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CBBC OFFICIAL CHART SHOW CBI G863F/01 BRD000000 | 0:00:00 | 0:00:00 | |
Cel, hurry up, we need to get on with the show! | 7:19:19 | 7:19:21 | |
I'm aware of the situation, mate. You come and sit down and relax. | 7:19:21 | 7:19:24 | |
Cel, we need to get on with the show. | 7:19:24 | 7:19:26 | |
I know what we need to do, mate. Just calm down. | 7:19:26 | 7:19:28 | |
-You're making me nervous. -We need to get on with the show. | 7:19:28 | 7:19:31 | |
-Nathan, why do you keep saying the same thing Over And Over Again? -Ohh! | 7:19:31 | 7:19:35 | |
-There it was. It's the name of your single. -Yeah. -Gag. Double act. -Yeah. | 7:19:35 | 7:19:39 | |
-Eh?! -There we go. Great start. | 7:19:39 | 7:19:41 | |
You need to tell me about this lip dub thing. | 7:19:41 | 7:19:43 | |
-The one we've been talking about all week? -All week. | 7:19:43 | 7:19:46 | |
About BACA School in Brighton, yes. We did an awesome lip dub. | 7:19:46 | 7:19:49 | |
A big shout out to you wonderful guys, I'm your biggest fans. | 7:19:49 | 7:19:52 | |
They took on Jess Glynne, a whole host of songs, | 7:19:52 | 7:19:54 | |
kicking things off with Hold My Hand. | 7:19:54 | 7:19:57 | |
-Ahh, you! -Awkward. | 7:19:57 | 7:19:58 | |
Let's do this. | 7:20:01 | 7:20:02 | |
MUSIC: Hold My Hand by Jess Glynne | 7:20:02 | 7:20:05 | |
# Standing in a crowded room and I can't see your face | 7:20:14 | 7:20:17 | |
# Ooh-oh, ooh ooh ooh, ooh-ooh-oh | 7:20:17 | 7:20:19 | |
# Ooh ooh ooh, ooh-ooh-oh | 7:20:19 | 7:20:21 | |
# Put your arms around me Tell me everything's OK | 7:20:21 | 7:20:25 | |
# Ooh-oh, ooh ooh ooh, ooh-ooh-oh | 7:20:25 | 7:20:27 | |
# Ooh-ooh-ooh, ooh-ooh-oh | 7:20:27 | 7:20:29 | |
# Break my bones But you won't see me fall | 7:20:29 | 7:20:34 | |
# Oh-oh-oh | 7:20:34 | 7:20:37 | |
# The rising tide will rise against them all | 7:20:37 | 7:20:42 | |
# Oh-oh | 7:20:42 | 7:20:44 | |
# Darling, hold my hand | 7:20:44 | 7:20:46 | |
# Oh, won't you hold my hand? | 7:20:48 | 7:20:50 | |
# Cos I don't wanna walk on my own any more | 7:20:52 | 7:20:55 | |
# Won't you understand? | 7:20:55 | 7:20:57 | |
# Cos I don't wanna walk alone | 7:20:59 | 7:21:01 | |
# I'm ready for this There's no denying | 7:21:01 | 7:21:04 | |
# I'm ready for this | 7:21:04 | 7:21:06 | |
# You stop me falling | 7:21:06 | 7:21:08 | |
# I'm ready for this | 7:21:08 | 7:21:10 | |
# I need you all in | 7:21:10 | 7:21:12 | |
# I'm ready for this | 7:21:12 | 7:21:14 | |
# So, darling Won't you hold my hand? # | 7:21:14 | 7:21:17 | |
# This is real, real Real, real love | 7:21:17 | 7:21:22 | |
-# Real love -You give me that love | 7:21:22 | 7:21:25 | |
-# You give me that love -Real love | 7:21:25 | 7:21:27 | |
-# You give me that love -Real love | 7:21:27 | 7:21:29 | |
-# You give me that love -Real love | 7:21:29 | 7:21:30 | |
# You give me that love... # | 7:21:30 | 7:21:32 | |
# I came here with a broken heart that no-one else could see | 7:21:34 | 7:21:38 | |
# I drew a smile on my face to paper over me | 7:21:38 | 7:21:42 | |
# The wounds heal and tears dry and cracks, they don't show | 7:21:42 | 7:21:46 | |
# So don't be so hard on yourself, no | 7:21:46 | 7:21:49 | |
# So don't be so hard on yourself, no | 7:21:51 | 7:21:54 | |
# Learn to forgive, learn to let go | 7:21:55 | 7:21:57 | |
# Everyone trips, everyone falls | 7:21:59 | 7:22:01 | |
So don't be so hard on yourself, no... # | 7:22:03 | 7:22:06 | |
# If you gave me a chance I would take it | 7:22:09 | 7:22:13 | |
# It's a shot in the dark But I'll make it | 7:22:13 | 7:22:17 | |
# Know with all of your heart You can't shake me | 7:22:17 | 7:22:21 | |
# When I am with you There's no place I'd rather be | 7:22:21 | 7:22:25 | |
# N-N-N-No, no, no | 7:22:25 | 7:22:27 | |
# No place I rather be | 7:22:27 | 7:22:29 | |
# N-N-N-No, no, no | 7:22:29 | 7:22:31 | |
# No place I rather be | 7:22:31 | 7:22:33 | |
# N-N-N-No, no, no | 7:22:33 | 7:22:35 | |
# No place I rather be | 7:22:35 | 7:22:37 | |
# When I am with you There's no place I'd rather be | 7:22:37 | 7:22:41 | |
# N-N-N-No, no, no | 7:22:41 | 7:22:43 | |
# No place I rather be | 7:22:43 | 7:22:45 | |
# N-N-N-No, no, no | 7:22:45 | 7:22:47 | |
# No place I rather be | 7:22:47 | 7:22:49 | |
# N-N-N-No, no, no | 7:22:49 | 7:22:51 | |
# No place I rather be | 7:22:51 | 7:22:53 | |
# When I am with you There's no place I'd rather be. # | 7:22:53 | 7:22:57 | |
THEY CHEER | 7:22:57 | 7:23:00 | |
Oh, well, well, what a start to the CBBC Official Chart Show! | 7:23:02 | 7:23:04 | |
BACA School in Brighton, fantastic work. | 7:23:04 | 7:23:07 | |
Thank you to Years 7, 8, 9 and 10 for all getting involved. | 7:23:07 | 7:23:09 | |
If you thought, "My school could do that", well, get involved. | 7:23:09 | 7:23:12 | |
Go to: | 7:23:12 | 7:23:14 | |
All the details are on there. | 7:23:14 | 7:23:17 | |
-And Nathan Sykes is here... -Oh, hello. -Hiya, mate. | 7:23:17 | 7:23:19 | |
-..with our Chart Base helpers today. -I am. | 7:23:19 | 7:23:21 | |
-We have Celene and we have Bradley. -Nice to meet you, guys. | 7:23:21 | 7:23:24 | |
-You guys have got your questions for Nathan. -Have you got any good ones? | 7:23:24 | 7:23:27 | |
Yep, we've even got one about mac and cheese. | 7:23:27 | 7:23:29 | |
-Mac and cheese?! -Very interesting. | 7:23:29 | 7:23:31 | |
Do you want to make your way to the Chart Base? | 7:23:31 | 7:23:33 | |
We'll see very shortly. Thank you, Bradley, sir. | 7:23:33 | 7:23:35 | |
Nathan, I've got a quick question for you before you go over there. | 7:23:35 | 7:23:38 | |
-What's it been like going solo? -It's been wonderful. | 7:23:38 | 7:23:41 | |
-Yeah? -It's been really good. Especially for the writing. | 7:23:41 | 7:23:43 | |
-I really loved writing the album. And it's been a lot of fun. -Awesome. | 7:23:43 | 7:23:47 | |
We are looking forward to hearing the whole album. | 7:23:47 | 7:23:49 | |
-I've got some good news for you. -Yes? | 7:23:49 | 7:23:51 | |
We're kicking the chart off at number ten, and you're not at number ten. | 7:23:51 | 7:23:54 | |
-OK! -So, at number ten, it's WSTRN with In2. | 7:23:54 | 7:23:56 | |
# You'd be lying if you said I wasn't something | 7:23:56 | 7:23:58 | |
-# That you're into, into -Yeah | 7:23:58 | 7:24:01 | |
# Don't be stuntin' in front of your friends | 7:24:01 | 7:24:03 | |
# You know what I'm into, into | 7:24:03 | 7:24:06 | |
# Don't need to hide it You could be mine | 7:24:06 | 7:24:09 | |
# Let's take it slow | 7:24:09 | 7:24:10 | |
# Man, he's a hater | 7:24:10 | 7:24:12 | |
# I'll let it slide, I came for you | 7:24:12 | 7:24:16 | |
# You'd be lying if you said I wasn't something | 7:24:16 | 7:24:18 | |
-# That you're into, into -Yeah | 7:24:18 | 7:24:21 | |
# Don't be stuntin' in front of your friends | 7:24:21 | 7:24:22 | |
# You know what I'm into, into | 7:24:22 | 7:24:25 | |
# Don't need to hide it You could be mine | 7:24:25 | 7:24:28 | |
# Let's take it slow | 7:24:28 | 7:24:30 | |
# Man, he's a hater | 7:24:30 | 7:24:32 | |
-# I'll let it slide, I came for you -Oh, yeah... # | 7:24:32 | 7:24:35 | |
# When I first saw you From across the room | 7:24:35 | 7:24:40 | |
# I could tell that you were curious | 7:24:40 | 7:24:43 | |
# Oh, yeah | 7:24:43 | 7:24:45 | |
# Girl, I hope you're sure | 7:24:45 | 7:24:48 | |
# What you're looking for | 7:24:48 | 7:24:50 | |
# Cos I'm not good at making promises | 7:24:50 | 7:24:54 | |
# But if you like causing trouble up in hotel rooms | 7:24:54 | 7:24:58 | |
# And if you like having | 7:24:58 | 7:25:00 | |
# Secret little rendezvous | 7:25:00 | 7:25:03 | |
# If you like to do the things you know that we shouldn't do | 7:25:03 | 7:25:08 | |
# Then, baby, I'm perfect | 7:25:08 | 7:25:11 | |
# Baby, I'm perfect for you | 7:25:11 | 7:25:13 | |
# And if you like midnight driving with the windows down... # | 7:25:13 | 7:25:17 | |
-Here he is. It's Mr Greg James. -Here he is. | 7:25:17 | 7:25:20 | |
-The man of the hour. -Good afternoon, everybody. -Hello. | 7:25:20 | 7:25:23 | |
-How's the chart going? -The chart is going very well today, thank you. | 7:25:23 | 7:25:27 | |
-We are currently on Fleur East with Sax. -Mm-hm. | 7:25:27 | 7:25:29 | |
I might have to do to some talking in a second. I'm sorry. | 7:25:29 | 7:25:32 | |
How's your show going? I saw Nathan Sykes. | 7:25:32 | 7:25:34 | |
He's got a performance for us. It's all going very well. | 7:25:34 | 7:25:36 | |
-We'll announce the number one with you in a bit. -In just a bit. | 7:25:36 | 7:25:39 | |
-I'm going live, guys. -It's no big deal, he's just on Radio 1 live. | 7:25:39 | 7:25:43 | |
Let's go over to the Chart Base now, | 7:25:43 | 7:25:45 | |
where we've got our Chart Base helpers | 7:25:45 | 7:25:47 | |
putting your questions to Nathan Sykes. | 7:25:47 | 7:25:49 | |
# I'm down Nobody's looking right now | 7:25:49 | 7:25:53 | |
# Ain't no time for messing around | 7:25:53 | 7:25:56 | |
# But it won't take a minute | 7:25:56 | 7:25:58 | |
# Baby, come kiss me quick | 7:25:58 | 7:26:01 | |
# Let's act out a feeling right here... # | 7:26:01 | 7:26:04 | |
# Don't ever think I need more | 7:26:04 | 7:26:07 | |
# I've got the one to live for | 7:26:07 | 7:26:10 | |
# No-one else will do Yeah, I'm telling you | 7:26:10 | 7:26:14 | |
# Just put your heart in my hands... # | 7:26:14 | 7:26:18 | |
-CHEERING -Yeah! | 7:26:18 | 7:26:21 | |
-Hi, Nathan. -Hello. -We've got a few questions we'd like to ask you. | 7:26:21 | 7:26:23 | |
OK, go for it. | 7:26:23 | 7:26:25 | |
Would you rather sing on stage in your PJs | 7:26:25 | 7:26:27 | |
or walk down the red carpet in your mom's clothes? | 7:26:27 | 7:26:30 | |
I think definitely sing on stage in my PJs. | 7:26:30 | 7:26:33 | |
I get very comfortable when I'm on stage, | 7:26:33 | 7:26:35 | |
so it feels like I'm in my PJs, anyway, | 7:26:35 | 7:26:37 | |
especially when I'm sat at the piano. I just lounge around. | 7:26:37 | 7:26:40 | |
Kelsey asks, if you could tour with anyone from the UK, | 7:26:40 | 7:26:44 | |
who would it be and why? | 7:26:44 | 7:26:45 | |
I'm actually going on tour next year with Little Mix. | 7:26:45 | 7:26:49 | |
And I love Little Mix. I think they're brilliant. | 7:26:49 | 7:26:51 | |
So, they're amazing singers and amazing performers. | 7:26:51 | 7:26:54 | |
I'll be touring with them next year. | 7:26:54 | 7:26:56 | |
-Cool. -It's cool. | 7:26:56 | 7:26:58 | |
Tell us something about Cel that we don't know. | 7:26:58 | 7:27:00 | |
Ohhh! | 7:27:00 | 7:27:02 | |
Ohhh! Ohh! Ohh! | 7:27:02 | 7:27:05 | |
Hi, Cel! | 7:27:05 | 7:27:06 | |
He's a proper mummy's boy. He's a proper mummy's boy. | 7:27:07 | 7:27:12 | |
Biddy... Hi, Biddy, love you. | 7:27:12 | 7:27:15 | |
LAUGHTER | 7:27:16 | 7:27:18 | |
Oh. | 7:27:21 | 7:27:22 | |
What emoji would describe your song, Over And Over Again. | 7:27:22 | 7:27:26 | |
The one with the tear, cos the video's quite sad. | 7:27:26 | 7:27:30 | |
But it's actually quite a happy song, but the video's a bit sad. | 7:27:30 | 7:27:34 | |
And I actually wrote it on the same day that I wrote the song. | 7:27:34 | 7:27:37 | |
-Whoa. -It's cool. | 7:27:37 | 7:27:39 | |
Where is the best place you've ever been on tour? | 7:27:39 | 7:27:43 | |
Best place I've ever been on tour... | 7:27:43 | 7:27:45 | |
I'd say the UK. | 7:27:45 | 7:27:47 | |
There's no place like performing at home | 7:27:47 | 7:27:50 | |
and I've got an amazing fan base here | 7:27:50 | 7:27:53 | |
and they're always so lovely at the shows. | 7:27:53 | 7:27:55 | |
Cool. Tom asks, who is your favourite superhero and why? | 7:27:55 | 7:28:00 | |
My favourite superhero is... | 7:28:00 | 7:28:03 | |
I'm trying to think of a really good one. | 7:28:03 | 7:28:05 | |
Batman. | 7:28:05 | 7:28:07 | |
Man of the people. | 7:28:07 | 7:28:09 | |
NATHAN LAUGHS | 7:28:10 | 7:28:12 | |
Fred asks, are you a fan of macaroni and cheese? | 7:28:12 | 7:28:15 | |
Mac and cheese? | 7:28:15 | 7:28:17 | |
I think it's all right. | 7:28:17 | 7:28:18 | |
Yeah, I think it's good. | 7:28:18 | 7:28:20 | |
ALARM BLARES | 7:28:20 | 7:28:21 | |
-Oh, sorry. Sorry, Nathan. That's all the time we have. -Apparently so. | 7:28:21 | 7:28:25 | |
-Back to you, Cel, in the studio. -Right, I've got to go. Bye. | 7:28:25 | 7:28:28 | |
Thank you, Celene and Bradley. Fantastic questions. | 7:28:28 | 7:28:31 | |
There is nothing wrong with being a mummy's boy, OK? | 7:28:31 | 7:28:33 | |
Everyone should be a mummy's boy. | 7:28:33 | 7:28:35 | |
We're carrying on with this week's chart and we are at number eight. | 7:28:35 | 7:28:39 | |
-We have reached... Oh, he's wandering. -Any news? | 7:28:39 | 7:28:42 | |
Any...? I think we're dropping below freezing this weekend. | 7:28:42 | 7:28:46 | |
-No, any news about the song? -Ah, well, why don't you introduce it? | 7:28:46 | 7:28:49 | |
-We'll see what plays on the screen. -Yeah? | 7:28:49 | 7:28:51 | |
-It's a bit magic like that. -Amazing! | 7:28:51 | 7:28:53 | |
I'm Nathan Sykes and this is my brand-new single. | 7:28:53 | 7:28:55 | |
It's called Over And Over Again. | 7:28:55 | 7:28:57 | |
MUSIC: Music Of The Night | 7:28:57 | 7:28:59 | |
Oh, hello! | 7:28:59 | 7:29:01 | |
Hello! | 7:29:01 | 7:29:03 | |
Ohh! He is living. | 7:29:03 | 7:29:04 | |
And you know what? You know what? | 7:29:04 | 7:29:07 | |
-Now... Well... -Phantom Of The Opera there. -Yeah. -What was that? | 7:29:07 | 7:29:11 | |
Well, this is Cel Spellman, | 7:29:11 | 7:29:13 | |
and his brand-new single called Consider Yourself. | 7:29:13 | 7:29:15 | |
-Oh, you're joking me. -I love this. | 7:29:15 | 7:29:17 | |
# Consider yourself well in | 7:29:17 | 7:29:19 | |
# Consider yourself part of the furniture... # | 7:29:19 | 7:29:22 | |
Are you joking me? You are joking me. | 7:29:22 | 7:29:25 | |
Ohh! | 7:29:25 | 7:29:27 | |
-BOTH: -Ohh! | 7:29:27 | 7:29:29 | |
-Aren't you sweet?! -So, there I go. | 7:29:29 | 7:29:31 | |
I think I've finally got one up on Nathan, and you do that? | 7:29:31 | 7:29:34 | |
And all of you behind the camera. I know you're all part of it. Ohh! OK. | 7:29:34 | 7:29:38 | |
Didn't he look cute, though, guys? | 7:29:38 | 7:29:40 | |
-Wow, I cannot believe that's made it onto telly. -Little cheeks! | 7:29:40 | 7:29:43 | |
I can tell you, and it gives me great pleasure, | 7:29:43 | 7:29:45 | |
and it is a big honour and privilege, | 7:29:45 | 7:29:47 | |
to say that you are the highest new entry | 7:29:47 | 7:29:49 | |
-in this week's official chart, Nathan, yeah! -Yes! | 7:29:49 | 7:29:52 | |
At number eight, it is this man, Nathan Sykes, Over And Over Again. | 7:29:52 | 7:29:56 | |
# Over and over again | 7:29:57 | 7:30:00 | |
# So, don't ever think I need more | 7:30:01 | 7:30:05 | |
# I've got the one to live for | 7:30:05 | 7:30:08 | |
# No-one else will do And I'm telling you | 7:30:08 | 7:30:12 | |
# Just put your heart in my hands | 7:30:12 | 7:30:16 | |
# Promise it won't get broken | 7:30:16 | 7:30:19 | |
# We'll never forget this moment | 7:30:19 | 7:30:23 | |
# It will stay brand-new | 7:30:23 | 7:30:25 | |
# Cos I'll love you | 7:30:25 | 7:30:27 | |
# Over and over again | 7:30:27 | 7:30:30 | |
# Over and over again | 7:30:34 | 7:30:37 | |
# From the heat of night To the break of day | 7:30:43 | 7:30:47 | |
# I'll keep you safe And hold you forever... # | 7:30:47 | 7:30:52 | |
# Oh, will you take me home? | 7:30:52 | 7:30:55 | |
# You say space will make it better and time will make it heal | 7:30:55 | 7:31:00 | |
# I won't be lost forever and soon I wouldn't feel | 7:31:00 | 7:31:03 | |
# Like I'm haunted | 7:31:03 | 7:31:05 | |
# Ohh, falling | 7:31:05 | 7:31:08 | |
# You say space will make it better and time will make it heal | 7:31:08 | 7:31:13 | |
# I won't be lost forever and soon I wouldn't feel | 7:31:13 | 7:31:16 | |
# Like I'm haunted | 7:31:16 | 7:31:18 | |
# Ohh, falling | 7:31:18 | 7:31:21 | |
# You say space will make it better and time will make it heal | 7:31:21 | 7:31:25 | |
# I won't be lost forever and soon I wouldn't feel | 7:31:25 | 7:31:28 | |
# Like I'm haunted | 7:31:28 | 7:31:31 | |
# Ohh, falling... # | 7:31:31 | 7:31:36 | |
# ..Till the day I die | 7:31:36 | 7:31:38 | |
# And I will never want much more | 7:31:38 | 7:31:41 | |
# And in my heart I will always be sure | 7:31:41 | 7:31:45 | |
-# I will never forget you -Never forget you | 7:31:45 | 7:31:48 | |
# And you will always be by my side | 7:31:48 | 7:31:51 | |
# Till the day I die | 7:31:51 | 7:31:52 | |
# Feeling it, loving it Everything that we do | 7:31:52 | 7:31:55 | |
# And all along, I knew I had something special with you | 7:31:55 | 7:31:58 | |
# But sometimes you just gotta know that these things fall through | 7:31:58 | 7:32:01 | |
# But I'm still tired and I can't hide my connection with you | 7:32:01 | 7:32:05 | |
# Feeling it, loving it Everything that we do | 7:32:05 | 7:32:08 | |
# And all along, I knew I had something special with you | 7:32:08 | 7:32:11 | |
# But sometimes you just gotta know that these things fall through | 7:32:11 | 7:32:15 | |
# I can't hide my connection with you | 7:32:15 | 7:32:18 | |
# I will never forget you | 7:32:18 | 7:32:21 | |
# And you'll always be... # | 7:32:21 | 7:32:23 | |
Congratulations to our Chart Base friends. | 7:32:23 | 7:32:25 | |
Nathan, congratulations. Highest new entry in the chart. | 7:32:25 | 7:32:27 | |
-How does that feel? -It feels absolutely amazing. | 7:32:27 | 7:32:29 | |
Thank you to everyone who supported it. | 7:32:29 | 7:32:31 | |
Terrific song. You must be really proud of it. | 7:32:31 | 7:32:34 | |
How long did it take to get all that together | 7:32:34 | 7:32:36 | |
and kind of go for that leap of, it's just going to be me and a piano? | 7:32:36 | 7:32:39 | |
That's what I love about it. | 7:32:39 | 7:32:41 | |
It's one of the last songs I wrote on the album. | 7:32:41 | 7:32:43 | |
I actually flew back to LA, | 7:32:43 | 7:32:44 | |
cos I felt there was something I didn't say, | 7:32:44 | 7:32:46 | |
and it was me telling someone how I feel about them, cos I'm really shy. | 7:32:46 | 7:32:50 | |
So, when can we hear the album, Nathan? That's what I want to know. | 7:32:50 | 7:32:54 | |
You can hear it whenever you want, mate. | 7:32:54 | 7:32:56 | |
-Oh, thanks, pal. -The album comes out next year. -Next year? -Yeah. | 7:32:56 | 7:33:01 | |
-Making us wait, aren't you? -Sorry. | 7:33:01 | 7:33:03 | |
Let's carry on with this week's chart, | 7:33:03 | 7:33:05 | |
and it's over to Fleur East with Sax. | 7:33:05 | 7:33:06 | |
# Baby, baby, I've been waitin' for the one to blow my mind | 7:33:06 | 7:33:13 | |
# Ow! Hey, hey, give it to me | 7:33:13 | 7:33:15 | |
# Baby, maybe you can get it if you got that thang I like | 7:33:15 | 7:33:20 | |
# Oh | 7:33:20 | 7:33:23 | |
# I need to stick around The way you chase round south | 7:33:23 | 7:33:27 | |
# The type of red-hot love that got me freezin', cos | 7:33:27 | 7:33:31 | |
# Say you can go all night The way you lay that track | 7:33:31 | 7:33:35 | |
# But if you wanna hear me sing | 7:33:35 | 7:33:37 | |
# You'd better play that sax Give it to me | 7:33:37 | 7:33:40 | |
# You'd better play that sax | 7:33:46 | 7:33:49 | |
# Uh | 7:33:49 | 7:33:51 | |
# OK | 7:33:51 | 7:33:53 | |
# Yeah | 7:33:53 | 7:33:54 | |
# You'd better play that sax... # | 7:33:54 | 7:33:56 | |
# First you wanna go to the left Then you wanna turn right | 7:33:57 | 7:34:01 | |
# Wanna argue all day Making love all night | 7:34:01 | 7:34:05 | |
# First you're up, then you're down | 7:34:05 | 7:34:07 | |
# And then between | 7:34:07 | 7:34:09 | |
# Ohh, I really wanna know | 7:34:09 | 7:34:11 | |
# What do you mean? | 7:34:11 | 7:34:13 | |
# Ohh-ohh | 7:34:13 | 7:34:15 | |
# When you nod your head yes But you wanna say no | 7:34:15 | 7:34:19 | |
# What do you mean? | 7:34:19 | 7:34:21 | |
# Hey, yeah | 7:34:21 | 7:34:23 | |
# When you don't want me to move But you tell me to go | 7:34:23 | 7:34:26 | |
# What do you mean? | 7:34:26 | 7:34:28 | |
# Ohh | 7:34:28 | 7:34:30 | |
# When you nod your head yes But you wanna say no | 7:34:30 | 7:34:34 | |
# What do you mean? # | 7:34:34 | 7:34:35 | |
# Hello from the outside | 7:34:35 | 7:34:41 | |
# At least I can say that I've tried | 7:34:41 | 7:34:46 | |
# To tell you I'm sorry | 7:34:46 | 7:34:50 | |
# For breaking your heart | 7:34:50 | 7:34:52 | |
# But it don't matter | 7:34:52 | 7:34:55 | |
# It clearly doesn't tear you apart any more | 7:34:55 | 7:35:01 | |
# Hello | 7:35:05 | 7:35:07 | |
# How are you? | 7:35:08 | 7:35:10 | |
# It's so typical of me to talk about myself | 7:35:10 | 7:35:15 | |
# I'm sorry | 7:35:15 | 7:35:17 | |
# I hope | 7:35:17 | 7:35:20 | |
# That you're well | 7:35:20 | 7:35:22 | |
# Did you ever make it out of that town | 7:35:23 | 7:35:26 | |
# Where nothing ever happened | 7:35:26 | 7:35:29 | |
# It's no secret | 7:35:29 | 7:35:32 | |
# That the both of us | 7:35:32 | 7:35:36 | |
# Are running out of time | 7:35:36 | 7:35:42 | |
# So hello from the other side | 7:35:42 | 7:35:48 | |
# I must have called a thousand times... # | 7:35:48 | 7:35:53 | |
Wow! | 7:35:53 | 7:35:54 | |
We know Adele is setting some records in the singles chart, | 7:35:54 | 7:35:57 | |
but she has got the number one album this week, | 7:35:57 | 7:35:59 | |
and I can tell you that her album | 7:35:59 | 7:36:01 | |
has sold more than the whole 200 artists combined with their albums. | 7:36:01 | 7:36:05 | |
It's some stat, so a big, big congratulations to Adele. | 7:36:05 | 7:36:07 | |
She's number one in a ridiculous amount of countries as well. | 7:36:07 | 7:36:10 | |
Over 100, I believe, so very well played. | 7:36:10 | 7:36:12 | |
Let's play the game that's sweeping the nation. | 7:36:12 | 7:36:15 | |
It's the simple game that is... | 7:36:15 | 7:36:17 | |
Nooooote. | 7:36:17 | 7:36:18 | |
Last week, we had a new high score on the Note leaderboard. | 7:36:22 | 7:36:25 | |
Andreya Triana got 42 seconds. | 7:36:25 | 7:36:27 | |
Mr Nathan Sykes, you're taking on the Note challenge. | 7:36:27 | 7:36:29 | |
-How are you feeling about it? -Oh, petrified. | 7:36:29 | 7:36:32 | |
-Where would you like to be? -Um... | 7:36:32 | 7:36:34 | |
-Either bottom or top. -One or the other. -Don't do things in... | 7:36:34 | 7:36:40 | |
In the middle. I like it. One extreme to the other. | 7:36:40 | 7:36:42 | |
I do need my Chart Base helpers to step in. | 7:36:42 | 7:36:45 | |
We've got Bradley there with the torch. | 7:36:45 | 7:36:47 | |
We have got the stopwatch, so we're all good to go. | 7:36:47 | 7:36:49 | |
-Would you like me to give you a note? -Give me a middle C. | 7:36:49 | 7:36:51 | |
HE PLAYS A NOTE Happy with that? | 7:36:51 | 7:36:53 | |
-# Mmmm! # -There it is. | 7:36:53 | 7:36:55 | |
OK, here's Nathan Sykes taking on Note in three, in two, in... | 7:36:55 | 7:36:58 | |
HE PLAYS A NOTE | 7:36:58 | 7:36:59 | |
# No-o-o-o-o... # | 7:36:59 | 7:37:04 | |
HE HOLDS THE NOTE | 7:37:04 | 7:37:05 | |
Bradley's getting involved. | 7:37:05 | 7:37:07 | |
NOTE WAVERS | 7:37:10 | 7:37:12 | |
Oh! | 7:37:12 | 7:37:13 | |
# ..ote. # | 7:37:17 | 7:37:19 | |
OK! | 7:37:19 | 7:37:22 | |
-21 seconds! -Rubbish. -Hang on, hang on. No, we will say 21 seconds. | 7:37:22 | 7:37:26 | |
However, everyone behind the camera, | 7:37:26 | 7:37:29 | |
tell me that was one of the finest Notes we've ever heard. | 7:37:29 | 7:37:31 | |
-Most beautiful note. -It was. | 7:37:31 | 7:37:34 | |
We usually just have a standard hold it, | 7:37:34 | 7:37:36 | |
and that's fine, but however, you took us places, so for that... | 7:37:36 | 7:37:39 | |
I didn't breathe beforehand. | 7:37:39 | 7:37:41 | |
It, kind of, defeats the idea, doesn't it? | 7:37:41 | 7:37:44 | |
We'll put your score down here, but you know like on a wet track, | 7:37:44 | 7:37:47 | |
but it was kind of, like, ad libs. | 7:37:47 | 7:37:49 | |
So, it's the highest note held, but with ad libs. | 7:37:49 | 7:37:52 | |
Up there, on its own. | 7:37:52 | 7:37:54 | |
Nathan, you're sticking around for a performance. | 7:37:54 | 7:37:56 | |
-Certainly am. -We cannot wait for that. | 7:37:56 | 7:37:58 | |
It's going to be an exclusive performance of Over And Over Again. | 7:37:58 | 7:38:02 | |
But we're at number two. | 7:38:02 | 7:38:03 | |
Is it going to be Bieber or is it going to be Bieber? | 7:38:03 | 7:38:05 | |
Is it going to be Bieber or is it...? No-one cares. It's Bieber. | 7:38:05 | 7:38:10 | |
# If you like the way you look that much | 7:38:10 | 7:38:14 | |
# Oh, baby, you should go and love yourself | 7:38:14 | 7:38:17 | |
# And if you think that I'm still holdin' on to somethin' | 7:38:19 | 7:38:24 | |
# You should go and love yourself | 7:38:24 | 7:38:27 | |
# But when you told me that you hated my friends | 7:38:28 | 7:38:33 | |
# The only problem was with you and not them | 7:38:33 | 7:38:37 | |
# And every time you told me my opinion was wrong | 7:38:38 | 7:38:42 | |
# And tried to make me forget where I came from | 7:38:43 | 7:38:46 | |
# And I didn't wanna write a song | 7:38:48 | 7:38:50 | |
# Cos I didn't want anyone thinking I still care | 7:38:50 | 7:38:53 | |
# I don't, but you still hit my phone up | 7:38:53 | 7:38:57 | |
# And, baby, I be movin' on | 7:38:57 | 7:38:59 | |
# And I think you should be somethin' | 7:38:59 | 7:39:02 | |
# I don't wanna hold back | 7:39:02 | 7:39:04 | |
# Maybe you should know that | 7:39:04 | 7:39:07 | |
# My mama don't like you and she likes everyone | 7:39:07 | 7:39:10 | |
# And I never like to admit that I was wrong | 7:39:11 | 7:39:16 | |
# And I've been so caught up in my job | 7:39:16 | 7:39:19 | |
# Didn't see what's going on | 7:39:19 | 7:39:21 | |
# And now I know | 7:39:21 | 7:39:23 | |
# I'm better sleeping on my own Cos if you like... # | 7:39:23 | 7:39:27 | |
Wow, OK. | 7:39:27 | 7:39:28 | |
Before we find out who is UK's number one, let's remind ourselves. | 7:39:28 | 7:39:32 | |
Here are numbers ten through to two. | 7:39:32 | 7:39:34 | |
Number ten, we've got In2 with WSTRN... From WSTRN, sorry. | 7:39:34 | 7:39:38 | |
One Direction and Perfect is nine. | 7:39:38 | 7:39:40 | |
It's Nathan Sykes, with Over And Over Again, at eight. | 7:39:40 | 7:39:43 | |
Jess Glynne, with Take Me Home, is seven. | 7:39:43 | 7:39:45 | |
And MNEK, Zara Larsson, with Never Forget You, at six. | 7:39:47 | 7:39:50 | |
Sax is number five, from Fleur East. | 7:39:50 | 7:39:52 | |
It's Justin Bieber, with What Do You Mean? at four. | 7:39:54 | 7:39:57 | |
Adele, at three, with Hello. | 7:39:57 | 7:39:59 | |
Bieber, again, with Love Yourself at two. We just heard it. | 7:39:59 | 7:40:03 | |
It's playing now on BBC Radio 1, | 7:40:03 | 7:40:05 | |
which means we're close to the UK's official number one. | 7:40:05 | 7:40:08 | |
We are live on Radio 1, and now live on the CBBC channel. | 7:40:08 | 7:40:12 | |
-Cel Spellman, hi, again. -Hi, Greg James. It's a wondrous thing, this. | 7:40:12 | 7:40:15 | |
It's a wondrous thing. | 7:40:15 | 7:40:17 | |
We have a number one and a number two from Justin Bieber. | 7:40:17 | 7:40:20 | |
This is the first time it's happened in 30 years. | 7:40:20 | 7:40:23 | |
The last person to do this was Madonna. | 7:40:23 | 7:40:25 | |
So, at number two, we have Justin Bieber with Love Yourself. | 7:40:25 | 7:40:28 | |
And we're going to play the number one in just a second. | 7:40:28 | 7:40:30 | |
It's interesting to see how many of his songs | 7:40:30 | 7:40:33 | |
appear in the Top 40, as well from the album - eight songs. | 7:40:33 | 7:40:36 | |
-Has he got eight there? -Eight, in there. | 7:40:36 | 7:40:38 | |
Interestingly, Adele, her album has sold way more copies than Bieber | 7:40:38 | 7:40:42 | |
-and there's only two of hers in the singles chart. -Wow. | 7:40:42 | 7:40:46 | |
So, maybe Adele's more of an albums, kind of, artists. | 7:40:46 | 7:40:49 | |
-Bieber, people just love... -The single ones. -So, there you go. | 7:40:49 | 7:40:52 | |
-That means... Cel, are you ready? -I'm ready. | 7:40:52 | 7:40:55 | |
The UK's official number one is Justin Bieber. This is Sorry. | 7:40:55 | 7:40:59 | |
# Is it too late to say I'm sorry now? | 7:41:04 | 7:41:07 | |
# Ohh-ohh-ohh, ohh-ohh-ohh | 7:41:07 | 7:41:09 | |
# I'm sorry | 7:41:09 | 7:41:11 | |
# Yeah | 7:41:11 | 7:41:12 | |
# Ohh-ohh-ohh, ohh-ohh-ohh | 7:41:12 | 7:41:14 | |
# Sorry | 7:41:14 | 7:41:16 | |
# Yeah | 7:41:16 | 7:41:17 | |
# Ohh-ohh-ohh, ohh-ohh-ohh | 7:41:17 | 7:41:19 | |
# Sorry | 7:41:19 | 7:41:20 | |
# Yeah, I know that I let you down | 7:41:20 | 7:41:23 | |
# Is it too late to say I'm sorry now? | 7:41:23 | 7:41:26 | |
# Ohh-ohh-ohh, ohh-ohh-ohh | 7:41:26 | 7:41:29 | |
# I'll take every single piece of the blame if you want me to | 7:41:31 | 7:41:34 | |
# But you know that there is no innocent one in this game for two | 7:41:35 | 7:41:39 | |
# I'll go, I'll go, and then | 7:41:40 | 7:41:42 | |
# You go, you go out and spill the truth | 7:41:42 | 7:41:44 | |
# Can we both say the words Say "forget this"? | 7:41:44 | 7:41:48 | |
# Yeah, is it too late now to say sorry? | 7:41:50 | 7:41:54 | |
# Cos I'm missing more than just your body... # | 7:41:54 | 7:41:58 | |
Just in time there. Great timing. | 7:41:58 | 7:42:00 | |
-Do you reckon we might have a new number one next week? -No. | 7:42:00 | 7:42:02 | |
-Do you think...? -I don't. I can't see it happening. | 7:42:02 | 7:42:05 | |
I can't see it changing. With Bieber and Bieber. | 7:42:05 | 7:42:08 | |
Bieber's at 1, 2, 4, 16... | 7:42:08 | 7:42:12 | |
-33... -Wow! -..38. | 7:42:12 | 7:42:16 | |
-So probably not. -The odds are in his favour, really. -Yeah. | 7:42:16 | 7:42:19 | |
-Well, maybe Bieber for Christmas number one. -Who knows? | 7:42:19 | 7:42:22 | |
We've got an exclusive performance of the highest new entry this week. | 7:42:22 | 7:42:25 | |
It is my good friend Nathan Sykes | 7:42:25 | 7:42:27 | |
with an exclusive performance for us at the CBBC Official Chart Show | 7:42:27 | 7:42:30 | |
of his single, at number eight, Over And Over Again. | 7:42:30 | 7:42:32 | |
Take it away, sir. | 7:42:32 | 7:42:34 | |
MUSIC: Over And Over Again | 7:42:34 | 7:42:36 | |
# Mmmm | 7:42:44 | 7:42:47 | |
# Oh baby, oh baby, oh baby, oh baby | 7:42:50 | 7:42:54 | |
# Yeah | 7:42:54 | 7:42:55 | |
# From the way you smile To the way you look | 7:43:06 | 7:43:10 | |
# You capture me | 7:43:10 | 7:43:12 | |
# Unlike no other | 7:43:12 | 7:43:14 | |
# From the first hello Yeah, that's all it took | 7:43:14 | 7:43:18 | |
# And certainly | 7:43:18 | 7:43:20 | |
# We had each other | 7:43:20 | 7:43:22 | |
# And I won't leave you | 7:43:22 | 7:43:26 | |
# Always be true | 7:43:26 | 7:43:30 | |
# One plus one | 7:43:30 | 7:43:32 | |
# Two for life | 7:43:32 | 7:43:36 | |
Over and over again | 7:43:36 | 7:43:40 | |
# So, don't ever think I need more | 7:43:40 | 7:43:44 | |
# Cos I've got the one to live for | 7:43:44 | 7:43:48 | |
# No-one else will do And I'm telling you | 7:43:48 | 7:43:52 | |
# Just put your heart in my hands | 7:43:52 | 7:43:56 | |
# Promise it won't get broken | 7:43:56 | 7:44:00 | |
# We'll never forget this moment | 7:44:00 | 7:44:04 | |
# It will stay brand-new | 7:44:04 | 7:44:06 | |
# Cos I'll love you | 7:44:06 | 7:44:08 | |
# Over and over again | 7:44:08 | 7:44:12 | |
# Oh, baby | 7:44:14 | 7:44:16 | |
# Over and over again | 7:44:16 | 7:44:21 | |
# Oh, no | 7:44:21 | 7:44:23 | |
# Oh, girl, when I'm with you I lose track of time | 7:44:25 | 7:44:30 | |
# When I'm without you You're stuck on my mind | 7:44:30 | 7:44:34 | |
# And I'll be all you need till the day that I die | 7:44:34 | 7:44:38 | |
# I'll love you | 7:44:38 | 7:44:40 | |
# Over and over again | 7:44:40 | 7:44:44 | |
# So, don't ever think I need more | 7:44:44 | 7:44:47 | |
# Cos I've got the one to live for | 7:44:47 | 7:44:51 | |
# No-one else will do I'm telling you | 7:44:51 | 7:44:56 | |
# Just put your heart in my hands | 7:44:56 | 7:45:00 | |
# I promise it won't get broken | 7:45:00 | 7:45:03 | |
# We'll never forget this moment | 7:45:03 | 7:45:07 | |
# It will stay brand-new | 7:45:07 | 7:45:09 | |
# Cos I'll love you | 7:45:09 | 7:45:12 | |
# Over and over again | 7:45:12 | 7:45:15 | |
# Yeah, yeah | 7:45:15 | 7:45:18 | |
# Oh, baby | 7:45:18 | 7:45:20 | |
# Over and over again | 7:45:20 | 7:45:23 | |
# Oh, yeah | 7:45:23 | 7:45:26 | |
# Over and over again. # | 7:45:29 | 7:45:35 | |
CHEERING | 7:45:35 | 7:45:39 | |
That was Nathan Sykes performing exclusively | 7:45:39 | 7:45:41 | |
for the CBBC Official Chart Show, Over And Over Again. | 7:45:41 | 7:45:44 | |
And I may be slightly biased, | 7:45:44 | 7:45:45 | |
but I think possibly my favourite performance of the series. | 7:45:45 | 7:45:48 | |
Absolutely outstanding. What a song. | 7:45:48 | 7:45:51 | |
I'd like to say a massive thank you to you guys. | 7:45:51 | 7:45:53 | |
-Have you guys had fun? -Had a great time. | 7:45:53 | 7:45:56 | |
Bradley and Celene have been awesome. Bradley, have you had a good time? | 7:45:56 | 7:45:59 | |
-Yeah, it's been really good. -Thank you very much. | 7:45:59 | 7:46:02 | |
-OK, here he is, fresh from his performance. -All right, mate? | 7:46:02 | 7:46:05 | |
-How was that, sir? -Wonderful. Loved it. -It was absolutely amazing. | 7:46:05 | 7:46:08 | |
-We've got the album out next year. -Absolutely. | 7:46:08 | 7:46:10 | |
-You're going on tour with Little Mix. -Certainly am. -Fantastic. | 7:46:10 | 7:46:13 | |
We've reached the end of this week's CBBC Official Chart Show. | 7:46:13 | 7:46:16 | |
If you want to keep up-to-date with everything that's going on, | 7:46:16 | 7:46:18 | |
just go to bbc.co.uk/cbbc, click on my mug, | 7:46:18 | 7:46:21 | |
and it'll bring you to the Chart Show page. | 7:46:21 | 7:46:23 | |
Keep tabs on everything that Nathan's doing. | 7:46:23 | 7:46:25 | |
Thank you to these wonderful people. Next week, we've got The Vamps. | 7:46:25 | 7:46:28 | |
They're performing. We've got an awesome lip dub. | 7:46:28 | 7:46:31 | |
You might want to check out their brand-new music video. | 7:46:31 | 7:46:33 | |
You'll see a familiar face. See you later. | 7:46:33 | 7:46:35 | |
# When the stars go out You can rest your love on me | 7:46:37 | 7:46:42 | |
# You can rest your love on me | 7:46:42 | 7:46:44 | |
# And when the world gets loud | 7:46:44 | 7:46:46 | |
# Baby, you can rest your love on me... # | 7:46:46 | 7:46:49 | |
# Simple melody, simple melody | 7:46:49 | 7:46:52 | |
# Sing a simple melody | 7:46:52 | 7:46:54 | |
# There's how easy love can be... # | 7:46:54 | 7:46:56 | |
# CBBC Official Chart Show. # | 7:46:56 | 7:47:01 |