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Welcome to Glee Club. | 0:00:04 | 0:00:05 | |
Last time, Musicality stormed onto | 0:00:05 | 0:00:07 | |
the leaderboard in second place. | 0:00:07 | 0:00:09 | |
# Oh, I left a good job in the city | 0:00:09 | 0:00:12 | |
# Working for the man Every night and day... # | 0:00:12 | 0:00:15 | |
Will any of today's groups score enough points | 0:00:15 | 0:00:17 | |
to break into the top five and secure a place in the semi-final? | 0:00:17 | 0:00:21 | |
# How do you think I feel When you call my name? # | 0:00:21 | 0:00:24 | |
This is Comic Relief Does Glee Club 2013. | 0:00:24 | 0:00:27 | |
Please welcome your hosts, Sam and Mark! | 0:00:46 | 0:00:50 | |
CHEERING | 0:00:50 | 0:00:54 | |
Hello! | 0:00:54 | 0:00:55 | |
And welcome to Comic Relief Does Glee Club and the studio heats. | 0:00:55 | 0:00:59 | |
We've been from Glasgow to London | 0:00:59 | 0:01:00 | |
and Belfast to Cardiff plus a few places in-between in our search for | 0:01:00 | 0:01:05 | |
Britain's top young performers and it's all in support of Red Nose Day. | 0:01:05 | 0:01:09 | |
Today three acts will battle it out | 0:01:09 | 0:01:10 | |
for those all-important positions on the Glee Club leaderboard. | 0:01:10 | 0:01:14 | |
The acts with the top five scores will perform again | 0:01:14 | 0:01:16 | |
in the live finals and one group will walk away with the title of | 0:01:16 | 0:01:19 | |
Comic Relief Does Glee Club 2013 winners. | 0:01:19 | 0:01:23 | |
-I love this show, man! -It's a good show! -Yeah! | 0:01:23 | 0:01:25 | |
OK, now, because we need to be here, we need someone to be back there. | 0:01:25 | 0:01:29 | |
And who better than CBBC's answer to Cameron Diaz... | 0:01:29 | 0:01:33 | |
it's Naomi Wilkinson! | 0:01:33 | 0:01:35 | |
CHEERING | 0:01:35 | 0:01:38 | |
-Yeah! -Yeah! Diaz, oh, yeah! | 0:01:39 | 0:01:43 | |
Thank you. | 0:01:43 | 0:01:44 | |
So, Naomi, we see you've ditched Steve Backshall for some younger, | 0:01:44 | 0:01:49 | |
more talented and handsome models. | 0:01:49 | 0:01:51 | |
I know! I can't wait to meet them! | 0:01:51 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
-Very good. -Banter, banter. | 0:01:54 | 0:01:56 | |
Anyway, we thought we could give you a little bit of advice | 0:01:56 | 0:01:59 | |
in presenting this show, | 0:01:59 | 0:02:00 | |
because this is our third year of presenting it. | 0:02:00 | 0:02:02 | |
Mark has almost passed his presenting exams, haven't you? | 0:02:02 | 0:02:05 | |
-Fingers crossed. -Don't worry, you'll do it, you'll do it. | 0:02:05 | 0:02:08 | |
OK, so all you need to do is take a look down that camera right there, | 0:02:08 | 0:02:11 | |
just read the link, but make sure you do it natural, yeah? | 0:02:11 | 0:02:14 | |
-Good luck. -Yeah, but I don't need an autocue. | 0:02:14 | 0:02:16 | |
I can remember my lines no problem. | 0:02:16 | 0:02:18 | |
I mean, do you read anything? | 0:02:18 | 0:02:21 | |
To be honest, that's going to hurt him more than it does me! | 0:02:21 | 0:02:23 | |
You're not wrong. I can do this without autocue. Watch this. | 0:02:23 | 0:02:27 | |
It looks like it's time for Naomi to get herself backstage | 0:02:27 | 0:02:30 | |
and stay there for the duration of the show. | 0:02:30 | 0:02:32 | |
-Hang on, it doesn't say that. -Yeah, it does. | 0:02:32 | 0:02:34 | |
Naomi Wilkinson, everybody! | 0:02:34 | 0:02:36 | |
CHEERING | 0:02:36 | 0:02:40 | |
-She's cheeky. -She is, she is. | 0:02:40 | 0:02:42 | |
Now, no self-respecting talent search would be complete | 0:02:42 | 0:02:45 | |
without people to keep us two on the straight and narrow, to dazzle us | 0:02:45 | 0:02:49 | |
with their expert knowledge, to confuse us | 0:02:49 | 0:02:51 | |
with their raised eyebrows and head tilts. | 0:02:51 | 0:02:53 | |
It is, of course, our judges! | 0:02:53 | 0:02:55 | |
CHEERING | 0:02:55 | 0:02:59 | |
Yeah! It's lovely to see you guys. Carrie, you look amazing, as ever. | 0:03:06 | 0:03:11 | |
-Thank you. -Lads, you don't scrub up to bad yourselves. -Yeah, exactly. | 0:03:11 | 0:03:14 | |
Now, do you think that the groups this year | 0:03:14 | 0:03:17 | |
have upped their game, would you say? | 0:03:17 | 0:03:18 | |
I think they have. I think that's one of | 0:03:18 | 0:03:20 | |
the benefits of being in our third series, | 0:03:20 | 0:03:22 | |
is that they're thinking, "Right, we know what to expect now." | 0:03:22 | 0:03:25 | |
Exactly, it's very exciting. | 0:03:25 | 0:03:26 | |
Guys, if you'd like to make your way to your seats, | 0:03:26 | 0:03:29 | |
and whilst they do that, | 0:03:29 | 0:03:30 | |
let's find out a little bit more about our fab four. | 0:03:30 | 0:03:33 | |
They're the top experts, they're the judges in the know. | 0:03:34 | 0:03:37 | |
Today let's find out about vocal coach David Grant. | 0:03:37 | 0:03:40 | |
DAVID: 'My expectations this year are higher than ever. | 0:03:40 | 0:03:43 | |
'I'm expecting people to come on to that stage | 0:03:43 | 0:03:45 | |
'and to completely take over. | 0:03:45 | 0:03:47 | |
'They have to entertain, they have to give their best. | 0:03:48 | 0:03:52 | |
'My hope and my expectation is that nobody leaves that stage | 0:03:52 | 0:03:56 | |
'feeling as though they left | 0:03:56 | 0:03:58 | |
'their best off the stage.' | 0:03:58 | 0:04:00 | |
CHEERING | 0:04:06 | 0:04:10 | |
Wow! Who knew? | 0:04:10 | 0:04:12 | |
Who knew that our judges were so talented? | 0:04:12 | 0:04:15 | |
-That is why they are the judges. -True. | 0:04:15 | 0:04:17 | |
Now, for the important bit, | 0:04:17 | 0:04:18 | |
15 groups have made it through to the heats today. | 0:04:18 | 0:04:21 | |
Three of those acts will battle it out for our experts, | 0:04:21 | 0:04:23 | |
who will be scoring them on vocal ability, creativity and performance. | 0:04:23 | 0:04:28 | |
All four judges will be giving marks out of ten | 0:04:28 | 0:04:30 | |
for each of the disciplines, | 0:04:30 | 0:04:31 | |
so there are plenty of points to be won. | 0:04:31 | 0:04:33 | |
And, in the unlikely event of a tie, | 0:04:33 | 0:04:35 | |
head judge Carrie will decide who gets the medals. | 0:04:35 | 0:04:38 | |
The acts with the top five scores across the heats | 0:04:38 | 0:04:41 | |
will then compete in the live finals, | 0:04:41 | 0:04:43 | |
where it will be up to you at home to vote for your favourites. | 0:04:43 | 0:04:46 | |
And the winners will take home the fantastic | 0:04:46 | 0:04:48 | |
Comic Relief Does Glee Club 2013 trophy! | 0:04:48 | 0:04:51 | |
AUDIENCE: Whooo! | 0:04:51 | 0:04:53 | |
-Ooft! -Ooft? -It's the new wow. | 0:04:54 | 0:04:57 | |
Wow, let's find out how Naomi | 0:04:57 | 0:04:59 | |
is getting on backstage with our groups. | 0:04:59 | 0:05:01 | |
Ooft, we like that. Thank you very much, boys. | 0:05:01 | 0:05:04 | |
Yes, I'm here with Raveheart, The Peppermints | 0:05:04 | 0:05:06 | |
and Figure Of Eight, and there's a lot of nervous energy | 0:05:06 | 0:05:08 | |
running around this room, let me tell you. | 0:05:08 | 0:05:10 | |
Let's come to Raveheart first. You've been here before. | 0:05:10 | 0:05:13 | |
Does it feel different this time? | 0:05:13 | 0:05:14 | |
It definitely feels different this time. | 0:05:14 | 0:05:16 | |
I'd say there's a more different group here as well | 0:05:16 | 0:05:19 | |
and we're just ready to get out there and do our best. | 0:05:19 | 0:05:21 | |
We've got confidence, we've got good nerves, so... | 0:05:21 | 0:05:24 | |
You're looking nice and relaxed. Well done. | 0:05:24 | 0:05:26 | |
Peppermints, our little breath of fresh air, | 0:05:26 | 0:05:28 | |
how are you feeling, not just about performing in front of the judges, | 0:05:28 | 0:05:31 | |
but also in front of a studio audience? | 0:05:31 | 0:05:33 | |
Really good. We all love to just, | 0:05:33 | 0:05:34 | |
like, get on the stage and just perform. | 0:05:34 | 0:05:36 | |
-It's what we really love. -Not fazing you at all? -No. | 0:05:36 | 0:05:40 | |
I'm pleased to hear that. And let's come over here to Figure Of Eight. | 0:05:40 | 0:05:43 | |
Are you feeling all ready for this challenge, guys? | 0:05:43 | 0:05:45 | |
I mean, can you see yourselves in the semi-final? | 0:05:45 | 0:05:48 | |
GIRL LAUGHS | 0:05:48 | 0:05:50 | |
I think we're just really excited for this performance | 0:05:50 | 0:05:52 | |
and we'll concentrate and we're really excited | 0:05:52 | 0:05:55 | |
to see our studio audience as well, | 0:05:55 | 0:05:56 | |
cos we haven't performed in front of a big audience before, | 0:05:56 | 0:05:59 | |
so it's quite exciting. | 0:05:59 | 0:06:00 | |
Well done, good attitude. I like it a lot. | 0:06:00 | 0:06:02 | |
So our groups here arrived in Glasgow | 0:06:02 | 0:06:04 | |
for the first time yesterday, ready for the studio heats, | 0:06:04 | 0:06:08 | |
but was it all fun and games, or did it all suddenly become very real? | 0:06:08 | 0:06:12 | |
Let's see how they got on when they met for the first time. | 0:06:12 | 0:06:16 | |
Today's three Glee Clubs seemed like they were going to make | 0:06:16 | 0:06:19 | |
a bit of noise getting to know each other. | 0:06:19 | 0:06:21 | |
THEY CHAT | 0:06:21 | 0:06:23 | |
So we gave them the run of Glasgow's Science Centre, | 0:06:23 | 0:06:26 | |
just to make sure they had enough space to play around. | 0:06:26 | 0:06:30 | |
We have The Peppermints, | 0:06:30 | 0:06:32 | |
Raveheart | 0:06:32 | 0:06:34 | |
and Figure Of Eight. | 0:06:34 | 0:06:37 | |
Our groups went all-out in their quest to have some fun. | 0:06:37 | 0:06:39 | |
There was even a chance to compare notes | 0:06:39 | 0:06:41 | |
on getting ready for their day in studio. | 0:06:41 | 0:06:43 | |
The adrenaline that you get on stage and when it's gone really well, | 0:06:43 | 0:06:46 | |
-you're like, "Oh, it's gone so well!" -We'll be so excited tomorrow. | 0:06:46 | 0:06:49 | |
We'll be like, "Whoa!" | 0:06:49 | 0:06:51 | |
And then nervous at the same time. It's that mix of, like, | 0:06:51 | 0:06:54 | |
good and scared emotions. | 0:06:54 | 0:06:56 | |
Good, like, to have a day without any pressure | 0:06:57 | 0:07:00 | |
before we go into the competition. | 0:07:00 | 0:07:03 | |
Now you've made me nervous. Cheers. | 0:07:03 | 0:07:05 | |
Before you get to know the other groups. | 0:07:05 | 0:07:08 | |
It's just like a really relaxed kind of atmosphere, | 0:07:08 | 0:07:10 | |
-so it's good. -It was fun. | 0:07:10 | 0:07:12 | |
# Big fat mama llama | 0:07:12 | 0:07:14 | |
# Moose, camel | 0:07:14 | 0:07:16 | |
# Fish. # | 0:07:16 | 0:07:18 | |
THEY LAUGH | 0:07:18 | 0:07:19 | |
-It's fun meeting new people, wasn't it, Izzy? -Yeah. | 0:07:19 | 0:07:22 | |
And I think we've made some really nice friends, haven't we? | 0:07:22 | 0:07:25 | |
-Yeah. -Yeah. | 0:07:25 | 0:07:26 | |
-You nervous for tomorrow? -I am a bit. | 0:07:26 | 0:07:29 | |
We're getting warmer! | 0:07:32 | 0:07:33 | |
-We're getting warmer! -We're getting warmer. | 0:07:33 | 0:07:37 | |
I'm really excited for tomorrow, I can't wait. | 0:07:37 | 0:07:39 | |
-We all get to do our song together. -Yeah. | 0:07:39 | 0:07:41 | |
It'll be such a great experience, though, won't it, for all of us? | 0:07:41 | 0:07:44 | |
It's a dead good experience to be in and having all the cameras. | 0:07:44 | 0:07:48 | |
It's really cool. | 0:07:48 | 0:07:49 | |
-NOTE DINGS -# D. # | 0:07:49 | 0:07:52 | |
It's something we've really looked forward to, isn't it? | 0:07:52 | 0:07:55 | |
'Meeting all the new people, from other places like London.' | 0:07:55 | 0:07:58 | |
'It's such a great experience | 0:07:58 | 0:07:59 | |
'and we've all shared a really good bond this year, haven't we? | 0:07:59 | 0:08:02 | |
'It's really good.' | 0:08:02 | 0:08:04 | |
THEY LAUGH | 0:08:04 | 0:08:05 | |
CHEERING | 0:08:09 | 0:08:12 | |
Please welcome our Glee Clubs... Raveheart! | 0:08:12 | 0:08:15 | |
The Peppermints! | 0:08:15 | 0:08:16 | |
And Figure Of Eight! | 0:08:16 | 0:08:18 | |
-Yes! -It's nice to have you here, guys. | 0:08:18 | 0:08:21 | |
Best of luck. Let's find out more about your first challenge. | 0:08:21 | 0:08:25 | |
Round 1, Singing Together. | 0:08:26 | 0:08:28 | |
All group members must sing | 0:08:28 | 0:08:29 | |
at the same time | 0:08:29 | 0:08:30 | |
with no featured vocal. | 0:08:30 | 0:08:32 | |
-Yes. OK, it's the first challenge of the show, singing Call My Name. -Mark. | 0:08:34 | 0:08:38 | |
I know you! I knew you were going to do that. | 0:08:38 | 0:08:41 | |
I knew you were going to do that. Singing together for Round 1, | 0:08:41 | 0:08:43 | |
and performing Call My Name by Cheryl Cole... | 0:08:43 | 0:08:45 | |
It's Raveheart, The Peppermints and Figure Of Eight! | 0:08:45 | 0:08:49 | |
CHEERING | 0:08:49 | 0:08:52 | |
# How do you think I feel When you call my name? | 0:08:52 | 0:08:56 | |
# You got me confused By the way I've changed | 0:08:56 | 0:09:00 | |
# How do you think I feel When you call my name? | 0:09:00 | 0:09:03 | |
# My name, say my name, baby | 0:09:03 | 0:09:07 | |
# It's the love you save | 0:09:10 | 0:09:12 | |
# For the way I know we've been apart | 0:09:12 | 0:09:15 | |
# It's an endless circle of | 0:09:18 | 0:09:20 | |
# Poison arrow to my heart | 0:09:20 | 0:09:23 | |
# Sayin' I-I-I-I | 0:09:25 | 0:09:28 | |
# I love what you do to me | 0:09:28 | 0:09:31 | |
# Need you to stay with me | 0:09:31 | 0:09:33 | |
# I-I-I-I | 0:09:33 | 0:09:36 | |
# I love you too much to let go | 0:09:36 | 0:09:40 | |
# How do you think I feel When you call my name? | 0:09:41 | 0:09:45 | |
# You got me confused | 0:09:45 | 0:09:46 | |
# By the way I've changed | 0:09:46 | 0:09:49 | |
# How do you think I feel When you call my name? | 0:09:49 | 0:09:52 | |
# My name, say my name, baby | 0:09:52 | 0:09:56 | |
# How do you think I feel When you call my name? | 0:09:56 | 0:09:59 | |
# You got me confused By the way I've changed | 0:09:59 | 0:10:04 | |
# How do you think I feel When you call my name? | 0:10:04 | 0:10:07 | |
# My name, say my name, baby. # | 0:10:07 | 0:10:11 | |
CHEERING | 0:10:11 | 0:10:14 | |
# It's a constant thought of | 0:10:18 | 0:10:20 | |
# My baby taking up my time | 0:10:20 | 0:10:24 | |
# It's a non-stop vision of you | 0:10:26 | 0:10:28 | |
# That's playing on my mind | 0:10:28 | 0:10:32 | |
# Sayin' I-I-I-I | 0:10:33 | 0:10:37 | |
# I love what you do to me | 0:10:37 | 0:10:39 | |
# Need you to stay with me | 0:10:39 | 0:10:41 | |
# I-I-I-I | 0:10:41 | 0:10:45 | |
# I love you too much to let go | 0:10:45 | 0:10:48 | |
# How do you think I feel When you call my name? | 0:10:48 | 0:10:53 | |
# You got me confused By the way I've changed | 0:10:53 | 0:10:57 | |
# How do you think I feel When you call my name? | 0:10:57 | 0:11:00 | |
# My name, say my name, baby | 0:11:00 | 0:11:04 | |
# How do you think I feel When you call my name? | 0:11:04 | 0:11:07 | |
# You got me confused By the way I've changed | 0:11:07 | 0:11:11 | |
# How do you think I feel When you call my name? | 0:11:11 | 0:11:16 | |
# My name, say my name, baby. # | 0:11:16 | 0:11:19 | |
CHEERING | 0:11:19 | 0:11:23 | |
# It's the love you save | 0:11:27 | 0:11:29 | |
# For the way I know we've been apart | 0:11:29 | 0:11:32 | |
# Part, part | 0:11:32 | 0:11:34 | |
# It's an endless circle of | 0:11:34 | 0:11:36 | |
# Poison arrow to my heart | 0:11:36 | 0:11:39 | |
# Heart, heart | 0:11:39 | 0:11:42 | |
# Sayin I-I-I-I | 0:11:42 | 0:11:46 | |
# I love what you do to me | 0:11:46 | 0:11:48 | |
# Need you to stay with me | 0:11:48 | 0:11:50 | |
# I-I-I-I | 0:11:50 | 0:11:53 | |
# I love you too much to let go | 0:11:53 | 0:11:57 | |
# How do you think I feel When you call my name? | 0:11:57 | 0:12:02 | |
# You got me confused By the way I've changed | 0:12:02 | 0:12:06 | |
# How do you think I feel When you call my name? | 0:12:06 | 0:12:09 | |
# My name, say my name, baby | 0:12:09 | 0:12:13 | |
# How do you think I feel When you call my name? | 0:12:13 | 0:12:17 | |
# You got me confused | 0:12:17 | 0:12:18 | |
# By the way I've changed | 0:12:18 | 0:12:21 | |
# How do you think I feel When you call my name? | 0:12:21 | 0:12:24 | |
# My name, say my name, baby. # | 0:12:24 | 0:12:28 | |
CHEERING | 0:12:28 | 0:12:32 | |
All right! Well done, guys. Fantastic start. | 0:12:32 | 0:12:36 | |
-OK, let's see what the judges thought. -OK, Carrie. | 0:12:36 | 0:12:38 | |
First song of the show. What did you think to the vocals? | 0:12:38 | 0:12:41 | |
Well, actually, I thought that was a really great first round. | 0:12:41 | 0:12:44 | |
For our guys over here, you gave it so much more confidence than you | 0:12:44 | 0:12:48 | |
gave us in that audition and that's what we wanted to see from you guys. | 0:12:48 | 0:12:51 | |
I love the individuality. | 0:12:51 | 0:12:53 | |
Just watch your vocals when you're dancing, | 0:12:53 | 0:12:55 | |
that you don't drop the vocals off. Keep the vocals up. | 0:12:55 | 0:12:57 | |
Middle group, The Peppermints, | 0:12:57 | 0:12:59 | |
there's only five of you and yet you sounded like eight people. | 0:12:59 | 0:13:02 | |
So, well done. You're still bursting with energy. | 0:13:02 | 0:13:05 | |
For me, Raveheart, you were fantastic in that round. | 0:13:05 | 0:13:08 | |
Fantastic singing. | 0:13:08 | 0:13:10 | |
I love the fact that you started on the melody | 0:13:10 | 0:13:12 | |
and then just broke out into harmony. | 0:13:12 | 0:13:14 | |
Really good creativity and that's one of the things | 0:13:14 | 0:13:17 | |
we're going to be judging on today. | 0:13:17 | 0:13:19 | |
David? | 0:13:19 | 0:13:20 | |
Well, Raveheart, confident, tightly choreographed and punchy. | 0:13:20 | 0:13:25 | |
Peppermints, you look like you're having a great time. | 0:13:25 | 0:13:28 | |
You are the kids that make people smile. | 0:13:28 | 0:13:30 | |
You know, you just go, "They're having a great time!" | 0:13:30 | 0:13:33 | |
Figure Of Eight, I love the balance of girl-to-boy vocals. | 0:13:33 | 0:13:37 | |
I love the fact that you do so much in unison in the two octaves. | 0:13:37 | 0:13:39 | |
Once again, I really love your choreography | 0:13:39 | 0:13:42 | |
and the rhythmicality of your singing | 0:13:42 | 0:13:44 | |
is a real strength of yours and you showed that again. | 0:13:44 | 0:13:48 | |
John, you met these guys way back at the beginning of the search. | 0:13:48 | 0:13:51 | |
Who did it for you there? | 0:13:51 | 0:13:53 | |
I have to say each group had strengths. | 0:13:53 | 0:13:55 | |
It's almost like I'd like to see one aspect of each group put into one. | 0:13:55 | 0:14:00 | |
So what I will say is that continue... | 0:14:00 | 0:14:03 | |
Remember, I mentioned this at the previous rounds. | 0:14:03 | 0:14:06 | |
Practise, rehearse, perform. | 0:14:06 | 0:14:09 | |
So I think every group can actually raise the bar even more. | 0:14:09 | 0:14:12 | |
But it's a very good, strong start. | 0:14:12 | 0:14:15 | |
-And Sisco, were you entertained? -I was entertained. | 0:14:15 | 0:14:17 | |
This is the first time I've seen you guys live, | 0:14:17 | 0:14:20 | |
so it is exciting for me. | 0:14:20 | 0:14:21 | |
I think for me Raveheart had the complete package for me. | 0:14:21 | 0:14:25 | |
I think you guys got the performance aspect of it, | 0:14:25 | 0:14:28 | |
you've got the choreography, it wasn't too much | 0:14:28 | 0:14:30 | |
and I love the blend, vocally, of all of you guys. | 0:14:30 | 0:14:32 | |
Peppermints... | 0:14:32 | 0:14:33 | |
APPLAUSE | 0:14:33 | 0:14:35 | |
Peppermints, for me the choice of harmony for me | 0:14:35 | 0:14:39 | |
was a little too haunting and I couldn't digest it properly | 0:14:39 | 0:14:42 | |
because it didn't suit the song, in my opinion. | 0:14:42 | 0:14:45 | |
But what I love about you guys is your styling, | 0:14:45 | 0:14:47 | |
I love the choreography, didn't interfere with vocals. | 0:14:47 | 0:14:50 | |
A very smart choice by your leader. | 0:14:50 | 0:14:52 | |
You guys performed it very well. | 0:14:52 | 0:14:53 | |
And Figure Of Eight, I think that you guys vocally sound great, | 0:14:53 | 0:14:58 | |
but I think you guys have to think about the performing aspect of it. | 0:14:58 | 0:15:01 | |
It needs to be believable and not so robotic. | 0:15:01 | 0:15:04 | |
Allow yourself to live. | 0:15:04 | 0:15:05 | |
I say the word "living" all the time. Go past your maximum. | 0:15:05 | 0:15:08 | |
You'll be surprised what you can achieve | 0:15:08 | 0:15:10 | |
when you just go up a notch, just a little bit. | 0:15:10 | 0:15:12 | |
But well done to you all. | 0:15:12 | 0:15:14 | |
-Thank you, judges. -Thank you. | 0:15:14 | 0:15:15 | |
Can I just say, I love that | 0:15:15 | 0:15:16 | |
The Peppermints are still stood there like that. | 0:15:16 | 0:15:19 | |
Brilliant. Stand at ease! It's all right. OK. | 0:15:19 | 0:15:22 | |
Whilst we check and verify the scores for Round 1, | 0:15:22 | 0:15:25 | |
let's take a look at some messages from our celebrity chums. | 0:15:25 | 0:15:28 | |
We're kind of a big deal. | 0:15:28 | 0:15:31 | |
Hi, we're One Direction, Red Nose Day's back | 0:15:31 | 0:15:34 | |
and it's your chance to do something funny for money | 0:15:34 | 0:15:36 | |
and be part of something amazing. | 0:15:36 | 0:15:38 | |
We've got some special tips to help you get involved | 0:15:38 | 0:15:40 | |
and raise loads of money. | 0:15:40 | 0:15:42 | |
As you know, we love to perform, so why not put on a talent show | 0:15:42 | 0:15:45 | |
and charge your friends and family to come round and watch? | 0:15:45 | 0:15:48 | |
-You could sing... -Aah! -..dance, play an instrument, anything you want. | 0:15:48 | 0:15:51 | |
You could even perform a dance to our Red Nose Day single. | 0:15:51 | 0:15:54 | |
The best thing is that the money you raise | 0:15:54 | 0:15:57 | |
will make a real difference to people living really tough lives. | 0:15:57 | 0:16:00 | |
So go on, do something funny for money. | 0:16:00 | 0:16:03 | |
CHEERING | 0:16:03 | 0:16:07 | |
The scores have been checked and verified | 0:16:07 | 0:16:09 | |
and the results for Round 1 are in. So it's over to you, Mark. | 0:16:09 | 0:16:12 | |
Oh, it just got serious. | 0:16:12 | 0:16:15 | |
I can reveal that the judges' combined score for Raveheart | 0:16:15 | 0:16:18 | |
out of a possible 120 points is... | 0:16:18 | 0:16:21 | |
90. | 0:16:25 | 0:16:27 | |
CHEERING | 0:16:27 | 0:16:30 | |
The judges' combined score for The Peppermints is... | 0:16:32 | 0:16:36 | |
62. | 0:16:38 | 0:16:39 | |
CHEERING | 0:16:39 | 0:16:42 | |
And finally, the judges' combined score for Figure Of Eight is... | 0:16:44 | 0:16:47 | |
67. | 0:16:49 | 0:16:51 | |
CHEERING | 0:16:51 | 0:16:53 | |
Well done, guys. Not a bad start at all. | 0:16:53 | 0:16:56 | |
-Are you happy with those scores? -ALL: Yes. -Awesome! | 0:16:56 | 0:16:58 | |
Well, there is still one more challenge to go, | 0:16:58 | 0:17:01 | |
but, before that, let's take a look at the scoreboard after Round 1. | 0:17:01 | 0:17:04 | |
Raveheart take the lead with 90 points. | 0:17:05 | 0:17:07 | |
The Peppermints have 62 points | 0:17:07 | 0:17:09 | |
and Figure Of Eight have 67 points. | 0:17:09 | 0:17:12 | |
But with 120 points available | 0:17:12 | 0:17:14 | |
to each group in Round 2, | 0:17:14 | 0:17:16 | |
it could all change. | 0:17:16 | 0:17:18 | |
Oh, well done, all of you. I thought you were excellent. | 0:17:21 | 0:17:24 | |
Raveheart, currently in the lead with 90 points. | 0:17:24 | 0:17:27 | |
And they said you were the complete package. | 0:17:27 | 0:17:29 | |
-How do you feel about that? -It's amazing. | 0:17:29 | 0:17:31 | |
All the rehearsal, the time we've put in, | 0:17:31 | 0:17:33 | |
it's really worked off and we're just giving it 100% | 0:17:33 | 0:17:35 | |
and we'll do the exact same with the next song as well. | 0:17:35 | 0:17:38 | |
Good for you. Over here, I feel like | 0:17:38 | 0:17:39 | |
I should stand with my hands on my hips when I talk to you lot. | 0:17:39 | 0:17:42 | |
The Peppermints, they said it sounded like | 0:17:42 | 0:17:44 | |
there was eight of you singing and there's only five. | 0:17:44 | 0:17:46 | |
But they did mention some sort of haunting harmonies. | 0:17:46 | 0:17:49 | |
What do you make of that? | 0:17:49 | 0:17:51 | |
Yeah, we're going to take away all of the judges' comments | 0:17:51 | 0:17:53 | |
and work harder than we've ever worked before. | 0:17:53 | 0:17:55 | |
Do you even understand what haunting harmonies mean, | 0:17:55 | 0:17:58 | |
cos I'm not sure I do. | 0:17:58 | 0:17:59 | |
GIRL LAUGHS | 0:17:59 | 0:18:01 | |
-I mean, did a ghost train you? -No. | 0:18:01 | 0:18:03 | |
No. It wasn't haunting. | 0:18:03 | 0:18:04 | |
I thought it was absolutely lovely and we are all loving your style. | 0:18:04 | 0:18:07 | |
It is spot-on. Do you think Sisco could pull off your style? | 0:18:07 | 0:18:11 | |
-No. -No way! | 0:18:11 | 0:18:13 | |
And over to Figure Of Eight. Hi, guys. | 0:18:13 | 0:18:16 | |
They did say you should maybe bring up the vocals, | 0:18:16 | 0:18:18 | |
bring up your performance a little bit. | 0:18:18 | 0:18:20 | |
Do you think you could have given it any more? | 0:18:20 | 0:18:22 | |
Umm... No, I think we definitely gave it our best shot that time, | 0:18:22 | 0:18:26 | |
but I think we can really step it up to the next level | 0:18:26 | 0:18:28 | |
with the next song, cos, as the judges were saying, | 0:18:28 | 0:18:31 | |
it's more that we were kind of too robotic, and with our next song | 0:18:31 | 0:18:34 | |
I think it's more raw and emotional, so we can put more into it and... | 0:18:34 | 0:18:38 | |
yeah, blend our vocals. | 0:18:38 | 0:18:40 | |
Well, at this stage of the game, | 0:18:40 | 0:18:41 | |
there's everything still to play for, so I'm going to wish you | 0:18:41 | 0:18:44 | |
all the very best of luck with your next song. | 0:18:44 | 0:18:45 | |
Let's give all the groups a big round of applause | 0:18:45 | 0:18:48 | |
and it's back to you, Sam and Mark! | 0:18:48 | 0:18:49 | |
CHEERING | 0:18:49 | 0:18:53 | |
Thank you very much, Naomi. | 0:18:55 | 0:18:56 | |
While the groups get ready for round number two, | 0:18:56 | 0:18:58 | |
let's remind ourselves why we're here and how Comic Relief really does | 0:18:58 | 0:19:01 | |
make a difference to young lives in the UK and Africa. | 0:19:01 | 0:19:05 | |
Comic Relief works hard to support people who are leading | 0:19:06 | 0:19:09 | |
incredibly difficult lives by funding projects all over Africa, | 0:19:09 | 0:19:13 | |
as well as right here in the UK. | 0:19:13 | 0:19:16 | |
In fact, the charity has funded over 15,000 projects in the UK, | 0:19:16 | 0:19:21 | |
working 365 days a year to change things for the better. | 0:19:21 | 0:19:25 | |
The donations that you make will help vulnerable people | 0:19:27 | 0:19:30 | |
from all walks of life, at home and abroad. | 0:19:30 | 0:19:33 | |
You can help make a huge difference. | 0:19:33 | 0:19:36 | |
To find out how you could do something funny for money, | 0:19:36 | 0:19:39 | |
get a grown-up and visit | 0:19:39 | 0:19:40 | |
the CBBC website at... | 0:19:40 | 0:19:43 | |
..and follow the link to Comic Relief. Thank you. | 0:19:46 | 0:19:50 | |
You really can make a difference, so go on, get involved | 0:20:00 | 0:20:03 | |
and do something funny for money! | 0:20:03 | 0:20:05 | |
OK, Round 2 is the last chance for our groups | 0:20:05 | 0:20:07 | |
to deliver a show-stopping performance. | 0:20:07 | 0:20:09 | |
They need to score as many points as they can | 0:20:09 | 0:20:11 | |
to secure a top spot on the Glee Club leaderboard! | 0:20:11 | 0:20:13 | |
Remember only the top five will go through to the live finals. | 0:20:13 | 0:20:18 | |
OK, Mr D, can you please do the honours | 0:20:18 | 0:20:20 | |
and introduce the final round? | 0:20:20 | 0:20:22 | |
The groups will have to give it their all. | 0:20:24 | 0:20:26 | |
It is their final chance to build those all-important points. | 0:20:26 | 0:20:29 | |
They come from just up the road in Motherwell, | 0:20:33 | 0:20:35 | |
but their journey to the heats has been a long one. | 0:20:35 | 0:20:38 | |
Let's find out why making it to the finals means so much to Raveheart. | 0:20:38 | 0:20:42 | |
Motherwell's Raveheart blew the judges away with their wall of sound | 0:20:47 | 0:20:51 | |
from the moment they took the Glee Club stage. | 0:20:51 | 0:20:54 | |
These wings are made to fly. | 0:20:54 | 0:20:56 | |
Anybody who wants to win this | 0:20:58 | 0:20:59 | |
is going to have to kick and scratch and push past you. | 0:20:59 | 0:21:03 | |
But Raveheart are much more than just bravehearts | 0:21:05 | 0:21:07 | |
-when it comes to performing as a group. -We've got a lot of attitude. | 0:21:07 | 0:21:11 | |
We've got a lot of attitude and were very loud, and out there. | 0:21:11 | 0:21:15 | |
But at the same time, we've got a great bond we share together | 0:21:15 | 0:21:18 | |
and we are just like a big family. I know that's cheesy. | 0:21:18 | 0:21:23 | |
Have you changed your outfits from last time? | 0:21:23 | 0:21:25 | |
We still have the tartan but we have changed the back of it. | 0:21:25 | 0:21:30 | |
-And have you worked it into your choreography that you get to... -Yes! | 0:21:30 | 0:21:34 | |
Oh, my...it's gorgeous. | 0:21:41 | 0:21:44 | |
Do you like it? It says Glee Club under there. | 0:21:44 | 0:21:49 | |
-How has it made you feel? Seeing this? -It's really exciting. | 0:21:50 | 0:21:55 | |
Excited, but nervous at the same time. | 0:21:55 | 0:22:00 | |
Being on the stage, it is amazing. | 0:22:00 | 0:22:02 | |
It is such an amazing experience to just be altogether. | 0:22:02 | 0:22:05 | |
Once you start getting the harmonies right it just sounds amazing | 0:22:05 | 0:22:09 | |
and it makes you feel so much better. | 0:22:09 | 0:22:12 | |
'Can they wow Glasgow one more time?' | 0:22:12 | 0:22:15 | |
No matter what happens we are still going to give it our all, | 0:22:15 | 0:22:19 | |
and hope for the best. | 0:22:19 | 0:22:21 | |
Walk home with our heads held high. | 0:22:21 | 0:22:23 | |
APPLAUSE | 0:22:23 | 0:22:26 | |
Right, they're back for a second bite of the cherry, | 0:22:26 | 0:22:29 | |
but can they go one step further and make it to the live finals? | 0:22:29 | 0:22:32 | |
Singing Sisters Are Doin' It For Themselves, it's Raveheart! | 0:22:32 | 0:22:36 | |
APPLAUSE | 0:22:36 | 0:22:39 | |
# Now there was a time | 0:22:43 | 0:22:45 | |
# There was a time | 0:22:45 | 0:22:47 | |
# When you used to say | 0:22:47 | 0:22:48 | |
# When you used to say | 0:22:48 | 0:22:50 | |
# That behind every | 0:22:50 | 0:22:52 | |
# Great man | 0:22:52 | 0:22:53 | |
# There had to be a | 0:22:53 | 0:22:55 | |
-# Great woman -Yeah | 0:22:55 | 0:22:58 | |
# But in these times of change You know that it's no longer true | 0:22:58 | 0:23:04 | |
# So we're comin' out of the kitchen | 0:23:04 | 0:23:08 | |
# 'Cos there's something we forgot to say to you | 0:23:08 | 0:23:12 | |
# Sisters are doin' it for themselves | 0:23:12 | 0:23:17 | |
# Standin' on their own two feet | 0:23:17 | 0:23:21 | |
# And ringin' on their own bells | 0:23:21 | 0:23:24 | |
# Sisters are doin' it for themselves | 0:23:26 | 0:23:30 | |
# Standin' on their own two feet | 0:23:30 | 0:23:34 | |
# Ringin' on their own bells | 0:23:34 | 0:23:38 | |
# Sisters are doin' it for themselves | 0:23:39 | 0:23:44 | |
# Standin' on their own two feet | 0:23:45 | 0:23:48 | |
# Ringin' on their own bells. # | 0:23:48 | 0:23:52 | |
APPLAUSE | 0:23:52 | 0:23:56 | |
Stand easy, stand easy! | 0:23:56 | 0:23:58 | |
# Sisters are doin' it for themselves! # | 0:23:58 | 0:24:01 | |
Sorry, I really got into that! | 0:24:01 | 0:24:03 | |
OK, guys, let's go over to the judges and see what they thought. | 0:24:03 | 0:24:05 | |
David, do you think Raveheart should be proud of that performance? | 0:24:05 | 0:24:08 | |
I think they should be really proud of that performance. | 0:24:08 | 0:24:11 | |
I said when I first saw them that I thought | 0:24:11 | 0:24:14 | |
they were going to have to be the ones to beat. | 0:24:14 | 0:24:17 | |
I thought anybody who wants to win this is going to have to | 0:24:17 | 0:24:22 | |
kick and scratch and fight their way past you | 0:24:22 | 0:24:24 | |
and you've done nothing to change my mind. | 0:24:24 | 0:24:26 | |
You guys look confident, you look assertive, you look certain, | 0:24:26 | 0:24:30 | |
you look like you think you can win this. | 0:24:30 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:36 | |
John, vocally, were these guys good enough? | 0:24:37 | 0:24:39 | |
-LAUGHTER -Stupid question! -My, my, my! What can I say? | 0:24:39 | 0:24:42 | |
What can I say? You know what? It really is... Well, you set the bar. | 0:24:42 | 0:24:47 | |
-And you still do. You're fantastic. -Fantastic! | 0:24:47 | 0:24:51 | |
APPLAUSE | 0:24:51 | 0:24:54 | |
He doesn't say that easily, John, usually. | 0:24:54 | 0:24:56 | |
Now, Sisco, did the choreography work with this song, do you reckon? | 0:24:56 | 0:25:00 | |
It did, I think the choreography complimented the vocals perfectly, | 0:25:00 | 0:25:04 | |
you didn't let it distract you and you guys sounded very, very nice. | 0:25:04 | 0:25:07 | |
The blend was beautiful. | 0:25:07 | 0:25:09 | |
At first, because it's such a powerful song, I was like, | 0:25:09 | 0:25:11 | |
"Is it going to be enough?" | 0:25:11 | 0:25:12 | |
But as soon as the second soloist came in I thought, "Here we go." | 0:25:12 | 0:25:17 | |
-And, you guys, the choreography was brilliant. -Wow. | 0:25:17 | 0:25:20 | |
-APPLAUSE -It's going well! -Very well. | 0:25:20 | 0:25:22 | |
OK, Carrie, can you see Raveheart as finalists? | 0:25:22 | 0:25:26 | |
Absolutely brilliant. | 0:25:26 | 0:25:29 | |
When I saw the song you were singing, I thought, | 0:25:29 | 0:25:31 | |
"Aretha Franklin, Annie Lennox, they've really chosen a hard song." | 0:25:31 | 0:25:34 | |
Brilliant, though. So, well done. | 0:25:34 | 0:25:37 | |
And one thing I really love about watching you guys is | 0:25:37 | 0:25:40 | |
you really serve one another. No-one is trying to outshine the next, | 0:25:40 | 0:25:44 | |
and that is something I didn't see before. | 0:25:44 | 0:25:47 | |
I love that uniformity of you as a group, and serving one another | 0:25:47 | 0:25:49 | |
is a very important part of being in a group. | 0:25:49 | 0:25:52 | |
APPLAUSE | 0:25:52 | 0:25:54 | |
Well, those judges comments weren't bad! | 0:25:54 | 0:25:57 | |
-They were above average(!) -Yeah, give it up for Raveheart! | 0:25:57 | 0:25:59 | |
APPLAUSE | 0:25:59 | 0:26:03 | |
Come over here, come and join me, girls. | 0:26:04 | 0:26:07 | |
Girl power! Liking that song. Who chose that song for you? | 0:26:07 | 0:26:10 | |
Our leader. Our teacher, James. | 0:26:10 | 0:26:13 | |
-Do you think they made a good choice? -ALL: Yeah! | 0:26:13 | 0:26:16 | |
I think we were wanting to do it because it represents us, | 0:26:16 | 0:26:19 | |
like our bond, like, sisters. | 0:26:19 | 0:26:21 | |
We all are just like sisters. | 0:26:21 | 0:26:23 | |
Do you all get on like sisters? Does that mean you squabble a bit? | 0:26:23 | 0:26:26 | |
-Yeah. -And they also said, well, David said, you look like | 0:26:26 | 0:26:30 | |
you think you can win. Do you think that's true? | 0:26:30 | 0:26:33 | |
-We hope so! -LAUGHTER | 0:26:33 | 0:26:36 | |
We'll try our best and we'll just see how far it can take us. | 0:26:36 | 0:26:40 | |
As long as we do that there's nothing more we can do. | 0:26:40 | 0:26:43 | |
Well, we loved it. Let's hear it one more time for Raveheart! | 0:26:43 | 0:26:46 | |
APPLAUSE AND CHEERING | 0:26:48 | 0:26:50 | |
Thanks, Naomi. Now, the next act are our only group to represent | 0:26:50 | 0:26:53 | |
the Northeast of England. | 0:26:53 | 0:26:54 | |
Let's take a look at The Peppermints' journey to the heats. | 0:26:54 | 0:26:58 | |
The Peppermints were a breath of fresh air for John | 0:26:58 | 0:27:01 | |
when he met them in Newcastle. | 0:27:01 | 0:27:03 | |
I enjoyed that. I won't forget that today. | 0:27:03 | 0:27:05 | |
And their performance at the judges' auditions | 0:27:05 | 0:27:08 | |
had David fizzing with excitement. | 0:27:08 | 0:27:10 | |
You're like little energy bombs exploding all over the stage! | 0:27:10 | 0:27:14 | |
Now it's time for Hartlepool's very own girl band | 0:27:18 | 0:27:20 | |
to really show us what they're made of. | 0:27:20 | 0:27:22 | |
# We are the Peppermints! # | 0:27:22 | 0:27:26 | |
The Peppermints are definitely full of a lot of energy, yeah. | 0:27:26 | 0:27:30 | |
It's really fun, because we're all hyper! | 0:27:30 | 0:27:34 | |
Hey, I'm Chloe! | 0:27:34 | 0:27:36 | |
My name's Ellen! | 0:27:36 | 0:27:38 | |
Hi, I'm Liv! | 0:27:38 | 0:27:39 | |
My name is Emily! | 0:27:39 | 0:27:41 | |
I am Izzy! | 0:27:41 | 0:27:43 | |
Hey, ladies! looking good! Hello, how are you all? | 0:27:45 | 0:27:49 | |
-Good. -Really, really good! -Are you excited? -Yeah! | 0:27:49 | 0:27:52 | |
Come and see. | 0:27:52 | 0:27:54 | |
ALL: Oooh! Wow! | 0:27:54 | 0:27:56 | |
I'd say we have a lot of, lot of fun, | 0:27:56 | 0:27:58 | |
-and it's very fun in rehearsals, isn't it, Izzy? -Yeah! | 0:27:58 | 0:28:01 | |
I think we're really good at singing and dancing | 0:28:01 | 0:28:07 | |
as well as having a bit of fun and having a laugh. | 0:28:07 | 0:28:12 | |
We're really looking forward to the studio, it's going to be great. | 0:28:12 | 0:28:16 | |
The feedback that we got from the judges | 0:28:16 | 0:28:19 | |
-was great last time, wasn't it, Izzy? -Yeah. -Izzy really enjoyed it. | 0:28:19 | 0:28:23 | |
-Are you looking forward to it? -Yeah. | 0:28:23 | 0:28:25 | |
-All you're saying is, "Yeah." -Yeah! -Yeah. | 0:28:25 | 0:28:28 | |
APPLAUSE | 0:28:28 | 0:28:31 | |
Offering a breath of fresh air, | 0:28:31 | 0:28:32 | |
singing and dancing for a place in the live finals, | 0:28:32 | 0:28:35 | |
it's the Peppermints with Swagger Jagger! | 0:28:35 | 0:28:38 | |
APPLAUSE | 0:28:38 | 0:28:42 | |
# Swagger jagger | 0:28:42 | 0:28:45 | |
# You should get some of your own | 0:28:45 | 0:28:49 | |
# Count that money Get your game up | 0:28:49 | 0:28:52 | |
# Get your game up Get your, get your game up | 0:28:52 | 0:28:56 | |
# You can't stop looking at me Staring at me, be what I be | 0:29:00 | 0:29:04 | |
-# You can't stop looking at me -So get up out my face | 0:29:04 | 0:29:08 | |
-# You can't stop clicking at me -Writing 'bout me, tweeting 'bout me | 0:29:08 | 0:29:12 | |
# I can't stop It's what I'm gonna be | 0:29:12 | 0:29:14 | |
# My swagger's in check Get on the floor | 0:29:14 | 0:29:16 | |
-# My swagger's in check -Get on the floor | 0:29:18 | 0:29:20 | |
# I got it in check! | 0:29:21 | 0:29:22 | |
# Swagger Jagger | 0:29:22 | 0:29:24 | |
# Swagger Jagger | 0:29:24 | 0:29:26 | |
# You should get some of your own | 0:29:26 | 0:29:29 | |
# Count that money Get your game up | 0:29:29 | 0:29:34 | |
# You're a hater Just let it go | 0:29:34 | 0:29:37 | |
# Swagger Jagger Swagger Jagger | 0:29:37 | 0:29:41 | |
# You should get some of your own | 0:29:41 | 0:29:45 | |
# Count that money Get your game up | 0:29:45 | 0:29:48 | |
# Get your game up Get your, get your game up | 0:29:48 | 0:29:51 | |
# Hi, haters | 0:29:51 | 0:29:56 | |
# Kiss-kiss I'll see you later | 0:29:56 | 0:30:00 | |
# Hi, haters | 0:30:00 | 0:30:03 | |
# It's been very, very, very nice to meet you | 0:30:03 | 0:30:07 | |
# Get on the floor! | 0:30:07 | 0:30:09 | |
# My swagger's in check! # | 0:30:10 | 0:30:12 | |
APPLAUSE | 0:30:12 | 0:30:15 | |
Check! All right! Well done, that was amazing. | 0:30:17 | 0:30:22 | |
Swagger! John, what did you think of that performance? | 0:30:22 | 0:30:26 | |
Spice Girl-esque energy, that's what I liked about it. | 0:30:26 | 0:30:29 | |
-All right. -That's not a bad thing at all! | 0:30:29 | 0:30:31 | |
-That's a great thing! -A good thing! | 0:30:31 | 0:30:34 | |
Sisco, did that performance have swagger for you? | 0:30:34 | 0:30:37 | |
It did, I can definitely see the Cher Lloyd influence | 0:30:37 | 0:30:39 | |
and I'm glad that you've brought that into your performance. | 0:30:39 | 0:30:42 | |
I wish, you know, the bit with the rap? Instead of singing it | 0:30:42 | 0:30:45 | |
I wish you'd spoke it, so you can be more free with it, | 0:30:45 | 0:30:47 | |
as if you were rapping. | 0:30:47 | 0:30:48 | |
You sung the spoken parts, and I would have preferred you to rap it | 0:30:48 | 0:30:52 | |
and be a bit more, ugh! In your face! | 0:30:52 | 0:30:54 | |
But what I do love about it is you guys were | 0:30:54 | 0:30:56 | |
so uniform with the choreography and the performance aspect, | 0:30:56 | 0:31:00 | |
I definitely preferred this performance | 0:31:00 | 0:31:02 | |
to your first one. Well done! | 0:31:02 | 0:31:04 | |
APPLAUSE | 0:31:04 | 0:31:05 | |
Carrie, do you think that was the right song choice for their vocals? | 0:31:05 | 0:31:08 | |
I absolutely think it was exactly the right song choice. | 0:31:08 | 0:31:11 | |
One of the things that you have to have | 0:31:11 | 0:31:13 | |
when you are a Glee Club is to know who you are | 0:31:13 | 0:31:15 | |
and to know what you should perform and how to play to your strengths. | 0:31:15 | 0:31:18 | |
And that is exactly what you did. | 0:31:18 | 0:31:20 | |
Your dancing was great, it was all about the energy, | 0:31:20 | 0:31:23 | |
all about the attitude, all about you five as a little team out there. | 0:31:23 | 0:31:27 | |
That really cut across and I think that is a real strength for you. | 0:31:27 | 0:31:31 | |
I think you did really well. | 0:31:31 | 0:31:33 | |
APPLAUSE | 0:31:33 | 0:31:35 | |
And, finally, David, did that come together for you? | 0:31:35 | 0:31:38 | |
For me that was what they're all about. Energy, fun, | 0:31:38 | 0:31:42 | |
great song choice and just sort of like a minute-and-a-half burst | 0:31:42 | 0:31:47 | |
of in-your-faceness, and I really enjoyed that. | 0:31:47 | 0:31:51 | |
Thank you very much, judges. | 0:31:51 | 0:31:52 | |
Well done, girls. | 0:31:52 | 0:31:53 | |
Well done, girls. Ladies and gentlemen, The Peppermints! | 0:31:53 | 0:31:56 | |
APPLAUSE | 0:31:56 | 0:31:59 | |
Come on, you bundle of energy, come over here and talk to me. | 0:31:59 | 0:32:02 | |
So that was great! I enjoyed that a lot. | 0:32:02 | 0:32:04 | |
Do you even know who the Spice Girls are, though, that's the question? | 0:32:04 | 0:32:07 | |
ALL: Yeah. | 0:32:07 | 0:32:08 | |
That is good, but I'm guessing you're probably quite thrilled | 0:32:08 | 0:32:11 | |
to be compared to Cher Lloyd, because I know you like her a lot. | 0:32:11 | 0:32:14 | |
-Yes! -That's made you very happy, has it? -Yes. | 0:32:14 | 0:32:17 | |
Sisco said he thought this was better than your first performance, | 0:32:17 | 0:32:20 | |
but he said it perhaps needed a bit more "oomph", | 0:32:20 | 0:32:22 | |
whereas Carrie and David said it was full of energy. | 0:32:22 | 0:32:25 | |
What do you make of them? Not completely agreeing there, are they? | 0:32:25 | 0:32:28 | |
-More energy, definitely. -Do you think you could have | 0:32:28 | 0:32:31 | |
given it more energy or do you think you had a lot of energy? | 0:32:31 | 0:32:34 | |
I think we tried our definite hardest on that stage | 0:32:34 | 0:32:36 | |
and we really, really enjoyed it. | 0:32:36 | 0:32:38 | |
You really did give it that in-your-faceness. | 0:32:38 | 0:32:41 | |
Let's show them how much we enjoyed their performance, | 0:32:41 | 0:32:43 | |
give it up for The Peppermints! | 0:32:43 | 0:32:46 | |
APPLAUSE AND CHEERING | 0:32:46 | 0:32:49 | |
Our last act is hoping to run rings round the opposition. | 0:32:49 | 0:32:53 | |
Let's meet Figure Of Eight. Who writes this stuff? | 0:32:53 | 0:32:57 | |
The numbers certainly added up for Figure Of Eight | 0:32:59 | 0:33:01 | |
when they first performed for John. | 0:33:01 | 0:33:03 | |
Great, thank you very much! | 0:33:03 | 0:33:05 | |
You can relax. How do you think you did? | 0:33:05 | 0:33:08 | |
-Good! -That's what I like to hear. | 0:33:08 | 0:33:10 | |
# Someday somebody's gonna make you Wanna turn around and say goodbye | 0:33:10 | 0:33:15 | |
# Till then, baby Are you gonna let them | 0:33:15 | 0:33:18 | |
# Hold you down and make you cry? # | 0:33:18 | 0:33:20 | |
They seemed to be making this look easy | 0:33:20 | 0:33:22 | |
at the judges' auditions, | 0:33:22 | 0:33:23 | |
in fact, almost too easy as far as head judge Carrie was concerned. | 0:33:23 | 0:33:27 | |
My question to you is, why did you not choose a more complex song? | 0:33:30 | 0:33:34 | |
With such strong singers, such ability to do good harmonies, | 0:33:34 | 0:33:38 | |
I'd like to have heard more layering, more complexity, because | 0:33:38 | 0:33:42 | |
I think you're capable of more. It makes me want to ask the question, | 0:33:42 | 0:33:45 | |
are you confident enough? | 0:33:45 | 0:33:47 | |
-So, exciting to be here! -Yeah! | 0:33:47 | 0:33:49 | |
How did it feel when you knew you got through? | 0:33:49 | 0:33:51 | |
-Oh, it was fantastic. -Best feeling ever, yeah! | 0:33:51 | 0:33:54 | |
I remember quite vividly that Carrie said that we should have | 0:33:54 | 0:33:57 | |
-complex harmonies. -Yeah, yeah, she said we were being too simple. | 0:33:57 | 0:34:00 | |
-Yeah. -We've gone for a more complex song. | 0:34:00 | 0:34:03 | |
-I just hope she likes it. -Yeah. | 0:34:03 | 0:34:05 | |
So can they up their game in Glasgow | 0:34:05 | 0:34:07 | |
and get Figure Of Eight into the final five? | 0:34:07 | 0:34:10 | |
-I think we've got some very heavy competition. -I know! | 0:34:10 | 0:34:13 | |
They are very, very impressive. | 0:34:13 | 0:34:15 | |
Just the way they were singing and the harmonies and stuff, | 0:34:15 | 0:34:19 | |
but we were keeping us quite quiet. | 0:34:19 | 0:34:20 | |
Yeah, we were keeping our... Keeping it down. | 0:34:20 | 0:34:23 | |
-They'll see! -Yeah! | 0:34:23 | 0:34:25 | |
APPLAUSE | 0:34:25 | 0:34:27 | |
They're our last act to perform for the judges. | 0:34:28 | 0:34:30 | |
Let's hope they can add some valuable points to their score. | 0:34:30 | 0:34:33 | |
Singing and dancing for a place in the live finals. | 0:34:33 | 0:34:36 | |
it's Figure Of Eight with Don't Want To Miss A Thing. | 0:34:36 | 0:34:38 | |
APPLAUSE | 0:34:38 | 0:34:41 | |
# I could stay awake just to hear you breathing | 0:34:48 | 0:34:54 | |
# Watch you smile while you are sleeping | 0:34:54 | 0:34:59 | |
# While you're far away and dreaming | 0:34:59 | 0:35:03 | |
# Every moment spent with you | 0:35:03 | 0:35:05 | |
# Is a moment I treasure | 0:35:05 | 0:35:11 | |
# I don't want to close my eyes | 0:35:11 | 0:35:15 | |
# I don't want to fall asleep | 0:35:15 | 0:35:17 | |
# Cos I'd miss you, babe | 0:35:17 | 0:35:20 | |
# And I don't wanna miss a thing | 0:35:20 | 0:35:22 | |
# I don't wanna miss one smile | 0:35:22 | 0:35:26 | |
# I don't wanna miss one kiss | 0:35:26 | 0:35:30 | |
# I just wanna stay here in this moment | 0:35:30 | 0:35:33 | |
# For all the rest of time | 0:35:33 | 0:35:37 | |
# Yeah, yeah, yeah, yeah | 0:35:37 | 0:35:40 | |
# I don't wanna close my eyes | 0:35:40 | 0:35:42 | |
# I don't wanna fall asleep Cos I'd miss you, babe | 0:35:42 | 0:35:47 | |
# And I don't wanna miss a thing | 0:35:47 | 0:35:51 | |
# Cos even when I dream of you | 0:35:51 | 0:35:54 | |
# The sweetest dream would never do | 0:35:54 | 0:35:56 | |
# I'd still miss you, babe And I don't wanna miss a thing | 0:35:56 | 0:36:03 | |
# Oooooh, oooooh | 0:36:03 | 0:36:06 | |
# And I don't wanna miss a thing. # | 0:36:06 | 0:36:13 | |
APPLAUSE | 0:36:13 | 0:36:15 | |
-Wow! -Well done, guys. Love a ballad! Love a ballad here on Glee Club. | 0:36:18 | 0:36:22 | |
Sisco, obviously a ballad, as I just said. | 0:36:22 | 0:36:24 | |
Do you think their choreography worked there? | 0:36:24 | 0:36:27 | |
It did, it was good that you didn't do too much | 0:36:27 | 0:36:29 | |
because it is such a beautiful song | 0:36:29 | 0:36:31 | |
and it would be a shame to distract from the lyrics and the melody. | 0:36:31 | 0:36:35 | |
I thought it was a bit of an adventurous choice, | 0:36:35 | 0:36:37 | |
because it is such a power ballad. The original is such a rock anthem, | 0:36:37 | 0:36:43 | |
but I think what you guys have to work on as well | 0:36:43 | 0:36:46 | |
is just the organic theme of things. I only believed one of you, | 0:36:46 | 0:36:50 | |
and it was the young lady there. I don't know your name, | 0:36:50 | 0:36:52 | |
-what's your name? -Tara. | 0:36:52 | 0:36:53 | |
You have a very organic way of saying the lyrics, | 0:36:53 | 0:36:56 | |
and I really believed. | 0:36:56 | 0:36:58 | |
I looked into your eyes and I understood the lyrics. | 0:36:58 | 0:37:00 | |
I think you guys as a whole need to do that | 0:37:00 | 0:37:02 | |
so it feels a little more warm. | 0:37:02 | 0:37:04 | |
Especially if you're going to do such a lovey-dovey song. | 0:37:04 | 0:37:07 | |
Thank you, Sisco. | 0:37:07 | 0:37:08 | |
APPLAUSE | 0:37:08 | 0:37:11 | |
Carrie, did that arrangement work for you? | 0:37:11 | 0:37:13 | |
I felt that Figure Of Eight were really sincere, | 0:37:13 | 0:37:16 | |
I really loved the sincerity of it. | 0:37:16 | 0:37:19 | |
I loved the arrangement, | 0:37:19 | 0:37:21 | |
I love the fact that no-one over-sang. | 0:37:21 | 0:37:23 | |
Beautiful solo singing. | 0:37:23 | 0:37:25 | |
Absolutely lovely, nearly made me cry. Really good. | 0:37:25 | 0:37:28 | |
ALL: Thank you! | 0:37:28 | 0:37:30 | |
APPLAUSE | 0:37:30 | 0:37:32 | |
Carrie said "lovely" a lot there, she really did! | 0:37:32 | 0:37:35 | |
David, have they done enough to make it through to the final? | 0:37:35 | 0:37:39 | |
I don't know. | 0:37:39 | 0:37:41 | |
But I hope so. | 0:37:41 | 0:37:43 | |
Because something that really impressed me there, | 0:37:43 | 0:37:45 | |
I've got to tell you, | 0:37:45 | 0:37:46 | |
a lot of artists, even professional singers, | 0:37:46 | 0:37:49 | |
if they find the beginning of a song difficult, | 0:37:49 | 0:37:53 | |
they fall apart. | 0:37:53 | 0:37:55 | |
And it takes them halfway through the song to recover. | 0:37:55 | 0:37:58 | |
You found coming in on that first line difficult. | 0:37:58 | 0:38:01 | |
By the time you got to the end of the first line, you were on it. | 0:38:01 | 0:38:04 | |
And I couldn't read it in your face | 0:38:04 | 0:38:06 | |
and I couldn't read it in the rest of your performance. | 0:38:06 | 0:38:08 | |
And that really impressed me. | 0:38:08 | 0:38:11 | |
It really impressed me that none of you dipped as a result of that. | 0:38:11 | 0:38:14 | |
You picked it up, you kept it up. | 0:38:14 | 0:38:16 | |
You mean when they all sang together? | 0:38:16 | 0:38:18 | |
I'm talking about that very first line, the first line, the solo line. | 0:38:18 | 0:38:21 | |
You were finding it difficult to find your way in. | 0:38:21 | 0:38:24 | |
Once you were on it, you were on it. | 0:38:24 | 0:38:26 | |
And you didn't show it, and that really impressed me, | 0:38:26 | 0:38:29 | |
so well done, you. | 0:38:29 | 0:38:30 | |
Well done! You've got Carrie and David arguing over here! | 0:38:30 | 0:38:33 | |
It's amazing! John, that was quite a big, big song. | 0:38:33 | 0:38:38 | |
Yeah, you chose a killer song. It's a huge ballad, it requires | 0:38:38 | 0:38:42 | |
a lot of soul, a lot of maturity, I mean, | 0:38:42 | 0:38:46 | |
it's massive, so what I like about you, Figure Of Eight, | 0:38:46 | 0:38:50 | |
is that you do sing as a family, it's like this gang of singers. | 0:38:50 | 0:38:54 | |
That emotional sentiment, I see with you guys. | 0:38:54 | 0:38:58 | |
The only thing I would say is, I wish you hadn't started the chorus | 0:38:58 | 0:39:03 | |
in gear five, because I felt that if you had just, | 0:39:03 | 0:39:06 | |
if there was a little bit more warmth in the onset of the chorus, | 0:39:06 | 0:39:09 | |
and then you built that chorus, | 0:39:09 | 0:39:10 | |
the gear changes would have been better for the climax. | 0:39:10 | 0:39:13 | |
APPLAUSE | 0:39:13 | 0:39:15 | |
Thank you very much, judges. Give it up one more time for Figure Of Eight! | 0:39:15 | 0:39:20 | |
APPLAUSE | 0:39:20 | 0:39:22 | |
Come on, guys, come over here where I am grabbing the air! | 0:39:22 | 0:39:27 | |
Looking very earnest. What I want to know is, how was that | 0:39:27 | 0:39:30 | |
to start and end the song all by yourself? | 0:39:30 | 0:39:32 | |
That must have been so nerve wracking! | 0:39:32 | 0:39:34 | |
Yeah, it was really nerve-wracking, but you've got... | 0:39:34 | 0:39:37 | |
I've got all my friends behind me, | 0:39:37 | 0:39:38 | |
so it was just lovely and I felt honoured to start the song, | 0:39:38 | 0:39:42 | |
and it was really lovely and when they all came in and backed me up | 0:39:42 | 0:39:44 | |
it was great. I really enjoyed it. | 0:39:44 | 0:39:46 | |
How nice! And, Tara, high praise to you from Sisco, | 0:39:46 | 0:39:49 | |
what do you make of that? | 0:39:49 | 0:39:50 | |
Yeah, thank you very much for saying that, but obviously | 0:39:50 | 0:39:54 | |
I'm really happy that we all did it | 0:39:54 | 0:39:56 | |
and I think with the other comment, where we were just... | 0:39:56 | 0:39:59 | |
I think we did plan to start the first chorus and then build, | 0:39:59 | 0:40:02 | |
but before we were just so excited, we were like | 0:40:02 | 0:40:06 | |
going to give it to everyone. | 0:40:06 | 0:40:07 | |
It doesn't matter, because you nearly made Carrie cry! | 0:40:07 | 0:40:10 | |
So let's hear it one more time for Figure Of Eight! | 0:40:10 | 0:40:14 | |
APPLAUSE | 0:40:14 | 0:40:17 | |
I'm welling up myself! Thank you very much, Naomi. | 0:40:18 | 0:40:21 | |
OK, so there you have it, | 0:40:21 | 0:40:22 | |
all three acts have now performed and can do no more. | 0:40:22 | 0:40:25 | |
While we check and verify the final scores | 0:40:25 | 0:40:27 | |
and you wait to find out if your favourite has won - | 0:40:27 | 0:40:29 | |
here's a quick reminder of those fantastic performances. | 0:40:29 | 0:40:33 | |
# Sisters are doin' it for themselves | 0:40:33 | 0:40:38 | |
# Standing on their own two feet | 0:40:38 | 0:40:41 | |
# Ringin' on their own bells | 0:40:41 | 0:40:45 | |
# Sisters are doin' it for themselves. # | 0:40:47 | 0:40:51 | |
# Swagger jagger, swagger jagger | 0:40:53 | 0:40:56 | |
# You should get some of your own | 0:40:56 | 0:40:59 | |
# Count that money Get your game up | 0:40:59 | 0:41:04 | |
# Get your game up Get your, get your game up. # | 0:41:04 | 0:41:09 | |
# Even when I dream of you | 0:41:09 | 0:41:11 | |
# The sweetest dream would never do | 0:41:11 | 0:41:14 | |
# I'd still miss you, babe | 0:41:14 | 0:41:17 | |
# And I don't wanna miss a thing | 0:41:17 | 0:41:21 | |
# Ooooooh, oooooh | 0:41:21 | 0:41:25 | |
# And I don't wanna miss a thing. # | 0:41:25 | 0:41:30 | |
APPLAUSE | 0:41:30 | 0:41:33 | |
Welcome back. Our three acts... | 0:41:41 | 0:41:44 | |
Raveheart... | 0:41:44 | 0:41:47 | |
..The Peppermints... | 0:41:47 | 0:41:50 | |
..and Figure Of Eight. | 0:41:50 | 0:41:51 | |
Judges, you've seen them all perform and have awarded | 0:41:53 | 0:41:57 | |
points for Vocal Ability, Creativity and Performance across two rounds. | 0:41:57 | 0:42:01 | |
Carrie, before we reveal the winner, | 0:42:01 | 0:42:03 | |
how would you sum up today's performances? | 0:42:03 | 0:42:05 | |
I think three very different Glee Clubs. | 0:42:05 | 0:42:07 | |
We've got an eight-piece girl group, | 0:42:07 | 0:42:09 | |
a five-piece girl group and an eight-piece mixed group, | 0:42:09 | 0:42:12 | |
and that creates three different styles, | 0:42:12 | 0:42:13 | |
three different sounds, so it has been interesting to judge, | 0:42:13 | 0:42:16 | |
for us, because they're all so different. | 0:42:16 | 0:42:18 | |
Thank you very much, Carrie, and the rest of the judges. | 0:42:18 | 0:42:21 | |
The scores have been checked and verified | 0:42:21 | 0:42:23 | |
and we now have the results. | 0:42:23 | 0:42:24 | |
I can reveal that the winner of today's heat is... | 0:42:29 | 0:42:33 | |
With a total score of 191, | 0:42:46 | 0:42:48 | |
it's Raveheart! | 0:42:48 | 0:42:49 | |
APPLAUSE AND CHEERING | 0:42:49 | 0:42:52 | |
Give a massive round of applause to our runners up, | 0:42:55 | 0:42:58 | |
The Peppermints and Figure of Eight! | 0:42:58 | 0:43:01 | |
And also for our lovely judges - | 0:43:03 | 0:43:06 | |
-Carrie, David, John and Sisco! -Thank you! | 0:43:06 | 0:43:08 | |
And, of course, the lovely Naomi! Have you enjoyed yourself? | 0:43:08 | 0:43:13 | |
It has been brilliant, these groups are all fantastic. | 0:43:13 | 0:43:16 | |
Have you got the medals? Off you go, Naomi. | 0:43:16 | 0:43:20 | |
Join us next time when more Glee Clubs will battle it out | 0:43:20 | 0:43:23 | |
for the chance to be crowned winners of Comic Relief Does Glee Club 2013. | 0:43:23 | 0:43:27 | |
BOTH: Bye! | 0:43:27 | 0:43:28 | |
APPLAUSE | 0:43:28 | 0:43:31 | |
Today's heat winners, Raveheart, | 0:43:35 | 0:43:37 | |
crash straight to the top of the leaderboard | 0:43:37 | 0:43:39 | |
with an impressive 191 points, wow! | 0:43:39 | 0:43:42 | |
If you want a reminder of the performances, | 0:43:42 | 0:43:44 | |
go to the CBBC website and click on the link for the current top five. | 0:43:44 | 0:43:49 | |
Can Raveheart hold on to their position? | 0:43:49 | 0:43:51 | |
Or will it be all-change next time at the top? | 0:43:51 | 0:43:54 | |
Don't miss it! | 0:43:54 | 0:43:57 | |
Subtitles by Red Bee Media Ltd | 0:43:57 | 0:43:59 |