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electricity to power 198 million games consoles? | :00:18. | :00:21. | |
The weather is warming up so we will be giving you the celebrity look | :00:21. | :00:26. | |
with these T-shirts. We have the best in the business | :00:26. | :00:33. | |
today. A hip-hop group who mash up William Shakespeare. That is all on | :00:33. | :00:43. | |
:00:43. | :01:03. | ||
at the earlier time of 5.30pm. Hi. You might remember last week on Blue | :01:03. | :01:10. | |
Peter we had the BMX flatlander Matti Hemmings in. He just missed | :01:10. | :01:15. | |
out on a new world record. The rules said he got a second go. We gave him | :01:15. | :01:21. | |
it and we put it online. This is what happened. He managed an amazing | :01:21. | :01:31. | |
:01:31. | :01:32. | ||
32! Well done. He was awesome. That clip is still online. Go to | :01:33. | :01:38. | |
bbc.co.uk/bluepeter. Also, get in touch. Today has a hip-hop theme. We | :01:38. | :01:41. | |
thought rather than e-mailing us, why not tell us what you have been | :01:41. | :01:47. | |
doing in the style of a rap. need to tell us what you have been | :01:47. | :01:53. | |
doing in two lines. The last word of each line needs to rhyme. Barney and | :01:53. | :02:01. | |
Helen are on your TV, it is like gravy! Let us know. Go to | :02:01. | :02:06. | |
[email protected]. We will read as many out as we can. Since last | :02:06. | :02:14. | |
Thursday, 512 of you have sent us things in the post. We have had some | :02:14. | :02:19. | |
fantastic things. This is a Blue Peter Ship. She has blue rice, bark, | :02:19. | :02:26. | |
pasta. Next to it is a collage sent in by Thomas. He has made the ship | :02:26. | :02:33. | |
out of stamps. He has it licked! It is first-class! Come on! Knock | :02:33. | :02:43. | |
:02:43. | :02:43. | ||
knock? Who is there?Sarah. Sarah who? Sarah a reason why you are not | :02:43. | :02:47. | |
letting me in? ! William Shakespeare used one of the earliest forms of a | :02:47. | :02:52. | |
knock knock joke. He wrote words over 400 years ago that are still | :02:52. | :02:58. | |
being used in performances today. Here is all you need to know about | :02:58. | :03:00. | |
William Shakespeare. William Shakespeare is described as the | :03:00. | :03:05. | |
greatest writer ever. He was born in Stratford-upon-Avon in 1564. He | :03:05. | :03:10. | |
became an actor and a playwright. A good choice for someone living in | :03:10. | :03:15. | |
Elizabethan times because the theatre was more popular than the | :03:15. | :03:23. | |
Harlem Shake! William Shakespeare wrote 37 plays, some of the most | :03:23. | :03:26. | |
famous include Romeo and Juliet, A Midsummer Night's Dream and Hamlet. | :03:26. | :03:29. | |
He first used the style of knock knock joke in the play Macbeth. He | :03:29. | :03:34. | |
came up with over 2,000 words and phrases that we still use today. | :03:34. | :03:41. | |
Words like "fashionable" and "swagger". Let's welcome the Hip-Hop | :03:42. | :03:48. | |
Shakespeare Company. Hello, guys. Let's start at the beginning. | :03:48. | :03:52. | |
Hip-hop is 40 years old. How have you married these two styles | :03:52. | :04:00. | |
together? By looking at the music, the rhythm and the performance. | :04:00. | :04:05. | |
did the Hip-Hop Shakespeare Company come about? Wanting to put a hip-hop | :04:05. | :04:09. | |
back in its proper context and wanting to make something creative | :04:09. | :04:14. | |
and difference. I wanted Shakespeare to be seen for what it was. When you | :04:14. | :04:18. | |
did Shakespeare at school, did you think it was boring? Yeah. I didn't | :04:18. | :04:22. | |
think the way it was taught was engaging enough. We are trying to do | :04:22. | :04:28. | |
that. Your interpretation is far from boring. You are 11, what is the | :04:28. | :04:32. | |
best thing about performing with these guys? Using my poetry skills | :04:32. | :04:36. | |
that I have learnt in the workshops and coming to places like this. | :04:36. | :04:41. | |
is the idea. We will see what it looks like. It is time for a | :04:41. | :04:51. | |
:04:51. | :04:58. | ||
Shakespeare mash up with the Hip-Hop # Dat boy Akala's a Diamond Fella. | :04:58. | :05:00. | |
# All you little boys are a comedy of errors. | :05:00. | :05:02. | |
# You bellow but you fellows get played like. | :05:02. | :05:05. | |
# The cello, I'm doing my thing. # You're jealous like Othello. | :05:05. | :05:09. | |
# Who you? What you going to do? # All you little boys get Tamed like | :05:09. | :05:11. | |
the Shrew. # You're mid-summer dreaming'. | :05:11. | :05:14. | |
# Your tunes are not appealing. # I'm Capulet, you're Montague, I | :05:14. | :05:16. | |
ain't feeling'. # I am the Julius Caesar hear me. | :05:16. | :05:19. | |
# The Merchant Of Venice couldn't sell your CD. | :05:19. | :05:21. | |
# As for me, All's Well That Ends Well. | :05:21. | :05:23. | |
# Your boy's like Macbeth, you're going to Hell. | :05:23. | :05:25. | |
# Measure for Measure, I am the best here. | :05:25. | :05:28. | |
# You're Merry Wives of Windsor not King Lear. | :05:28. | :05:31. | |
# I don't know about Timon. # I know he was in Athens. | :05:31. | :05:34. | |
# When I come back like Hamlet you pay for your actions. | :05:34. | :05:36. | |
# Dat boy Akala, I do it As You Like. | :05:36. | :05:40. | |
# You're Much Ado About Nothing. # All you do is bite it. | :05:40. | :05:42. | |
# I'm too tight, I don't need 12 knights. | :05:42. | :05:44. | |
# All you little Tempests get erked on the mic. | :05:45. | :05:47. | |
# Of course, I'm the one with the force. | :05:47. | :05:50. | |
# You're history like Henry IV. # I'm fire, things look dire. | :05:50. | :05:52. | |
# Better run like Pericles Prince Of Tyre. | :05:52. | :05:54. | |
# Off the scale, cold as a Winter's Tale. | :05:54. | :05:56. | |
# Titus Andronicus was bound to fail. | :05:56. | :05:59. | |
# So will you if Akala get at ya. # That's suicide like Anthony an | :05:59. | :06:01. | |
Cleopatra. # Cymbeline was a olden day Bridget | :06:01. | :06:03. | |
Jones. # Love's Labours Lost, a woman on | :06:03. | :06:05. | |
her own. # She needed Two Gentlemen Of | :06:05. | :06:08. | |
Verona. # This is Illa State and I am the | :06:08. | :06:11. | |
owner. # # 'Being to great I have no need to | :06:11. | :06:13. | |
beg. # A weighted halo rests heavy on a | :06:13. | :06:16. | |
King's head. # I was not born to sue, but to | :06:16. | :06:18. | |
command. # And move mountains with my royal | :06:18. | :06:20. | |
hand. # The great King Richard, who knows | :06:20. | :06:22. | |
not my name? # Your pain must be withstood for | :06:22. | :06:25. | |
Lions make Leopards Tame. # # When hall we three meet again with | :06:25. | :06:28. | |
thunder lightning and rain? # When the choice is done and the | :06:28. | :06:31. | |
battles are won. # For us the light comes with the | :06:31. | :06:34. | |
setting of the sun. # Because Fair Is Foul and Foul Is | :06:34. | :06:36. | |
Fair. # We hover through the fog and the | :06:36. | :06:39. | |
filthy air. # Wallow in the rain because were | :06:39. | :06:41. | |
going nowhere. # Until we bother to refrain from | :06:41. | :06:44. | |
the weight of the chair. # What I mean is? | :06:44. | :06:47. | |
# The head that wears the crown never ever does sleep well. | :06:47. | :06:49. | |
# An It's the daggers in a mans smile. | :06:49. | :06:52. | |
# That has torn a gash right through the whole world. # | :06:52. | :06:54. | |
# We've sold our souls. # Sold Our Souls. | :06:54. | :07:03. | |
# We've sold our souls. # # With solemn reverence: throw away | :07:03. | :07:05. | |
respect. # Tradition, form and ceremonious | :07:05. | :07:07. | |
duty. # For you have but mistook me all | :07:07. | :07:10. | |
this while: # I live with bread like you, feel | :07:10. | :07:11. | |
want. # Taste grief, need friends: | :07:11. | :07:14. | |
subjected thus. # How can you say to me, I am a | :07:14. | :07:24. | |
:07:24. | :07:31. | ||
king? # # Am I King? Can you feel the energy | :07:31. | :07:34. | |
I'm channeling? # Am I Queen because I control the | :07:34. | :07:37. | |
powers I enroll? # Am I King? King, or just a really | :07:37. | :07:38. | |
dashing prince? # Am I King? | :07:38. | :07:40. | |
# Is He King? # Is She Queen? | :07:40. | :07:44. | |
# Is he King? # Am I King? Can you feel the energy | :07:44. | :07:46. | |
I'm channeling? # Am I Queen because I control the | :07:46. | :07:49. | |
powers I enroll? # Am I King? King, or just a really | :07:49. | :07:50. | |
dashing prince? # Am I King? | :07:50. | :07:52. | |
# Is He King? # Is She Queen? | :07:52. | :07:56. | |
# Is He King? # # I am the poet because I do not use | :07:56. | :07:59. | |
dull language. # And I use a variety of vocabulary. | :07:59. | :08:02. | |
# I take the listener to deep regret and back to exquisite happiness. | :08:02. | :08:04. | |
# These Words; Poetical thoughts, wrought from my spirit. | :08:04. | :08:08. | |
# And my lyrics are with it, innit? # And the pivot around my bars. # | :08:08. | :08:11. | |
He was working the camera at the end there! The camera is his favourite | :08:11. | :08:14. | |
friend. I want to play the trumpet! Thank you to the Hip-Hop Shakespeare | :08:14. | :08:16. | |
Company for recording that for us. We have more hip-hop for you in 15 | :08:16. | :08:19. | |
minutes when we go head-to-head in a cool quiz with a catchy name. It is | :08:19. | :08:22. | |
called Dost Thou Knowest Hip-Hop Whence Thou Hears It? Stay tuned to | :08:22. | :08:24. | |
find out who wins that. Keep your e-mails coming in. What are you up | :08:24. | :08:32. | |
to? I have one. Me and Barney, we is on the TV. No? What is the first? | :08:32. | :08:40. | |
Watch us while you eat lots of jelly! [email protected]. Keep | :08:40. | :08:46. | |
them coming in. Sending us an e-mail requires lots of electricity. We try | :08:46. | :08:51. | |
and be efficient. We have loads of recycling bins. These lights come on | :08:51. | :08:56. | |
when we move around. Have a look in this room. This room is known as the | :08:56. | :09:01. | |
gallery. They are being really quiet now. They are normally shouting! | :09:01. | :09:05. | |
They have loads of tellies. Loads of tellies require loads of | :09:05. | :09:15. | |
:09:15. | :09:20. | ||
electricity. Where does it come from? That was amazing. The acting | :09:20. | :09:25. | |
was incredible. If you are anything like me and your favourite TV show | :09:25. | :09:30. | |
has just ended, you probably get up and make a drink. You might put the | :09:30. | :09:40. | |
kettle on. Turn the lights on. You need to see what you are the doing. | :09:40. | :09:44. | |
-- what you are doing. That is better. The only problem is people | :09:44. | :09:49. | |
are like me. Not like me, you know what I mean. When the big TV shows | :09:49. | :09:53. | |
end, the ones that are watched by millions, they could start to use | :09:54. | :09:57. | |
power at the same time. That creates a huge demand for electricity. The | :09:57. | :10:01. | |
experts call it the TV pick-up. When it happens, where does the extra | :10:01. | :10:06. | |
power come from? Well, most of it comes from the UK's network of power | :10:06. | :10:10. | |
stations, like this. And wind farms like this one. When the wind is | :10:10. | :10:15. | |
blowing, that turns the blades, that generates electricity. That is then | :10:15. | :10:19. | |
sent to our homes via cables, pylons and substations. That is the | :10:19. | :10:24. | |
National Grid. Easy. So when there is a TV pick-up, that is all we do. | :10:24. | :10:29. | |
Wait for a bit more wind or turn a big battery on. That was an easy | :10:29. | :10:35. | |
day's filming. Back to Helen in the studio. What? Barney? That film | :10:35. | :10:42. | |
should be longer. What is going on? Is this meant to happen? Oops. Yeah, | :10:42. | :10:47. | |
it is not quite that simple. Unfortunately, there isn't a giant | :10:47. | :10:51. | |
battery and electricity can't be stored in that way. The UK needs to | :10:51. | :10:55. | |
generate as much energy as it is using at any one time, otherwise the | :10:55. | :11:00. | |
lights could go out. It is at this top secret location where they make | :11:00. | :11:03. | |
sure that doesn't happen. Welcome to the control room. This is where | :11:03. | :11:07. | |
everything happens. It is like a movie. That on the back wall there | :11:07. | :11:11. | |
is a map of Great Britain. Basically, it shows all the power in | :11:11. | :11:15. | |
the country. All the guys in this room are looking at all the | :11:15. | :11:17. | |
Powerpoints to make sure they are running smoothly so everyone gets | :11:17. | :11:23. | |
the power they need. Brilliant. Because electricity can't be stored, | :11:23. | :11:26. | |
making an accurate prediction of how much we will need is vital to | :11:26. | :11:30. | |
keeping the UK's lights on. John is one of the forecasters who helps | :11:30. | :11:34. | |
make these predictions. What sort of things affect the amount of | :11:34. | :11:37. | |
electricity that people want? part of what we do is looking at the | :11:37. | :11:41. | |
weather. On a bright, sunny day, when it is warm people aren't going | :11:41. | :11:45. | |
to be using their heating or lighting. A degree drop in | :11:45. | :11:49. | |
temperature would see an increase in demand equivalent to a whole power | :11:49. | :11:53. | |
station. You have a popular talent show on telly. It comes to an end. | :11:53. | :11:58. | |
What happens then? All the people who were watching TV, they do things | :11:58. | :12:01. | |
so they will boil the kettle to make a cup of tea, they will put lights | :12:01. | :12:05. | |
on if it's got dark during the programme. They will turn their | :12:05. | :12:10. | |
computers on. We will see a spike in demand. We have to forecast when | :12:10. | :12:19. | |
they will be. Two of the biggest spikes have been at the end of last | :12:19. | :12:23. | |
year's Wimbledon's men's final and for the Royal Wedding of William and | :12:23. | :12:28. | |
Kate. Minutes after the famous kiss, they saw a massive increase in | :12:28. | :12:32. | |
demand for electricity. How do they deal with spikes like this? If we | :12:32. | :12:37. | |
don't have enough power, we can ask some of the power stations to supply | :12:37. | :12:42. | |
more. That can take hours, depending on the power station. In an | :12:42. | :12:51. | |
emergency, we have our secret weapon. That secret is at the top of | :12:51. | :12:56. | |
a Welsh mountain - and a wet and windy one! Behind that mist is a | :12:56. | :13:03. | |
lake. It contains seven million tonnes of water. That will be enough | :13:03. | :13:06. | |
water to fill Wembley Stadium 12 times and it can produce a lot of | :13:06. | :13:11. | |
electricity. This reservoir is drained through a series of pipes | :13:11. | :13:15. | |
leading into the largest man-made cavern in Europe. Down here, there | :13:15. | :13:20. | |
are six valves which act like the plug in your bath. Opening these, | :13:20. | :13:24. | |
allows the water to flow through. This is the control centre, so | :13:24. | :13:29. | |
should the UK need more energy, the call comes from the National Grid. | :13:29. | :13:33. | |
You open the valves. Water comes gushing down. You can create | :13:33. | :13:38. | |
electricity? That's correct.How quickly? In 15 seconds.That will | :13:38. | :13:48. | |
:13:48. | :13:49. | ||
happen when I press this? Yes.Now! The water that's released turns | :13:49. | :13:53. | |
these turbines which generates the electricity that is then fed into | :13:53. | :14:00. | |
the Grid. This is the bottom lake where all that water ends up. 580 | :14:00. | :14:04. | |
metres since it started its journey, it is mad to think that if we turn a | :14:04. | :14:12. | |
kettle on at the same time, this place will spark into action. | :14:12. | :14:16. | |
can't believe they let Helen control the valves there! Now, right now, it | :14:16. | :14:20. | |
is Saturday night, we are in the control room, the TV show The Voice | :14:20. | :14:24. | |
is about to finish. John and Vernon know that there is going to be a TV | :14:24. | :14:29. | |
pick-up. So more of a demand for energy. So do you know at this point | :14:29. | :14:34. | |
that you have got enough? Oh yes. I have got enough. The reason Bernard | :14:34. | :14:42. | |
knows that is h because he is taking power from Dinorwig Reservoir. These | :14:42. | :14:47. | |
guys in this control room know - is that an alarm? Is that OK? The Voice | :14:47. | :14:51. | |
is running late. Although the Grid are generating extra power, we | :14:51. | :14:55. | |
haven't started to use it. It is now running three or four minutes | :14:55. | :14:58. | |
behind. This could be dangerous. Generating too much power could | :14:58. | :15:01. | |
overload the system. You can see on the screen that it is starting to | :15:01. | :15:11. | |
:15:11. | :15:12. | ||
come to a close. They are talking about the teams. This is a close for | :15:12. | :15:22. | |
:15:22. | :15:26. | ||
the show. The show has now finished. On cue... That yellow bar is going | :15:26. | :15:30. | |
to the left. At the end of The Voice, everybody got up and started | :15:30. | :15:36. | |
using power. The Grid proved more than capable of dealing with it. | :15:36. | :15:40. | |
They are going to turn off the other power station and this should drop | :15:40. | :15:47. | |
right down to 50 which means that they are meeting the demand exactly. | :15:48. | :15:53. | |
Right on cue, there it goes. John, Bernard, thank you for letting us | :15:53. | :16:02. | |
see what you do. Thank you very much. All of this stuff, the tech | :16:02. | :16:06. | |
that you see in a movie is here with all of these people in control of | :16:06. | :16:15. | |
it, just so we can turn a light on. It was an amazing evening. Every | :16:15. | :16:20. | |
time I turn the kettle on, in my head they go, "What is going on?" | :16:20. | :16:23. | |
There is a chart there. They are there to make sure you have enough | :16:23. | :16:29. | |
power. I won't do it as often! Last September, you might remember we | :16:29. | :16:33. | |
launched a competition inviting primary schoolchildren to write and | :16:33. | :16:38. | |
record the music and soundtrack for a Wallace and Gromit animation. We | :16:38. | :16:43. | |
sent along our cameras to find out how they got on. The two teams who | :16:43. | :16:47. | |
won our competition got this amazing opportunity to record their own | :16:47. | :16:54. | |
version in a professional sound studio. First, are the blue team, | :16:54. | :16:57. | |
who won in the older primary category. They are from Cornwall. | :16:57. | :17:03. | |
They will be mastering their action-packed version of A Matter Of | :17:03. | :17:09. | |
Love And Death. Paul is on hand to help out. We will make this sound | :17:09. | :17:14. | |
brilliant! We have a booth over there. Shall we have a look? Yeah? | :17:14. | :17:24. | |
:17:24. | :17:25. | ||
First into the booth are Olivia and Maddie as singing nuns. Brilliant. | :17:25. | :17:33. | |
We will swap over now. It is time Tor Tate and Emily to become cats. | :17:33. | :17:41. | |
OK. Then it is time for ducks. Quacking effort, girls! I will play | :17:41. | :17:50. | |
that back to you, OK? What did you think? Really good.You like it? | :17:50. | :17:58. | |
Yes. My favourite noise was the nuns. It was funny. I think it is | :17:58. | :18:08. | |
:18:08. | :18:12. | ||
going to sound really good. Here is a clip from their final mix. Next, | :18:12. | :18:22. | |
:18:22. | :18:23. | ||
the red team,. Who won -- next the read team, who won in the younger | :18:23. | :18:32. | |
primary category. This is their entry. We are ready. Ready when you | :18:32. | :18:38. | |
are. And this one. To help, they have brought their own instruments. | :18:38. | :18:45. | |
When you come out, it was really funny. Your ears go strange and you | :18:45. | :18:55. | |
:18:55. | :19:01. | ||
can't hear anything. One more time. Hard as you can! Not that hard! They | :19:01. | :19:06. | |
have brought in a drill, too! Perfect, first time. Thank you very | :19:06. | :19:16. | |
:19:16. | :19:18. | ||
much. Well done.What do we think? Really good. You like it? The thing | :19:18. | :19:22. | |
I mosted liked in the recording today was being in that tiny space | :19:22. | :19:26. | |
-- most liked in that recording today was being in that tiny space | :19:26. | :19:29. | |
and letting loose on the drums. is going to sound really good. | :19:29. | :19:39. | |
:19:39. | :19:51. | ||
is the red team's final mix. Well the winners. Thank you to everybody | :19:51. | :19:55. | |
who took part in that competition. Barney, what are you up to? How is | :19:55. | :20:00. | |
your duck impression? It isn't any better than yours! It is similar, | :20:00. | :20:06. | |
really. Let's talk about summer. It is nearly here. So everyone is | :20:06. | :20:12. | |
getting a T-shirt on. We know this because we get sent stuff. This | :20:12. | :20:18. | |
T-shirt is amazing. It is a Blue Peter Badge. And it's really simple | :20:18. | :20:28. | |
:20:28. | :20:29. | ||
to make. We will be showing how to do something different. This is | :20:29. | :20:32. | |
do something different. This is known as a slogo T-shirt. We have | :20:32. | :20:38. | |
some people in the studio to help us out. Welcome to the show. Give us a | :20:38. | :20:44. | |
wave and say hello. Hello. Hello. All the details you need for this | :20:44. | :20:54. | |
make are on the Blue Peter website - that ask bbc.co.uk/bluepeter. You | :20:54. | :20:58. | |
can choose any design you like. We have made it easy for you. We have | :20:58. | :21:02. | |
made it even easier because you need to reverse these for them to print | :21:02. | :21:07. | |
on your T-shirt. You can get software that does it for you, or | :21:07. | :21:11. | |
you can press mirror image on your printer. The ones on the website are | :21:11. | :21:19. | |
reversed for you. We take our slogos and we put on some transfer cream. | :21:19. | :21:24. | |
This stuff costs �3.50 from a hobby and craft shop. You can probably get | :21:24. | :21:28. | |
four T-shirts out of a tube. That is good to know if you are feeling | :21:28. | :21:31. | |
creative, something Georgia knows all about. What have you done | :21:31. | :21:38. | |
before? The way I did it, I drew and designed and coloured in my own | :21:38. | :21:42. | |
design to go on to my T-shirt and then we scanned it into a computer | :21:42. | :21:50. | |
and then we made it into a mirror image and then how we did it after | :21:50. | :21:55. | |
that is, we printed it off on some special paper and then we put it on | :21:55. | :22:00. | |
to the T-shirt and then we used a heat press and then... You have your | :22:00. | :22:06. | |
own heat press? That is posh! Does your dad make T-shirts? No.The | :22:06. | :22:08. | |
great thing about this process is you don't need to have special | :22:08. | :22:13. | |
paper. You can do it on ordinary paper. It is the transfer cream that | :22:13. | :22:18. | |
does the work. Of course, you don't need a heat press because they are | :22:18. | :22:21. | |
probably about �1 million! This is simple to do and anybody can get | :22:21. | :22:30. | |
involved. Once you have covered your slogo, place it face down on to your | :22:30. | :22:38. | |
T-shirt like that. Then you need a roller. The neighbours will have | :22:38. | :22:42. | |
one! Roll it forwards, roll it sideways. This is where you need to | :22:43. | :22:47. | |
be patient. It takes eight hours to dry. In the meantime, here is some | :22:47. | :22:51. | |
music. I'm only kidding! We will show you the one that was made | :22:51. | :22:59. | |
earlier. Now, that is stuck. We need to get the paper off. You will | :22:59. | :23:02. | |
notice this tin foil underneath. That is when you are applying the | :23:02. | :23:05. | |
transfer cream, it can go through the material and stick your T-shirt | :23:05. | :23:10. | |
together. You don't want that. Put the tin foil in the middle. Sponges, | :23:10. | :23:15. | |
nice and wet, please. We want this paper to be as wet as possible. That | :23:15. | :23:20. | |
will bring it away from the transfer cream. It is really handy that you | :23:20. | :23:24. | |
are getting involved with this. Georgia is really getting involved | :23:24. | :23:28. | |
with it. Just make sure the wet is coming through the transfer and then | :23:28. | :23:34. | |
you use your finger, which everyone has got, and you work in a circle to | :23:34. | :23:39. | |
bring the paper off. Look at that. It draws off the paper and reveals | :23:39. | :23:43. | |
the logo underneath. How is yours going, Isaac? Fine.You are a | :23:43. | :23:53. | |
creative person. What about the one you did at school? That was one that | :23:53. | :23:59. | |
said, "Grip My Ride." It will look like this when the paper comes off. | :23:59. | :24:04. | |
Once it is dried, make sure you seal it with more transfer cream to give | :24:04. | :24:08. | |
it a glossy look. That will take another eight hours to dry. It is | :24:08. | :24:13. | |
well worth it. Amazing! I can see them coming together. Good work. If | :24:13. | :24:19. | |
you do decide to make one, all the details are on the Blue Peter | :24:19. | :24:22. | |
website - bbc.co.uk/bluepeter. If you make one, send us a photograph | :24:22. | :24:29. | |
of your effort. Let us know what design you go for. That address is | :24:29. | :24:31. | |
[email protected]. The Hip-Hop Shakespeare Company performed a rap | :24:31. | :24:35. | |
for us earlier. Now it is time to test our knowledge of hip-hop and | :24:35. | :24:40. | |
Shakespeare in a little known quiz called... Dost Thou Knowest Hip-Hop | :24:40. | :24:50. | |
:24:50. | :24:53. | ||
Whence Thou Hears It? What's up, yo? Is that Ben from the CBBC office or | :24:53. | :24:56. | |
a hip-hop/Shakespeare-dressed costume character? You look amazing. | :24:56. | :25:04. | |
I thought I would make the effort! All right, you ready? Yes.I will | :25:04. | :25:09. | |
test you against your Shakespeare and hip-hop knowledge. Akala is | :25:10. | :25:15. | |
going to say a line and you have to decide whether it is Shakespeare or | :25:15. | :25:23. | |
hip-hop. Ready.Hit them with your first line. Maybe it is hatred I | :25:24. | :25:29. | |
aspew, maybe it is food for the spirit. Hip-hop or Shakespeare? | :25:29. | :25:37. | |
Hip-hop from Helen and Shakespeare from Barney. The correct answer was | :25:37. | :25:45. | |
hip-hop. I knew you were going to win this. 1-0. Ready for line two? | :25:45. | :25:54. | |
was not born under a rhyming planet. Shakespeare or hip-hop? The correct | :25:54. | :25:59. | |
answer is Shakespeare. You are both correct. Another point. That is 2-1 | :25:59. | :26:06. | |
to Helen. I'm taking this far too seriously. The last one. Being so | :26:06. | :26:14. | |
great, I have no need to beg. that Shakespeare or hip-hop? You | :26:14. | :26:18. | |
both answered Shakespeare. It was Shakespeare! That was Richard II. | :26:18. | :26:23. | |
Helen you win, you got three. Barney, you got two. That is a very | :26:23. | :26:29. | |
close game considering that was me and you playing it! Thank you for | :26:29. | :26:35. | |
playing. Thank you, Ben, thank you, Akala. Anyway, loads of you have | :26:35. | :26:40. | |
been getting in touch throughout the show. We asked you to let us know | :26:40. | :26:46. | |
what you are doing in a rap stylee. "Today I revised for my maths exam, | :26:46. | :26:50. | |
then I had my dinner, which was ham." Michael says, "Today in | :26:50. | :26:57. | |
French, I did a Blue Peter poster, my amazing level gets closer and | :26:57. | :27:03. | |
closer." "Today I had a right laugh, but in maths we did a graph." That | :27:03. | :27:11. | |
is my favourite. "My day started at the beginning and ended with a | :27:11. | :27:14. | |
lesson in swimming!" Thank you to everybody who have got in touch | :27:14. | :27:22. | |
today. You will love what is on next week. I get access all areas on a | :27:22. | :27:27. | |
new show - Strangehill High. It is a mix of puppets and animation. | :27:27. | :27:32. | |
is a proper Blue Peter film. And we are going bionic in the studio. We | :27:32. | :27:38. | |
have got a vet who fits animals with bionic limbs. Loving the tech here. | :27:38. | :27:45. | |
Ben, thank you for coming in. Akala, thank you as well. Lovely to hear | :27:45. | :27:49. | |
from you throughout the show. Head over to the Blue Peter website and | :27:49. | :27:53. |