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Last time on Glee Club, LS8 jumped straight to | 0:00:02 | 0:00:05 | |
the top of the leaderboard with a not-so-quiet performance. | 0:00:05 | 0:00:08 | |
# Is caving in | 0:00:08 | 0:00:11 | |
# Wow pow! # | 0:00:11 | 0:00:13 | |
Today, who will make it into the top five | 0:00:13 | 0:00:16 | |
and one step closer to a place in the semi-finals? | 0:00:16 | 0:00:19 | |
This is Comic Relief Does Glee Club 2013. | 0:00:21 | 0:00:25 | |
CHEERING | 0:00:46 | 0:00:48 | |
And here are your hosts, Sam and Mark. | 0:00:48 | 0:00:50 | |
BOTH: Hello! | 0:00:57 | 0:00:58 | |
And welcome to Comic Relief Does Glee Club, | 0:00:58 | 0:01:00 | |
and the very exciting studio heats. | 0:01:00 | 0:01:02 | |
We have searched high and low, far and wide, | 0:01:02 | 0:01:05 | |
for Britain's top young performers. | 0:01:05 | 0:01:06 | |
And it's all to support Red Nose Day. | 0:01:06 | 0:01:08 | |
Today, three acts will battle it out for those all-important positions | 0:01:08 | 0:01:12 | |
on the Glee Club leaderboard. | 0:01:12 | 0:01:13 | |
And if they want to make it to the finals, | 0:01:13 | 0:01:15 | |
they're going to have to be on top of their game | 0:01:15 | 0:01:17 | |
to impress our judges and score as many points as possible. | 0:01:17 | 0:01:20 | |
But before all that, let's meet a woman who has | 0:01:20 | 0:01:22 | |
so many strings to her bow she could form her own orchestra. | 0:01:22 | 0:01:25 | |
Please go wild for Naomi Wilkinson. | 0:01:25 | 0:01:28 | |
AUDIENCE CHEER | 0:01:28 | 0:01:30 | |
-Yeah! -Yeah! -Yeah! -Yeah! | 0:01:35 | 0:01:38 | |
So, Naomi, now you... you've presented many, many shows, | 0:01:38 | 0:01:43 | |
the most romantic being Marrying Mum And Dad, obviously. | 0:01:43 | 0:01:46 | |
It is. It's really romantic. It's a lot of fun. | 0:01:46 | 0:01:48 | |
The kids organise the whole wedding. | 0:01:48 | 0:01:50 | |
Actually, speaking of weddings, if you two were wedding planners, | 0:01:50 | 0:01:53 | |
what would your ideal wedding be like? | 0:01:53 | 0:01:56 | |
-Well, probably... -Oh, I don't know. I don't know. | 0:01:56 | 0:01:58 | |
I'd probably have a stately home. I'd probably have a stately home. | 0:01:58 | 0:02:01 | |
I'd have a big cake. Not five, no, not five layers - ten layers. | 0:02:01 | 0:02:04 | |
Ten layers on my cake. Then I'd have a horse and carriage. | 0:02:04 | 0:02:06 | |
No, I'd probably have five horse and carriages, actually. | 0:02:06 | 0:02:09 | |
Probably have a dove fly the ring over to the groom, the bride | 0:02:09 | 0:02:13 | |
and groom. No, that's silly. Not a dove. Probably have a unicorn. | 0:02:13 | 0:02:16 | |
AUDIENCE GIGGLE | 0:02:16 | 0:02:18 | |
That's a brilliant idea. I really like it. | 0:02:18 | 0:02:20 | |
Do you know what? I'm just going to take myself backstage. | 0:02:20 | 0:02:23 | |
-I think that'd be for the best. -It's Naomi Wilkinson, everybody. | 0:02:23 | 0:02:26 | |
AUDIENCE CHEER | 0:02:26 | 0:02:30 | |
Our panel of expert judges have the power to decide who will make | 0:02:30 | 0:02:33 | |
it through to the next stage. | 0:02:33 | 0:02:35 | |
And here they are, it's the judges! | 0:02:35 | 0:02:37 | |
AUDIENCE CHEER | 0:02:37 | 0:02:39 | |
It is nice to see you guys. | 0:02:50 | 0:02:52 | |
And the beautiful, beautiful David Grant. | 0:02:52 | 0:02:54 | |
HE LAUGHS | 0:02:54 | 0:02:55 | |
How wonderful, thank you. | 0:02:55 | 0:02:58 | |
Are you guys ready for today's show? | 0:02:58 | 0:03:00 | |
Oh, yes. | 0:03:00 | 0:03:01 | |
Right, if you would like to make your way over to your seats. | 0:03:01 | 0:03:03 | |
Whilst they do that, let's find out a little bit more | 0:03:03 | 0:03:06 | |
about our pitch-perfect professionals. | 0:03:06 | 0:03:09 | |
They are the top coaches in the industry. | 0:03:10 | 0:03:12 | |
Today, let's find out more about head judge Carrie. | 0:03:12 | 0:03:15 | |
I started my career as a dancer. I then became a singer. | 0:03:17 | 0:03:21 | |
I then became a coach. | 0:03:21 | 0:03:23 | |
When you are looking at a performance, | 0:03:24 | 0:03:26 | |
to be able to critique on all those levels is really important. | 0:03:26 | 0:03:30 | |
I want people at home to be thinking, | 0:03:33 | 0:03:35 | |
"That was so inspiring, I want to start singing." | 0:03:35 | 0:03:37 | |
Ah! | 0:03:46 | 0:03:48 | |
-So, so talented. -What, the judges? | 0:03:48 | 0:03:50 | |
-I was talking about us, but, yeah, all right. -Good one. | 0:03:50 | 0:03:53 | |
Now for the important bit. | 0:03:53 | 0:03:54 | |
15 groups have made it through to the heats. | 0:03:54 | 0:03:57 | |
Today, three of those acts will battle it out for our experts | 0:03:57 | 0:03:59 | |
who will be scoring them on vocal ability, creativity and performance. | 0:03:59 | 0:04:03 | |
All four judges will be giving marks out of ten for each | 0:04:03 | 0:04:06 | |
of the disciplines, so there are plenty of points to be won. | 0:04:06 | 0:04:09 | |
And in the unlikely event of a tie, | 0:04:09 | 0:04:11 | |
head judge Carrie will decide who gets the medals. Thanks, Carrie. | 0:04:11 | 0:04:15 | |
The acts with the top five scores across the heats will then | 0:04:15 | 0:04:18 | |
compete in the live finals, where it will be up to YOU at home | 0:04:18 | 0:04:21 | |
to vote for your favourite! | 0:04:21 | 0:04:22 | |
And the winners will take home this fantastic | 0:04:22 | 0:04:25 | |
Comic Relief Does Glee Club 2013 trophy! | 0:04:25 | 0:04:28 | |
Do you know that trophy started life as a washing-up bottle? | 0:04:30 | 0:04:33 | |
-And look at it now. -Look at it now. Amazing! | 0:04:33 | 0:04:36 | |
OK, let's find out how Naomi and the groups are getting on backstage. | 0:04:36 | 0:04:40 | |
Thank you very much, Sam and Mark. | 0:04:40 | 0:04:42 | |
Yes, I am here backstage with our three clubs today. | 0:04:42 | 0:04:45 | |
We've got Musicality, New Creation and Encore. | 0:04:45 | 0:04:47 | |
Now, Musicality, I have read that you have rehearsed in some pretty | 0:04:47 | 0:04:51 | |
unusual places. What is the most odd? | 0:04:51 | 0:04:53 | |
Sometimes in the hotel, | 0:04:53 | 0:04:56 | |
we go in the bedroom and shove the beds to the wall, | 0:04:56 | 0:04:59 | |
just to get as much space as we can. | 0:04:59 | 0:05:03 | |
Sounds like a good plan. | 0:05:03 | 0:05:05 | |
Luke, you are the only boy out of all of these clubs. Do you mind? | 0:05:05 | 0:05:09 | |
Well, I do kind of mind that I'm the only boy. | 0:05:09 | 0:05:13 | |
But that makes you ultra special. And you are going to stand out. | 0:05:13 | 0:05:17 | |
And you have got a really cool technique for learning | 0:05:17 | 0:05:19 | |
-your lines, haven't you? -I do. | 0:05:19 | 0:05:21 | |
I stick them to the ceiling in my bedroom, and then every morning when | 0:05:21 | 0:05:25 | |
I wake up I see my lines and I grab them down and start reading them. | 0:05:25 | 0:05:30 | |
Just helps it go in your head. That sounds like a great plan. | 0:05:30 | 0:05:33 | |
Talking of nifty techniques, over to you, New Creation. | 0:05:33 | 0:05:37 | |
You've got some cool ways of getting rid of your nerves, haven't you? | 0:05:37 | 0:05:40 | |
Well, we just go crazy for five seconds, and then you stop. | 0:05:40 | 0:05:44 | |
That's just gets rid of the nerves. | 0:05:44 | 0:05:47 | |
-We've all got to go crazy? -Yeah. | 0:05:47 | 0:05:48 | |
I can feel the nervous energy in this room, | 0:05:48 | 0:05:50 | |
so I think we should all go crazy for five seconds. | 0:05:50 | 0:05:52 | |
Everyone up for it? ALL: Yes! | 0:05:52 | 0:05:54 | |
Let's have a bit of space. Ready? After three. | 0:05:54 | 0:05:56 | |
Three, two, one, go crazy! | 0:05:56 | 0:05:57 | |
THEY SCREAM | 0:05:57 | 0:05:59 | |
Oh, and we've broken the set. Fantastic. | 0:06:01 | 0:06:04 | |
You just prop it up in the background. That's it. | 0:06:04 | 0:06:06 | |
No, Encore, what is this I hear about one particular item of clothing? | 0:06:06 | 0:06:11 | |
-The onesies. -You are mad about the onesies. | 0:06:11 | 0:06:14 | |
Our set is just knocking out all of the other teams. | 0:06:14 | 0:06:17 | |
Did you do that on purpose? | 0:06:17 | 0:06:18 | |
Did you set that up to try and take out the other clubs? | 0:06:18 | 0:06:21 | |
THEY LAUGH | 0:06:21 | 0:06:23 | |
So you love the onesie. Why do you love the onesie? | 0:06:23 | 0:06:25 | |
They are so comfy and so warm. | 0:06:25 | 0:06:26 | |
We just wear them all the time, don't we? | 0:06:26 | 0:06:29 | |
-Didn't fancy wearing it for your performance today, though? -No. | 0:06:29 | 0:06:32 | |
Well, all our groups arrived in Glasgow yesterday for the first time. | 0:06:32 | 0:06:37 | |
But let's find out, have they all become BFFs or CRRs? | 0:06:37 | 0:06:41 | |
Comic Relief Rivals. | 0:06:41 | 0:06:43 | |
When Musicality, Encore and New Creation all met, | 0:06:45 | 0:06:49 | |
the chat was soon in full flow. | 0:06:49 | 0:06:52 | |
ALL: We are New Creation, and we are from Preston. | 0:06:52 | 0:06:54 | |
ALL: We are Musicality and we are from Port Talbot. Oggy, oggy, oggy! | 0:06:54 | 0:06:59 | |
Oi, oi, oi! | 0:06:59 | 0:07:00 | |
-And... -One. -Two. -Three. -Four. -ALL: We are called Encore. | 0:07:00 | 0:07:03 | |
-Five. -Six. -Seven. -Eight. ALL: And we are from Harrogate. | 0:07:03 | 0:07:07 | |
But did they get on or did they end up climbing the walls? | 0:07:07 | 0:07:10 | |
As it turns out, it was a bit of both. | 0:07:10 | 0:07:13 | |
I love being able to come here because it feels less formal. | 0:07:13 | 0:07:16 | |
-It's nice to meet the other groups. -Yeah, get to know them all. | 0:07:16 | 0:07:18 | |
It definitely makes it feel | 0:07:18 | 0:07:20 | |
a lot less competitive. | 0:07:20 | 0:07:22 | |
Yeah, definitely. | 0:07:22 | 0:07:23 | |
-You feel a lot more comfortable around the other groups. -Yeah. | 0:07:23 | 0:07:26 | |
SHE GIGGLES ANDS SCREAMS | 0:07:26 | 0:07:30 | |
It seemed like all the Glee Clubs were already hitting the heights. | 0:07:30 | 0:07:34 | |
I think they are all really, really nice. | 0:07:35 | 0:07:38 | |
Yeah, because we don't know them much, but they seem really friendly. | 0:07:38 | 0:07:41 | |
As soon as they laugh with each other, | 0:07:41 | 0:07:44 | |
we laugh with each other, too. | 0:07:44 | 0:07:45 | |
That's how we get along. | 0:07:47 | 0:07:48 | |
It's nice making friends when you come to things like this. | 0:07:51 | 0:07:53 | |
I don't like to be the group that's on the side, not making friends. | 0:07:53 | 0:07:57 | |
-You do dancing as well, Anna? -Anna. | 0:08:01 | 0:08:04 | |
-Our style is pop, isn't it? -It's modern music. | 0:08:08 | 0:08:12 | |
At the train station, we started to sing | 0:08:14 | 0:08:17 | |
and people were like turning their heads, thinking it was a flash mob. | 0:08:17 | 0:08:20 | |
It was fun. | 0:08:20 | 0:08:22 | |
THEY GIGGLE | 0:08:22 | 0:08:24 | |
Come down! | 0:08:27 | 0:08:29 | |
Use your right foot. | 0:08:29 | 0:08:31 | |
Your right foot. No, your right one. That's your left. | 0:08:31 | 0:08:34 | |
That's your left! | 0:08:34 | 0:08:36 | |
THEY CHEER | 0:08:37 | 0:08:38 | |
Hi, Mum! | 0:08:41 | 0:08:42 | |
Please welcome our Glee Clubs, Musicality... | 0:08:51 | 0:08:54 | |
..New Creation... | 0:08:55 | 0:08:57 | |
..and Encore. | 0:08:58 | 0:09:00 | |
It is fantastic to have you all here. The best of luck to you all. | 0:09:01 | 0:09:05 | |
Let's find out a bit more about your first challenge. | 0:09:05 | 0:09:08 | |
All group members must sing at the same time with no featured vocals. | 0:09:12 | 0:09:16 | |
Singing together for around one, | 0:09:18 | 0:09:20 | |
and performing The Climb by Miley Cyrus/Joe McElderry. | 0:09:20 | 0:09:23 | |
It's Musicality, New Creation and Encore. | 0:09:23 | 0:09:27 | |
CHEERING | 0:09:28 | 0:09:30 | |
# I can almost see it | 0:09:33 | 0:09:35 | |
# That dream I'm dreaming | 0:09:35 | 0:09:38 | |
# But there's a voice inside my head | 0:09:38 | 0:09:41 | |
# Saying "You'll never reach it" | 0:09:41 | 0:09:45 | |
# Every step I'm taking | 0:09:45 | 0:09:47 | |
# Every move I make feels | 0:09:47 | 0:09:50 | |
# Lost with no direction | 0:09:50 | 0:09:53 | |
# My faith is shaking | 0:09:53 | 0:09:56 | |
# But I | 0:09:56 | 0:09:59 | |
# Gotta keep trying | 0:09:59 | 0:10:02 | |
# Gotta keep my head held high | 0:10:02 | 0:10:07 | |
# There's always gonna be | 0:10:09 | 0:10:10 | |
# Another mountain | 0:10:10 | 0:10:12 | |
# I'm always gonna wanna make it move | 0:10:12 | 0:10:14 | |
# Always gonna be an uphill battle | 0:10:14 | 0:10:18 | |
# Sometimes I'm gonna have to lose | 0:10:18 | 0:10:20 | |
# Ain't about how fast I get there | 0:10:20 | 0:10:23 | |
# Ain't about what's waiting | 0:10:23 | 0:10:25 | |
# On the other side | 0:10:25 | 0:10:31 | |
# It's the climb... # | 0:10:31 | 0:10:35 | |
CHEERING AND APPLAUSE | 0:10:37 | 0:10:39 | |
# The struggles I'm facing | 0:10:43 | 0:10:46 | |
# The chances I'm taking | 0:10:46 | 0:10:49 | |
# Sometimes might knock me down | 0:10:49 | 0:10:52 | |
# But, no, I'm not breaking | 0:10:52 | 0:10:55 | |
# I may not know it | 0:10:55 | 0:10:58 | |
# But these are the moments that | 0:10:58 | 0:11:01 | |
# I'm gonna remember most, yeah | 0:11:01 | 0:11:04 | |
# Just gotta keep going | 0:11:04 | 0:11:07 | |
# And I, I got to be strong | 0:11:07 | 0:11:12 | |
# Just keep pushing on | 0:11:12 | 0:11:17 | |
# Cos there's always gonna be | 0:11:18 | 0:11:20 | |
# Another mountain | 0:11:20 | 0:11:22 | |
# I'm always gonna wanna make it move | 0:11:22 | 0:11:25 | |
# Always gonna be an uphill battle | 0:11:25 | 0:11:28 | |
# Sometimes I'm gonna have to lose | 0:11:28 | 0:11:31 | |
# Ain't about how fast I get there | 0:11:31 | 0:11:34 | |
# Ain't about what's waiting | 0:11:34 | 0:11:36 | |
# On the other side | 0:11:36 | 0:11:39 | |
# It's the climb... # | 0:11:42 | 0:11:47 | |
CHEERING AND APPLAUSE | 0:11:47 | 0:11:49 | |
# I can almost see it | 0:11:54 | 0:11:57 | |
# That dream I'm dreaming | 0:11:57 | 0:11:59 | |
# But there's a voice inside my head | 0:11:59 | 0:12:02 | |
# Saying "You'll never reach it" | 0:12:02 | 0:12:06 | |
# Every step I'm taking | 0:12:06 | 0:12:09 | |
# Every move I make feels | 0:12:09 | 0:12:11 | |
# Lost with no direction | 0:12:11 | 0:12:14 | |
# My faith is shaking | 0:12:14 | 0:12:17 | |
# But I | 0:12:17 | 0:12:20 | |
# Gotta keep trying | 0:12:20 | 0:12:23 | |
# Gotta keep my head held high | 0:12:23 | 0:12:29 | |
# There's always gonna be | 0:12:30 | 0:12:31 | |
# Another mountain | 0:12:31 | 0:12:33 | |
# I'm always gonna wanna make it move | 0:12:33 | 0:12:36 | |
# Always gonna be an uphill battle | 0:12:36 | 0:12:39 | |
# Sometimes I'm gonna have to lose | 0:12:39 | 0:12:41 | |
# Ain't about how fast I get there | 0:12:41 | 0:12:44 | |
# Ain't about what's waiting | 0:12:44 | 0:12:46 | |
# On the other side | 0:12:46 | 0:12:53 | |
# It's the climb... # | 0:12:53 | 0:12:57 | |
CHEERING AND APPLAUSE | 0:12:57 | 0:13:00 | |
# There's always gonna be | 0:13:04 | 0:13:05 | |
# Another mountain | 0:13:05 | 0:13:07 | |
# I'm always gonna wanna make it move | 0:13:07 | 0:13:10 | |
# Always gonna be an uphill battle | 0:13:10 | 0:13:13 | |
# Sometimes I'm gonna have to lose | 0:13:13 | 0:13:16 | |
# Ain't about how fast I get there | 0:13:16 | 0:13:19 | |
# Ain't about what's waiting | 0:13:19 | 0:13:21 | |
# On the other side | 0:13:21 | 0:13:27 | |
# It's the climb. # | 0:13:27 | 0:13:31 | |
CHEERING AND APPLAUSE | 0:13:31 | 0:13:34 | |
Aw, yes! | 0:13:36 | 0:13:39 | |
Where are you going? | 0:13:39 | 0:13:40 | |
Sorry, I wanted to join in, that was so good. | 0:13:40 | 0:13:43 | |
That was absolutely brilliant. What a fantastic start. | 0:13:43 | 0:13:46 | |
Let's see what the judges thought. | 0:13:46 | 0:13:48 | |
Carrie, that is the first challenge song. Did the vocals do it for you? | 0:13:48 | 0:13:52 | |
Yeah. With this song, the vocals | 0:13:52 | 0:13:55 | |
and the performance are absolutely inextricably linked, | 0:13:55 | 0:13:58 | |
because the words of the song are so inspirational that you have | 0:13:58 | 0:14:02 | |
to be giving it loads of inner life. | 0:14:02 | 0:14:04 | |
And that has to connect with the singing. | 0:14:04 | 0:14:06 | |
So in terms of Musicality, I feel like you have upped your game | 0:14:06 | 0:14:09 | |
since the auditions. | 0:14:09 | 0:14:11 | |
I feel like you've come back, you look like a group now. | 0:14:11 | 0:14:13 | |
You have listened to what we said. Your singing was fantastic. | 0:14:13 | 0:14:17 | |
Beautiful harmonies. Loads of inner life. Really giving it some. | 0:14:17 | 0:14:21 | |
Well done. | 0:14:21 | 0:14:22 | |
For our second group, New Creation, what we loved about you | 0:14:22 | 0:14:26 | |
in the auditions is that you are just kind of cool and throwaway. | 0:14:26 | 0:14:30 | |
There was a lot of each person moving different ways. | 0:14:30 | 0:14:32 | |
I think, visually, you still need to be looking at what you're doing. | 0:14:32 | 0:14:35 | |
Vocally, still very strong. | 0:14:35 | 0:14:37 | |
Encore, I remember in the auditions, when I look at you, I think, | 0:14:37 | 0:14:40 | |
"Oh, yeah. These are the girls that did loads of dancing," | 0:14:40 | 0:14:43 | |
so I was really impressed, | 0:14:43 | 0:14:45 | |
particularly with the first half of that number. | 0:14:45 | 0:14:48 | |
Vocals and harmonies coming through | 0:14:48 | 0:14:51 | |
and leaving all the dancing to the face. | 0:14:51 | 0:14:53 | |
All the inner life coming through, I loved it. Very well done. | 0:14:53 | 0:14:56 | |
APPLAUSE | 0:14:56 | 0:14:59 | |
David, were you entertained? | 0:14:59 | 0:15:02 | |
Yeah, but again, in three very different ways. | 0:15:02 | 0:15:04 | |
I feel like Musicality, they look like your mates. | 0:15:04 | 0:15:07 | |
They look kind of like, "Yeah, come on, let's give it a go!" | 0:15:07 | 0:15:09 | |
Then when they start performing, they're really locked, | 0:15:09 | 0:15:12 | |
they're unified, they are doing their own thing, but all together. | 0:15:12 | 0:15:16 | |
New Creation, I thought, again, you guys were entertaining. | 0:15:16 | 0:15:20 | |
But I could sense your nerves. | 0:15:20 | 0:15:22 | |
Halfway through it was like you were going, "Oh, let's do it anyway." | 0:15:22 | 0:15:25 | |
And then, you really started to come through. | 0:15:25 | 0:15:28 | |
But the first little part, | 0:15:28 | 0:15:30 | |
what I would say is similar to what I said when I saw you before. | 0:15:30 | 0:15:33 | |
You've got to realise how good you are, forget the nerves, | 0:15:33 | 0:15:36 | |
just give it everything. You've got one shot, go for it. | 0:15:36 | 0:15:39 | |
And I have to say, Encore, nice harmonies, again, it was nice | 0:15:39 | 0:15:43 | |
to see you not feeling as though you had to somehow | 0:15:43 | 0:15:46 | |
augment your performance with loads and loads of movement. | 0:15:46 | 0:15:51 | |
Your singing is really together, really unified and really strong. | 0:15:51 | 0:15:56 | |
APPLAUSE | 0:15:56 | 0:15:58 | |
John, which group stood out for you? | 0:15:58 | 0:16:02 | |
This round, look, all three have something special to give, | 0:16:02 | 0:16:05 | |
that's why you're here. | 0:16:05 | 0:16:06 | |
The reality is, for me, that performance, | 0:16:06 | 0:16:09 | |
what is it about you Welsh people? | 0:16:09 | 0:16:11 | |
It's like you've got music in your heart and soul. It just oozed. | 0:16:11 | 0:16:17 | |
I felt every word you were saying, so well done for that. | 0:16:17 | 0:16:20 | |
-And Sisco, were you impressed by our groups? -Definitely. | 0:16:23 | 0:16:25 | |
I think with Musicality, you were more all rounded, | 0:16:25 | 0:16:29 | |
the performance, the vocals and the small bits of choreography you had | 0:16:29 | 0:16:32 | |
all marinated together, so it was really pleasant to watch, well done. | 0:16:32 | 0:16:36 | |
With New Creation, | 0:16:36 | 0:16:37 | |
some of you started the step clicks on the upbeat, | 0:16:37 | 0:16:40 | |
so it made you look quite awkward, | 0:16:40 | 0:16:43 | |
like you were doing stuff in opposite directions, you guys need | 0:16:43 | 0:16:46 | |
to be in your comfort zone, even if it's not your type of song. | 0:16:46 | 0:16:49 | |
Alter egos soon as you get on stage, | 0:16:49 | 0:16:51 | |
because you guys looked a bit intimidated by the song. | 0:16:51 | 0:16:54 | |
And I think you have got more to give. Encore, I love the vocals. | 0:16:54 | 0:16:58 | |
It's good to see a dancing group as well that can sing. | 0:16:58 | 0:17:02 | |
Some of the moves were a little harsh, | 0:17:02 | 0:17:04 | |
the choreography was a little unnecessarily full-out | 0:17:04 | 0:17:06 | |
for this song, but, you know, if you can dance, why not? | 0:17:06 | 0:17:09 | |
Thank you. | 0:17:09 | 0:17:10 | |
CHEERING AND APPLAUSE | 0:17:10 | 0:17:13 | |
OK. While we check and verify the scores for Round 1, | 0:17:13 | 0:17:17 | |
let's take a look at some messages from our friends of the show. | 0:17:17 | 0:17:20 | |
Get involved with Comic Relief 2013 and do something funny for money. | 0:17:21 | 0:17:25 | |
Together, we can make a difference. Thank you. | 0:17:25 | 0:17:29 | |
If you have been inspired by the glee clubs on today's show, | 0:17:29 | 0:17:32 | |
why not get a group of friends together | 0:17:32 | 0:17:34 | |
and put on your own performance for Red Nose Day? | 0:17:34 | 0:17:36 | |
Ooh! Oh. | 0:17:38 | 0:17:39 | |
THEY LAUGH | 0:17:39 | 0:17:40 | |
The scores have been checked and verified | 0:17:45 | 0:17:48 | |
and the results for Round 1 are in. So, it's over to you, Mr Nixon. | 0:17:48 | 0:17:51 | |
Thank you very much, Mr Rhodes. | 0:17:51 | 0:17:53 | |
I can reveal that the judges' combined score for Musicality | 0:17:53 | 0:17:56 | |
out of a possible 120 points is... | 0:17:56 | 0:17:59 | |
CHEERING | 0:18:03 | 0:18:05 | |
The judges' combined score for New Creation is... | 0:18:08 | 0:18:11 | |
CHEERING | 0:18:15 | 0:18:19 | |
..and finally, the judges' combined score for Encore is... | 0:18:20 | 0:18:23 | |
CHEERING | 0:18:28 | 0:18:31 | |
Well done, guys. Still one more challenge to go. | 0:18:31 | 0:18:34 | |
But before that, let's have a look at the scoreboard after Round 1. | 0:18:34 | 0:18:38 | |
With 120 points available | 0:18:46 | 0:18:48 | |
to each group in Round 2, | 0:18:48 | 0:18:49 | |
it could all change! | 0:18:49 | 0:18:51 | |
Well, I was willing you all on backstage, | 0:18:53 | 0:18:56 | |
I feel like your proud auntie. Musicality, fantastic. | 0:18:56 | 0:18:59 | |
You've obviously taken on the judges' comments since | 0:18:59 | 0:19:02 | |
we last saw you. Do you feel like you are performing differently? | 0:19:02 | 0:19:05 | |
I think we are performing completely differently. | 0:19:05 | 0:19:07 | |
We have just grouped together and worked on our ensemble more | 0:19:07 | 0:19:11 | |
-and our soloists, obviously. -Well, it is obviously paying off, well done. | 0:19:11 | 0:19:16 | |
Over to you. Hello. Are you feeling any more relaxed now? | 0:19:16 | 0:19:20 | |
David said halfway through that song, | 0:19:20 | 0:19:21 | |
you started to come to life. Are you feeling more relaxed now? | 0:19:21 | 0:19:24 | |
We really are confident, it's just a shame that it didn't come across, | 0:19:24 | 0:19:27 | |
we didn't come across as confident as we really are. | 0:19:27 | 0:19:30 | |
Because we really do enjoy it. | 0:19:30 | 0:19:31 | |
Yasmin, what are you going to pull out of the bag | 0:19:31 | 0:19:34 | |
for Round 2's song to wow the judges? | 0:19:34 | 0:19:36 | |
Well, vocals are definitely our strong point, | 0:19:36 | 0:19:38 | |
so hopefully we will wow the judges with that. | 0:19:38 | 0:19:40 | |
Do you want to do any more shaking out the nerves? | 0:19:40 | 0:19:42 | |
THEY LAUGH | 0:19:42 | 0:19:43 | |
Too embarrassing in front of the audience? Maybe backstage? | 0:19:43 | 0:19:46 | |
Yeah, you're right, they're good. | 0:19:46 | 0:19:48 | |
And over to you, Encore, do I even need to ask if you enjoyed that? | 0:19:48 | 0:19:51 | |
We absolutely loved it. It was so much fun. | 0:19:51 | 0:19:54 | |
Is it good, being in the glee club studio in front of this | 0:19:54 | 0:19:57 | |
-lovely audience? Aren't they beautiful? -It's great. | 0:19:57 | 0:20:01 | |
And that's all we have to say about that! | 0:20:01 | 0:20:03 | |
But don't forget, it's not all over yet, | 0:20:03 | 0:20:04 | |
there are still plenty of points to play for, so please, audience, | 0:20:04 | 0:20:08 | |
show our glee clubs just how much you enjoyed that. | 0:20:08 | 0:20:11 | |
Back to you, Sam and Mark. | 0:20:11 | 0:20:13 | |
CHEERING AND APPLAUSE | 0:20:13 | 0:20:14 | |
Thank you, the lovely Naomi. | 0:20:14 | 0:20:16 | |
Now, while the groups get ready for Round 2, | 0:20:16 | 0:20:18 | |
let's remind ourselves why we are here and how | 0:20:18 | 0:20:20 | |
Comic Relief makes a difference to young lives in the UK and Africa. | 0:20:20 | 0:20:24 | |
Comic Relief works hard to support people who are leading | 0:20:26 | 0:20:29 | |
incredibly difficult lives, | 0:20:29 | 0:20:31 | |
by funding projects all over Africa as well as right here in the UK. | 0:20:31 | 0:20:35 | |
In fact, the charity has funded over 15,000 projects in the UK, | 0:20:36 | 0:20:40 | |
working 365 days a year to change things for the better. | 0:20:40 | 0:20:45 | |
The donations that you make will help vulnerable people from all walks | 0:20:47 | 0:20:51 | |
of life, at home and abroad. You can help make a huge difference. | 0:20:51 | 0:20:56 | |
To find out how you can do something funny for money, get a grown-up | 0:20:56 | 0:21:00 | |
and visit the CBBC website at... | 0:21:00 | 0:21:02 | |
..and follow the link to Comic Relief. | 0:21:06 | 0:21:08 | |
Thank you. | 0:21:08 | 0:21:10 | |
CHEERING AND APPLAUSE | 0:21:16 | 0:21:21 | |
You really can make a difference. | 0:21:21 | 0:21:23 | |
Go on, get involved and do something funny for money. | 0:21:23 | 0:21:26 | |
OK, Round 2 is the last chance for our groups to deliver | 0:21:26 | 0:21:29 | |
a show-stopping performance. | 0:21:29 | 0:21:30 | |
They will need to score as many points as they can to secure | 0:21:30 | 0:21:33 | |
a top spot on the Glee Club leaderboard. | 0:21:33 | 0:21:35 | |
Remember, only the top five acts will go through to the live finals. | 0:21:35 | 0:21:38 | |
Mr D, can you please give us the details for the final round? | 0:21:38 | 0:21:42 | |
The groups will have | 0:21:44 | 0:21:45 | |
to give it their all. | 0:21:45 | 0:21:46 | |
It's their final chance | 0:21:46 | 0:21:47 | |
to build those all-important points. | 0:21:47 | 0:21:50 | |
They are the only group representing Wales. All right! | 0:21:51 | 0:21:54 | |
Let's take a look at Musicality's journey to the heats. | 0:21:54 | 0:21:58 | |
'From their first appearance in Cardiff, Musicality really | 0:21:58 | 0:22:01 | |
'seemed to live up to their name.' | 0:22:01 | 0:22:04 | |
That was really good! Really, really enjoyed that. | 0:22:04 | 0:22:07 | |
I actually believed what you were singing. | 0:22:07 | 0:22:10 | |
# Joyful, joyful Lord, we adore thee... # | 0:22:10 | 0:22:14 | |
'And it wasn't only John who believed the group had potential.' | 0:22:14 | 0:22:18 | |
All of the vocals together were really slick, | 0:22:18 | 0:22:20 | |
-and I think it was a great performance, well done. -Thank you. | 0:22:20 | 0:22:23 | |
You all look really different, you are all different ages, | 0:22:23 | 0:22:26 | |
which is great. | 0:22:26 | 0:22:27 | |
I kind of would like to see some uniformity somewhere in what | 0:22:27 | 0:22:30 | |
you're wearing. That's my only negative comment. | 0:22:30 | 0:22:33 | |
The rest of it, perfect. | 0:22:33 | 0:22:35 | |
'So, how did Musicality get dressed for success this time round?' | 0:22:35 | 0:22:39 | |
I understood completely with the outfits. | 0:22:40 | 0:22:43 | |
We've decided to go for the colour purple, and denim. | 0:22:43 | 0:22:47 | |
There's your stage! | 0:22:47 | 0:22:50 | |
-How old are you? -10. -Are you nervous? -A bit. | 0:22:50 | 0:22:54 | |
Only a bit? I'd be terrified if I had to do that! | 0:22:54 | 0:22:59 | |
I think you're amazing! | 0:22:59 | 0:23:01 | |
-How are you feeling today? -Really excited and nervous. | 0:23:01 | 0:23:04 | |
I'm really excited because not only will we | 0:23:04 | 0:23:06 | |
be able to perform in front of Carrie, David and Sisco, | 0:23:06 | 0:23:09 | |
but we'll be able to perform in front of the audience. | 0:23:09 | 0:23:13 | |
Because, like, I've always wanted to be on TV and it's my first time. | 0:23:13 | 0:23:16 | |
So I'm really excited about it. | 0:23:16 | 0:23:19 | |
I'm pretty sure you're the only Welsh group through to this stage. | 0:23:19 | 0:23:22 | |
-Really? -Are we really? Let's do this! -So you've got to do this for Wales. | 0:23:22 | 0:23:26 | |
Yes, definitely. | 0:23:26 | 0:23:27 | |
CHEERING AND APPLAUSE | 0:23:28 | 0:23:32 | |
They are the pride of Wales and count | 0:23:32 | 0:23:34 | |
Tom Jones, Shirley Bassey and Katherine Jenkins among their fans. | 0:23:34 | 0:23:37 | |
-So pretty. -Katherine Jenkins? -Tom Jones. -OK. | 0:23:37 | 0:23:41 | |
Singing Proud Mary by Ike and Tina Turner, it's Musicality! | 0:23:41 | 0:23:44 | |
# Left a good job in the city | 0:23:53 | 0:23:56 | |
# Working for the man every night and day | 0:23:58 | 0:24:03 | |
# And I never lost one minute of sleep | 0:24:03 | 0:24:07 | |
# Cos I'd be worried 'bout the way things might have been | 0:24:07 | 0:24:13 | |
# Big wheels keep on turning | 0:24:13 | 0:24:17 | |
# Proud Mary keep on burning | 0:24:19 | 0:24:24 | |
-# And we're rolling -Ooh | 0:24:24 | 0:24:27 | |
-# Rolling -Ooh | 0:24:27 | 0:24:29 | |
# Rolling on a river | 0:24:29 | 0:24:32 | |
# We're rolling on a river | 0:24:32 | 0:24:35 | |
# Oh, I left a good job in the city | 0:24:42 | 0:24:45 | |
# Working for the man every night and day | 0:24:45 | 0:24:48 | |
# And I never lost one minute of sleep | 0:24:48 | 0:24:51 | |
# Worrying 'bout the way things might have been | 0:24:51 | 0:24:53 | |
# Big wheels keep on turning, Proud Mary keep on burning | 0:24:53 | 0:24:58 | |
# Rolling, rolling, rolling on a river | 0:24:58 | 0:25:04 | |
# Ba-da-da, ba-da-da, ba-da da da da da da-da, yeah! # | 0:25:05 | 0:25:13 | |
CHEERING AND APPLAUSE | 0:25:14 | 0:25:18 | |
-Oh, yeah! -Yeah! Is that the end pose? -Nice going, guys. | 0:25:19 | 0:25:26 | |
Well done, girls. And boys! | 0:25:26 | 0:25:27 | |
David, did you think Musicality did Wales proud there? | 0:25:27 | 0:25:31 | |
-Yes, I did! What's the name of your soloist? -Mia. -Mia was fantastic. | 0:25:31 | 0:25:38 | |
She's like a little girl with... | 0:25:40 | 0:25:42 | |
..a little girl with this voice that was just so confident | 0:25:44 | 0:25:48 | |
and committed, such conviction in it. | 0:25:48 | 0:25:51 | |
And then, when you all come together, there is such a strength | 0:25:51 | 0:25:53 | |
in what you're doing vocally, loved your movement, hugely entertaining. | 0:25:53 | 0:25:58 | |
Nice one. | 0:25:58 | 0:25:59 | |
CHEERING AND APPLAUSE | 0:25:59 | 0:26:01 | |
-It's a good start. -Not bad. | 0:26:01 | 0:26:02 | |
John, vocally, do you think that was good enough? | 0:26:02 | 0:26:05 | |
Everything was good enough. It was a complete performance. | 0:26:05 | 0:26:08 | |
Vocally, emotionally, visually. | 0:26:08 | 0:26:12 | |
-Solos - Mia, belissima! -Fantastic. | 0:26:12 | 0:26:16 | |
That was such, such a good performance, thank you. | 0:26:16 | 0:26:20 | |
CHEERING AND APPLAUSE | 0:26:20 | 0:26:23 | |
Sisco, what did you think of the choreography? | 0:26:23 | 0:26:25 | |
The choreography was really good, I'm glad you injected | 0:26:25 | 0:26:28 | |
a bit of the original choreography in there as well. | 0:26:28 | 0:26:31 | |
While I first heard it, I was nervous because it's such a big song, | 0:26:31 | 0:26:34 | |
but you guys really did it justice, well done. | 0:26:34 | 0:26:36 | |
CHEERING AND APPLAUSE | 0:26:36 | 0:26:38 | |
And finally, Carrie, do you see Musicality as a finalist? | 0:26:38 | 0:26:41 | |
Oh, definitely, they could get through. | 0:26:41 | 0:26:44 | |
I think it's hard, because each group is bringing something different today | 0:26:44 | 0:26:47 | |
so you have to judge it within their own range. | 0:26:47 | 0:26:49 | |
-And also look at what else we've got. But, yeah, definitely. -Nice. | 0:26:49 | 0:26:54 | |
-Thank you. -Thank you very much, judges. | 0:26:54 | 0:26:56 | |
Got to be happy with that. | 0:26:57 | 0:26:58 | |
And also, the only lad in the show today, high five! Absolute player. | 0:26:58 | 0:27:03 | |
I want some of that! Give it up for Musicality! | 0:27:03 | 0:27:07 | |
CHEERING AND APPLAUSE | 0:27:07 | 0:27:11 | |
Come on over, Musicality. Mia, such a big voice, such a little person! | 0:27:11 | 0:27:17 | |
You must feel really good about those comments from the judges. | 0:27:17 | 0:27:21 | |
Yeah, it's really great. | 0:27:21 | 0:27:22 | |
Were you chuffed that they said such nice things about your voice? | 0:27:22 | 0:27:25 | |
Yeah, I was really chuffed. | 0:27:25 | 0:27:28 | |
And do you think that everybody that will watch you at home will be | 0:27:28 | 0:27:30 | |
-very proud? -Yeah. -Proud Marys! -My family will be really proud. | 0:27:30 | 0:27:35 | |
I bet they will. | 0:27:35 | 0:27:36 | |
I was dancing away backstage, having the time of my life. | 0:27:36 | 0:27:38 | |
You are the only group through to this round representing Wales, | 0:27:38 | 0:27:41 | |
-so do any of you speak Welsh? -Yeah. | 0:27:41 | 0:27:43 | |
Do you want to translate a bit of Welsh for me? | 0:27:43 | 0:27:46 | |
OK, let's hear some Welsh. | 0:27:46 | 0:27:48 | |
Could you maybe say, "Naomi is better than Sam and Mark"? | 0:27:48 | 0:27:51 | |
-Oh, no, no, wait. Say, "Naomi is WAY better than Sam and Mark." -Oi! | 0:27:51 | 0:27:56 | |
Mae Naomi lot gwell na Sam a Mark. | 0:27:56 | 0:27:59 | |
Yay! Doesn't that sound good? Let's hear it for Musicality! | 0:27:59 | 0:28:04 | |
CHEERING AND APPLAUSE | 0:28:04 | 0:28:07 | |
I couldn't believe that. Thank you, Naomi. | 0:28:07 | 0:28:09 | |
She is way better than us, though. | 0:28:09 | 0:28:11 | |
Now let's take a look at New Creation's journey to the heats. | 0:28:11 | 0:28:15 | |
'New Creation's sound has been highly praised | 0:28:15 | 0:28:18 | |
'since they first met John in Manchester.' | 0:28:18 | 0:28:20 | |
So, it's been an acoustic privilege for me, sounds really good. | 0:28:20 | 0:28:25 | |
'Carrie echoed those feelings when the group came to London.' | 0:28:25 | 0:28:29 | |
I close my eyes and I listen to the most fantastic sound. | 0:28:29 | 0:28:34 | |
# Cos she's gone | 0:28:34 | 0:28:36 | |
# In her shadow, is it me you see? | 0:28:38 | 0:28:41 | |
# Cos all that's left... # | 0:28:41 | 0:28:43 | |
'But she had a different reaction | 0:28:43 | 0:28:44 | |
'when it came to other parts of their performance.' | 0:28:44 | 0:28:47 | |
I opened my eyes, I see five really scared girls, that look like | 0:28:47 | 0:28:53 | |
they can't wait for it to be finished and the torture will be over. | 0:28:53 | 0:28:57 | |
-They said we all look really scared. -Oh, right, OK! | 0:28:59 | 0:29:03 | |
So, that's what we've really tried to work on this time. | 0:29:03 | 0:29:06 | |
How do you do that? How do you not look scared onstage? | 0:29:06 | 0:29:09 | |
What we do is we do this thing where we just look in the mirror | 0:29:09 | 0:29:13 | |
and we go over the top. Then we do it really dull. | 0:29:13 | 0:29:19 | |
-Then we find a place in-between. -OK. Sounds like a good technique! | 0:29:19 | 0:29:23 | |
What are you thinking about as you are singing? | 0:29:25 | 0:29:28 | |
Trying to look like we are enjoying ourselves, really. Just relax! | 0:29:28 | 0:29:33 | |
-Are you enjoying yourselves? -Yeah. -Yeah. Good. | 0:29:33 | 0:29:35 | |
'So, can New Creation recreate their wonderful sound one more time?' | 0:29:35 | 0:29:39 | |
Singing and dancing for a place in the live finals | 0:29:39 | 0:29:43 | |
with Wide Awake by Katy Perry, it's New Creation! | 0:29:43 | 0:29:46 | |
APPLAUSE AND CHEERING | 0:29:46 | 0:29:48 | |
# I'm wide awake | 0:29:55 | 0:29:58 | |
# I'm wide awake | 0:30:01 | 0:30:03 | |
# Yeah, I was in the dark I was falling hard | 0:30:03 | 0:30:06 | |
# With an open heart I'm wide awake | 0:30:06 | 0:30:09 | |
# How did I read the stars so wrong? | 0:30:09 | 0:30:11 | |
# Woh-oh-oh-oh | 0:30:11 | 0:30:14 | |
# I'm wide awake And now it's clear to me | 0:30:14 | 0:30:16 | |
# That everything you see ain't always what it seems | 0:30:16 | 0:30:19 | |
# I'm wide awake Yeah, I was dreaming for so long | 0:30:19 | 0:30:24 | |
# Woh-oh-oh-oh | 0:30:24 | 0:30:26 | |
# I wish I knew then what I know now | 0:30:26 | 0:30:28 | |
# Wouldn't dive in, wouldn't bow down | 0:30:28 | 0:30:31 | |
# Gravity hurts, you made it so sweet | 0:30:31 | 0:30:34 | |
# Till I woke up on, on the concrete | 0:30:34 | 0:30:38 | |
# Falling from cloud nine | 0:30:38 | 0:30:43 | |
# Crashing from the heights | 0:30:43 | 0:30:50 | |
# Letting go tonight | 0:30:50 | 0:30:56 | |
# Falling from cloud nine | 0:30:56 | 0:31:01 | |
# I'm wide awake | 0:31:01 | 0:31:03 | |
# Thunder rumbling, castles crumbling | 0:31:03 | 0:31:08 | |
# I am trying to hold on | 0:31:08 | 0:31:13 | |
# I'm wide awake. # | 0:31:13 | 0:31:17 | |
APPLAUSE AND CHEERING | 0:31:17 | 0:31:24 | |
-Well done, girls. -Nice one, girls. Budge in, budge in, there you go. | 0:31:24 | 0:31:28 | |
-Get nice and tight. -We don't smell, we don't smell. Well, I do! | 0:31:28 | 0:31:32 | |
John, what did you think of that performance? | 0:31:32 | 0:31:35 | |
This is what I see. | 0:31:35 | 0:31:36 | |
I mean, New Creation, this is why I chose you guys. | 0:31:36 | 0:31:39 | |
It's that sound. Your sound is incredible, | 0:31:39 | 0:31:43 | |
when you get it right and it's there and I felt the confidence. | 0:31:43 | 0:31:47 | |
You have this sound like that '80s girl band, Wilson Phillips. | 0:31:47 | 0:31:50 | |
I don't know if you ever heard of them. | 0:31:50 | 0:31:52 | |
There's something magical about that sound. | 0:31:52 | 0:31:54 | |
-They probably don't! -We've not even heard of them, John! | 0:31:54 | 0:31:56 | |
Exactly! Well, look them up, you'll see. | 0:31:56 | 0:31:58 | |
-Ask your grandmother! -Yeah, ask your grandmother. | 0:31:58 | 0:32:01 | |
But anyway, your sound is fantastic. | 0:32:01 | 0:32:03 | |
And that just gave me a few goose bumps. | 0:32:03 | 0:32:06 | |
-Very cool. -APPLAUSE AND CHEERING | 0:32:06 | 0:32:09 | |
-Sisco, was that a confident performance? -Do you know what? | 0:32:09 | 0:32:13 | |
I still think you guys are holding back. | 0:32:13 | 0:32:15 | |
I see insecurity and you shouldn't, because you guys are great singers. | 0:32:15 | 0:32:18 | |
And I can see that you guys love to perform. | 0:32:18 | 0:32:21 | |
And I like you guys cos you guys are so, like, | 0:32:21 | 0:32:23 | |
organic about your performance. But I just still need more. | 0:32:23 | 0:32:27 | |
OK. Carrie, did you think | 0:32:27 | 0:32:28 | |
that was the right song choice for their voices? | 0:32:28 | 0:32:31 | |
I think it was the perfect song choice for you guys. I loved it. | 0:32:31 | 0:32:34 | |
You don't have to be all out jazz hands, singing and dancing. | 0:32:34 | 0:32:36 | |
We don't want that from you. But just that kind of, | 0:32:36 | 0:32:39 | |
"I'm cool being this", you know? "I can be confident and cool." | 0:32:39 | 0:32:42 | |
Rather than, "Oh, please don't look at me, I'm slightly self-conscious!" | 0:32:42 | 0:32:45 | |
And it's just finding that balance. Once you find it, | 0:32:45 | 0:32:48 | |
-you guys are amazing. -Thank you, Carrie. | 0:32:48 | 0:32:50 | |
David, did it all come together for you? | 0:32:50 | 0:32:53 | |
Here's what I want to say to you guys, OK. | 0:32:53 | 0:32:55 | |
If you go through, I want you to build on this and be this and more. | 0:32:55 | 0:33:01 | |
If you don't go through, I want you to stay together | 0:33:01 | 0:33:05 | |
and keep building on this, | 0:33:05 | 0:33:06 | |
because one day you're going to hear yourselves and see yourselves, | 0:33:06 | 0:33:10 | |
you're going to wake up to the fact that actually, | 0:33:10 | 0:33:12 | |
"I'm really good at this." | 0:33:12 | 0:33:14 | |
You are so much better than you know you are. | 0:33:14 | 0:33:17 | |
-APPLAUSE AND CHEERING -Thank you, David. Thank you, judges. | 0:33:17 | 0:33:20 | |
And girls, well done. | 0:33:20 | 0:33:21 | |
Please, ladies and gentlemen, give it up for New Creation! | 0:33:21 | 0:33:24 | |
APPLAUSE AND CHEERING | 0:33:24 | 0:33:26 | |
Com on over, girls. How was that? | 0:33:29 | 0:33:31 | |
They were saying some lovely things about your singing, and that's coming | 0:33:31 | 0:33:35 | |
from Carrie and David, who have been vocal coaching for loads of years. | 0:33:35 | 0:33:39 | |
They coached loads of famous people. | 0:33:39 | 0:33:41 | |
How do you feel about getting such nice comments about your singing? | 0:33:41 | 0:33:44 | |
Yeah, it's really lovely, | 0:33:44 | 0:33:45 | |
and we've worked so hard, so it's paid off, I think. Yet. | 0:33:45 | 0:33:48 | |
How was your confidence on the stage that time round? | 0:33:48 | 0:33:51 | |
I felt it was strong, it was stronger, | 0:33:51 | 0:33:53 | |
because we had that buzz of performing. | 0:33:53 | 0:33:55 | |
And it's just live, isn't it? | 0:33:55 | 0:33:57 | |
And there's only five of you, and yet you filled that stage. | 0:33:57 | 0:34:00 | |
Now, Yasmin, you've worn that hat for the last two rounds. | 0:34:00 | 0:34:03 | |
If you do get through to the next one, will you all wear hats? | 0:34:03 | 0:34:07 | |
Em, maybe. We might wear matching hats. | 0:34:07 | 0:34:09 | |
Well, we look forward to finding out. | 0:34:09 | 0:34:11 | |
Please give a great big round of applause for New Creation! | 0:34:11 | 0:34:13 | |
APPLAUSE AND CHEERING | 0:34:13 | 0:34:17 | |
Thanks, Naomi. Our last act is hoping to live up to their name. | 0:34:17 | 0:34:20 | |
Plus, they're from Yorkshire, so I definitely want to see them again. | 0:34:20 | 0:34:23 | |
-Let's meet Encore. -Ah! | 0:34:23 | 0:34:26 | |
Encore's journey to today's show started in Manchester. | 0:34:26 | 0:34:29 | |
And their performance was enough for John to take them | 0:34:29 | 0:34:32 | |
to the judges' auditions in London. | 0:34:32 | 0:34:34 | |
I was in two minds about these guys. | 0:34:34 | 0:34:37 | |
But I see some potential in them. See what you guys think. | 0:34:37 | 0:34:40 | |
# Now she's gone | 0:34:40 | 0:34:43 | |
# And I'm picking up the pieces | 0:34:43 | 0:34:47 | |
# I watched you cry | 0:34:47 | 0:34:49 | |
# But you don't see that I'm the one by your side... # | 0:34:49 | 0:34:54 | |
It feels to me that you are a dancing school who do some singing. | 0:34:54 | 0:34:59 | |
I think if you do get through to the next round, | 0:34:59 | 0:35:02 | |
we've got to hear more vocals. | 0:35:02 | 0:35:04 | |
With Carrie's advice ringing in their ears, | 0:35:04 | 0:35:06 | |
Encore were on their way to Glasgow. | 0:35:06 | 0:35:08 | |
So, are they ready to shine when they take the stage once again? | 0:35:08 | 0:35:12 | |
They said we were more a dance group that sings. | 0:35:13 | 0:35:17 | |
So we've got to... We've taken out a little bit of the dancing, | 0:35:17 | 0:35:21 | |
but we've still got it in cos that's what gives us the... | 0:35:21 | 0:35:24 | |
-almost edge over other people, I think. -Sets you apart. | 0:35:24 | 0:35:27 | |
Yeah. And we've worked on our vocals as well, | 0:35:27 | 0:35:30 | |
and added harmonies and things like that. | 0:35:30 | 0:35:32 | |
-I think we're in for a good competition. -Yeah. | 0:35:32 | 0:35:36 | |
-I think this is a high-scoring round. -Hopefully. | 0:35:36 | 0:35:40 | |
-I cannot wait to get on stage. -Really? -Yeah. | 0:35:40 | 0:35:43 | |
-So you haven't got too nervous? -No, I'm more excited. Yeah. | 0:35:43 | 0:35:46 | |
I am. I'm not going to lie. | 0:35:46 | 0:35:48 | |
We're going to do this, girls! | 0:35:48 | 0:35:51 | |
They're our last act to perform for the judges. | 0:35:53 | 0:35:56 | |
Let's hope they can add some valuable points to their score. | 0:35:56 | 0:35:58 | |
Singing and dancing for a place in the live finals, | 0:35:58 | 0:36:01 | |
with You Bring Me Joy by Amelia Lily, it's Encore! | 0:36:01 | 0:36:04 | |
APPLAUSE AND CHEERING | 0:36:04 | 0:36:10 | |
# I've been thinking 'bout all the things I'm searching for | 0:36:24 | 0:36:27 | |
# 20 years from now, boy, we could have done it all | 0:36:27 | 0:36:31 | |
# I've been thinking 'bout all the times I lost my head | 0:36:31 | 0:36:35 | |
# I've been thinking 'bout all the things I never said | 0:36:35 | 0:36:38 | |
# Oh, you bring me joy, yeah, you bring me sadness | 0:36:38 | 0:36:42 | |
# So you bring love, so forget all the madness | 0:36:42 | 0:36:46 | |
# I'm done with all the pain, I'm done with all the happenings | 0:36:46 | 0:36:50 | |
# So you bring me joy, yeah, you bring me sadness | 0:36:50 | 0:36:54 | |
# I've been thinking 'bout everything I've ever had | 0:36:54 | 0:36:58 | |
# All those crazy doubts, only going to make me mad | 0:36:58 | 0:37:02 | |
# I've been thinking 'bout everything I should have done | 0:37:02 | 0:37:06 | |
# I've looking back when I've only just begun | 0:37:06 | 0:37:09 | |
# Oh, you bring me joy, yeah, you bring me sadness | 0:37:09 | 0:37:13 | |
# So you bring me love, forget all the madness | 0:37:13 | 0:37:17 | |
# I'm done with all the pain, I'm done with all the happenings | 0:37:17 | 0:37:20 | |
# So you bring joy | 0:37:20 | 0:37:22 | |
# Yeah, you bring sadness | 0:37:22 | 0:37:24 | |
# So you bring joy | 0:37:24 | 0:37:25 | |
# Yeah, you bring sadness | 0:37:25 | 0:37:28 | |
# So you bring love, forget all the madness | 0:37:28 | 0:37:31 | |
# I'm done with all the pain | 0:37:31 | 0:37:35 | |
# So you bring joy, yeah, you bring sadness. # | 0:37:35 | 0:37:40 | |
APPLAUSE AND CHEERING | 0:37:45 | 0:37:48 | |
-Well done, guys. -Can I keep that chair, actually? | 0:37:48 | 0:37:50 | |
-We'll keep that chair. -I'm getting a bit old. | 0:37:50 | 0:37:53 | |
-Sit yourself down, have a seat, lovely. -Oh, thanks. | 0:37:53 | 0:37:56 | |
OK, well done. | 0:37:56 | 0:37:58 | |
Sisco, Encore impressed us a lot with their dancing | 0:37:58 | 0:38:01 | |
back in the auditions - what did you make of that? | 0:38:01 | 0:38:04 | |
I love the fact you guys use the stage. | 0:38:04 | 0:38:06 | |
There was props, there's a lot of you, so I love it when someone | 0:38:06 | 0:38:09 | |
uses the stage in an intelligent manner, so well done for that. | 0:38:09 | 0:38:11 | |
One thing I am going to say is that you have to make sure that the | 0:38:11 | 0:38:14 | |
choreography fits your facility. I saw a few mistakes. | 0:38:14 | 0:38:17 | |
But, that aside, it's great that you guys have stamina, | 0:38:17 | 0:38:20 | |
that you guys are doing so much, choreographically, | 0:38:20 | 0:38:23 | |
with the formations and still vocally being able to keep it together. | 0:38:23 | 0:38:26 | |
So, well done for that. | 0:38:26 | 0:38:28 | |
APPLAUSE AND CHEERING | 0:38:28 | 0:38:30 | |
Carrie, did you like the arrangement? | 0:38:30 | 0:38:32 | |
Did I like the arrangement? | 0:38:32 | 0:38:34 | |
That's actually a really good question. | 0:38:34 | 0:38:36 | |
For me, the arrangement, I think, should have been more complex. | 0:38:36 | 0:38:39 | |
It felt very simple. There's eight of you, | 0:38:39 | 0:38:41 | |
there could have been a lot more complexity in the singing. | 0:38:41 | 0:38:44 | |
Loads of complex dancing, but we have told you before, | 0:38:44 | 0:38:47 | |
we need the singing to really be upped at this stage. | 0:38:47 | 0:38:49 | |
OK, David, do you reckon they've done enough to make it | 0:38:49 | 0:38:52 | |
through to the final? | 0:38:52 | 0:38:53 | |
Hard to tell, at this stage. | 0:38:53 | 0:38:55 | |
I think they could, actually, be there in the final. I don't know. | 0:38:55 | 0:38:58 | |
What I do know is this they came up, they actually, | 0:38:58 | 0:39:01 | |
even though they were going full-on with the dancing, | 0:39:01 | 0:39:04 | |
they gave 80% singing, which meant they weren't shouting, | 0:39:04 | 0:39:07 | |
they were really blending, and I really loved your ensemble sound. | 0:39:07 | 0:39:11 | |
APPLAUSE AND CHEERING | 0:39:12 | 0:39:14 | |
And, John, did you think that song suited Encore's style? | 0:39:14 | 0:39:18 | |
It most definitely did. You guys did it really well. | 0:39:18 | 0:39:21 | |
You danced well, I was there, I was there. | 0:39:21 | 0:39:23 | |
I was in the club. I was in the club. | 0:39:23 | 0:39:25 | |
So, for me, that was quite a good performance from you girls. | 0:39:25 | 0:39:28 | |
Well done. | 0:39:28 | 0:39:29 | |
APPLAUSE AND CHEERING | 0:39:29 | 0:39:31 | |
Thank you very much, judges. Give it up for Encore! | 0:39:31 | 0:39:33 | |
Well done, we'll move the chair, we'll move the chair. | 0:39:33 | 0:39:36 | |
APPLAUSE AND CHEERING | 0:39:36 | 0:39:38 | |
Come on over, ladies. | 0:39:38 | 0:39:40 | |
Come and join me. How are you feeling after that? | 0:39:40 | 0:39:43 | |
Ultimately, there were some really good comments there, | 0:39:43 | 0:39:46 | |
they said some lovely things about your singing and your vocals. | 0:39:46 | 0:39:49 | |
Sisco was commenting on your dancing, | 0:39:49 | 0:39:51 | |
perhaps giving you some constructive feedback. | 0:39:51 | 0:39:53 | |
How did you feel about getting some great constructive feedback | 0:39:53 | 0:39:57 | |
from the dancer on our judging panel? | 0:39:57 | 0:39:59 | |
I think it's really good we've got some feedback, | 0:39:59 | 0:40:01 | |
so we can improve on it, so even if we don't get through, | 0:40:01 | 0:40:04 | |
we've still got those comments to remember. So we can... | 0:40:04 | 0:40:08 | |
What I want to know is, how do you keep your stamina up | 0:40:08 | 0:40:11 | |
so that you can dance like that and sing so well? | 0:40:11 | 0:40:15 | |
We practise, lots and lots. We just... | 0:40:15 | 0:40:18 | |
-Do you get special powers from those sparkly leggings? -Maybe! | 0:40:18 | 0:40:20 | |
If you do, could I borrow some, | 0:40:20 | 0:40:23 | |
because I'd like to give them to Sam and Mark? | 0:40:23 | 0:40:26 | |
-Yeah, you can. -Cool! Thank you very much. | 0:40:26 | 0:40:28 | |
Give them a great big cheer, thank you very much! | 0:40:28 | 0:40:30 | |
APPLAUSE AND CHEERING | 0:40:30 | 0:40:32 | |
-Sky blue is not really my colour. -I've already got some as well. | 0:40:33 | 0:40:37 | |
Thank you very much, Naomi. | 0:40:37 | 0:40:38 | |
So, there you have it. | 0:40:38 | 0:40:40 | |
All three acts have now performed and can do no more. | 0:40:40 | 0:40:42 | |
Whilst we check and verify the final scores | 0:40:42 | 0:40:44 | |
and you wait to find out if your favourite has won, | 0:40:44 | 0:40:46 | |
here's a quick reminder of those show-stopping performances. | 0:40:46 | 0:40:49 | |
# Oh, I left a good job in the city | 0:40:52 | 0:40:54 | |
# Working for the man every night and day | 0:40:54 | 0:40:58 | |
# And I never lost one minute of sleep | 0:40:58 | 0:41:01 | |
# Worrying 'bout the way things might have been... # | 0:41:01 | 0:41:03 | |
-# Falling from cloud nine -It was out of the blue, yeah | 0:41:05 | 0:41:10 | |
# Crashing from the high... # | 0:41:10 | 0:41:14 | |
# Oh, you bring joy | 0:41:16 | 0:41:17 | |
# Yeah, you bring sadness | 0:41:17 | 0:41:19 | |
# So you bring love | 0:41:19 | 0:41:21 | |
# So forget all the madness | 0:41:21 | 0:41:23 | |
# I'm done with all the pain | 0:41:23 | 0:41:24 | |
-# Done with all the pain -I'm done with all the happenings | 0:41:24 | 0:41:27 | |
# So you bring joy | 0:41:27 | 0:41:28 | |
# Yeah, you bring sadness... | 0:41:28 | 0:41:30 | |
APPLAUSE AND CHEERING | 0:41:37 | 0:41:39 | |
-Welcome back our three acts... -Musicality... | 0:41:41 | 0:41:45 | |
..New Creation... | 0:41:47 | 0:41:48 | |
..and Encore! | 0:41:49 | 0:41:51 | |
Judges, you've seen them all perform and have awarded | 0:41:54 | 0:41:57 | |
points for vocal ability, creativity and performance across two rounds. | 0:41:57 | 0:42:00 | |
Carrie, before we reveal who the winner is, | 0:42:00 | 0:42:03 | |
how would you sum up today's performances? | 0:42:03 | 0:42:06 | |
I think today's performances have been really strong, | 0:42:06 | 0:42:08 | |
and may I just say, I think to be able to deliver in one minute, 30, | 0:42:08 | 0:42:12 | |
everything you've got, you can only be as good as that particular moment. | 0:42:12 | 0:42:16 | |
You think, "Ten minutes later I would have been so much better," | 0:42:16 | 0:42:19 | |
but that's what you've given us today, | 0:42:19 | 0:42:21 | |
and you've all done really, really well. | 0:42:21 | 0:42:23 | |
Thank you, Carrie. | 0:42:23 | 0:42:24 | |
APPLAUSE | 0:42:24 | 0:42:26 | |
Right, the wait is over. | 0:42:26 | 0:42:28 | |
The scores have been checked and verified | 0:42:28 | 0:42:30 | |
and we now have the results. | 0:42:30 | 0:42:33 | |
-AUDIENCE: -Ooh! | 0:42:34 | 0:42:36 | |
"Ooh" indeed! | 0:42:38 | 0:42:39 | |
I can reveal that the winner of today's heat is... | 0:42:39 | 0:42:42 | |
..with a total score of 173, | 0:42:57 | 0:43:00 | |
it's Musicality! | 0:43:00 | 0:43:01 | |
CHEERING AND APPLAUSE | 0:43:01 | 0:43:03 | |
Well done, guys. | 0:43:04 | 0:43:06 | |
Please give a massive round of applause to our runners-up, | 0:43:06 | 0:43:08 | |
New Creation... | 0:43:08 | 0:43:10 | |
and Encore! | 0:43:10 | 0:43:12 | |
-Well done. -It's been a brilliant, brilliant show. | 0:43:12 | 0:43:14 | |
You've all been fantastic. | 0:43:14 | 0:43:15 | |
Thank you, once again, to our lovely judges, | 0:43:15 | 0:43:18 | |
-Carrie, David, John and Sisco. -Thank you, judges. | 0:43:18 | 0:43:21 | |
Always a pleasure. | 0:43:21 | 0:43:22 | |
And, of course, a massive thank you to the lovely Naomi Wilkinson! | 0:43:22 | 0:43:25 | |
CHEERING AND APPLAUSE | 0:43:25 | 0:43:27 | |
-That was a really good show. -Really good. | 0:43:28 | 0:43:30 | |
You've got the medals, off you go, give them out. | 0:43:30 | 0:43:32 | |
Make sure you join us next time when more glee clubs | 0:43:32 | 0:43:35 | |
will battle it out for the chance to be crowned the winners | 0:43:35 | 0:43:38 | |
of Comic Relief Does Glee Club 2013. | 0:43:38 | 0:43:40 | |
-BOTH: -See you then. | 0:43:40 | 0:43:42 | |
Today's heat winners, Musicality, go straight into second place, | 0:43:44 | 0:43:47 | |
just four points behind LS8, | 0:43:47 | 0:43:48 | |
with Encore taking the fifth spot on the leaderboard. | 0:43:48 | 0:43:51 | |
If you want a reminder of the performances, | 0:43:51 | 0:43:54 | |
go to the CBBC website and click on the link for the current top five. | 0:43:54 | 0:43:58 | |
Will LS8 keep hold of the top spot? Will any of the three groups | 0:43:58 | 0:44:01 | |
battling it out next time make the top five? | 0:44:01 | 0:44:04 | |
Don't miss it! | 0:44:04 | 0:44:05 | |
Subtitles by Red Bee Media Ltd | 0:44:06 | 0:44:08 |