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-Last time on Glee Club... -You guys absolutely nailed it. | 0:00:02 | 0:00:07 | |
..M.A.D., The Sweets, Encore, Resonate | 0:00:07 | 0:00:10 | |
and Raveheart all made it through to the heats. | 0:00:10 | 0:00:13 | |
Your opening was great! | 0:00:13 | 0:00:15 | |
Today, eight more acts sing and dance their hearts out | 0:00:15 | 0:00:18 | |
for a place in the next round and the pressure's on! | 0:00:18 | 0:00:22 | |
This is Comic Relief Does Glee Club 2013. | 0:00:22 | 0:00:25 | |
Hello and welcome back to Comic Relief Does Glee Club | 0:00:43 | 0:00:46 | |
and the second of our judges' auditions. | 0:00:46 | 0:00:49 | |
Last time, we saw eight groups battle it out | 0:00:49 | 0:00:52 | |
for a place in the studio heats, but only five made it through. | 0:00:52 | 0:00:56 | |
Today, eight more will sing | 0:00:56 | 0:00:58 | |
and dance in front of the judges for the chance to perform again | 0:00:58 | 0:01:01 | |
in the heats on this very stage in front of a live audience. | 0:01:01 | 0:01:05 | |
The search for Britain's best young glee club took us all over the UK. | 0:01:05 | 0:01:09 | |
Let's have a look back at some of the acts who came to visit us | 0:01:09 | 0:01:12 | |
on the Comic Relief Does Glee Club tour. | 0:01:12 | 0:01:15 | |
Naomi and judge John Modi travelled up and down the country | 0:01:20 | 0:01:24 | |
in search of the very best glee clubs Britain has to offer. | 0:01:24 | 0:01:28 | |
# And I'm gonna praise you I'm gonna praise you... # | 0:01:28 | 0:01:32 | |
The journey started in Newcastle, | 0:01:32 | 0:01:34 | |
where they checked out | 0:01:34 | 0:01:36 | |
the cream of the Northeast's performing talent... | 0:01:36 | 0:01:39 | |
..before heading across the water to Belfast. | 0:01:40 | 0:01:45 | |
Today, we're in Glasgow. | 0:01:48 | 0:01:50 | |
Next up was Glasgow, with Scottish groups eager to wow John with | 0:01:50 | 0:01:55 | |
more incredible performances. | 0:01:55 | 0:01:58 | |
You're excited that we are finding talent in Glasgow. | 0:01:58 | 0:02:01 | |
I'm very excited about Glasgow, love it. | 0:02:01 | 0:02:04 | |
The mission continued south of the border in sunny Manchester. | 0:02:04 | 0:02:07 | |
-I feel excited. -The talent kept on coming with Cardiff the next stop. | 0:02:07 | 0:02:12 | |
# Tonight, I gotta cut loose footloose... # | 0:02:12 | 0:02:15 | |
Last on the hit list was the capital, London... | 0:02:15 | 0:02:18 | |
There's a whole hive of activity out here. | 0:02:18 | 0:02:20 | |
..where even more glee clubs turned up and didn't disappoint. | 0:02:20 | 0:02:24 | |
# Tonight's gonna be a good good night... # | 0:02:24 | 0:02:27 | |
The standard was amazing, but it was down to John to select | 0:02:27 | 0:02:31 | |
the top 24 groups that would perform again here at the judges' auditions. | 0:02:31 | 0:02:36 | |
Now, keeping an eye on the proceedings | 0:02:40 | 0:02:43 | |
and making those all-important decisions were our resident judges. | 0:02:43 | 0:02:47 | |
Let's meet the people who will decide the fate of our groups | 0:02:47 | 0:02:50 | |
and look out for some special guests. | 0:02:50 | 0:02:53 | |
Carrie and David are two of the UK's best known celebrity vocal coaches. | 0:02:58 | 0:03:02 | |
-That was really good. I love your energy. -Breathtaking. | 0:03:02 | 0:03:06 | |
They've worked with a whole host of artists from The Spice Girls | 0:03:06 | 0:03:09 | |
and Take That to The Saturdays. | 0:03:09 | 0:03:11 | |
Celebrity vocal and performance coach John has worked with | 0:03:11 | 0:03:14 | |
a variety of stars, from Leona Lewis to Olly Murs and Alexandra Burke. | 0:03:14 | 0:03:18 | |
He's also worked on top shows like The Voice and X Factor. | 0:03:18 | 0:03:22 | |
Offering additional advice to the groups will be West End star | 0:03:22 | 0:03:26 | |
and X Factor winner Joe McElderry. He's recorded four albums | 0:03:26 | 0:03:30 | |
and his debut single The Climb topped the UK charts. | 0:03:30 | 0:03:34 | |
Soul singer and presenter Dionne Bromfield. | 0:03:34 | 0:03:37 | |
She's been nominated for a MOBO award, has recorded two albums | 0:03:37 | 0:03:40 | |
and finds time to present CBBC's Friday Download. | 0:03:40 | 0:03:44 | |
And X Factor finalist and TV presenter Stacey Solomon. | 0:03:44 | 0:03:48 | |
Not only has she wowed audience with her voice, | 0:03:48 | 0:03:51 | |
she's also a regular star on our TV screens. | 0:03:51 | 0:03:55 | |
Of the many groups that applied for Comic Relief Does Glee Club, | 0:04:00 | 0:04:04 | |
only the top 24 made it to the judges' auditions. | 0:04:04 | 0:04:07 | |
Today, eight of those hopefuls will perform, | 0:04:07 | 0:04:10 | |
but only five can go through to the studio heats. | 0:04:10 | 0:04:13 | |
So, let's meet the first act who will face the judges. | 0:04:13 | 0:04:16 | |
First up, we have Excellar8 from Stockport. | 0:04:23 | 0:04:27 | |
They caught my attention in Manchester. | 0:04:27 | 0:04:29 | |
I love these kids. | 0:04:29 | 0:04:30 | |
They are...as far as the cuteness factor, they've got it. | 0:04:30 | 0:04:35 | |
Lots of young ones. They are full of life. | 0:04:35 | 0:04:38 | |
When they finish, I'm just like... | 0:04:38 | 0:04:41 | |
I feel energised, big smile on my face, and they have a big sound. | 0:04:41 | 0:04:45 | |
-Has anything gone wrong on the run-up to today? -Yes. -Yes. | 0:04:45 | 0:04:50 | |
-Somebody lost their voice. -Who's lost their voice? | 0:04:50 | 0:04:53 | |
Not lost her voice, but she's got a sore throat. | 0:04:53 | 0:04:56 | |
You're taking over today. And when did this all happen? | 0:04:56 | 0:04:59 | |
-Today. -Today?! Let's get you on stage, show them what you're made of. | 0:04:59 | 0:05:04 | |
Hope it goes really well! | 0:05:04 | 0:05:06 | |
# Give me a second, I I need to get my story straight... # | 0:05:15 | 0:05:18 | |
Lovely! | 0:05:18 | 0:05:21 | |
# ..And my lover she's waiting for me just across the bar | 0:05:21 | 0:05:27 | |
# My seat's been taken by some sunglasses asking about a scar | 0:05:27 | 0:05:31 | |
-# I know I gave it to you months ago -Ah ah ah | 0:05:31 | 0:05:35 | |
# I know you're trying to forget | 0:05:35 | 0:05:39 | |
# But between the drinks and subtle things | 0:05:39 | 0:05:42 | |
# The holes in my apologies You know | 0:05:42 | 0:05:45 | |
# I'm trying hard to take it back | 0:05:45 | 0:05:47 | |
# So if by the time the bar closes | 0:05:47 | 0:05:50 | |
# And you feel like falling down | 0:05:50 | 0:05:53 | |
# I'll carry you home | 0:05:53 | 0:05:56 | |
# Tonight | 0:05:56 | 0:05:59 | |
# We are young | 0:05:59 | 0:06:03 | |
# So let's set the world on fire | 0:06:04 | 0:06:08 | |
# We can burn brighter than the sun | 0:06:08 | 0:06:15 | |
# Tonight | 0:06:17 | 0:06:19 | |
# We are young | 0:06:21 | 0:06:24 | |
# So let's set the world on fire | 0:06:25 | 0:06:29 | |
# We can burn brighter than the sun | 0:06:29 | 0:06:36 | |
# Tonight. # | 0:06:36 | 0:06:41 | |
THEY APPLAUD | 0:06:41 | 0:06:44 | |
-You could hear a bit of nerves in their voice? -Um... | 0:06:44 | 0:06:47 | |
I just think Jess is not very well today. | 0:06:47 | 0:06:49 | |
The last minute change has slightly thrown her. | 0:06:49 | 0:06:52 | |
Alicia, who stepped in for her... | 0:06:52 | 0:06:55 | |
she was more than happy to and she was on the ball. | 0:06:55 | 0:06:58 | |
Very well done. I loved your soloists. | 0:06:58 | 0:07:00 | |
Their voices were beautiful. | 0:07:00 | 0:07:02 | |
The ensemble, I felt was like a game of two halves. | 0:07:02 | 0:07:05 | |
The first half was a little sloppy. | 0:07:05 | 0:07:07 | |
And then we got to the second half and you suddenly locked in | 0:07:07 | 0:07:11 | |
and then we got what you were really about. | 0:07:11 | 0:07:13 | |
-So, well done for that. -ALL: Thank you. | 0:07:13 | 0:07:16 | |
Great song choice. You sang it really well. | 0:07:16 | 0:07:19 | |
You are cuter than the cutest thing in cute town. | 0:07:19 | 0:07:22 | |
And I felt that it got better and better as it went on. | 0:07:22 | 0:07:26 | |
I think technically, there were little bits that weren't | 0:07:26 | 0:07:29 | |
perfect, but there's something about you that really makes me happy. | 0:07:29 | 0:07:33 | |
You've got a lovely energy that you bring to the stage | 0:07:33 | 0:07:36 | |
and you give off as you perform. | 0:07:36 | 0:07:38 | |
It didn't really matter about anything that wasn't just | 0:07:38 | 0:07:41 | |
quite perfect cos you're just so lovely to watch. | 0:07:41 | 0:07:45 | |
You had that last minute change, | 0:07:45 | 0:07:47 | |
which must have been quite hard to handle. | 0:07:47 | 0:07:50 | |
-How did you cope? -Fine. -You enjoyed yourself. | 0:07:50 | 0:07:53 | |
-And how was your solo? -Loud. | 0:07:53 | 0:07:57 | |
-Do you think you did as well as you could have done? -Yeah. | 0:07:57 | 0:08:00 | |
-They were smiling. -Good. | 0:08:00 | 0:08:02 | |
That's always nice when they smile back at you. | 0:08:02 | 0:08:05 | |
I think they're going to be one of those that we deliberate over. | 0:08:05 | 0:08:08 | |
I still like them. | 0:08:08 | 0:08:10 | |
I look at the chemistry, I look at the personality, | 0:08:10 | 0:08:13 | |
-the performance, the stage presence. -And how they make you feel. | 0:08:13 | 0:08:17 | |
Some of them are more polished and technically better, | 0:08:17 | 0:08:21 | |
but are you then losing the authenticity of a group like that | 0:08:21 | 0:08:25 | |
and is that a nice thing to have? | 0:08:25 | 0:08:27 | |
Good afternoon. You guys look really cool. | 0:08:32 | 0:08:36 | |
'Next, we have Fresh from Glasgow. | 0:08:36 | 0:08:39 | |
'I'm pretty sentimental about these guys. | 0:08:39 | 0:08:42 | |
'They remind me of S Club Juniors.' | 0:08:42 | 0:08:45 | |
-Is there anything you're very worried about today? -The harmonies. | 0:08:45 | 0:08:50 | |
The harmonies. | 0:08:50 | 0:08:51 | |
-Why? Have they been going wrong in rehearsal? -Sometimes. | 0:08:51 | 0:08:55 | |
-Sometimes we get them. -So, either you get it, or you miss it? -Yeah. | 0:08:55 | 0:09:00 | |
So try and get it today. You'll get it! | 0:09:00 | 0:09:03 | |
-Any little group thing you want to do before you go in? -Yeah. -Yes. | 0:09:03 | 0:09:06 | |
F-f-f-f-f-resh! | 0:09:06 | 0:09:08 | |
# Don't stop moving' to the funky, funky beat | 0:09:13 | 0:09:16 | |
# Don't stop moving to the funky, funky beat | 0:09:16 | 0:09:20 | |
# DJ got the party started There's no end in sight | 0:09:20 | 0:09:25 | |
# Everybody's moving to the rhythm that's inside | 0:09:25 | 0:09:28 | |
# It's a crazy world but tonight's the right situation | 0:09:28 | 0:09:34 | |
# Don't get left behind | 0:09:34 | 0:09:37 | |
# I can feel the music moving through me everywhere | 0:09:37 | 0:09:40 | |
# Ain't no destination Baby, we don't even care | 0:09:40 | 0:09:44 | |
-# There's a place to be -If you need the right education | 0:09:44 | 0:09:50 | |
# Let me take you there | 0:09:50 | 0:09:53 | |
# And just go | 0:09:53 | 0:09:55 | |
# With the magic, baby | 0:09:55 | 0:09:58 | |
# I can see it there in your eyes | 0:09:58 | 0:10:01 | |
# Let it flow | 0:10:01 | 0:10:03 | |
# Stop the waiting | 0:10:03 | 0:10:05 | |
# Right here on the dance floor is where you gotta let it go | 0:10:05 | 0:10:10 | |
# Don't stop movin' | 0:10:10 | 0:10:12 | |
# Can you feel the music? | 0:10:12 | 0:10:14 | |
# DJ's got us going around, around | 0:10:14 | 0:10:17 | |
# Don't stop movin' | 0:10:17 | 0:10:20 | |
# Find your own way to it | 0:10:20 | 0:10:22 | |
# Listen to the music | 0:10:22 | 0:10:24 | |
# Taking you to places that you've never been before, baby, now | 0:10:24 | 0:10:29 | |
# Don't stop moving to the funky, funky beat | 0:10:29 | 0:10:33 | |
# Don't stop moving to the funky, funky beat. # | 0:10:33 | 0:10:36 | |
THEY APPLAUD | 0:10:36 | 0:10:40 | |
Your actual vocal sound together is really good. | 0:10:40 | 0:10:44 | |
You sound like you've sung together for a long time. | 0:10:44 | 0:10:49 | |
And that really works. That's one of your big strengths. | 0:10:49 | 0:10:52 | |
Your timing is a bit of an issue. You're rushing a bit. | 0:10:52 | 0:10:56 | |
Some tuning issues in the harmony, but as a group, | 0:10:56 | 0:10:59 | |
that sound that you produce is really unmatched | 0:10:59 | 0:11:03 | |
and the energy that you give off, | 0:11:03 | 0:11:05 | |
-you just put a smile on my face and that's the effect you have. -I agree. | 0:11:05 | 0:11:09 | |
Song choice was great and the dance routines, the vocals, | 0:11:09 | 0:11:13 | |
-everything just matched really well. Well done. -ALL: -Thank you. | 0:11:13 | 0:11:16 | |
Well done, guys. | 0:11:18 | 0:11:21 | |
You enjoyed that! | 0:11:21 | 0:11:23 | |
-Are you happy? -So much fun. -You really enjoyed it? -Yes! | 0:11:23 | 0:11:27 | |
-What was the best thing about that? -They said the harmonies were good! | 0:11:27 | 0:11:32 | |
Yay! | 0:11:32 | 0:11:34 | |
And what did you think about when they told you that you might | 0:11:34 | 0:11:38 | |
-need to slow down at points? -Yeah. | 0:11:38 | 0:11:41 | |
I quite like some parts but when we were going off musically, | 0:11:41 | 0:11:44 | |
-it was... -Did you hear it happening as you were doing it? -Yeah. | 0:11:44 | 0:11:48 | |
-Did you? -It was cos we were excited. -Yeah. | 0:11:48 | 0:11:51 | |
-It was all constructive criticism. -Exactly. | 0:11:51 | 0:11:55 | |
-You're going to take that away and work on it? -Yeah. | 0:11:55 | 0:11:58 | |
I think the timing was off in the dance. They haven't changed. | 0:11:58 | 0:12:01 | |
-They're rushing. -It's because they have so much energy. | 0:12:01 | 0:12:05 | |
-The question is, are they ready? -They're very young. | 0:12:05 | 0:12:08 | |
I've noticed that and you've been watching them too. | 0:12:08 | 0:12:11 | |
-But I haven't seen anything like that. -I think that is the appeal. | 0:12:11 | 0:12:15 | |
-I haven't seen anything like them and their blend is great. -It is. | 0:12:15 | 0:12:19 | |
-I really like their blend. -Like it. | 0:12:19 | 0:12:22 | |
# Don't stop movin' to the funky, funky beat. # | 0:12:22 | 0:12:26 | |
With Excellar8 changing a soloist at the last minute | 0:12:31 | 0:12:34 | |
and Fresh needing to work on their timing, | 0:12:34 | 0:12:37 | |
neither is guaranteed a place in the next round. | 0:12:37 | 0:12:39 | |
Next up, another two groups sing their hearts out. | 0:12:39 | 0:12:42 | |
You have strengths and you have an identity. | 0:12:42 | 0:12:46 | |
It's out of tune all the way through. | 0:12:46 | 0:12:48 | |
I did see glimpses throughout of total performance and brilliance. | 0:12:48 | 0:12:53 | |
One, two, three, four, five, six, seven... | 0:12:58 | 0:13:02 | |
'Right, the next act up is Impact from West Sussex.' | 0:13:03 | 0:13:09 | |
And some of the group members, they auditioned as part of The Tempests. | 0:13:09 | 0:13:14 | |
# We built this city on rock'n'roll... # | 0:13:14 | 0:13:19 | |
It'll be quite interesting to see what you think. | 0:13:19 | 0:13:23 | |
# Made a wrong turn once or twice | 0:13:23 | 0:13:27 | |
# Dug my way out, blood and fire | 0:13:27 | 0:13:32 | |
# Bad decisions, that's all right | 0:13:32 | 0:13:37 | |
# Welcome to my silly life | 0:13:37 | 0:13:42 | |
# Mistreated Misplaced, misunderstood | 0:13:42 | 0:13:47 | |
# Miss knowing it's no good | 0:13:47 | 0:13:50 | |
# It didn't slow me down | 0:13:50 | 0:13:53 | |
# Mistaken, always second guessing | 0:13:53 | 0:13:58 | |
# Underestimating Look, I'm still around | 0:13:58 | 0:14:05 | |
# Pretty, pretty, please Don't you ever, ever feel | 0:14:05 | 0:14:10 | |
# Like you're less than Less than perfect | 0:14:10 | 0:14:15 | |
# Pretty, pretty, please Don't you ever, ever feel | 0:14:15 | 0:14:21 | |
# Like you're nothing You are perfect to me | 0:14:21 | 0:14:27 | |
# You're perfect to me | 0:14:28 | 0:14:31 | |
# It's perfect, you're perfect We're perfect | 0:14:31 | 0:14:37 | |
# Pretty, pretty, please Don't you ever, ever feel | 0:14:37 | 0:14:42 | |
# Like you're nothing You are perfect | 0:14:42 | 0:14:47 | |
# To me. # | 0:14:47 | 0:14:51 | |
Aw. | 0:14:51 | 0:14:52 | |
THEY APPLAUD | 0:14:52 | 0:14:55 | |
-You feel they've done it better? -Yes. -Do you think that's nerves? -Yeah. | 0:14:55 | 0:15:00 | |
I think one girl particularly, | 0:15:00 | 0:15:01 | |
who's doing the middle line harmony, just lost it. | 0:15:01 | 0:15:03 | |
She didn't do it at all. It's just nerves. | 0:15:03 | 0:15:05 | |
Impact, wow! | 0:15:05 | 0:15:08 | |
Your soloists, can I just say, that is some of the best vocal | 0:15:08 | 0:15:11 | |
technique that I have heard in young people for a very, very long time. | 0:15:11 | 0:15:16 | |
Absolutely stunning soloists. | 0:15:16 | 0:15:19 | |
ALL: Thank you. | 0:15:19 | 0:15:21 | |
Really, I'm really blown away by your solos. Amazing. | 0:15:21 | 0:15:24 | |
Ensemble wise, it's pitchy. So it's out of tune all the way through. | 0:15:24 | 0:15:30 | |
I'm sure when you watch it back you'll think, | 0:15:30 | 0:15:33 | |
"Oh, my gosh, we are really out of tune there." | 0:15:33 | 0:15:35 | |
You need to work out amongst yourselves who are the people | 0:15:35 | 0:15:37 | |
that are going out of tune, and really help them to just bring it up | 0:15:37 | 0:15:41 | |
so it doesn't slip down. | 0:15:41 | 0:15:42 | |
It was quite a good performance. | 0:15:42 | 0:15:44 | |
I think your theatrical presentation was great, staging was great, | 0:15:44 | 0:15:49 | |
individual voices - fantastic. | 0:15:49 | 0:15:51 | |
I think you have potential. | 0:15:51 | 0:15:53 | |
Whether you make it to the next round, well, we'll have to see. | 0:15:53 | 0:15:56 | |
The song itself, | 0:15:56 | 0:15:58 | |
I thought you performed it like you knew what you were singing about. | 0:15:58 | 0:16:01 | |
I think it's really hard for certain people to go on stage | 0:16:01 | 0:16:04 | |
and sing a song and not know what they are singing about. | 0:16:04 | 0:16:06 | |
But all of you definitely made that shine through. | 0:16:06 | 0:16:09 | |
I could see you knew what you were singing about. So well done, guys. | 0:16:09 | 0:16:13 | |
-How was it? -Great. -It was really good. -A lot of fun. | 0:16:15 | 0:16:18 | |
It was nerve-wracking but I think it's just a great experience. | 0:16:18 | 0:16:21 | |
They did make a few comments, a few critical comments, a few positive | 0:16:21 | 0:16:24 | |
comments. What were your reactions to the judges and what they said? | 0:16:24 | 0:16:28 | |
I think they were very fair. We are definitely going to work on it. | 0:16:28 | 0:16:31 | |
We are going to perfect it. | 0:16:31 | 0:16:33 | |
Having that criticism is really, really good. | 0:16:33 | 0:16:36 | |
That's a good way of looking at it. | 0:16:36 | 0:16:37 | |
I think we all agreed that | 0:16:37 | 0:16:39 | |
they sing the song like they really understand it. | 0:16:39 | 0:16:41 | |
They've got an emotional intelligence. | 0:16:41 | 0:16:44 | |
They've got performance ability. They performed it really well. | 0:16:44 | 0:16:47 | |
They have vocal talent and vocal technique. | 0:16:47 | 0:16:50 | |
The fact that they were pitchy, | 0:16:51 | 0:16:54 | |
do we believe that that is something that they can fix? | 0:16:54 | 0:16:58 | |
Because if it isn't, they can't go through. | 0:16:58 | 0:17:01 | |
If it is, they've got everything else. | 0:17:01 | 0:17:03 | |
# You are perfect to me. # | 0:17:03 | 0:17:10 | |
'Next up it's True To Your Skool from Doncaster. | 0:17:17 | 0:17:20 | |
'An all-girl group, they've got good chemistry and interaction.' | 0:17:20 | 0:17:25 | |
I think they've something different about them - a lot of soul. | 0:17:25 | 0:17:28 | |
They've just got energy. Let's see what you think. | 0:17:28 | 0:17:31 | |
Are you looking forward to it? ALL: Yes! | 0:17:31 | 0:17:33 | |
How are you feeling? | 0:17:33 | 0:17:34 | |
-Just excited! Just excited! -Excited to see the judges and sing. | 0:17:34 | 0:17:38 | |
And it's a great opportunity, so we should make the most of it. | 0:17:38 | 0:17:41 | |
ALL: Yes! | 0:17:41 | 0:17:42 | |
Shall we take a deep breath together? | 0:17:42 | 0:17:44 | |
THEY BREATHE DEEPLY | 0:17:44 | 0:17:46 | |
All right, take it away. | 0:17:46 | 0:17:48 | |
# Ah ah ah | 0:17:50 | 0:17:54 | |
# Ah ah ah ah | 0:17:56 | 0:17:59 | |
# Ah ah ah ah ah ah ah ah ah ah | 0:18:01 | 0:18:05 | |
# Ah ah | 0:18:05 | 0:18:08 | |
# Oh oh oh | 0:18:08 | 0:18:10 | |
# Oh oh oh oh | 0:18:10 | 0:18:16 | |
# Hold me | 0:18:16 | 0:18:18 | |
# Like the River Jordan | 0:18:18 | 0:18:21 | |
# And I will then say to thee | 0:18:21 | 0:18:24 | |
# You are my friend | 0:18:24 | 0:18:28 | |
# Carry me | 0:18:28 | 0:18:30 | |
# Like you are my brother | 0:18:30 | 0:18:32 | |
# Love me like a mother | 0:18:32 | 0:18:35 | |
# Will you be there? | 0:18:35 | 0:18:38 | |
# Everyone's taking control of me | 0:18:38 | 0:18:41 | |
# Seems that the world's got a role for me | 0:18:41 | 0:18:44 | |
# I'm so confused will you show to me? | 0:18:44 | 0:18:47 | |
# You be there for me and care enough to... # | 0:18:47 | 0:18:49 | |
They're giving it some. | 0:18:49 | 0:18:51 | |
-# Hold me -Show me | 0:18:51 | 0:18:53 | |
-# Lay your head lowly -Tell me | 0:18:53 | 0:18:55 | |
-# Softly then boldly -Yeah | 0:18:55 | 0:18:58 | |
# Carry me there | 0:18:58 | 0:19:01 | |
# I'm only human | 0:19:01 | 0:19:05 | |
# Feed me | 0:19:05 | 0:19:06 | |
# Kiss me and free me | 0:19:06 | 0:19:09 | |
# I will feel blessed | 0:19:09 | 0:19:12 | |
# Will you be there? # | 0:19:12 | 0:19:17 | |
THEY APPLAUD | 0:19:17 | 0:19:20 | |
I've never seen some of them look so nervous. | 0:19:22 | 0:19:24 | |
-Bless them, they've all got little red cheeks, haven't they? -Yeah. | 0:19:24 | 0:19:27 | |
The way you started that performance was really unique | 0:19:27 | 0:19:30 | |
and different to anything we've seen today. | 0:19:30 | 0:19:33 | |
I think, for me personally, as soon as it started | 0:19:33 | 0:19:36 | |
I was interested to see where it was going to go. | 0:19:36 | 0:19:38 | |
It was like you were welcoming all your friends on stage to perform. | 0:19:38 | 0:19:42 | |
Which was really good, | 0:19:42 | 0:19:43 | |
because it makes you kind of like strong as a unit. | 0:19:43 | 0:19:46 | |
So I was interested to see what you were going to do. | 0:19:46 | 0:19:48 | |
I did see glimpses throughout of total performance | 0:19:48 | 0:19:51 | |
and brilliance, potentially. | 0:19:51 | 0:19:53 | |
The one thing I'd have to say, just some advice, | 0:19:53 | 0:19:56 | |
it has to be consistent. | 0:19:56 | 0:19:57 | |
You have to stay engaged throughout the performance. | 0:19:57 | 0:20:00 | |
The first half was much stronger than the second. | 0:20:00 | 0:20:03 | |
I don't know what happened in the second half, for me, | 0:20:03 | 0:20:05 | |
you kind of lost that energy. | 0:20:05 | 0:20:07 | |
But I still see there is potential for you guys to | 0:20:07 | 0:20:10 | |
function as a unit and be very, very powerful. | 0:20:10 | 0:20:13 | |
I think what showed, particularly in the way you began this, | 0:20:13 | 0:20:16 | |
is you have strength and you have an identity. | 0:20:16 | 0:20:20 | |
What you didn't do was play to your strengths throughout. | 0:20:20 | 0:20:23 | |
The first half was really good. | 0:20:23 | 0:20:25 | |
What I think happened in the second half is, | 0:20:25 | 0:20:28 | |
there are two key changes, by the time it gets to the end | 0:20:28 | 0:20:31 | |
it's gone out of a part of your voice where all of you are strong. | 0:20:31 | 0:20:34 | |
And so there's a change of sound. | 0:20:34 | 0:20:36 | |
When you're in your comfort zone, | 0:20:36 | 0:20:39 | |
in the bit where you all work together, the sound is beautiful. | 0:20:39 | 0:20:42 | |
ALL: Thank you. | 0:20:42 | 0:20:44 | |
What do you think about what the judges said? | 0:20:44 | 0:20:47 | |
Cos they all pretty much said the first half was great | 0:20:47 | 0:20:49 | |
-and the second half... -Yeah. -..not so great. | 0:20:49 | 0:20:51 | |
THEY ALL MURMUR IN AGREEMENT | 0:20:51 | 0:20:52 | |
Do you think that was a fair comment? | 0:20:52 | 0:20:54 | |
-Yeah. -ALL: Yes. | 0:20:54 | 0:20:56 | |
And did you enjoy it? | 0:20:58 | 0:21:00 | |
THEY GIGGLE AND SHOUT | 0:21:00 | 0:21:02 | |
It was amazing! | 0:21:02 | 0:21:04 | |
There was one girl in there who didn't have a solo, | 0:21:04 | 0:21:07 | |
whose voice was the key that locked the whole blend together. | 0:21:07 | 0:21:11 | |
And if that's your role, that's as important a role as the solo is. | 0:21:11 | 0:21:15 | |
Not everybody has to have a solo. | 0:21:15 | 0:21:16 | |
-It's clever the way they did it though. -It was really clever. | 0:21:16 | 0:21:19 | |
Like what you said, for a Michael Jackson song, | 0:21:19 | 0:21:21 | |
the way they started was kind of operatic. | 0:21:21 | 0:21:24 | |
There was a bit of ballet in there. Love it. | 0:21:24 | 0:21:25 | |
It's the angelic voices, that kind of choir. | 0:21:25 | 0:21:28 | |
Very brave. | 0:21:28 | 0:21:30 | |
# Will you be there? # | 0:21:30 | 0:21:35 | |
Four of today's acts have now performed for the judges, | 0:21:41 | 0:21:44 | |
and with four groups still to see | 0:21:44 | 0:21:46 | |
let's take a moment to remind ourselves why we're all here. | 0:21:46 | 0:21:49 | |
Comic Relief works hard to support people who are leading | 0:21:51 | 0:21:54 | |
incredibly difficult lives by funding projects all over Africa, | 0:21:54 | 0:21:58 | |
as well as right here in the UK. | 0:21:58 | 0:22:00 | |
In fact, the charity has funded over 15,000 projects in the UK. | 0:22:01 | 0:22:05 | |
Working 365 days a year to change things for the better. | 0:22:05 | 0:22:09 | |
The donations that you make will help vulnerable people | 0:22:12 | 0:22:15 | |
from all walks of life, at home and abroad. | 0:22:15 | 0:22:17 | |
You can help make a huge difference. | 0:22:19 | 0:22:21 | |
To find out how you can do something funny for money, | 0:22:21 | 0:22:24 | |
get a grown-up and visit the CBBC website. | 0:22:24 | 0:22:28 | |
Follow the link to Comic Relief. | 0:22:32 | 0:22:34 | |
Thank you. | 0:22:34 | 0:22:36 | |
Right, next up we've got Musicality. | 0:22:45 | 0:22:48 | |
Welcome! | 0:22:48 | 0:22:50 | |
I first saw these guys in Cardiff. | 0:22:50 | 0:22:52 | |
I think you'll find the opening soloist very interesting. | 0:22:52 | 0:22:55 | |
What do you think it's going to be like in there? | 0:22:55 | 0:22:58 | |
Very exciting. | 0:22:58 | 0:23:01 | |
Have you ever been in a television studio before? | 0:23:01 | 0:23:03 | |
-We did this last year. -You were here last year?! | 0:23:03 | 0:23:06 | |
# On a mountain so high it can be... # | 0:23:06 | 0:23:10 | |
They were the newbies. | 0:23:10 | 0:23:12 | |
What have you told these guys about what it feels like | 0:23:12 | 0:23:15 | |
when you're on the stage? | 0:23:15 | 0:23:16 | |
It's really exciting. You've got to ignore the cameras. | 0:23:16 | 0:23:18 | |
And just enjoy it. | 0:23:18 | 0:23:20 | |
They are ready for you, are you ready for them? | 0:23:20 | 0:23:22 | |
ALL: Yes! | 0:23:22 | 0:23:23 | |
# Joyful, joyful | 0:23:30 | 0:23:33 | |
# Lord we adore Thee | 0:23:33 | 0:23:37 | |
# God of Glory, Lord of Love | 0:23:37 | 0:23:42 | |
# Giver of immortal gladness | 0:23:44 | 0:23:50 | |
# Fill us with the light of day | 0:23:51 | 0:23:56 | |
# Joyful, joyful | 0:24:02 | 0:24:04 | |
# Lord we adore Thee | 0:24:04 | 0:24:06 | |
# God of Glory, Lord of Love | 0:24:06 | 0:24:10 | |
# Hearts unfold like flowers before Thee | 0:24:10 | 0:24:14 | |
# Hail Thee as the sun above | 0:24:14 | 0:24:18 | |
# Melt the clouds of sin sin and sadness | 0:24:18 | 0:24:22 | |
# Drive the dark of doubt away | 0:24:22 | 0:24:25 | |
# Drive it away | 0:24:25 | 0:24:27 | |
# Giver of immortal gladness | 0:24:27 | 0:24:30 | |
# What have you done for Him lately? | 0:24:31 | 0:24:34 | |
# Oooh oooh yeah | 0:24:35 | 0:24:37 | |
# What have you done for Him lately? | 0:24:38 | 0:24:42 | |
# He watches over everything | 0:24:42 | 0:24:46 | |
# So we sing | 0:24:46 | 0:24:48 | |
# Fill us with the light of day | 0:24:48 | 0:24:51 | |
# Light of day. # | 0:24:51 | 0:24:54 | |
THEY APPLAUD | 0:24:54 | 0:24:57 | |
How do you think that went? | 0:24:57 | 0:24:58 | |
Yes, it was good. Yeah. I think that the harmonies were bang on. | 0:24:58 | 0:25:03 | |
Yeah, they did all right. | 0:25:03 | 0:25:04 | |
Guys, I really, really enjoyed that. | 0:25:04 | 0:25:07 | |
I love that song so you won me over straight away. | 0:25:07 | 0:25:10 | |
Everything was really natural, | 0:25:10 | 0:25:12 | |
which I think shows a huge sign of how well rehearsed you clearly were. | 0:25:12 | 0:25:17 | |
Your solo part was beautiful. Absolutely brilliant. | 0:25:17 | 0:25:20 | |
I can't believe a voice like that comes out of somebody so little. | 0:25:20 | 0:25:23 | |
It was incredible. All of the vocals together were really slick. | 0:25:23 | 0:25:26 | |
And I think it was a great performance. Well done. | 0:25:26 | 0:25:28 | |
I think vocally, as in unison, the blend is fantastic. | 0:25:28 | 0:25:32 | |
And like the song, Joyful, Joyful, I feel joyful, joyful | 0:25:32 | 0:25:36 | |
when I watch you guys. | 0:25:36 | 0:25:37 | |
Not just our first soloist, | 0:25:37 | 0:25:39 | |
but actually the other two soloists as well, absolutely brilliant vocals. | 0:25:39 | 0:25:43 | |
The ensemble was beautiful. | 0:25:43 | 0:25:45 | |
I've got one little word of advice, which is, | 0:25:45 | 0:25:47 | |
you all look really different, you're all different ages, | 0:25:47 | 0:25:50 | |
which is great, I kind of would like to see some uniformity | 0:25:50 | 0:25:53 | |
somewhere in what you're wearing. | 0:25:53 | 0:25:55 | |
That's my only negative comment. Rest of it, perfect. | 0:25:55 | 0:25:58 | |
ALL: Thanks. | 0:25:58 | 0:26:00 | |
They made some lovely comments, didn't they? ALL: Yeah. | 0:26:01 | 0:26:04 | |
What did you think of what they said to you? | 0:26:04 | 0:26:06 | |
-It was just amazing. -Absolutely brilliant. | 0:26:06 | 0:26:08 | |
You all deserve a nice relax after that, so go and rest up. Well done. | 0:26:08 | 0:26:12 | |
ALL: Thank you! | 0:26:12 | 0:26:13 | |
Good work. | 0:26:13 | 0:26:14 | |
-Really good voices. -The harmonies were strong. | 0:26:14 | 0:26:18 | |
I don't know about you guys, I also felt that there was more | 0:26:18 | 0:26:21 | |
people singing than actually were singing when they sang together. | 0:26:21 | 0:26:25 | |
It was just full. | 0:26:25 | 0:26:27 | |
It was a perfect song choice to showcase, | 0:26:27 | 0:26:29 | |
that's an ideal song to showcase how strong they can be. | 0:26:29 | 0:26:32 | |
# Light of day. # | 0:26:32 | 0:26:34 | |
Next up, we have New Creation. They're from Preston. | 0:26:39 | 0:26:43 | |
I saw them in Manchester. They are that kind of five-piece girl band. | 0:26:43 | 0:26:47 | |
I like them. There's something about them that I like. | 0:26:47 | 0:26:50 | |
They're a bit of a conundrum for me | 0:26:50 | 0:26:52 | |
because what I saw is a difference in personnel strength. | 0:26:52 | 0:26:55 | |
Some stand out more. | 0:26:55 | 0:26:57 | |
But I want to see if maybe they've gone away and tightened | 0:26:57 | 0:27:00 | |
things up and maybe encouraged the other ones to come up. | 0:27:00 | 0:27:03 | |
But there's tonal quality in solos that I actually liked. | 0:27:03 | 0:27:06 | |
Let's see. | 0:27:06 | 0:27:08 | |
Hello, New Creation. How are you doing? | 0:27:08 | 0:27:10 | |
Since we last saw you in Manchester, what's been going on? | 0:27:10 | 0:27:13 | |
-Rehearsing a lot? -Yeah. -Yes. | 0:27:13 | 0:27:15 | |
As soon as we found out, we were so excited. | 0:27:15 | 0:27:17 | |
So you're all set? Shall we do it? | 0:27:17 | 0:27:20 | |
Yes? You didn't seem sure. Are you sure, New Creation? Shall we do it. | 0:27:20 | 0:27:24 | |
ALL: Yes! | 0:27:24 | 0:27:25 | |
Yes! Let's go and perform! | 0:27:25 | 0:27:27 | |
# Do you think of her | 0:27:42 | 0:27:45 | |
# When you're with me? | 0:27:45 | 0:27:49 | |
# Repeat the memories you made together | 0:27:49 | 0:27:53 | |
# Whose face do you see? | 0:27:53 | 0:27:56 | |
# Do you wish I was a bit more like her? | 0:27:56 | 0:28:03 | |
# Am I too loud? | 0:28:03 | 0:28:05 | |
# I'll play the clown to cover up all these doubts | 0:28:05 | 0:28:11 | |
# Perfect heart, she's flawless | 0:28:11 | 0:28:15 | |
# She's the other woman | 0:28:15 | 0:28:18 | |
# Shining in her splendour | 0:28:18 | 0:28:22 | |
# You were lost | 0:28:22 | 0:28:24 | |
# Now she's gone | 0:28:24 | 0:28:27 | |
-# And I'm picking up the pieces -Picking up the pieces | 0:28:27 | 0:28:31 | |
# I watch you cry | 0:28:31 | 0:28:33 | |
# But you don't see that I'm the one by your side | 0:28:33 | 0:28:38 | |
# Cos she's gone | 0:28:38 | 0:28:41 | |
-# In her shadow, is it me you see? -Shadow, is it me you see? | 0:28:41 | 0:28:46 | |
# Cos all that's left is you and I | 0:28:46 | 0:28:49 | |
# And I'm picking up the pieces | 0:28:49 | 0:28:52 | |
# She left behind. # | 0:28:52 | 0:28:55 | |
Oh, she's smiling! She's smiling. | 0:28:55 | 0:28:58 | |
THEY APPLAUD | 0:28:58 | 0:29:01 | |
I closed my eyes and I listened to the most fantastic sound, | 0:29:01 | 0:29:07 | |
both ensemble and your soloists. | 0:29:07 | 0:29:10 | |
I think that you just sound really cool. | 0:29:10 | 0:29:13 | |
You sound like you're full of angst. It sounds intense. | 0:29:13 | 0:29:16 | |
I open my eyes, I see five really scared girls | 0:29:16 | 0:29:22 | |
that look like they can't wait for it to finish | 0:29:22 | 0:29:24 | |
and the torture will be over. | 0:29:24 | 0:29:26 | |
In fact, the biggest smile was from you right at the end, when it's over. | 0:29:26 | 0:29:30 | |
I never have to do that again! | 0:29:30 | 0:29:31 | |
And it shouldn't be that way. Vocally, 100% brilliant. | 0:29:31 | 0:29:37 | |
Visually, there needs to be a lot more. | 0:29:37 | 0:29:40 | |
We've really been trying to work on the visual side of things. | 0:29:40 | 0:29:43 | |
This time, since Manchester. | 0:29:43 | 0:29:45 | |
So, yeah, we will keep working on it. | 0:29:45 | 0:29:47 | |
What I want you to do is take confidence from the fact that | 0:29:47 | 0:29:50 | |
you've got the sound right. | 0:29:50 | 0:29:51 | |
And begin to introduce some of the energy and the joy that's | 0:29:51 | 0:29:55 | |
in the sound into your faces, into your bodies, into what you're doing. | 0:29:55 | 0:29:59 | |
Start believing in yourself, because you're | 0:29:59 | 0:30:02 | |
so much better than your expressions suggest you think you are. | 0:30:02 | 0:30:07 | |
I listen for recordable voices, and I hear that. | 0:30:07 | 0:30:10 | |
I hear some really strong recordable voices that | 0:30:10 | 0:30:14 | |
I could listen to on the radio. | 0:30:14 | 0:30:16 | |
The reality is, even though there's only two soloists that I see | 0:30:16 | 0:30:19 | |
who have stunning voices, you girls need to make sure you don't | 0:30:19 | 0:30:23 | |
see ourselves as backing vocalists, because you're not. | 0:30:23 | 0:30:27 | |
You're a band, and you need to not sing like backing vocalists | 0:30:27 | 0:30:30 | |
when you're singing together. | 0:30:30 | 0:30:32 | |
Oh, now there's some smiles. Now we have the smiles. How are you feeling? | 0:30:33 | 0:30:38 | |
I feel like I need to give you all a big hug after that. | 0:30:38 | 0:30:41 | |
Was it a bit traumatic? | 0:30:41 | 0:30:43 | |
-I think it seemed more traumatic than we expected. -Right. | 0:30:43 | 0:30:46 | |
And we didn't realise it was showing. | 0:30:46 | 0:30:48 | |
They said there's no need to be like that, | 0:30:48 | 0:30:50 | |
because we're vocally really strong, | 0:30:50 | 0:30:52 | |
and that was encouraging. | 0:30:52 | 0:30:53 | |
-Carrie actually said 100% with the singing, didn't she? -Yeah. | 0:30:53 | 0:30:58 | |
So it's all about your performance, I think was the main message. | 0:30:58 | 0:31:02 | |
-It's quite a self-conscious time of life, isn't it? -Yeah. | 0:31:02 | 0:31:06 | |
And I'm seeing that. They look so like, "Please don't look at me." | 0:31:06 | 0:31:11 | |
They sound brilliant, so they've just got to absorb it | 0:31:11 | 0:31:13 | |
and know that they are really good and just make a bit more fearless. | 0:31:13 | 0:31:17 | |
What worries me is they say they've been working on the performance | 0:31:17 | 0:31:21 | |
and visuals since Manchester, but it hasn't changed to me. | 0:31:21 | 0:31:25 | |
As far as the performance and visual, it's the same. | 0:31:25 | 0:31:28 | |
It's that self-conscious, unsure feeling. | 0:31:28 | 0:31:31 | |
The reason I brought them is because of that stunning voice, the voices. | 0:31:31 | 0:31:35 | |
# You left behind. # | 0:31:35 | 0:31:38 | |
So, that was Musicality and New Creation, | 0:31:43 | 0:31:46 | |
two very different performances in terms of energy and confidence, | 0:31:46 | 0:31:49 | |
but will it be the vocals that make the difference? | 0:31:49 | 0:31:52 | |
Coming up, the final two acts take to the stage. | 0:31:52 | 0:31:54 | |
Have 6 String and Diva8 perfected their routines? | 0:31:54 | 0:31:57 | |
I feel like I've just watched a mini musical. | 0:31:57 | 0:32:00 | |
That opening was absolute fantastic. It was spot-on. | 0:32:00 | 0:32:03 | |
It was a little bit pitchy at some points | 0:32:03 | 0:32:05 | |
but, apart from that, I thought it was really good. | 0:32:05 | 0:32:08 | |
Next up, we have 6 String, and they're from Milton Keynes. | 0:32:14 | 0:32:19 | |
I saw these guys in London. Quirky. Let's wait and see. | 0:32:20 | 0:32:25 | |
What's going on in your stomachs and your heads? Are you nervous? | 0:32:25 | 0:32:29 | |
-Excited. -I was nervous, but now I'm just so excited. | 0:32:29 | 0:32:32 | |
I can't wait to get on the stage. | 0:32:32 | 0:32:34 | |
6 String! | 0:32:34 | 0:32:36 | |
Hey, let's do it, 6 String. | 0:32:36 | 0:32:38 | |
# If you ever find yourself stuck in the middle of the sea | 0:32:40 | 0:32:44 | |
# I'll sail the world to find you | 0:32:46 | 0:32:51 | |
# If you ever find yourself lost in the dark and you can't see | 0:32:51 | 0:32:56 | |
# I'll be the light to guide you | 0:32:56 | 0:33:02 | |
# To find out what we're made of | 0:33:02 | 0:33:07 | |
# When we are called to help our friends in need | 0:33:07 | 0:33:12 | |
# You can count on me like 1, 2, 3 Bom bom bom bom | 0:33:12 | 0:33:18 | |
# I'll be there | 0:33:18 | 0:33:21 | |
# For I know when I need it | 0:33:21 | 0:33:24 | |
# I can count on you like 4, 3, 2 Bom bom bom bom | 0:33:24 | 0:33:29 | |
# You'll be there | 0:33:29 | 0:33:31 | |
# Cos that's what friends are supposed to do | 0:33:31 | 0:33:34 | |
# You'll always have my shoulder when you cry | 0:33:34 | 0:33:45 | |
# I'll never let go Never say goodbye | 0:33:45 | 0:33:53 | |
-# You can count on me like 1, 2, 3 -Bom bom bom bom | 0:33:54 | 0:34:00 | |
# I'll be there | 0:34:00 | 0:34:02 | |
# You can count on me cos I can count on you. # | 0:34:02 | 0:34:08 | |
APPLAUSE | 0:34:08 | 0:34:11 | |
I feel like I've just watched a mini musical. It's fab. | 0:34:12 | 0:34:15 | |
The whole story's going on with the way that you're acting through it. | 0:34:15 | 0:34:20 | |
Great choice of song. Really good choice of song. | 0:34:20 | 0:34:23 | |
I think, John, you were right in saying quirky, | 0:34:23 | 0:34:26 | |
because your interpretation of the song was really quirky. | 0:34:26 | 0:34:29 | |
I love the little country and western move in the middle. | 0:34:31 | 0:34:34 | |
It was just so individual. You were very entertaining. | 0:34:34 | 0:34:38 | |
If there's one note I would give you to watch out for, | 0:34:38 | 0:34:40 | |
it's the breathing. | 0:34:40 | 0:34:41 | |
Your breathing was not always where it should be, which affects | 0:34:41 | 0:34:47 | |
-the pitching, but very entertaining. -I really enjoyed it. | 0:34:47 | 0:34:50 | |
I thought it was really sweet. I liked the little, bom bom bom bom. | 0:34:50 | 0:34:54 | |
And the dance moves as well. You'll have to teach me that. | 0:34:54 | 0:34:57 | |
But I have to agree, it was a little bit pitchy at some points, | 0:34:57 | 0:35:00 | |
but apart from that, I thought it was really good. | 0:35:00 | 0:35:03 | |
-How was it? -It was good. | 0:35:03 | 0:35:06 | |
-It was amazing. -To have those judges give as all those positive comments! | 0:35:06 | 0:35:11 | |
Well done, 6 String. Go and chill out. Bye. | 0:35:11 | 0:35:14 | |
I'm not sure these guys are ready yet for the rigours of having | 0:35:16 | 0:35:22 | |
to come up with three, four different song arrangements, | 0:35:22 | 0:35:25 | |
-different performances, and nail it every time. -I like their image. | 0:35:25 | 0:35:31 | |
It's different. They just look quite different. | 0:35:31 | 0:35:34 | |
There is a family vibe about them. The harmonies were in, by and large. | 0:35:34 | 0:35:40 | |
Pretty good. Sweet tone. | 0:35:40 | 0:35:42 | |
# You can count on me cos I can count on you. # | 0:35:42 | 0:35:48 | |
Right, next up, we have Diva8 from northeast London. | 0:35:54 | 0:35:59 | |
-I've got one word to describe their sound. Africa. -Ooh! | 0:35:59 | 0:36:05 | |
So, what do you think that's going to be like, going in there? | 0:36:05 | 0:36:08 | |
It's really exciting. It's a really great opportunity for all of us. | 0:36:08 | 0:36:13 | |
-Which of the judges are you most looking forward to seeing? ALL: -Joe. | 0:36:13 | 0:36:18 | |
Aw! | 0:36:18 | 0:36:20 | |
# Some nights I stay up cashing in my bad luck | 0:36:23 | 0:36:27 | |
# Some nights I call it a draw | 0:36:27 | 0:36:30 | |
# Some nights I wish that my lips could build a castle | 0:36:31 | 0:36:36 | |
# Some nights I wish they'd just fall off | 0:36:36 | 0:36:39 | |
# But I still wake up I still see your ghost | 0:36:39 | 0:36:44 | |
# Oh, Lord, I'm still not sure what I stand for oh | 0:36:44 | 0:36:49 | |
# What do I stand for? # What do I stand for? | 0:36:49 | 0:36:53 | |
# Most nights I don't know any more | 0:36:53 | 0:36:59 | |
# Oh-oh oh-oh | 0:36:59 | 0:37:01 | |
# Oh-oh oh-oh | 0:37:01 | 0:37:03 | |
# Oh oh | 0:37:03 | 0:37:06 | |
# Whoa oh | 0:37:06 | 0:37:08 | |
# Oh-oh oh-oh | 0:37:08 | 0:37:10 | |
# Oh-oh oh-oh | 0:37:10 | 0:37:12 | |
# Oh oh | 0:37:12 | 0:37:13 | |
# This is it, boys, this is war What are we waiting for? | 0:37:15 | 0:37:19 | |
# Why don't we break the rules already? | 0:37:19 | 0:37:23 | |
# I was never one to believe the hype | 0:37:23 | 0:37:26 | |
# Save that for the black and white | 0:37:26 | 0:37:28 | |
# I try twice as hard And I'm half as liked | 0:37:28 | 0:37:30 | |
# But here they come again to jack my style | 0:37:30 | 0:37:32 | |
# And that's all right | 0:37:33 | 0:37:35 | |
# Well, some nights I wish that this all would end | 0:37:35 | 0:37:38 | |
# Cos I could use some friends for a change | 0:37:38 | 0:37:43 | |
# And some nights I'm scared you'll forget me again | 0:37:43 | 0:37:46 | |
# Some nights I always win | 0:37:46 | 0:37:50 | |
# Sunrise! # | 0:37:50 | 0:37:51 | |
APPLAUSE | 0:37:51 | 0:37:55 | |
I hope Joe makes nice comments | 0:37:55 | 0:37:57 | |
otherwise they're going to be crushed, aren't they? | 0:37:57 | 0:37:59 | |
-They love him. -Yes. | 0:37:59 | 0:38:01 | |
-Their little faces are looking a bit scared now. -I know. | 0:38:01 | 0:38:04 | |
Your sound together is brilliant. It sounds really beautiful. | 0:38:04 | 0:38:07 | |
Full of energy but just lift the facial expressions, | 0:38:07 | 0:38:13 | |
the movement. Have a bit more conviction | 0:38:13 | 0:38:15 | |
to match the sound of your voices, | 0:38:15 | 0:38:17 | |
because it's beautiful. You've got nothing to be shy about. | 0:38:17 | 0:38:20 | |
I love your sound. You have a beautiful African sound, | 0:38:20 | 0:38:24 | |
and the harmonies, the choice of harmonies, | 0:38:24 | 0:38:26 | |
the way you're singing the harmonies, they're punchy, they're beautiful. | 0:38:26 | 0:38:30 | |
A great sound. What I'd love to see is that matched | 0:38:30 | 0:38:35 | |
in the way you're expressing yourself facially and in the choreography. | 0:38:35 | 0:38:38 | |
It feels like punchy vocals and just slightly pathetic moving. | 0:38:38 | 0:38:42 | |
So that needs to come up some. | 0:38:42 | 0:38:44 | |
I loved the mixture and the diversity you have for different heights, | 0:38:44 | 0:38:48 | |
the different sizes, the different types, | 0:38:48 | 0:38:50 | |
the different looks, and it all works together. | 0:38:50 | 0:38:53 | |
You're a proper glee club | 0:38:53 | 0:38:55 | |
and you work as a unit vocally. That opening was absolutely fantastic - | 0:38:55 | 0:38:59 | |
it was spot-on! | 0:38:59 | 0:39:01 | |
I think your sound is unique. | 0:39:01 | 0:39:03 | |
Your vocal blend as a group is very tight. | 0:39:03 | 0:39:07 | |
The ensemble is uplifting. | 0:39:07 | 0:39:10 | |
So it's almost like it just, even if you're not trying, the sound | 0:39:10 | 0:39:14 | |
atually sounds like it's coming from the heart. | 0:39:14 | 0:39:16 | |
It's quite an amazing thing. | 0:39:16 | 0:39:18 | |
Joe McElderry has spoken to you. | 0:39:19 | 0:39:22 | |
Joe has spoken to you! | 0:39:22 | 0:39:23 | |
What did he say? Are you happy with what he said? | 0:39:23 | 0:39:26 | |
-ALL: -Yeah. | 0:39:26 | 0:39:27 | |
Shake off the shyness, girls! | 0:39:27 | 0:39:30 | |
So, do you think if you got to come back, do you think you've got | 0:39:30 | 0:39:33 | |
-that energy you could give? ALL: -Yeah. | 0:39:33 | 0:39:34 | |
-Do you think there is more from Diva8 that we could see? ALL: -Yes. | 0:39:34 | 0:39:38 | |
Well, let's hope you get to come back, eh? Fingers crossed. Well done. | 0:39:38 | 0:39:41 | |
I loved their ensemble sound. It's a very African sound, actually, but... | 0:39:41 | 0:39:46 | |
for me they just weren't punchy, physically, to watch. | 0:39:46 | 0:39:49 | |
I think it's confidence, as well. | 0:39:49 | 0:39:51 | |
They seem a bit, "I don't know if I can do that." | 0:39:51 | 0:39:54 | |
If they can lift it a bit, | 0:39:54 | 0:39:56 | |
-then they could be really good. -The ensemble's powerful together | 0:39:56 | 0:39:59 | |
and then the solos, individually, | 0:39:59 | 0:40:03 | |
kind of could be a bit more. | 0:40:03 | 0:40:05 | |
# Sunrise! # | 0:40:05 | 0:40:07 | |
Here's a quick reminder of the glee clubs that have performed today. | 0:40:13 | 0:40:16 | |
# We are young... # | 0:40:19 | 0:40:22 | |
# Don't stop moving | 0:40:26 | 0:40:27 | |
# Can you feel the music? | 0:40:27 | 0:40:29 | |
# DJ's got us going around | 0:40:29 | 0:40:32 | |
# Around | 0:40:32 | 0:40:33 | |
# Don't stop... # | 0:40:33 | 0:40:34 | |
# You are perfect to me | 0:40:37 | 0:40:42 | |
# You're perfect to me... # | 0:40:42 | 0:40:45 | |
# And I will then say to Thee | 0:40:48 | 0:40:51 | |
# You are my friend... # | 0:40:51 | 0:40:54 | |
# Joyful, joyful Lord, we adore thee | 0:40:57 | 0:41:00 | |
# God of glory, Lord of love... # | 0:41:00 | 0:41:04 | |
# Picking up the pieces | 0:41:07 | 0:41:09 | |
-# Picking up the pieces -And you'll cry | 0:41:09 | 0:41:11 | |
# But you don't see that I know... # | 0:41:11 | 0:41:13 | |
# Then care for me Like one, two, three | 0:41:16 | 0:41:21 | |
# I'll be there | 0:41:21 | 0:41:24 | |
# Mmm... # | 0:41:24 | 0:41:25 | |
# Some nights I'm scared that you'll forget me again | 0:41:27 | 0:41:31 | |
# Some nights I always win | 0:41:31 | 0:41:33 | |
# Sunrise! # | 0:41:33 | 0:41:35 | |
OK, so all eight groups have now performed but, remember, | 0:41:40 | 0:41:44 | |
not everyone can make it through to the studio heats. | 0:41:44 | 0:41:47 | |
Let's join our judges to find out who, from this second audition show, | 0:41:47 | 0:41:50 | |
will be going through to the next round. | 0:41:50 | 0:41:53 | |
DAVID: Who are we absolutely saying "yes" to? | 0:41:53 | 0:41:56 | |
-Um... -These ones. -You'd definitely say "yes" to those? -Definitely. | 0:41:56 | 0:42:00 | |
That leaves... | 0:42:00 | 0:42:02 | |
On account of their soloists and their AMAZING technique, | 0:42:02 | 0:42:05 | |
these guys. They need to sort out their tuning. | 0:42:05 | 0:42:07 | |
They've got work but if they do the work, they'd be fantastic. | 0:42:07 | 0:42:11 | |
I think they are the ones worth investing some affirmation in. | 0:42:12 | 0:42:16 | |
And I think they will do better. | 0:42:16 | 0:42:18 | |
OK, we've got two more places. Have we got a definite "no"? Yeah. | 0:42:19 | 0:42:23 | |
-Yeah. -Yeah. | 0:42:23 | 0:42:24 | |
-I agree. -Also a definite "no" would be... | 0:42:24 | 0:42:28 | |
Yeah. Me too. | 0:42:28 | 0:42:29 | |
So we have two more places and we have three glee clubs. | 0:42:29 | 0:42:33 | |
-The cutesy lot. -Yeah. Between those two. | 0:42:33 | 0:42:36 | |
-These guys, you cannot deny the singing was better. -I know. | 0:42:38 | 0:42:42 | |
I know. I'm just... | 0:42:42 | 0:42:43 | |
That's fine. Go with what you know. | 0:42:43 | 0:42:45 | |
There is no other glee club in this competition | 0:42:45 | 0:42:49 | |
-who sing with this style. -No, no, absolutely not. | 0:42:49 | 0:42:52 | |
Right, that's it! | 0:42:52 | 0:42:54 | |
The five glee clubs going through to the studio heats are... | 0:42:59 | 0:43:02 | |
So, another five acts have made it into the next round | 0:43:23 | 0:43:26 | |
and are one step closer to the live shows. | 0:43:26 | 0:43:29 | |
Thanks to Carrie, David, | 0:43:29 | 0:43:31 | |
John and all our celebrity guests. | 0:43:31 | 0:43:33 | |
Join us next time when the final eight acts will battle it out | 0:43:33 | 0:43:37 | |
for the last five places in the studio heats. | 0:43:37 | 0:43:39 | |
See you next time on Comic Relief Does Glee Club, | 0:43:39 | 0:43:42 | |
the Judges' Auditions! Bye! | 0:43:42 | 0:43:44 | |
To see all of today's performances again, | 0:43:44 | 0:43:47 | |
go to the CBBC website | 0:43:47 | 0:43:49 | |
and click on the links for today's acts. | 0:43:49 | 0:43:51 | |
Next time on Glee Club, the pressure is on! | 0:43:51 | 0:43:54 | |
It's the last Judges' Audition show! | 0:43:54 | 0:43:56 | |
Eight groups are left and only five places remain! | 0:43:56 | 0:44:00 | |
Subtitles by Red Bee Media Ltd | 0:44:00 | 0:44:02 |