Browse content similar to Chart Show with the Vamps. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
THEY GROAN IN SLOW MOTION | 7:19:04 | 7:19:07 | |
All right, lads. We're all normal pace. Is this a slow-mo thingy? | 7:19:07 | 7:19:10 | |
Just run the titles. | 7:19:10 | 7:19:12 | |
AUDIO PLAYS IN SLOW MOTION | 7:19:12 | 7:19:15 | |
We're still in normal time. | 7:19:20 | 7:19:22 | |
Steve in the gallery, just run my normal titles. | 7:19:22 | 7:19:25 | |
Stop the slow-mo, please! | 7:19:25 | 7:19:27 | |
Good afternoon, beautiful people, and welcome to this week's | 7:19:46 | 7:19:49 | |
CBBC Official Chart Show with me, Cel Spellman. | 7:19:49 | 7:19:51 | |
What a wonderful show we've got ahead for you beautiful people. | 7:19:51 | 7:19:54 | |
We've got Chart Show history cos we welcome Mr Scott Mills | 7:19:54 | 7:19:57 | |
to the Chart Show for the first time. | 7:19:57 | 7:19:58 | |
He is busy on his show so I'm sure he's very excited. | 7:19:58 | 7:20:02 | |
You can see how excited he is. Cheers, brilliant, fantastic, Scott. | 7:20:02 | 7:20:05 | |
Now, today's special guests, | 7:20:05 | 7:20:07 | |
I am very excited to have on today's show, | 7:20:07 | 7:20:09 | |
it gives me great pleasure and a big privilege to welcome | 7:20:09 | 7:20:12 | |
to the CBBC Official Chart Show for the first time, The Vamps! | 7:20:12 | 7:20:16 | |
Ah, we're doing this. We're not in slow-mo. | 7:20:17 | 7:20:20 | |
Are we doing this for the whole show? | 7:20:20 | 7:20:23 | |
THEY SPEAK IN SLOW MOTION I think if I wait for an answer, | 7:20:23 | 7:20:26 | |
we'll be here till Christmas so I'll get on with the show. | 7:20:26 | 7:20:28 | |
We are at number ten and The Weeknd is here. | 7:20:28 | 7:20:31 | |
# When it's half-past five | 7:20:31 | 7:20:34 | |
# The only time I'd ever call you mine | 7:20:34 | 7:20:38 | |
# I only love it when you touch me, not feel me | 7:20:38 | 7:20:42 | |
# When I'm... That's the real me | 7:20:42 | 7:20:44 | |
# When I'm... That's the real me | 7:20:44 | 7:20:47 | |
# And every time he hurt you, I heard you | 7:20:48 | 7:20:51 | |
# Your shoulder to cry on | 7:20:51 | 7:20:52 | |
# And I'll be damned if I weren't who you turned to | 7:20:52 | 7:20:55 | |
# Said he drove you to my arms | 7:20:55 | 7:20:57 | |
# But don't you know, remember when I told you | 7:20:57 | 7:21:00 | |
# I would never let down my guard | 7:21:00 | 7:21:01 | |
# And I hope you feel like dirt when I hold you... # | 7:21:01 | 7:21:04 | |
# You'd be lying if you said I wasn't something that you're in2 | 7:21:05 | 7:21:08 | |
# In2, yeah | 7:21:08 | 7:21:10 | |
# Don't be stuntin' in front of your friends, you know what I'm in2 | 7:21:10 | 7:21:13 | |
# In2 | 7:21:13 | 7:21:15 | |
# Don't need to hide it | 7:21:15 | 7:21:17 | |
# You could be mine Let's take it slow | 7:21:17 | 7:21:19 | |
# Man, he's a hater | 7:21:19 | 7:21:22 | |
# I'll let it slide, I came for you | 7:21:22 | 7:21:25 | |
# You'd be lying if you said I wasn't something that you're in2 | 7:21:25 | 7:21:28 | |
# In2, yeah | 7:21:28 | 7:21:30 | |
# Don't be stuntin' in front of your friends, you know what I'm in2 | 7:21:30 | 7:21:33 | |
# In2 | 7:21:33 | 7:21:34 | |
# Don't need to hide it | 7:21:34 | 7:21:36 | |
# You could be mine Let's take it slow | 7:21:36 | 7:21:39 | |
# Man, he's a hater | 7:21:39 | 7:21:41 | |
# I'll let it slide I came for you... # | 7:21:41 | 7:21:45 | |
# You rationalise my darkest thoughts | 7:21:45 | 7:21:47 | |
# Yeah, you set them free | 7:21:47 | 7:21:51 | |
# Came to you with a broken faith | 7:21:51 | 7:21:54 | |
# Gave me more than a hand to hold | 7:21:54 | 7:21:57 | |
# Caught before I hit the ground | 7:21:57 | 7:22:01 | |
# Tell me I'm safe, you got me now | 7:22:01 | 7:22:04 | |
# Would you take the wheel | 7:22:04 | 7:22:08 | |
# If I lose control? | 7:22:08 | 7:22:10 | |
# If I'm lying here | 7:22:10 | 7:22:14 | |
# Will you take me home? | 7:22:14 | 7:22:17 | |
# Could you take care | 7:22:17 | 7:22:21 | |
# Of a broken soul? | 7:22:21 | 7:22:24 | |
# Oh, will you hold me now? | 7:22:24 | 7:22:27 | |
# Will you take me home? | 7:22:27 | 7:22:30 | |
# Will you take me home? | 7:22:30 | 7:22:34 | |
# Will you take me home? | 7:22:34 | 7:22:37 | |
# Will you take me home? | 7:22:37 | 7:22:41 | |
# You say space will make it better and time will make it heal... # | 7:22:41 | 7:22:46 | |
So, right now, it is Chart Show history time | 7:22:46 | 7:22:48 | |
because Mr Scott Mills is on the show for the first time. | 7:22:48 | 7:22:51 | |
-Scott, welcome. -Hello, how are you? -Very well, how are you? | 7:22:51 | 7:22:54 | |
I'm just counting down the hits like I do on a Friday. | 7:22:54 | 7:22:56 | |
-I don't normally, but Greg does. -That's a nice change, isn't it? -Yeah. | 7:22:56 | 7:23:00 | |
-You're doing a brilliant job. -I think we're still on air! | 7:23:00 | 7:23:03 | |
So, what's been going on in the charts, Scott? | 7:23:03 | 7:23:06 | |
Quite exciting. So much Justin Bieber, still, | 7:23:06 | 7:23:08 | |
in the top end of the chart, | 7:23:08 | 7:23:10 | |
but we're just going to ask the question, really, | 7:23:10 | 7:23:12 | |
is Sorry still going to be number one? | 7:23:12 | 7:23:14 | |
I think there's still more Bieber to come in the top five as well. | 7:23:14 | 7:23:17 | |
He just knows what he's doing at the moment. | 7:23:17 | 7:23:19 | |
It's so weird because if you think about it, | 7:23:19 | 7:23:22 | |
at the beginning of 2015, | 7:23:22 | 7:23:23 | |
if I'd said to you, "Everyone's going to be so into Justin Bieber | 7:23:23 | 7:23:27 | |
"by the time Christmas is here," you wouldn't have believed it. | 7:23:27 | 7:23:30 | |
He's done a massive turnaround and this album, Purpose, | 7:23:30 | 7:23:33 | |
-is a genius pop album. -I've never seen so many Beliebers out there. | 7:23:33 | 7:23:37 | |
So we're coming back to you later to reveal the UK's official number one. | 7:23:37 | 7:23:40 | |
-Sure. -It's so good to have you on the show. -Oh, thank you! | 7:23:40 | 7:23:43 | |
Let's go meet today's special guests | 7:23:43 | 7:23:45 | |
and put your questions to them - it's The Vamps. | 7:23:45 | 7:23:47 | |
# Wake up in the morning with the sunlight in my eyes | 7:23:47 | 7:23:52 | |
# No, my head don't feel so bright | 7:23:52 | 7:23:55 | |
# What the hell happened last night? # | 7:23:55 | 7:23:57 | |
# So wake up | 7:23:57 | 7:24:01 | |
# Your sleeping heart... # | 7:24:01 | 7:24:07 | |
# When the stars go out | 7:24:07 | 7:24:09 | |
# You can rest your love on me | 7:24:09 | 7:24:12 | |
# Rest your love on me | 7:24:12 | 7:24:14 | |
# And when the world gets loud | 7:24:14 | 7:24:16 | |
# Baby, you can rest your love on me... # | 7:24:16 | 7:24:18 | |
-CHEERING -Whoo! -Yeah! | 7:24:18 | 7:24:21 | |
-Ah, The Vamps! I believe you're big fans. How are you? -Hello, Justin. | 7:24:21 | 7:24:27 | |
It's great to see you, guys. I'm a big fan of your work. Are you well? | 7:24:27 | 7:24:31 | |
-We're very well, aren't we? -Fantastic! | 7:24:31 | 7:24:34 | |
OK, well, we've got some questions here | 7:24:34 | 7:24:36 | |
to put to you from the wonderful people at home. | 7:24:36 | 7:24:39 | |
Jane would like to know which one of you | 7:24:39 | 7:24:41 | |
takes the longest to wake up in the morning? | 7:24:41 | 7:24:44 | |
Thank you for your question, Jane, | 7:24:44 | 7:24:46 | |
and thank you for the delivery, Justin. Who do you reckon? | 7:24:46 | 7:24:50 | |
-It's probably between us three. -Yeah, James is good at getting up. | 7:24:50 | 7:24:54 | |
-Oh, he's changed location. -Well, as you know... | 7:24:54 | 7:24:59 | |
Oh, that's a really handsome guy there skiing. He's a great skier. | 7:24:59 | 7:25:03 | |
Hannah would like to know if you give each other Christmas presents. | 7:25:03 | 7:25:07 | |
Thank you for your question, Hannah. | 7:25:07 | 7:25:10 | |
-We give each other our love on Christmas Day. -A nice text. | 7:25:10 | 7:25:14 | |
-Yeah, a nice little peace. -A bit of peace and love there on Christmas. | 7:25:14 | 7:25:18 | |
OK, I think I'm going to go to space now. | 7:25:18 | 7:25:21 | |
No, I'm not, I'm going to the bus stop. | 7:25:21 | 7:25:24 | |
Don't say anything, this guy behind me has been following me everywhere. | 7:25:24 | 7:25:28 | |
He looks a bit weird, he's got a creepy look in his eyes. | 7:25:28 | 7:25:30 | |
I don't like the look of him. | 7:25:30 | 7:25:32 | |
Sansa from London would like to know | 7:25:32 | 7:25:34 | |
who would you like to be your celebrity twin? | 7:25:34 | 7:25:36 | |
Oooh! | 7:25:36 | 7:25:39 | |
I'd like you, Justin. | 7:25:39 | 7:25:41 | |
Well, we can make that happen, James. | 7:25:41 | 7:25:44 | |
-No worries. -You're a beautiful man, Justin. | 7:25:44 | 7:25:47 | |
YOU'RE a beautiful man. We've got this one from Abi. | 7:25:47 | 7:25:50 | |
Would you rather perform in your pyjamas | 7:25:50 | 7:25:53 | |
or go to a premiere in your mum's clothes? | 7:25:53 | 7:25:55 | |
Thank you, Abi. Erm... | 7:25:55 | 7:25:58 | |
-My pyjamas are comfy, yeah, I'm down for that. -Amazing, yeah. | 7:25:58 | 7:26:02 | |
-Pyjamas, Justin. -You're saying pyjamas? That's a great answer. | 7:26:02 | 7:26:06 | |
-How's space? -Space is great. | 7:26:06 | 7:26:08 | |
-You know that spaceship that just flew past? -Yep. | 7:26:08 | 7:26:10 | |
That was my ticket home so I think I'm stuck here, | 7:26:10 | 7:26:13 | |
but we've got time for one more. | 7:26:13 | 7:26:15 | |
Who can speak the most languages? | 7:26:15 | 7:26:17 | |
Anybody? | 7:26:17 | 7:26:19 | |
Well, I can speak a little bit, | 7:26:20 | 7:26:22 | |
but Brad did sing Wake Up in four languages so... | 7:26:22 | 7:26:25 | |
Brad, what languages were those? | 7:26:25 | 7:26:28 | |
It was Spanish, Portuguese, Italian and French. | 7:26:28 | 7:26:31 | |
But I don't know anything else in them, only the chorus to Wake Up. | 7:26:31 | 7:26:36 | |
That is super-talented, I must say! | 7:26:36 | 7:26:38 | |
-SIREN WAILS -I don't know what that is, | 7:26:38 | 7:26:40 | |
I don't know what that is... | 7:26:40 | 7:26:43 | |
Sorry, lads. Justin Bieber was just asking you questions? | 7:26:43 | 7:26:47 | |
-Yeah, he's great, isn't he? -Thank you, Justin. | 7:26:47 | 7:26:50 | |
You're very welcome, Mr Spellman, and you guys are great. | 7:26:50 | 7:26:55 | |
I'm going to have to move on, but, gents, | 7:26:55 | 7:26:58 | |
-it was a big release for you last week. -It was. | 7:26:58 | 7:27:01 | |
You had an album out, a single and a music video - a great music video. | 7:27:01 | 7:27:05 | |
There was a few weirdos in there. | 7:27:05 | 7:27:07 | |
There was one weirdo for sure in your room. | 7:27:07 | 7:27:10 | |
He had long hair. Don't know what all this was. | 7:27:10 | 7:27:13 | |
-He was trying to get all the lens space. -How was that for you? | 7:27:13 | 7:27:16 | |
-That's a big week. -Yeah, it's been a really good week. | 7:27:16 | 7:27:18 | |
It's just been nice to get the music out for the fans as well. | 7:27:18 | 7:27:22 | |
It's been about a year since we've released music | 7:27:22 | 7:27:24 | |
so now to have released Wake Up and now Rest Your Love, it's just great. | 7:27:24 | 7:27:28 | |
Terrific. We're all glad that you've finally given us some more music. | 7:27:28 | 7:27:31 | |
-So, are you sticking around? -Absolutely. -Beautiful! | 7:27:31 | 7:27:34 | |
Before that, we are back to this week's chart | 7:27:34 | 7:27:36 | |
and I can tell you right now | 7:27:36 | 7:27:37 | |
it is over to number seven in this week's chart. | 7:27:37 | 7:27:40 | |
It's Chart Show friends MNEK and Zara Larsson with Never Forget You. | 7:27:40 | 7:27:43 | |
# Never forget you | 7:27:43 | 7:27:46 | |
# You'll always be by my side | 7:27:46 | 7:27:49 | |
# From the day that I met you | 7:27:49 | 7:27:52 | |
# I knew that I would love you till the day I die | 7:27:52 | 7:27:55 | |
# And I will never want much more | 7:27:55 | 7:27:58 | |
# And, in my heart I will always be sure | 7:27:58 | 7:28:02 | |
# That I will never forget you | 7:28:02 | 7:28:05 | |
# You will always be by my side | 7:28:05 | 7:28:08 | |
# Till the day I die | 7:28:08 | 7:28:10 | |
# Till the day I die Till the day I die | 7:28:10 | 7:28:13 | |
# Till the day I die... # | 7:28:13 | 7:28:16 | |
# I need to stick around the way you chase down south | 7:28:16 | 7:28:19 | |
# The type of red hot love that got me freezing cos | 7:28:19 | 7:28:23 | |
# Say you can go all night the way you lay that track | 7:28:23 | 7:28:27 | |
# But if you want to hear me sing You better play that sax | 7:28:27 | 7:28:31 | |
# Give it to me! | 7:28:31 | 7:28:33 | |
# You better play that sax | 7:28:38 | 7:28:43 | |
# OK | 7:28:43 | 7:28:45 | |
# Yeah | 7:28:45 | 7:28:47 | |
# You better play that sax... # | 7:28:47 | 7:28:49 | |
# Don't say I can't go with other boys | 7:28:51 | 7:28:55 | |
# Don't tell me what to do | 7:28:57 | 7:29:01 | |
# And don't tell me what to say | 7:29:01 | 7:29:05 | |
# Please, when I go out with you | 7:29:05 | 7:29:09 | |
# Don't put me on display | 7:29:09 | 7:29:12 | |
# You don't own me | 7:29:14 | 7:29:16 | |
# Don't try to change me in any way | 7:29:17 | 7:29:21 | |
# You don't own me | 7:29:21 | 7:29:24 | |
# Don't tie me down cos I'd never stay | 7:29:25 | 7:29:30 | |
# Don't tell me what to do | 7:29:32 | 7:29:35 | |
# And don't tell me what to say | 7:29:35 | 7:29:39 | |
# Please, when I go out with you | 7:29:39 | 7:29:42 | |
# Don't put me on display. # | 7:29:42 | 7:29:46 | |
And it gives me great pleasure | 7:29:48 | 7:29:50 | |
to tell you that Grace is next week's guest. | 7:29:50 | 7:29:52 | |
She's the highest new entry in this week's chart and bravo to you, Grace. | 7:29:52 | 7:29:55 | |
Look forward to meeting you next week. | 7:29:55 | 7:29:57 | |
OK, let me set the scene for you beautiful people. | 7:29:57 | 7:29:59 | |
It's a normal day in Maidstone, you're out doing your shopping. | 7:29:59 | 7:30:02 | |
The Chart Show team were there, braving snow and winter weather, | 7:30:02 | 7:30:05 | |
braving the cold. You're minding your own business, | 7:30:05 | 7:30:07 | |
think it's just like any normal day... | 7:30:07 | 7:30:09 | |
Then this happens. | 7:30:09 | 7:30:11 | |
Cameras are up. | 7:30:18 | 7:30:19 | |
Walkie-talkies are in. | 7:30:20 | 7:30:22 | |
No-one knows about it, it's a big secret. | 7:30:22 | 7:30:25 | |
So the dancers are all here, they're all getting ready. | 7:30:25 | 7:30:27 | |
We're just about to go into positions right now. | 7:30:30 | 7:30:33 | |
# When the snowman brings the snow... # | 7:30:33 | 7:30:36 | |
CHRISTMASSY MUSIC FADES | 7:30:36 | 7:30:38 | |
MUSIC: Easy Love by Sigala | 7:30:41 | 7:30:44 | |
# Oooh-ooh-ooh-ooh | 7:30:44 | 7:30:47 | |
# Oooh-ooh-ooh-ooh | 7:30:52 | 7:30:55 | |
# Come on, now! # | 7:30:55 | 7:30:56 | |
# Oooh-ooh-ooh-ooh | 7:30:59 | 7:31:02 | |
# A-B-C is easy It's like counting up to three | 7:31:07 | 7:31:10 | |
# Sing a simple melody | 7:31:10 | 7:31:13 | |
# That's how easy love can be | 7:31:13 | 7:31:15 | |
# A-B-C is easy, it's like counting up to three | 7:31:15 | 7:31:19 | |
# Sing a simple melody | 7:31:19 | 7:31:21 | |
# That's how easy love can be | 7:31:21 | 7:31:23 | |
# Simple melody, simple melody | 7:31:23 | 7:31:26 | |
# Sing a simple melody | 7:31:26 | 7:31:28 | |
# That's how easy love can be | 7:31:28 | 7:31:31 | |
# Simple melody, simple melody | 7:31:31 | 7:31:34 | |
# Sing a simple melody | 7:31:34 | 7:31:36 | |
# That's how easy love can be | 7:31:36 | 7:31:38 | |
# Simple melody, simple melody | 7:31:38 | 7:31:42 | |
# Sing a simple melody | 7:31:42 | 7:31:44 | |
# That's how easy love can be | 7:31:44 | 7:31:46 | |
# Simple melody, simple melody | 7:31:46 | 7:31:49 | |
# Sing a simple melody | 7:31:49 | 7:31:52 | |
# That's how easy love can be | 7:31:52 | 7:31:54 | |
# That's how easy love can be... # | 7:32:00 | 7:32:02 | |
# That's how easy love can be! # | 7:32:07 | 7:32:09 | |
# 1-2-3, baby, ooh-ooh | 7:32:09 | 7:32:11 | |
# A-B-C, baby, nah-nah | 7:32:11 | 7:32:13 | |
# Do-re-mi, baby, now! | 7:32:13 | 7:32:15 | |
# That's how easy love can be | 7:32:15 | 7:32:17 | |
# 1-2-3, baby, ooh-ooh | 7:32:17 | 7:32:19 | |
# A-B-C, baby, nah-nah | 7:32:19 | 7:32:21 | |
# Do-re-mi, baby - now! | 7:32:21 | 7:32:23 | |
# Sing a simple melody Simple melody | 7:32:24 | 7:32:28 | |
# Sing a simple melody | 7:32:28 | 7:32:31 | |
# That's how easy love can be | 7:32:31 | 7:32:32 | |
# Simple melody, simple melody | 7:32:32 | 7:32:36 | |
# Sing a simple melody | 7:32:36 | 7:32:38 | |
# That's how easy love can be | 7:32:38 | 7:32:40 | |
# That's how easy love can be | 7:32:46 | 7:32:48 | |
# That's how easy love can be... # | 7:32:53 | 7:32:55 | |
WHOOPING | 7:33:01 | 7:33:05 | |
Libby and Adam, Bravo to you! | 7:33:09 | 7:33:13 | |
Wonderful, wonderful work. | 7:33:13 | 7:33:14 | |
I don't know, there must be a slow-mo part in that room, | 7:33:14 | 7:33:17 | |
so I'm going to leave them to it. I don't know what they're doing. | 7:33:17 | 7:33:19 | |
Anyway, we're back at the chart, we're at number four. | 7:33:19 | 7:33:22 | |
Still going, look at that! | 7:33:22 | 7:33:24 | |
We are at some guy called Justin Bieber, I don't know | 7:33:24 | 7:33:26 | |
if you've heard of him? He's around a lot at the moment in the chart. | 7:33:26 | 7:33:29 | |
This is his single, What Do You Mean? | 7:33:29 | 7:33:31 | |
# Said we're running out of time What do you mean? | 7:33:32 | 7:33:35 | |
# Oh, oh, oh What do you mean? | 7:33:36 | 7:33:38 | |
# Better make up your mind What do you mean? | 7:33:40 | 7:33:43 | |
# You're so indecisive's what I'm saying | 7:33:43 | 7:33:47 | |
# Trying to catch the beat make up your heart | 7:33:47 | 7:33:50 | |
# Don't know if you're happy or complaining | 7:33:51 | 7:33:54 | |
# Don't want for us to end Where do I start? | 7:33:55 | 7:33:58 | |
# First you wanna go to the left then you want to turn right | 7:33:58 | 7:34:02 | |
# Wanna argue all day making love all night | 7:34:02 | 7:34:05 | |
# First you up then you're down and then between | 7:34:06 | 7:34:10 | |
# Oh, I really want to know What do you mean? # | 7:34:10 | 7:34:13 | |
# Hello from the outside | 7:34:18 | 7:34:24 | |
# At least I can say that I've tried | 7:34:24 | 7:34:30 | |
# To tell you I'm sorry | 7:34:30 | 7:34:33 | |
# For breaking your heart but it don't matter it | 7:34:33 | 7:34:38 | |
# Clearly doesn't tear you apart | 7:34:38 | 7:34:42 | |
# Any more | 7:34:42 | 7:34:44 | |
# Hello... | 7:34:49 | 7:34:52 | |
# How are you? | 7:34:52 | 7:34:53 | |
# It's so typical of me | 7:34:54 | 7:34:57 | |
# To talk about myself I'm sorry. # | 7:34:57 | 7:35:00 | |
Still such a beautiful song there from Adele. | 7:35:00 | 7:35:03 | |
OK, it's time to play the simple game that's sweeping the nation, | 7:35:03 | 7:35:06 | |
everybody's favourite game on a Friday. | 7:35:06 | 7:35:07 | |
The simple game that is... Note! | 7:35:07 | 7:35:10 | |
# No-no-no No-o-o-o-o-ote! # | 7:35:10 | 7:35:12 | |
Last week, we saw Mr Nathan Sykes put in an awesome performance | 7:35:14 | 7:35:17 | |
and got a mid-table score of 21 seconds. | 7:35:17 | 7:35:20 | |
However, there was a lot of ad-libbing. | 7:35:20 | 7:35:22 | |
It was a lovely, lovely note. | 7:35:22 | 7:35:23 | |
Taking on the Note challenge this week, somebody I have high hopes for. | 7:35:23 | 7:35:26 | |
The Vamps are taking on the Note challenge. | 7:35:26 | 7:35:29 | |
-WHOOPING -Come on, boys! | 7:35:29 | 7:35:30 | |
-Go on, lads! -How are we feeling? -Good, yeah. Feeling well. | 7:35:30 | 7:35:34 | |
I mean, you're a band, so there's a bit of an advantage, | 7:35:34 | 7:35:36 | |
cos you're all going. | 7:35:36 | 7:35:37 | |
There's four chances for you to hold a long note. | 7:35:37 | 7:35:39 | |
-Where will you be happy with on the board? -Where it is at the moment. | 7:35:39 | 7:35:43 | |
-Nothing but the top. -That's what I like to hear. | 7:35:43 | 7:35:45 | |
Have you been putting in much training, or...? | 7:35:45 | 7:35:47 | |
Quite a few, yeah - we've been to the Himalayas, | 7:35:47 | 7:35:49 | |
we did about two weeks there, high-intensity, high altitude. | 7:35:49 | 7:35:53 | |
-The altitude training is key. -It is. -There you go. | 7:35:53 | 7:35:56 | |
If there was an inspirational quote from the year, | 7:35:56 | 7:35:58 | |
it goes to Brad, right there. | 7:35:58 | 7:36:00 | |
-OK, boys, I wish you the best of luck, OK? -Come on, boys! | 7:36:00 | 7:36:03 | |
I'm going to count you in after 3, OK? Here we go. | 7:36:03 | 7:36:06 | |
Here are The Vamps' Note in three, two, one... | 7:36:06 | 7:36:10 | |
-ALL: -# No-o-o-o... | 7:36:10 | 7:36:12 | |
Oh, they're being a bit sneaky, they've gone very low and very quiet. | 7:36:12 | 7:36:16 | |
They're just kind of controlling their breath. | 7:36:16 | 7:36:19 | |
Of course Millie has just reminded me the Torch Of Note, | 7:36:19 | 7:36:21 | |
to put the pressure onto Brad there. | 7:36:21 | 7:36:24 | |
Conns there, James there, holding his focus. | 7:36:24 | 7:36:27 | |
Eyes down, like it. | 7:36:27 | 7:36:29 | |
BRAD LAUGHS Brad's gone. | 7:36:29 | 7:36:31 | |
James's gone. Tristan is struggling there... | 7:36:31 | 7:36:35 | |
He's got a little one, it's quivering... | 7:36:37 | 7:36:39 | |
Oh, that wasn't too bad! Hang on, I'm just going to get the... | 7:36:39 | 7:36:44 | |
I think that was about 27 seconds. | 7:36:44 | 7:36:46 | |
-What did you say? -27. -It was 28! | 7:36:46 | 7:36:49 | |
So that puts you in there with Collabro. | 7:36:50 | 7:36:53 | |
I tell you what, boys, as bands go, you are up there matching Collabro. | 7:36:53 | 7:36:57 | |
They're operatic trained. | 7:36:57 | 7:36:59 | |
-That's very respectable. -What did they do, how did they do it? | 7:36:59 | 7:37:02 | |
-42?! -Hometown, there is a lot of them. | 7:37:02 | 7:37:04 | |
You'll know, they're supporting you on tour, aren't they? | 7:37:04 | 7:37:06 | |
-They are indeed. -They had a good chance. | 7:37:06 | 7:37:09 | |
-But next down, Rixton. -They did well. | 7:37:09 | 7:37:11 | |
Respectable. Top table. | 7:37:11 | 7:37:13 | |
Very nice, boys. | 7:37:13 | 7:37:14 | |
Now, we're going to find out what the viewers have chosen for you guys | 7:37:14 | 7:37:18 | |
to do at the end of the show, which is going to be exciting. | 7:37:18 | 7:37:21 | |
Before that though, we are back to the chart and I can tell you that | 7:37:21 | 7:37:24 | |
Bieber has been at 40 this week, he's been at 39, he's been at 30, | 7:37:24 | 7:37:28 | |
he's been 17, he's been at 4 and now | 7:37:28 | 7:37:30 | |
I can tell you he is also at number two. | 7:37:30 | 7:37:34 | |
# ..Too late to say sorry now? | 7:37:34 | 7:37:35 | |
# I'm sorry | 7:37:37 | 7:37:39 | |
# Sorry | 7:37:42 | 7:37:44 | |
# Sorry | 7:37:47 | 7:37:49 | |
# Yeah, I know I let you down | 7:37:49 | 7:37:51 | |
# I'll take every single piece of the blame if you want me to | 7:37:59 | 7:38:03 | |
# But you know that there is no innocent one in this game for two | 7:38:03 | 7:38:08 | |
# I'll go, I'll go and then you go, you go out and spill the truth | 7:38:08 | 7:38:12 | |
# Can we both say the words and forget this? | 7:38:12 | 7:38:16 | |
# Yeah, is it too late now to say sorry? | 7:38:18 | 7:38:22 | |
# Cos I'm missing more than just your body | 7:38:22 | 7:38:27 | |
# Oh | 7:38:27 | 7:38:28 | |
# Is it too late now to say sorry? # | 7:38:28 | 7:38:31 | |
So, before we reveal the UK's official number one, | 7:38:33 | 7:38:35 | |
let's recap our numbers ten through to two. | 7:38:35 | 7:38:38 | |
We have The Weeknd at number ten. | 7:38:39 | 7:38:42 | |
WSTRN at number nine with In2. | 7:38:43 | 7:38:45 | |
Jess Glynne with Take Me Home at eight. | 7:38:45 | 7:38:48 | |
At seven, Never Forget You, MNEK and Zara Larsson. | 7:38:48 | 7:38:51 | |
Fleur East with Sax is at six. | 7:38:51 | 7:38:53 | |
Highest new entry from Grace with You Don't Own Me. | 7:38:55 | 7:38:58 | |
What Do You Mean from Justin Bieber is four. | 7:38:58 | 7:39:01 | |
Adele is at three with Hello. | 7:39:01 | 7:39:04 | |
And you just heard it from Mr Justin Bieber - | 7:39:04 | 7:39:06 | |
he's at two with Hello...with Sorry. | 7:39:06 | 7:39:09 | |
OK, and now we have arrived at the moment with Mr Scott Mills | 7:39:09 | 7:39:13 | |
on Radio 1 and us on CBBC to reveal the UK's official number one. | 7:39:13 | 7:39:16 | |
-Are you ready? -We're ready. | 7:39:16 | 7:39:18 | |
No, we are live. | 7:39:22 | 7:39:24 | |
That is Justin Bieber and Sorry, | 7:39:24 | 7:39:27 | |
last week's number one and this week's number two. | 7:39:27 | 7:39:31 | |
And Cel Spellman has joined me. | 7:39:31 | 7:39:33 | |
We are on Radio 1 and we are also live on CBBC. Hi, everyone. | 7:39:33 | 7:39:37 | |
Hello, everybody. | 7:39:37 | 7:39:39 | |
So, it's just an incredible year for Justin Bieber - it continues. | 7:39:39 | 7:39:43 | |
He scores his third number one single. | 7:39:43 | 7:39:46 | |
So this track, Love Yourself, climbs from two to number one, | 7:39:46 | 7:39:50 | |
so they've done a swapsie and Sorry goes down to second place. | 7:39:50 | 7:39:53 | |
-So Bieber has replaced himself. -Yes, he's knocked himself off. | 7:39:53 | 7:39:57 | |
Now, replacing yourself at the top spot is very rare. | 7:39:57 | 7:40:01 | |
It was last seen on the Official Chart in 2005 | 7:40:01 | 7:40:05 | |
when Elvis Presley did it with a load of re-releases. | 7:40:05 | 7:40:09 | |
And then the last living act to manage it was | 7:40:09 | 7:40:13 | |
The Beatles in 1963, so this is a pretty unheard-of event. | 7:40:13 | 7:40:17 | |
-This is Chart Show history right here. -It really is. | 7:40:17 | 7:40:20 | |
OK, so, we're about to play it. This song was co-written with Ed Sheeran. | 7:40:20 | 7:40:23 | |
He told me, when Ed was on my Radio 1 show recently, | 7:40:23 | 7:40:26 | |
Ed was writing this song with him, but when they weren't writing | 7:40:26 | 7:40:29 | |
together Justin would just drive him round in his car. | 7:40:29 | 7:40:32 | |
So he was in the car driving Ed Sheeran around listening | 7:40:32 | 7:40:35 | |
-to his own songs... -Wow. | 7:40:35 | 7:40:36 | |
..and occasionally going, "This one is dope, man." | 7:40:36 | 7:40:38 | |
Is that what you do, Scott, when you're driving? | 7:40:38 | 7:40:41 | |
-Just listen to your show back? -Exactly the same. | 7:40:41 | 7:40:43 | |
Here it is, the UK's number one. | 7:40:43 | 7:40:45 | |
# Cos if you like the way you look that much | 7:40:50 | 7:40:54 | |
# Oh baby you should go and love yourself | 7:40:54 | 7:40:58 | |
# And if you think that I'm still holding on to something | 7:40:59 | 7:41:05 | |
# You should go and love yourself | 7:41:05 | 7:41:07 | |
# But when you told me that you hated my friends | 7:41:09 | 7:41:14 | |
# The only problem was with you and not them | 7:41:14 | 7:41:18 | |
# And every time you told me my opinion was wrong | 7:41:18 | 7:41:23 | |
# And tried to make me forget where I came from | 7:41:23 | 7:41:28 | |
# And I didn't wanna write a song | 7:41:28 | 7:41:30 | |
# Cos I didn't want anyone thinking I still care | 7:41:30 | 7:41:34 | |
# I don't but you still hit my phone up | 7:41:34 | 7:41:38 | |
# And baby I'll be moving on | 7:41:38 | 7:41:40 | |
# And I think it should be something I don't wanna hold back | 7:41:40 | 7:41:44 | |
# Maybe you should know that... # | 7:41:44 | 7:41:47 | |
There you have it, the UK's official number one, | 7:41:47 | 7:41:49 | |
and Justin Bieber making Chart Show history. | 7:41:49 | 7:41:52 | |
Bravo. Thanks, Scott. | 7:41:52 | 7:41:54 | |
OK, The Vamps are our special guest and right now they are going | 7:41:54 | 7:41:57 | |
to give us an exclusive performance of their new single. | 7:41:57 | 7:42:00 | |
Boys, take it away. This is Rest Your Love from The Vamps. | 7:42:00 | 7:42:03 | |
One, two, one, two, three, four. | 7:42:05 | 7:42:08 | |
# I see you move so I do understand | 7:42:15 | 7:42:18 | |
# Why you get attention | 7:42:18 | 7:42:20 | |
# And I hear you talk but I don't comprehend | 7:42:22 | 7:42:26 | |
# Why I get no mention | 7:42:26 | 7:42:28 | |
# And you know, you know where to find me | 7:42:29 | 7:42:32 | |
# And you know where to go when you're looking for love | 7:42:32 | 7:42:36 | |
# And you know, you know where I'm hiding | 7:42:36 | 7:42:39 | |
# Yeah, you know, and you know | 7:42:39 | 7:42:43 | |
# That when the stars go out you can rest your love on me | 7:42:43 | 7:42:48 | |
# And when the world gets loud baby, you can rest your love on me | 7:42:50 | 7:42:55 | |
# Here we go, here we go | 7:42:55 | 7:42:57 | |
# When the stars go out you can rest your love on me | 7:42:57 | 7:43:02 | |
# Yeah, you can rest your love on me | 7:43:02 | 7:43:04 | |
# When the world gets loud baby, you can rest your love on me | 7:43:04 | 7:43:09 | |
# Yeah, you can rest your love on me | 7:43:09 | 7:43:11 | |
# On me | 7:43:11 | 7:43:12 | |
# I used to try to get into your space | 7:43:16 | 7:43:19 | |
# Then I learned my lesson | 7:43:19 | 7:43:21 | |
# Cos you're the type who's in love with the chase | 7:43:23 | 7:43:26 | |
# You need some rejection | 7:43:26 | 7:43:28 | |
# And you know, you know where to find me | 7:43:29 | 7:43:33 | |
# And you know where to go when you're looking for love | 7:43:33 | 7:43:36 | |
# And you know, you know where I'm hiding | 7:43:36 | 7:43:39 | |
# Yeah, you know, and you know | 7:43:39 | 7:43:43 | |
# That when the stars go out you can rest your love on me | 7:43:43 | 7:43:48 | |
# And when the world gets loud baby, you can rest your love on me | 7:43:51 | 7:43:56 | |
# When the stars go out you can rest your love on me | 7:43:58 | 7:44:02 | |
# Yeah, you can rest your love on me | 7:44:02 | 7:44:05 | |
# And when the world gets loud baby, you can rest your love on me | 7:44:05 | 7:44:10 | |
# Yeah, you can rest your love on me | 7:44:10 | 7:44:12 | |
# Whoa, whoa | 7:44:12 | 7:44:16 | |
# Yeah, you can rest your love on me | 7:44:16 | 7:44:20 | |
-# Whoa -Yeah, you can rest your love | 7:44:20 | 7:44:23 | |
# You can rest your love | 7:44:23 | 7:44:25 | |
# Yeah, you can rest your love on me | 7:44:25 | 7:44:27 | |
# On me. # | 7:44:27 | 7:44:28 | |
APPLAUSE | 7:44:28 | 7:44:30 | |
Thank you. | 7:44:30 | 7:44:33 | |
Bravo! What a wonder-wonderful performance. Wonder-wonder? | 7:44:33 | 7:44:36 | |
Wonderful performance there from The Vamps and, I mean, | 7:44:36 | 7:44:38 | |
not because I'm in it but you should definitely go | 7:44:38 | 7:44:40 | |
and check out that music video because it is absolutely belting. | 7:44:40 | 7:44:43 | |
Thank you to the boys for a wonderful performance. | 7:44:43 | 7:44:46 | |
They'll be making their way through there. | 7:44:46 | 7:44:48 | |
If you made it to the CBBC website this week, you have had | 7:44:48 | 7:44:50 | |
the power to decide how we end the show. | 7:44:50 | 7:44:52 | |
We gave you the choice between... | 7:44:52 | 7:44:53 | |
Sticking with the slow-mo theme - don't ask. | 7:44:53 | 7:44:56 | |
..whether you wanted to see The Vamps blowing raspberries or head-banging. | 7:44:56 | 7:44:59 | |
And I can tell you, with a vote of 67%, | 7:44:59 | 7:45:01 | |
you guys have voted to see The Vamps... | 7:45:01 | 7:45:03 | |
blowing raspberries in slow motion. So, boys, take it away. | 7:45:03 | 7:45:07 | |
REST YOUR LOVE PLAYS IN SLOW-MO | 7:45:13 | 7:45:16 | |
What an absolutely great choice, guys, great, great choice. | 7:45:26 | 7:45:29 | |
Now, before they get back in here we want to say a massive well done | 7:45:29 | 7:45:32 | |
to WSTRN, who have actually made it onto the shortlist for Sound of 2016. | 7:45:32 | 7:45:36 | |
That is absolutely awesome. | 7:45:36 | 7:45:37 | |
We want to say a big congratulations to those boys from all of us | 7:45:37 | 7:45:40 | |
here at the CBBC Official Chart Show. | 7:45:40 | 7:45:42 | |
And Nick Grimshaw will be announcing the final five shortlist... | 7:45:42 | 7:45:45 | |
I thought someone was doing something behind me, sorry. | 7:45:45 | 7:45:48 | |
Nick Grimshaw will be announcing the final five on the shortlist | 7:45:48 | 7:45:51 | |
after the new year on his breakfast show. | 7:45:51 | 7:45:53 | |
Here they are, fresh from blowing raspberries and a performance. | 7:45:53 | 7:45:56 | |
Boys, thank you so much for coming. Lovely walk, there. | 7:45:56 | 7:45:59 | |
Have you enjoyed yourselves? | 7:45:59 | 7:46:00 | |
It's been fun, great to see you, great to hang out. | 7:46:00 | 7:46:03 | |
-We enjoyed playing that song. -Oh, it was awesome. | 7:46:03 | 7:46:05 | |
-I was just saying as well, it's a great music video. -Oh, it's great. | 7:46:05 | 7:46:08 | |
And you're on tour next year, aren't you? | 7:46:08 | 7:46:11 | |
Tour starts in the UK March, April, so we're excited to play O2 here. | 7:46:11 | 7:46:15 | |
-Beautiful! -It's going to be good. -Well, we cannot wait. | 7:46:15 | 7:46:17 | |
I want to say a massive thank you to The Vamps, | 7:46:17 | 7:46:19 | |
massive thank you to Scott and I can tell you that we have got | 7:46:19 | 7:46:22 | |
Grace joining us next week and here's what else is happening. | 7:46:22 | 7:46:24 | |
See you later, guys. | 7:46:24 | 7:46:26 | |
# Don't tell me what to do | 7:46:27 | 7:46:30 | |
# And don't tell me what to say. # | 7:46:30 | 7:46:34 | |
# I got bills I gotta pay | 7:46:34 | 7:46:38 | |
# So I'm gonna work, work, work every day. # | 7:46:38 | 7:46:41 |