see that at home. -No, don't. | 0:22:46 | 0:22:49 | |
-OK. -You high-five when I do good jokes. | 0:22:49 | 0:22:51 | |
I'm going to redeem myself - go onto the Blue Peter website | 0:22:51 | 0:22:54 | |
for Radzi's Riddles and Puzzles, | 0:22:54 | 0:22:56 | |
where you can take on my mental might. | 0:22:56 | 0:22:58 | |
And I'm very excited for this next part of the show. | 0:22:58 | 0:23:00 | |
It's time for a musical performance from the wonderful Gabrielle Aplin. | 0:23:00 | 0:23:03 | |
Dim the lights, this is Miss You. | 0:23:03 | 0:23:05 | |
CHEERING AND APPLAUSE | 0:23:05 | 0:23:08 | |
# So what you been doing? | 0:23:16 | 0:23:18 | |
# I've been loving my life waking up on my own | 0:23:18 | 0:23:21 | |
# Are you doing the same thing? | 0:23:21 | 0:23:24 | |
# You can say if you like but I don't need to know | 0:23:24 | 0:23:27 | |
# And I, I've been wondering why we've been wasting all this time | 0:23:27 | 0:23:32 | |
# So what you been doing? | 0:23:36 | 0:23:39 | |
# I thought that I saw you, I guess I was wrong | 0:23:39 | 0:23:42 | |
# Are you doing the same thing? | 0:23:42 | 0:23:45 | |
# Convincing yourself you're better alone | 0:23:45 | 0:23:47 | |
# And I could tell you how you never left my mind | 0:23:47 | 0:23:53 | |
# Then you tell me that you miss me and I'm like | 0:23:55 | 0:23:59 | |
# Oh no, I miss you too It's all I ever do | 0:23:59 | 0:24:04 | |
# I'm coming back to you And I won't let go | 0:24:04 | 0:24:09 | |
# Oh no, I miss you too We got making up to do | 0:24:09 | 0:24:12 | |
# I'm coming back to you And I won't let go again | 0:24:12 | 0:24:18 | |
# No, I won't let go again | 0:24:20 | 0:24:24 | |
# So what were we thinking? You got me a cab and we said we were done | 0:24:33 | 0:24:38 | |
# And I thought I was fine | 0:24:38 | 0:24:41 | |
# But the days were so long and they rolled into one | 0:24:41 | 0:24:44 | |
# And I, I couldn't believe you were taking it in your stride | 0:24:44 | 0:24:51 | |
# Then you tell me that you miss me and I'm like | 0:24:51 | 0:24:55 | |
# Oh, no, I miss you too It's all I ever do | 0:24:55 | 0:25:00 | |
# I'm coming back to you And I won't let go | 0:25:00 | 0:25:04 | |
# Oh, no, I miss you too We got making up to do | 0:25:04 | 0:25:10 | |
# I'm coming back to you And I won't let go again | 0:25:10 | 0:25:17 | |
# No, I won't let go again | 0:25:17 | 0:25:22 | |
# Will you be my best friend? Will you be my last? | 0:25:24 | 0:25:29 | |
# I need somebody who can love me like that | 0:25:29 | 0:25:34 | |
# You be my best friend Will you be my last? | 0:25:34 | 0:25:39 | |
# I need somebody who can love me like that | 0:25:39 | 0:25:45 | |
# Oh, no, I miss you too It's all I ever do | 0:25:45 | 0:25:50 | |
# I'm coming back to you | 0:25:50 | 0:25:52 | |
# And I won't let go | 0:25:54 | 0:25:56 | |
# Oh, no, I miss you too | 0:25:56 | 0:25:59 | |
# We got making up to do I'm coming back to you | 0:25:59 | 0:26:04 | |
# And I won't let go again | 0:26:04 | 0:26:09 | |
# No, I won't let go again | 0:26:10 | 0:26:15 | |
# Will you be my best friend? Will you be my last? | 0:26:16 | 0:26:22 | |
# I need somebody who can love me like that | 0:26:22 | 0:26:27 | |
# Will you be my best friend? Will you be my last? | 0:26:27 | 0:26:32 | |
# I need somebody who can love me like that. # | 0:26:32 | 0:26:38 | |
CHEERING AND APPLAUSE | 0:26:38 | 0:26:40 | |
-Gabrielle Aplin, everybody! -Absolutely gorgeous. | 0:26:40 | 0:26:44 | |
-That was so great! -That was beautiful! -Thank you. | 0:26:44 | 0:26:46 | |
-I feel like I'm going to cry! -That was stunning. | 0:26:46 | 0:26:48 | |
I don't want to go, I want to hear you sing some more, | 0:26:48 | 0:26:51 | |
but we have to go. | 0:26:51 | 0:26:52 | |
Before we do, let's find out what happened with Spot Shelley. | 0:26:52 | 0:26:54 | |
Where was she and who spotted her, please? | 0:26:54 | 0:26:56 | |
-So, Shelley was hiding on one of our Valentines cards! -She was. -No way! | 0:26:56 | 0:27:00 | |
-Top left! -Sneaky little Shell. -Sneaky Shell. -Did anyone get it? | 0:27:00 | 0:27:03 | |
Yes, she was spotted by Blue Violet Mini Baker. | 0:27:03 | 0:27:06 | |
Of course it was Blue Violet Mini Baker! | 0:27:06 | 0:27:08 | |
-Classic. -Congratulations, you've won a house in Spain. | 0:27:08 | 0:27:10 | |
No, you need to stop giving away prizes! | 0:27:10 | 0:27:12 | |
OK, Gabrielle, thank you so much for coming in today. | 0:27:12 | 0:27:14 | |
Thank you for having me. | 0:27:14 | 0:27:15 | |
If you want even more Gabrielle, head onto the Fan Club, straight | 0:27:15 | 0:27:18 | |
-after the show, and have some chats and giggles with Gabrielle. -Yes. | 0:27:18 | 0:27:21 | |
Thank you so much. | 0:27:21 | 0:27:22 | |
On next week's show, a very funny man and also one of your favourite | 0:27:22 | 0:27:25 | |
authors, David Walliams is going to be right here in the studio. | 0:27:25 | 0:27:29 | |
CBBC's Junior Bake Off champion, Nikki Lilly, will be showing | 0:27:29 | 0:27:32 | |
off some of her baking skill and believe me, it is incredible. | 0:27:32 | 0:27:34 | |
She's amazing... We're not incredible, | 0:27:34 | 0:27:36 | |
we go head-to-head in a quite terrible golf-off! | 0:27:36 | 0:27:39 | |
-But it's going to be good. -That was a lot of fun, wasn't it? | 0:27:39 | 0:27:41 | |
Yeah, it was amazing. | 0:27:41 | 0:27:43 | |
We've had jokes throughout the show, so I think we should end with one. | 0:27:43 | 0:27:46 | |
-Let's do it! -That's not a bad idea. -We'll say goodbye now, | 0:27:46 | 0:27:48 | |
-but here's a joke from Becky. -See you next week! -Bye-bye! | 0:27:48 | 0:27:51 | |
What did the policeman say to his belly? | 0:27:51 | 0:27:54 | |
Freeze! You're under a vest! | 0:27:54 | 0:27:56 |