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Coming up today - Iggy's back! | 6:30:52 | 6:30:54 | |
But she's not the only pup in the studio. | 6:30:54 | 6:30:56 | |
Ashleigh and Pudsey are here. | 6:30:56 | 6:30:57 | |
Plus, Sir Quentin Blake, the fabulous illustrator, answers your questions | 6:30:57 | 6:31:01 | |
and gives you some top tips. | 6:31:01 | 6:31:02 | |
And we're showing you how to make awesome artwork like this. | 6:31:02 | 6:31:05 | |
All on today's Blue Peter. | 6:31:05 | 6:31:07 | |
CHEERING AND APPLAUSE | 6:31:22 | 6:31:24 | |
-Hello. -Hello! How are you doing? You're watching Blue Peter. | 6:31:24 | 6:31:28 | |
I don't like my shirt, but they're making me wear it! | 6:31:28 | 6:31:31 | |
-Oh, Barney! Look who's back! -This is Iggy. How cute is that? | 6:31:31 | 6:31:34 | |
She's having a nap. She's getting a lot bigger and quite heavy to hold. | 6:31:34 | 6:31:38 | |
As well as her growing this week, | 6:31:38 | 6:31:40 | |
Iggy has also been getting up to a bit of mischief, hasn't she? | 6:31:40 | 6:31:43 | |
She has. She came around and we did a puppy sleepover. | 6:31:43 | 6:31:46 | |
-She got into my house. You were there, Barney. -I enjoyed myself. | 6:31:46 | 6:31:48 | |
And she did a great big wee on the floor. | 6:31:48 | 6:31:51 | |
That is her face just after she's done it. | 6:31:51 | 6:31:53 | |
Thing is, we don't mind because she's learning about new environments | 6:31:53 | 6:31:57 | |
and she gets excited sometimes. | 6:31:57 | 6:31:58 | |
Plus, I'd just weed there before she did, so she thought it was... | 6:31:58 | 6:32:01 | |
-I didn't really. -She's being good now. | 6:32:01 | 6:32:03 | |
She is going to sleep. But we want to know, | 6:32:03 | 6:32:05 | |
what mischief have your pets been getting up to? | 6:32:05 | 6:32:08 | |
Get in touch via our Blue Peter website... | 6:32:08 | 6:32:10 | |
Let us know what your cheeky pets have been getting up to. | 6:32:13 | 6:32:16 | |
Send us a photo too - [email protected]. | 6:32:16 | 6:32:18 | |
We'll try and show as many of them as we can later in the show. | 6:32:18 | 6:32:21 | |
-She's fallen asleep. -When she wakes up. She's so cute, isn't she? | 6:32:21 | 6:32:24 | |
Another of our Blue Peter pets | 6:32:24 | 6:32:26 | |
is Shelley the tortoise. | 6:32:26 | 6:32:28 | |
If you're not into football, | 6:32:28 | 6:32:29 | |
the World Cup final consists of Argentina and Germany. | 6:32:29 | 6:32:33 | |
Take a look at who Shelley predicted to win it. | 6:32:33 | 6:32:35 | |
There was any country in the world Shelley could have predicted | 6:32:35 | 6:32:38 | |
at the start of the tournament, but she was confident - | 6:32:38 | 6:32:40 | |
-her leg goes on Germany. -That's amazing, isn't it? | 6:32:40 | 6:32:42 | |
-It really is. -She could be onto something. -Absolutely. | 6:32:42 | 6:32:45 | |
50/50 chance. So, Shelley, fingers crossed for you, my friend. | 6:32:45 | 6:32:48 | |
Now, I'm going to walk very gently because Iggy is having a little nap. | 6:32:48 | 6:32:51 | |
But as you can tell, we are absolutely obsessed with Iggy. | 6:32:51 | 6:32:54 | |
If you go on to the website and click on Iggy's little face, | 6:32:54 | 6:32:57 | |
bbc.co.uk/bluepeter, | 6:32:57 | 6:32:59 | |
you can check out what she has been getting up to. | 6:32:59 | 6:33:02 | |
There's loads of videos and photos. | 6:33:02 | 6:33:03 | |
If you want to see more from Iggy, | 6:33:03 | 6:33:05 | |
why not find out how she has been getting on over the last few weeks? | 6:33:05 | 6:33:09 | |
So far, Iggy has only known the guide dog breeding centre | 6:33:15 | 6:33:18 | |
as her home, where she's been growing up and having fun | 6:33:18 | 6:33:21 | |
with a few little puppy tests. | 6:33:21 | 6:33:22 | |
But that is all about to change. | 6:33:22 | 6:33:24 | |
Today Iggy has left the centre to live in her brand-new home. | 6:33:24 | 6:33:29 | |
Just in there is the puppy-walking family that will take care of Iggy | 6:33:29 | 6:33:33 | |
as she takes on her guide dog training. | 6:33:33 | 6:33:35 | |
Here's Huey, Poppy, | 6:33:37 | 6:33:39 | |
mum Anna, dad David | 6:33:39 | 6:33:40 | |
and this is Bonnie, another guide dog who has been with the family | 6:33:40 | 6:33:44 | |
since she was a puppy. | 6:33:44 | 6:33:45 | |
She will leave soon to begin the next part of her training. | 6:33:45 | 6:33:48 | |
So what made you want to be a puppy-walking family? | 6:33:48 | 6:33:50 | |
A friend told us about the puppy-walking scheme. | 6:33:50 | 6:33:53 | |
We liked the idea of being able to see what it is like | 6:33:53 | 6:33:56 | |
to have a puppy for the 12 months. | 6:33:56 | 6:33:58 | |
What's Bonnie like with other dogs? | 6:33:58 | 6:34:00 | |
Do you think Iggy will fit in with the family? | 6:34:00 | 6:34:02 | |
Bonnie is really playful. She loves other puppies. | 6:34:02 | 6:34:05 | |
Hopefully Bonnie will show her the ropes and get her settled in quickly. | 6:34:05 | 6:34:09 | |
'Finally, after a very long journey, Iggy arrives at her new home.' | 6:34:09 | 6:34:13 | |
She's here. The puppy has arrived. | 6:34:13 | 6:34:16 | |
-Hi, Richard. -All right. | 6:34:16 | 6:34:19 | |
She is so cute, isn't she? | 6:34:19 | 6:34:21 | |
-This is your new home. -Hi! | 6:34:21 | 6:34:23 | |
'Richard is a puppy-training expert and will help Anna and the family | 6:34:25 | 6:34:29 | |
'through each part of Iggy's training. | 6:34:29 | 6:34:31 | |
'But first, it's time for a drink.' | 6:34:31 | 6:34:32 | |
Is that to give her energy? | 6:34:32 | 6:34:34 | |
Yeah, it's an energy drink for pups | 6:34:34 | 6:34:37 | |
to keep her going until her next meal. | 6:34:37 | 6:34:39 | |
'Fed and ready to explore her new home, | 6:34:39 | 6:34:41 | |
'Iggy needs to know where to sleep, | 6:34:41 | 6:34:43 | |
'so with a cardboard box and towels, Iggy's new room is ready.' | 6:34:43 | 6:34:47 | |
-Iggy! -Iggy! | 6:34:48 | 6:34:49 | |
Good girl. | 6:34:49 | 6:34:51 | |
-Do you want to check out your new bedroom? -What is in there? | 6:34:51 | 6:34:54 | |
Oh, yes. A big step. | 6:34:54 | 6:34:56 | |
-I think she likes her new room, doesn't she? -I think she does. | 6:34:56 | 6:34:59 | |
'Not only does Iggy need to get used to her new surroundings, she also | 6:34:59 | 6:35:03 | |
'needs to get used to her new name.' | 6:35:03 | 6:35:04 | |
Iggy, Iggy! | 6:35:04 | 6:35:07 | |
Well done. You're very good at that. | 6:35:07 | 6:35:10 | |
'Now Iggy is settled, she needs to meet her new roommate, Bonnie.' | 6:35:12 | 6:35:15 | |
This is your big sister. | 6:35:15 | 6:35:17 | |
This must be quite an exciting day for Iggy. | 6:35:17 | 6:35:20 | |
She's moved house and she's meeting another big dog. | 6:35:20 | 6:35:24 | |
'Then it was time for Iggy to meet the rest of her new family.' | 6:35:24 | 6:35:27 | |
THEY SQUEAL | 6:35:27 | 6:35:29 | |
She's so cute! | 6:35:30 | 6:35:31 | |
She might be a bit cuter than Bonnie. | 6:35:31 | 6:35:34 | |
You can't say that! | 6:35:34 | 6:35:36 | |
Do you know what? This is Iggy's home for now. | 6:35:37 | 6:35:40 | |
I will be there every step of the way helping with her training, | 6:35:40 | 6:35:43 | |
-is that all right? -Yeah. | 6:35:43 | 6:35:45 | |
High-five. Team Iggy. Boom! | 6:35:45 | 6:35:47 | |
'A week later, I go back to meet Anna | 6:35:54 | 6:35:56 | |
'to help her with the next stage of Iggy's training.' | 6:35:56 | 6:35:58 | |
What have we got in store today? | 6:35:58 | 6:36:00 | |
Today I thought it would be | 6:36:00 | 6:36:02 | |
really good to get her out and about, | 6:36:02 | 6:36:04 | |
to get her used to normal sights and things we see around town. | 6:36:04 | 6:36:07 | |
'First up is walking on a lead | 6:36:07 | 6:36:09 | |
'and seeing how Iggy responds to being in a new environment.' | 6:36:09 | 6:36:12 | |
-Which side do I put her on? -You want to keep on the left-hand side. | 6:36:12 | 6:36:16 | |
We teach guide dogs to always walk on the left. | 6:36:16 | 6:36:18 | |
OK. Off you go, Igs. | 6:36:18 | 6:36:20 | |
Come on, Iggy. | 6:36:20 | 6:36:22 | |
-So what is next for Iggy? -This is our first trip into town, | 6:36:26 | 6:36:29 | |
so there's lots of things for her to see. | 6:36:29 | 6:36:31 | |
Loads of distractions here, aren't there? Sounds, people, cars? | 6:36:31 | 6:36:34 | |
Yeah, but she's done so well this morning. | 6:36:34 | 6:36:36 | |
We thought we might try her in one of the local shops. | 6:36:36 | 6:36:40 | |
Come on, Igs, are you ready? Let's go shopping! | 6:36:40 | 6:36:42 | |
It's important for her to smell all the different smells. | 6:36:47 | 6:36:50 | |
cos obviously, her sense of smell is amazing. | 6:36:50 | 6:36:53 | |
This will be very new to her, won't it? There is food everywhere. | 6:36:53 | 6:36:56 | |
Absolutely. She has never done a shop. Exactly! | 6:36:56 | 6:36:58 | |
Anna, I have to say, I'm overwhelmed with how well she has done today. | 6:37:07 | 6:37:11 | |
She did a great job. She experienced so many new things. | 6:37:11 | 6:37:14 | |
She has been absolutely amazing. | 6:37:14 | 6:37:16 | |
Iggy, we are proud of you but you are looking tired. | 6:37:16 | 6:37:19 | |
Shall we get her home for a nap? | 6:37:19 | 6:37:20 | |
-Let's do that. -Come on, nap time. | 6:37:20 | 6:37:22 | |
Apart from looking very cute, she has a job to do. | 6:37:28 | 6:37:31 | |
What have we planned today? | 6:37:31 | 6:37:32 | |
We will look at whistle feeding, which we have already introduced | 6:37:32 | 6:37:35 | |
and she is coming along nicely. | 6:37:35 | 6:37:37 | |
Richard, what is the purpose of this test? | 6:37:37 | 6:37:39 | |
The sound of the whistle, to her, means food, | 6:37:39 | 6:37:42 | |
so that when she is off the lead, they can blow the whistle, | 6:37:42 | 6:37:45 | |
Iggy will think "food" and hopefully come haring back to the owner. | 6:37:45 | 6:37:49 | |
'This is where I come in. I'm here to whistle-feed Iggy her lunch.' | 6:37:49 | 6:37:53 | |
Wait. Wait. | 6:37:53 | 6:37:56 | |
Wait. | 6:37:56 | 6:37:58 | |
WHISTLE BLOWS | 6:37:58 | 6:37:59 | |
Good girl. | 6:37:59 | 6:38:01 | |
'After passing the test with food, | 6:38:01 | 6:38:03 | |
'we head outside to see how she will get on in the garden.' | 6:38:03 | 6:38:06 | |
-Let's go. -Good girl, this way. | 6:38:06 | 6:38:08 | |
So we're going to do a bit of practice in the garden | 6:38:08 | 6:38:10 | |
-for this test. -We are. | 6:38:10 | 6:38:11 | |
We're going to test her recall response, how well she comes back. | 6:38:11 | 6:38:14 | |
When you blow the whistle, she comes running back to you | 6:38:14 | 6:38:17 | |
and she makes contact with your legs, | 6:38:17 | 6:38:20 | |
so when she does go to a service user, they will know she is there | 6:38:20 | 6:38:23 | |
-by making the contact if they can't see her at all. -OK. | 6:38:23 | 6:38:27 | |
'With her challenge set, let's hope Iggy knows what to do.' | 6:38:27 | 6:38:31 | |
Right, Iggy, go and have a play, go on. | 6:38:31 | 6:38:33 | |
It's play time! Go free. | 6:38:34 | 6:38:37 | |
There you go. | 6:38:37 | 6:38:39 | |
She's too well behaved. | 6:38:39 | 6:38:40 | |
Or is she? | 6:38:40 | 6:38:42 | |
WHISTLE BLOWS | 6:38:44 | 6:38:46 | |
Well done, good girl. | 6:38:48 | 6:38:51 | |
-Richard, I think she has done pretty well there. -Very well indeed. Yes. | 6:38:51 | 6:38:55 | |
Is it normal for her to do this well? | 6:38:55 | 6:38:57 | |
Generally they do well at this stage but she is particularly special. | 6:38:57 | 6:39:00 | |
She's working nicely for you at the minute. | 6:39:00 | 6:39:03 | |
Come on, you, stop re-turfing the grass. | 6:39:03 | 6:39:06 | |
I love watching those videos of Iggy. I feel so proud. | 6:39:06 | 6:39:09 | |
I'm like a proud mum. | 6:39:09 | 6:39:11 | |
It's dog mania in the studio today, | 6:39:11 | 6:39:13 | |
cos not only is Iggy here, we are joined by Ashleigh and Pudsey! | 6:39:13 | 6:39:17 | |
APPLAUSE | 6:39:19 | 6:39:21 | |
Good boy, come on, then. | 6:39:22 | 6:39:24 | |
-Hi. -Hi. -Thank you for coming on the show. | 6:39:24 | 6:39:26 | |
Who is that, Iggy? Say hello. Do you think they'll be friends? | 6:39:26 | 6:39:29 | |
-I think they'll be best friends. -Iggy is trying to get on the couch. | 6:39:29 | 6:39:32 | |
You're not allowed to do that because of your training. | 6:39:32 | 6:39:34 | |
-You sit there. -Pudsey setting a bad example there. | 6:39:34 | 6:39:37 | |
-Now, Pudsey is in his very own film. -Yeah. | 6:39:37 | 6:39:40 | |
You trained him for the film. What was it like being on set? | 6:39:40 | 6:39:43 | |
Yeah, it was a little bit unusual | 6:39:43 | 6:39:45 | |
and different from anything we've done before. | 6:39:45 | 6:39:47 | |
There was a lot of hiding underneath tables and doors on set from me. | 6:39:47 | 6:39:52 | |
But Pudsey enjoyed it, he loved working. | 6:39:52 | 6:39:54 | |
He's a bit of a show-off so he loves the cameras. | 6:39:54 | 6:39:56 | |
I was going to say, it's quite different because | 6:39:56 | 6:39:58 | |
we've seen you on Who Let The Dogs Out? and Britain's Got Talent. | 6:39:58 | 6:40:01 | |
Normally, you perform with him. | 6:40:01 | 6:40:03 | |
-Yeah. -But this was quite different, wasn't it? | 6:40:03 | 6:40:05 | |
Yeah. He had to learn a kind of sign language. | 6:40:05 | 6:40:07 | |
So if he was in the middle of a scene, | 6:40:07 | 6:40:09 | |
I couldn't shout out his command or anything like that, | 6:40:09 | 6:40:12 | |
so he had to look at me and I would tell him a command with my hand. | 6:40:12 | 6:40:15 | |
-That's amazing. -Then he would do it, most of the time. | 6:40:15 | 6:40:18 | |
-Shows how clever he is. -Yes. | 6:40:18 | 6:40:20 | |
Are there any secrets from set? Did anything go wrong or happen? | 6:40:20 | 6:40:24 | |
-There's one big secret. -Yeah? | 6:40:24 | 6:40:26 | |
The cat in the film | 6:40:26 | 6:40:27 | |
was meant to play a big part all the way through the storyline. | 6:40:27 | 6:40:30 | |
-But unfortunately, the cat was very naughty... -Oh, no! | 6:40:30 | 6:40:34 | |
..and kind of got fired. | 6:40:34 | 6:40:36 | |
-You fired the cat? -Yeah, unfortunately. | 6:40:36 | 6:40:38 | |
And Lorraine Kelly, who does BBC Breakfast, | 6:40:38 | 6:40:41 | |
she accidentally got fired as well because of the cat. | 6:40:41 | 6:40:44 | |
-She was the voice. -Oh, dear! -So yeah, whoops. Sorry! | 6:40:44 | 6:40:46 | |
That's not good, you don't want that, do you? | 6:40:46 | 6:40:49 | |
Any top tips for anyone watching and thinking, | 6:40:49 | 6:40:51 | |
"I want to train my dog to be that good," what would you say to do? | 6:40:51 | 6:40:55 | |
My top tip would be, if you want to train your dog in anything, | 6:40:55 | 6:40:59 | |
like obedience or canine freestyle or agility, | 6:40:59 | 6:41:01 | |
try and join a local dog-training club, so there's teachers there | 6:41:01 | 6:41:05 | |
that can train you properly in the right way. | 6:41:05 | 6:41:07 | |
-It's all about being patient as well. -Exactly. | 6:41:07 | 6:41:10 | |
Making sure you have fun as well. | 6:41:10 | 6:41:11 | |
That is important. How do you keep coming up with new tricks? | 6:41:11 | 6:41:14 | |
It seems there's nothing Pudsey can't do. | 6:41:14 | 6:41:17 | |
-I don't know about that. -Super dog! | 6:41:17 | 6:41:19 | |
That's kind of me, where I have to step in and think, | 6:41:19 | 6:41:23 | |
"What can we do next?" Routines, tricks, because | 6:41:23 | 6:41:26 | |
people look up towards us and say, "I like that trick, I'll copy it." | 6:41:26 | 6:41:30 | |
-So yeah, it's finding new things. -Very much teamwork, isn't it? -Yes. | 6:41:30 | 6:41:34 | |
-You're the mastermind behind Ashleigh and Pudsey. -Maybe! | 6:41:34 | 6:41:37 | |
Thank you so much for coming today. | 6:41:37 | 6:41:39 | |
-Thank you. -I will let you get ready for your performance. | 6:41:39 | 6:41:41 | |
Iggy and I will take a seat | 6:41:41 | 6:41:43 | |
and see what Iggy makes of it. | 6:41:43 | 6:41:44 | |
Take it away, guys. | 6:41:44 | 6:41:45 | |
MUSIC: "Crazy Stupid Love" by Cheryl Cole | 6:41:47 | 6:41:50 | |
# Swore I would never be that girl holding your hand | 6:41:56 | 6:41:59 | |
# Look at you, gazing | 6:41:59 | 6:42:01 | |
# Acting like your biggest fan | 6:42:01 | 6:42:03 | |
# I used to make fun | 6:42:03 | 6:42:05 | |
# Of all the things that they said | 6:42:05 | 6:42:08 | |
# Saying I will never be like that | 6:42:08 | 6:42:10 | |
# But then you showed up | 6:42:12 | 6:42:13 | |
# Like you have been there before | 6:42:13 | 6:42:15 | |
# Was like you knew me | 6:42:15 | 6:42:17 | |
# Had me with every word | 6:42:17 | 6:42:19 | |
# You saw right through me | 6:42:19 | 6:42:21 | |
# Melted me down to the core | 6:42:21 | 6:42:24 | |
# I was done when you walked through that door | 6:42:24 | 6:42:27 | |
# Well, I don't know how you do it to me | 6:42:28 | 6:42:31 | |
# You make my brain just stop | 6:42:31 | 6:42:33 | |
# Sink my heart to my feet | 6:42:33 | 6:42:35 | |
# It's like a rollercoaster | 6:42:35 | 6:42:38 | |
# But I'm only going up | 6:42:38 | 6:42:40 | |
# I'm in crazy stupid love. # | 6:42:42 | 6:42:43 | |
-Oh, wow! -Good boy! | 6:42:50 | 6:42:52 | |
APPLAUSE | 6:42:52 | 6:42:54 | |
Oh, my goodness. | 6:42:54 | 6:42:55 | |
BARNEY: That's amazing. Ashleigh and Pudsey, thank you, | 6:42:55 | 6:42:58 | |
not just for that performance, | 6:42:58 | 6:42:59 | |
but what Ashleigh managed to do with Radzi in ten minutes. Watch this. | 6:42:59 | 6:43:02 | |
Radzi, paw. | 6:43:02 | 6:43:03 | |
Good boy, Radzi, spin round. | 6:43:03 | 6:43:05 | |
Radzi, talk about the Badge Wall. | 6:43:05 | 6:43:07 | |
Thousands of you have been getting in touch with... | 6:43:07 | 6:43:10 | |
Thousands of you, sending your post to us each and every week. | 6:43:10 | 6:43:13 | |
Since the arrival of Iggy, you have not let us down. | 6:43:13 | 6:43:16 | |
Just look at how much Iggy post we have on the big Badge Wall. | 6:43:16 | 6:43:19 | |
Barney, do you have a favourite? | 6:43:19 | 6:43:20 | |
Yep. I have a badge, it's like a mask that Katie sent in. | 6:43:20 | 6:43:23 | |
-This is amazing. -It's an Iggy mask. | 6:43:23 | 6:43:25 | |
Iggy, that looks like you! | 6:43:25 | 6:43:26 | |
-Barney? -Yes, mate? | 6:43:26 | 6:43:27 | |
Put the mask on. | 6:43:27 | 6:43:29 | |
-Hey! -Aren't you funny? | 6:43:29 | 6:43:30 | |
Thank you very much, Katie. It's brilliant. | 6:43:30 | 6:43:32 | |
Lindsey, is there one that stands out for you? | 6:43:32 | 6:43:35 | |
There is. This is from Megan from Altrincham. | 6:43:35 | 6:43:37 | |
She sent in an Iggy-titled book, | 6:43:37 | 6:43:39 | |
and if you look inside, there are so many details | 6:43:39 | 6:43:41 | |
-of all the guide dogs we've had. -I'll do that. Sorry. -Thanks. | 6:43:41 | 6:43:44 | |
You're being my model. Thank you. | 6:43:44 | 6:43:46 | |
Everyone from Honey to Iggy, the last 50 years of Guide Dogs UK. | 6:43:46 | 6:43:50 | |
Feast your eyes on this one. | 6:43:50 | 6:43:52 | |
It's from Cosmo, who is from Hampshire. | 6:43:52 | 6:43:54 | |
I love this almost as much as I love the name "Cosmo". | 6:43:54 | 6:43:57 | |
How cool is that name? Unbelievable. Thank you, Cosmo, | 6:43:57 | 6:44:00 | |
and thank you to everyone who made the big Badge Wall | 6:44:00 | 6:44:03 | |
or simply for sending in your post. | 6:44:03 | 6:44:04 | |
And if you want to get in touch with Blue Peter, you can do that | 6:44:04 | 6:44:07 | |
through our website, but also through our postal address, | 6:44:07 | 6:44:10 | |
which is on the screen right now, | 6:44:10 | 6:44:11 | |
and then you can get your hands, potentially, on one of these - | 6:44:11 | 6:44:14 | |
the Blue Peter badge. | 6:44:14 | 6:44:16 | |
You know this. There are all sorts of badges you can get your hands on. | 6:44:16 | 6:44:19 | |
-Let's talk about this one. This is about inspiration. -My favourite! | 6:44:19 | 6:44:22 | |
It's the Sport Badge 2014. | 6:44:22 | 6:44:25 | |
And if you've got the Sport Badge of 2013, you can apply again | 6:44:25 | 6:44:28 | |
and get another Sport Badge. Who wouldn't want to? | 6:44:28 | 6:44:30 | |
-Radzi would! -A 2013 and a 2014. | 6:44:30 | 6:44:33 | |
Now, if you have already introduced somebody to a sport, | 6:44:33 | 6:44:36 | |
why not introduce another friend to the same sport or take up | 6:44:36 | 6:44:39 | |
a different sport with your friend? | 6:44:39 | 6:44:40 | |
You could get yourselves one of these. If you feel creative, | 6:44:40 | 6:44:43 | |
like the people who sent all these amazing pieces of artwork, | 6:44:43 | 6:44:46 | |
why not get involved in the new Blue Peter design-a-poster competition. | 6:44:46 | 6:44:49 | |
The prize is amazing - | 6:44:49 | 6:44:50 | |
a chance for your artwork to be displayed at all the attractions | 6:44:50 | 6:44:53 | |
the badge can get you into in the UK. | 6:44:53 | 6:44:55 | |
You're going to need a bit of inspiration for this, | 6:44:55 | 6:44:58 | |
and there's one guy who I think will do just that. | 6:44:58 | 6:45:00 | |
-He's amazing. One of my heroes. -Aw! | 6:45:00 | 6:45:02 | |
It's not Radzi, though. | 6:45:02 | 6:45:03 | |
It's Sir Quentin Blake. | 6:45:03 | 6:45:05 | |
It's not every day you get to meet the man behind the illustrations | 6:45:14 | 6:45:17 | |
of Charlie And The Chocolate Factory, Matilda and Mr Stink, | 6:45:17 | 6:45:20 | |
and he's no ordinary man. He's an incredible man | 6:45:20 | 6:45:22 | |
who wears a Blue Peter badge that's gold. That's how special he is. | 6:45:22 | 6:45:25 | |
He is the brilliant Sir Quentin Blake. | 6:45:25 | 6:45:29 | |
Quentin Blake is one of the world's most-loved illustrators. | 6:45:29 | 6:45:32 | |
He's illustrated over 300 books, including over 30 of his own, | 6:45:32 | 6:45:35 | |
and he is also one of the brains behind this gallery. | 6:45:35 | 6:45:38 | |
This is the House of Illustration, | 6:45:38 | 6:45:40 | |
the world's first gallery dedicated to the drawings | 6:45:40 | 6:45:42 | |
people like Sir Quentin, Raymond Briggs and Lauren Child draw | 6:45:42 | 6:45:45 | |
for books, novels, magazines and newspapers. | 6:45:45 | 6:45:48 | |
It's an exhibition of Quentin's work that's opening the gallery. | 6:45:48 | 6:45:51 | |
Quentin, it's so good to see you again. | 6:45:52 | 6:45:54 | |
Thank you for being on the show. | 6:45:54 | 6:45:55 | |
-It's a pleasure. Look. -I know. I spotted it. | 6:45:55 | 6:45:57 | |
-I've had that for a long time. -It's a very sparkly badge. | 6:45:57 | 6:46:00 | |
It is almost as sparkly as the gallery we are in today. | 6:46:00 | 6:46:02 | |
What made you want to do something like this? | 6:46:02 | 6:46:04 | |
Well, one thing about illustration, it's very accessible. | 6:46:04 | 6:46:07 | |
It's a language you can understand very quickly. | 6:46:07 | 6:46:10 | |
So to get the general public, | 6:46:10 | 6:46:12 | |
to get schools to come in and look at pictures... | 6:46:12 | 6:46:15 | |
Could you explain how you draw a picture? | 6:46:15 | 6:46:17 | |
There is one here, this is Clown, | 6:46:17 | 6:46:19 | |
and if I can show you this, | 6:46:19 | 6:46:21 | |
this shows some of the way that you set about it. | 6:46:21 | 6:46:24 | |
It's about a toy clown who takes on life. | 6:46:26 | 6:46:29 | |
-It's like storyboarding for a movie, isn't it? -Exactly like that. | 6:46:30 | 6:46:33 | |
There are these little key moments. | 6:46:33 | 6:46:36 | |
This is where a sort of terrible skinhead gets hold of him | 6:46:36 | 6:46:38 | |
and throws him through the air. | 6:46:38 | 6:46:40 | |
And so, then I get into the finished pictures. | 6:46:41 | 6:46:44 | |
Here is the skinhead again, swinging him around. | 6:46:44 | 6:46:47 | |
The word I would use is "inspirational". | 6:46:51 | 6:46:53 | |
I know there are people watching who will want to draw like Quentin Blake. | 6:46:53 | 6:46:56 | |
I like doodling. I've always liked drawing | 6:46:56 | 6:46:58 | |
and I have something in the other room that I'd like to draw. | 6:46:58 | 6:47:01 | |
I thought while you are here, you could teach me to draw it | 6:47:01 | 6:47:04 | |
-a little better. -I wonder. -Is it OK? -Shall we give it a go? -Follow me. | 6:47:04 | 6:47:07 | |
So this is the picture I'm talking about. | 6:47:09 | 6:47:11 | |
It's Lindsey in the Blue Peter studio with our lovely new puppy Iggy. | 6:47:11 | 6:47:14 | |
I thought we could do an illustration of that. | 6:47:14 | 6:47:16 | |
We could try. I'll give it a go. | 6:47:16 | 6:47:18 | |
You don't use a normal pen either? | 6:47:18 | 6:47:20 | |
Sometimes I use quills. | 6:47:20 | 6:47:23 | |
It's interesting to me | 6:47:23 | 6:47:24 | |
because that's one of the oldest things you can draw with. | 6:47:24 | 6:47:27 | |
They've been using them for 500 years. | 6:47:27 | 6:47:29 | |
A difficult thing about dogs is to get the back legs right. | 6:47:31 | 6:47:34 | |
-OK. -They do that. | 6:47:34 | 6:47:35 | |
Did you know what's really strange? I'm trying to draw it | 6:47:38 | 6:47:41 | |
like Quentin Blake. It's not working. | 6:47:41 | 6:47:43 | |
Have one of these. | 6:47:43 | 6:47:44 | |
It's a strange thing to work with because it comes and goes. | 6:47:44 | 6:47:47 | |
You just dip and scratch? | 6:47:47 | 6:47:49 | |
There is something quite satisfying about the sound it makes. | 6:47:51 | 6:47:54 | |
-Isn't there? -Do you think that has helped your style over the years, | 6:47:54 | 6:47:57 | |
you have a definitive style because of how you draw? | 6:47:57 | 6:47:59 | |
I think so. Someone said to me, "It's like handwriting." | 6:47:59 | 6:48:03 | |
That's amazing. | 6:48:06 | 6:48:07 | |
It's a beautiful thing. | 6:48:08 | 6:48:10 | |
-That's me done. -Very good. | 6:48:10 | 6:48:13 | |
I think Iggy looks OK... | 6:48:13 | 6:48:14 | |
Iggy is rather good, I think. | 6:48:14 | 6:48:16 | |
-I think you've got the eyebrows that I haven't got. -Sure. | 6:48:16 | 6:48:19 | |
I think I've grilled you enough on what it takes to be a good artist, | 6:48:19 | 6:48:22 | |
and I'll leave that to you, because you do it so much better. | 6:48:22 | 6:48:25 | |
But I do have some viewers' questions, | 6:48:25 | 6:48:27 | |
-which I would love to ask you, if that's OK. -Yeah, sure. | 6:48:27 | 6:48:30 | |
We'll do a quick-fire question round. | 6:48:30 | 6:48:31 | |
-Are you ready for this? -Almost. | 6:48:31 | 6:48:33 | |
You're playing for a holiday in Spain. Good luck. | 6:48:33 | 6:48:35 | |
Cream Shiny Koala says, "Hello, just to mention that I love all your work, | 6:48:35 | 6:48:40 | |
"and what are your top tips | 6:48:40 | 6:48:41 | |
"for someone who wishes to become an artist?" | 6:48:41 | 6:48:43 | |
You have to draw a lot. That is the way you learn to do it. | 6:48:43 | 6:48:47 | |
Just do it. Don't worry about it looking beautiful. Just draw it. | 6:48:47 | 6:48:51 | |
Sepia Spinning Dude says, | 6:48:51 | 6:48:53 | |
"How do you get the ideas for your pictures? | 6:48:53 | 6:48:55 | |
"And are they based on real people?" | 6:48:55 | 6:48:57 | |
It's an interesting question because I say always, | 6:48:57 | 6:49:00 | |
"I make them up. They're not based on real people. | 6:49:00 | 6:49:03 | |
"I just imagine them and invent them." | 6:49:03 | 6:49:05 | |
Later on, sometimes people come and say, | 6:49:05 | 6:49:08 | |
"Oh, look, that looks like your friend so-and-so, doesn't it?" | 6:49:08 | 6:49:11 | |
Red Calm Toucan with a fantastic question. | 6:49:11 | 6:49:13 | |
"Is it true that you doodled in your school books at school | 6:49:13 | 6:49:16 | |
"instead of doing your work?" | 6:49:16 | 6:49:18 | |
Yes, partly true because I did draw in the backs of my exercise books. | 6:49:18 | 6:49:22 | |
But it wasn't instead of doing my work! | 6:49:22 | 6:49:23 | |
-Of course not! -I did it as well. | 6:49:23 | 6:49:25 | |
Aqua Random Anteater - "Did you have to read the Roald Dahl books | 6:49:25 | 6:49:28 | |
"before you drew the pictures | 6:49:28 | 6:49:30 | |
"or did Roald Dahl just describe the characters to you?" | 6:49:30 | 6:49:32 | |
No. You have to read the book. | 6:49:32 | 6:49:34 | |
You read it all several times. | 6:49:34 | 6:49:36 | |
Then you do some drawings of what you think the people look like. | 6:49:36 | 6:49:39 | |
And it was after that, you then go and show them, | 6:49:39 | 6:49:42 | |
but that's the way to do it. | 6:49:42 | 6:49:43 | |
-Thank you very much. -Great. Thank you. | 6:49:43 | 6:49:46 | |
I hoped you enjoyed watching that as much as I enjoyed being here. | 6:49:46 | 6:49:49 | |
I've just spent half a day with one of my heroes. | 6:49:49 | 6:49:51 | |
Hopefully it inspired you | 6:49:51 | 6:49:52 | |
to get out there and start creating your own masterpieces. | 6:49:52 | 6:49:55 | |
So what are you waiting for? Pick up your scratchy pen | 6:49:55 | 6:49:57 | |
and start drawing. | 6:49:57 | 6:49:59 | |
You never know, you could end up with a piece of artwork like that. | 6:49:59 | 6:50:02 | |
What do we think of that, everybody? Isn't it amazing? | 6:50:02 | 6:50:04 | |
Quentin Blake, what a legend. | 6:50:04 | 6:50:06 | |
CHEERING AND APPLAUSE | 6:50:06 | 6:50:07 | |
We didn't see much of my artwork in that film. | 6:50:07 | 6:50:10 | |
Let's get a drum roll, please. | 6:50:10 | 6:50:12 | |
Here we go. | 6:50:12 | 6:50:13 | |
Yes! OK... | 6:50:13 | 6:50:15 | |
It's not the best, is it? But it's all about having a go, | 6:50:15 | 6:50:18 | |
so if you want to enter our poster competition, head online | 6:50:18 | 6:50:21 | |
for more details. If you think you might need a little more inspiration, | 6:50:21 | 6:50:24 | |
I asked Quentin what he thinks you should do. | 6:50:24 | 6:50:27 | |
I thought it might be a good time for you to give some top tips | 6:50:27 | 6:50:30 | |
on how to design a poster that's eye-catching. What would you do? | 6:50:30 | 6:50:33 | |
It's important to have one thing that's at the front, as it were, | 6:50:33 | 6:50:37 | |
and if you can find something that is unusual, | 6:50:37 | 6:50:40 | |
that people aren't expecting to see, then they think, "Oh, what's that?" | 6:50:40 | 6:50:44 | |
In the poster, you have to include the words "Blue Peter" | 6:50:44 | 6:50:47 | |
-and also the badge somewhere. -Yes. -Would you go large on those? | 6:50:47 | 6:50:50 | |
Would you put them in the background, like a hint to say what you're doing? | 6:50:50 | 6:50:53 | |
It might be interesting to draw a very unusual person | 6:50:53 | 6:50:57 | |
with the badge and the writing on them. | 6:50:57 | 6:50:59 | |
How about that? I'd try that anyway. | 6:50:59 | 6:51:01 | |
That's how good he is. The ideas just keep coming, it's great. | 6:51:01 | 6:51:04 | |
Thank you very much. | 6:51:04 | 6:51:06 | |
If you are thinking about entering | 6:51:06 | 6:51:08 | |
the Blue Peter Badge Attraction Poster Competition, you'll like this | 6:51:08 | 6:51:11 | |
because in the studio today, we have an art guru. | 6:51:11 | 6:51:14 | |
His parents know him as Amandeep Singh, | 6:51:14 | 6:51:16 | |
but we know him as Inkquisitive. | 6:51:16 | 6:51:18 | |
Yes! | 6:51:18 | 6:51:19 | |
CHEERING AND APPLAUSE | 6:51:19 | 6:51:22 | |
Welcome to Blue Peter, my friend. | 6:51:22 | 6:51:24 | |
We are surrounded by your fantastic artwork. Tell us a bit about it. | 6:51:24 | 6:51:28 | |
Well, with the name as Inkquisitive, | 6:51:28 | 6:51:30 | |
my most common thing to use is Indian inks, | 6:51:30 | 6:51:32 | |
reason being, because they are bright, colourful and so attractive | 6:51:32 | 6:51:35 | |
and it brings out so much in artwork. | 6:51:35 | 6:51:38 | |
It is honestly so much fun to work with. | 6:51:38 | 6:51:40 | |
And even your turban and earrings are bright. | 6:51:40 | 6:51:42 | |
100%. Bright is beautiful. | 6:51:42 | 6:51:44 | |
You are also a judge on the poster competition panel. | 6:51:44 | 6:51:47 | |
What are you looking out for? | 6:51:47 | 6:51:49 | |
Firstly, it's a massive honour to be a judge. | 6:51:49 | 6:51:52 | |
I will be looking out for... | 6:51:52 | 6:51:54 | |
My favourite saying is "dare to be different". | 6:51:54 | 6:51:56 | |
Anything different, engaging, | 6:51:56 | 6:51:58 | |
anything that brings a sense of character | 6:51:58 | 6:52:01 | |
and unique is what counts for this kind of competition. | 6:52:01 | 6:52:04 | |
Those elements are what is important. | 6:52:04 | 6:52:07 | |
-You will give us a nugget of inspiration. -100%. | 6:52:07 | 6:52:09 | |
In order to really feel that inspiration, | 6:52:09 | 6:52:12 | |
we will have four budding artists. | 6:52:12 | 6:52:14 | |
They go by the name of Matthew, Sam, Amelie and Esme. | 6:52:14 | 6:52:17 | |
Come, welcome. Welcome. | 6:52:17 | 6:52:19 | |
Come, gather. Now they're going to get on with art straightaway | 6:52:19 | 6:52:22 | |
because they are pros. I'll talk to you, Matthew, | 6:52:22 | 6:52:24 | |
because I know you all love art, | 6:52:24 | 6:52:26 | |
but what sort of things do you normally create? | 6:52:26 | 6:52:28 | |
Cartoon characters and comic strips. | 6:52:28 | 6:52:30 | |
And you're going to try and bring all that to your poster? | 6:52:30 | 6:52:33 | |
-Yes. -Fantastic. | 6:52:33 | 6:52:34 | |
Amandeep, I haven't started, you haven't started. | 6:52:34 | 6:52:37 | |
How would you normally approach something like this? | 6:52:37 | 6:52:39 | |
Pretty much, really simple, to be honest. | 6:52:39 | 6:52:41 | |
My favourite thing is using tea bags, | 6:52:41 | 6:52:43 | |
as you can see, we have some here, | 6:52:43 | 6:52:44 | |
and getting a normal plain piece of paper. | 6:52:44 | 6:52:47 | |
I tend to dab, dab, dab, dab. | 6:52:47 | 6:52:50 | |
I do this because inks flow well with water, | 6:52:50 | 6:52:53 | |
so once you actually have a teabag-coated A4 piece of paper, | 6:52:53 | 6:52:57 | |
you will get something that looks like that once it has dried up. | 6:52:57 | 6:53:00 | |
-It's like a treasure map. -Pretty much. | 6:53:00 | 6:53:02 | |
Once it's dried up you will have something that looks like this. | 6:53:02 | 6:53:04 | |
Now, this is the really fun part. | 6:53:04 | 6:53:06 | |
This is where you get the artwork at the back from. | 6:53:06 | 6:53:09 | |
It's the use of colour and blending techniques. | 6:53:09 | 6:53:12 | |
It's really important as well, if you are going to take this approach, | 6:53:12 | 6:53:16 | |
to use bright colours, like that. | 6:53:16 | 6:53:19 | |
-OK. You are just randomly doing that? -Pretty much. | 6:53:19 | 6:53:23 | |
-There's no sort of order to this? -Pretty much. | 6:53:23 | 6:53:26 | |
Just being a bit free in my artwork. | 6:53:26 | 6:53:28 | |
Any particular colours? | 6:53:28 | 6:53:30 | |
My favourite colours are pink and yellow because they blend very well. | 6:53:30 | 6:53:33 | |
And the reason being, when it is dried up | 6:53:33 | 6:53:35 | |
and you use that bright and dark contrast, | 6:53:35 | 6:53:38 | |
you have something that will end up looking like that. | 6:53:38 | 6:53:41 | |
OK! It's just transformed. | 6:53:41 | 6:53:44 | |
Pretty much, yeah, exactly. | 6:53:44 | 6:53:46 | |
And as you go on building colours, | 6:53:46 | 6:53:48 | |
one of my things is, I like to keep working with it. | 6:53:48 | 6:53:51 | |
So you can then elaborate that same piece | 6:53:51 | 6:53:53 | |
and get more colours from that. | 6:53:53 | 6:53:55 | |
-I love that. -So for this competition | 6:53:55 | 6:53:58 | |
what I choose to do is, I made stencils. | 6:53:58 | 6:54:01 | |
Brainstorming the ideas I wanted to work with for the competition, | 6:54:01 | 6:54:04 | |
I then made some stencils. | 6:54:04 | 6:54:05 | |
For a poster competition, I would say | 6:54:09 | 6:54:11 | |
the focus has to be in the middle of the page | 6:54:11 | 6:54:13 | |
because that is where your eye is going to go straightaway. | 6:54:13 | 6:54:16 | |
That's a great tip there, centre of the page. | 6:54:16 | 6:54:18 | |
So using my stencil, | 6:54:18 | 6:54:20 | |
I would go like this. | 6:54:20 | 6:54:23 | |
And although you said in the centre, You haven't measured any... | 6:54:23 | 6:54:26 | |
MUSIC COMES IN BRIEFLY | 6:54:26 | 6:54:27 | |
We liked it so much we added music, | 6:54:27 | 6:54:29 | |
-that is how important the centre of the page is! -Quality! | 6:54:29 | 6:54:33 | |
So yeah, adding a stencil, | 6:54:33 | 6:54:34 | |
and I think one of the fun things about art is, | 6:54:34 | 6:54:37 | |
and this is the best part of the body of the work, | 6:54:37 | 6:54:39 | |
once you have an idea and a brainstorm, | 6:54:39 | 6:54:42 | |
you keep working with those elements and you keep going on with it. | 6:54:42 | 6:54:45 | |
That is absolutely fantastic, | 6:54:45 | 6:54:47 | |
just with a pen, it lifts it straight off the page. | 6:54:47 | 6:54:50 | |
To get to that, are there any things that the Blue Peter viewers | 6:54:50 | 6:54:53 | |
who want to enter the competition should think about? | 6:54:53 | 6:54:55 | |
I think the most important thing is | 6:54:55 | 6:54:57 | |
making sure that you don't single out any one attraction, | 6:54:57 | 6:54:59 | |
making sure you kind of focus on various things. | 6:54:59 | 6:55:02 | |
Also, I know it's a given, | 6:55:02 | 6:55:03 | |
but make sure you have the words "Blue Peter" | 6:55:03 | 6:55:05 | |
or that element of Blue Peter in there. | 6:55:05 | 6:55:07 | |
And lastly, most importantly, make sure it's bright, creative, colourful | 6:55:07 | 6:55:11 | |
and a sense of your own character. | 6:55:11 | 6:55:12 | |
-It's all about being unique. -100%. -Which that definitely is. | 6:55:12 | 6:55:15 | |
Now, Matthew, I've immediately seen yours. What are you drawing? | 6:55:15 | 6:55:18 | |
A roller coaster. | 6:55:18 | 6:55:20 | |
A roller coaster? | 6:55:20 | 6:55:21 | |
With a car made out of bricks, with a fish, reading a book in. | 6:55:21 | 6:55:26 | |
Obviously, that is what you're doing! How about you, Amelie? | 6:55:27 | 6:55:31 | |
Well, I'm basically doing... | 6:55:31 | 6:55:35 | |
a man diving into the roller coaster park. | 6:55:35 | 6:55:42 | |
"Roller coaster" seems to be the theme of the day. | 6:55:42 | 6:55:44 | |
It doesn't have to be a roller coaster. You could have | 6:55:44 | 6:55:47 | |
anything on yours. But again, what's nice is how unique | 6:55:47 | 6:55:49 | |
each of them are with the colours and even where the colours go. | 6:55:49 | 6:55:52 | |
Yeah, I think that is what's important. | 6:55:52 | 6:55:54 | |
There is so much freedom with this competition. | 6:55:54 | 6:55:56 | |
Obviously keeping an eye on the rules given, | 6:55:56 | 6:55:59 | |
-there is so much you can do. -I cannot wait to see this. | 6:55:59 | 6:56:01 | |
-You designed one earlier. -I did. | 6:56:01 | 6:56:04 | |
This is worth the wait, without a shadow of a doubt. | 6:56:04 | 6:56:07 | |
Matthew, can I ask you to squeeze out of the way till we see this? | 6:56:07 | 6:56:10 | |
I know you are very busy doing your artwork. | 6:56:10 | 6:56:12 | |
OK. This deserves a huge round of applause. Take a look at that! | 6:56:12 | 6:56:16 | |
APPLAUSE | 6:56:16 | 6:56:17 | |
That really is fantastic. | 6:56:20 | 6:56:21 | |
-So bright, so vibrant. -Thank you. -Importantly, it's unique. | 6:56:21 | 6:56:24 | |
-And you're not wanting viewers just to replicate this? -No, 100% not. | 6:56:24 | 6:56:28 | |
I think, like I said, this competition is all about yourself. | 6:56:28 | 6:56:32 | |
Bring a sense of your character into this piece. | 6:56:32 | 6:56:34 | |
There's so much you can use - watercolours, acrylics, paints, | 6:56:34 | 6:56:37 | |
collage work. Enjoy yourself, that is the most important thing, | 6:56:37 | 6:56:41 | |
and you will always have a winning design. | 6:56:41 | 6:56:42 | |
And Matthew, Amelie, Sam and Esme, they're all enjoying themselves. | 6:56:42 | 6:56:46 | |
-Thank you for coming in, and Ink, thank you. -Thanks for having me. | 6:56:46 | 6:56:49 | |
It's so cool, isn't that? So now you have lots of tips | 6:56:49 | 6:56:51 | |
from Sir Quentin Blake and Inkquisitive. | 6:56:51 | 6:56:53 | |
We can't wait to see how you put those together | 6:56:53 | 6:56:55 | |
and create your own unique style, so good luck. | 6:56:55 | 6:56:57 | |
And remember, the deadline is Thursday 17th July. | 6:56:57 | 6:56:59 | |
That's next Thursday, so get it | 6:56:59 | 6:57:01 | |
in the diary and don't forget. | 6:57:01 | 6:57:03 | |
All the details are on the website. | 6:57:03 | 6:57:07 | |
If you do win, | 6:57:07 | 6:57:08 | |
you could earn yourselves one of these. | 6:57:08 | 6:57:10 | |
It's the Orange competition badge. Good luck. | 6:57:10 | 6:57:13 | |
That is a very rare badge, | 6:57:13 | 6:57:14 | |
so get involved and see if you can get one of those. | 6:57:14 | 6:57:17 | |
Earlier, we asked you to get in touch | 6:57:17 | 6:57:18 | |
and tell us about your mischievous pets. | 6:57:18 | 6:57:20 | |
We had Ashleigh and Pudsey in, | 6:57:20 | 6:57:22 | |
talking about pets getting in trouble on set. | 6:57:22 | 6:57:24 | |
Just to clarify, it was only the cat who got in trouble on that movie, | 6:57:24 | 6:57:27 | |
-which you all know lots about. -She is fast asleep! -Bless her. | 6:57:27 | 6:57:29 | |
-Snoozing away. -We must be quite boring today. | 6:57:29 | 6:57:31 | |
-Peach Custard Buffalo... -I love this, by the way. | 6:57:31 | 6:57:34 | |
"Hello. Last night we left our puppy downstairs | 6:57:34 | 6:57:36 | |
"and he ripped up my science book." | 6:57:36 | 6:57:37 | |
-What an excuse! -The dog officially ate his homework! | 6:57:37 | 6:57:40 | |
-I love it. -That's why we buy puppies. | 6:57:40 | 6:57:42 | |
Emerald Peachy Rhino says, | 6:57:42 | 6:57:44 | |
"My dog grabs socks and runs off with them." | 6:57:44 | 6:57:46 | |
Iggy has been known to do that with trainers as well. | 6:57:46 | 6:57:49 | |
Quartz Small Koala, I think this is about you, Barney, | 6:57:49 | 6:57:51 | |
"My neighbour's cat stole some sausages from a barbecue." | 6:57:51 | 6:57:54 | |
-It's possible. -That's the sort of thing you would do, isn't it? | 6:57:54 | 6:57:57 | |
I like sausages. | 6:57:57 | 6:57:58 | |
Crystal Cheesy Master says, "My dog Theo eats my toys | 6:57:58 | 6:58:01 | |
-"and once ate a whole rubber glove and came out blue." -What? | 6:58:01 | 6:58:04 | |
Last one. Cream Ecstatic Dog says, "My Yorkshire terrier Charlie | 6:58:04 | 6:58:07 | |
"pulled up the carpet while we were out buying treats for him." | 6:58:07 | 6:58:10 | |
-That's a nice treat for you when you get back. -Cheeky pets out there. | 6:58:10 | 6:58:13 | |
Thank you for getting in touch. Here's what's happening next week. | 6:58:13 | 6:58:16 | |
They're called Rixton. They're going to be here in the studio. | 6:58:16 | 6:58:19 | |
They are huge in the USA and they will be even bigger here. | 6:58:19 | 6:58:22 | |
And you can see how Radzi and I got on as we go head to head | 6:58:22 | 6:58:25 | |
in a world-class rowing race. | 6:58:25 | 6:58:27 | |
-Can't wait. -Lucy Cooke will join us | 6:58:27 | 6:58:29 | |
with her brand-new series of Talking To The Animals. | 6:58:29 | 6:58:33 | |
You don't want to miss that, I can't wait. | 6:58:33 | 6:58:34 | |
Before we go, I want to say a quick happy birthday to Tony on camera two. | 6:58:34 | 6:58:38 | |
-Happy birthday, Tony! -Have a lovely week. | 6:58:38 | 6:58:40 | |
-Thanks to all our viewers. -Wake up, Iggy. It's the end of the show. | 6:58:40 | 6:58:42 | |
-Wave goodbye. -See you then. -See you next week. -Bye! | 6:58:42 | 6:58:45 |