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Welcome to Glee Club! | 0:00:02 | 0:00:04 | |
There's joyful, exuberant energy. | 0:00:04 | 0:00:07 | |
Last time, Accelerate, Impact, Musicality, New Creation | 0:00:07 | 0:00:12 | |
and Diva 8 wowed the judges to book their place in the heats. | 0:00:12 | 0:00:16 | |
Absolutely stunning. | 0:00:16 | 0:00:18 | |
This is the last of our Judges Audition shows and, | 0:00:18 | 0:00:21 | |
with only five places left, who's got what it takes to get through? | 0:00:21 | 0:00:25 | |
This is Comic Relief Does Glee Club 2013. | 0:00:25 | 0:00:28 | |
Hello and welcome back. This is Comic Relief Does Glee Club 2013. | 0:00:47 | 0:00:51 | |
The search for Britain's best young singing and dancing group. | 0:00:51 | 0:00:55 | |
This is the third and final Judges Audition show. | 0:00:55 | 0:00:59 | |
Today we're going to see eight of the last groups | 0:00:59 | 0:01:02 | |
performing for the judges. | 0:01:02 | 0:01:03 | |
All hoping they've got what it takes to become | 0:01:03 | 0:01:05 | |
the Comic Relief Does Glee Club of 2013. | 0:01:05 | 0:01:10 | |
But before all that, let's take a look back at some acts who | 0:01:10 | 0:01:13 | |
performed for us during the Glee Club tour of the UK. | 0:01:13 | 0:01:16 | |
Naomi and Glee Club judge John Body travelled the country | 0:01:22 | 0:01:25 | |
in their mission to find the best glee clubs Britain has to offer. | 0:01:25 | 0:01:29 | |
# Momma told me not to waste my life... # | 0:01:29 | 0:01:32 | |
Their journey began in Newcastle, | 0:01:32 | 0:01:34 | |
where they saw some amazing talent from the North-East, | 0:01:34 | 0:01:38 | |
before heading across the water to Belfast. | 0:01:38 | 0:01:40 | |
One, two, three, whooo! | 0:01:40 | 0:01:42 | |
# Annie, are you OK? Will you tell us that you're OK? # | 0:01:42 | 0:01:46 | |
Next was Glasgow, where Scottish groups took to the stage | 0:01:46 | 0:01:50 | |
and wowed John with showstopping performances. | 0:01:50 | 0:01:52 | |
They've got attitude, the hoods are up, they're giving it everything. | 0:01:52 | 0:01:55 | |
Are you excited that we're finding talent in Glasgow? | 0:01:55 | 0:01:58 | |
Very excited about Glasgow. Love it. | 0:01:58 | 0:02:00 | |
The mission continued south of the border in sunny Manchester, | 0:02:00 | 0:02:04 | |
with more top groups going all out to impress. | 0:02:04 | 0:02:07 | |
# I just want you to be my baby tonight... # | 0:02:07 | 0:02:10 | |
And the talent kept on coming in Cardiff. | 0:02:12 | 0:02:14 | |
# Ain't no mountain high enough ain't no valley low enough... # | 0:02:14 | 0:02:18 | |
Finally John and Naomi headed to London, where the | 0:02:18 | 0:02:20 | |
-mission ended on a high. -It's a whole hive of activity out here. | 0:02:20 | 0:02:24 | |
The standard on the tour was fantastic, | 0:02:27 | 0:02:29 | |
but it was down to John to select the top 24 glee clubs that | 0:02:29 | 0:02:32 | |
would perform again here at the Judges Auditions. | 0:02:32 | 0:02:35 | |
We saw groups from all over the UK, | 0:02:41 | 0:02:43 | |
and it's almost time to see the final eight perform. | 0:02:43 | 0:02:47 | |
But before that, let's meet the people they have to impress. | 0:02:47 | 0:02:50 | |
It's our judges. | 0:02:50 | 0:02:52 | |
Carrie and David are two of the UK's best known celebrity vocal coaches. | 0:02:58 | 0:03:02 | |
That was really good. I love your energy. | 0:03:02 | 0:03:03 | |
Breathtaking. | 0:03:03 | 0:03:05 | |
They've worked with a whole host of pop artists, | 0:03:05 | 0:03:07 | |
from the Spice Girls and Take That to The Saturdays. | 0:03:07 | 0:03:10 | |
Celebrity vocal and performance coach John has worked with | 0:03:10 | 0:03:13 | |
a variety of stars, from Leona Lewis to Olly Murs and Alexandra Burke. | 0:03:13 | 0:03:17 | |
He's also worked behind the scenes on top shows like The Voice | 0:03:17 | 0:03:21 | |
and X Factor. | 0:03:21 | 0:03:22 | |
Offering additional advice to the groups will be West End star | 0:03:22 | 0:03:25 | |
and X Factor winner, Joe McElderry. | 0:03:25 | 0:03:28 | |
He's recorded four albums | 0:03:28 | 0:03:29 | |
and his debut single, The Climb, topped the UK charts. | 0:03:29 | 0:03:32 | |
Soul singer and presenter Dionne Bromfield, | 0:03:33 | 0:03:36 | |
she's been nominated for a MOBO award, has recorded two albums | 0:03:36 | 0:03:39 | |
and finds time to present CBBC's Friday Download. | 0:03:39 | 0:03:42 | |
And X Factor finalist and television presenter Stacey Solomon. | 0:03:44 | 0:03:48 | |
Not only has she wowed audiences with her voice, | 0:03:48 | 0:03:50 | |
she's also a regular star on our TV screens. | 0:03:50 | 0:03:54 | |
Loads of groups applied for Comic Relief Does Glee Club, | 0:04:00 | 0:04:02 | |
but only the top 24 have made it to the Judges Auditions. | 0:04:02 | 0:04:07 | |
With only five places remaining in the studio heat, | 0:04:07 | 0:04:10 | |
there is everything to play for. | 0:04:10 | 0:04:12 | |
So let's meet the first of today's acts. | 0:04:12 | 0:04:14 | |
First up, it's The Peppermints, from Hartlepool. | 0:04:21 | 0:04:24 | |
THEY DO VOICE EXERCISES | 0:04:25 | 0:04:27 | |
I saw these guys in Newcastle. | 0:04:29 | 0:04:31 | |
Hello, girls! | 0:04:31 | 0:04:32 | |
ALL: Hello. | 0:04:32 | 0:04:34 | |
Welcome! Look at you! | 0:04:34 | 0:04:35 | |
'And they're hilarious.' | 0:04:35 | 0:04:37 | |
I liked them from the start. For me, they've got stage presence. | 0:04:37 | 0:04:40 | |
There's something quirky about them. I really like them. | 0:04:40 | 0:04:43 | |
And their sound was really good, so if they're anything like I saw, | 0:04:43 | 0:04:46 | |
you guys are in for a treat. | 0:04:46 | 0:04:48 | |
Here they are, The Peppermints. | 0:04:48 | 0:04:50 | |
The girls with the freshest breath in showbusiness. | 0:04:50 | 0:04:53 | |
How are you doing? | 0:04:53 | 0:04:54 | |
ALL: Fine, thank you. | 0:04:54 | 0:04:56 | |
How does it feel today about being in the Judges Audition show? | 0:04:56 | 0:05:00 | |
Can't wait. It's, like, so exciting. | 0:05:00 | 0:05:02 | |
And this is like meaning, this is good luck? | 0:05:02 | 0:05:04 | |
-Yeah. -Right, good luck, Peppermints. | 0:05:04 | 0:05:07 | |
ALL: Thank you! | 0:05:07 | 0:05:08 | |
# Would you know my name | 0:05:11 | 0:05:16 | |
# If I saw you in heaven? | 0:05:16 | 0:05:22 | |
# Would it feel the same | 0:05:22 | 0:05:27 | |
# If I saw you in heaven? | 0:05:27 | 0:05:32 | |
# I must be strong | 0:05:32 | 0:05:37 | |
# And carry on | 0:05:37 | 0:05:40 | |
# Cos I know I don't belong | 0:05:40 | 0:05:45 | |
# Here in heaven. # | 0:05:45 | 0:05:51 | |
# My momma told me not to waste my life | 0:05:54 | 0:05:58 | |
# She said, "Spread your wings my little butterfly | 0:05:58 | 0:06:03 | |
# "Don't let what they say keep you up at night | 0:06:03 | 0:06:07 | |
# "And if they give you shhh then they can walk on by | 0:06:07 | 0:06:11 | |
# Your words don't mean a thing | 0:06:11 | 0:06:14 | |
# I'm not listening | 0:06:14 | 0:06:17 | |
# Keep talking | 0:06:17 | 0:06:18 | |
# All I know is Momma told me not to waste my life | 0:06:18 | 0:06:24 | |
# She said, "Spread your wings my little butterfly | 0:06:24 | 0:06:27 | |
# "Don't let what they say keep you up at night | 0:06:27 | 0:06:32 | |
# And they can't detain you These wings are made to fly. # | 0:06:32 | 0:06:38 | |
-What did you think of that? -Brilliant. Fantastic. | 0:06:43 | 0:06:45 | |
-Yeah, they did good, didn't they? -Yeah. | 0:06:45 | 0:06:47 | |
It's a very rare moment | 0:06:47 | 0:06:48 | |
when you're watching people that are not used to doing this stuff, | 0:06:48 | 0:06:52 | |
where, as a judge, you can absolutely relax and enjoy it. | 0:06:52 | 0:06:55 | |
But I found myself completely relaxed and secure in your performance. | 0:06:55 | 0:06:59 | |
So confident, straight out the traps, all of you giving 100%. | 0:06:59 | 0:07:04 | |
Not one weak link. And one of your greatest strengths is your pitching. | 0:07:04 | 0:07:08 | |
It's so precise and so on it. | 0:07:08 | 0:07:11 | |
-Fantastic. -Thank you. | 0:07:11 | 0:07:13 | |
-Look at her! -"That's me, that's me." -You're like energy bombs, | 0:07:13 | 0:07:15 | |
exploding all over the stage. | 0:07:15 | 0:07:17 | |
I could look at any of you and see the same amount of energy | 0:07:17 | 0:07:20 | |
and intensity and attitude. | 0:07:20 | 0:07:23 | |
That was fantastic. | 0:07:23 | 0:07:24 | |
ALL: Thank you. | 0:07:24 | 0:07:25 | |
I loved that you showed us how diverse | 0:07:25 | 0:07:28 | |
and beautiful all your voices were at the beginning | 0:07:28 | 0:07:30 | |
and then showed us all the energy and all of the fun that you bring | 0:07:30 | 0:07:34 | |
to the stage, and it was absolutely brilliant. | 0:07:34 | 0:07:37 | |
Really, really good. | 0:07:37 | 0:07:39 | |
NAOMI SQUEALS | 0:07:40 | 0:07:41 | |
Oh, I'm so proud of you all! | 0:07:41 | 0:07:44 | |
So how do you feel, having performed? | 0:07:46 | 0:07:49 | |
-Just... Just... -I want to go and do it all again! -Me too! | 0:07:49 | 0:07:52 | |
-Me too! -Me too! | 0:07:52 | 0:07:54 | |
I thought they could never carry that first song. | 0:07:54 | 0:07:56 | |
To carry the first song | 0:07:56 | 0:07:58 | |
and two completely different emotions... | 0:07:58 | 0:08:01 | |
It showcased all of their talent. | 0:08:01 | 0:08:03 | |
So instead of just, "We can sing," | 0:08:03 | 0:08:05 | |
or "We've got loads of energy and we can move around," | 0:08:05 | 0:08:07 | |
they showed us both, which I think was really, really good. | 0:08:07 | 0:08:10 | |
# These wings are made to fly! # | 0:08:10 | 0:08:12 | |
You're focused. Come here before you get into your positions. | 0:08:18 | 0:08:21 | |
How are you? | 0:08:21 | 0:08:22 | |
'Next we've got Activ8, who impressed me in Glasgow.' | 0:08:22 | 0:08:25 | |
They were very High School Musical. Lots of potential. | 0:08:25 | 0:08:28 | |
That's what I like to hear. | 0:08:28 | 0:08:29 | |
I like to hear people out of breath after they've performed. | 0:08:29 | 0:08:33 | |
You're looking very angelic today. | 0:08:33 | 0:08:35 | |
And you're all really quiet. | 0:08:35 | 0:08:37 | |
Are you all feeling a bit nervous? | 0:08:37 | 0:08:39 | |
ALL: Yes. | 0:08:39 | 0:08:40 | |
What is going on in your heads at the moment? | 0:08:40 | 0:08:43 | |
I have butterflies, but I don't know if it's nerves or excitement. | 0:08:43 | 0:08:47 | |
-A bit of both, maybe. -Yeah. -All right. | 0:08:47 | 0:08:49 | |
Off you go, Activ8. | 0:08:50 | 0:08:51 | |
Go and impress them. | 0:08:51 | 0:08:53 | |
# You've got me losing my mind | 0:08:56 | 0:08:59 | |
# My heart beats out of time | 0:08:59 | 0:09:02 | |
# Ba ba ba-da | 0:09:02 | 0:09:03 | |
# I'm seeing Hollywood stars | 0:09:03 | 0:09:07 | |
# You strum me like a guitar | 0:09:07 | 0:09:09 | |
# Ba, ba ba-da | 0:09:09 | 0:09:11 | |
# I can taste the tension like a cloud of smoke in the air | 0:09:11 | 0:09:16 | |
# Now I'm breathing like I'm running cos you're taking me there | 0:09:16 | 0:09:19 | |
# Don't you know... Ba ba ba-da | 0:09:19 | 0:09:22 | |
# You spin me out of control | 0:09:22 | 0:09:25 | |
# Ba ba da ba ba-da-da | 0:09:25 | 0:09:28 | |
# And we can do it all night | 0:09:28 | 0:09:30 | |
# Damn, this love is skin tight | 0:09:30 | 0:09:32 | |
# Baby, come on | 0:09:32 | 0:09:35 | |
# Pull me like a bass drum | 0:09:35 | 0:09:38 | |
# Sparkin' up the rhythm Baby, come on! | 0:09:38 | 0:09:43 | |
# Hey, yeah! | 0:09:43 | 0:09:44 | |
# Rock my world into the sunlight | 0:09:44 | 0:09:47 | |
# Make this dream the best I've ever known | 0:09:47 | 0:09:50 | |
# Let's go dancing in the moonlight | 0:09:50 | 0:09:55 | |
# Take me down like I'm a domino | 0:09:55 | 0:09:58 | |
# Every second is a highlight | 0:09:58 | 0:10:02 | |
# When we touch don't ever let me go | 0:10:02 | 0:10:06 | |
# Let's go dancing in the moonlight | 0:10:06 | 0:10:09 | |
# Take me down like I'm a domino | 0:10:09 | 0:10:13 | |
# Oh, baby baby got me feeling so right | 0:10:13 | 0:10:17 | |
# Oh, baby baby dancing in the moonlight | 0:10:17 | 0:10:20 | |
# Oh, baby baby got me feeling so right | 0:10:20 | 0:10:25 | |
# Oh, baby baby dancing in the moonlight # | 0:10:25 | 0:10:29 | |
Activ8, you were fantastic. | 0:10:33 | 0:10:34 | |
You all look terrified and I'm not quite sure why you look so terrified. | 0:10:34 | 0:10:39 | |
I could listen to your blend and your arrangements all day long. | 0:10:39 | 0:10:44 | |
Too many soloists. We need two people who sing really well. | 0:10:44 | 0:10:48 | |
Choose your strongest singers. | 0:10:48 | 0:10:50 | |
Your weapon is the ensemble arrangement blended singing. | 0:10:50 | 0:10:54 | |
That's your strength, not the solo stuff. | 0:10:54 | 0:10:56 | |
I liked the fact that you all sang, | 0:10:59 | 0:11:01 | |
because it showed that there isn't a weak voice in there. | 0:11:01 | 0:11:04 | |
Quite often there's a passenger. | 0:11:04 | 0:11:06 | |
-Um... Excuse me? -I disagree with that. | 0:11:06 | 0:11:09 | |
-Oooh! -I think there were strong singers in there | 0:11:09 | 0:11:11 | |
-and they need to make the most of those strong singers. -Judges' rivalry! Love it! | 0:11:11 | 0:11:15 | |
..value your opinion, | 0:11:15 | 0:11:17 | |
but I'm ignoring it. | 0:11:17 | 0:11:18 | |
I liked the fact that there weren't any weak voices in there. | 0:11:18 | 0:11:21 | |
I liked the roles that you took. | 0:11:21 | 0:11:23 | |
Each of you took the right part for your voice. | 0:11:23 | 0:11:25 | |
Where I do think there was a weakness, I have to say, | 0:11:25 | 0:11:28 | |
was in the amount of energy that you gave the performance. | 0:11:28 | 0:11:31 | |
I want to see so much more pow! Ka-pow! | 0:11:31 | 0:11:33 | |
Because what you're doing is, | 0:11:33 | 0:11:35 | |
vocally you're giving it loads, visually | 0:11:35 | 0:11:38 | |
and physically it looked almost at times as though you were marking it. | 0:11:38 | 0:11:42 | |
You were singing it, you performed it Cinderella sort of cleaning | 0:11:42 | 0:11:48 | |
the sisters' house, the ugly sisters' house. | 0:11:48 | 0:11:51 | |
But you guys have the potential to actually perform | 0:11:51 | 0:11:54 | |
that like you're Cinderella at the ball. | 0:11:54 | 0:11:56 | |
You need to realise how good you are. | 0:11:56 | 0:11:57 | |
What are you going to do to try and have that confidence? | 0:11:59 | 0:12:02 | |
How are you going to put that into practice? | 0:12:02 | 0:12:04 | |
I think we should just all really kind of bring up our energy levels as well, | 0:12:04 | 0:12:08 | |
because I think we were all that nervous it took over a little bit. | 0:12:08 | 0:12:11 | |
What made you so nervous? | 0:12:11 | 0:12:13 | |
I think just because it was such a big stage | 0:12:13 | 0:12:17 | |
and everyone was just watching you. | 0:12:17 | 0:12:19 | |
I think we just panicked a bit. | 0:12:19 | 0:12:20 | |
-Didn't you think they all sounded good? -Yeah, they did. -Yeah. -Yeah. | 0:12:20 | 0:12:23 | |
And as an ensemble, their arrangements - | 0:12:23 | 0:12:25 | |
# Ba ba... # All that stuff and the sound of it | 0:12:25 | 0:12:28 | |
the sound is great. | 0:12:28 | 0:12:30 | |
# Oh, baby baby dancing in the moonlight. # | 0:12:30 | 0:12:34 | |
Both The Peppermints and Activ8 gave solid performances, though one | 0:12:39 | 0:12:42 | |
of the groups seemed to handle their nerves better than the other. | 0:12:42 | 0:12:46 | |
Coming up, another two glee clubs go all out to wow the judges. | 0:12:46 | 0:12:50 | |
That really, really impressed me. | 0:12:50 | 0:12:53 | |
The first half was quite good, the second half was fantastic. | 0:12:53 | 0:12:56 | |
You guys looked like you were having the time of your life up there. | 0:12:56 | 0:12:59 | |
Good afternoon, everybody! | 0:13:04 | 0:13:06 | |
ALL: Hi! | 0:13:06 | 0:13:08 | |
Welcome to Glee Club auditions. | 0:13:08 | 0:13:10 | |
Next up, we've got Allsorts, an all-girl group from Milton Keynes. | 0:13:10 | 0:13:14 | |
Well done. Give yourselves a round of applause. | 0:13:14 | 0:13:18 | |
I remember these girls quite well. They're an interesting mix of ages. | 0:13:18 | 0:13:22 | |
ALL GIGGLE | 0:13:22 | 0:13:24 | |
ALL: Allsorts. | 0:13:24 | 0:13:25 | |
Is this because you are all sorts of different people in all sorts of different clothes? | 0:13:25 | 0:13:29 | |
ALL: Yeah! | 0:13:29 | 0:13:30 | |
You look lovely today! | 0:13:30 | 0:13:31 | |
Well, if you're ready to do it, I think the judges are ready to see you perform. | 0:13:31 | 0:13:36 | |
Right, let's go and do it then. This way. | 0:13:36 | 0:13:38 | |
# My heart's a stereo | 0:13:41 | 0:13:44 | |
# It beats for you so listen close | 0:13:44 | 0:13:47 | |
# Hear my thoughts in every note | 0:13:47 | 0:13:48 | |
# Oh oh... | 0:13:48 | 0:13:50 | |
# Make me your radio | 0:13:51 | 0:13:54 | |
# Turn me up when you feel low | 0:13:54 | 0:13:57 | |
# This melody was meant for you | 0:13:57 | 0:14:00 | |
# So sing along to my stereo | 0:14:00 | 0:14:02 | |
# In the blink of an eye | 0:14:02 | 0:14:05 | |
# I was falling from the sky | 0:14:05 | 0:14:09 | |
# You took my breath away | 0:14:09 | 0:14:13 | |
# And my heart started speeding | 0:14:13 | 0:14:16 | |
# And my lungs started breathing | 0:14:16 | 0:14:20 | |
# And a voice in my head started screaming | 0:14:20 | 0:14:23 | |
# I'm aliii-ii-iiive! | 0:14:23 | 0:14:27 | |
# You're like a laserlight burning down | 0:14:27 | 0:14:31 | |
# Burning down on me | 0:14:31 | 0:14:34 | |
# You're like a laserlight burning down | 0:14:34 | 0:14:39 | |
# Burning down on me | 0:14:39 | 0:14:41 | |
# You make me feel good you make me feel safe | 0:14:41 | 0:14:45 | |
# You make me feel like I could live another day | 0:14:45 | 0:14:49 | |
# You make me feel good you make me feel safe | 0:14:49 | 0:14:53 | |
# You know I wouldn't have it any other way | 0:14:53 | 0:14:56 | |
# Have it any other way | 0:14:56 | 0:14:59 | |
# All the night I was falling from the sky | 0:14:59 | 0:15:05 | |
# Ooooh... # | 0:15:05 | 0:15:08 | |
Are they quite good at taking on feedback that you give them? | 0:15:14 | 0:15:16 | |
-They're fine. I'm really harsh. -Are you? -In a nice way, but they... | 0:15:16 | 0:15:20 | |
They can't be harsher than you. | 0:15:20 | 0:15:22 | |
-In a nice way. They get it. It's just, you know. -Yeah. | 0:15:22 | 0:15:26 | |
Once you got into Laserlight, it was rock solid. | 0:15:26 | 0:15:30 | |
And the performance was there, the energy was there, | 0:15:30 | 0:15:34 | |
the joy was there, the sound was great, the solos were wonderful. | 0:15:34 | 0:15:39 | |
-Er, yes, yes! -Thank you so much. | 0:15:39 | 0:15:43 | |
The dynamics of your personnel are great. | 0:15:43 | 0:15:45 | |
Like big sisters, little sisters. It's like a unit. It actually works. | 0:15:45 | 0:15:50 | |
And the song choice, I have to say, is very clever. | 0:15:50 | 0:15:52 | |
If your teacher thought that up, good on them. | 0:15:52 | 0:15:56 | |
High five! | 0:15:56 | 0:15:58 | |
Yeah, I think you'll be a tough one to decide on, for sure. | 0:15:58 | 0:16:01 | |
I loved it. I absolutely loved it. | 0:16:01 | 0:16:03 | |
You were giving all this sassiness, I was, like, singing along with you. | 0:16:03 | 0:16:06 | |
But you sounded brilliant. You look amazing. I loved it. It was amazing. | 0:16:06 | 0:16:10 | |
Thank you so much. | 0:16:10 | 0:16:13 | |
Were you happy with how the performance went? | 0:16:13 | 0:16:15 | |
ALL: Yes! | 0:16:15 | 0:16:16 | |
Nothing you would have liked to have done differently, | 0:16:16 | 0:16:18 | |
or anything you could have improved or...? | 0:16:18 | 0:16:20 | |
ALL: No. | 0:16:20 | 0:16:21 | |
-That was the best you've ever done it? -Yes. | 0:16:21 | 0:16:23 | |
I think one of the challenges for them as a group is actually | 0:16:23 | 0:16:26 | |
managing to marry together three really grown-up girls. | 0:16:26 | 0:16:30 | |
It looks like two bands, almost. It's like the kiddie band and the grown-up band. | 0:16:30 | 0:16:34 | |
And that's why it's a great name - Allsorts - cos they are. | 0:16:34 | 0:16:37 | |
But they just made it for me, with those songs. | 0:16:37 | 0:16:41 | |
Whether they'll be able to transfer that every single time, | 0:16:41 | 0:16:44 | |
to make sure all eight of them still feel like they're integrated | 0:16:44 | 0:16:49 | |
and not just two separate entities... | 0:16:49 | 0:16:52 | |
# Ooooh... # | 0:16:52 | 0:16:54 | |
Up next, we've got Bittersweet, who really impressed me | 0:17:01 | 0:17:05 | |
when I first saw them in Glasgow. | 0:17:05 | 0:17:06 | |
They were really polished and committed to their performance. | 0:17:06 | 0:17:09 | |
-Hello. -ALL: -Hi! -How are we doing today? -We're good. | 0:17:12 | 0:17:17 | |
-Show me these. Now I hear... Oh, is that you? -Yeah! | 0:17:17 | 0:17:21 | |
-Ohh! You're all got your faces on them! -Yeah! | 0:17:21 | 0:17:24 | |
-Material girls... -We're in the zone. -In the zone. Good luck. -Thank you. | 0:17:24 | 0:17:30 | |
# Some boys kiss me Some boys hug me | 0:17:45 | 0:17:49 | |
# I think they're OK | 0:17:49 | 0:17:52 | |
# If they don't give me proper credit I just walk away | 0:17:52 | 0:17:59 | |
# They can beg and they can plead | 0:17:59 | 0:18:03 | |
-# But they can't see the light -That's right | 0:18:03 | 0:18:07 | |
# Cos the boy with the cold hard cash is | 0:18:07 | 0:18:10 | |
# Always Mr Right | 0:18:10 | 0:18:13 | |
# Cos we are living in a material world | 0:18:13 | 0:18:17 | |
# And I am a material girl | 0:18:17 | 0:18:20 | |
# You know that we are living in a material world | 0:18:20 | 0:18:24 | |
# And I am a material girl | 0:18:24 | 0:18:27 | |
# Living in a material world | 0:18:27 | 0:18:29 | |
-# Material! -Living in a material world | 0:18:29 | 0:18:33 | |
-# Material! -Living in a material world | 0:18:33 | 0:18:36 | |
-# Material! -Living in a material world! # | 0:18:36 | 0:18:41 | |
APPLAUSE | 0:18:42 | 0:18:44 | |
-Good job. -They had great fun. | 0:18:44 | 0:18:46 | |
SHE LAUGHS | 0:18:46 | 0:18:48 | |
Bittersweet. Wow! Fantastic! I really loved that performance. | 0:18:48 | 0:18:53 | |
I loved the choreography, I thought you were really original. I loved the vocals. The... # Da-da... # | 0:18:53 | 0:18:59 | |
I'll be singing that for days now. | 0:18:59 | 0:19:01 | |
-Brilliant! You are absolutely a glee club. -ALL: -Thank you. | 0:19:01 | 0:19:06 | |
What makes you guys a glee club and what makes you excellent at it is you bring the third element to it. | 0:19:06 | 0:19:11 | |
The singing was really very, very good. The choreography was fantastic, it was sharp. | 0:19:11 | 0:19:17 | |
But you acted as well. You performed. | 0:19:17 | 0:19:20 | |
It was like watching a little, mini performance from a musical. It was really, very very good. | 0:19:20 | 0:19:25 | |
The only complaint I have is that you didn't bring a magazine with my face on the cover. | 0:19:25 | 0:19:30 | |
-We'll make you one. -We will. -I'll hold you to that. | 0:19:30 | 0:19:34 | |
-We'll mail it in the post. -ALL LAUGH | 0:19:34 | 0:19:36 | |
I thought it was brilliant. | 0:19:36 | 0:19:39 | |
The one thing about when you're performing is when you're having fun | 0:19:39 | 0:19:43 | |
the people that are watching you instantly feel that relaxation. | 0:19:43 | 0:19:47 | |
You guys looked like you were having the time of your life up there. | 0:19:47 | 0:19:50 | |
It reminded us of something from Legally Blond, | 0:19:50 | 0:19:53 | |
that kind of femininity and Girl Power. Brilliant! | 0:19:53 | 0:19:56 | |
We really enjoyed it. We'll all be doing this now. | 0:19:56 | 0:19:59 | |
-We really liked your performance. -THEY LAUGH | 0:19:59 | 0:20:05 | |
THEY SQUEAL | 0:20:05 | 0:20:06 | |
-You girls were great! How much fun was that? -ALL: -Wonderful! | 0:20:10 | 0:20:14 | |
-You really did enjoy yourselves, didn't you? -Yeah! | 0:20:14 | 0:20:18 | |
-So if you were to go through to the next round, will you make David a magazine? -Yes! | 0:20:18 | 0:20:23 | |
-And Carrie and John and Joe and everybody else. -All of them. You can have one. | 0:20:23 | 0:20:27 | |
-Excellent. And me? -Yeah! | 0:20:27 | 0:20:29 | |
That to me is what a glee club is all about, actually. | 0:20:29 | 0:20:32 | |
-They've given it theatrical panache. -They've thought about a show. | 0:20:32 | 0:20:35 | |
-Professional, slick, polished, engaging, animated. -Yes. | 0:20:35 | 0:20:40 | |
-It was good. -The minute the music started they were in it. -Really engaged. No weak ones | 0:20:40 | 0:20:45 | |
That's the thing about the acting, they didn't come out of character at all throughout the whole thing. | 0:20:45 | 0:20:50 | |
-# Material! -Living in a material world! # | 0:20:50 | 0:20:55 | |
Four of today's acts have now performed for the judges. | 0:21:00 | 0:21:03 | |
And with four groups still to see, let's take a moment to remind ourselves why we're all here. | 0:21:03 | 0:21:10 | |
Comic Relief works hard to support people who are leading incredibly difficult lives | 0:21:10 | 0:21:15 | |
by funding projects all over Africa as well as right here in the UK. | 0:21:15 | 0:21:19 | |
In fact, the charity has funded over 15,000 projects in the UK, | 0:21:20 | 0:21:24 | |
working 365 days a year to change things for the better. | 0:21:24 | 0:21:29 | |
The donations that you make will help vulnerable people from all walks of life at home and abroad. | 0:21:32 | 0:21:38 | |
You can help make a huge difference. | 0:21:38 | 0:21:40 | |
To find out how you could do something "funny for money", | 0:21:40 | 0:21:43 | |
get a grownup and visit the CBBC website at... | 0:21:43 | 0:21:50 | |
and follow the link to Comic Relief. | 0:21:50 | 0:21:53 | |
Thank you. | 0:21:53 | 0:21:55 | |
What's the funny joke? | 0:22:00 | 0:22:02 | |
Next up, we've got Domino. | 0:22:02 | 0:22:03 | |
I saw this group in London | 0:22:03 | 0:22:05 | |
and their energy left me feeling they had tons of potential. | 0:22:05 | 0:22:08 | |
How are you feeling today? | 0:22:13 | 0:22:14 | |
All TALK AT ONCE | 0:22:14 | 0:22:16 | |
-Exhilarated! -Exhilarated? LAUGHTER | 0:22:16 | 0:22:18 | |
-Have you ever done anything this big before? -ALL: No! | 0:22:18 | 0:22:23 | |
-Have you ever been in a television studio? -ALL: No. | 0:22:23 | 0:22:26 | |
So if it goes wrong today, who are you going to blame it on? | 0:22:27 | 0:22:31 | |
You! | 0:22:31 | 0:22:32 | |
# My baby's always dancin' | 0:22:42 | 0:22:44 | |
# It wouldn't be a bad thing | 0:22:44 | 0:22:46 | |
# But I don't get no lovin' | 0:22:46 | 0:22:49 | |
# And that's no lie | 0:22:49 | 0:22:51 | |
# We spent the night in Frisco at every kinda disco | 0:22:51 | 0:22:55 | |
# From that night I kissed my love goodbye | 0:22:55 | 0:22:58 | |
# Don't blame it on the sunshine | 0:22:58 | 0:23:00 | |
# Don't blame it on the moonlight | 0:23:00 | 0:23:03 | |
# Don't blame it on the good times | 0:23:03 | 0:23:05 | |
# Blame it on the boogie | 0:23:05 | 0:23:07 | |
# Don't blame it on the sunshine | 0:23:07 | 0:23:09 | |
# Don't blame it on the moonlight | 0:23:09 | 0:23:11 | |
# Don't blame it on the good times | 0:23:11 | 0:23:13 | |
# Blame it on the boogie | 0:23:13 | 0:23:15 | |
# I just can't, I just can't | 0:23:16 | 0:23:18 | |
# I just can't control my feet | 0:23:18 | 0:23:20 | |
# I just can't, I just can't | 0:23:20 | 0:23:23 | |
# I just can't control my feet | 0:23:23 | 0:23:25 | |
# I just can't, I just can't | 0:23:25 | 0:23:27 | |
# I just can't control my feet | 0:23:27 | 0:23:29 | |
# I just can't, I just can't | 0:23:29 | 0:23:31 | |
# I just can't control my feet | 0:23:31 | 0:23:33 | |
-# Sunshine -Whoo! | 0:23:33 | 0:23:34 | |
-# Moonlight -Yeah! | 0:23:35 | 0:23:37 | |
-# Good times -Mmmmm | 0:23:37 | 0:23:40 | |
-# Boogie! -You just got that | 0:23:40 | 0:23:42 | |
-# Sunshine! -Yeah! | 0:23:42 | 0:23:44 | |
-# Moonlight -Mmmmm | 0:23:44 | 0:23:46 | |
-# Good times -Whoa-oh | 0:23:46 | 0:23:48 | |
# Boogie! | 0:23:48 | 0:23:49 | |
-# Don't blame it on sunshine -You just gotta | 0:23:49 | 0:23:52 | |
-# Moonlight -Do just what you wanna | 0:23:52 | 0:23:55 | |
-# Good times -Yeah! -Oh, blame it on | 0:23:55 | 0:23:59 | |
-# Sunshine! -Ain't nobody's fault | 0:23:59 | 0:24:01 | |
-# You've got to boogie -Good times | 0:24:01 | 0:24:04 | |
# All the night long | 0:24:04 | 0:24:06 | |
# Don't blame it on sunshine! # | 0:24:06 | 0:24:08 | |
CLAPPING | 0:24:10 | 0:24:12 | |
Yeah! | 0:24:12 | 0:24:15 | |
-Happy with that? -Yes! | 0:24:15 | 0:24:16 | |
Performing when you're dancing at that level and singing, | 0:24:17 | 0:24:20 | |
it's going to be really difficult to get the two things together. | 0:24:20 | 0:24:23 | |
But you did it really, really well. | 0:24:23 | 0:24:25 | |
Vast amounts of energy. I loved the energy. | 0:24:25 | 0:24:28 | |
My one little comment would be - for your soloists | 0:24:28 | 0:24:31 | |
I think you need to dance less, | 0:24:31 | 0:24:32 | |
so we get that tuning pitch perfect. | 0:24:32 | 0:24:35 | |
But apart from that, fantastic performance. | 0:24:35 | 0:24:37 | |
Thank you. | 0:24:37 | 0:24:39 | |
High energy and a lot of movement. A lot of choreography. | 0:24:39 | 0:24:42 | |
Maybe a little bit too much, and it did affect your singing. | 0:24:42 | 0:24:46 | |
But, overall, there's such an infectious energy about you | 0:24:46 | 0:24:49 | |
that I really like. | 0:24:49 | 0:24:51 | |
I thought it was fantastic. | 0:24:52 | 0:24:53 | |
Erm, it just made me smile from beginning to end. | 0:24:53 | 0:24:57 | |
And, your two eye contact... | 0:24:57 | 0:24:58 | |
When there's just four people in a room, | 0:24:58 | 0:25:01 | |
it's quite difficult to perform and hold the eye contact. | 0:25:01 | 0:25:04 | |
And you - well everybody did - but you two, I couldn't take my eyes off you two. | 0:25:04 | 0:25:08 | |
So well done. It was a brilliant performance. | 0:25:08 | 0:25:10 | |
-Big sigh of relief? -THEY SIGH | 0:25:11 | 0:25:14 | |
You're all sweating, you obviously put in a lot of energy. | 0:25:14 | 0:25:17 | |
How did it go? | 0:25:17 | 0:25:19 | |
-It went really well. -We put all of our effort into it, so... | 0:25:19 | 0:25:21 | |
Are you at all worried because they did say that | 0:25:21 | 0:25:24 | |
some of the soloists were perhaps dancing a little bit too much. | 0:25:24 | 0:25:27 | |
You took a solo - what did you think of that? | 0:25:27 | 0:25:29 | |
It's a good thing, really, for me, because we all know what we need to do, | 0:25:29 | 0:25:34 | |
and what we need to work on to make it even better the next time. | 0:25:34 | 0:25:37 | |
That's a great way of thinking about it. Well done. | 0:25:37 | 0:25:40 | |
# Don't blame it on sunshine! # | 0:25:40 | 0:25:42 | |
Right, next up we have Figure of 8 from Chelmsford. | 0:25:47 | 0:25:51 | |
-And some of them you may recognise from both series one and two. -OK. | 0:25:51 | 0:25:55 | |
# ..I had everything... # | 0:25:56 | 0:25:59 | |
Great! Thank you very much! And relax. How do you think you did? | 0:26:03 | 0:26:07 | |
Yeah. Good. | 0:26:07 | 0:26:08 | |
Good! That's what I like to hear. | 0:26:08 | 0:26:10 | |
DESCENDING VOCALISATION | 0:26:15 | 0:26:18 | |
-How are you feeling today? -THEY ANSWER IN AFFIRMATIVE | 0:26:18 | 0:26:22 | |
-Looking forward to this? -Yeah! Definitely, yeah. | 0:26:22 | 0:26:25 | |
And with your song, there is a lot of emotion in it. | 0:26:25 | 0:26:27 | |
How do you sort of get motivated, prepared, to perform this song? | 0:26:27 | 0:26:31 | |
We just try to enjoy ourselves really. | 0:26:31 | 0:26:33 | |
And just make sure that what we're feeling, is portrayed on stage. | 0:26:33 | 0:26:36 | |
Any group thing you need to do before you go in? | 0:26:36 | 0:26:39 | |
Have a little high-five, or whatever? | 0:26:39 | 0:26:42 | |
ALL: Figure of 8! Figure of 8! | 0:26:42 | 0:26:44 | |
Figure of 8 - nice! | 0:26:44 | 0:26:46 | |
# I know this pain | 0:26:53 | 0:26:55 | |
# Why do you lock yourself up in these chains? | 0:26:57 | 0:27:01 | |
# No-one can change your life except for you | 0:27:03 | 0:27:07 | |
# Don't ever let anyone step all over you | 0:27:07 | 0:27:12 | |
# Just open your heart and your mind | 0:27:12 | 0:27:16 | |
# Mmmmm | 0:27:16 | 0:27:18 | |
# Is it really fair to feel this way inside | 0:27:18 | 0:27:23 | |
# Whoa! | 0:27:23 | 0:27:25 | |
# Some day somebody's gonna make you wanna turn around and say goodbye | 0:27:25 | 0:27:30 | |
# Till then, baby | 0:27:30 | 0:27:31 | |
# Are you gonna let them hold you down and make you cry? | 0:27:31 | 0:27:34 | |
# Don't you know? Don't you know things will change | 0:27:34 | 0:27:37 | |
# Things'll go your way | 0:27:37 | 0:27:39 | |
# If you hold on for one more day | 0:27:39 | 0:27:44 | |
# If you hold on for one more day | 0:27:44 | 0:27:48 | |
# Things will go your way | 0:27:48 | 0:27:51 | |
# Hold on for one more day | 0:27:52 | 0:27:54 | |
# Some day somebody's gonna make you wanna turn around and say goodbye | 0:27:54 | 0:27:59 | |
# Say goodbye | 0:27:59 | 0:28:00 | |
# Till then, baby, are you gonna let them hold you down and make you cry? | 0:28:00 | 0:28:04 | |
# Don't you know, don't you know | 0:28:04 | 0:28:05 | |
# Things will change | 0:28:05 | 0:28:07 | |
# Things will go your way | 0:28:07 | 0:28:08 | |
# If you hold on for one more day | 0:28:08 | 0:28:13 | |
# If you hold on. # | 0:28:13 | 0:28:17 | |
CLAPPING | 0:28:19 | 0:28:21 | |
-Yeah! -Yay! | 0:28:21 | 0:28:22 | |
You have a really good ensemble sound. | 0:28:26 | 0:28:29 | |
You are what a glee club are. | 0:28:29 | 0:28:32 | |
My question to you is, why did you not choose a more complex song? | 0:28:32 | 0:28:36 | |
With such strong singers, such ability to do good harmonies, | 0:28:36 | 0:28:41 | |
I'd like to have heard more layering, more complexity, | 0:28:41 | 0:28:43 | |
because I think you're capable of more. | 0:28:43 | 0:28:45 | |
It makes me want to ask - are you confident enough? | 0:28:45 | 0:28:49 | |
I think we're really confident in all of our abilities. | 0:28:49 | 0:28:53 | |
We were all thinking that if we did get through, | 0:28:53 | 0:28:55 | |
that we would show you the more complex harmonies - | 0:28:55 | 0:28:58 | |
because we are capable of doing that, | 0:28:58 | 0:28:59 | |
but we thought we'd do the first round simple | 0:28:59 | 0:29:02 | |
and just show you, you know, what we can do. | 0:29:02 | 0:29:04 | |
Stick to the safe stuff. | 0:29:04 | 0:29:06 | |
-That's a nice enough comment. -Constructive. | 0:29:06 | 0:29:09 | |
You sang a really rhythmic song, that requires real tightness, | 0:29:09 | 0:29:14 | |
and if one of you is out it really shows. | 0:29:14 | 0:29:17 | |
And none of you were out. You were really, really locked. | 0:29:17 | 0:29:20 | |
ALL: Thank you! | 0:29:20 | 0:29:21 | |
Your timing and your rhythm was fantastic. | 0:29:21 | 0:29:24 | |
Guys, I liked you from the beginning. | 0:29:24 | 0:29:26 | |
I liked you because you sing and perform as a unit. | 0:29:26 | 0:29:30 | |
I think you're strong vocally. | 0:29:30 | 0:29:32 | |
I think your faces are very animated and engaging, | 0:29:32 | 0:29:35 | |
and that's really what a performance is about as well. | 0:29:35 | 0:29:38 | |
Because you can sing well and have absolutely no expression on your face | 0:29:38 | 0:29:41 | |
and you lose your audience. | 0:29:41 | 0:29:43 | |
I think whatever we throw at you, you guys will deliver well. | 0:29:43 | 0:29:48 | |
-They said nice comments, didn't they? -LAUGHTER | 0:29:48 | 0:29:50 | |
-Are you happy with that? -So happy! | 0:29:50 | 0:29:53 | |
I think it was really special because, erm, | 0:29:53 | 0:29:56 | |
last year the main things we needed to work on was gelling as a group. | 0:29:56 | 0:30:00 | |
And they mentioned something about our rhythm being out, | 0:30:00 | 0:30:02 | |
which were the two things they just mentioned as being really good. | 0:30:02 | 0:30:05 | |
You've solved those problems! | 0:30:05 | 0:30:07 | |
Yeah, we've definitely improved. | 0:30:07 | 0:30:09 | |
-Now you've just got to make it more complicated! -LAUGHTER | 0:30:09 | 0:30:11 | |
I'll be interested to see if they do have strong soloists. | 0:30:11 | 0:30:14 | |
-Yeah, I think they're in there. -The one that sang first was good. | 0:30:14 | 0:30:17 | |
They just played it safe. It just felt a little bit safe. | 0:30:17 | 0:30:21 | |
They've also got a couple of people who aren't giving anything facially. | 0:30:21 | 0:30:24 | |
Mmm. | 0:30:24 | 0:30:26 | |
And you've got the front ones who are giving SO much, | 0:30:26 | 0:30:28 | |
that it makes the back ones look, like, not interested. | 0:30:28 | 0:30:31 | |
Is it too safe for them to get through, that's the thing? | 0:30:31 | 0:30:35 | |
# Hold on. # | 0:30:35 | 0:30:38 | |
Domino performed with full-on energy | 0:30:43 | 0:30:46 | |
and Figure of 8 showed the judges what a glee club truly is. | 0:30:46 | 0:30:48 | |
But did they play it too safe? | 0:30:48 | 0:30:51 | |
Next, the final two groups take to the stage. | 0:30:51 | 0:30:53 | |
Will GR8 Expectations and LS8 do enough to gain a place in the heats? | 0:30:53 | 0:30:58 | |
I loved it! I am thoroughly entertained. | 0:30:58 | 0:31:01 | |
You are terrifyingly brilliant. | 0:31:01 | 0:31:03 | |
From the minute you started singing, I was... No! | 0:31:03 | 0:31:05 | |
From the minute you turned around, I was, "Wow! This is incredible." | 0:31:05 | 0:31:09 | |
Right, next up we have Great Expectations from North Yorkshire. | 0:31:12 | 0:31:17 | |
Saw these guys in Manchester. | 0:31:17 | 0:31:18 | |
-Good morning, everybody. -Good morning! | 0:31:18 | 0:31:21 | |
'They are very much a glee club.' | 0:31:21 | 0:31:24 | |
You talk about a wall of sound - | 0:31:24 | 0:31:26 | |
when they were singing, they were like the Niagara Falls of sound. | 0:31:26 | 0:31:31 | |
# He stands like a statue becomes part of a machine... # | 0:31:31 | 0:31:34 | |
Um, it was a bit overkill. | 0:31:34 | 0:31:36 | |
And I'm hoping that they have learned to blend better. | 0:31:36 | 0:31:40 | |
But I think they have potential, so, they're back. | 0:31:40 | 0:31:43 | |
Do you have any sections of your routine you're worried about? | 0:31:43 | 0:31:45 | |
-Or that haven't quite gone to plan in rehearsals? -ALL: Not really. | 0:31:45 | 0:31:49 | |
Just if the boys spin like last time. | 0:31:49 | 0:31:51 | |
-What happened when the boys spin? -We keep forgetting to do it! | 0:31:54 | 0:31:57 | |
-LAUGHTER -So remember to spin! Yep. | 0:31:57 | 0:32:00 | |
Just before you go in, do you have any warm-up that you like to do? | 0:32:00 | 0:32:04 | |
# Fish and chips, fish and chips, fish and chip chip chips | 0:32:04 | 0:32:08 | |
# Fish and chips, fish and chips fish and chip chip chips | 0:32:08 | 0:32:10 | |
# Fish and chips, fish and chip chip chips. # | 0:32:10 | 0:32:12 | |
# Ever since I was a young boy, I've played the silver ball | 0:32:20 | 0:32:24 | |
# From Soho down to Brighton I must have played them all | 0:32:24 | 0:32:27 | |
# But I ain't seen nothing like him in any amusement hall... # | 0:32:27 | 0:32:30 | |
-Spin! Yes! -# That deaf, dumb and blind kid | 0:32:30 | 0:32:32 | |
# Sure plays a mean pinball | 0:32:32 | 0:32:36 | |
# He stands like a statue | 0:32:41 | 0:32:43 | |
# Becomes part of the machine | 0:32:43 | 0:32:45 | |
# Feeling all the bumpers | 0:32:45 | 0:32:47 | |
# Always playing clean | 0:32:47 | 0:32:49 | |
# He plays by intuition | 0:32:49 | 0:32:50 | |
# The digit counters fall | 0:32:50 | 0:32:52 | |
# That deaf, dumb and blind kid | 0:32:52 | 0:32:54 | |
# Sure plays a mean pinball | 0:32:54 | 0:32:56 | |
# He's a pinball wizard | 0:33:03 | 0:33:05 | |
# There's go to be a twist | 0:33:05 | 0:33:07 | |
# A pinball wizard | 0:33:07 | 0:33:09 | |
# Got such a supple wrist | 0:33:09 | 0:33:13 | |
# How do you think he does it? | 0:33:15 | 0:33:17 | |
# I don't know | 0:33:17 | 0:33:18 | |
# What makes him so good? | 0:33:18 | 0:33:22 | |
# Ohhh ohhh ohhh | 0:33:22 | 0:33:24 | |
# I thought I was The Bally table king | 0:33:25 | 0:33:29 | |
# But I just handed my pinball crown to him | 0:33:29 | 0:33:35 | |
# To him | 0:33:36 | 0:33:40 | |
# To him. # | 0:33:40 | 0:33:46 | |
CLAPPING | 0:33:48 | 0:33:52 | |
-Did they do you proud? -Yes, they did. | 0:33:52 | 0:33:54 | |
You look like a glee club, and I love your energy. | 0:33:55 | 0:33:58 | |
Those are the two biggest things for me that are great positives. | 0:33:58 | 0:34:02 | |
Lots of big voices. | 0:34:02 | 0:34:03 | |
One thing you really need to look at, which is amongst the girls - | 0:34:03 | 0:34:07 | |
some of you have got those big belty chest voices, | 0:34:07 | 0:34:09 | |
and then you've got the higher girls with their head voices, | 0:34:09 | 0:34:12 | |
who sound... | 0:34:12 | 0:34:13 | |
-HIGH-PITCHED: -# A little bit like this... # | 0:34:13 | 0:34:15 | |
Those two sounds are SO different, | 0:34:15 | 0:34:17 | |
you've got to work out how you can get those voices to blend together. | 0:34:17 | 0:34:21 | |
It would be much more powerful if you could do that. | 0:34:21 | 0:34:24 | |
-Altogether, I found you really entertaining. -ALL: Thank you. | 0:34:24 | 0:34:27 | |
I like the fact you started with the boys. That's really strong. | 0:34:27 | 0:34:30 | |
But it's when you all came in together on | 0:34:30 | 0:34:32 | |
-"He stands like a statue." Suddenly it was like... -HE CLICKS FINGERS | 0:34:32 | 0:34:35 | |
Ping! The lights go on - I get it that's your sound. | 0:34:35 | 0:34:38 | |
That harmony sound. | 0:34:38 | 0:34:40 | |
It's a great sound. | 0:34:40 | 0:34:42 | |
That's your strength, really play that up. | 0:34:42 | 0:34:45 | |
I was not expecting that at all, but I'm saying it was brilliant. | 0:34:45 | 0:34:48 | |
I loved it from the minute you started singing I was, wo... No! | 0:34:48 | 0:34:51 | |
From the minute you turned around, I was, "Wow! This is incredible." | 0:34:51 | 0:34:54 | |
-What's your name? -Will. | 0:34:54 | 0:34:56 | |
-Your facial expressions were amazing! -Thank you. | 0:34:56 | 0:34:59 | |
The whole time I couldn't stop looking at you. | 0:34:59 | 0:35:01 | |
Girls, you were brilliant. And the two boys, as well. It was fantastic. | 0:35:01 | 0:35:04 | |
Loved it. | 0:35:04 | 0:35:05 | |
They said some lovely things to you! | 0:35:07 | 0:35:09 | |
What did you make of all their comments? | 0:35:09 | 0:35:11 | |
They were so complimentary. Like, they were really nice, like... | 0:35:11 | 0:35:15 | |
It was just generally, really kind of them to say those things. | 0:35:15 | 0:35:18 | |
-And you spun! -ALL: Yes! | 0:35:18 | 0:35:21 | |
Oh, excellent. I'm very pleased. You did fantastically well. | 0:35:21 | 0:35:24 | |
And you had lovely comments. So go and chill out. | 0:35:24 | 0:35:27 | |
ALL: Thank you. | 0:35:27 | 0:35:29 | |
One of my issues was that they were over-singing. Continuously. | 0:35:29 | 0:35:32 | |
And in a small room, at one point, I was just, like - whoa, too much! | 0:35:32 | 0:35:37 | |
I hope they learn to blend better. | 0:35:37 | 0:35:38 | |
They should know - actually, some of us are really shouty-shouty sounding, | 0:35:38 | 0:35:43 | |
and some of us are really holy-sounding, | 0:35:43 | 0:35:45 | |
and those voices don't match. | 0:35:45 | 0:35:47 | |
-They looked amazing. -Yeah. The energy. | 0:35:47 | 0:35:50 | |
I felt like I was at the theatre watching them. | 0:35:50 | 0:35:52 | |
So I really enjoyed that. | 0:35:52 | 0:35:53 | |
# To him! # | 0:35:53 | 0:36:00 | |
Right, next up we have LS8 from Leeds | 0:36:08 | 0:36:11 | |
and I think you guys might enjoy this. | 0:36:11 | 0:36:13 | |
Very theatrical, very unusual. | 0:36:13 | 0:36:15 | |
I chose them and brought them back for that reason. | 0:36:15 | 0:36:18 | |
# Let's do the time-warp again... # | 0:36:18 | 0:36:22 | |
LAUGHTER | 0:36:22 | 0:36:24 | |
So you've got a big character part How do you prepare yourself for that? | 0:36:26 | 0:36:29 | |
You have to get like really creepy, so you get into weird positions. | 0:36:29 | 0:36:33 | |
So is that what your leader told you - to be all creepy and weird? | 0:36:33 | 0:36:36 | |
-Yeah. -All of you have got to be creepy and weird? -Yeah! | 0:36:36 | 0:36:38 | |
They do creepy and weird very well. | 0:36:58 | 0:36:59 | |
They're creepy and weird kids. No, they're not! | 0:36:59 | 0:37:02 | |
# It's astounding | 0:37:10 | 0:37:13 | |
# Time is...fleeting | 0:37:13 | 0:37:17 | |
# Madness...takes its toll | 0:37:17 | 0:37:21 | |
# But listen...closely | 0:37:21 | 0:37:24 | |
# Not for very much...longer | 0:37:24 | 0:37:26 | |
# I've got to...keep control | 0:37:27 | 0:37:32 | |
# It's just a jump to the left | 0:37:32 | 0:37:35 | |
# And then a step to the right | 0:37:35 | 0:37:38 | |
# Put your hands on your...hips | 0:37:38 | 0:37:40 | |
# And bring your knees in tight | 0:37:40 | 0:37:43 | |
# But it's the pelvic thrust | 0:37:43 | 0:37:46 | |
# That really drives you insane | 0:37:46 | 0:37:49 | |
# Let's do the time-warp again | 0:37:49 | 0:37:54 | |
# Let's do the time-warp again | 0:37:54 | 0:37:59 | |
# Well, I was walking down the street just having a think | 0:38:00 | 0:38:03 | |
# When a snake of a guy gave me an evil wink | 0:38:03 | 0:38:06 | |
# He shook-a me up he took me by surprise | 0:38:06 | 0:38:08 | |
# He had a pickup truck and those devil's eyes | 0:38:08 | 0:38:11 | |
# He stared at me and I felt a change | 0:38:11 | 0:38:14 | |
# Time meant nothing never would again | 0:38:14 | 0:38:17 | |
# Let's do the time-warp again | 0:38:17 | 0:38:21 | |
Let's do the time-warp again. # | 0:38:21 | 0:38:27 | |
-Happy with that one? -Really happy. I'm always happy with them. | 0:38:32 | 0:38:34 | |
Well, for me that was Triple A Star with knobs on! | 0:38:38 | 0:38:42 | |
On Glee Club, we have never mentioned speak singing before, | 0:38:42 | 0:38:46 | |
that was one of the best performances of speak singing I've ever heard. Fantastic! | 0:38:46 | 0:38:51 | |
Everyone on that stage performing at 150%, no weak links. | 0:38:51 | 0:38:57 | |
-I loved it! I am thoroughly entertained. -ALL: -Thank you. | 0:38:57 | 0:39:02 | |
I normally hate it when young people do that song, | 0:39:02 | 0:39:05 | |
because you've got to be completely over the top and totally unselfconscious. | 0:39:05 | 0:39:09 | |
And at your age most people aren't, but you guys were. And you, John, were brilliantly demented leading it. | 0:39:09 | 0:39:16 | |
And the rest of you matched him. You were terrifyingly brilliant. | 0:39:16 | 0:39:21 | |
-ALL: -Thank you. -I was breathing for you there. | 0:39:21 | 0:39:24 | |
I was out of breath for you. You're not even out of breath, that's incredible. | 0:39:24 | 0:39:28 | |
And the vocals as well. For how much dancing you were doing, | 0:39:28 | 0:39:31 | |
you could hardly tell that you were even dancing, there were no shakes or bumps or anything. | 0:39:31 | 0:39:35 | |
-ALL: -Thank you. -Well done. | 0:39:35 | 0:39:37 | |
APPLAUSE | 0:39:37 | 0:39:39 | |
How do you feel about being called "demented"? | 0:39:39 | 0:39:42 | |
ALL LAUGH | 0:39:42 | 0:39:45 | |
It's the first time I've heard it. ALL LAUGH | 0:39:45 | 0:39:49 | |
It's... It was great because I was demented. | 0:39:49 | 0:39:52 | |
Have a little celebration. You deserve it. Well done. | 0:39:52 | 0:39:56 | |
I want to join in. | 0:39:56 | 0:39:58 | |
# Let's do the time-warp! # | 0:39:58 | 0:40:00 | |
I'm just going to keep doing... # Let's do the time-warp again! # | 0:40:00 | 0:40:04 | |
-They were brilliant. -Yeah. | 0:40:04 | 0:40:05 | |
-They were fantastic! -I was on the edge of my seat. | 0:40:05 | 0:40:08 | |
-I was like... It made you want to stand up and dance. -Yeah. | 0:40:08 | 0:40:11 | |
-That's what it's all about, a glee club. -Yeah, totally. | 0:40:11 | 0:40:15 | |
If I knew the routine, I'd have been up there with them. | 0:40:15 | 0:40:18 | |
# Let's do the time-warp again! # | 0:40:18 | 0:40:22 | |
Here's a quick reminder of the glee clubs that have preformed today. | 0:40:32 | 0:40:36 | |
# Don't matter what they say to keep you up at night... # | 0:40:40 | 0:40:43 | |
# Let's go dancing in the moonlight | 0:40:46 | 0:40:49 | |
# Take me down like I'm a domino... # | 0:40:49 | 0:40:52 | |
# You're like a laserlight coming down, coming down on me... # | 0:40:56 | 0:41:02 | |
# Cos we are living in a material world | 0:41:06 | 0:41:08 | |
# And I am a material girl... # | 0:41:08 | 0:41:12 | |
# Don't blame it on the sunshine | 0:41:14 | 0:41:16 | |
# Don't blame it on the moonlight | 0:41:16 | 0:41:18 | |
# Don't blame it on the good times blame it on the boogie... # | 0:41:18 | 0:41:21 | |
# Some day, somebody's gonna make you want to turn around | 0:41:25 | 0:41:27 | |
# And say goodbye... # | 0:41:27 | 0:41:29 | |
# That deaf dumb and blind kid | 0:41:31 | 0:41:33 | |
# Sure plays a mean pinball... # | 0:41:33 | 0:41:36 | |
# Let's do the time-warp again... # | 0:41:41 | 0:41:45 | |
OK, so the last of our groups have now performed, | 0:41:53 | 0:41:56 | |
but remember there are only five places left in the studio heats. | 0:41:56 | 0:42:00 | |
Let's join our experts to see who from the final Judges Audition show has made it through. | 0:42:00 | 0:42:05 | |
-I loved these guys. -Nothing like them. | 0:42:07 | 0:42:10 | |
-They are stand alone. -Yep. They're through. -Agreed. Fantastic. | 0:42:10 | 0:42:14 | |
-I thought they were brilliant. -Yeah. I love those too. Definitely. -Top three for me. | 0:42:14 | 0:42:20 | |
Yep. Yep. OK. | 0:42:20 | 0:42:22 | |
-Who's a definite no for you. -Yeah, a definite no. | 0:42:22 | 0:42:25 | |
-Really? -Yeah. -They're a definite yes. -We loved them. | 0:42:25 | 0:42:28 | |
One can go through and two have to go. | 0:42:28 | 0:42:31 | |
I found there was something a little more genuine about them for some reason over them. | 0:42:31 | 0:42:35 | |
-OK, they'll go. So now it's down to these two. Of these two? -Yeah? | 0:42:35 | 0:42:41 | |
-They should go through. Is that a yes from you, John? -It's yes from me. | 0:42:41 | 0:42:44 | |
-I haven't said yes. -Why are we arguing this? There's two people saying yes, one saying no. | 0:42:44 | 0:42:50 | |
You're out-ruled. | 0:42:50 | 0:42:52 | |
Overruled, outnumbered! BOTH LAUGH | 0:42:52 | 0:42:55 | |
Grumpy. | 0:42:55 | 0:42:57 | |
The five glee clubs going through to the studio heats are... | 0:43:03 | 0:43:06 | |
And finally... | 0:43:18 | 0:43:20 | |
So we now have our final five acts who've made it to the studio heats | 0:43:26 | 0:43:30 | |
and are one step closer to the live shows. | 0:43:30 | 0:43:33 | |
Thanks to Carrie, David, John and all our celebrity guests. | 0:43:33 | 0:43:37 | |
Join me next time when I will be joined by Sam and Mark, yah, | 0:43:37 | 0:43:40 | |
for the first of our Comic Relief Does Glee Club studio heats. Bye-bye. | 0:43:40 | 0:43:45 | |
To see all of today's performances again go to the CBBC website | 0:43:46 | 0:43:50 | |
and click on the links for today's acts. | 0:43:50 | 0:43:52 | |
Next time on Glee Club it's getting serious. | 0:43:52 | 0:43:55 | |
It's the first of the studio heats. | 0:43:55 | 0:43:57 | |
Let the battle begin for a place in the semifinal. | 0:43:57 | 0:43:59 | |
Subtitles by Red Bee Media Ltd | 0:43:59 | 0:44:02 |