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Last time on Glee Club, Raveheart brought some girl power to | 0:00:02 | 0:00:05 | |
the stage and shot straight to | 0:00:05 | 0:00:07 | |
the top of the leaderboard. | 0:00:07 | 0:00:08 | |
# Sisters are doing it for themselves... # | 0:00:08 | 0:00:12 | |
Today, will any of the groups wow the judges | 0:00:12 | 0:00:14 | |
and finish in the top five? | 0:00:14 | 0:00:16 | |
# See the sun... # | 0:00:16 | 0:00:18 | |
This is Comic Relief Does Glee Club 2013. | 0:00:18 | 0:00:21 | |
CHEERING | 0:00:36 | 0:00:39 | |
Please welcome your hosts, Sam and Mark! | 0:00:39 | 0:00:43 | |
-Hello! -And welcome to Comic Relief Does Glee Club and the studio heats. | 0:00:48 | 0:00:53 | |
We've looked into every nook and cranny and | 0:00:53 | 0:00:56 | |
no stone has been left unturned in our search for Britain's top | 0:00:56 | 0:01:00 | |
young performers and it's all in support of Red Nose Day. | 0:01:00 | 0:01:02 | |
That's right. Three acts will battle it out | 0:01:02 | 0:01:05 | |
for one of the coveted top five positions | 0:01:05 | 0:01:07 | |
on the Glee Club leaderboard | 0:01:07 | 0:01:08 | |
and a guaranteed place in the live finals. | 0:01:08 | 0:01:11 | |
I mean, it's just so exciting. Aargh! | 0:01:11 | 0:01:14 | |
BOTH: Aargh! | 0:01:14 | 0:01:15 | |
-AUDIENCE: -Aargh! | 0:01:15 | 0:01:16 | |
-CREW: -Aargh! | 0:01:16 | 0:01:18 | |
All right, all right. Calm down. We've got a long way to go. | 0:01:18 | 0:01:20 | |
We don't want to use up all of our energy at the start of the show. | 0:01:20 | 0:01:23 | |
-We're not as young as we used to be. -We're really not. | 0:01:23 | 0:01:26 | |
Now, one person who definitely wouldn't be seen screaming | 0:01:26 | 0:01:28 | |
with excitement, because she's just so hard of nails, | 0:01:28 | 0:01:31 | |
you know what I'm saying, it's the unflappable Naomi Wilkinson! | 0:01:31 | 0:01:34 | |
CHEERING | 0:01:34 | 0:01:37 | |
-She's excited as well! -She's excited! -Yeah! | 0:01:37 | 0:01:41 | |
Good. Hey, how you doing, Naomi? | 0:01:41 | 0:01:44 | |
-You excited like us? -I'm so excited! How are you boys feeling? | 0:01:44 | 0:01:47 | |
We're very good. Actually, last night, Mark and I, | 0:01:47 | 0:01:50 | |
we were watching an episode of Naomi's Nightmares Of Nature. | 0:01:50 | 0:01:53 | |
I tell you something, you are one brave lady, you! | 0:01:53 | 0:01:56 | |
Is there nothing that you're scared of? Anything? | 0:01:56 | 0:01:59 | |
Well, I do have this one recurring nightmare. | 0:01:59 | 0:02:02 | |
Basically, I'm in a studio, a bit like this, | 0:02:02 | 0:02:05 | |
and there are these two sort of ghoulish, gruesome characters, | 0:02:05 | 0:02:10 | |
both in flashy suits, one looks a bit like a freakish Michael McIntyre | 0:02:10 | 0:02:14 | |
and the other, well, he looks all right, but he's a bit dim. | 0:02:14 | 0:02:17 | |
It's horrible! | 0:02:17 | 0:02:19 | |
LAUGHTER | 0:02:19 | 0:02:20 | |
Why don't you take yourself backstage? | 0:02:20 | 0:02:22 | |
-Safe from the gruesome twosome. -You get backstage. | 0:02:22 | 0:02:25 | |
Naomi Wilkinson, everyone! | 0:02:25 | 0:02:27 | |
APPLAUSE | 0:02:27 | 0:02:30 | |
Now, we often get asked, "What makes this show such a success?" | 0:02:30 | 0:02:34 | |
And, without a blink of an eye, I always say, | 0:02:34 | 0:02:36 | |
"Me and Mark." And then I always get asked, | 0:02:36 | 0:02:38 | |
"Who brings the glamour to the show?" | 0:02:38 | 0:02:40 | |
And without a blink of an eye, I always say, "Me and Mark." | 0:02:40 | 0:02:43 | |
Then they ask, "Who spends most time in make-up and wardrobe?" | 0:02:43 | 0:02:46 | |
-Me and Mark. No! -No! Not us. | 0:02:46 | 0:02:49 | |
It's, of course, the judges! | 0:02:49 | 0:02:51 | |
CHEERING | 0:02:51 | 0:02:53 | |
# Que no pare la fiesta | 0:02:53 | 0:02:55 | |
# Don't stop the party | 0:02:55 | 0:02:58 | |
# Yeah, yeah, yeah... # | 0:02:58 | 0:03:01 | |
CHEERING | 0:03:01 | 0:03:03 | |
-Yeah! -Yeah! | 0:03:03 | 0:03:05 | |
Yeah! | 0:03:05 | 0:03:06 | |
Lovely to see you again. | 0:03:06 | 0:03:08 | |
Carrie, you look lovely, but I've got to say, you've been upstaged. | 0:03:08 | 0:03:11 | |
-Sisco, I am loving this outfit. -Look at Sisco! -Look at this! | 0:03:11 | 0:03:16 | |
-What do you think, audience? Hey? -Pretty good, that. | 0:03:16 | 0:03:20 | |
I'm loving the hat, as well. Don't you get all coy on us now. | 0:03:20 | 0:03:23 | |
THEY LAUGH | 0:03:23 | 0:03:25 | |
OK, our judges are here, we're all ready. Are we ready, audience? | 0:03:25 | 0:03:28 | |
-AUDIENCE: -Yeah! | 0:03:28 | 0:03:29 | |
Judges, if you'd like to make your way over to your seats. | 0:03:29 | 0:03:32 | |
Whilst they're doing that, let's find out a little bit more | 0:03:32 | 0:03:35 | |
about our fashion-conscious foursome. | 0:03:35 | 0:03:37 | |
-Easy for you to say. -Bring it on. | 0:03:37 | 0:03:39 | |
They're the most respected coaches in the industry. | 0:03:40 | 0:03:43 | |
Today, let's find out more about new judge John Modi. | 0:03:43 | 0:03:46 | |
-JOHN: -'I'm looking for the entire package. | 0:03:47 | 0:03:50 | |
'I'm looking for a glee club that literally is non-stop energy, | 0:03:50 | 0:03:54 | |
'they have a wall of sound, a blend of sound that is unique | 0:03:54 | 0:03:58 | |
'and unlike anything else and you leave them | 0:03:58 | 0:04:00 | |
'with a big smile on your face and remembering the song they sang.' | 0:04:00 | 0:04:04 | |
CHEERING | 0:04:12 | 0:04:15 | |
Oh, judges, you're so talented. Stop being so talented, you! | 0:04:15 | 0:04:19 | |
Now, for the important bit. | 0:04:19 | 0:04:21 | |
15 groups have made it through to the heats. | 0:04:21 | 0:04:23 | |
Today, three of those acts will battle it out for our experts, | 0:04:23 | 0:04:26 | |
who will be scoring them on vocal ability, creativity and performance. | 0:04:26 | 0:04:30 | |
All four judges will be giving marks out of ten for each of | 0:04:30 | 0:04:33 | |
the disciplines, so there are plenty of points to be won. | 0:04:33 | 0:04:35 | |
And, in the unlikely event of a tie, | 0:04:35 | 0:04:37 | |
head judge Carrie will decide who gets the medals. | 0:04:37 | 0:04:40 | |
The acts with the top five scores across the heats will then | 0:04:40 | 0:04:43 | |
compete in the live finals, | 0:04:43 | 0:04:45 | |
where it will be up to you at home to vote for your favourite. | 0:04:45 | 0:04:48 | |
And the winners will take home this fantastic | 0:04:48 | 0:04:51 | |
Comic Relief Does Glee Club 2013 trophy! | 0:04:51 | 0:04:54 | |
-AUDIENCE: -Woo! | 0:04:54 | 0:04:56 | |
Woo, indeed. That trophy's an assault on the senses, man. | 0:04:56 | 0:04:59 | |
It's got more bling than Mr T. Ask your dad. | 0:04:59 | 0:05:01 | |
Let's find out how Naomi's getting on with the groups backstage. | 0:05:01 | 0:05:05 | |
So, yes, I am here backstage. Thank you very much, boys. | 0:05:05 | 0:05:08 | |
I'm with The Sweets, Impact and M.A.D. | 0:05:08 | 0:05:11 | |
Let's say hello to The Sweets. How are you doing today? | 0:05:11 | 0:05:14 | |
Good, thank you. | 0:05:14 | 0:05:15 | |
Now, you're the only original group back from the last series. | 0:05:15 | 0:05:18 | |
So we didn't put you off? | 0:05:18 | 0:05:20 | |
Yeah, it was really good last year, so we've come back again, | 0:05:20 | 0:05:23 | |
-standing strong. -Good for you. | 0:05:23 | 0:05:26 | |
And is it true that you take part in other talent shows and events? | 0:05:26 | 0:05:29 | |
Yeah, we do a lot of talent shows in our local area | 0:05:29 | 0:05:33 | |
and we've been on the radio a couple of times. | 0:05:33 | 0:05:36 | |
-And how do you get on with those? -Yeah, they're good. | 0:05:36 | 0:05:38 | |
This is a lot different to what we normally do, | 0:05:38 | 0:05:41 | |
but it's exciting to have a new adventure. | 0:05:41 | 0:05:45 | |
Nicely put. Good luck today with your performances. Over to Impact. | 0:05:45 | 0:05:49 | |
Now, what's going through your minds thinking, | 0:05:49 | 0:05:52 | |
"We're not just performing in front of the judges, | 0:05:52 | 0:05:54 | |
"but in front of a studio audience"? | 0:05:54 | 0:05:56 | |
It's nerve-wracking, but I think we're all excited, really excited, | 0:05:56 | 0:06:00 | |
and we've got such good competition and, yeah. | 0:06:00 | 0:06:04 | |
-Have you performed in front of an audience before? -Yeah. | 0:06:04 | 0:06:07 | |
We, as a group, have cos we've been together about two years | 0:06:07 | 0:06:11 | |
and we just do the odd thing. | 0:06:11 | 0:06:12 | |
So it'll be a complete piece of cake for you. And over to M.A.D. | 0:06:12 | 0:06:17 | |
Now, you're probably one of our most experienced groups. | 0:06:17 | 0:06:19 | |
Tell me about some of the venues you've performed in. | 0:06:19 | 0:06:22 | |
Well, we've been to the O2 and we've performed at Wembley | 0:06:22 | 0:06:26 | |
and we've been at the Indigo, as well. Many things. | 0:06:26 | 0:06:29 | |
Right, so this should be really easy for you. | 0:06:29 | 0:06:31 | |
Where do you take your inspiration from? | 0:06:31 | 0:06:33 | |
Oh, with gospel music and Beyonce. | 0:06:33 | 0:06:36 | |
-Anyone that's really in there, you know? -Great. | 0:06:36 | 0:06:38 | |
Well, all the best with your performances. | 0:06:38 | 0:06:41 | |
Now, all these groups arrived here in Glasgow yesterday. Was it sweet? | 0:06:41 | 0:06:45 | |
Did anyone make an impact? Or did they all drive each other M.A.D? | 0:06:45 | 0:06:48 | |
Did you see what I did? Do you like that? | 0:06:48 | 0:06:51 | |
Let's see how they got on when they met for the first time. | 0:06:51 | 0:06:55 | |
For M.A.D, The Sweets and Impact, | 0:06:55 | 0:06:59 | |
meeting up was a great chance to bowl each other over. | 0:06:59 | 0:07:02 | |
We're M.A.D and we're from London. | 0:07:02 | 0:07:05 | |
We're Impact and we're from Brighton. | 0:07:05 | 0:07:08 | |
Hi, we are The Sweets and we're from Essex. | 0:07:08 | 0:07:10 | |
'Would our glee clubs all get on, or would it be a bit hit and miss?' | 0:07:12 | 0:07:16 | |
I think I'm the most amazing bowler in the whole entire world. | 0:07:16 | 0:07:19 | |
No, she's lying. OK, I think I'm the most amazing bowler. | 0:07:19 | 0:07:22 | |
Really, I'm just rubbish. I'm rubbish. | 0:07:22 | 0:07:24 | |
ALL: Oooh! Aww. | 0:07:24 | 0:07:26 | |
I'm just going to chuck it, cos I can't get it in a straight line. | 0:07:26 | 0:07:29 | |
Go on, Jo Jo. | 0:07:29 | 0:07:30 | |
ALL: Oooh. | 0:07:30 | 0:07:32 | |
THEY CHEER | 0:07:32 | 0:07:34 | |
Oh, yes! | 0:07:36 | 0:07:37 | |
-Bowling, for us, is like we ain't very good at it. -Yeah. | 0:07:37 | 0:07:41 | |
-We need the barriers up. -We'll stick to singing. | 0:07:41 | 0:07:44 | |
Ah! Yeah! | 0:07:45 | 0:07:47 | |
Go on. I believe in you. Come on. Go on, my son. Go on! | 0:07:49 | 0:07:52 | |
Yeah, it's good to meet one of the glee club's, that they come | 0:07:56 | 0:07:59 | |
from where we come from, so it's nice to have someone from our home. | 0:07:59 | 0:08:03 | |
And different. Seeing someone different. | 0:08:03 | 0:08:06 | |
From different areas as well. | 0:08:06 | 0:08:07 | |
It's really nice to me the other glee clubs. | 0:08:07 | 0:08:10 | |
They're all so talented. | 0:08:10 | 0:08:11 | |
Such stiff competition this year. But it's fine. | 0:08:11 | 0:08:15 | |
They seem really lovely. And it's nice. | 0:08:15 | 0:08:17 | |
We're all kind of forming one big family. So it's really cute. | 0:08:17 | 0:08:20 | |
I start freaking out. I'm like, "No, there's competition! | 0:08:20 | 0:08:23 | |
"There's competition! We're going to lose!" | 0:08:23 | 0:08:25 | |
-I'm like, "Don't think like that!" -"We have to rehearse!" | 0:08:25 | 0:08:28 | |
-She's like, "In my room, now!" -"Stop, stop, Aisha. Breathe!" | 0:08:28 | 0:08:31 | |
With the studio performance a day away, there was still time to | 0:08:31 | 0:08:34 | |
relax, but will our groups strike it lucky in front of the judges? | 0:08:34 | 0:08:38 | |
-You're the best player on the team! -Yeah. | 0:08:38 | 0:08:41 | |
-Everyone watch out! -Are you ready? | 0:08:41 | 0:08:44 | |
-Aww! -Miya! -That was so bad! | 0:08:44 | 0:08:48 | |
THEY SCREAM | 0:08:50 | 0:08:53 | |
CHEERING | 0:08:56 | 0:09:00 | |
Please welcome our glee clubs - The Sweets! | 0:09:01 | 0:09:04 | |
CHEERING | 0:09:04 | 0:09:07 | |
Impact. | 0:09:07 | 0:09:08 | |
CHEERING | 0:09:08 | 0:09:10 | |
And M.A.D. | 0:09:10 | 0:09:11 | |
CHEERING | 0:09:11 | 0:09:13 | |
Guys, it is lovely to have you here. Best of luck to you all. | 0:09:13 | 0:09:16 | |
OK, let's find out more about your first challenge. | 0:09:16 | 0:09:20 | |
Round 1, Singing Together. | 0:09:21 | 0:09:23 | |
All group members must sing at the same time with | 0:09:23 | 0:09:26 | |
no featured vocals. | 0:09:26 | 0:09:27 | |
Today's first challenge song is | 0:09:30 | 0:09:31 | |
Live While We're Young by One Direction. | 0:09:31 | 0:09:34 | |
Here's some 1D facts for you. | 0:09:34 | 0:09:36 | |
Liam's favourite film is Toy Story, Niall's favourite colour is blue, | 0:09:36 | 0:09:39 | |
Zayn's favourite book is Harry Potter, | 0:09:39 | 0:09:42 | |
if Louis had a superpower he would fly, | 0:09:42 | 0:09:44 | |
and Harry's phone number is 0778... | 0:09:44 | 0:09:47 | |
No, that's enough! That's enough. You can't say that. | 0:09:47 | 0:09:49 | |
Singing together for Round 1 and performing | 0:09:49 | 0:09:51 | |
Live While We're Young by one direction... | 0:09:51 | 0:09:53 | |
It's The Sweets, Impact and M.A.D! | 0:09:53 | 0:09:56 | |
CHEERING | 0:09:56 | 0:10:00 | |
# Hey boy, I'm waitin' on ya | 0:10:02 | 0:10:04 | |
# I'm waitin' on ya | 0:10:04 | 0:10:06 | |
# Come on and let me sneak you out | 0:10:06 | 0:10:10 | |
# And have a celebration | 0:10:10 | 0:10:12 | |
# A celebration | 0:10:12 | 0:10:14 | |
# The music up, the windows down | 0:10:14 | 0:10:16 | |
# Oh | 0:10:16 | 0:10:17 | |
# Yeah, we'll be doing what we do | 0:10:17 | 0:10:20 | |
# Just pretending that we're cool | 0:10:20 | 0:10:22 | |
# And we know it too | 0:10:22 | 0:10:25 | |
# Yeah, we'll be doing what we do | 0:10:25 | 0:10:28 | |
# Just pretending that we're cool | 0:10:28 | 0:10:30 | |
# So tonight | 0:10:30 | 0:10:32 | |
# Let's go crazy, crazy, crazy | 0:10:32 | 0:10:34 | |
# Till we see the sun | 0:10:34 | 0:10:36 | |
# I know we've only met | 0:10:36 | 0:10:38 | |
# But let's pretend it's love | 0:10:38 | 0:10:40 | |
# And never, ever, ever | 0:10:40 | 0:10:42 | |
# Stop for anyone | 0:10:42 | 0:10:44 | |
# Tonight let's get some | 0:10:44 | 0:10:46 | |
# And live while we're | 0:10:46 | 0:10:48 | |
# Oh oh oh oh Oh oh oh | 0:10:48 | 0:10:51 | |
# Whoa oh oh oh Oh oh | 0:10:51 | 0:10:54 | |
# And live while we're | 0:10:54 | 0:10:55 | |
# Whoa oh oh oh Oh oh oh | 0:10:55 | 0:10:59 | |
# Tonight let's get some | 0:10:59 | 0:11:02 | |
# And live while we're young. # | 0:11:02 | 0:11:05 | |
CHEERING | 0:11:05 | 0:11:09 | |
# Hey girl, it's now or never | 0:11:12 | 0:11:14 | |
# It's now or never | 0:11:14 | 0:11:15 | |
# Don't overthink | 0:11:15 | 0:11:17 | |
# Just let it go | 0:11:17 | 0:11:18 | |
# And if we get together | 0:11:20 | 0:11:21 | |
# Yeah, get together | 0:11:21 | 0:11:23 | |
# Don't let the pictures leave your phone | 0:11:23 | 0:11:26 | |
# Yeah, we'll be doing what we do | 0:11:27 | 0:11:30 | |
# Just pretending that we're cool | 0:11:30 | 0:11:32 | |
# So tonight | 0:11:32 | 0:11:34 | |
# Let's go crazy, crazy, crazy | 0:11:34 | 0:11:36 | |
# Till we see the sun | 0:11:36 | 0:11:38 | |
# I know we only met | 0:11:38 | 0:11:40 | |
# But let's pretend it's love | 0:11:40 | 0:11:42 | |
# And never, never, never | 0:11:42 | 0:11:43 | |
# Stop for anyone | 0:11:43 | 0:11:45 | |
# Tonight let's get some | 0:11:45 | 0:11:48 | |
# And live while we're young | 0:11:48 | 0:11:52 | |
# Whoa oh oh | 0:11:52 | 0:11:54 | |
# Whoa whoa whoa whoa Whoa oh oh | 0:11:54 | 0:11:57 | |
# Whoa whoa whoa whoa # Whoa oh oh | 0:11:57 | 0:12:01 | |
# Tonight let's get some | 0:12:01 | 0:12:03 | |
# And live while we're young. # | 0:12:03 | 0:12:06 | |
CHEERING | 0:12:06 | 0:12:10 | |
# Hey boy, I'm waitin' on ya | 0:12:14 | 0:12:16 | |
# I'm waitin' on ya | 0:12:16 | 0:12:17 | |
# Come on and let me | 0:12:17 | 0:12:19 | |
# Sneak you out | 0:12:19 | 0:12:21 | |
# And have a celebration | 0:12:21 | 0:12:23 | |
# A celebration | 0:12:23 | 0:12:25 | |
# The music's up, the windows down | 0:12:25 | 0:12:28 | |
# Yeah, we'll be doing what we do | 0:12:29 | 0:12:32 | |
# Just pretending that we're cool | 0:12:32 | 0:12:34 | |
# And we know it too | 0:12:34 | 0:12:37 | |
# Yeah, we'll be doing what we do | 0:12:37 | 0:12:39 | |
# Just pretending that we're cool | 0:12:39 | 0:12:41 | |
# So tonight | 0:12:41 | 0:12:43 | |
# Let's go crazy, crazy, crazy | 0:12:43 | 0:12:45 | |
# Till we see the sun | 0:12:45 | 0:12:47 | |
# I know we only met | 0:12:47 | 0:12:49 | |
# But let's pretend it's love | 0:12:49 | 0:12:51 | |
# And never, never, never | 0:12:51 | 0:12:53 | |
# Stop for anyone | 0:12:53 | 0:12:55 | |
# Tonight let's get some | 0:12:55 | 0:12:58 | |
# And live while we're | 0:12:58 | 0:12:59 | |
# Whoa oh oh oh Oh oh oh | 0:12:59 | 0:13:03 | |
# Whoa oh oh oh Oh oh oh | 0:13:03 | 0:13:07 | |
# Whoa oh oh oh Oh oh oh | 0:13:07 | 0:13:11 | |
# Tonight let's get some | 0:13:11 | 0:13:13 | |
# And live while we're young. # | 0:13:13 | 0:13:16 | |
CHEERING | 0:13:18 | 0:13:21 | |
# Let's go crazy, crazy, crazy | 0:13:23 | 0:13:25 | |
# Till we see the sun | 0:13:25 | 0:13:27 | |
# I know we only met | 0:13:27 | 0:13:29 | |
# But let's pretend it's love | 0:13:29 | 0:13:31 | |
# And never, never, never | 0:13:31 | 0:13:33 | |
# Stop for anyone | 0:13:33 | 0:13:35 | |
# Tonight let's get some | 0:13:35 | 0:13:38 | |
# And live while we're young. # | 0:13:38 | 0:13:40 | |
CHEERING | 0:13:40 | 0:13:45 | |
-Well done! -Nice bit of 1D! Good One Direction! | 0:13:46 | 0:13:50 | |
Let's see what the judges thought. | 0:13:50 | 0:13:52 | |
OK, Carrie, first chance to see the groups today. | 0:13:52 | 0:13:54 | |
What did you think to that? | 0:13:54 | 0:13:56 | |
I think they did really well. | 0:13:56 | 0:13:57 | |
I think this particular song is actually very difficult to sing. | 0:13:57 | 0:14:00 | |
The Sweets, I always love your sound. | 0:14:00 | 0:14:03 | |
I think you have a lovely ensemble sound. It's very in tune. | 0:14:03 | 0:14:05 | |
You always deliver vocally. | 0:14:05 | 0:14:07 | |
For me, it lacked something in energy, just visually, | 0:14:07 | 0:14:11 | |
there just wasn't that "Err!" that you kind of need. | 0:14:11 | 0:14:13 | |
Whatever the word "Err" means. | 0:14:13 | 0:14:16 | |
Impact, the blending on the voices together, you've got bigger | 0:14:16 | 0:14:20 | |
challenges cos you've got guys and girls working together, | 0:14:20 | 0:14:22 | |
but the blend wasn't as strong as I've heard you sing before. | 0:14:22 | 0:14:25 | |
I normally love your technique. | 0:14:25 | 0:14:27 | |
M.A.D, beautiful arrangement, beautifully sung, | 0:14:27 | 0:14:31 | |
beautifully blended. | 0:14:31 | 0:14:32 | |
You bounced and sat back on the beat. | 0:14:32 | 0:14:35 | |
Beautiful. | 0:14:35 | 0:14:36 | |
APPLAUSE | 0:14:36 | 0:14:39 | |
David, who impressed you? | 0:14:39 | 0:14:41 | |
Well, I have to say that they all | 0:14:41 | 0:14:43 | |
impressed me for different reasons. | 0:14:43 | 0:14:45 | |
I want to start with The Sweets. | 0:14:45 | 0:14:47 | |
I thought they had a real authority. | 0:14:47 | 0:14:48 | |
They looked to be really confident, | 0:14:48 | 0:14:50 | |
really comfortable | 0:14:50 | 0:14:52 | |
and they looked like they were enjoying it. | 0:14:52 | 0:14:55 | |
When it came to Impact, I thought they had a real accuracy | 0:14:55 | 0:14:58 | |
and the boys being in there, it is a challenge, | 0:14:58 | 0:15:01 | |
but I actually think it makes the harmonies fatter | 0:15:01 | 0:15:04 | |
and richer than just girls, because there's a greater spread. | 0:15:04 | 0:15:06 | |
And I really like that sound. | 0:15:06 | 0:15:08 | |
And then when it came to M.A.D, they have attitude. | 0:15:08 | 0:15:11 | |
They've got swagger and they give the song swing. | 0:15:11 | 0:15:15 | |
Suddenly, a pop song sounded like an urban song, | 0:15:15 | 0:15:18 | |
because of the way they sung it, because of their phrasing, | 0:15:18 | 0:15:21 | |
because of their pronunciation, because of their timing. | 0:15:21 | 0:15:25 | |
They actually made the song completely their own. | 0:15:25 | 0:15:28 | |
APPLAUSE | 0:15:28 | 0:15:31 | |
Sisco, did that performance tick all the boxes for you? | 0:15:31 | 0:15:33 | |
It did and, like David said, | 0:15:33 | 0:15:35 | |
for different reasons. | 0:15:35 | 0:15:36 | |
The Sweets, when I looked at you, | 0:15:36 | 0:15:37 | |
I was extremely excited, cos you had the look going down, | 0:15:37 | 0:15:40 | |
you seem very comfortable when you're singing. | 0:15:40 | 0:15:42 | |
I believe when you're singing. I just thought it was a bit safe. | 0:15:42 | 0:15:45 | |
I was expecting just a little bit more. | 0:15:45 | 0:15:47 | |
But maybe you'll bring it for the second song, hopefully. | 0:15:47 | 0:15:49 | |
With Impact, I hear every single harmony, | 0:15:49 | 0:15:52 | |
but I'd didn't really feel that there was a blend. | 0:15:52 | 0:15:55 | |
Like, it wasn't as smooth as I wanted to. | 0:15:55 | 0:15:57 | |
Because you've got boy and girl vocalists, | 0:15:57 | 0:15:59 | |
I think you guys can really take it to another level, | 0:15:59 | 0:16:02 | |
because you can use that to your advantage. | 0:16:02 | 0:16:04 | |
M.A.D, I love the projection of the vocals. | 0:16:04 | 0:16:07 | |
You guys went straight in there. | 0:16:07 | 0:16:08 | |
I was like, "Oh, wow." You're not afraid to sing. | 0:16:08 | 0:16:11 | |
I love the way you sung it, and I loved everything about it. | 0:16:11 | 0:16:14 | |
I think you guys are really | 0:16:14 | 0:16:15 | |
cool-looking, cool-sounding. Well done. | 0:16:15 | 0:16:17 | |
APPLAUSE | 0:16:17 | 0:16:19 | |
And John, you met these guys way back at the start of the search. | 0:16:19 | 0:16:23 | |
Are they coming up to scratch now? | 0:16:23 | 0:16:25 | |
I feel like a very proud | 0:16:25 | 0:16:26 | |
big brother at the moment. | 0:16:26 | 0:16:28 | |
My friend, David Grant, said that | 0:16:28 | 0:16:30 | |
false humility doesn't suit me, so... | 0:16:30 | 0:16:33 | |
John Modi, you did a great job! | 0:16:33 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:38 | |
I think we've got an awesome show today coming up. | 0:16:38 | 0:16:40 | |
Agreed, definitely. Thank you very much, judges. | 0:16:40 | 0:16:42 | |
OK, whilst we check and verify the scores for Round 1, | 0:16:42 | 0:16:45 | |
let's take a look at some messages from some of our celebrity chums. | 0:16:45 | 0:16:49 | |
Get involved with Comic Relief 2013 and do something funny for money. | 0:16:51 | 0:16:56 | |
Together we can make a difference. | 0:16:56 | 0:16:58 | |
CHEERING | 0:16:59 | 0:17:02 | |
The scores have been checked and verified. | 0:17:02 | 0:17:04 | |
The results for Round 1 are in. So it's over to you, my friend Mark. | 0:17:04 | 0:17:08 | |
Aww, that's very nice of you, mate. | 0:17:08 | 0:17:10 | |
I can reveal that the judges' combined score for The Sweets, | 0:17:10 | 0:17:13 | |
out of a possible 120 points, is... | 0:17:13 | 0:17:16 | |
CHEERING | 0:17:20 | 0:17:23 | |
The judges' combined score for Impact is... | 0:17:25 | 0:17:28 | |
CHEERING | 0:17:33 | 0:17:35 | |
And finally, the judges' combined score for M.A.D is... | 0:17:36 | 0:17:40 | |
CHEERING | 0:17:44 | 0:17:47 | |
-Well done, guys. Are you happy with those scores? -SINGERS: -Yes. | 0:17:47 | 0:17:50 | |
Nice one. Well, there is still one more challenge to go. | 0:17:50 | 0:17:53 | |
But, before that, let's take a look at the scoreboard after Round 1. | 0:17:53 | 0:17:57 | |
The Sweets have 75 points. | 0:17:57 | 0:17:59 | |
Impact have 74 points. | 0:17:59 | 0:18:01 | |
And M.A.D lead with 97 points. | 0:18:01 | 0:18:04 | |
But with 120 points available | 0:18:04 | 0:18:06 | |
to each group in Round 2, | 0:18:06 | 0:18:08 | |
it could all change! | 0:18:08 | 0:18:09 | |
CHEERING | 0:18:09 | 0:18:13 | |
Wow. You all did so well. | 0:18:13 | 0:18:15 | |
Sweets, Carrie thought you made a lovely sound, | 0:18:15 | 0:18:18 | |
but perhaps lacking a little bit of, "Err!" Do you agree with that? | 0:18:18 | 0:18:22 | |
Yeah, I agree with that. | 0:18:22 | 0:18:24 | |
I think we could have, maybe, tried our hardest and just really... | 0:18:24 | 0:18:28 | |
But I think we did try. | 0:18:28 | 0:18:29 | |
-You've got a little more in new the next round, do you think? -Yeah. | 0:18:29 | 0:18:32 | |
-How about giving them a bit of, "Err" now? -THE SWEETS: Err! | 0:18:32 | 0:18:36 | |
Audience? Got a little bit of "Err" in you? | 0:18:36 | 0:18:40 | |
AUDIENCE: Err! | 0:18:40 | 0:18:41 | |
Yeah, we've got the "Err" in the studio. | 0:18:41 | 0:18:44 | |
Impact, now, there was little mention that there might be | 0:18:44 | 0:18:46 | |
a bit of an issue with your blending. | 0:18:46 | 0:18:48 | |
Do you think that's fair? | 0:18:48 | 0:18:49 | |
Yeah, I mean it's slightly harder for us, cos we have boys in it, | 0:18:49 | 0:18:53 | |
but I think just maybe work on it a tiny bit and then we'll get it. | 0:18:53 | 0:18:57 | |
But David was loving the boys in it, | 0:18:57 | 0:18:59 | |
loving that it's got rich harmonies and it sounded really full. | 0:18:59 | 0:19:02 | |
And you are representing the boys on the show today. Yeah. | 0:19:02 | 0:19:05 | |
So, what do you think about that, lads? | 0:19:05 | 0:19:08 | |
I think it's great that we're here representing the boys. | 0:19:08 | 0:19:11 | |
We just really want to show them in our next song that we can get | 0:19:11 | 0:19:14 | |
that blend with boys and girls. | 0:19:14 | 0:19:16 | |
OK. Round 2, you're going to show it. Show them how it's done. | 0:19:16 | 0:19:19 | |
And over to M.A.D... | 0:19:19 | 0:19:21 | |
Bringing a touch of urban to your song. | 0:19:21 | 0:19:24 | |
How do you make a song your own? | 0:19:24 | 0:19:26 | |
I think we just try to blend really well with our harmonies | 0:19:26 | 0:19:30 | |
and put our own stamp on it, really rock with it. | 0:19:30 | 0:19:35 | |
-Is that what you do, you've got to rock with it? -Yeah. Rock with it. | 0:19:35 | 0:19:38 | |
THEY LAUGH | 0:19:38 | 0:19:39 | |
I like that. Well, as John said, | 0:19:39 | 0:19:41 | |
it really is going to be a fantastic show. | 0:19:41 | 0:19:43 | |
I cannot wait to hear all of your survival songs. Good luck. | 0:19:43 | 0:19:46 | |
Let's give them a great big cheer and hand back to Sam and Mark. | 0:19:46 | 0:19:49 | |
CHEERING | 0:19:49 | 0:19:50 | |
-It's going to be a good one. -Yeah. -Thank you very much, Naomi. | 0:19:50 | 0:19:53 | |
While the groups get ready for Round 2 | 0:19:53 | 0:19:55 | |
let's remind ourselves why we're here and how Comic Relief really | 0:19:55 | 0:19:57 | |
does make a difference to young lives in the UK and in Africa. | 0:19:57 | 0:20:01 | |
Comic Relief works hard to support people who are leading | 0:20:02 | 0:20:06 | |
incredibly difficult lives, | 0:20:06 | 0:20:08 | |
by funding projects all over Africa, as well as right here in the UK. | 0:20:08 | 0:20:12 | |
In fact, the charity has funded over 15,000 projects in the UK, | 0:20:13 | 0:20:17 | |
working 365 days a year to change things for the better. | 0:20:17 | 0:20:22 | |
The donations that you make will help vulnerable people from all | 0:20:24 | 0:20:27 | |
walks of life, at home and abroad. | 0:20:27 | 0:20:30 | |
You can help make a huge difference. | 0:20:30 | 0:20:32 | |
To find out how you could do something funny for money, | 0:20:32 | 0:20:35 | |
get a grown-up and visit | 0:20:35 | 0:20:37 | |
the CBBC website, at... | 0:20:37 | 0:20:38 | |
..and follow the link to | 0:20:43 | 0:20:44 | |
Comic Relief. Thank you. | 0:20:44 | 0:20:47 | |
CHEERING | 0:20:52 | 0:20:55 | |
You really can make a difference. | 0:20:55 | 0:20:57 | |
So, go on, get involved and do something funny for money. | 0:20:57 | 0:21:00 | |
Sam here is going to shave his head before the next show. | 0:21:00 | 0:21:02 | |
Sorry, what was that? | 0:21:02 | 0:21:04 | |
-No, he's definitely not going to do that. -Who are you talking to? | 0:21:04 | 0:21:07 | |
I'm talking to the producer. She wants to talk to you. | 0:21:07 | 0:21:10 | |
Hello? | 0:21:10 | 0:21:12 | |
-She says get on with the show. -Get on with the show. | 0:21:12 | 0:21:14 | |
Round 2 is the last chance for groups to deliver a | 0:21:14 | 0:21:17 | |
show stopping performance. | 0:21:17 | 0:21:18 | |
They need to score as many points as they can to secure a top spot | 0:21:18 | 0:21:21 | |
on the Glee Club # Leaderboard. # | 0:21:21 | 0:21:23 | |
-Nice harmony. -Getting into it. | 0:21:23 | 0:21:25 | |
Remember, only the top five will go through to the live finals. | 0:21:25 | 0:21:28 | |
OK, Mr D, can you please do the honours | 0:21:28 | 0:21:30 | |
and introduce the final round? | 0:21:30 | 0:21:31 | |
-# The final round. # -Stop it. | 0:21:31 | 0:21:33 | |
Round 2, Survival Song. | 0:21:35 | 0:21:36 | |
The groups will have to give it their all. | 0:21:36 | 0:21:38 | |
It's their final chance to build those all-important points. | 0:21:38 | 0:21:41 | |
They were formed after their leader watched Britain's Got Talent, | 0:21:42 | 0:21:46 | |
-but, hey, we saw them here first. In your face, Simon Cowell. -Yeah! | 0:21:46 | 0:21:50 | |
Let's take a look at The Sweets' journey to the heats. | 0:21:50 | 0:21:52 | |
The Sweets are back. Can they taste even more success this time around? | 0:21:54 | 0:21:59 | |
# Said I love you more than words can say | 0:21:59 | 0:22:01 | |
# Said I love you babe-ay-ay-ay-ay-by... # | 0:22:01 | 0:22:07 | |
I love your sound. | 0:22:07 | 0:22:09 | |
On the other side, I want to say your solos sound like you've | 0:22:09 | 0:22:13 | |
been doing it for a few weeks and you're just finding your feet. | 0:22:13 | 0:22:16 | |
I'm going to be completely blunt with you. | 0:22:16 | 0:22:19 | |
The solos are not necessary, | 0:22:19 | 0:22:20 | |
you should give the solos to the strongest singers. | 0:22:20 | 0:22:23 | |
We've limited the amount of solos, really. | 0:22:23 | 0:22:26 | |
We sound better, like, as a whole group. | 0:22:26 | 0:22:28 | |
That's what the judges commented on | 0:22:28 | 0:22:30 | |
before, so we've taken that into consideration. | 0:22:30 | 0:22:34 | |
Harmonies are a lot stronger. | 0:22:34 | 0:22:35 | |
And we've worked on our harmonies, and we're singing more as a group, | 0:22:35 | 0:22:39 | |
so that's got a bigger sound, a stronger sound. | 0:22:39 | 0:22:42 | |
-How are you feeling today? -Nervous. -Come and see the lovely set. | 0:22:42 | 0:22:45 | |
Is it bigger? Bigger than last time. | 0:22:45 | 0:22:49 | |
How do you feel about performing in front of all the studio | 0:22:51 | 0:22:55 | |
audience as well as the judges? | 0:22:55 | 0:22:57 | |
It's exciting, I think you get a buzz off of audiences. | 0:22:57 | 0:22:59 | |
-It doesn't put you off? -No. | 0:22:59 | 0:23:01 | |
Who do you think is your biggest threat today? | 0:23:01 | 0:23:04 | |
Both. They're so different, but they're so good. | 0:23:04 | 0:23:07 | |
-Have you told everyone at school? -Yeah. -What did they say? | 0:23:07 | 0:23:10 | |
-They were like, "good luck"! -Are they going to watch? -Yeah. | 0:23:10 | 0:23:13 | |
We're just best friends. Whenever we're together... | 0:23:13 | 0:23:15 | |
-We're so loud. -..It's not quiet! | 0:23:15 | 0:23:17 | |
Yeah, even our mums are like... | 0:23:17 | 0:23:19 | |
Our mums are glad to have a break! | 0:23:19 | 0:23:22 | |
APPLAUSE AND CHEERING | 0:23:24 | 0:23:25 | |
They're back, but can they go one step further | 0:23:25 | 0:23:29 | |
and make it to the live finals? | 0:23:29 | 0:23:30 | |
Singing Payphone by Maroon 5, it's The Sweets! | 0:23:30 | 0:23:35 | |
APPLAUSE AND CHEERING | 0:23:35 | 0:23:37 | |
# I'm at a payphone trying to call home | 0:23:39 | 0:23:44 | |
# All of my change I've spent on you | 0:23:44 | 0:23:47 | |
# Where have the times gone? Baby, it's all wrong | 0:23:47 | 0:23:52 | |
# Where are the plans we made for two? | 0:23:52 | 0:23:56 | |
# Yeah, I, I know it's hard to remember | 0:23:56 | 0:23:59 | |
# The people we used to be It's even harder to picture | 0:23:59 | 0:24:03 | |
# That you're not here next to me | 0:24:03 | 0:24:06 | |
# You say it's too late to make it But is it too late to try? | 0:24:06 | 0:24:10 | |
# And in our time that you wasted | 0:24:10 | 0:24:12 | |
# All of our bridges burned down | 0:24:12 | 0:24:15 | |
# I've wasted my nights You turned out the lights | 0:24:15 | 0:24:19 | |
# Now I'm paralysed Still stuck in that time | 0:24:19 | 0:24:22 | |
# When we called it love But even the sun | 0:24:22 | 0:24:27 | |
# Sets in paradise | 0:24:27 | 0:24:29 | |
# I'm at a payphone trying to call home | 0:24:29 | 0:24:34 | |
# All of my change I've spent on you | 0:24:34 | 0:24:37 | |
# Where have the times gone? Baby, it's all wrong | 0:24:37 | 0:24:42 | |
# Where are the plans we made for two? | 0:24:42 | 0:24:46 | |
# If happy ever after did exist | 0:24:46 | 0:24:50 | |
# I would still be holding you like this | 0:24:50 | 0:24:54 | |
# All our fairytales are full of this | 0:24:54 | 0:24:59 | |
# One more stupid love song I'll be sick | 0:24:59 | 0:25:03 | |
# Now I'm at a payphone. # | 0:25:03 | 0:25:06 | |
APPLAUSE AND CHEERING | 0:25:06 | 0:25:09 | |
-Nice work guys. -Well done. | 0:25:14 | 0:25:15 | |
David, do you reckon The Sweets should be proud of that performance? | 0:25:15 | 0:25:18 | |
Yeah, I think they should. | 0:25:18 | 0:25:19 | |
I do remember us saying that you were using too many soloists, | 0:25:19 | 0:25:22 | |
and you've fixed that, and your ensemble sound is still good. | 0:25:22 | 0:25:26 | |
My only negative, if there is one, is that in parts you seemed to look | 0:25:26 | 0:25:30 | |
as if you were marking it, and I really wanted to see | 0:25:30 | 0:25:32 | |
just a bit more energy and oomph in the performance. | 0:25:32 | 0:25:35 | |
OK, thank you, David. | 0:25:35 | 0:25:37 | |
APPLAUSE | 0:25:37 | 0:25:38 | |
Sisco, do you think the choreography worked with that song? | 0:25:40 | 0:25:43 | |
I think it did. I keep on repeating myself, I guess. | 0:25:43 | 0:25:46 | |
Sometimes groups do too much choreography | 0:25:46 | 0:25:48 | |
and it affects the vocals, | 0:25:48 | 0:25:49 | |
but I think you guys were smart about your choreographic choices. | 0:25:49 | 0:25:53 | |
I think you prioritised the vocals, which was great. | 0:25:53 | 0:25:55 | |
I'm going to agree with David, I just wanted a bit more. | 0:25:55 | 0:25:58 | |
I think your maximum would be my 60%, you know what I mean? | 0:25:58 | 0:26:03 | |
You need to go bit more, just so we can really, really, | 0:26:03 | 0:26:05 | |
really feel what you're saying. | 0:26:05 | 0:26:07 | |
Because it looks nice, but we need to feel it. | 0:26:07 | 0:26:10 | |
APPLAUSE | 0:26:10 | 0:26:13 | |
-John, vocally, were they good enough? -You girls are like a girl band. | 0:26:13 | 0:26:17 | |
You sound lovely, and I think what these guys are saying is true. | 0:26:17 | 0:26:20 | |
You need to start believing in yourselves even more, | 0:26:20 | 0:26:23 | |
and then you're going to get that 100% maximum performance. | 0:26:23 | 0:26:25 | |
APPLAUSE | 0:26:25 | 0:26:27 | |
Finally, Carrie, do you see The Sweets as a finalist? | 0:26:27 | 0:26:31 | |
Absolutely, I really enjoyed that performance. | 0:26:31 | 0:26:34 | |
I loved you... Your first soloist, beautiful, beautiful voice, | 0:26:34 | 0:26:37 | |
sweetheart. Lovely. | 0:26:37 | 0:26:39 | |
And I loved the fact that you listened to what we said. | 0:26:39 | 0:26:42 | |
So few people actually go away and think, "What do they mean by that?" | 0:26:42 | 0:26:45 | |
You've really worked that out, listened to what we said, | 0:26:45 | 0:26:48 | |
and come back and delivered exactly what we asked for. | 0:26:48 | 0:26:50 | |
ALL: Thank you. | 0:26:50 | 0:26:52 | |
Well done, girls, and thank you very much, judges. | 0:26:52 | 0:26:55 | |
-Give it up for The Sweets. -Well done, guys. | 0:26:55 | 0:26:57 | |
APPLAUSE AND CHEERING | 0:26:57 | 0:27:00 | |
That was totes amaze. | 0:27:02 | 0:27:04 | |
-How does it feel to be back on the Glee Club stage? -Amazing. | 0:27:04 | 0:27:08 | |
-It's better than last time. -Why? | 0:27:08 | 0:27:10 | |
I don't know, it seems bigger and the audience is more in with it. | 0:27:10 | 0:27:15 | |
It's more "grrrr" this time around! | 0:27:15 | 0:27:17 | |
Now, John said you were a bit like a girl band. | 0:27:17 | 0:27:20 | |
-Do you have any girl band heroes? -Destiny's Child. | 0:27:20 | 0:27:23 | |
I love Beyonce because she's got an amazing voice, | 0:27:23 | 0:27:26 | |
and we've got Girls Aloud lovers. | 0:27:26 | 0:27:30 | |
Cheryl Cole. She's my star. | 0:27:30 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
She's amazeballs. | 0:27:34 | 0:27:35 | |
And these two love One Direction. Yeah, so a lot of bands. | 0:27:35 | 0:27:38 | |
And how about you? Carrie giving you some really high praise there, | 0:27:38 | 0:27:41 | |
-that's got to feel good, right? -Yeah, so good. Thank you. | 0:27:41 | 0:27:44 | |
Aw. Well, I think they did so well, | 0:27:44 | 0:27:47 | |
let's give them all a great big cheer. It's The Sweets! | 0:27:47 | 0:27:50 | |
APPLAUSE AND CHEERING | 0:27:50 | 0:27:51 | |
I love their accent. "Beyonce, I love Beyonce, I watch her on DVD." | 0:27:53 | 0:27:57 | |
-What?! -Sorry. -That's terrible! -Thank you very much, Naomi. | 0:27:57 | 0:28:00 | |
Our next act is hoping to leave an impression on the judges. | 0:28:00 | 0:28:04 | |
Let's take a look at Impact's journey to the heats. | 0:28:04 | 0:28:07 | |
# Mistreated, misplaced, misunderstood... # | 0:28:07 | 0:28:12 | |
Impact made a pretty big impression on the judges in making it | 0:28:12 | 0:28:16 | |
-through to today's show. -I'm really blown away by your solos. Amazing. | 0:28:16 | 0:28:20 | |
Ensemble wise, it's pitchy. | 0:28:20 | 0:28:24 | |
So, what have they done to improve on their performance as a group, | 0:28:24 | 0:28:27 | |
and have Carrie's words of advice stuck with them | 0:28:27 | 0:28:30 | |
as they get ready to take the stage once again? | 0:28:30 | 0:28:32 | |
What did she say to you last time? | 0:28:32 | 0:28:34 | |
-Can you remember? -She said "wow", I remember her saying wow. | 0:28:34 | 0:28:38 | |
Is that all you remember? You blocked the rest out. | 0:28:38 | 0:28:41 | |
Oh, yeah, no, she did. She said work on your harmonies. | 0:28:41 | 0:28:44 | |
Which we've really tried to do this time. | 0:28:44 | 0:28:46 | |
They said dissect it, note by note, word by word, go through it, | 0:28:46 | 0:28:49 | |
and hopefully they'll see that we've really done that this time. | 0:28:49 | 0:28:52 | |
We're definitely looking forward to performing in the studio. | 0:28:52 | 0:28:56 | |
We're really keen to show the judges how we've progressed as well. | 0:28:56 | 0:28:59 | |
We want to show them that we've taken the comments on board | 0:28:59 | 0:29:02 | |
and grown as a group, improved, yeah. | 0:29:02 | 0:29:04 | |
It's really good fun being here. | 0:29:04 | 0:29:06 | |
Our strength is to act it, | 0:29:06 | 0:29:08 | |
-I think we just need to put a little bit more acting into it. -Emotion. | 0:29:08 | 0:29:11 | |
-Yeah, emotion. -Yep, play to your strengths. Always good. -Exactly. | 0:29:11 | 0:29:14 | |
We are so excited. | 0:29:14 | 0:29:16 | |
I think the show itself is so great because it does | 0:29:16 | 0:29:19 | |
so much work for Comic Relief and everything, which is... | 0:29:19 | 0:29:22 | |
It's nice to be a part of it. | 0:29:22 | 0:29:23 | |
Yeah, it's really nice to be a part of it, | 0:29:23 | 0:29:25 | |
-And we're really excited to kind of get going and make an -impact. | 0:29:25 | 0:29:30 | |
-Yes! -Boom-tsp! | 0:29:30 | 0:29:31 | |
Singing and dancing for a place in the live finals with Stand By Me | 0:29:34 | 0:29:38 | |
by Ben E King - tune - it's Impact! | 0:29:38 | 0:29:40 | |
# When the night has come | 0:29:48 | 0:29:52 | |
# And the land is dark | 0:29:53 | 0:29:56 | |
# And the moon | 0:29:56 | 0:29:58 | |
# Is the only light we'll see | 0:29:58 | 0:30:02 | |
# De-de-dum | 0:30:02 | 0:30:04 | |
# No, I won't be afraid | 0:30:04 | 0:30:08 | |
# Oh, I won't be afraid | 0:30:08 | 0:30:12 | |
# Just as long as you stand | 0:30:12 | 0:30:16 | |
# Stand by me | 0:30:16 | 0:30:19 | |
# But darling, darling | 0:30:19 | 0:30:21 | |
# Stand by me | 0:30:21 | 0:30:23 | |
# Oh, stand by me | 0:30:23 | 0:30:27 | |
# Stand by me | 0:30:30 | 0:30:31 | |
# Stand by me | 0:30:31 | 0:30:33 | |
# Stand by me | 0:30:33 | 0:30:36 | |
# If the sky that we look upon | 0:30:36 | 0:30:41 | |
# Should crumble and fall | 0:30:41 | 0:30:44 | |
# And the mountains | 0:30:44 | 0:30:47 | |
# Should crumble into the sea | 0:30:47 | 0:30:50 | |
# Ba-ba-dum | 0:30:50 | 0:30:52 | |
# I won't cry | 0:30:52 | 0:30:54 | |
# I won't cry | 0:30:54 | 0:30:57 | |
# No, I won't shed a tear | 0:30:57 | 0:31:00 | |
# Just as long | 0:31:00 | 0:31:02 | |
# As you stand | 0:31:02 | 0:31:03 | |
# As you stand | 0:31:03 | 0:31:05 | |
# Stand by me. # | 0:31:05 | 0:31:13 | |
CHEERING AND APPLAUSE | 0:31:13 | 0:31:16 | |
Well done, guys. Fantastic. OK. Let's see what the judges thought. Sisco. | 0:31:19 | 0:31:22 | |
That's one of my favourite songs. I love that song. | 0:31:22 | 0:31:25 | |
And I think the layering that you guys chose to do was amazing. | 0:31:25 | 0:31:29 | |
It was really complex, I thought, but so easy to listen to and digest. | 0:31:29 | 0:31:34 | |
My only critique... | 0:31:34 | 0:31:35 | |
I would have liked to have heard the first soloist | 0:31:35 | 0:31:38 | |
cos I think your voice really suited the surroundings | 0:31:38 | 0:31:41 | |
that you were accompanied with vocally. | 0:31:41 | 0:31:43 | |
But honestly, guys, that was so much better. Well done. | 0:31:43 | 0:31:46 | |
APPLAUSE | 0:31:46 | 0:31:49 | |
Carrie, did they show enough technical ability in their singing? | 0:31:49 | 0:31:53 | |
They certainly showed technical ability | 0:31:53 | 0:31:55 | |
in their choice of arrangement. That was complex, | 0:31:55 | 0:31:58 | |
blended brilliantly. I loved it. | 0:31:58 | 0:32:00 | |
I feel like I've watched Barbershop, but with a backing track. | 0:32:00 | 0:32:03 | |
Fantastic. Really good. | 0:32:03 | 0:32:05 | |
-David, did it all come together for you? -Yeah, it all came together. | 0:32:06 | 0:32:09 | |
This kind of stuff is hard to do. This kind of doo-wop | 0:32:09 | 0:32:12 | |
where everybody has their harmonies and then they switch harmonies | 0:32:12 | 0:32:15 | |
and move off onto other things rhythmically. They did it perfectly. | 0:32:15 | 0:32:18 | |
You didn't leave anything in the rehearsal room. | 0:32:18 | 0:32:20 | |
You brought it all to the stage and did it really well. | 0:32:20 | 0:32:23 | |
-John, what did you like about that performance? -So much. | 0:32:26 | 0:32:29 | |
They've practically said it all anyway. | 0:32:29 | 0:32:31 | |
But the reality is the arrangement was fantastic. | 0:32:31 | 0:32:33 | |
-The performance was great. Your soloing... What's your name? -Will. | 0:32:33 | 0:32:37 | |
Will. Fantastic voice. You've got a voice like a saxophone. | 0:32:37 | 0:32:42 | |
It's so smooth and pure. And your name? Were you doing the base part? | 0:32:42 | 0:32:46 | |
-Yeah. -Ah, brilliant. What an awesome sound. | 0:32:46 | 0:32:49 | |
I could listen to that all day. Fantastic, guys. Thanks very much. | 0:32:49 | 0:32:53 | |
Nice one. | 0:32:53 | 0:32:55 | |
-That's not bad, is it? That's all right. -Give it up for Impact! | 0:32:55 | 0:32:58 | |
CHEERING AND APPLAUSE | 0:32:58 | 0:33:01 | |
Walk over to join me, Impact. | 0:33:01 | 0:33:05 | |
So, you hit the blending nail on the head this time. | 0:33:05 | 0:33:09 | |
That was a bit of an improvement from round one. | 0:33:09 | 0:33:11 | |
-You've got to be happy with those comments? -So happy. We were... | 0:33:11 | 0:33:14 | |
We were really hoping to show the judges that we can blend | 0:33:14 | 0:33:17 | |
and we can do these things they're asking for. We're so glad we did. | 0:33:17 | 0:33:20 | |
Yay! David mentioned you didn't leave anything | 0:33:20 | 0:33:22 | |
in the rehearsal room. You definitely didn't? | 0:33:22 | 0:33:24 | |
No. We've rehearsed, rehearsed, until it was absolutely perfect. | 0:33:24 | 0:33:27 | |
We didn't want to let anyone down, including you. | 0:33:27 | 0:33:29 | |
I'm pleased to hear that because I'm always leaving | 0:33:29 | 0:33:32 | |
my leg warmers behind. And also they mentioned how the boys | 0:33:32 | 0:33:36 | |
brought something to the performance. Yay! Go the boys! | 0:33:36 | 0:33:39 | |
-Are you happy with that? -Yeah, so happy. Representing the boys | 0:33:39 | 0:33:42 | |
and the saxophones... We were very pleased. Very pleased. | 0:33:42 | 0:33:46 | |
-Has your voice ever been compared to a saxophone before? -That is a first. | 0:33:46 | 0:33:50 | |
That is a first. But I'm going to take it. I'm happy with that. | 0:33:50 | 0:33:53 | |
Smooth voice. We love it. I thought you did fantastically well. | 0:33:53 | 0:33:56 | |
Let's hear it for Impact. | 0:33:56 | 0:33:58 | |
CHEERING AND APPLAUSE | 0:33:58 | 0:34:00 | |
-Yeah, boys! -Representing boys. Lads! Wa-hey! -All right. Calm down. -Sorry. | 0:34:00 | 0:34:05 | |
Thank you very much, Naomi. Now, our last act is M.A.D. | 0:34:05 | 0:34:08 | |
Well, they are not mad. Well, they are but... You know what I mean. | 0:34:08 | 0:34:12 | |
-Stop that. -Sorry. -It actually stands for Make A Difference, OK? | 0:34:12 | 0:34:15 | |
-Let's meet M.A.D. -Mad. | 0:34:15 | 0:34:18 | |
M.A.D's confidence was high after making it through | 0:34:21 | 0:34:24 | |
to the judges' auditions. But there was a problem. | 0:34:24 | 0:34:26 | |
Their secret singing weapon had a sore throat. | 0:34:26 | 0:34:29 | |
-Are you feeling all right? -I'm just going to push it really hard. | 0:34:29 | 0:34:34 | |
# Down in every kind of way... # | 0:34:34 | 0:34:37 | |
But there was no stopping the music and the group gave it their all. | 0:34:37 | 0:34:41 | |
# Take the shackles off my feet | 0:34:41 | 0:34:43 | |
# So I can dance | 0:34:43 | 0:34:45 | |
# So I can dance | 0:34:45 | 0:34:46 | |
# I just want to praise you | 0:34:46 | 0:34:47 | |
# I just wanna | 0:34:47 | 0:34:48 | |
# I just want to praise you | 0:34:48 | 0:34:49 | |
# I just want to praise you. # | 0:34:49 | 0:34:52 | |
-What's your name, young lady? -Aisha. | 0:34:52 | 0:34:55 | |
Aisha, you're like... You just reminded me of Mary J Blige, Aisha. | 0:34:55 | 0:35:00 | |
That is probably one of the hardest songs to cover and cover well. | 0:35:00 | 0:35:05 | |
-You guys absolutely nailed it. -Thank you. | 0:35:05 | 0:35:09 | |
# I'm going to praise you. # | 0:35:09 | 0:35:13 | |
Yeah! | 0:35:13 | 0:35:14 | |
Then it was time for rehearsal. | 0:35:14 | 0:35:17 | |
-You're going to be rehearsing in a minute. -Yeah. | 0:35:17 | 0:35:19 | |
-Are you looking forward to getting up on the stage? -Yeah. | 0:35:19 | 0:35:22 | |
We're nervous though. Very nervous. | 0:35:22 | 0:35:24 | |
-I'd definitely say we're really strong group. -We are like a family. | 0:35:27 | 0:35:31 | |
A lot of us have known each other | 0:35:31 | 0:35:32 | |
since the very beginning of secondary school. | 0:35:32 | 0:35:35 | |
When we get on stage, we instantly... | 0:35:35 | 0:35:37 | |
Something comes over us and we just get so excited. | 0:35:37 | 0:35:40 | |
The second we see an audience, everything changes. | 0:35:40 | 0:35:42 | |
It just switches. Our attitude... From silly, we're just serious. | 0:35:42 | 0:35:45 | |
-It's like, this is what we have to do now. -And now Glasgow awaits. | 0:35:45 | 0:35:49 | |
They're our last act to perform for the judges. | 0:35:52 | 0:35:54 | |
Let's hope they can add some valuable points to their score. | 0:35:54 | 0:35:57 | |
Singing and dancing for a place in the live finals, | 0:35:57 | 0:35:59 | |
with I Knew You Were Trouble by Taylor Swift, it's M.A.D. | 0:35:59 | 0:36:03 | |
APPLAUSE | 0:36:03 | 0:36:05 | |
# Once upon a time | 0:36:09 | 0:36:10 | |
# A few mistakes ago | 0:36:10 | 0:36:12 | |
# I was in your sights | 0:36:12 | 0:36:13 | |
# You got me alone | 0:36:13 | 0:36:15 | |
# You found me | 0:36:15 | 0:36:16 | |
# You found me | 0:36:16 | 0:36:18 | |
# You found me | 0:36:18 | 0:36:19 | |
# E-e-e-e | 0:36:19 | 0:36:21 | |
# I guess you didn't care | 0:36:21 | 0:36:22 | |
# And I guess I liked that | 0:36:22 | 0:36:24 | |
# But when I fell hard | 0:36:24 | 0:36:25 | |
# You took a step back | 0:36:25 | 0:36:27 | |
# Without me | 0:36:27 | 0:36:29 | |
# Without me | 0:36:29 | 0:36:30 | |
# Without me | 0:36:30 | 0:36:32 | |
# E-e-e-e | 0:36:32 | 0:36:34 | |
# And he's long gone | 0:36:34 | 0:36:37 | |
# When he's next to me | 0:36:37 | 0:36:41 | |
# And I realise | 0:36:41 | 0:36:43 | |
# The blame is on me | 0:36:43 | 0:36:46 | |
# Cos I knew you were trouble | 0:36:46 | 0:36:48 | |
# When you walked in | 0:36:48 | 0:36:51 | |
# Shame on me now | 0:36:51 | 0:36:53 | |
# Flew me to places I'd never been | 0:36:53 | 0:36:56 | |
# Till you put me down | 0:36:56 | 0:36:58 | |
# Oh, I knew you were trouble | 0:36:58 | 0:37:01 | |
# When you walked in | 0:37:01 | 0:37:03 | |
# Shame on me now | 0:37:03 | 0:37:05 | |
# Flew me to places I'd never been | 0:37:05 | 0:37:09 | |
# Now I'm lying on The cold hard ground | 0:37:09 | 0:37:12 | |
# Oh | 0:37:12 | 0:37:13 | |
# Oh | 0:37:13 | 0:37:14 | |
# Trouble, trouble, trouble | 0:37:14 | 0:37:18 | |
# Oh | 0:37:18 | 0:37:19 | |
# Oh | 0:37:19 | 0:37:21 | |
# Trouble. # | 0:37:21 | 0:37:23 | |
Two. Three. Four. | 0:37:23 | 0:37:27 | |
# Dum-dum dum-dum | 0:37:27 | 0:37:28 | |
# Yeah | 0:37:28 | 0:37:29 | |
# Dum-dum dum-dum | 0:37:29 | 0:37:31 | |
# Trouble. # | 0:37:31 | 0:37:32 | |
CHEERING AND APPLAUSE | 0:37:32 | 0:37:34 | |
Well done, girls. Loved that at the end. Dum-dum-dum. Loved that. | 0:37:38 | 0:37:43 | |
Well done, guys. OK, John. | 0:37:43 | 0:37:45 | |
These guys impressed you in the first audition with their vocals. | 0:37:45 | 0:37:48 | |
-Are you still impressed? -Do you know what I liked? | 0:37:48 | 0:37:51 | |
I liked you girls, obviously, from the beginning. | 0:37:51 | 0:37:53 | |
Your sound is very, very unique. Your vocal blend fantastic. | 0:37:53 | 0:37:58 | |
I think today you didn't get the soloists right. | 0:37:58 | 0:38:01 | |
I think there's some weaknesses that were a bit exposed | 0:38:01 | 0:38:04 | |
and I think that's the only area that might have let you down today. | 0:38:04 | 0:38:08 | |
OK. Carrie, what did you make of that performance? | 0:38:08 | 0:38:10 | |
I'm slightly confused, I have to say, | 0:38:10 | 0:38:12 | |
because in our audition show, you did Shackles. | 0:38:12 | 0:38:15 | |
I was like, "OK, I get this group. I get what they're about." | 0:38:15 | 0:38:18 | |
You've then done the first number today, a One Direction song. | 0:38:18 | 0:38:22 | |
You've made it R&B. Now we've got Taylor Swift. That's great. | 0:38:22 | 0:38:25 | |
Make it the same kind of sound. | 0:38:25 | 0:38:27 | |
Suddenly we get a totally different sound. Blending not as good. | 0:38:27 | 0:38:30 | |
Soloists not as strong. | 0:38:30 | 0:38:32 | |
I feel a little bit like, "Oh, come on, guys." | 0:38:32 | 0:38:35 | |
You're so good. You're so good. | 0:38:35 | 0:38:38 | |
In the audition rounds, I'm like, "Oh, my goodness. | 0:38:38 | 0:38:40 | |
"They're surely going to be in the final." | 0:38:40 | 0:38:42 | |
Now I'm sitting here thinking, "Oh. Will they?" | 0:38:42 | 0:38:46 | |
Right. Well, after Carrie's said that, David, do you think | 0:38:46 | 0:38:49 | |
-they have done enough to make the final? -What I do know is this. | 0:38:49 | 0:38:52 | |
They have the potential to be awesome. | 0:38:52 | 0:38:55 | |
There were moments in that when they were singing together | 0:38:55 | 0:38:58 | |
and their blend is fatter than fat and it's really identifiable. | 0:38:58 | 0:39:03 | |
I felt like they didn't play fully to their strengths. | 0:39:03 | 0:39:07 | |
This is a group that actually... They have something extra. | 0:39:07 | 0:39:11 | |
They have something special. | 0:39:11 | 0:39:13 | |
But I don't necessarily think they brought everything | 0:39:13 | 0:39:16 | |
they had to the party this time. | 0:39:16 | 0:39:17 | |
OK. Sisco... | 0:39:17 | 0:39:19 | |
-Would it be mad... See what I did there, girls? -Excellent. | 0:39:20 | 0:39:23 | |
..if these girls didn't get through to the final? | 0:39:23 | 0:39:26 | |
I think the judges are correct in what they said. | 0:39:26 | 0:39:28 | |
I think they're being a little harsh. | 0:39:28 | 0:39:30 | |
I think you guys took a risk which I'm down for. | 0:39:30 | 0:39:32 | |
The most important thing is that you work with your strengths | 0:39:32 | 0:39:35 | |
and that starts with the soloists. | 0:39:35 | 0:39:37 | |
Always stick to your style and add a spin to it. | 0:39:37 | 0:39:39 | |
Don't go completely out of your comfort zone | 0:39:39 | 0:39:41 | |
because then the result might not be as good as it can be. | 0:39:41 | 0:39:45 | |
The routine was a little adventurous. | 0:39:45 | 0:39:48 | |
It was a little too dynamic. But, you know what, guys? | 0:39:48 | 0:39:50 | |
I think they've been a little harsh on you. It was pretty good. | 0:39:50 | 0:39:53 | |
All right. Give it up for M.A.D. | 0:39:54 | 0:39:56 | |
CHEERING AND APPLAUSE Well done, guys. Off you go. | 0:39:56 | 0:40:00 | |
M.A.D. Come over here, girls. | 0:40:00 | 0:40:03 | |
I think you are fierce. | 0:40:03 | 0:40:06 | |
I think you are amazing. | 0:40:06 | 0:40:08 | |
The judges, you know, Sisco didn't agree with them. | 0:40:08 | 0:40:11 | |
He thought they were a bit harsh. I thought they were a bit harsh. | 0:40:11 | 0:40:13 | |
-What did you think? Did you enjoy it up there? -Yeah, we had a great time. | 0:40:13 | 0:40:16 | |
We love being on stage and we just love doing what we do. | 0:40:16 | 0:40:21 | |
As you should cos I think you girls rock. | 0:40:21 | 0:40:23 | |
Tell me about these red bands you're all wearing round your arms. | 0:40:23 | 0:40:26 | |
Basically, we're all wearing something really different | 0:40:26 | 0:40:29 | |
so we decided that we'd have something that unites us | 0:40:29 | 0:40:31 | |
as a family. so we decided these and Red is the album name | 0:40:31 | 0:40:36 | |
for Taylor Swift's album so we thought red. | 0:40:36 | 0:40:39 | |
Works perfectly. I love your individual style. | 0:40:39 | 0:40:41 | |
You rocked the room. Let's hear it for M.A.D. | 0:40:41 | 0:40:44 | |
CHEERING AND APPLAUSE | 0:40:44 | 0:40:47 | |
It's going to be a close one. I can feel it in my bones. | 0:40:47 | 0:40:50 | |
Thank you very much, Naomi. So, there you have it. | 0:40:50 | 0:40:52 | |
All three acts have now performed and can do no more. | 0:40:52 | 0:40:54 | |
Whilst we check and verify the final scores | 0:40:54 | 0:40:57 | |
and you wait to find out if your favourite has won, | 0:40:57 | 0:40:59 | |
here's a quick reminder of those show-stopping performances. | 0:40:59 | 0:41:03 | |
# I'm at a payphone | 0:41:03 | 0:41:05 | |
# Trying to call home | 0:41:05 | 0:41:07 | |
# All of my change I spent on you | 0:41:07 | 0:41:11 | |
# Where have the times gone? | 0:41:11 | 0:41:14 | |
# Baby, it's all wrong | 0:41:14 | 0:41:15 | |
# Where are the plans | 0:41:15 | 0:41:17 | |
# We made for two? | 0:41:17 | 0:41:20 | |
# If the sky that we look upon | 0:41:20 | 0:41:25 | |
# Should crumble and fall | 0:41:25 | 0:41:28 | |
# And the mountains | 0:41:28 | 0:41:30 | |
# Should crumble into the sea | 0:41:30 | 0:41:34 | |
# Now I'm lying On the cold hard ground | 0:41:34 | 0:41:37 | |
# Oh | 0:41:37 | 0:41:39 | |
# Oh | 0:41:39 | 0:41:40 | |
# Trouble, trouble, trouble | 0:41:40 | 0:41:43 | |
# Oh | 0:41:43 | 0:41:45 | |
# Oh | 0:41:45 | 0:41:47 | |
# Trouble. # | 0:41:47 | 0:41:48 | |
-Welcome back our three acts... -The Sweets... | 0:41:57 | 0:42:02 | |
CHEERING AND APPLAUSE | 0:42:02 | 0:42:04 | |
..Impact... | 0:42:04 | 0:42:06 | |
and M.A.D. | 0:42:06 | 0:42:08 | |
CHEERING AND APPLAUSE | 0:42:08 | 0:42:10 | |
OK. Judges, you've seen them all perform and have awarded points | 0:42:10 | 0:42:13 | |
for vocal ability, creativity and performance across two rounds. | 0:42:13 | 0:42:17 | |
Carrie, before we reveal the winner, | 0:42:17 | 0:42:19 | |
-how impressed where you with today's show? -Really impressed. | 0:42:19 | 0:42:22 | |
We've been doing lots of deliberating here. | 0:42:22 | 0:42:24 | |
Really diverse groups all bringing something very, very different. | 0:42:24 | 0:42:29 | |
-Thank you. -Thank you very much, Carrie. | 0:42:29 | 0:42:31 | |
The scores have been checked and verified and we now have the results. | 0:42:31 | 0:42:35 | |
I can reveal that the winner of today's heat is... | 0:42:38 | 0:42:42 | |
..with a total score of 183, | 0:42:56 | 0:42:58 | |
it's M.A.D. | 0:42:58 | 0:43:00 | |
CHEERING AND APPLAUSE | 0:43:00 | 0:43:03 | |
Well done, guys. | 0:43:03 | 0:43:04 | |
Please, ladies and gentlemen, give a massive round of applause | 0:43:04 | 0:43:07 | |
to our runners-up, The Sweets and Impact. Well done, guys. | 0:43:07 | 0:43:13 | |
-Wow, what a show. -Great show. -Fantastic show. | 0:43:13 | 0:43:17 | |
Thank you once again to our lovely judges, Carrie, David, | 0:43:17 | 0:43:19 | |
-John and Sisco. -Thank you very much, guys, as always. | 0:43:19 | 0:43:23 | |
How could we forget the beautiful Naomi Wilkinson, everybody? | 0:43:23 | 0:43:28 | |
-She's got the medals. -Shall I? -Do it. Please, do it. -Fantastic. | 0:43:28 | 0:43:31 | |
Join us next time when more glee clubs will battle it out | 0:43:31 | 0:43:34 | |
for the chance to be crowned | 0:43:34 | 0:43:35 | |
the winners of Comic Relief Does Glee Club 2013. | 0:43:35 | 0:43:38 | |
-See you then. -See you then. | 0:43:38 | 0:43:40 | |
Today's heat winners M.A.D. score high with 183 points. | 0:43:43 | 0:43:47 | |
But Raveheart still hang on to the top spot. | 0:43:47 | 0:43:50 | |
If you want a reminder of the performances, | 0:43:50 | 0:43:52 | |
go to the CBBC website and click on the link for the current top five. | 0:43:52 | 0:43:56 | |
Join us next time for the last of the studio heats. | 0:43:56 | 0:43:59 | |
With only three groups left, | 0:43:59 | 0:44:01 | |
will only score high enough to secure a place in the semi-final? | 0:44:01 | 0:44:05 | |
Subtitles by Red Bee Media Ltd | 0:44:05 | 0:44:07 |