Episode 3 Comic Relief Does Glee Club



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Transcript


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Welcome to Glee Club!

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There's joyful, exuberant energy.

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Last time, Accelerate, Impact, Musicality, New Creation

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and Diva 8 wowed the judges to book their place in the heats.

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Absolutely stunning.

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This is the last of our Judges Audition shows and,

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with only five places left, who's got what it takes to get through?

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This is Comic Relief Does Glee Club 2013.

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Hello and welcome back. This is Comic Relief Does Glee Club 2013.

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The search for Britain's best young singing and dancing group.

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This is the third and final Judges Audition show.

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Today we're going to see eight of the last groups

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performing for the judges.

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All hoping they've got what it takes to become

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the Comic Relief Does Glee Club of 2013.

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But before all that, let's take a look back at some acts who

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performed for us during the Glee Club tour of the UK.

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Naomi and Glee Club judge John Body travelled the country

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in their mission to find the best glee clubs Britain has to offer.

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# Momma told me not to waste my life... #

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Their journey began in Newcastle,

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where they saw some amazing talent from the North-East,

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before heading across the water to Belfast.

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One, two, three, whooo!

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# Annie, are you OK? Will you tell us that you're OK? #

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Next was Glasgow, where Scottish groups took to the stage

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and wowed John with showstopping performances.

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They've got attitude, the hoods are up, they're giving it everything.

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Are you excited that we're finding talent in Glasgow?

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Very excited about Glasgow. Love it.

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The mission continued south of the border in sunny Manchester,

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with more top groups going all out to impress.

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# I just want you to be my baby tonight... #

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And the talent kept on coming in Cardiff.

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# Ain't no mountain high enough ain't no valley low enough... #

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Finally John and Naomi headed to London, where the

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-mission ended on a high.

-It's a whole hive of activity out here.

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The standard on the tour was fantastic,

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but it was down to John to select the top 24 glee clubs that

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would perform again here at the Judges Auditions.

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We saw groups from all over the UK,

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and it's almost time to see the final eight perform.

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But before that, let's meet the people they have to impress.

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It's our judges.

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Carrie and David are two of the UK's best known celebrity vocal coaches.

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That was really good. I love your energy.

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Breathtaking.

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They've worked with a whole host of pop artists,

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from the Spice Girls and Take That to The Saturdays.

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Celebrity vocal and performance coach John has worked with

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a variety of stars, from Leona Lewis to Olly Murs and Alexandra Burke.

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He's also worked behind the scenes on top shows like The Voice

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and X Factor.

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Offering additional advice to the groups will be West End star

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and X Factor winner, Joe McElderry.

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He's recorded four albums

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and his debut single, The Climb, topped the UK charts.

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Soul singer and presenter Dionne Bromfield,

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she's been nominated for a MOBO award, has recorded two albums

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and finds time to present CBBC's Friday Download.

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And X Factor finalist and television presenter Stacey Solomon.

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Not only has she wowed audiences with her voice,

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she's also a regular star on our TV screens.

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Loads of groups applied for Comic Relief Does Glee Club,

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but only the top 24 have made it to the Judges Auditions.

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With only five places remaining in the studio heat,

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there is everything to play for.

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So let's meet the first of today's acts.

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First up, it's The Peppermints, from Hartlepool.

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THEY DO VOICE EXERCISES

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I saw these guys in Newcastle.

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Hello, girls!

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ALL: Hello.

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Welcome! Look at you!

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'And they're hilarious.'

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I liked them from the start. For me, they've got stage presence.

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There's something quirky about them. I really like them.

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And their sound was really good, so if they're anything like I saw,

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you guys are in for a treat.

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Here they are, The Peppermints.

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The girls with the freshest breath in showbusiness.

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How are you doing?

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ALL: Fine, thank you.

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How does it feel today about being in the Judges Audition show?

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Can't wait. It's, like, so exciting.

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And this is like meaning, this is good luck?

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-Yeah.

-Right, good luck, Peppermints.

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ALL: Thank you!

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# Would you know my name

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# If I saw you in heaven?

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# Would it feel the same

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# If I saw you in heaven?

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# I must be strong

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# And carry on

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# Cos I know I don't belong

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# Here in heaven. #

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# My momma told me not to waste my life

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# She said, "Spread your wings my little butterfly

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# "Don't let what they say keep you up at night

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# "And if they give you shhh then they can walk on by

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# Your words don't mean a thing

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# I'm not listening

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# Keep talking

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# All I know is Momma told me not to waste my life

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# She said, "Spread your wings my little butterfly

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# "Don't let what they say keep you up at night

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# And they can't detain you These wings are made to fly. #

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-What did you think of that?

-Brilliant. Fantastic.

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-Yeah, they did good, didn't they?

-Yeah.

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It's a very rare moment

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when you're watching people that are not used to doing this stuff,

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where, as a judge, you can absolutely relax and enjoy it.

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But I found myself completely relaxed and secure in your performance.

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So confident, straight out the traps, all of you giving 100%.

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Not one weak link. And one of your greatest strengths is your pitching.

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It's so precise and so on it.

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-Fantastic.

-Thank you.

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-Look at her!

-"That's me, that's me."

-You're like energy bombs,

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exploding all over the stage.

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I could look at any of you and see the same amount of energy

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and intensity and attitude.

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That was fantastic.

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ALL: Thank you.

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I loved that you showed us how diverse

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and beautiful all your voices were at the beginning

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and then showed us all the energy and all of the fun that you bring

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to the stage, and it was absolutely brilliant.

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Really, really good.

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NAOMI SQUEALS

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Oh, I'm so proud of you all!

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So how do you feel, having performed?

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-Just... Just...

-I want to go and do it all again!

-Me too!

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-Me too!

-Me too!

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I thought they could never carry that first song.

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To carry the first song

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and two completely different emotions...

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It showcased all of their talent.

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So instead of just, "We can sing,"

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or "We've got loads of energy and we can move around,"

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they showed us both, which I think was really, really good.

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# These wings are made to fly! #

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You're focused. Come here before you get into your positions.

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How are you?

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'Next we've got Activ8, who impressed me in Glasgow.'

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They were very High School Musical. Lots of potential.

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That's what I like to hear.

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I like to hear people out of breath after they've performed.

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You're looking very angelic today.

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And you're all really quiet.

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Are you all feeling a bit nervous?

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ALL: Yes.

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What is going on in your heads at the moment?

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I have butterflies, but I don't know if it's nerves or excitement.

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-A bit of both, maybe.

-Yeah.

-All right.

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Off you go, Activ8.

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Go and impress them.

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# You've got me losing my mind

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# My heart beats out of time

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# Ba ba ba-da

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# I'm seeing Hollywood stars

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# You strum me like a guitar

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# Ba, ba ba-da

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# I can taste the tension like a cloud of smoke in the air

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# Now I'm breathing like I'm running cos you're taking me there

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# Don't you know... Ba ba ba-da

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# You spin me out of control

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# Ba ba da ba ba-da-da

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# And we can do it all night

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# Damn, this love is skin tight

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# Baby, come on

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# Pull me like a bass drum

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# Sparkin' up the rhythm Baby, come on!

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# Hey, yeah!

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# Rock my world into the sunlight

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# Make this dream the best I've ever known

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# Let's go dancing in the moonlight

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# Take me down like I'm a domino

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# Every second is a highlight

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# When we touch don't ever let me go

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# Let's go dancing in the moonlight

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# Take me down like I'm a domino

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# Oh, baby baby got me feeling so right

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# Oh, baby baby dancing in the moonlight

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# Oh, baby baby got me feeling so right

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# Oh, baby baby dancing in the moonlight #

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Activ8, you were fantastic.

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You all look terrified and I'm not quite sure why you look so terrified.

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I could listen to your blend and your arrangements all day long.

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Too many soloists. We need two people who sing really well.

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Choose your strongest singers.

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Your weapon is the ensemble arrangement blended singing.

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That's your strength, not the solo stuff.

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I liked the fact that you all sang,

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because it showed that there isn't a weak voice in there.

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Quite often there's a passenger.

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-Um... Excuse me?

-I disagree with that.

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-Oooh!

-I think there were strong singers in there

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-and they need to make the most of those strong singers.

-Judges' rivalry! Love it!

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..value your opinion,

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but I'm ignoring it.

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I liked the fact that there weren't any weak voices in there.

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I liked the roles that you took.

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Each of you took the right part for your voice.

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Where I do think there was a weakness, I have to say,

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was in the amount of energy that you gave the performance.

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I want to see so much more pow! Ka-pow!

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Because what you're doing is,

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vocally you're giving it loads, visually

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and physically it looked almost at times as though you were marking it.

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You were singing it, you performed it Cinderella sort of cleaning

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the sisters' house, the ugly sisters' house.

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But you guys have the potential to actually perform

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that like you're Cinderella at the ball.

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You need to realise how good you are.

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What are you going to do to try and have that confidence?

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How are you going to put that into practice?

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I think we should just all really kind of bring up our energy levels as well,

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because I think we were all that nervous it took over a little bit.

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What made you so nervous?

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I think just because it was such a big stage

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and everyone was just watching you.

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I think we just panicked a bit.

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-Didn't you think they all sounded good?

-Yeah, they did.

-Yeah.

-Yeah.

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And as an ensemble, their arrangements -

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# Ba ba... # All that stuff and the sound of it

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the sound is great.

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# Oh, baby baby dancing in the moonlight. #

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Both The Peppermints and Activ8 gave solid performances, though one

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of the groups seemed to handle their nerves better than the other.

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Coming up, another two glee clubs go all out to wow the judges.

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That really, really impressed me.

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The first half was quite good, the second half was fantastic.

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You guys looked like you were having the time of your life up there.

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Good afternoon, everybody!

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ALL: Hi!

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Welcome to Glee Club auditions.

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Next up, we've got Allsorts, an all-girl group from Milton Keynes.

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Well done. Give yourselves a round of applause.

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I remember these girls quite well. They're an interesting mix of ages.

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ALL GIGGLE

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ALL: Allsorts.

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Is this because you are all sorts of different people in all sorts of different clothes?

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ALL: Yeah!

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You look lovely today!

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Well, if you're ready to do it, I think the judges are ready to see you perform.

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Right, let's go and do it then. This way.

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# My heart's a stereo

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# It beats for you so listen close

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# Hear my thoughts in every note

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# Oh oh...

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# Make me your radio

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# Turn me up when you feel low

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# This melody was meant for you

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# So sing along to my stereo

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# In the blink of an eye

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# I was falling from the sky

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# You took my breath away

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# And my heart started speeding

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# And my lungs started breathing

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# And a voice in my head started screaming

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# I'm aliii-ii-iiive!

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# You're like a laserlight burning down

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# Burning down on me

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# You're like a laserlight burning down

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# Burning down on me

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# You make me feel good you make me feel safe

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# You make me feel like I could live another day

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# You make me feel good you make me feel safe

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# You know I wouldn't have it any other way

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# Have it any other way

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# All the night I was falling from the sky

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# Ooooh... #

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Are they quite good at taking on feedback that you give them?

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-They're fine. I'm really harsh.

-Are you?

-In a nice way, but they...

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They can't be harsher than you.

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-In a nice way. They get it. It's just, you know.

-Yeah.

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Once you got into Laserlight, it was rock solid.

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And the performance was there, the energy was there,

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the joy was there, the sound was great, the solos were wonderful.

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-Er, yes, yes!

-Thank you so much.

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The dynamics of your personnel are great.

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Like big sisters, little sisters. It's like a unit. It actually works.

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And the song choice, I have to say, is very clever.

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If your teacher thought that up, good on them.

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High five!

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Yeah, I think you'll be a tough one to decide on, for sure.

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I loved it. I absolutely loved it.

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You were giving all this sassiness, I was, like, singing along with you.

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But you sounded brilliant. You look amazing. I loved it. It was amazing.

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Thank you so much.

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Were you happy with how the performance went?

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ALL: Yes!

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Nothing you would have liked to have done differently,

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or anything you could have improved or...?

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ALL: No.

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-That was the best you've ever done it?

-Yes.

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I think one of the challenges for them as a group is actually

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managing to marry together three really grown-up girls.

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It looks like two bands, almost. It's like the kiddie band and the grown-up band.

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And that's why it's a great name - Allsorts - cos they are.

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But they just made it for me, with those songs.

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Whether they'll be able to transfer that every single time,

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to make sure all eight of them still feel like they're integrated

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and not just two separate entities...

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# Ooooh... #

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Up next, we've got Bittersweet, who really impressed me

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when I first saw them in Glasgow.

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They were really polished and committed to their performance.

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-Hello.

-ALL:

-Hi!

-How are we doing today?

-We're good.

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-Show me these. Now I hear... Oh, is that you?

-Yeah!

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-Ohh! You're all got your faces on them!

-Yeah!

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-Material girls...

-We're in the zone.

-In the zone. Good luck.

-Thank you.

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# Some boys kiss me Some boys hug me

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# I think they're OK

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# If they don't give me proper credit I just walk away

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# They can beg and they can plead

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-# But they can't see the light

-That's right

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# Cos the boy with the cold hard cash is

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# Always Mr Right

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# Cos we are living in a material world

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# And I am a material girl

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# You know that we are living in a material world

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# And I am a material girl

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# Living in a material world

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-# Material!

-Living in a material world

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-# Material!

-Living in a material world

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-# Material!

-Living in a material world! #

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APPLAUSE

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-Good job.

-They had great fun.

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SHE LAUGHS

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Bittersweet. Wow! Fantastic! I really loved that performance.

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I loved the choreography, I thought you were really original. I loved the vocals. The... # Da-da... #

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I'll be singing that for days now.

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-Brilliant! You are absolutely a glee club.

-ALL:

-Thank you.

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What makes you guys a glee club and what makes you excellent at it is you bring the third element to it.

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The singing was really very, very good. The choreography was fantastic, it was sharp.

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But you acted as well. You performed.

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It was like watching a little, mini performance from a musical. It was really, very very good.

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The only complaint I have is that you didn't bring a magazine with my face on the cover.

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-We'll make you one.

-We will.

-I'll hold you to that.

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-We'll mail it in the post.

-ALL LAUGH

0:19:340:19:36

I thought it was brilliant.

0:19:360:19:39

The one thing about when you're performing is when you're having fun

0:19:390:19:43

the people that are watching you instantly feel that relaxation.

0:19:430:19:47

You guys looked like you were having the time of your life up there.

0:19:470:19:50

It reminded us of something from Legally Blond,

0:19:500:19:53

that kind of femininity and Girl Power. Brilliant!

0:19:530:19:56

We really enjoyed it. We'll all be doing this now.

0:19:560:19:59

-We really liked your performance.

-THEY LAUGH

0:19:590:20:05

THEY SQUEAL

0:20:050:20:06

-You girls were great! How much fun was that?

-ALL:

-Wonderful!

0:20:100:20:14

-You really did enjoy yourselves, didn't you?

-Yeah!

0:20:140:20:18

-So if you were to go through to the next round, will you make David a magazine?

-Yes!

0:20:180:20:23

-And Carrie and John and Joe and everybody else.

-All of them. You can have one.

0:20:230:20:27

-Excellent. And me?

-Yeah!

0:20:270:20:29

That to me is what a glee club is all about, actually.

0:20:290:20:32

-They've given it theatrical panache.

-They've thought about a show.

0:20:320:20:35

-Professional, slick, polished, engaging, animated.

-Yes.

0:20:350:20:40

-It was good.

-The minute the music started they were in it.

-Really engaged. No weak ones

0:20:400:20:45

That's the thing about the acting, they didn't come out of character at all throughout the whole thing.

0:20:450:20:50

-# Material!

-Living in a material world! #

0:20:500:20:55

Four of today's acts have now performed for the judges.

0:21:000:21:03

And with four groups still to see, let's take a moment to remind ourselves why we're all here.

0:21:030:21:10

Comic Relief works hard to support people who are leading incredibly difficult lives

0:21:100:21:15

by funding projects all over Africa as well as right here in the UK.

0:21:150:21:19

In fact, the charity has funded over 15,000 projects in the UK,

0:21:200:21:24

working 365 days a year to change things for the better.

0:21:240:21:29

The donations that you make will help vulnerable people from all walks of life at home and abroad.

0:21:320:21:38

You can help make a huge difference.

0:21:380:21:40

To find out how you could do something "funny for money",

0:21:400:21:43

get a grownup and visit the CBBC website at...

0:21:430:21:50

and follow the link to Comic Relief.

0:21:500:21:53

Thank you.

0:21:530:21:55

What's the funny joke?

0:22:000:22:02

Next up, we've got Domino.

0:22:020:22:03

I saw this group in London

0:22:030:22:05

and their energy left me feeling they had tons of potential.

0:22:050:22:08

How are you feeling today?

0:22:130:22:14

All TALK AT ONCE

0:22:140:22:16

-Exhilarated!

-Exhilarated? LAUGHTER

0:22:160:22:18

-Have you ever done anything this big before?

-ALL: No!

0:22:180:22:23

-Have you ever been in a television studio?

-ALL: No.

0:22:230:22:26

So if it goes wrong today, who are you going to blame it on?

0:22:270:22:31

You!

0:22:310:22:32

# My baby's always dancin'

0:22:420:22:44

# It wouldn't be a bad thing

0:22:440:22:46

# But I don't get no lovin'

0:22:460:22:49

# And that's no lie

0:22:490:22:51

# We spent the night in Frisco at every kinda disco

0:22:510:22:55

# From that night I kissed my love goodbye

0:22:550:22:58

# Don't blame it on the sunshine

0:22:580:23:00

# Don't blame it on the moonlight

0:23:000:23:03

# Don't blame it on the good times

0:23:030:23:05

# Blame it on the boogie

0:23:050:23:07

# Don't blame it on the sunshine

0:23:070:23:09

# Don't blame it on the moonlight

0:23:090:23:11

# Don't blame it on the good times

0:23:110:23:13

# Blame it on the boogie

0:23:130:23:15

# I just can't, I just can't

0:23:160:23:18

# I just can't control my feet

0:23:180:23:20

# I just can't, I just can't

0:23:200:23:23

# I just can't control my feet

0:23:230:23:25

# I just can't, I just can't

0:23:250:23:27

# I just can't control my feet

0:23:270:23:29

# I just can't, I just can't

0:23:290:23:31

# I just can't control my feet

0:23:310:23:33

-# Sunshine

-Whoo!

0:23:330:23:34

-# Moonlight

-Yeah!

0:23:350:23:37

-# Good times

-Mmmmm

0:23:370:23:40

-# Boogie!

-You just got that

0:23:400:23:42

-# Sunshine!

-Yeah!

0:23:420:23:44

-# Moonlight

-Mmmmm

0:23:440:23:46

-# Good times

-Whoa-oh

0:23:460:23:48

# Boogie!

0:23:480:23:49

-# Don't blame it on sunshine

-You just gotta

0:23:490:23:52

-# Moonlight

-Do just what you wanna

0:23:520:23:55

-# Good times

-Yeah!

-Oh, blame it on

0:23:550:23:59

-# Sunshine!

-Ain't nobody's fault

0:23:590:24:01

-# You've got to boogie

-Good times

0:24:010:24:04

# All the night long

0:24:040:24:06

# Don't blame it on sunshine! #

0:24:060:24:08

CLAPPING

0:24:100:24:12

Yeah!

0:24:120:24:15

-Happy with that?

-Yes!

0:24:150:24:16

Performing when you're dancing at that level and singing,

0:24:170:24:20

it's going to be really difficult to get the two things together.

0:24:200:24:23

But you did it really, really well.

0:24:230:24:25

Vast amounts of energy. I loved the energy.

0:24:250:24:28

My one little comment would be - for your soloists

0:24:280:24:31

I think you need to dance less,

0:24:310:24:32

so we get that tuning pitch perfect.

0:24:320:24:35

But apart from that, fantastic performance.

0:24:350:24:37

Thank you.

0:24:370:24:39

High energy and a lot of movement. A lot of choreography.

0:24:390:24:42

Maybe a little bit too much, and it did affect your singing.

0:24:420:24:46

But, overall, there's such an infectious energy about you

0:24:460:24:49

that I really like.

0:24:490:24:51

I thought it was fantastic.

0:24:520:24:53

Erm, it just made me smile from beginning to end.

0:24:530:24:57

And, your two eye contact...

0:24:570:24:58

When there's just four people in a room,

0:24:580:25:01

it's quite difficult to perform and hold the eye contact.

0:25:010:25:04

And you - well everybody did - but you two, I couldn't take my eyes off you two.

0:25:040:25:08

So well done. It was a brilliant performance.

0:25:080:25:10

-Big sigh of relief?

-THEY SIGH

0:25:110:25:14

You're all sweating, you obviously put in a lot of energy.

0:25:140:25:17

How did it go?

0:25:170:25:19

-It went really well.

-We put all of our effort into it, so...

0:25:190:25:21

Are you at all worried because they did say that

0:25:210:25:24

some of the soloists were perhaps dancing a little bit too much.

0:25:240:25:27

You took a solo - what did you think of that?

0:25:270:25:29

It's a good thing, really, for me, because we all know what we need to do,

0:25:290:25:34

and what we need to work on to make it even better the next time.

0:25:340:25:37

That's a great way of thinking about it. Well done.

0:25:370:25:40

# Don't blame it on sunshine! #

0:25:400:25:42

Right, next up we have Figure of 8 from Chelmsford.

0:25:470:25:51

-And some of them you may recognise from both series one and two.

-OK.

0:25:510:25:55

# ..I had everything... #

0:25:560:25:59

Great! Thank you very much! And relax. How do you think you did?

0:26:030:26:07

Yeah. Good.

0:26:070:26:08

Good! That's what I like to hear.

0:26:080:26:10

DESCENDING VOCALISATION

0:26:150:26:18

-How are you feeling today?

-THEY ANSWER IN AFFIRMATIVE

0:26:180:26:22

-Looking forward to this?

-Yeah! Definitely, yeah.

0:26:220:26:25

And with your song, there is a lot of emotion in it.

0:26:250:26:27

How do you sort of get motivated, prepared, to perform this song?

0:26:270:26:31

We just try to enjoy ourselves really.

0:26:310:26:33

And just make sure that what we're feeling, is portrayed on stage.

0:26:330:26:36

Any group thing you need to do before you go in?

0:26:360:26:39

Have a little high-five, or whatever?

0:26:390:26:42

ALL: Figure of 8! Figure of 8!

0:26:420:26:44

Figure of 8 - nice!

0:26:440:26:46

# I know this pain

0:26:530:26:55

# Why do you lock yourself up in these chains?

0:26:570:27:01

# No-one can change your life except for you

0:27:030:27:07

# Don't ever let anyone step all over you

0:27:070:27:12

# Just open your heart and your mind

0:27:120:27:16

# Mmmmm

0:27:160:27:18

# Is it really fair to feel this way inside

0:27:180:27:23

# Whoa!

0:27:230:27:25

# Some day somebody's gonna make you wanna turn around and say goodbye

0:27:250:27:30

# Till then, baby

0:27:300:27:31

# Are you gonna let them hold you down and make you cry?

0:27:310:27:34

# Don't you know? Don't you know things will change

0:27:340:27:37

# Things'll go your way

0:27:370:27:39

# If you hold on for one more day

0:27:390:27:44

# If you hold on for one more day

0:27:440:27:48

# Things will go your way

0:27:480:27:51

# Hold on for one more day

0:27:520:27:54

# Some day somebody's gonna make you wanna turn around and say goodbye

0:27:540:27:59

# Say goodbye

0:27:590:28:00

# Till then, baby, are you gonna let them hold you down and make you cry?

0:28:000:28:04

# Don't you know, don't you know

0:28:040:28:05

# Things will change

0:28:050:28:07

# Things will go your way

0:28:070:28:08

# If you hold on for one more day

0:28:080:28:13

# If you hold on. #

0:28:130:28:17

CLAPPING

0:28:190:28:21

-Yeah!

-Yay!

0:28:210:28:22

You have a really good ensemble sound.

0:28:260:28:29

You are what a glee club are.

0:28:290:28:32

My question to you is, why did you not choose a more complex song?

0:28:320:28:36

With such strong singers, such ability to do good harmonies,

0:28:360:28:41

I'd like to have heard more layering, more complexity,

0:28:410:28:43

because I think you're capable of more.

0:28:430:28:45

It makes me want to ask - are you confident enough?

0:28:450:28:49

I think we're really confident in all of our abilities.

0:28:490:28:53

We were all thinking that if we did get through,

0:28:530:28:55

that we would show you the more complex harmonies -

0:28:550:28:58

because we are capable of doing that,

0:28:580:28:59

but we thought we'd do the first round simple

0:28:590:29:02

and just show you, you know, what we can do.

0:29:020:29:04

Stick to the safe stuff.

0:29:040:29:06

-That's a nice enough comment.

-Constructive.

0:29:060:29:09

You sang a really rhythmic song, that requires real tightness,

0:29:090:29:14

and if one of you is out it really shows.

0:29:140:29:17

And none of you were out. You were really, really locked.

0:29:170:29:20

ALL: Thank you!

0:29:200:29:21

Your timing and your rhythm was fantastic.

0:29:210:29:24

Guys, I liked you from the beginning.

0:29:240:29:26

I liked you because you sing and perform as a unit.

0:29:260:29:30

I think you're strong vocally.

0:29:300:29:32

I think your faces are very animated and engaging,

0:29:320:29:35

and that's really what a performance is about as well.

0:29:350:29:38

Because you can sing well and have absolutely no expression on your face

0:29:380:29:41

and you lose your audience.

0:29:410:29:43

I think whatever we throw at you, you guys will deliver well.

0:29:430:29:48

-They said nice comments, didn't they?

-LAUGHTER

0:29:480:29:50

-Are you happy with that?

-So happy!

0:29:500:29:53

I think it was really special because, erm,

0:29:530:29:56

last year the main things we needed to work on was gelling as a group.

0:29:560:30:00

And they mentioned something about our rhythm being out,

0:30:000:30:02

which were the two things they just mentioned as being really good.

0:30:020:30:05

You've solved those problems!

0:30:050:30:07

Yeah, we've definitely improved.

0:30:070:30:09

-Now you've just got to make it more complicated!

-LAUGHTER

0:30:090:30:11

I'll be interested to see if they do have strong soloists.

0:30:110:30:14

-Yeah, I think they're in there.

-The one that sang first was good.

0:30:140:30:17

They just played it safe. It just felt a little bit safe.

0:30:170:30:21

They've also got a couple of people who aren't giving anything facially.

0:30:210:30:24

Mmm.

0:30:240:30:26

And you've got the front ones who are giving SO much,

0:30:260:30:28

that it makes the back ones look, like, not interested.

0:30:280:30:31

Is it too safe for them to get through, that's the thing?

0:30:310:30:35

# Hold on. #

0:30:350:30:38

Domino performed with full-on energy

0:30:430:30:46

and Figure of 8 showed the judges what a glee club truly is.

0:30:460:30:48

But did they play it too safe?

0:30:480:30:51

Next, the final two groups take to the stage.

0:30:510:30:53

Will GR8 Expectations and LS8 do enough to gain a place in the heats?

0:30:530:30:58

I loved it! I am thoroughly entertained.

0:30:580:31:01

You are terrifyingly brilliant.

0:31:010:31:03

From the minute you started singing, I was... No!

0:31:030:31:05

From the minute you turned around, I was, "Wow! This is incredible."

0:31:050:31:09

Right, next up we have Great Expectations from North Yorkshire.

0:31:120:31:17

Saw these guys in Manchester.

0:31:170:31:18

-Good morning, everybody.

-Good morning!

0:31:180:31:21

'They are very much a glee club.'

0:31:210:31:24

You talk about a wall of sound -

0:31:240:31:26

when they were singing, they were like the Niagara Falls of sound.

0:31:260:31:31

# He stands like a statue becomes part of a machine... #

0:31:310:31:34

Um, it was a bit overkill.

0:31:340:31:36

And I'm hoping that they have learned to blend better.

0:31:360:31:40

But I think they have potential, so, they're back.

0:31:400:31:43

Do you have any sections of your routine you're worried about?

0:31:430:31:45

-Or that haven't quite gone to plan in rehearsals?

-ALL: Not really.

0:31:450:31:49

Just if the boys spin like last time.

0:31:490:31:51

-What happened when the boys spin?

-We keep forgetting to do it!

0:31:540:31:57

-LAUGHTER

-So remember to spin! Yep.

0:31:570:32:00

Just before you go in, do you have any warm-up that you like to do?

0:32:000:32:04

# Fish and chips, fish and chips, fish and chip chip chips

0:32:040:32:08

# Fish and chips, fish and chips fish and chip chip chips

0:32:080:32:10

# Fish and chips, fish and chip chip chips. #

0:32:100:32:12

# Ever since I was a young boy, I've played the silver ball

0:32:200:32:24

# From Soho down to Brighton I must have played them all

0:32:240:32:27

# But I ain't seen nothing like him in any amusement hall... #

0:32:270:32:30

-Spin! Yes!

-# That deaf, dumb and blind kid

0:32:300:32:32

# Sure plays a mean pinball

0:32:320:32:36

# He stands like a statue

0:32:410:32:43

# Becomes part of the machine

0:32:430:32:45

# Feeling all the bumpers

0:32:450:32:47

# Always playing clean

0:32:470:32:49

# He plays by intuition

0:32:490:32:50

# The digit counters fall

0:32:500:32:52

# That deaf, dumb and blind kid

0:32:520:32:54

# Sure plays a mean pinball

0:32:540:32:56

# He's a pinball wizard

0:33:030:33:05

# There's go to be a twist

0:33:050:33:07

# A pinball wizard

0:33:070:33:09

# Got such a supple wrist

0:33:090:33:13

# How do you think he does it?

0:33:150:33:17

# I don't know

0:33:170:33:18

# What makes him so good?

0:33:180:33:22

# Ohhh ohhh ohhh

0:33:220:33:24

# I thought I was The Bally table king

0:33:250:33:29

# But I just handed my pinball crown to him

0:33:290:33:35

# To him

0:33:360:33:40

# To him. #

0:33:400:33:46

CLAPPING

0:33:480:33:52

-Did they do you proud?

-Yes, they did.

0:33:520:33:54

You look like a glee club, and I love your energy.

0:33:550:33:58

Those are the two biggest things for me that are great positives.

0:33:580:34:02

Lots of big voices.

0:34:020:34:03

One thing you really need to look at, which is amongst the girls -

0:34:030:34:07

some of you have got those big belty chest voices,

0:34:070:34:09

and then you've got the higher girls with their head voices,

0:34:090:34:12

who sound...

0:34:120:34:13

-HIGH-PITCHED:

-# A little bit like this... #

0:34:130:34:15

Those two sounds are SO different,

0:34:150:34:17

you've got to work out how you can get those voices to blend together.

0:34:170:34:21

It would be much more powerful if you could do that.

0:34:210:34:24

-Altogether, I found you really entertaining.

-ALL: Thank you.

0:34:240:34:27

I like the fact you started with the boys. That's really strong.

0:34:270:34:30

But it's when you all came in together on

0:34:300:34:32

-"He stands like a statue." Suddenly it was like...

-HE CLICKS FINGERS

0:34:320:34:35

Ping! The lights go on - I get it that's your sound.

0:34:350:34:38

That harmony sound.

0:34:380:34:40

It's a great sound.

0:34:400:34:42

That's your strength, really play that up.

0:34:420:34:45

I was not expecting that at all, but I'm saying it was brilliant.

0:34:450:34:48

I loved it from the minute you started singing I was, wo... No!

0:34:480:34:51

From the minute you turned around, I was, "Wow! This is incredible."

0:34:510:34:54

-What's your name?

-Will.

0:34:540:34:56

-Your facial expressions were amazing!

-Thank you.

0:34:560:34:59

The whole time I couldn't stop looking at you.

0:34:590:35:01

Girls, you were brilliant. And the two boys, as well. It was fantastic.

0:35:010:35:04

Loved it.

0:35:040:35:05

They said some lovely things to you!

0:35:070:35:09

What did you make of all their comments?

0:35:090:35:11

They were so complimentary. Like, they were really nice, like...

0:35:110:35:15

It was just generally, really kind of them to say those things.

0:35:150:35:18

-And you spun!

-ALL: Yes!

0:35:180:35:21

Oh, excellent. I'm very pleased. You did fantastically well.

0:35:210:35:24

And you had lovely comments. So go and chill out.

0:35:240:35:27

ALL: Thank you.

0:35:270:35:29

One of my issues was that they were over-singing. Continuously.

0:35:290:35:32

And in a small room, at one point, I was just, like - whoa, too much!

0:35:320:35:37

I hope they learn to blend better.

0:35:370:35:38

They should know - actually, some of us are really shouty-shouty sounding,

0:35:380:35:43

and some of us are really holy-sounding,

0:35:430:35:45

and those voices don't match.

0:35:450:35:47

-They looked amazing.

-Yeah. The energy.

0:35:470:35:50

I felt like I was at the theatre watching them.

0:35:500:35:52

So I really enjoyed that.

0:35:520:35:53

# To him! #

0:35:530:36:00

Right, next up we have LS8 from Leeds

0:36:080:36:11

and I think you guys might enjoy this.

0:36:110:36:13

Very theatrical, very unusual.

0:36:130:36:15

I chose them and brought them back for that reason.

0:36:150:36:18

# Let's do the time-warp again... #

0:36:180:36:22

LAUGHTER

0:36:220:36:24

So you've got a big character part How do you prepare yourself for that?

0:36:260:36:29

You have to get like really creepy, so you get into weird positions.

0:36:290:36:33

So is that what your leader told you - to be all creepy and weird?

0:36:330:36:36

-Yeah.

-All of you have got to be creepy and weird?

-Yeah!

0:36:360:36:38

They do creepy and weird very well.

0:36:580:36:59

They're creepy and weird kids. No, they're not!

0:36:590:37:02

# It's astounding

0:37:100:37:13

# Time is...fleeting

0:37:130:37:17

# Madness...takes its toll

0:37:170:37:21

# But listen...closely

0:37:210:37:24

# Not for very much...longer

0:37:240:37:26

# I've got to...keep control

0:37:270:37:32

# It's just a jump to the left

0:37:320:37:35

# And then a step to the right

0:37:350:37:38

# Put your hands on your...hips

0:37:380:37:40

# And bring your knees in tight

0:37:400:37:43

# But it's the pelvic thrust

0:37:430:37:46

# That really drives you insane

0:37:460:37:49

# Let's do the time-warp again

0:37:490:37:54

# Let's do the time-warp again

0:37:540:37:59

# Well, I was walking down the street just having a think

0:38:000:38:03

# When a snake of a guy gave me an evil wink

0:38:030:38:06

# He shook-a me up he took me by surprise

0:38:060:38:08

# He had a pickup truck and those devil's eyes

0:38:080:38:11

# He stared at me and I felt a change

0:38:110:38:14

# Time meant nothing never would again

0:38:140:38:17

# Let's do the time-warp again

0:38:170:38:21

Let's do the time-warp again. #

0:38:210:38:27

-Happy with that one?

-Really happy. I'm always happy with them.

0:38:320:38:34

Well, for me that was Triple A Star with knobs on!

0:38:380:38:42

On Glee Club, we have never mentioned speak singing before,

0:38:420:38:46

that was one of the best performances of speak singing I've ever heard. Fantastic!

0:38:460:38:51

Everyone on that stage performing at 150%, no weak links.

0:38:510:38:57

-I loved it! I am thoroughly entertained.

-ALL:

-Thank you.

0:38:570:39:02

I normally hate it when young people do that song,

0:39:020:39:05

because you've got to be completely over the top and totally unselfconscious.

0:39:050:39:09

And at your age most people aren't, but you guys were. And you, John, were brilliantly demented leading it.

0:39:090:39:16

And the rest of you matched him. You were terrifyingly brilliant.

0:39:160:39:21

-ALL:

-Thank you.

-I was breathing for you there.

0:39:210:39:24

I was out of breath for you. You're not even out of breath, that's incredible.

0:39:240:39:28

And the vocals as well. For how much dancing you were doing,

0:39:280:39:31

you could hardly tell that you were even dancing, there were no shakes or bumps or anything.

0:39:310:39:35

-ALL:

-Thank you.

-Well done.

0:39:350:39:37

APPLAUSE

0:39:370:39:39

How do you feel about being called "demented"?

0:39:390:39:42

ALL LAUGH

0:39:420:39:45

It's the first time I've heard it. ALL LAUGH

0:39:450:39:49

It's... It was great because I was demented.

0:39:490:39:52

Have a little celebration. You deserve it. Well done.

0:39:520:39:56

I want to join in.

0:39:560:39:58

# Let's do the time-warp! #

0:39:580:40:00

I'm just going to keep doing... # Let's do the time-warp again! #

0:40:000:40:04

-They were brilliant.

-Yeah.

0:40:040:40:05

-They were fantastic!

-I was on the edge of my seat.

0:40:050:40:08

-I was like... It made you want to stand up and dance.

-Yeah.

0:40:080:40:11

-That's what it's all about, a glee club.

-Yeah, totally.

0:40:110:40:15

If I knew the routine, I'd have been up there with them.

0:40:150:40:18

# Let's do the time-warp again! #

0:40:180:40:22

Here's a quick reminder of the glee clubs that have preformed today.

0:40:320:40:36

# Don't matter what they say to keep you up at night... #

0:40:400:40:43

# Let's go dancing in the moonlight

0:40:460:40:49

# Take me down like I'm a domino... #

0:40:490:40:52

# You're like a laserlight coming down, coming down on me... #

0:40:560:41:02

# Cos we are living in a material world

0:41:060:41:08

# And I am a material girl... #

0:41:080:41:12

# Don't blame it on the sunshine

0:41:140:41:16

# Don't blame it on the moonlight

0:41:160:41:18

# Don't blame it on the good times blame it on the boogie... #

0:41:180:41:21

# Some day, somebody's gonna make you want to turn around

0:41:250:41:27

# And say goodbye... #

0:41:270:41:29

# That deaf dumb and blind kid

0:41:310:41:33

# Sure plays a mean pinball... #

0:41:330:41:36

# Let's do the time-warp again... #

0:41:410:41:45

OK, so the last of our groups have now performed,

0:41:530:41:56

but remember there are only five places left in the studio heats.

0:41:560:42:00

Let's join our experts to see who from the final Judges Audition show has made it through.

0:42:000:42:05

-I loved these guys.

-Nothing like them.

0:42:070:42:10

-They are stand alone.

-Yep. They're through.

-Agreed. Fantastic.

0:42:100:42:14

-I thought they were brilliant.

-Yeah. I love those too. Definitely.

-Top three for me.

0:42:140:42:20

Yep. Yep. OK.

0:42:200:42:22

-Who's a definite no for you.

-Yeah, a definite no.

0:42:220:42:25

-Really?

-Yeah.

-They're a definite yes.

-We loved them.

0:42:250:42:28

One can go through and two have to go.

0:42:280:42:31

I found there was something a little more genuine about them for some reason over them.

0:42:310:42:35

-OK, they'll go. So now it's down to these two. Of these two?

-Yeah?

0:42:350:42:41

-They should go through. Is that a yes from you, John?

-It's yes from me.

0:42:410:42:44

-I haven't said yes.

-Why are we arguing this? There's two people saying yes, one saying no.

0:42:440:42:50

You're out-ruled.

0:42:500:42:52

Overruled, outnumbered! BOTH LAUGH

0:42:520:42:55

Grumpy.

0:42:550:42:57

The five glee clubs going through to the studio heats are...

0:43:030:43:06

And finally...

0:43:180:43:20

So we now have our final five acts who've made it to the studio heats

0:43:260:43:30

and are one step closer to the live shows.

0:43:300:43:33

Thanks to Carrie, David, John and all our celebrity guests.

0:43:330:43:37

Join me next time when I will be joined by Sam and Mark, yah,

0:43:370:43:40

for the first of our Comic Relief Does Glee Club studio heats. Bye-bye.

0:43:400:43:45

To see all of today's performances again go to the CBBC website

0:43:460:43:50

and click on the links for today's acts.

0:43:500:43:52

Next time on Glee Club it's getting serious.

0:43:520:43:55

It's the first of the studio heats.

0:43:550:43:57

Let the battle begin for a place in the semifinal.

0:43:570:43:59

Subtitles by Red Bee Media Ltd

0:43:590:44:02

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