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24 groups have performed for our judges, and now we're down to 15. | 0:00:03 | 0:00:06 | |
Welcome to the first of the studio heats. | 0:00:09 | 0:00:11 | |
The pressure's on - only five groups can make it to the semi-final, | 0:00:11 | 0:00:15 | |
so prepare yourselves for some show-stopping performances... | 0:00:15 | 0:00:18 | |
..as today three groups take to the stage. | 0:00:20 | 0:00:22 | |
This is Comic Relief Does Glee Club 2013! | 0:00:26 | 0:00:29 | |
APPLAUSE AND CHEERING | 0:00:48 | 0:00:51 | |
Please welcome your hosts, Sam and Mark. | 0:00:51 | 0:00:54 | |
-BOTH: -Hello! | 0:01:00 | 0:01:01 | |
What a welcome! Come on, keep it going! | 0:01:01 | 0:01:03 | |
Keep it going! | 0:01:03 | 0:01:05 | |
That is what I call an entrance, baby! | 0:01:06 | 0:01:08 | |
It's great to be back for the new series of Comic Relief Does Glee Club | 0:01:08 | 0:01:12 | |
and another perfect excuse to go looking for Britain's | 0:01:12 | 0:01:15 | |
top young performers, and it's all in aid of Red Nose Day. | 0:01:15 | 0:01:18 | |
AND, just because we weren't at the judges' auditions, | 0:01:18 | 0:01:21 | |
don't think we haven't been paying attention. | 0:01:21 | 0:01:23 | |
-I think your hair looks lovely, mate. -What? | 0:01:23 | 0:01:25 | |
-I'm only joking! -He's only joking! | 0:01:25 | 0:01:27 | |
I heard what you said. | 0:01:27 | 0:01:29 | |
Seriously, we have been blown away by the talent on offer this series. | 0:01:29 | 0:01:32 | |
Someone who has been there from the beginning, | 0:01:32 | 0:01:34 | |
travelled the length and breadth of the country, | 0:01:34 | 0:01:36 | |
-and much prettier than us two... -Speak for yourself! | 0:01:36 | 0:01:39 | |
She's more at home with creepy crawlies | 0:01:39 | 0:01:40 | |
and dangerous destinations - so she'll be fine here. | 0:01:40 | 0:01:43 | |
-High-five. -Good banter! -Good one. | 0:01:43 | 0:01:45 | |
Please go wild for Naomi Wilkinson! | 0:01:45 | 0:01:47 | |
APPLAUSE AND CHEERING | 0:01:47 | 0:01:49 | |
Woo! Yeah! | 0:01:54 | 0:01:55 | |
Naomi, you are looking lovely. You all right? | 0:01:55 | 0:01:58 | |
Thanks, yeah, very exciting, isn't it? | 0:01:58 | 0:02:00 | |
It is exciting! | 0:02:00 | 0:02:01 | |
Naomi, obviously this studio's a bit different to what you're used to, | 0:02:01 | 0:02:05 | |
the biggest difference being Steve Backshall's not with you. | 0:02:05 | 0:02:08 | |
-Yeah. -Yeah, Steve Backshall and his manly arms and rugged chin. | 0:02:08 | 0:02:11 | |
Yeah, Steve "I'm not afraid of anything" Backshall. | 0:02:11 | 0:02:14 | |
-Lovely, lovely, Steve Backshall. -Lovely Steve. | 0:02:14 | 0:02:17 | |
-I think that's enough of that. -Sorry, yeah. | 0:02:17 | 0:02:19 | |
I'll tell you what, I'm so looking forward to this, | 0:02:19 | 0:02:21 | |
and it's really good to see the groups again. | 0:02:21 | 0:02:23 | |
We're glad that you're on this stage with us. | 0:02:23 | 0:02:25 | |
We wouldn't want to share it with just anybody. | 0:02:25 | 0:02:28 | |
But, as you can see from the stage, | 0:02:28 | 0:02:30 | |
-it is a little bit small for three people. -Tiny stage. | 0:02:30 | 0:02:33 | |
-So, I reckon you should go backstage. -Backstage. | 0:02:33 | 0:02:36 | |
That's no problem, cos everybody knows, after all, | 0:02:36 | 0:02:39 | |
the backstage area is the place to be. | 0:02:39 | 0:02:41 | |
What's she talking about? | 0:02:41 | 0:02:42 | |
She doesn't know what she's talking about. | 0:02:42 | 0:02:43 | |
You go backstage. Give it up for Naomi Wilkinson, everybody! | 0:02:43 | 0:02:46 | |
APPLAUSE AND CHEERING | 0:02:46 | 0:02:48 | |
She doesn't know what she's talking about. | 0:02:48 | 0:02:50 | |
-See you later! -See you later! -Keep it real. | 0:02:51 | 0:02:54 | |
Now, let's meet four people... | 0:02:55 | 0:02:56 | |
Well, I say people - | 0:02:56 | 0:02:58 | |
they're actually walking, talking masters of music - | 0:02:58 | 0:03:01 | |
it's our judges! | 0:03:01 | 0:03:03 | |
APPLAUSE AND CHEERING | 0:03:03 | 0:03:06 | |
Ah, lovely, lovely judges. | 0:03:15 | 0:03:17 | |
Now, lads, you scrub up well, but, Carrie, | 0:03:17 | 0:03:20 | |
-you look positively radiant today. -Oh, you look lovely, too. | 0:03:20 | 0:03:23 | |
Very kind of you. Are you excited about today's show? | 0:03:23 | 0:03:25 | |
Really excited. We have a lot of good talent. | 0:03:25 | 0:03:28 | |
Very exciting. OK, guys, if you'd like to make your way to your seats, | 0:03:28 | 0:03:31 | |
and whilst they do that, let's find out little bit more | 0:03:31 | 0:03:33 | |
about our perfect professionals. | 0:03:33 | 0:03:37 | |
They're the top coaches in the industry and have worked | 0:03:37 | 0:03:39 | |
with a host of stars from The Saturdays to Olly Murs, | 0:03:39 | 0:03:42 | |
it's the judges. | 0:03:42 | 0:03:43 | |
The reason I get up in the morning and go to work | 0:03:43 | 0:03:46 | |
is because I love seeing people transformed, | 0:03:46 | 0:03:48 | |
and when you sing, it does more than just help you feel good | 0:03:48 | 0:03:51 | |
about your voice, it does something for who you are. | 0:03:51 | 0:03:55 | |
My expectations this year are higher than ever. | 0:03:55 | 0:03:57 | |
I'm expecting people to come on to that stage and completely take over, | 0:03:57 | 0:04:02 | |
to know they're on TV, with a live audience - they have to entertain. | 0:04:02 | 0:04:06 | |
I hope to bring balance to the judging panel. | 0:04:08 | 0:04:11 | |
I hope to bring some empathy, some encouragement, | 0:04:11 | 0:04:14 | |
with some constructive critique. | 0:04:14 | 0:04:17 | |
I'm looking for bigger and better talent. | 0:04:18 | 0:04:20 | |
I want better choreography, better vocals and better charisma. | 0:04:20 | 0:04:24 | |
I want the whole package, so I want, basically, the impossible. | 0:04:24 | 0:04:28 | |
APPLAUSE AND CHEERING | 0:04:32 | 0:04:34 | |
-That is why they're the judges, people, that is why. -Absolutely. | 0:04:34 | 0:04:38 | |
Now for the important bit. 15 groups have made it through to the heats. | 0:04:38 | 0:04:41 | |
Today, three will battle it out for our experts, | 0:04:41 | 0:04:44 | |
who will be scoring them on vocal ability, creativity and performance. | 0:04:44 | 0:04:48 | |
All four judges will be giving marks out of 10 for each | 0:04:48 | 0:04:51 | |
of the disciplines, so there are plenty of points to be won, | 0:04:51 | 0:04:53 | |
and in the unlikely event of a tie, | 0:04:53 | 0:04:55 | |
head judge Carrie will decide who gets the medals. | 0:04:55 | 0:04:58 | |
The acts with the top five scores across the heats | 0:04:58 | 0:05:00 | |
will then compete in the live finals, | 0:05:00 | 0:05:02 | |
where it will be up for you at home to vote for your favourites. | 0:05:02 | 0:05:05 | |
And the winners will take home the fantastic | 0:05:05 | 0:05:08 | |
Comic Relief Does Glee Club 2013 trophy! | 0:05:08 | 0:05:11 | |
-AUDIENCE: -Ooh! | 0:05:11 | 0:05:12 | |
Oh, yeah! | 0:05:12 | 0:05:14 | |
I tell you what, we love a trophy, and that one is an absolute beauty. | 0:05:14 | 0:05:17 | |
Right, let's find out how Naomi and the groups are getting on backstage. | 0:05:17 | 0:05:21 | |
Thank you very much, boys. | 0:05:21 | 0:05:22 | |
Yes, I am backstage with Excellar8, LS8 and Diva8. | 0:05:22 | 0:05:25 | |
What's our favourite number? | 0:05:25 | 0:05:26 | |
ALL SHOUT DIFFERENT NUMBERS | 0:05:26 | 0:05:28 | |
You're supposed to say eight! | 0:05:28 | 0:05:30 | |
Anyway, Excellar8, let's come to you first for a little chat. | 0:05:30 | 0:05:32 | |
What people at home might not know is that some of you like to sing | 0:05:32 | 0:05:36 | |
-to your animals, is that right? Who sings to the chickens? -Me. | 0:05:36 | 0:05:39 | |
When I let them out in the morning I sing to them and they peck me. | 0:05:39 | 0:05:45 | |
-Nice. And, Alicia, you like to sing to your... -Hamsters. | 0:05:45 | 0:05:49 | |
Yeah, they stay in their little houses and I really want them | 0:05:49 | 0:05:52 | |
to come out, so I can hold them, so I sing to them to come out. | 0:05:52 | 0:05:55 | |
-Any other pets? -I've got a rabbit and a fish. | 0:05:55 | 0:05:57 | |
I don't really go out to my rabbit because it is always really cold | 0:05:57 | 0:06:01 | |
and I sing to my fish. I go, "Pop-pop-pop." | 0:06:01 | 0:06:04 | |
You could form a whole band there. Good luck, Excellar8. | 0:06:04 | 0:06:08 | |
Over to L8. Your name suggests there are eight members in your group, | 0:06:08 | 0:06:11 | |
but there is actually a ninth member, I hear. | 0:06:11 | 0:06:13 | |
-Who's going to tell me about Philippe? -I am. | 0:06:13 | 0:06:15 | |
This is Philippe, our make-up bag. | 0:06:15 | 0:06:19 | |
He's essential to our needs. | 0:06:19 | 0:06:22 | |
He holds everything, but it's very confidential. | 0:06:22 | 0:06:24 | |
-Can I have a little chat with Philippe? -Yeah. | 0:06:24 | 0:06:26 | |
This will test my interview skills. | 0:06:26 | 0:06:28 | |
So, Philippe, who does your hair and make-up? | 0:06:28 | 0:06:31 | |
No? Are you cheesed off that the group's not called LS9? | 0:06:33 | 0:06:36 | |
It's not working, I can't shut him up. | 0:06:38 | 0:06:40 | |
Good luck. He's made you look stunning today. | 0:06:40 | 0:06:42 | |
And over here to Diva8. | 0:06:42 | 0:06:44 | |
I hear you have an extraordinary talent amongst your group. Go on. | 0:06:44 | 0:06:50 | |
-It's Sunika, isn't it? -Yeah, I'm double jointed, so my fingers... | 0:06:50 | 0:06:54 | |
Urgh!! Urgh-urgh-urgh! Gross. | 0:06:54 | 0:06:56 | |
And it's also Katie's birthday today - happy birthday, Katie! | 0:06:56 | 0:07:00 | |
Wishing you all the very best of luck. | 0:07:00 | 0:07:03 | |
Our groups arrived in Glasgow yesterday for the studio heats, | 0:07:03 | 0:07:06 | |
but has the pressure of meeting the competition | 0:07:06 | 0:07:08 | |
given them cause for concern, | 0:07:08 | 0:07:10 | |
or have they made some lifelong friends? | 0:07:10 | 0:07:12 | |
Let's see how they got on when they met for the first time. | 0:07:12 | 0:07:15 | |
When our first three glee clubs got together in Glasgow, | 0:07:16 | 0:07:19 | |
they were certainly up for making some noise. | 0:07:19 | 0:07:23 | |
ALL: We're LS8 and we're from Leeds! | 0:07:23 | 0:07:26 | |
-ALL: -We're Excellar8 and we're from Stockport! | 0:07:26 | 0:07:30 | |
-ALL: -We're Diva8 and we're from London! | 0:07:30 | 0:07:32 | |
It was a chance to relax and get to know each other | 0:07:34 | 0:07:36 | |
before the big day in the studio and have some fun, | 0:07:36 | 0:07:39 | |
and maybe reveal some behind the scenes secrets | 0:07:39 | 0:07:42 | |
about their glee clubs. | 0:07:42 | 0:07:43 | |
-Well, we're twins and I'm the oldest... -By only one minute. | 0:07:45 | 0:07:48 | |
Actually, no, one and a half. | 0:07:48 | 0:07:50 | |
-That doesn't make a difference. -Yeah, it does. | 0:07:50 | 0:07:53 | |
-Can you play golf? -No, I can't. -No, can't play. | 0:07:57 | 0:08:00 | |
I've never been to Scotland before. | 0:08:02 | 0:08:05 | |
This is the first time. | 0:08:05 | 0:08:07 | |
Well we're all wearing dresses... | 0:08:07 | 0:08:09 | |
They're wearing skirts, I'm obviously wearing a dress. | 0:08:09 | 0:08:12 | |
I'm joking. | 0:08:12 | 0:08:13 | |
Our names altogether is Alercamjeniz-Hafija. | 0:08:14 | 0:08:17 | |
-It's made out of... -Really? -Yes! | 0:08:17 | 0:08:20 | |
-Did you not know that? -No. | 0:08:20 | 0:08:22 | |
"Al" for Alicia, "Er" for Erin, | 0:08:22 | 0:08:26 | |
"Cam" for Cameron, "Jeniz" is made of Jessica and Paniz. | 0:08:26 | 0:08:29 | |
Then "Hafija" is Harrison, Findlay and Jay. | 0:08:29 | 0:08:32 | |
Alercamjeniz-Hafija. | 0:08:32 | 0:08:35 | |
That is so weird. | 0:08:35 | 0:08:36 | |
-We're known for being crazy. -Yeah. | 0:08:38 | 0:08:41 | |
-This is Philippe. -Our ninth member of LS8. | 0:08:41 | 0:08:43 | |
And mad. | 0:08:43 | 0:08:44 | |
Essential to our competition, he's always there. | 0:08:44 | 0:08:47 | |
-People wouldn't think it's a good thing, but it is to us. -It is. | 0:08:47 | 0:08:50 | |
He has many pockets inside of him which contain all of our needs. | 0:08:50 | 0:08:54 | |
APPLAUSE AND CHEERING | 0:09:03 | 0:09:06 | |
Please welcome our glee clubs, Excellar8! | 0:09:08 | 0:09:12 | |
LS8! | 0:09:12 | 0:09:15 | |
And Diva8! | 0:09:15 | 0:09:16 | |
It is lovely to have you here, guys. The best of luck to you. | 0:09:18 | 0:09:21 | |
Let's find out about your first challenge. | 0:09:21 | 0:09:24 | |
Round One, singing together. | 0:09:25 | 0:09:27 | |
All group members must sing at the same time with no featured vocals. | 0:09:27 | 0:09:32 | |
Right, today's first challenge song is Troublemaker. | 0:09:34 | 0:09:37 | |
To tell you the truth I think they're all troublemakers, | 0:09:37 | 0:09:40 | |
especially John and Sisco. | 0:09:40 | 0:09:41 | |
Separate them, will you? I'm watching you. | 0:09:41 | 0:09:44 | |
Only when he gets the guns out. | 0:09:44 | 0:09:45 | |
The gun show! | 0:09:45 | 0:09:47 | |
Singing together for Round One | 0:09:47 | 0:09:48 | |
and performing Troublemaker by Olly Murs... | 0:09:48 | 0:09:50 | |
It's Excellar8, LS8 and Diva8! | 0:09:50 | 0:09:54 | |
APPLAUSE AND CHEERING | 0:09:54 | 0:09:56 | |
# You had me hooked again From the minute you sat down | 0:09:58 | 0:10:03 | |
# The way you bite your lip Got my head spinnin' around | 0:10:03 | 0:10:07 | |
# After a drink or two I was putty in your hands | 0:10:07 | 0:10:11 | |
# I don't know if I have the strength to stand | 0:10:11 | 0:10:15 | |
# Oh-oh-oh | 0:10:15 | 0:10:17 | |
# Trouble, troublemaker, yeah that's your middle name | 0:10:17 | 0:10:20 | |
# Oh-oh-oh | 0:10:20 | 0:10:21 | |
# I know you're no good but you're stuck in my brain | 0:10:21 | 0:10:24 | |
# And I wanna know | 0:10:24 | 0:10:25 | |
# Why does it feel so good but hurt so bad? | 0:10:25 | 0:10:29 | |
# Whoa-oh-oh-oh | 0:10:29 | 0:10:30 | |
# My mind keeps saying "Run as fast as you can" | 0:10:30 | 0:10:35 | |
# I say I'm done but then you pull me back | 0:10:35 | 0:10:38 | |
# Whoa-oh-oh-oh | 0:10:38 | 0:10:39 | |
# I swear you're giving me a heart attack | 0:10:39 | 0:10:42 | |
# Troublemaker! | 0:10:42 | 0:10:44 | |
# Why does it feel so good but hurt so bad? | 0:10:44 | 0:10:47 | |
# Whoa-oh-oh-oh | 0:10:47 | 0:10:48 | |
# My mind keeps saying "Run as fast as you can" | 0:10:48 | 0:10:52 | |
# I say I'm done but then you pull me back | 0:10:52 | 0:10:56 | |
# Whoa-oh-oh-oh | 0:10:56 | 0:10:57 | |
# I swear you're giving me a heart attack | 0:10:57 | 0:11:01 | |
# Troublemaker. # | 0:11:01 | 0:11:02 | |
APPLAUSE AND CHEERING | 0:11:02 | 0:11:04 | |
# It's like you're always there in the corners of my mind | 0:11:08 | 0:11:12 | |
# I see a silhouette every time I close my eyes | 0:11:12 | 0:11:16 | |
# There must be poison in those finger tips of yours | 0:11:16 | 0:11:21 | |
# Cos I keep coming back again for more | 0:11:21 | 0:11:25 | |
# Whoa-oh-oh | 0:11:25 | 0:11:26 | |
# Trouble, troublemaker, yeah that's your middle name | 0:11:26 | 0:11:29 | |
# Whoa-oh-oh-oh | 0:11:29 | 0:11:31 | |
# I know you're no good but you're stuck in my brain | 0:11:31 | 0:11:34 | |
# And I wanna know | 0:11:34 | 0:11:35 | |
# Why does it feel so good but hurt so bad? | 0:11:35 | 0:11:38 | |
# Whoa-oh-oh-oh | 0:11:38 | 0:11:40 | |
# My mind keeps saying "Run as fast as you can" | 0:11:40 | 0:11:44 | |
# I say I'm done but then you pull me back | 0:11:44 | 0:11:47 | |
# Whoa-oh-oh-oh | 0:11:47 | 0:11:49 | |
# I swear you're giving me a heart attack | 0:11:49 | 0:11:52 | |
# Troublemaker | 0:11:52 | 0:11:53 | |
# Why does it feel so good but hurt so bad? | 0:11:53 | 0:11:56 | |
# Whoa-oh-oh-oh | 0:11:56 | 0:11:58 | |
# My mind keeps saying "Run as fast as you can" | 0:11:58 | 0:12:02 | |
# I say I'm done but then you pull me back | 0:12:02 | 0:12:05 | |
# Whoa-oh-oh-oh | 0:12:05 | 0:12:07 | |
# I swear you're giving me a heart attack | 0:12:07 | 0:12:10 | |
# Troublemaker! # | 0:12:10 | 0:12:11 | |
APPLAUSE AND CHEERING | 0:12:11 | 0:12:14 | |
# You had me hooked again from the minute you sat down | 0:12:17 | 0:12:22 | |
# The way you bite your lip got my head spinning around | 0:12:22 | 0:12:26 | |
# After a drink or two | 0:12:26 | 0:12:28 | |
# I was putty in your hands | 0:12:28 | 0:12:30 | |
# I don't know if I have the strength to stand | 0:12:30 | 0:12:34 | |
# Whoa-oh-oh-oh | 0:12:34 | 0:12:35 | |
# Trouble, troublemaker, yeah that's your middle name | 0:12:35 | 0:12:38 | |
# Whoa-oh-oh-oh | 0:12:38 | 0:12:40 | |
I know you're no good but you're stuck in my brain | 0:12:40 | 0:12:43 | |
# And I wanna know | 0:12:43 | 0:12:44 | |
# Why does it feel so good but hurt so bad? | 0:12:44 | 0:12:48 | |
# Whoa-oh-oh-oh | 0:12:48 | 0:12:49 | |
# My mind keeps saying "Run as fast as you can" | 0:12:49 | 0:12:53 | |
# I say I'm done but then you pull me back | 0:12:53 | 0:12:57 | |
# Whoa-oh-oh-oh | 0:12:57 | 0:12:58 | |
# I swear you're giving me a heart attack | 0:12:58 | 0:13:01 | |
# Troublemaker! | 0:13:01 | 0:13:02 | |
# Why does it feel so good but hurt so bad? | 0:13:02 | 0:13:06 | |
# Whoa-oh-oh-oh | 0:13:06 | 0:13:07 | |
# My mind keeps saying "Run as fast as you can" | 0:13:07 | 0:13:11 | |
# I say I'm done but then you pull me back | 0:13:11 | 0:13:15 | |
# Whoa-oh-oh-oh | 0:13:15 | 0:13:16 | |
# I swear you're giving me a heart attack | 0:13:16 | 0:13:19 | |
# Troublemaker! # | 0:13:19 | 0:13:22 | |
APPLAUSE AND CHEERING | 0:13:22 | 0:13:24 | |
# Why does it feel so good but hurt so bad? | 0:13:30 | 0:13:34 | |
# Whoa-oh-oh-oh | 0:13:34 | 0:13:35 | |
# My mind keeps saying "Run as fast as you can" | 0:13:35 | 0:13:40 | |
# I say I'm done but then you pull me back | 0:13:40 | 0:13:43 | |
# Whoa-oh-oh-oh | 0:13:43 | 0:13:45 | |
# I swear you're giving me a heart attack | 0:13:45 | 0:13:48 | |
# Troublemaker! # | 0:13:48 | 0:13:50 | |
APPLAUSE AND CHEERING | 0:13:50 | 0:13:52 | |
Oh, wow! That will do it, guys! | 0:13:53 | 0:13:55 | |
It's all right, you can calm down, it's over. | 0:13:55 | 0:13:58 | |
Fantastic start. Let's see what the judges thought of that performance. | 0:13:58 | 0:14:01 | |
Carrie, what does this round do to highlight | 0:14:01 | 0:14:04 | |
the groups' singing ability? | 0:14:04 | 0:14:06 | |
With these particular groups, it's brilliant for us | 0:14:06 | 0:14:08 | |
cos it's one song and you have three groups | 0:14:08 | 0:14:10 | |
with totally different styles, | 0:14:10 | 0:14:11 | |
so we really get to see if they can translate that on to the same song. | 0:14:11 | 0:14:15 | |
OK, so, Excellar8, you are really cute as David said in the auditions. | 0:14:15 | 0:14:20 | |
You did the tightest singing today. | 0:14:20 | 0:14:22 | |
Really excellent, and for the youngest group | 0:14:22 | 0:14:24 | |
I'm really impressed with that, big salute. | 0:14:24 | 0:14:27 | |
LS8, your challenge was, can we carry the drama onto a pop song? | 0:14:27 | 0:14:31 | |
For me, you did, visually. Vocally, I'm not so sure, for me. | 0:14:31 | 0:14:34 | |
I think the guys were down too low on that low root note. | 0:14:34 | 0:14:37 | |
But OK, very good visually. | 0:14:37 | 0:14:40 | |
Diva8, you kept that kind of African rhythm. | 0:14:40 | 0:14:43 | |
Even though you were doing a pop song, you still kept it. | 0:14:43 | 0:14:46 | |
The tuning, pitchy in places, but for me, the rhythm, | 0:14:46 | 0:14:50 | |
that was the best rhythmical singing we had. | 0:14:50 | 0:14:52 | |
-APPLAUSE -Thank you, Carrie. | 0:14:52 | 0:14:55 | |
David, how do you compare those performances? | 0:14:55 | 0:14:58 | |
They were three very different performances. If the Chipmunks | 0:14:58 | 0:15:01 | |
and the Chipettes were human, | 0:15:01 | 0:15:03 | |
they would be Excellar8. | 0:15:03 | 0:15:05 | |
They're cute, they're sweet, they're like... | 0:15:05 | 0:15:09 | |
bright. LS8, to me, they're like a tight gang. | 0:15:09 | 0:15:14 | |
They attacked the song more than any other group | 0:15:14 | 0:15:18 | |
and I really like that. It's like you take the song and you give it | 0:15:18 | 0:15:21 | |
a good kicking. I enjoyed your performance of it. | 0:15:21 | 0:15:24 | |
Diva8, I think that you guys were, for me, very smooth vocally. | 0:15:24 | 0:15:29 | |
I agree with Carrie inasmuch as there were a few pitchy things | 0:15:29 | 0:15:32 | |
here and there, but your sound, you really blend well. | 0:15:32 | 0:15:37 | |
Thank you. Nice one. APPLAUSE | 0:15:37 | 0:15:39 | |
John, which acts did it for you there? | 0:15:39 | 0:15:42 | |
Again, different reasons. | 0:15:42 | 0:15:45 | |
Vocal blend, I would have to say Diva8 did it for me. | 0:15:45 | 0:15:48 | |
As far as stage presence, | 0:15:48 | 0:15:51 | |
it's you guys, Excellar8, that always do it for me. | 0:15:51 | 0:15:54 | |
You just have that natural charisma. I always watch you and just smile. | 0:15:54 | 0:15:58 | |
I have to say, for the tightness and the hard work - | 0:15:58 | 0:16:01 | |
and I can see everything - for that, it's you guys, | 0:16:01 | 0:16:03 | |
-all the time, it's LS8. -Thank you. -Right, thanks very much. | 0:16:03 | 0:16:07 | |
-Sisco, were you entertained? -I was entertained. | 0:16:07 | 0:16:11 | |
And what I really liked about all three groups, | 0:16:11 | 0:16:14 | |
they prioritised the vocal. | 0:16:14 | 0:16:16 | |
The choreography wasn't too much. It wasn't overbearing | 0:16:16 | 0:16:19 | |
and I really enjoyed the interpretation of the songs, | 0:16:19 | 0:16:22 | |
-so well done to all three groups. -Thank you very much, judges. | 0:16:22 | 0:16:25 | |
APPLAUSE All right. So... | 0:16:25 | 0:16:29 | |
whilst we check and verify the scores for Round 1, | 0:16:29 | 0:16:31 | |
let's take a look at some messages from OUR famous friends. | 0:16:31 | 0:16:35 | |
-They're ours. -Yeah! | 0:16:35 | 0:16:37 | |
-ALL: -Hi, we're Little Mix! | 0:16:37 | 0:16:40 | |
If you've been inspired by the incredible performances | 0:16:40 | 0:16:42 | |
that you've seen on today's show, then get involved | 0:16:42 | 0:16:45 | |
and do something funny for money for this Red Nose Day. | 0:16:45 | 0:16:48 | |
Thank you! | 0:16:48 | 0:16:49 | |
So, the scores have been checked and verified | 0:16:52 | 0:16:55 | |
and the results for Round 1 are in, so it's over to you, Sam. | 0:16:55 | 0:16:58 | |
Oh, it's getting very tense. I can reveal | 0:16:58 | 0:17:01 | |
that the judges' combined score for Excellar8, | 0:17:01 | 0:17:04 | |
out of a possible 120 points, is... | 0:17:04 | 0:17:07 | |
The judges' combined score for LS8 is... | 0:17:17 | 0:17:20 | |
And finally, the judges' combined score for Diva8 is... | 0:17:31 | 0:17:34 | |
-Well done, guys. -It's very, very close | 0:17:43 | 0:17:45 | |
and all to play for. There's still one more challenge to go, | 0:17:45 | 0:17:49 | |
but before that, let's take a look at the scoreboard after Round 1. | 0:17:49 | 0:17:53 | |
Excellar8 are leading the way with 81 points. | 0:17:53 | 0:17:56 | |
LS8 have 73 points | 0:17:56 | 0:17:58 | |
and Diva8 are just ahead of LS8 with 74 points. | 0:17:58 | 0:18:02 | |
But with 120 points available to each group in Round 2, | 0:18:02 | 0:18:06 | |
it could all change. | 0:18:06 | 0:18:08 | |
So, I'm here with all the 8s, who really did have | 0:18:08 | 0:18:10 | |
some lovely comments, didn't you, Excellar8? | 0:18:10 | 0:18:13 | |
-Yeah. -Great stage presence, great charisma. | 0:18:13 | 0:18:15 | |
Carrie thought you were vocally the tightest group. | 0:18:15 | 0:18:18 | |
What do you think of those comments? | 0:18:18 | 0:18:19 | |
They're really, really good. | 0:18:19 | 0:18:21 | |
-We were dead happy when we got them. -And the highest score? | 0:18:21 | 0:18:25 | |
Yeah, I didn't think we'd get the highest, | 0:18:25 | 0:18:27 | |
-but we did really well, yeah. -Excellent. Over to LS8. | 0:18:27 | 0:18:30 | |
Harry. They loved you. They thought you were really good visually. | 0:18:30 | 0:18:34 | |
They said you attacked the song. | 0:18:34 | 0:18:36 | |
David said you gave it a good kicking. Would you agree? | 0:18:36 | 0:18:39 | |
Well, we did work quite a lot on it, | 0:18:39 | 0:18:42 | |
and we gave it some sparkle... | 0:18:42 | 0:18:46 | |
-Your pizzazz that you were talking about. -..some pizzazz. | 0:18:46 | 0:18:50 | |
And all the constructive criticism, we'll take it on board | 0:18:50 | 0:18:54 | |
and maybe put that into our routines. | 0:18:54 | 0:18:57 | |
Into your next song. Give us your pizzazz face to the camera. | 0:18:57 | 0:19:00 | |
It's good, that! And over to LS8. | 0:19:00 | 0:19:03 | |
I do like this move that you do. I like that one. | 0:19:03 | 0:19:05 | |
So they thought that you kept your African rhythm, | 0:19:05 | 0:19:08 | |
lovely vocal blend. Has that given you confidence for the next round? | 0:19:08 | 0:19:12 | |
Definitely. I think we were a bit nervous | 0:19:12 | 0:19:15 | |
when we did our first performance, | 0:19:15 | 0:19:17 | |
but I think, cos we've now got, like - | 0:19:17 | 0:19:20 | |
we can do it, we've experienced it - | 0:19:20 | 0:19:22 | |
I think we're all really excited for the next performance. | 0:19:22 | 0:19:25 | |
Growing in confidence every minute. Well, well done! | 0:19:25 | 0:19:27 | |
Very tight scores at this stage in the game, | 0:19:27 | 0:19:30 | |
but there are plenty of points on offer, | 0:19:30 | 0:19:32 | |
so best of luck with your next song. Let's give them | 0:19:32 | 0:19:34 | |
a big round of applause. Back to you, Sam and Mark. | 0:19:34 | 0:19:36 | |
-It is very tight. -Yeah. -Thank you very much, Naomi. | 0:19:37 | 0:19:40 | |
While the groups get ready for round number two, | 0:19:40 | 0:19:43 | |
let's remind ourselves why we're here | 0:19:43 | 0:19:45 | |
and how Comic Relief really does make a difference | 0:19:45 | 0:19:47 | |
to young lives in the UK and in Africa. | 0:19:47 | 0:19:50 | |
Comic Relief works hard to support people | 0:19:50 | 0:19:54 | |
who are leading incredibly difficult lives | 0:19:54 | 0:19:56 | |
by funding projects all over Africa, | 0:19:56 | 0:19:58 | |
as well as right here in the UK. | 0:19:58 | 0:20:01 | |
In fact, the charity has funded over 15,000 projects in the UK, | 0:20:01 | 0:20:05 | |
working 365 days a year to change things for the better. | 0:20:05 | 0:20:10 | |
The donations that you make will help vulnerable people | 0:20:12 | 0:20:15 | |
from all walks of life, at home and abroad. | 0:20:15 | 0:20:18 | |
You can help make a huge difference. | 0:20:18 | 0:20:20 | |
To find out how you can do something funny for money, | 0:20:20 | 0:20:24 | |
get a grown-up and visit the CBBC website at... | 0:20:24 | 0:20:26 | |
Follow the link to Comic Relief. | 0:20:31 | 0:20:33 | |
Thank you. | 0:20:33 | 0:20:35 | |
You really can make a difference, so go on, | 0:20:43 | 0:20:45 | |
get involved and do something funny for money. | 0:20:45 | 0:20:47 | |
Sam's doing something funny for money right now. Look at that face! | 0:20:47 | 0:20:51 | |
-£5, please. -What?! | 0:20:52 | 0:20:54 | |
-£5 for Comic Relief. -Oh, go on, then. | 0:20:54 | 0:20:56 | |
-Here you go. -Thanking you. That'll go straight to Comic Relief. OK, | 0:20:56 | 0:20:59 | |
time for Round 2. This is the last chance for our groups | 0:20:59 | 0:21:02 | |
to deliver a show-stopping performance. | 0:21:02 | 0:21:04 | |
They need to score as many points as they can | 0:21:04 | 0:21:07 | |
to secure a top spot on the Glee Club leaderboard. | 0:21:07 | 0:21:09 | |
Remember, only the top five will go through to the live finals. | 0:21:09 | 0:21:12 | |
OK, Mr D, can you give us the details for the final round? | 0:21:12 | 0:21:16 | |
Round 2, Survival Song. | 0:21:16 | 0:21:19 | |
The groups will have to give it their all. | 0:21:19 | 0:21:21 | |
It's their final chance to build those all-important points. | 0:21:21 | 0:21:24 | |
CHEERING AND APPLAUSE | 0:21:24 | 0:21:26 | |
They are the first of our groups from the north of England. | 0:21:26 | 0:21:29 | |
They're a massive fan of musical theatre. | 0:21:29 | 0:21:31 | |
Let's take a look at Excellar8's journey to the heats. | 0:21:31 | 0:21:34 | |
'Stockport's Excellar8 first caught John's eye | 0:21:34 | 0:21:38 | |
'with their energy and style in Manchester.' | 0:21:38 | 0:21:40 | |
That was...fantastic! | 0:21:40 | 0:21:43 | |
'The next stop on their journey was the judges' auditions in London.' | 0:21:43 | 0:21:48 | |
-# I know I gave it to you months ago -Oh, oh, oh | 0:21:48 | 0:21:52 | |
-# I know you're trying to forget -Oh, oh | 0:21:52 | 0:21:55 | |
# But between the drinks and subtle things | 0:21:55 | 0:21:57 | |
# The holes in my apologies... # | 0:21:57 | 0:21:59 | |
'And they really made an impact on David.' | 0:21:59 | 0:22:03 | |
You sang it really well. | 0:22:03 | 0:22:04 | |
You are cuter than the cutest thing in Cute Town! | 0:22:04 | 0:22:07 | |
The ensemble, I felt, was like a game of two halves. | 0:22:07 | 0:22:11 | |
I felt the first half was a little bit sloppy, | 0:22:11 | 0:22:13 | |
and then we got to the second half and you suddenly locked in | 0:22:13 | 0:22:17 | |
-and then we got what you were really about, so well done! -Thank you. | 0:22:17 | 0:22:22 | |
'So, will Excellar8 excel in Glasgow and keep up the cute factor?' | 0:22:22 | 0:22:26 | |
Don't panic. Listen to me. It's only bad if you step on him. | 0:22:29 | 0:22:32 | |
And it's fine. I don't mind. | 0:22:32 | 0:22:35 | |
Now they're going into studio to watch the other groups rehearse. | 0:22:35 | 0:22:38 | |
-How are you feeling? -Nervous. -Quite nervous but I'm going to enjoy it. | 0:22:38 | 0:22:43 | |
I love that you've got your shiny leggings and hats. | 0:22:43 | 0:22:45 | |
-You can see your faces in them. -Can you? -Yeah. | 0:22:45 | 0:22:48 | |
Check that you haven't got any spinach in your teeth! | 0:22:48 | 0:22:51 | |
I think if we had to describe Excellar8 in one word, | 0:22:54 | 0:22:57 | |
it would be "amazing". | 0:22:57 | 0:23:00 | |
-Yeah. -Cos we are amazing. Very amazing. | 0:23:00 | 0:23:03 | |
Can they EXCELLAR8 themselves into the finals? | 0:23:08 | 0:23:10 | |
Singing Diamonds by Rihanna, it's Excellar8! | 0:23:10 | 0:23:14 | |
CHEERING | 0:23:14 | 0:23:17 | |
# Shine bright like a diamond | 0:23:17 | 0:23:21 | |
# Shine bright like a diamond | 0:23:22 | 0:23:25 | |
-# Oh, oh! -Find light in the beautiful sea | 0:23:25 | 0:23:29 | |
# I choose to be happy | 0:23:29 | 0:23:31 | |
# You and I, you and I | 0:23:31 | 0:23:34 | |
# We're like diamonds in the sky | 0:23:34 | 0:23:36 | |
# You're a shooting star, I see | 0:23:36 | 0:23:38 | |
# A vision of ecstasy | 0:23:38 | 0:23:39 | |
# When you hold me, I'm alive | 0:23:39 | 0:23:42 | |
# Like diamonds in the sky | 0:23:42 | 0:23:45 | |
# I knew that we'd become one | 0:23:45 | 0:23:48 | |
-# Right away -Right away | 0:23:48 | 0:23:51 | |
-# Oh, right away -Right away | 0:23:51 | 0:23:54 | |
# At first sight, I felt the energy of sun rays | 0:23:54 | 0:23:59 | |
-# Sun rays -I saw the light inside you shine bright | 0:23:59 | 0:24:03 | |
# Tonight | 0:24:03 | 0:24:06 | |
# You and I | 0:24:06 | 0:24:08 | |
# We're beautiful like diamonds in the sky | 0:24:08 | 0:24:13 | |
# Eye to eye | 0:24:13 | 0:24:15 | |
# So alive | 0:24:15 | 0:24:17 | |
# We're beautiful like diamonds in the sky | 0:24:17 | 0:24:21 | |
# Shine bright, oh-oh | 0:24:21 | 0:24:24 | |
# Shine bright like a diamond | 0:24:24 | 0:24:26 | |
# Shine bright like a diamond | 0:24:26 | 0:24:28 | |
# Like diamonds in the sky | 0:24:28 | 0:24:31 | |
# Shine bright like a diamond | 0:24:31 | 0:24:33 | |
# Shine bright like a diamond | 0:24:33 | 0:24:35 | |
# Shine bright like a diamond | 0:24:35 | 0:24:37 | |
# Like diamonds in the sky | 0:24:37 | 0:24:40 | |
# Shine bright like a diamond. # | 0:24:40 | 0:24:46 | |
APPLAUSE AND CHEERING | 0:24:46 | 0:24:49 | |
Yeah, all right. Excellar8! | 0:24:49 | 0:24:53 | |
-Well done. -Well done, guys. Nice work. -Wow. OK. | 0:24:53 | 0:24:56 | |
Let's see what the judges thought of that performance. | 0:24:56 | 0:24:59 | |
David, should Excellar8 be proud of that performance? | 0:24:59 | 0:25:01 | |
Yeah, I think they should. They gave everything they had. | 0:25:01 | 0:25:03 | |
They looked like they were enjoying it. | 0:25:03 | 0:25:05 | |
There was the odd pitchy moment, but apart from that, to me, | 0:25:05 | 0:25:08 | |
their performance looked like it was them. It's really them. | 0:25:08 | 0:25:12 | |
Everything they do, they just do it as them. | 0:25:12 | 0:25:14 | |
And that, I love about them. | 0:25:14 | 0:25:17 | |
Fantastic. | 0:25:17 | 0:25:19 | |
John, how were the vocals? | 0:25:19 | 0:25:22 | |
You know what? You guys made the gear changes we talked about | 0:25:22 | 0:25:25 | |
in the auditions rounds. | 0:25:25 | 0:25:26 | |
I really love that. You went first gear, second gear, third gear, | 0:25:26 | 0:25:29 | |
and you kept me interested right throughout. | 0:25:29 | 0:25:31 | |
Cos it's not enough to be cute. And you know we put you through | 0:25:31 | 0:25:34 | |
because of your vocal and performance ability, so well done. | 0:25:34 | 0:25:37 | |
APPLAUSE | 0:25:37 | 0:25:41 | |
-Sisco, was the choreography enough there? -It was. | 0:25:41 | 0:25:44 | |
Um, I felt that it was a little static in places. | 0:25:44 | 0:25:47 | |
But I think the song is such a beautiful song, | 0:25:47 | 0:25:50 | |
it doesn't need too much, you know, movement. | 0:25:50 | 0:25:52 | |
So I think you guys had a good balance with it. | 0:25:52 | 0:25:54 | |
I would have liked a bit more formations in the beginning. | 0:25:54 | 0:25:57 | |
But you guys are so adorable, that even if it is all wrong, | 0:25:57 | 0:26:00 | |
I will still be up for this band! | 0:26:00 | 0:26:02 | |
I think you guys are great, | 0:26:02 | 0:26:03 | |
and I think you should be really proud of that performance. | 0:26:03 | 0:26:06 | |
-That helps. -Yeah. -It really helps. | 0:26:06 | 0:26:08 | |
What about us, Sisco, are we adorable? | 0:26:08 | 0:26:10 | |
-All right! -We'll take that! | 0:26:10 | 0:26:13 | |
OK. Carrie, do you see Excellar8 as finalists? | 0:26:13 | 0:26:16 | |
I certainly think they could get through to our top five, for sure. | 0:26:16 | 0:26:19 | |
I really liked the whole piece as a performance piece. | 0:26:19 | 0:26:23 | |
You know, my expectation of a group that's this young, | 0:26:23 | 0:26:27 | |
is slightly lower. | 0:26:27 | 0:26:28 | |
But I have to say, you delivered vocals that are beautifully blended. | 0:26:28 | 0:26:32 | |
You've got a very young sound, beautifully together. | 0:26:32 | 0:26:34 | |
I always loved your soloists from the audition rounds. | 0:26:34 | 0:26:37 | |
You came forward a bit more today. That was lovely. | 0:26:37 | 0:26:40 | |
-Really great performance. -Nice one. Thank you very much, judges. | 0:26:40 | 0:26:44 | |
-Are you happy with those comments, guys? -Yeah. | 0:26:44 | 0:26:47 | |
High-fives! Yeah, air-fives, air-fives, yeah, yeah, yeah! | 0:26:47 | 0:26:49 | |
Well done, guys. Give it up for Excellar8! Off you go. | 0:26:49 | 0:26:52 | |
CHEERING AND APPLAUSE | 0:26:52 | 0:26:54 | |
Excellar8, come and join me, | 0:26:54 | 0:26:56 | |
you shiny bunch of lovely, smiley people. | 0:26:56 | 0:26:59 | |
So, John was really pleased, because he said you achieved | 0:26:59 | 0:27:03 | |
those gear changes, gradually building the song, | 0:27:03 | 0:27:05 | |
that had been mentioned in the auditions. | 0:27:05 | 0:27:07 | |
Do you think you can go up another level, | 0:27:07 | 0:27:09 | |
should you make it through to the next round? | 0:27:09 | 0:27:11 | |
Eh, yeah, I think we can offer more and we'll be able to | 0:27:11 | 0:27:16 | |
maybe, yeah, do more of what we're doing, but better. | 0:27:16 | 0:27:20 | |
Well, that is well said. I like that a lot. | 0:27:20 | 0:27:22 | |
Now you are so shiny. I mean, who chose the outfits, | 0:27:22 | 0:27:25 | |
the shiny caps and leggings? Who chose those? | 0:27:25 | 0:27:28 | |
-Erin. -We got the leggings ourselves. | 0:27:28 | 0:27:31 | |
I know you love them because you can check your make-up in them, | 0:27:31 | 0:27:33 | |
you were saying. | 0:27:33 | 0:27:35 | |
They act like a mirror. Really shiny. Love it, well done. | 0:27:35 | 0:27:38 | |
I think they deserve another round of applause. | 0:27:38 | 0:27:40 | |
Let's hear it for Excellar8! | 0:27:40 | 0:27:41 | |
CHEERING AND APPLAUSE | 0:27:41 | 0:27:45 | |
Thanks, Naomi. Now the next act | 0:27:45 | 0:27:47 | |
is our second group from the North of England. | 0:27:47 | 0:27:49 | |
In fact, they're from Yorkshire. And I'm from Yorkshire. | 0:27:49 | 0:27:52 | |
So good luck to thee, sithee tha knows. | 0:27:52 | 0:27:55 | |
I have absolutely no idea what you've just said. | 0:27:55 | 0:27:57 | |
Let's take a look at LS8's journey to the heats. | 0:27:57 | 0:27:59 | |
-Sithee tha knows. -What? | 0:27:59 | 0:28:02 | |
LAUGHTER | 0:28:02 | 0:28:05 | |
LS8 come to Glasgow with a bit of a reputation to uphold | 0:28:05 | 0:28:08 | |
from their first meeting with John. | 0:28:08 | 0:28:11 | |
I must say, that was, eh, refreshingly unique. | 0:28:11 | 0:28:14 | |
Something unusual. I didn't expect that. | 0:28:14 | 0:28:17 | |
And from the judges' auditions. | 0:28:17 | 0:28:19 | |
You, John, were brilliantly demented. | 0:28:19 | 0:28:21 | |
Madness! | 0:28:21 | 0:28:23 | |
And the rest of you matched him. | 0:28:23 | 0:28:27 | |
You are terrifyingly brilliant. | 0:28:27 | 0:28:29 | |
# Let's do the time warp again. # | 0:28:29 | 0:28:35 | |
But there was also some glowing praise from Carrie. | 0:28:35 | 0:28:38 | |
I loved it. I am thoroughly entertained. | 0:28:38 | 0:28:41 | |
How do you feel about being called demented? | 0:28:41 | 0:28:45 | |
So where do the group from Leeds go from here? | 0:28:45 | 0:28:48 | |
Can they top that performance | 0:28:48 | 0:28:50 | |
when they take to the stage one more time? | 0:28:50 | 0:28:53 | |
-How are you feeling? Are you all right? -Nervous. -Are you? -Yeah. | 0:28:53 | 0:28:56 | |
Doesn't it look exciting? It's going to be great. | 0:28:56 | 0:29:00 | |
Have you done anything like this before? | 0:29:03 | 0:29:05 | |
Yeah, but this is just different. Like it's on TV and the stage is big, | 0:29:05 | 0:29:10 | |
and the other groups are like really good, so... | 0:29:10 | 0:29:12 | |
We need to give it our best sparkle. | 0:29:12 | 0:29:15 | |
What are you going to be thinking about | 0:29:15 | 0:29:17 | |
as you're doing your performance? | 0:29:17 | 0:29:18 | |
Like, think about... | 0:29:18 | 0:29:20 | |
-Sparkling. -..sparkling and think about your harmonies as well. | 0:29:20 | 0:29:24 | |
OK, how do you sparkle? What's the...? | 0:29:24 | 0:29:27 | |
-All in the eyes. -Give it some pizzazz! | 0:29:27 | 0:29:29 | |
LAUGHTER | 0:29:29 | 0:29:31 | |
That's pizzazz, is it? Pizzazz and sparkle. | 0:29:31 | 0:29:33 | |
APPLAUSE | 0:29:33 | 0:29:34 | |
-Ah, It's Oh So Quiet. -Quiet?! | 0:29:36 | 0:29:38 | |
We're in the middle of the show, man, what are you talking about? | 0:29:38 | 0:29:40 | |
If you think it's quiet, you need your hearing testing, my friend. | 0:29:40 | 0:29:43 | |
If you think it's quiet, you need a hearing horn. Ask your gran. | 0:29:43 | 0:29:47 | |
-I said, "Ask your gran!" -No, no, it's the name of the song. -I knew that. | 0:29:47 | 0:29:52 | |
Wow! Singing and dancing for a place in the live finals, | 0:29:52 | 0:29:56 | |
it's LS8 with It's Oh So Quiet by Bjork. | 0:29:56 | 0:29:59 | |
APPLAUSE | 0:29:59 | 0:30:01 | |
# It's, oh, so quiet | 0:30:04 | 0:30:07 | |
# Shhh, shhh | 0:30:07 | 0:30:10 | |
It's, oh, so still | 0:30:10 | 0:30:14 | |
# Shhh, shhh | 0:30:14 | 0:30:17 | |
# You're all alone | 0:30:17 | 0:30:20 | |
# And so peaceful until | 0:30:23 | 0:30:28 | |
# You fall in love | 0:30:28 | 0:30:31 | |
# Zing boom | 0:30:31 | 0:30:32 | |
# The sky up above | 0:30:32 | 0:30:34 | |
# Zing boom | 0:30:34 | 0:30:35 | |
# Is caving in | 0:30:35 | 0:30:38 | |
# Wow bam! | 0:30:38 | 0:30:40 | |
# You've never been so nuts about a guy | 0:30:40 | 0:30:42 | |
# You want to laugh, you want to cry | 0:30:42 | 0:30:44 | |
# You cross your heart and hope to die | 0:30:44 | 0:30:47 | |
# Till it's over and then | 0:30:47 | 0:30:50 | |
# Shhh, Shhh | 0:30:50 | 0:30:53 | |
# It's nice and quiet | 0:30:53 | 0:30:57 | |
# Shhh, Shhh | 0:30:57 | 0:31:00 | |
# But soon again | 0:31:00 | 0:31:03 | |
# Shhh, shhh | 0:31:03 | 0:31:06 | |
# Starts another big riot | 0:31:06 | 0:31:09 | |
# The sky caves in | 0:31:11 | 0:31:14 | |
# The devil cuts loose | 0:31:14 | 0:31:16 | |
# You blow-blow-blow-blow-blow your fuse | 0:31:16 | 0:31:20 | |
# Wow! | 0:31:20 | 0:31:22 | |
# When you've fallen in love | 0:31:22 | 0:31:28 | |
# Ssshhhhhh! # | 0:31:28 | 0:31:32 | |
CHEERING | 0:31:32 | 0:31:33 | |
-Love that! -Well done, guys. Shall we see what the judges thought? | 0:31:38 | 0:31:43 | |
Excellent. John, did they make that song their own? | 0:31:43 | 0:31:46 | |
-That song WAS their own. -Yeah! | 0:31:46 | 0:31:48 | |
No-one does musical theatre quite like you guys, no-one does it. | 0:31:48 | 0:31:52 | |
It was eccentric, it was full of drama, | 0:31:52 | 0:31:55 | |
-it was a winning performance. -Wow! | 0:31:55 | 0:31:57 | |
APPLAUSE | 0:31:57 | 0:31:59 | |
Sisco, did you like that performance? | 0:31:59 | 0:32:02 | |
I loved it, I thought it was a very risky song choice, you know, | 0:32:02 | 0:32:06 | |
anything by Bjork is very hard to imitate or even try to sing | 0:32:06 | 0:32:10 | |
because she's so quirky, but you guys added such a great spin | 0:32:10 | 0:32:13 | |
to it and I loved the choreography, the concept, how quirky it was. | 0:32:13 | 0:32:17 | |
It was quite random as well, yet entertaining, | 0:32:17 | 0:32:19 | |
your vocals were on point. | 0:32:19 | 0:32:20 | |
Well done, guys, that was a really pleasant surprise. | 0:32:20 | 0:32:23 | |
APPLAUSE | 0:32:23 | 0:32:24 | |
Carrie, was that the right choice for their voices? | 0:32:26 | 0:32:28 | |
You're back! This is what I wanted from LS8. | 0:32:28 | 0:32:30 | |
I feel like I've just watched a whole theatre show in 1 minute 30. | 0:32:30 | 0:32:35 | |
Absolutely brilliant, I loved it. I do want you... | 0:32:35 | 0:32:39 | |
If you get through to the next round, | 0:32:39 | 0:32:40 | |
I do want you to concentrate on your vocals a little bit more, | 0:32:40 | 0:32:43 | |
but that's just one tiny note | 0:32:43 | 0:32:45 | |
in a whole very enjoyable theatre production. | 0:32:45 | 0:32:49 | |
APPLAUSE | 0:32:49 | 0:32:50 | |
David, did that come all together for you? | 0:32:50 | 0:32:53 | |
Well, now for the truth, chaps. That was brilliant! | 0:32:53 | 0:32:58 | |
I loved the theatricality, I loved your acting, | 0:32:58 | 0:33:01 | |
I loved the dynamic range of the song from a whisper to a scream. | 0:33:01 | 0:33:04 | |
-Nobody does what you do as well as you do it. -Wow! Nice one. | 0:33:04 | 0:33:10 | |
You can't do better than that, really. | 0:33:10 | 0:33:12 | |
And can I just say as well? This shirt is amazing. | 0:33:12 | 0:33:15 | |
Did you steal that from Sisco's wardrobe? | 0:33:15 | 0:33:16 | |
LAUGHTER | 0:33:16 | 0:33:17 | |
Thank you very much, judges. Give it up one more time for LS8. | 0:33:17 | 0:33:20 | |
Well done, guys, you've done really well. | 0:33:20 | 0:33:23 | |
APPLAUSE | 0:33:23 | 0:33:24 | |
LS8, come and join me. | 0:33:25 | 0:33:27 | |
-Well, Carrie thinks you're back. Yeah! -ALL: Yeah! | 0:33:27 | 0:33:31 | |
Are you feeling good about that? | 0:33:31 | 0:33:33 | |
And David was saying nobody does musical theatre | 0:33:33 | 0:33:35 | |
in the same way as you guys do it. | 0:33:35 | 0:33:37 | |
I mean, what do you think of the comments? | 0:33:37 | 0:33:39 | |
Well, from, like, the first round, we brought it back, like, | 0:33:39 | 0:33:42 | |
we were ourselves, we had all the energy and sparkle. | 0:33:42 | 0:33:47 | |
I'm lovin' all your facial expressions in there. | 0:33:47 | 0:33:49 | |
Could you maybe teach me how you did that? | 0:33:49 | 0:33:51 | |
Go on, show us those... you and Harry. | 0:33:51 | 0:33:54 | |
Go on, show us your facial expressions. | 0:33:54 | 0:33:56 | |
-LAUGHTER -I'm not even going to try that. | 0:33:56 | 0:33:58 | |
They are brilliant! | 0:33:58 | 0:34:00 | |
Everyone in the audience, you do you want to have a go? No? | 0:34:00 | 0:34:02 | |
Anyway, well done, LS8. | 0:34:02 | 0:34:04 | |
Let's give them a great big round of applause. | 0:34:04 | 0:34:06 | |
APPLAUSE | 0:34:06 | 0:34:07 | |
I think we do those faces quite well, actually! | 0:34:10 | 0:34:12 | |
Thank you very much, Naomi. | 0:34:12 | 0:34:14 | |
Now, our last act have a name that suggests | 0:34:14 | 0:34:16 | |
they might be a little bit difficult | 0:34:16 | 0:34:17 | |
if they don't get their water at the right temperature, | 0:34:17 | 0:34:20 | |
the chauffeur to pick them up on time | 0:34:20 | 0:34:21 | |
and just the right number of pink marshmallows, a bit like Sam. | 0:34:21 | 0:34:24 | |
I can't work under these conditions! | 0:34:24 | 0:34:26 | |
Let's meet Diva8. | 0:34:26 | 0:34:27 | |
Diva8 made a big impression when they first performed for John. | 0:34:31 | 0:34:35 | |
Then they grabbed their place in today's heats, | 0:34:35 | 0:34:38 | |
really impressing the judges with their sound. | 0:34:38 | 0:34:41 | |
# Some nights I'm scared you'll forget me again | 0:34:41 | 0:34:45 | |
# Some nights I always win | 0:34:45 | 0:34:47 | |
# Some nights! # | 0:34:47 | 0:34:49 | |
I love your sound. You have a beautiful African sound. | 0:34:49 | 0:34:55 | |
Lift the facial expressions, the movement, have a bit more conviction | 0:34:55 | 0:34:59 | |
to match the sound of your voices, because it's beautiful. | 0:34:59 | 0:35:02 | |
You've got nothing to be shy about. | 0:35:02 | 0:35:05 | |
So Diva8 were on their way to Glasgow, but have they listened | 0:35:05 | 0:35:08 | |
to what the judges said and are they ready to take the stage once again? | 0:35:08 | 0:35:12 | |
We've learnt how to perform more and work more as a group, | 0:35:14 | 0:35:17 | |
so we can look each other and use our faces and, yeah, | 0:35:17 | 0:35:22 | |
just how to convey to the audience how excited we feel | 0:35:22 | 0:35:25 | |
-about doing this. -Yes, this is my surprised face! | 0:35:25 | 0:35:27 | |
THEY LAUGH | 0:35:27 | 0:35:28 | |
-How does it feel now you're sitting in the studio? -It's exciting. | 0:35:28 | 0:35:32 | |
I'm feeling a bunch of feelings - nervous, excited, happy I'm here. | 0:35:32 | 0:35:37 | |
-A whole mixture? -Yeah. -Have you seen any of the competition yet? | 0:35:37 | 0:35:40 | |
-ALL: Yeah. -And what you make of their performance? | 0:35:40 | 0:35:42 | |
I think were all as good as each other | 0:35:42 | 0:35:44 | |
otherwise we wouldn't have made it to this place. | 0:35:44 | 0:35:46 | |
Well, that's true, isn't it? | 0:35:46 | 0:35:47 | |
You've all got this far, so you must all be very good. | 0:35:47 | 0:35:50 | |
-Are you looking forward to getting up there? -Yeah. | 0:35:50 | 0:35:52 | |
-Showing them what you're made of? -Definitely. | 0:35:52 | 0:35:54 | |
APPLAUSE | 0:35:55 | 0:35:56 | |
They're our last act to perform for the judges. | 0:35:58 | 0:36:00 | |
Let's hope they can add some valuable points to their score. | 0:36:00 | 0:36:03 | |
Singing and dancing for a place in the live finals, | 0:36:03 | 0:36:06 | |
it's Diva8 and Waterfalls. | 0:36:06 | 0:36:08 | |
CHEERING AND APPLAUSE | 0:36:08 | 0:36:10 | |
# A lonely mother gazing out of her window | 0:36:21 | 0:36:25 | |
# Staring at a son that she just can't touch | 0:36:25 | 0:36:29 | |
# If at any time he's in a jam she'll be by his side | 0:36:29 | 0:36:35 | |
# But he doesn't realise he hurts her so much | 0:36:35 | 0:36:39 | |
# Listen to me | 0:36:39 | 0:36:41 | |
# Don't go chasing waterfalls | 0:36:41 | 0:36:44 | |
# Please stick to the rivers and lakes that you're used to | 0:36:44 | 0:36:49 | |
# I know that you're gonna have it your way or nothing at all | 0:36:49 | 0:36:54 | |
# But I think you're moving too fast | 0:36:54 | 0:36:58 | |
# I see a rainbow yesterday | 0:37:01 | 0:37:02 | |
# But too many storms have come and gone | 0:37:02 | 0:37:04 | |
# Leavin' a trace of not one God-given ray | 0:37:04 | 0:37:06 | |
# Is it because my life is ten shades of gray | 0:37:06 | 0:37:08 | |
# I pray all ten fade away | 0:37:08 | 0:37:09 | |
# Seldom praise Him for the sunny days | 0:37:09 | 0:37:11 | |
# And like His promise is true | 0:37:11 | 0:37:13 | |
# Only my faith can undo the many chances I blew | 0:37:13 | 0:37:15 | |
# To bring my life to anew | 0:37:15 | 0:37:16 | |
# Clear blue and unconditional skies | 0:37:16 | 0:37:18 | |
# Have dried the tears from my eyes | 0:37:18 | 0:37:19 | |
# No more lonely cries | 0:37:19 | 0:37:21 | |
# Don't go chasing waterfalls | 0:37:21 | 0:37:25 | |
# Please stick to the rivers and lakes that you're used to | 0:37:25 | 0:37:30 | |
# I know that you're gonna have it your way or nothing at all | 0:37:30 | 0:37:35 | |
# But I think you're moving too fast | 0:37:35 | 0:37:39 | |
# Moving too fast. # | 0:37:39 | 0:37:42 | |
CHEERING AND APPLAUSE | 0:37:42 | 0:37:44 | |
-Wow. -Well done, guys. -Well done, excellent. | 0:37:47 | 0:37:51 | |
John, that hit was a massive hit for girl band TLC originally. | 0:37:51 | 0:37:54 | |
Do you like what the guys did with the Stooshe version? | 0:37:54 | 0:37:58 | |
Yeah, it's fantastic to see that you took the advice we gave you in | 0:37:58 | 0:38:02 | |
the audition rounds and you focused on your solos and you chose well. | 0:38:02 | 0:38:06 | |
It's great as well that you brought your body language and your | 0:38:06 | 0:38:09 | |
facial expressions to the party. That's what we were looking for. | 0:38:09 | 0:38:12 | |
I think we saw that today. Well done, girls. | 0:38:12 | 0:38:14 | |
APPLAUSE | 0:38:14 | 0:38:18 | |
Carrie, did you like the arrangement? | 0:38:18 | 0:38:20 | |
I thought the arrangement was good. I have to be honest, | 0:38:20 | 0:38:23 | |
in the audition rounds what I loved about you was your sound | 0:38:23 | 0:38:26 | |
and I didn't feel you quite were able to replicate that today. | 0:38:26 | 0:38:30 | |
There's something, I can't put my finger quite on it, | 0:38:30 | 0:38:33 | |
I don't know whether it's the nerves | 0:38:33 | 0:38:34 | |
but I feel like you've lowered your game just a little bit. | 0:38:34 | 0:38:37 | |
It was still good but I think everyone is coming today going, | 0:38:37 | 0:38:41 | |
"Right, we're got to raise our game," | 0:38:41 | 0:38:43 | |
so you have to just push through. | 0:38:43 | 0:38:44 | |
-OK. -All right, David, have they done enough to make the final, | 0:38:44 | 0:38:47 | |
-do you think? -Well, let me tell you, | 0:38:47 | 0:38:49 | |
that's one of my favourite songs ever, ever, ever, | 0:38:49 | 0:38:51 | |
and when people do a favourite song ever, ever, ever, | 0:38:51 | 0:38:54 | |
then they're messing with your memories. | 0:38:54 | 0:38:56 | |
-You trampled on my memories and you made them look beautiful. -Aw! | 0:38:56 | 0:39:00 | |
You made them sound wonderful. I loved it when you came in. | 0:39:00 | 0:39:04 | |
I loved your ensemble. | 0:39:04 | 0:39:05 | |
-I thought that that was a really fantastic version of it. -Well done. | 0:39:05 | 0:39:10 | |
APPLAUSE | 0:39:10 | 0:39:12 | |
-And Sisco, did the choreography work? -Definitely. | 0:39:12 | 0:39:15 | |
I think you guys really listened to the arrangement of the music | 0:39:15 | 0:39:18 | |
and the choreography fitted it, so that's a really good thing and also | 0:39:18 | 0:39:22 | |
vocally you didn't interfere, | 0:39:22 | 0:39:25 | |
so well done, guys, I was really impressed. | 0:39:25 | 0:39:27 | |
APPLAUSE | 0:39:27 | 0:39:29 | |
Well done, great comments, thank you very much, judges | 0:39:29 | 0:39:31 | |
and give it up for Diva8. | 0:39:31 | 0:39:33 | |
CHEERING AND APPLAUSE | 0:39:33 | 0:39:36 | |
What a lovely sound. You girls, get yourselves over here. | 0:39:36 | 0:39:39 | |
So, good song choice then, hey, one of David's favourites. | 0:39:39 | 0:39:43 | |
-Did you know that was his favourite song? -No. | 0:39:43 | 0:39:46 | |
You picked a good one. He was reliving his youth there. | 0:39:46 | 0:39:49 | |
Tapping his toe, fantastic. | 0:39:49 | 0:39:51 | |
Now, they did have slightly conflicting | 0:39:51 | 0:39:53 | |
opinions about your performance. What do you make to their comments? | 0:39:53 | 0:39:57 | |
Well, we're just happy with what we did | 0:39:57 | 0:39:58 | |
but we will take on board what they said, yeah. | 0:39:58 | 0:40:02 | |
And how was it, performing in front of this beautiful studio audience? | 0:40:02 | 0:40:06 | |
It was, we were kind of nervous | 0:40:06 | 0:40:08 | |
but once we performed it was actually really good. | 0:40:08 | 0:40:12 | |
-Do you want to do it again? -Maybe, yeah. -Not sure about that. | 0:40:12 | 0:40:16 | |
I think you should show your appreciation for Diva8. | 0:40:16 | 0:40:20 | |
CHEERING AND APPLAUSE | 0:40:20 | 0:40:24 | |
Thank you very much, Naomi. | 0:40:24 | 0:40:25 | |
So, there you have it - all three acts have now performed | 0:40:25 | 0:40:28 | |
and can do no more. | 0:40:28 | 0:40:29 | |
-I've got a feeling this is going to be a close one. -Yeah. | 0:40:29 | 0:40:31 | |
OK, whilst we check and verify the final scores | 0:40:31 | 0:40:33 | |
and you wait to find out if your favourite has won, | 0:40:33 | 0:40:36 | |
here's a quick reminder of those fantastic performances. | 0:40:36 | 0:40:39 | |
# Shine bright, tonight | 0:40:39 | 0:40:43 | |
# You and I | 0:40:43 | 0:40:46 | |
# We're beautiful like diamonds in the sky. # | 0:40:46 | 0:40:49 | |
# And so peaceful until | 0:40:49 | 0:40:54 | |
# You fall in love, zing boom | 0:40:54 | 0:40:58 | |
# The sky up above, zing boom. # | 0:40:58 | 0:41:02 | |
# Don't go chasing waterfalls | 0:41:02 | 0:41:05 | |
# Please stick to the rivers and lakes that you're used to | 0:41:05 | 0:41:10 | |
# I know that you're gonna have it your way or nothing at all | 0:41:10 | 0:41:15 | |
# But I think you're moving too fast | 0:41:15 | 0:41:19 | |
# Moving too fast. # | 0:41:19 | 0:41:22 | |
CHEERING AND APPLAUSE | 0:41:29 | 0:41:32 | |
-Welcome back. Our three acts... -Excellar8, LS8 and Diva8. | 0:41:32 | 0:41:36 | |
Judges, you've all seen them perform and have awarded | 0:41:39 | 0:41:42 | |
points for vocal ability, creativity and performance across two rounds. | 0:41:42 | 0:41:46 | |
Now, Carrie, before we reveal the winners, | 0:41:46 | 0:41:48 | |
can you give us your thoughts on today's performances? | 0:41:48 | 0:41:51 | |
I thought today's performances were really strong and I'm sitting | 0:41:51 | 0:41:55 | |
here thinking I have absolutely no idea who you're going to call out. | 0:41:55 | 0:42:01 | |
-Well, that's why I've got the golden envelope. -Oh, it's exciting! | 0:42:01 | 0:42:05 | |
Thank you very much. | 0:42:05 | 0:42:06 | |
OK, the scores have been checked and verified | 0:42:06 | 0:42:09 | |
and we now have the results. | 0:42:09 | 0:42:11 | |
I can reveal that the winner of today's heat is... | 0:42:15 | 0:42:19 | |
With a total score of 177, it's LS8. | 0:42:34 | 0:42:39 | |
Well done, guys. Please give a massive round of applause | 0:42:42 | 0:42:45 | |
to our runners-up, Excellar8 and Diva8. Well done, guys. | 0:42:45 | 0:42:51 | |
Fantastic. So that is pretty much the end of the show. | 0:42:51 | 0:42:54 | |
A massive thank you once again to our lovely judges, | 0:42:54 | 0:42:56 | |
Carrie, David, John, Sisco, thank you so much, you guys. | 0:42:56 | 0:43:00 | |
Thank you. And how could we forget Naomi. Come on, Naomi. | 0:43:00 | 0:43:03 | |
The medals there and everything. | 0:43:03 | 0:43:05 | |
I've got the medals. Didn't they all do well? | 0:43:05 | 0:43:07 | |
They really did. Off you go. Go on, give them out. Fantastic. | 0:43:07 | 0:43:10 | |
Join us next time when three more groups will battle it | 0:43:10 | 0:43:13 | |
out for a place in the live finals of Comic Relief Does Glee Club 2013. | 0:43:13 | 0:43:17 | |
Bye. | 0:43:17 | 0:43:19 | |
From training after round one, | 0:43:20 | 0:43:22 | |
LS8 wowed the judges to take top position on the leaderboard. | 0:43:22 | 0:43:25 | |
If you want a reminder of today's performances, go to the CBBC website | 0:43:25 | 0:43:29 | |
and click on the link for the current top five. | 0:43:29 | 0:43:32 | |
Join us next time when another three groups take to the stage, | 0:43:32 | 0:43:35 | |
all hoping for a place on the leaderboard | 0:43:35 | 0:43:37 | |
and tomorrow, we'll be on 15 minutes earlier at 4.15pm, so don't miss it. | 0:43:37 | 0:43:42 | |
Subtitles by Red Bee Media Ltd | 0:43:42 | 0:43:44 |