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CBBC OFFICIAL CHART SHOW CBI H769Y/01 BRD000000 | 0:00:00 | 0:00:00 | |
# The CBBC Official Chart Show! # | 6:17:21 | 6:17:26 | |
CHEERING AND APPLAUSE | 6:17:26 | 6:17:27 | |
It is 5.17, as you saw there. Good afternoon. | 6:17:27 | 6:17:30 | |
So wonderful to see you beautiful people again. | 6:17:30 | 6:17:33 | |
We are live and direct from Radio 1's studios, here in London, | 6:17:33 | 6:17:35 | |
and welcome to the CBBC Official Chart Show. | 6:17:35 | 6:17:38 | |
Oh, it is so good to be back! | 6:17:38 | 6:17:39 | |
Let's go through the tick list together. | 6:17:39 | 6:17:41 | |
I'm ready, yes. | 6:17:41 | 6:17:42 | |
The crew are ready. | 6:17:42 | 6:17:44 | |
Good to see! | 6:17:44 | 6:17:45 | |
Dev is ready over on Radio 1. | 6:17:45 | 6:17:48 | |
Our guest is ready. | 6:17:48 | 6:17:49 | |
The only person I need to know is ready... | 6:17:49 | 6:17:51 | |
Are you ready? | 6:17:51 | 6:17:53 | |
I said, "Are you ready, people?!" | 6:17:53 | 6:17:55 | |
Yes, fantastic. Oh, it is so good to be back! | 6:17:55 | 6:17:58 | |
And what a show we have got for you. Did I just...? Sorry | 6:17:58 | 6:18:00 | |
if I spat all over you there on the camera, by the way. Apologies. | 6:18:00 | 6:18:03 | |
We will take you on a rollercoaster ride | 6:18:03 | 6:18:05 | |
through the top ten biggest-selling tracks of the week, | 6:18:05 | 6:18:08 | |
along with a few surprises | 6:18:08 | 6:18:09 | |
and, of course, the wonderful game that is Note. | 6:18:09 | 6:18:11 | |
Along with that, we'll be checking in with that man over there. | 6:18:11 | 6:18:14 | |
Dev is in for Greg today, live on Radio 1, | 6:18:14 | 6:18:16 | |
and he's going to be telling us who is number one a little bit later. | 6:18:16 | 6:18:19 | |
Am I right or am I right, Dev? | 6:18:19 | 6:18:21 | |
You are most certainly right, Cal. | 6:18:21 | 6:18:23 | |
And I promise not to be spitting on anybody either. | 6:18:23 | 6:18:26 | |
It's essentially a three-horse race this week. | 6:18:26 | 6:18:29 | |
It could be Calvin Harris and Rihanna's new song, | 6:18:29 | 6:18:32 | |
it could be... What's the other one? | 6:18:32 | 6:18:34 | |
Justin Timberlake as well. | 6:18:34 | 6:18:36 | |
I'm not actually calling him a horse, | 6:18:36 | 6:18:38 | |
just using a metaphor that hasn't worked out pretty well. | 6:18:38 | 6:18:40 | |
Or it could be Drake, seven weeks at number one, | 6:18:40 | 6:18:43 | |
which would be the longest number-one run in ages. | 6:18:43 | 6:18:46 | |
You'll find out before 5.45. | 6:18:46 | 6:18:48 | |
Thank... Thank you. | 6:18:48 | 6:18:50 | |
Sorry about that again. | 6:18:50 | 6:18:51 | |
Now, what was that, sorry? You want more? | 6:18:51 | 6:18:54 | |
You want more?! I'll give you some more! | 6:18:54 | 6:18:56 | |
We get inside Craig David's head. | 6:18:59 | 6:19:01 | |
Something special with Caspar Lee. | 6:19:02 | 6:19:05 | |
And we're counting down | 6:19:06 | 6:19:07 | |
the big top ten, | 6:19:07 | 6:19:08 | |
but before all of that, | 6:19:08 | 6:19:09 | |
our studio guest today is, | 6:19:09 | 6:19:10 | |
I'm delighted to say... | 6:19:10 | 6:19:12 | |
Bebe Rexha! | 6:19:12 | 6:19:14 | |
# No broken hearts in the club | 6:19:14 | 6:19:16 | |
# No tears in the club | 6:19:16 | 6:19:18 | |
# Cos we gon' get it popping tonight | 6:19:18 | 6:19:21 | |
# No broken hearts in the club | 6:19:21 | 6:19:23 | |
# No tears in the club | 6:19:23 | 6:19:26 | |
# Cos we gon' get it popping tonight... # | 6:19:26 | 6:19:29 | |
CHEERING | 6:19:29 | 6:19:30 | |
Welcome, welcome to the CBBC Official Chart Show, Bebe Rexha. | 6:19:30 | 6:19:34 | |
-How are you today? -I'm great! How are you? -Very well. | 6:19:34 | 6:19:36 | |
-Thank you so much for coming on the show. -Thanks for having me. | 6:19:36 | 6:19:39 | |
-You've been in London for around a week. How's it been? -Amazing, yes. | 6:19:39 | 6:19:42 | |
-Good. -I've been running around and eating amazing food | 6:19:42 | 6:19:45 | |
and driving on the opposite side of the road! | 6:19:45 | 6:19:47 | |
How have you found that? | 6:19:47 | 6:19:48 | |
I freaked out cos in the US, we drive on the left side, | 6:19:48 | 6:19:51 | |
so I actually sat on the passenger side | 6:19:51 | 6:19:53 | |
and I was like, "Oh, my gosh! I hope we're OK!" | 6:19:53 | 6:19:56 | |
-So, yeah. -You're all right, we're OK. | 6:19:56 | 6:19:58 | |
-I'm here, I'm alive and I'm well! -That's the most important thing. | 6:19:58 | 6:20:01 | |
Now, your new single features Nicki Minaj. | 6:20:01 | 6:20:04 | |
-It does. -Awesomeness! | 6:20:04 | 6:20:05 | |
How did all that come about? | 6:20:05 | 6:20:06 | |
Well, I worked with Nicki Minaj on Hey Mama | 6:20:06 | 6:20:08 | |
and a lot of people don't know that I was singing the hook to Hey Mama | 6:20:08 | 6:20:12 | |
and I met Nicki when we did that | 6:20:12 | 6:20:14 | |
and so I wrote No Broken Hearts and it's an anthem about, you know, | 6:20:14 | 6:20:18 | |
not letting anything get you down | 6:20:18 | 6:20:20 | |
or any pain or any bad feelings get you down, | 6:20:20 | 6:20:23 | |
so I sent it over to Nicki and I was like, "OK, this is a long shot, | 6:20:23 | 6:20:25 | |
"I don't know if Nicki Minaj will want to sing on my record | 6:20:25 | 6:20:28 | |
"because I am a newer artist," | 6:20:28 | 6:20:29 | |
but she heard it and she loved it and she jumped on it | 6:20:29 | 6:20:33 | |
and she put a rap on it and then we just shot this amazing music video. | 6:20:33 | 6:20:36 | |
Amazing. Now, funny you mention rapping there and Nicki Minaj | 6:20:36 | 6:20:39 | |
because we had Zara Larsson on the show a few weeks ago. | 6:20:39 | 6:20:41 | |
Oh, I love her! | 6:20:41 | 6:20:42 | |
-She has an awesome Nicki Minaj impression. Check this out. -OK. | 6:20:42 | 6:20:45 | |
-RAPS: -This voice is for the boys with the booming system | 6:20:45 | 6:20:47 | |
Some top-top AC with the cooling system | 6:20:47 | 6:20:49 | |
And it kind of looks like he's blazin' up | 6:20:49 | 6:20:51 | |
But some might see it like he's savin' up... | 6:20:51 | 6:20:53 | |
-So, as you see, Zara Larsson has got a pretty good impression. -OK. | 6:20:53 | 6:20:56 | |
Now, I was wondering if, for myself and our lovely viewers at home, | 6:20:56 | 6:21:00 | |
have you got an impression of Nicki Minaj you could give us? | 6:21:00 | 6:21:02 | |
I don't know if I can do an impression of Nicki Minaj, | 6:21:02 | 6:21:05 | |
-but I can rap her rap. -OK, that's what we want. | 6:21:05 | 6:21:07 | |
-Without the cuss words, right? -Yeah, no, none of that. | 6:21:07 | 6:21:10 | |
-Ready? -Oh, yeah. | 6:21:10 | 6:21:11 | |
Do you want me to count you in? | 6:21:11 | 6:21:12 | |
-I'll just bleep my own words. -OK. | 6:21:12 | 6:21:14 | |
I'll do the best I can. I'm not a rapper, so... Oh, no. | 6:21:14 | 6:21:16 | |
I believe in you! | 6:21:16 | 6:21:18 | |
I'll do her little accent too, her little Queens accent. | 6:21:18 | 6:21:21 | |
OK, you've got it down, here we go. | 6:21:21 | 6:21:22 | |
-It's from the song No Broken Hearts. Ready? -OK. | 6:21:22 | 6:21:25 | |
Tell me when, cos I'm nervous. | 6:21:25 | 6:21:26 | |
I'll count you in. Three, two, one... | 6:21:26 | 6:21:29 | |
All right. | 6:21:29 | 6:21:30 | |
-RAPS: -Hey, yo, Bebe Anybody hating need pee pee | 6:21:30 | 6:21:33 | |
I'm the one that bust it open out in Waikiki | 6:21:33 | 6:21:36 | |
Pull up in the Ghost I'm creepy | 6:21:36 | 6:21:38 | |
Beef, we proved it | 6:21:38 | 6:21:39 | |
Keep it on wax like a Q-tip | 6:21:39 | 6:21:41 | |
Than a cruise ship... | 6:21:41 | 6:21:43 | |
-I don't know! That's not... -Yeah! | 6:21:43 | 6:21:46 | |
I tell you, I tell you... The accent was there, as well. | 6:21:46 | 6:21:48 | |
-That was terrible! -No, no, no, we're having that! | 6:21:48 | 6:21:51 | |
I'm not... Zara did a way better job. | 6:21:51 | 6:21:53 | |
No, no, I tell you, it's a very close call. | 6:21:53 | 6:21:56 | |
OK, well, you are sticking around. | 6:21:56 | 6:21:57 | |
We've got Note to play and we're going to get to the chart. | 6:21:57 | 6:22:00 | |
Let's get down to business. | 6:22:00 | 6:22:01 | |
Now we are going to handover, at number ten, | 6:22:01 | 6:22:03 | |
to a band that have spent 13 weeks in the top ten. | 6:22:03 | 6:22:05 | |
-It is, of course, Fifth Harmony and Work From Home. -Yes! | 6:22:05 | 6:22:08 | |
# Work, work, work Work, work, work | 6:22:09 | 6:22:13 | |
# But you've got to put in work Work, work, work, work, work, work | 6:22:13 | 6:22:17 | |
# You don't got to go to work Work, work, work, work, work, work | 6:22:17 | 6:22:22 | |
# But you've got to put in work Work, work, work, work, work, work | 6:22:22 | 6:22:26 | |
# You don't got to go to work Work, work, work, work, work, work | 6:22:26 | 6:22:31 | |
# You don't got to go to work, work Work, work, work, work, work | 6:22:31 | 6:22:35 | |
# But you've got to put in work Work, work, work, work... # | 6:22:35 | 6:22:40 | |
# Oh, no | 6:22:45 | 6:22:47 | |
# See you walking round like it's a funeral | 6:22:47 | 6:22:50 | |
# Not so serious | 6:22:50 | 6:22:52 | |
# Girl, why those feet cold? | 6:22:52 | 6:22:55 | |
# We're just getting started | 6:22:55 | 6:22:57 | |
# Don't you tiptoe | 6:22:57 | 6:22:58 | |
# Tiptoe | 6:22:58 | 6:23:01 | |
# Waste time with a masterpiece Don't waste time with a masterpiece | 6:23:01 | 6:23:05 | |
# You should be rolling with me | 6:23:05 | 6:23:07 | |
# You should be rolling with me... # | 6:23:07 | 6:23:09 | |
-RAPS: -Pockets swole, Danny Selling bar, candy | 6:23:13 | 6:23:16 | |
Man, I'm the macho like Randy The chopper go Oscar for Grammy | 6:23:16 | 6:23:19 | |
Hey! | 6:23:22 | 6:23:23 | |
Panda | 6:23:26 | 6:23:27 | |
Panda, Panda... | 6:23:27 | 6:23:30 | |
# I know a sad song... # | 6:23:38 | 6:23:40 | |
# I don't know how to talk to you | 6:23:43 | 6:23:45 | |
# I don't know how to ask you if you're OK | 6:23:45 | 6:23:48 | |
# My friends always feel the need to tell me things | 6:23:49 | 6:23:53 | |
# Seems like they're just happier than us these days | 6:23:53 | 6:23:58 | |
# Yeah, these days | 6:23:58 | 6:24:00 | |
# I don't know how to talk to you | 6:24:00 | 6:24:02 | |
# I don't know how to be there when you need me | 6:24:02 | 6:24:05 | |
# It feels like the only time you'll see me | 6:24:05 | 6:24:09 | |
# Is when you turn your head to the side | 6:24:09 | 6:24:12 | |
# And look at me differently... # | 6:24:12 | 6:24:14 | |
So, that won't be the only track we hear from Drake. | 6:24:16 | 6:24:19 | |
As we know, he's got another song further up. | 6:24:19 | 6:24:20 | |
This is the place to find out | 6:24:20 | 6:24:22 | |
if he can make it seven weeks at number one | 6:24:22 | 6:24:24 | |
and, speaking of number ones, | 6:24:24 | 6:24:26 | |
that is a question that we ask you every week - | 6:24:26 | 6:24:28 | |
what song do you want to be number one? | 6:24:28 | 6:24:30 | |
Now, if you go onto the CBBC website, go on the Chart Show page. | 6:24:30 | 6:24:33 | |
Click on that ugly mug right there. Scroll down here, | 6:24:33 | 6:24:35 | |
you will see that we have given you five choices | 6:24:35 | 6:24:37 | |
for who you want to be number one | 6:24:37 | 6:24:38 | |
and one choice if you want it to be something different, | 6:24:38 | 6:24:41 | |
so go on there, get involved. At the end of the show, I'll reveal | 6:24:41 | 6:24:44 | |
what you guys have chosen and, don't worry, | 6:24:44 | 6:24:46 | |
we will get a klaxon at some point to tell us that voting has closed. | 6:24:46 | 6:24:50 | |
Now, I'm going to hand over to a man called Craig David. | 6:24:50 | 6:24:53 | |
He's had 12 Brit nominations, two Grammys | 6:24:53 | 6:24:56 | |
and sold over ten million records worldwide. | 6:24:56 | 6:24:58 | |
This is also the year of Craig David's comeback. | 6:24:58 | 6:25:01 | |
It is a pleasure to have him on the Chart Show. Take it away, Craig. | 6:25:01 | 6:25:04 | |
# I ain't felt nothing like this Like this | 6:25:04 | 6:25:08 | |
# I felt nothing like this | 6:25:08 | 6:25:10 | |
# Like this | 6:25:10 | 6:25:11 | |
# I ain't felt nothing like this Like this | 6:25:11 | 6:25:15 | |
# No, I ain't felt nothing quite like this... # | 6:25:15 | 6:25:19 | |
I am a singer-songwriter, | 6:25:19 | 6:25:21 | |
passionate about making other people feel good through my music. | 6:25:21 | 6:25:24 | |
# ..I ain't felt nothing like this Like this... # | 6:25:24 | 6:25:28 | |
The way that I treated garage music when I was writing | 6:25:28 | 6:25:31 | |
is to treat it like a ballad. | 6:25:31 | 6:25:32 | |
So it would be like... | 6:25:32 | 6:25:33 | |
# When the bass line drops you know what to do | 6:25:33 | 6:25:36 | |
# Going out to all the massive | 6:25:36 | 6:25:38 | |
# All on your Ooh, yeah... # | 6:25:38 | 6:25:39 | |
So it just feels like a ballad. # Ooh, yeah. # | 6:25:39 | 6:25:42 | |
Garage just doubles up on the beat so it's like... | 6:25:42 | 6:25:44 | |
# All on you Ooh, yeah | 6:25:44 | 6:25:45 | |
# All over you Come on | 6:25:45 | 6:25:48 | |
# All on you Ooh, yeah... # | 6:25:48 | 6:25:49 | |
It felt like how classic songwriting is for a ballad, | 6:25:49 | 6:25:53 | |
but the beats give it that energy. | 6:25:53 | 6:25:55 | |
# If you like the way you look that much | 6:25:55 | 6:25:58 | |
# Oh, baby, you should go and love yourself... # | 6:25:58 | 6:26:01 | |
Ultimate pop star, OK. | 6:26:01 | 6:26:03 | |
So, let's go for... Michael Jackson for the moves. | 6:26:03 | 6:26:06 | |
It's hard not to say Michael Jackson | 6:26:06 | 6:26:08 | |
for everything - he had it all covered. | 6:26:08 | 6:26:10 | |
When you make your background dancers, who specialise in dancing, | 6:26:10 | 6:26:13 | |
look like they've only just started, | 6:26:13 | 6:26:15 | |
that's when you know that you are the guy. | 6:26:15 | 6:26:17 | |
Let's go for Beyonce for the vocals | 6:26:17 | 6:26:21 | |
because she's unbelievable, can handle anything. | 6:26:21 | 6:26:24 | |
# Ooh! Come on, baby | 6:26:24 | 6:26:27 | |
# You put my love on top Top, top, top! # | 6:26:27 | 6:26:32 | |
What was the other one? Style. Oh, style, OK. | 6:26:32 | 6:26:34 | |
I'd probably say Prince, you know. | 6:26:34 | 6:26:36 | |
# Purple rain... # | 6:26:36 | 6:26:39 | |
He did things that people were like, "You can't do that, you can't..." | 6:26:40 | 6:26:43 | |
You can, it's if you kind of walk with confidence | 6:26:43 | 6:26:46 | |
and you believe it, it's all cool, so that as a combo... | 6:26:46 | 6:26:49 | |
That's... That's a serious performer! | 6:26:49 | 6:26:53 | |
# Well, that's the word around town, yeah | 6:26:53 | 6:26:56 | |
# And I don't even know what I'm supposed to do now... # | 6:26:56 | 6:26:58 | |
Coming back to the UK with an American accent is not the move, | 6:26:58 | 6:27:01 | |
or you start talking about the garbage or the trash... No, no, | 6:27:01 | 6:27:05 | |
it's a bin and it's the bonnet, it's not a hood, it's not a trunk. | 6:27:05 | 6:27:09 | |
No, it doesn't work here. | 6:27:09 | 6:27:11 | |
I'm cool with saying English words over there and getting no response. | 6:27:11 | 6:27:14 | |
"Can you just open up the boot so I can get...?" | 6:27:14 | 6:27:16 | |
They go, "What?" | 6:27:16 | 6:27:17 | |
I say, "If you can open up the boot..." "What?!" | 6:27:17 | 6:27:20 | |
HE LAUGHS | 6:27:20 | 6:27:23 | |
# People never heard Never heard nothing like this | 6:27:23 | 6:27:26 | |
# Better listen up otherwise you're going to miss... # | 6:27:26 | 6:27:28 | |
I think it is pretty safe to say | 6:27:28 | 6:27:29 | |
that Craig David is one of the nicest men in music, | 6:27:29 | 6:27:32 | |
an absolute pleasure to have him on the show. | 6:27:32 | 6:27:34 | |
If you made it to our website this week, | 6:27:34 | 6:27:36 | |
you will know that is the place you can put your questions | 6:27:36 | 6:27:38 | |
to our studio guest and this week it is Bebe Rexha, everybody! | 6:27:38 | 6:27:41 | |
CHEERING | 6:27:41 | 6:27:43 | |
Now, Bebe, we are throwing challenges at you on the show, | 6:27:43 | 6:27:46 | |
-so I do apologise. -I'm ready! | 6:27:46 | 6:27:47 | |
OK, how are your drawing skills? | 6:27:47 | 6:27:49 | |
-Not great. -We are going to find out here, | 6:27:49 | 6:27:51 | |
so we've got questions from our lovely viewers for you. | 6:27:51 | 6:27:54 | |
-OK. -While you are answering them, | 6:27:54 | 6:27:56 | |
-could we see your attempt at a self-portrait? -OK, yes. | 6:27:56 | 6:27:59 | |
-Yes? Yeah? OK. -Oh, no! | 6:27:59 | 6:28:01 | |
-Have you got some pens there? -OK. -Get the pens ready. | 6:28:01 | 6:28:04 | |
I have my bucket. Can I hold my bucket in my lap? | 6:28:04 | 6:28:06 | |
Of course, do as you please. | 6:28:06 | 6:28:08 | |
I will ask the questions to you, OK? | 6:28:08 | 6:28:09 | |
Talia from Derbyshire would like to know, | 6:28:09 | 6:28:12 | |
what made you start in the music industry? | 6:28:12 | 6:28:14 | |
I really loved music. | 6:28:14 | 6:28:16 | |
Since I was four years old, I would listen to Mickey Mouse | 6:28:16 | 6:28:19 | |
and the Disney Channel and I would sing along. | 6:28:19 | 6:28:21 | |
-AS MICKEY MOUSE: Oh, yeah! -Yeah, so that... | 6:28:21 | 6:28:23 | |
-That's why I started music. -Very nice, OK. | 6:28:23 | 6:28:26 | |
We've got Amelia from North Yorkshire. | 6:28:26 | 6:28:28 | |
She says, do you ever sing in the shower? | 6:28:28 | 6:28:30 | |
All the time. I love singing in the shower! | 6:28:30 | 6:28:31 | |
What is your shower song of choice? | 6:28:31 | 6:28:33 | |
Well, it's funny because it was the top... | 6:28:33 | 6:28:35 | |
It was the number-ten record that you played, it was Work From Home. | 6:28:35 | 6:28:38 | |
-I love that song! I'm obsessed! -Nice. | 6:28:38 | 6:28:40 | |
# You don't got to go to work, work Work, work, work... # | 6:28:40 | 6:28:43 | |
# Everybody... # No, I'll save that for the shower. | 6:28:43 | 6:28:46 | |
Halima from Lancashire - good afternoon - would like to know, | 6:28:46 | 6:28:49 | |
what would happen if you had a day named after you? | 6:28:49 | 6:28:52 | |
-A day? A day named after me? -What would happen that day? | 6:28:52 | 6:28:54 | |
It would be like... | 6:28:54 | 6:28:56 | |
It would be like the third day of the three-day weekend. | 6:28:56 | 6:28:59 | |
Three-day weekend. | 6:28:59 | 6:29:00 | |
So it would be... It would be Bebeday. | 6:29:00 | 6:29:02 | |
-Bebeday! That does have a ring to it! -And then... | 6:29:03 | 6:29:05 | |
It would be Bebeday and everybody would have off | 6:29:05 | 6:29:08 | |
-and they would have to eat ice cream. -Chosen flavour? | 6:29:08 | 6:29:11 | |
No school, no school. Oh, chosen flavour. | 6:29:11 | 6:29:13 | |
Cookies and cream, you have that here? | 6:29:13 | 6:29:15 | |
Yeah, cookie dough is my personal favourite. One more question. | 6:29:15 | 6:29:18 | |
Alicia from London - if you could be anyone or anything for one day, | 6:29:18 | 6:29:20 | |
what would you choose and why? | 6:29:20 | 6:29:22 | |
If I could be anyone or anything for one day, | 6:29:22 | 6:29:25 | |
-what would you choose and why? -Yes. | 6:29:25 | 6:29:27 | |
I'd say that I would love to be Beyonce | 6:29:27 | 6:29:30 | |
because she is the Queen Bey. | 6:29:30 | 6:29:32 | |
I think I'd have to agree with that. I wouldn't mind that as well. | 6:29:32 | 6:29:35 | |
Well, that is time up, so we are now going to see your drawing skills. | 6:29:35 | 6:29:39 | |
-No, it's so bad! -Get it out, reveal it for everyone. | 6:29:39 | 6:29:41 | |
There we go. | 6:29:41 | 6:29:43 | |
No, it's good! Yeah! | 6:29:43 | 6:29:45 | |
The colour has made it, and the hat is interesting. | 6:29:45 | 6:29:48 | |
The hat is so bad! I am the worst, I... I... | 6:29:48 | 6:29:51 | |
You have to sign it, as all artists do. | 6:29:51 | 6:29:54 | |
-OK, I'll sign it now. -Whilst she does that... | 6:29:54 | 6:29:56 | |
We'll get Note from Bebe a bit later. | 6:29:56 | 6:29:57 | |
She's set the bar very high, I must say. | 6:29:57 | 6:29:59 | |
We've got a surprise from Caspar Lee, | 6:29:59 | 6:30:01 | |
but will Justin Timberlake be number one? Let's find out. | 6:30:01 | 6:30:04 | |
# Sorry, I ain't got no money I'm not trying to be funny | 6:30:04 | 6:30:08 | |
# But I left it all at home today | 6:30:08 | 6:30:12 | |
# You can call me what you wanna I ain't giving you a dollar | 6:30:12 | 6:30:15 | |
# This time I ain't gonna run away | 6:30:15 | 6:30:18 | |
# You might knock me down You might knock me down | 6:30:19 | 6:30:23 | |
# But I will get back up again | 6:30:23 | 6:30:27 | |
# You can call it how you wanna I ain't giving you a dollar | 6:30:27 | 6:30:31 | |
# This time I ain't gonna run away | 6:30:31 | 6:30:33 | |
# This time This time | 6:30:35 | 6:30:42 | |
# This time | 6:30:42 | 6:30:46 | |
# This time I ain't gonna run, run, run | 6:30:46 | 6:30:49 | |
# Not this time | 6:30:49 | 6:30:51 | |
# Not this time | 6:30:57 | 6:30:58 | |
# Not this time | 6:31:05 | 6:31:07 | |
# Not this time... # | 6:31:12 | 6:31:14 | |
# I don't need no money | 6:31:20 | 6:31:22 | |
# You worth more dan diamonds, more dan gold | 6:31:22 | 6:31:25 | |
# As long as I can feel the beat | 6:31:25 | 6:31:27 | |
# Mek di beat jus tek control | 6:31:27 | 6:31:30 | |
# I don't need no money | 6:31:30 | 6:31:33 | |
# You worth more dan diamonds, more dan gold | 6:31:33 | 6:31:35 | |
# As long as I keep dancing | 6:31:35 | 6:31:38 | |
# Free up yourself Get outta control | 6:31:38 | 6:31:41 | |
# Me and you, girl | 6:31:41 | 6:31:42 | |
# You and me | 6:31:42 | 6:31:44 | |
# Drop it to di floor an mek mi see your energy because | 6:31:44 | 6:31:46 | |
# Mi nah play na hide an seek | 6:31:46 | 6:31:48 | |
# Wah fi see di ting you have weg mek me feel weak, girl | 6:31:48 | 6:31:50 | |
# I love cheap thrills | 6:31:50 | 6:31:52 | |
# Cos any time you wine an kotch it | 6:31:52 | 6:31:54 | |
# Di selector, pull it up an pull it pon repeat, girl | 6:31:54 | 6:31:57 | |
# I'm nah touch a dollar in mi pocket | 6:31:57 | 6:31:59 | |
# Cos nuttin' in this world ain't more dan what you worth | 6:31:59 | 6:32:02 | |
# I don't need no money | 6:32:02 | 6:32:04 | |
# You worth more dan diamonds, more dan gold | 6:32:04 | 6:32:07 | |
# As long as I can feel the beat | 6:32:07 | 6:32:11 | |
# Mek di beat just tek control... # | 6:32:11 | 6:32:13 | |
# Baby, this is what you came for | 6:32:13 | 6:32:17 | |
# Lightning strikes every time she moves | 6:32:17 | 6:32:20 | |
# And everybody's watching her | 6:32:24 | 6:32:26 | |
# But she's looking at you-ou-ou | 6:32:26 | 6:32:30 | |
# You-ou-ou-ou | 6:32:30 | 6:32:32 | |
# You-ou-ou-ou | 6:32:32 | 6:32:34 | |
# You-ou-ou-ou | 6:32:34 | 6:32:36 | |
# You-ou-ou-ou | 6:32:36 | 6:32:38 | |
# You-ou-ou, you | 6:32:38 | 6:32:40 | |
# Oh | 6:32:40 | 6:32:42 | |
# You-ou-ou-ou | 6:32:43 | 6:32:46 | |
# You-ou-ou-ou | 6:32:46 | 6:32:47 | |
# You-ou-ou-ou | 6:32:47 | 6:32:50 | |
# You-ou-ou-ou | 6:32:50 | 6:32:51 | |
# You-ou-ou-ou | 6:32:51 | 6:32:53 | |
# You-ou-ou-ou | 6:32:53 | 6:32:56 | |
# Oh | 6:32:56 | 6:32:59 | |
# We go fast at the game we play | 6:32:59 | 6:33:03 | |
# Game we play... # | 6:33:03 | 6:33:06 | |
# I got this feeling inside my bones | 6:33:07 | 6:33:11 | |
# It goes electric, wavy, when I turn it on | 6:33:11 | 6:33:15 | |
# All through my city | 6:33:15 | 6:33:17 | |
# All through my home | 6:33:17 | 6:33:20 | |
# We're flying up, no ceiling, when we in our zone | 6:33:20 | 6:33:23 | |
# I got that sunshine in my pocket | 6:33:23 | 6:33:26 | |
# Got that good soul in my feet | 6:33:26 | 6:33:28 | |
# I feel that hot blood in my body when it drops, ooh | 6:33:28 | 6:33:32 | |
# I can't take my eyes up off it, moving so phenomenally | 6:33:32 | 6:33:37 | |
# You gon' like the way we rock it, so don't stop. # | 6:33:37 | 6:33:41 | |
Justin Timberlake, love a little bit of that. OK. | 6:33:41 | 6:33:44 | |
Now, we have arrived at the part of the show where... | 6:33:44 | 6:33:46 | |
KLAXON | 6:33:46 | 6:33:48 | |
Oh, yes, that does mean that the voting on the website | 6:33:48 | 6:33:50 | |
for who you want to be one - number one, sorry - has now closed. | 6:33:50 | 6:33:53 | |
So please don't try and get involved. | 6:33:53 | 6:33:55 | |
But don't worry if you didn't have chance this week - | 6:33:55 | 6:33:57 | |
we'll have a new vote opening at the end of the show. | 6:33:57 | 6:33:59 | |
Now, it's time for the show where everybody in the chart | 6:33:59 | 6:34:01 | |
wants to be involved with this. It's my favourite part of the show | 6:34:01 | 6:34:04 | |
and it's where we test our studio guests' lungs. | 6:34:04 | 6:34:06 | |
It is, of course, time for Note. | 6:34:06 | 6:34:09 | |
Ladies and gentlemen, welcome to Note. | 6:34:15 | 6:34:19 | |
-Out of the blue corner today, I'd like to welcome... -Hey, Cel. | 6:34:19 | 6:34:22 | |
-Hi, Bebe. -I actually want to be on the red and the blue side today. | 6:34:22 | 6:34:25 | |
-You want to do both sides? -Yes. -This is very unusual. | 6:34:25 | 6:34:27 | |
-We've never done this before, Bebe. But seeing as it's you. -OK. | 6:34:27 | 6:34:31 | |
-I'm going to let it happen, OK? -OK. -We're going to go again. | 6:34:31 | 6:34:33 | |
OK, we're ready. We've got Bebe set up there. Bebe's ready here, OK. | 6:34:33 | 6:34:36 | |
-OK, so I'm going against myself? -You're going against yourself. | 6:34:36 | 6:34:39 | |
-I'm going to introduce you, as well. -OK. -So out of the red corner, | 6:34:39 | 6:34:42 | |
we've got Bebe Rexha, part one. | 6:34:42 | 6:34:45 | |
Oh, Bebe's up for it. Solid punches there, as well, from Bebe. | 6:34:45 | 6:34:48 | |
Very nice. And out of the blue corner to my left, | 6:34:48 | 6:34:51 | |
wearing a lovely pink hat, it's Bebe Rexha! | 6:34:51 | 6:34:54 | |
Look at those biceps, as well, I tell you. | 6:34:54 | 6:34:57 | |
OK, bring it in. Whoa, whoa, whoa. Calm it down, OK? | 6:34:57 | 6:35:00 | |
Very simple, Bebe, OK? And you, Bebe. | 6:35:00 | 6:35:02 | |
-We're asking you to hold a note for as long as possible. -Mm-hm. | 6:35:02 | 6:35:05 | |
-One breath, one note. -OK. -Do you understand? -Mm-hm. | 6:35:05 | 6:35:08 | |
Bebe, do you understand over there? | 6:35:08 | 6:35:09 | |
Seems a little bit confusing but I like it. | 6:35:09 | 6:35:11 | |
-OK, I'm going to count you in. Best of luck. -OK. | 6:35:11 | 6:35:14 | |
-I hope I go long. -Here we go. -Three, two, one. | 6:35:14 | 6:35:17 | |
# Bebe... | 6:35:17 | 6:35:19 | |
-BEBE ON TV: -# Bebe... # | 6:35:19 | 6:35:21 | |
We've got high Bebe and low Bebe. | 6:35:21 | 6:35:22 | |
-# ..ee... -..ee... # | 6:35:22 | 6:35:24 | |
High, low. | 6:35:24 | 6:35:26 | |
Nice. | 6:35:26 | 6:35:27 | |
-# ..ee... -..ee... # | 6:35:27 | 6:35:29 | |
Very nice, Bebe. | 6:35:29 | 6:35:31 | |
-# ..ee... -..ee... # | 6:35:31 | 6:35:33 | |
Just there, I love the focus. | 6:35:33 | 6:35:35 | |
-# ..ee. -..ee. # | 6:35:35 | 6:35:38 | |
-Oh, man! -It was 20 seconds. | 6:35:38 | 6:35:40 | |
Can I just say that is the exact same as what you did there? | 6:35:40 | 6:35:43 | |
-You got the exact same. -I don't believe you. | 6:35:43 | 6:35:45 | |
-It's actually a draw. -No way! -It's a draw. | 6:35:45 | 6:35:47 | |
You got the exact same time, so go do a lap of victory. | 6:35:47 | 6:35:50 | |
Go on, you've done it. Congratulations, Bebe. | 6:35:50 | 6:35:53 | |
-That is amazing. -That was a tie. -That is bang on the money. | 6:35:53 | 6:35:55 | |
That is brilliant. OK, I'm sorry. Let's just forget about that. | 6:35:55 | 6:35:58 | |
I need to talk to you about a lovely girl called Maddie. | 6:35:58 | 6:36:00 | |
Maddie got in touch with us here at the CBBC Official Chart Show | 6:36:00 | 6:36:03 | |
by clicking on the "be on a show" part on the CBBC website. | 6:36:03 | 6:36:05 | |
Now, Maddie is a vlogger | 6:36:05 | 6:36:07 | |
and her hero is Caspar Lee, a fellow vlogger. | 6:36:07 | 6:36:09 | |
She's always wanted to interview him, so that's we're about here | 6:36:09 | 6:36:12 | |
at the CBBC Official Chart Show - making your dreams come true. | 6:36:12 | 6:36:15 | |
We asked Millie - Maddie, sorry, to start vlogging away, | 6:36:15 | 6:36:17 | |
but we didn't quite tell that Caspar Lee was there to surprise her. | 6:36:17 | 6:36:20 | |
Maddie, over to you. | 6:36:20 | 6:36:22 | |
Hi, guys. We are on the way to where me and my mum are having lunch | 6:36:22 | 6:36:26 | |
and, erm, I've never been there and I've heard they have, like, | 6:36:26 | 6:36:29 | |
gorillas, lions and stuff like that. | 6:36:29 | 6:36:32 | |
So I'm really excited to eat there. | 6:36:32 | 6:36:35 | |
Hi, my name's Caspar Lee | 6:36:35 | 6:36:37 | |
and I'm here to surprise a young lady called Maddie. | 6:36:37 | 6:36:39 | |
Apparently she's a big fan of my videos | 6:36:39 | 6:36:41 | |
and I'm going to pretend to be a waiter at this cafe | 6:36:41 | 6:36:44 | |
and surprise her. | 6:36:44 | 6:36:45 | |
MUSIC: No Money by Galantis | 6:36:45 | 6:36:52 | |
And I'm going to put on a costume, like, a waiter's outfit, | 6:36:52 | 6:36:56 | |
I'm going to surprise them. | 6:36:56 | 6:36:58 | |
I'm getting a little bit nervous. This could go terrible. | 6:36:58 | 6:37:01 | |
I'm just a little bit worried - what happens if she doesn't, | 6:37:01 | 6:37:04 | |
like, like my videos that much? | 6:37:04 | 6:37:06 | |
She prefers Joe and she starts crying because I'm not Joe. | 6:37:06 | 6:37:10 | |
So I've also got some colouring pencils and a colouring thing. | 6:37:13 | 6:37:18 | |
One of the staff was laughing at me because I was filming. | 6:37:19 | 6:37:23 | |
The food's ready, let's do it. | 6:37:23 | 6:37:25 | |
HEARTBEAT | 6:37:34 | 6:37:39 | |
MUSIC: Can't Stop The Feeling by Justin Timberlake | 6:37:39 | 6:37:44 | |
-Hello, is this your food? -Thank you. | 6:37:44 | 6:37:46 | |
I've got questions for you. | 6:37:51 | 6:37:53 | |
I'm really nervous, so... | 6:37:53 | 6:37:55 | |
just hold on, give me a second. | 6:37:55 | 6:37:57 | |
OK. We can do this. Don't be too hard on me. | 6:37:57 | 6:38:00 | |
You've done a book, you've done a film, | 6:38:00 | 6:38:04 | |
what about music? | 6:38:04 | 6:38:05 | |
I can play, er, I can play the triangle really well, | 6:38:05 | 6:38:08 | |
so if there's a band looking for a triangle... | 6:38:08 | 6:38:10 | |
-Maybe we could start one together. Can you sing? -Yes? | 6:38:10 | 6:38:13 | |
# Bah, bah, black sheep, have you any wool? # | 6:38:13 | 6:38:16 | |
Duet? No? | 6:38:16 | 6:38:18 | |
Who do you think your main competition would be in the chart? | 6:38:18 | 6:38:22 | |
My main competition might be Zayn at the moment, Zayn Malik. | 6:38:22 | 6:38:27 | |
Not only because he's a brilliant musician but also him and Gigi, | 6:38:27 | 6:38:31 | |
my soon-to-be girlfriend, are currently dating | 6:38:31 | 6:38:34 | |
so if you're watching this, boy. | 6:38:34 | 6:38:37 | |
You've already tried a single with Conor Maynard, | 6:38:37 | 6:38:41 | |
-how did that go? -You saw that? | 6:38:41 | 6:38:43 | |
# I don't even need to go to the club no more | 6:38:43 | 6:38:48 | |
# I just need you here... # | 6:38:48 | 6:38:50 | |
It went badly. | 6:38:50 | 6:38:52 | |
Let's just say he's a great singer and I'm... | 6:38:52 | 6:38:55 | |
I'm average. | 6:38:55 | 6:38:56 | |
I found out that I wasn't good, but then I moved on to... | 6:38:56 | 6:39:00 | |
Oh, shoot, there's nothing I'm good at. | 6:39:00 | 6:39:02 | |
OK. | 6:39:02 | 6:39:03 | |
-Can we do collaboration video right now? -Let's do it. | 6:39:03 | 6:39:07 | |
Someone has written down a song and an animal | 6:39:11 | 6:39:15 | |
and we have to sing the song like the animal. | 6:39:15 | 6:39:18 | |
And the other person has to guess what the song and the animal is. | 6:39:18 | 6:39:21 | |
Rock, paper, scissors. | 6:39:21 | 6:39:22 | |
-ELEPHANT TRUMPETS -Oh! | 6:39:24 | 6:39:26 | |
Animals in here, they just have no consideration for YouTubers. | 6:39:26 | 6:39:30 | |
-HE SINGS IN HOARSE VOICE: -# Baby, I want to have fun tonight | 6:39:30 | 6:39:34 | |
# Fun tonight | 6:39:34 | 6:39:38 | |
# Cheap thrills | 6:39:38 | 6:39:39 | |
# Wah! | 6:39:39 | 6:39:41 | |
# Baby, I want to have fun tonight... # | 6:39:41 | 6:39:44 | |
If that didn't tell you what I was singing and how I was singing it, | 6:39:44 | 6:39:47 | |
-I don't know what will. -I know the song. | 6:39:47 | 6:39:50 | |
-What is it? -Is it Cheap Thrills... -Yes. -..by Sia? -Yes. | 6:39:50 | 6:39:53 | |
# Baby, I don't need dollar bills to have fun tonight | 6:39:53 | 6:39:56 | |
# I love cheap thrills... # | 6:39:56 | 6:39:58 | |
-Look at me, I kind of look like one. -An elephant? | 6:39:58 | 6:40:01 | |
ELEPHANT TRUMPETS | 6:40:01 | 6:40:03 | |
I look like an elephant? | 6:40:03 | 6:40:04 | |
-Er... -I don't want to play this game any more. | 6:40:06 | 6:40:08 | |
-Roar. -A lion. -Yes! | 6:40:08 | 6:40:11 | |
# Isss it too sss-late to sss-now to say ssss...? # | 6:40:12 | 6:40:18 | |
-You're a snake. -Yep. | 6:40:18 | 6:40:20 | |
-Justin Bieber, Sorry, you're a snake. -Yep. | 6:40:20 | 6:40:24 | |
You killed that. | 6:40:24 | 6:40:26 | |
Thank you, Madison. You're brilliant, a brilliant host. | 6:40:26 | 6:40:29 | |
And congratulations on beating me. | 6:40:29 | 6:40:31 | |
MUSIC: Can't Stop The Feeling by Justin Timberlake | 6:40:31 | 6:40:35 | |
Maddie, there you go. A massive thank you to Caspar Lee | 6:40:40 | 6:40:43 | |
and that's what we're all about - making your dreams come true. | 6:40:43 | 6:40:45 | |
You can do the same - go to the "be on a show" page, | 6:40:45 | 6:40:47 | |
just like Maddie did, and maybe we can make your dream come true. | 6:40:47 | 6:40:50 | |
OK, the moment has arrived. Dev is live on Radio 1. | 6:40:50 | 6:40:53 | |
We're live on CBBC. | 6:40:53 | 6:40:54 | |
Let's find out who is the UK's official number one this week. | 6:40:54 | 6:40:58 | |
Dev, sir. | 6:40:58 | 6:41:00 | |
'BBC Radio 1.' | 6:41:00 | 6:41:02 | |
So we are live on Radio 1 and the CBBC channel right now. | 6:41:02 | 6:41:06 | |
It gives me great pleasure to announce to you | 6:41:06 | 6:41:08 | |
the UK official number one. | 6:41:08 | 6:41:11 | |
If you've been listening carefully, you would've heard that | 6:41:11 | 6:41:13 | |
Justin Timberlake is number two, | 6:41:13 | 6:41:15 | |
which means Drake has made it seven weeks at number one, | 6:41:15 | 6:41:18 | |
what a show-off. This, by the way, offit...officially, rather, | 6:41:18 | 6:41:22 | |
matches Leona Lewis's Bleeding Love record back in 2007. | 6:41:22 | 6:41:27 | |
Seven weeks at number one for Drake, this is One Dance. | 6:41:27 | 6:41:30 | |
# Baby, I like your style | 6:41:37 | 6:41:41 | |
# That's why I need a one dance | 6:41:44 | 6:41:47 | |
# That's why I need a one dance | 6:41:47 | 6:41:49 | |
# One more time 'fore I go | 6:41:49 | 6:41:51 | |
# Higher powers taking a hold of me | 6:41:51 | 6:41:54 | |
# I need a one dance | 6:41:54 | 6:41:56 | |
# That's why I need a one dance | 6:41:56 | 6:41:58 | |
# One more time 'fore I go | 6:41:58 | 6:42:00 | |
# Higher powers taking a hold on me | 6:42:00 | 6:42:03 | |
# Baby, I like your style | 6:42:05 | 6:42:10 | |
# Strength and guidance | 6:42:12 | 6:42:14 | |
# All that I'm wishing for my friends... # | 6:42:14 | 6:42:17 | |
DISCORDANT CHORD Sorry. | 6:42:17 | 6:42:19 | |
Congratulations to Drake, seven weeks at number one. | 6:42:19 | 6:42:21 | |
Will Justin Timberlake be able to knock him off that top spot? | 6:42:21 | 6:42:24 | |
You're going to have to find out with us here | 6:42:24 | 6:42:26 | |
on the CBBC Official Chart Show next week. | 6:42:26 | 6:42:28 | |
The moment has arrived to find out who you guys actually | 6:42:28 | 6:42:30 | |
wanted to be number one so drumroll, please, Mr Mic. | 6:42:30 | 6:42:33 | |
Thank you, sir. I can reveal with a vote of 23%, | 6:42:33 | 6:42:37 | |
and it is the most votes we've ever had cast | 6:42:37 | 6:42:39 | |
on one of our number one questions, | 6:42:39 | 6:42:41 | |
you wanted Galantis, No Money. OrangeWittyZebra said, | 6:42:41 | 6:42:44 | |
"I love No Money by Galantis, I could play it on repeat all day." | 6:42:44 | 6:42:47 | |
SalmonHappyReindeer says, "I think that No Money is a great song, | 6:42:47 | 6:42:50 | |
"it has to win." One thing you also know I love is not only | 6:42:50 | 6:42:52 | |
getting you involved with that, | 6:42:52 | 6:42:54 | |
but asking you to sing us your favourite chart songs. | 6:42:54 | 6:42:56 | |
So I'm going to hand over to now to some lovely people | 6:42:56 | 6:42:58 | |
and we've even got a few Galantis No Money in there. | 6:42:58 | 6:43:01 | |
# Sorry, I ain't got no money | 6:43:05 | 6:43:07 | |
# I'm not trying to be funny | 6:43:07 | 6:43:09 | |
# But I left it all at home today | 6:43:09 | 6:43:13 | |
# You can call me what you wanna | 6:43:13 | 6:43:15 | |
# I ain't giving you a dollar... # | 6:43:15 | 6:43:17 | |
# This time I ain't going to run away | 6:43:17 | 6:43:20 | |
# You might knock me down | 6:43:20 | 6:43:21 | |
# You might knock me down | 6:43:21 | 6:43:24 | |
# But I will get back up again... # | 6:43:24 | 6:43:27 | |
# Is it too late now to say sorry? | 6:43:27 | 6:43:31 | |
# Yeah, I know that you let me down | 6:43:31 | 6:43:34 | |
# But is it too late to say sorry now? # | 6:43:34 | 6:43:37 | |
# Cos I got a problem | 6:43:37 | 6:43:39 | |
# Only a curl, uh-huh | 6:43:39 | 6:43:40 | |
# Is going to solve it | 6:43:40 | 6:43:42 | |
# Mean I don't really care... # | 6:43:42 | 6:43:45 | |
Lucie, Aisha, Sonny, Sina, loving your work. | 6:43:45 | 6:43:47 | |
Remember, you can do the same. | 6:43:47 | 6:43:49 | |
I can't quite believe it but, Bebe, | 6:43:49 | 6:43:51 | |
we've arrived at the end of the show. | 6:43:51 | 6:43:52 | |
I know, I'm so sad, I don't want to leave. | 6:43:52 | 6:43:54 | |
I want to be back. I don't want to leave. | 6:43:54 | 6:43:56 | |
-Listen, we'll have you back at any point. -OK. | 6:43:56 | 6:43:58 | |
-Have you enjoyed yourself? -I have. -Wonderful. Only one thing left | 6:43:58 | 6:44:01 | |
for you to do to complete your CBBC Official Chart Show show. | 6:44:01 | 6:44:04 | |
Bebe's prepped, already knows what to do, | 6:44:04 | 6:44:05 | |
-and that is please sign our sound box. -OK. | 6:44:05 | 6:44:07 | |
-Best of luck, as well. I'm so glad you've enjoyed yourself. -Thank you. | 6:44:07 | 6:44:10 | |
A little hug there as well. Buzzing. OK. Well, there we go. | 6:44:10 | 6:44:13 | |
That is it, the end of CBBC Official Chart Show. | 6:44:13 | 6:44:15 | |
It is great to be back and be with you. | 6:44:15 | 6:44:17 | |
Now, we've got a little surprise for you because next week, | 6:44:17 | 6:44:19 | |
we are live from the Eden Project. | 6:44:19 | 6:44:21 | |
I cannot wait. There's going to be loads going on. | 6:44:21 | 6:44:24 | |
Remember to get your full dosage of all things Chart, | 6:44:24 | 6:44:26 | |
go to bbc.co.uk/cbbc. | 6:44:26 | 6:44:28 | |
Quizzes, Millie's blog and get involved, you know I love that. | 6:44:28 | 6:44:30 | |
But I will see you next week, live from Cornwall, | 6:44:30 | 6:44:33 | |
and here's what's coming up on the show. | 6:44:33 | 6:44:35 | |
Thank you to everybody who was involved. Peace and love. | 6:44:35 | 6:44:37 | |
# Imagine if money just grew on trees... # | 6:44:41 | 6:44:43 | |
# Oh, my, my | 6:44:43 | 6:44:46 | |
# Oh, my... # | 6:44:46 | 6:44:47 | |
# White tiger... # | 6:44:49 | 6:44:51 | |
# Welcome to the jungle, we got fun and games... # | 6:44:51 | 6:44:55 |