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Welcome to Glee Club and the final studio heat. | 0:00:02 | 0:00:05 | |
Last time, M.A.D stormed straight onto the leaderboard | 0:00:05 | 0:00:08 | |
in second place. | 0:00:08 | 0:00:09 | |
# Oh-oh | 0:00:09 | 0:00:11 | |
# Trouble. # | 0:00:11 | 0:00:13 | |
Today, it's the last chance for our three remaining groups | 0:00:13 | 0:00:16 | |
to make it into the top five and book a place in the semifinal. | 0:00:16 | 0:00:20 | |
This is Comic Relief Does Glee Club 2013. | 0:00:22 | 0:00:26 | |
And here are your hosts, Sam and Mark. | 0:00:47 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:53 | |
-Hello. -Hello and welcome to Comic Relief Does Glee Club | 0:00:56 | 0:00:59 | |
and our quest to find Britain's top young performers | 0:00:59 | 0:01:02 | |
and it's all to support Red Nose Day. | 0:01:02 | 0:01:04 | |
Yes. Three acts will battle it out to take one of the top five positions | 0:01:04 | 0:01:07 | |
on the Glee Club leaderboard and a place in the live finals. | 0:01:07 | 0:01:10 | |
It's going to take nerves of steel, dedication | 0:01:10 | 0:01:12 | |
and lots and lots of Lycra. | 0:01:12 | 0:01:14 | |
And someone who knows a thing or two about Lycra | 0:01:14 | 0:01:17 | |
is our backstage presenter. You know her as Naomi Wilkinson. | 0:01:17 | 0:01:20 | |
We know her...as Naomi Wilkinson! | 0:01:20 | 0:01:23 | |
CHEERING AND APPLAUSE | 0:01:23 | 0:01:26 | |
-So lovely. So lovely. -Where's your Lycra? | 0:01:29 | 0:01:32 | |
-I wear my Lycra under my suit. -Underneath. -Always. You know that. | 0:01:32 | 0:01:36 | |
-It's lovely to have you here as always. -It's lovely to be here. | 0:01:36 | 0:01:39 | |
Now, Naomi, she's a master of many things. | 0:01:39 | 0:01:41 | |
I mean, you're an actress, you're a dancer, you're a presenter, | 0:01:41 | 0:01:45 | |
you're an adventurer-er-er. | 0:01:45 | 0:01:47 | |
But, viewers at home, you may not know this, | 0:01:47 | 0:01:50 | |
Naomi is also a master of this. | 0:01:50 | 0:01:52 | |
-I see you've been doing your research. -Oh, yeah. | 0:01:52 | 0:01:55 | |
-We've got a challenge for you. -Oh, yeah? | 0:01:55 | 0:01:57 | |
You need to complete this twisty puzzle | 0:01:57 | 0:01:58 | |
before the end of today's show. Are you up for that? | 0:01:58 | 0:02:00 | |
Yep, I'm up for that. | 0:02:00 | 0:02:02 | |
Well, before I give it to you, I'm going to make it harder. Ahh-ha! | 0:02:02 | 0:02:05 | |
-There you go. -Thank you. -Backstage. See you later. Bye. -Bye. | 0:02:05 | 0:02:08 | |
CHEERING AND APPLAUSE | 0:02:08 | 0:02:09 | |
-She's ever going to do that. -Never. | 0:02:09 | 0:02:12 | |
OK. Now, we've got our acts, we've got our audience, | 0:02:12 | 0:02:15 | |
we've got two good-looking presenters...and Sam. | 0:02:15 | 0:02:17 | |
But there's one thing missing. | 0:02:17 | 0:02:19 | |
Technically, it should be four things missing. It's our judges. | 0:02:19 | 0:02:23 | |
CHEERING AND APPLAUSE | 0:02:23 | 0:02:25 | |
Judges, always lovely to see you. Carrie, you are looking fabulous. | 0:02:37 | 0:02:41 | |
-It's mutual, guys. It's mutual. -Awww. Thanks. That's nice. | 0:02:41 | 0:02:43 | |
Lads, looking great. Especially you, John. | 0:02:43 | 0:02:46 | |
I mean, there's a whiff of "Hanson-ness" about you today. | 0:02:46 | 0:02:48 | |
-Why, thank you. -Or handsomeness as well, as I'd like to say. | 0:02:48 | 0:02:51 | |
-OK, Carrie. Are you ready to be dazzled today? -Oh, yes. | 0:02:51 | 0:02:54 | |
-Beyond dazzled. -Brilliant. | 0:02:54 | 0:02:56 | |
OK then, judges. If you'd like to make your way over to your seats. | 0:02:56 | 0:02:59 | |
While they're doing that, let's find out a bit more | 0:02:59 | 0:03:01 | |
-about our expert panel. -Boys, boys, boys. | 0:03:01 | 0:03:04 | |
-You're joking?! -She's done it! -Yeah! | 0:03:04 | 0:03:06 | |
-No big deal. -That's amazing. | 0:03:06 | 0:03:08 | |
We need a bigger cube. | 0:03:10 | 0:03:13 | |
They are THE top coaches in the industry. | 0:03:14 | 0:03:17 | |
Today let's find out more | 0:03:17 | 0:03:18 | |
about dancer and choreographer Sisco Gomez. | 0:03:18 | 0:03:21 | |
'I don't like to sugar-coat anything. | 0:03:23 | 0:03:26 | |
'I guess I'm the meanie. | 0:03:31 | 0:03:33 | |
'I don't mean to be mad or bad | 0:03:33 | 0:03:35 | |
'but I just like to give it how it is | 0:03:35 | 0:03:38 | |
'because I want to give them a little insight | 0:03:38 | 0:03:40 | |
'into what life really is.' | 0:03:40 | 0:03:42 | |
Now for the important bit. 15 groups have made it through to the heats. | 0:03:50 | 0:03:54 | |
Today three of those acts will battle it out for our experts | 0:03:54 | 0:03:57 | |
who will be scoring them on vocal ability, creativity and performance. | 0:03:57 | 0:04:01 | |
All four judges will be giving marks out of ten | 0:04:01 | 0:04:03 | |
for each of the disciplines so there are plenty of points to be won. | 0:04:03 | 0:04:07 | |
And in the unlikely event of a tie, | 0:04:07 | 0:04:08 | |
head judge Carrie will decide who gets the medals. | 0:04:08 | 0:04:11 | |
The acts with the top five scores across the heats will then compete | 0:04:11 | 0:04:14 | |
in the live finals where it'll be up to you at home | 0:04:14 | 0:04:16 | |
-to vote for your favourite. -The winners will take home | 0:04:16 | 0:04:19 | |
this fantastic money-can't-buy | 0:04:19 | 0:04:21 | |
Comic Relief Does Glee Club 2013 trophy! | 0:04:21 | 0:04:24 | |
CHEERING AND APPLAUSE | 0:04:24 | 0:04:26 | |
-Every year, that trophy gets better and better. -Yeah. -Right. | 0:04:28 | 0:04:30 | |
-Shall we go backstage and find out how the groups are feeling? -Let's. | 0:04:30 | 0:04:33 | |
Naomi, over to you, you puzzle masterer. | 0:04:33 | 0:04:36 | |
Yes, thank you very much, boys. | 0:04:36 | 0:04:38 | |
I am in the backstage area with Resonate, | 0:04:38 | 0:04:40 | |
Bittersweet and The Allsorts. We're going to talk to Resonate first. | 0:04:40 | 0:04:43 | |
Hello, Harriet. Am I right in thinking you guys | 0:04:43 | 0:04:45 | |
are all responsible for your own outfits? | 0:04:45 | 0:04:47 | |
Yeah, we all pitch in our own ideas | 0:04:47 | 0:04:49 | |
and then we decide on the best one in the end. | 0:04:49 | 0:04:51 | |
And you sort of based it on your performance, have you? | 0:04:51 | 0:04:53 | |
Talk me through this outfit. | 0:04:53 | 0:04:55 | |
Well, we've been described before as angelic | 0:04:55 | 0:04:57 | |
so we thought we'd put our look into that as well. | 0:04:57 | 0:05:00 | |
It's simple and it brings more attention to our voices. | 0:05:00 | 0:05:04 | |
Well, I think you're pulling off the angelic look beautifully. | 0:05:04 | 0:05:07 | |
Good luck today. Over here to Bittersweet. | 0:05:07 | 0:05:09 | |
I remember you guys last time. | 0:05:09 | 0:05:11 | |
You had those magazines with your faces on the front, didn't you? | 0:05:11 | 0:05:14 | |
You've got something in your hand. | 0:05:14 | 0:05:16 | |
Actually, we made you a magazine with your face on it. | 0:05:16 | 0:05:18 | |
I was kind of hoping you might do that. That's amazing! | 0:05:18 | 0:05:21 | |
Shall I hold it up like that? Is that better? | 0:05:21 | 0:05:24 | |
I'll just present like that. You are the only group from Glasgow. | 0:05:24 | 0:05:27 | |
-Does that feel a bit of pressure? -Just a bit. -A little bit. | 0:05:27 | 0:05:31 | |
A little bit. Have you made any changes to your style | 0:05:31 | 0:05:34 | |
based on what the judges said to you last time? | 0:05:34 | 0:05:36 | |
Well, before we got really positive comments | 0:05:36 | 0:05:39 | |
so we just decided to keep up the energy and just go with the flow. | 0:05:39 | 0:05:44 | |
If it ain't broke, don't fix it. | 0:05:44 | 0:05:46 | |
And over here to the Allsorts who are so bright today. | 0:05:46 | 0:05:49 | |
You're dazzling. I should have bought my sunglasses for you lot. | 0:05:49 | 0:05:52 | |
You're quite newly-formed, | 0:05:52 | 0:05:53 | |
especially for Comic Relief Does Glee Club, | 0:05:53 | 0:05:55 | |
but I understand you've already got some unusual nicknames amongst you. | 0:05:55 | 0:05:59 | |
Is that right? Who's Baby? Who's Granny? | 0:05:59 | 0:06:01 | |
-You're...? -Baby. -And who's Granny? -I'm Granny. | 0:06:01 | 0:06:04 | |
Does that mean you've got your pension sorted already? | 0:06:04 | 0:06:07 | |
-Oh, yeah(!) -Why those names? | 0:06:07 | 0:06:09 | |
I'm called Granny because I'm the oldest of the group and I sort of | 0:06:09 | 0:06:13 | |
look after the group and then Phoebe is the Baby because she's only ten. | 0:06:13 | 0:06:17 | |
-Awwww. How are you feeling today? -Excited. | 0:06:17 | 0:06:20 | |
I can't wait to see your performance. | 0:06:20 | 0:06:22 | |
We're going to have such a good time. | 0:06:22 | 0:06:25 | |
Our groups all arrived in Glasgow yesterday, | 0:06:25 | 0:06:27 | |
ready for the studio heats. So let's have a little look | 0:06:27 | 0:06:29 | |
and see how they got on when they met for the first time. | 0:06:29 | 0:06:32 | |
For Resonate... | 0:06:34 | 0:06:36 | |
Allsorts... | 0:06:36 | 0:06:37 | |
and Bittersweet, things may be about to heat up | 0:06:37 | 0:06:41 | |
when they take to the stage. | 0:06:41 | 0:06:43 | |
But the three glee clubs were dressed for a much colder climate | 0:06:43 | 0:06:46 | |
when they got together for the first time in Glasgow. | 0:06:46 | 0:06:50 | |
ALL: We're Allsorts and we're from Milton Keynes. Whoop whoop! | 0:06:50 | 0:06:54 | |
-ALL: -We're Resonate and we're from the Isle of Wight. Whoo! | 0:06:54 | 0:06:58 | |
-ALL: -We're bittersweet and we're from Glasgow. | 0:06:58 | 0:07:01 | |
Introductions over, | 0:07:01 | 0:07:03 | |
it was time to hit the slopes for some sledging fun. | 0:07:03 | 0:07:06 | |
THEY LAUGH AND CHATTER | 0:07:06 | 0:07:09 | |
THEY SCREAM AND LAUGH | 0:07:09 | 0:07:11 | |
-Really enjoying meeting everyone. -We're from Milton Keynes | 0:07:11 | 0:07:13 | |
but you probably don't know where that is. | 0:07:13 | 0:07:15 | |
-Where are you guys from? -Glasgow. -Where's that? -Here. | 0:07:15 | 0:07:19 | |
That was good. That was good. | 0:07:19 | 0:07:21 | |
-Are you guys excited for tomorrow? -Yes. Excited but nervous. | 0:07:24 | 0:07:28 | |
Can't wait for the hair and make-up. It's going to be so cool. | 0:07:28 | 0:07:31 | |
Once you actually perform with what you've been rehearsing for ages, | 0:07:31 | 0:07:35 | |
all the weight that's unloaded is so amazing | 0:07:35 | 0:07:38 | |
-cos you know you've done it. -Then you want to do it again. -You do. | 0:07:38 | 0:07:40 | |
Now I'm excited for it but tomorrow I'll be really nervous. | 0:07:40 | 0:07:44 | |
Under the lights, you'll just be like, "Aargh!" | 0:07:44 | 0:07:47 | |
-The adrenaline will kick in and it'll be good. -Yeah. | 0:07:47 | 0:07:49 | |
-What sort of look are you going for? -Just bold colours, like block. | 0:07:49 | 0:07:54 | |
It was so nice meeting the other groups. They're all so nice. | 0:07:58 | 0:08:00 | |
They were teaching us how to speak with a... | 0:08:00 | 0:08:03 | |
-IN SCOTTISH ACCENTS: -..Glaswegian accent. -Scottish. | 0:08:03 | 0:08:06 | |
-That was quite good. -Glasgow. | 0:08:06 | 0:08:08 | |
I was nervous to talk to them at first | 0:08:09 | 0:08:11 | |
but they were really, really friendly, friendlier than I thought. | 0:08:11 | 0:08:14 | |
They seem really nice. They're just like us, really. | 0:08:14 | 0:08:18 | |
I think that we'll make a lot of good friends from this, actually. | 0:08:18 | 0:08:21 | |
I think we've met some lovely people | 0:08:21 | 0:08:23 | |
-and it just makes the experience more fun, doesn't it? -Yeah. -Yeah! | 0:08:23 | 0:08:27 | |
Have you rehearsed before you came here? | 0:08:27 | 0:08:29 | |
-Yeah, we had a rehearsal this morning. -Yeah, we had a room... | 0:08:29 | 0:08:32 | |
because we heard you. | 0:08:32 | 0:08:34 | |
THEY ALL LAUGH | 0:08:34 | 0:08:35 | |
Please welcome our glee clubs, Resonate... | 0:08:45 | 0:08:50 | |
Bittersweet... | 0:08:50 | 0:08:52 | |
and Allsorts. | 0:08:52 | 0:08:53 | |
Glee clubs, it is lovely to have you here. The best of luck to you all. | 0:08:53 | 0:08:57 | |
Let's find out more about your first challenge. | 0:08:57 | 0:09:00 | |
Round One, Singing Together. | 0:09:00 | 0:09:03 | |
All group members must sing at the same time with no featured vocals. | 0:09:03 | 0:09:07 | |
Today's first challenge song is Wings. | 0:09:11 | 0:09:14 | |
-What, Flying Without Wings by Westlife? -No. | 0:09:14 | 0:09:16 | |
You must mean Wind Beneath My Wings by Bette Midler. Ask your mums. | 0:09:16 | 0:09:19 | |
No, singing together for Round One and performing Wings by Little Mix... | 0:09:19 | 0:09:23 | |
Of course. It's Resonate, Bittersweet and Allsorts. | 0:09:23 | 0:09:26 | |
CHEERING AND APPLAUSE | 0:09:26 | 0:09:29 | |
# Mama told me not to waste my life | 0:09:32 | 0:09:36 | |
# She said spread your wings | 0:09:36 | 0:09:38 | |
# My little butterfly | 0:09:38 | 0:09:40 | |
# Don't let what they say | 0:09:40 | 0:09:42 | |
# Keep you up at night | 0:09:42 | 0:09:44 | |
# And if they give you shhhh | 0:09:44 | 0:09:46 | |
# Then they can walk on by | 0:09:46 | 0:09:49 | |
# My feet | 0:09:53 | 0:09:54 | |
# Feet can't touch the ground | 0:09:54 | 0:09:56 | |
# Cos I can't hear a sound | 0:09:56 | 0:09:58 | |
# But you just keep on running | 0:09:58 | 0:10:00 | |
# Up your mouth, yeah | 0:10:00 | 0:10:01 | |
# Walk | 0:10:01 | 0:10:02 | |
# Walk on over there | 0:10:02 | 0:10:04 | |
# Cos I'm too fly to care | 0:10:04 | 0:10:07 | |
# Oh, yeah | 0:10:07 | 0:10:09 | |
# Your words don't mean a thing | 0:10:09 | 0:10:13 | |
# I'm not listening | 0:10:13 | 0:10:15 | |
# Keep talking | 0:10:15 | 0:10:16 | |
# All I know is | 0:10:16 | 0:10:18 | |
# Mama told me not to waste my life | 0:10:18 | 0:10:21 | |
# She said spread your wings | 0:10:21 | 0:10:24 | |
# My little butterfly | 0:10:24 | 0:10:26 | |
# Don't let what they say | 0:10:26 | 0:10:28 | |
# Keep you up at night | 0:10:28 | 0:10:30 | |
# Cos they can't detain you | 0:10:30 | 0:10:32 | |
# These wings are made to fly | 0:10:32 | 0:10:37 | |
# We don't let nobody bring us down | 0:10:37 | 0:10:40 | |
# No matter what you say | 0:10:40 | 0:10:42 | |
# It won't hurt me | 0:10:42 | 0:10:45 | |
# Don't matter if I fall from the sky | 0:10:45 | 0:10:49 | |
# These wings are made to fly. # | 0:10:49 | 0:10:56 | |
CHEERING AND APPLAUSE | 0:10:56 | 0:10:58 | |
# I'm firing up on that runway | 0:11:04 | 0:11:06 | |
# I know we're going to get there | 0:11:06 | 0:11:08 | |
# Someday | 0:11:08 | 0:11:09 | |
# But we don't need | 0:11:09 | 0:11:10 | |
# No ready, steady, go, no | 0:11:10 | 0:11:12 | |
# Talk | 0:11:12 | 0:11:13 | |
# Talk turns into air | 0:11:13 | 0:11:15 | |
# And I don't even care | 0:11:15 | 0:11:17 | |
# Oh, yeah | 0:11:17 | 0:11:20 | |
# Your words don't mean a thing | 0:11:20 | 0:11:23 | |
# I'm not listening | 0:11:23 | 0:11:25 | |
# Keep talking | 0:11:25 | 0:11:27 | |
# All I know is | 0:11:27 | 0:11:29 | |
# Mama told me not to waste my life | 0:11:29 | 0:11:32 | |
# She said spread your wings | 0:11:32 | 0:11:34 | |
# My little butterfly | 0:11:34 | 0:11:37 | |
# Don't let what they say | 0:11:37 | 0:11:38 | |
# Keep you up at night | 0:11:38 | 0:11:41 | |
# And they can't detain you | 0:11:41 | 0:11:43 | |
These wings are made to fly | 0:11:43 | 0:11:47 | |
# And we don't let nobody | 0:11:47 | 0:11:49 | |
# Bring us down | 0:11:49 | 0:11:51 | |
# No matter what you say | 0:11:51 | 0:11:53 | |
# It won't hurt me | 0:11:53 | 0:11:55 | |
# Don't matter if I fall from the sky | 0:11:55 | 0:12:00 | |
# These wings are made to fly. # | 0:12:00 | 0:12:03 | |
CHEERING AND APPLAUSE | 0:12:03 | 0:12:07 | |
# My feet | 0:12:11 | 0:12:13 | |
# Feet can't touch the ground | 0:12:13 | 0:12:14 | |
# And I can't hear a sound | 0:12:14 | 0:12:17 | |
# But you just keep on running | 0:12:17 | 0:12:18 | |
# Up your mouth, yeah | 0:12:18 | 0:12:20 | |
# Walk | 0:12:20 | 0:12:21 | |
# Walk on over there | 0:12:21 | 0:12:23 | |
# Cos I'm too fly to care | 0:12:23 | 0:12:26 | |
# Oh, yeah | 0:12:26 | 0:12:27 | |
# Your words don't mean a thing | 0:12:27 | 0:12:31 | |
# I'm not listening | 0:12:31 | 0:12:33 | |
# Keep talking | 0:12:33 | 0:12:35 | |
# All I know is | 0:12:35 | 0:12:37 | |
# Mama told me not to waste my life | 0:12:37 | 0:12:40 | |
# She said spread your wings | 0:12:40 | 0:12:42 | |
# My little butterfly | 0:12:42 | 0:12:45 | |
# Don't let what they say | 0:12:45 | 0:12:46 | |
# Keep you up at night | 0:12:46 | 0:12:48 | |
# And they can't detain you | 0:12:48 | 0:12:51 | |
# Cos wings are made to fly | 0:12:51 | 0:12:55 | |
# And we don't let nobody | 0:12:55 | 0:12:57 | |
# Bring us down | 0:12:57 | 0:12:59 | |
# No matter what you say | 0:12:59 | 0:13:01 | |
# It won't hurt me | 0:13:01 | 0:13:03 | |
# Don't matter if I fall from the sky | 0:13:03 | 0:13:07 | |
# These wings are made to fly. # | 0:13:07 | 0:13:13 | |
CHEERING AND APPLAUSE | 0:13:13 | 0:13:16 | |
That was absolutely fantastic. Let's see what the judges thought. | 0:13:20 | 0:13:23 | |
Carrie, what did you think to the vocals there? | 0:13:23 | 0:13:26 | |
Wow. My goodness. | 0:13:26 | 0:13:28 | |
Today is going to be a really tough show. Allsorts, | 0:13:28 | 0:13:30 | |
I'm going to start with you guys. | 0:13:30 | 0:13:32 | |
Your unison singing, when you're all singing the same notes, | 0:13:32 | 0:13:36 | |
was absolutely brilliantly blended. Well done. | 0:13:36 | 0:13:39 | |
Now I'm going to go to Resonate over here. | 0:13:39 | 0:13:42 | |
You probably are technically the strongest singers. | 0:13:42 | 0:13:45 | |
What you need to work out is... | 0:13:45 | 0:13:48 | |
Each harmony in its own right is great, | 0:13:48 | 0:13:50 | |
but the sound of each harmony is very different to the next. | 0:13:50 | 0:13:53 | |
So there's not a blend between the harmonies. That's something | 0:13:53 | 0:13:56 | |
you need to look at. Bittersweet, you absolutely blew me away. | 0:13:56 | 0:14:00 | |
Such energy coming off you. | 0:14:00 | 0:14:03 | |
I think you would definitely give Little Mix a run for their money. | 0:14:03 | 0:14:06 | |
Wow. | 0:14:06 | 0:14:08 | |
-That's not bad. -Not bad comments, really. -No. | 0:14:08 | 0:14:10 | |
David, how do you compare those performances? | 0:14:10 | 0:14:13 | |
OK. Three very different performances again. | 0:14:13 | 0:14:16 | |
The thing is that the purpose of this round is that each group | 0:14:16 | 0:14:19 | |
takes the same song, they bend it to their will, | 0:14:19 | 0:14:23 | |
they make the song suit their style by their delivery. | 0:14:23 | 0:14:26 | |
Now, I felt with Resonate, what you did... | 0:14:26 | 0:14:28 | |
I think the song slightly got the better of you. | 0:14:28 | 0:14:31 | |
I actually feel like you weren't quite able to make it work | 0:14:31 | 0:14:34 | |
completely to your strengths because your strengths are | 0:14:34 | 0:14:37 | |
your facial connection and I could just see you thinking | 0:14:37 | 0:14:40 | |
about what you were doing rather than just connecting. | 0:14:40 | 0:14:43 | |
Allsorts, for me, your unison was tight and it was good | 0:14:43 | 0:14:47 | |
and it was fine. But when you got to be harmonies, | 0:14:47 | 0:14:50 | |
it was like a recording. It was so together and so tight. | 0:14:50 | 0:14:54 | |
Bittersweet, I've just got three words for you. | 0:14:54 | 0:14:57 | |
Confidence, attitude and swagger. | 0:14:57 | 0:15:01 | |
Amazing. You were fantastic. | 0:15:03 | 0:15:05 | |
APPLAUSE | 0:15:05 | 0:15:08 | |
John, which act did it for you there? | 0:15:10 | 0:15:12 | |
Well, that track particularly makes me want to take up boxing. | 0:15:12 | 0:15:15 | |
I feel like Rocky Balboa. | 0:15:15 | 0:15:17 | |
-So, in the spirit of boxing, Round One, Bittersweet. -OK. -All right. | 0:15:17 | 0:15:21 | |
Right. Sisco, where you entertained? | 0:15:23 | 0:15:26 | |
I was very entertained. | 0:15:26 | 0:15:28 | |
I really appreciated how each group | 0:15:28 | 0:15:30 | |
had a different version of the song. | 0:15:30 | 0:15:31 | |
How they incorporated, it was very interesting to see. | 0:15:31 | 0:15:34 | |
I'm going to start with Resonate. I can see that you guys... | 0:15:34 | 0:15:38 | |
This isn't your type of song. I felt like the song slightly exposed you. | 0:15:38 | 0:15:41 | |
You're more musical theatre and I feel you should have embedded | 0:15:41 | 0:15:44 | |
the style of the song a bit more. | 0:15:44 | 0:15:46 | |
When it comes to Allsorts, I just loved the unison singing, | 0:15:46 | 0:15:49 | |
as Carrie said. It was so, so beautiful. So well done on that. | 0:15:49 | 0:15:53 | |
But, Bittersweet, you guys are like a girl band. | 0:15:53 | 0:15:55 | |
You're like the new S Club or I don't know. | 0:15:55 | 0:15:57 | |
You guys, you're like a group and as soon as the first word started | 0:15:57 | 0:16:01 | |
you were, like, "Bam!" And I believed every single word. | 0:16:01 | 0:16:05 | |
I loved the choreography and the conviction. Well done. | 0:16:05 | 0:16:08 | |
APPLAUSE | 0:16:08 | 0:16:10 | |
And everybody likes a party like an S Club party, | 0:16:10 | 0:16:13 | |
you know what I'm saying? | 0:16:13 | 0:16:15 | |
Whilst we check and verify the scores for Round One, | 0:16:15 | 0:16:18 | |
let's take a look at some messages from some famous folk that we know. | 0:16:18 | 0:16:21 | |
If you have been inspired by the incredible performances | 0:16:23 | 0:16:26 | |
on today's show, then why not get involved | 0:16:26 | 0:16:28 | |
and do something funny for money for this Red Nose Day? | 0:16:28 | 0:16:31 | |
-ALL: -Hi. We're Little Mix. | 0:16:33 | 0:16:34 | |
If you have been inspired by the glee clubs on today's show, | 0:16:34 | 0:16:37 | |
then get a group of friends together | 0:16:37 | 0:16:39 | |
and put on your own performance for Red Nose Day. | 0:16:39 | 0:16:41 | |
-ALL: -Thank you. | 0:16:41 | 0:16:43 | |
The scores have been checked and verified | 0:16:46 | 0:16:48 | |
and the results for Round One are in. So it's over to you, Mark. | 0:16:48 | 0:16:51 | |
Okey-dokey, Samuel. | 0:16:51 | 0:16:53 | |
I can reveal that the judges' combined score for Resonate | 0:16:53 | 0:16:56 | |
out of a possible 120 points is... | 0:16:56 | 0:16:58 | |
..59. | 0:17:02 | 0:17:03 | |
APPLAUSE | 0:17:03 | 0:17:06 | |
The judges' combined score for Bittersweet is... | 0:17:08 | 0:17:11 | |
..104. | 0:17:14 | 0:17:16 | |
CHEERING AND APPLAUSE | 0:17:16 | 0:17:19 | |
And finally, the judges' combined score for Allsorts is... | 0:17:20 | 0:17:24 | |
..82. | 0:17:27 | 0:17:28 | |
APPLAUSE | 0:17:28 | 0:17:31 | |
Well done. Now, don't worry. There's still time to add | 0:17:33 | 0:17:36 | |
some more points to your total. But before that, let's take a look | 0:17:36 | 0:17:39 | |
at the scoreboard after Round One. | 0:17:39 | 0:17:41 | |
Resonate have 59 points, | 0:17:41 | 0:17:43 | |
Bittersweet take the lead with 104 points | 0:17:43 | 0:17:46 | |
and Allsorts have 82 points. | 0:17:46 | 0:17:49 | |
But with 120 points available to each group in Round Two, | 0:17:49 | 0:17:52 | |
it could all change. | 0:17:52 | 0:17:54 | |
All right then. Three very different performances, as the judges said. | 0:17:56 | 0:17:59 | |
Let us talk to the angelic Resonate first. | 0:17:59 | 0:18:02 | |
Now, they said you were technically the strongest group, | 0:18:02 | 0:18:05 | |
but perhaps it's not the sort of music that you're used to singing. | 0:18:05 | 0:18:09 | |
What do you think about that? Did you enjoy singing Little Mix? | 0:18:09 | 0:18:12 | |
I think they kind of hit the nail on the head | 0:18:12 | 0:18:14 | |
when they said that we're more musical theatre types. | 0:18:14 | 0:18:18 | |
Our strength is really our ballads. They're the experts so... | 0:18:18 | 0:18:21 | |
But you've got your ballad coming up | 0:18:21 | 0:18:23 | |
so you're ready to knock their socks off with your second song? | 0:18:23 | 0:18:26 | |
-Yeah, we're staying positive for the second round. -As you should. | 0:18:26 | 0:18:29 | |
Over to Bittersweet with your swagger on, uber-confident. | 0:18:29 | 0:18:32 | |
Compared to Little Mix - | 0:18:32 | 0:18:34 | |
what do you make of what the judges said to you? | 0:18:34 | 0:18:36 | |
I think it was really good comments | 0:18:36 | 0:18:38 | |
and that we do represent a little girl band. | 0:18:38 | 0:18:42 | |
Would you like to be the next big thing? The next big girl band? | 0:18:42 | 0:18:45 | |
-That would be amazing, if that did happen. -It could happen. | 0:18:45 | 0:18:49 | |
And over to the oh-so-bright Allsorts. Ah, my eyes! So dazzling. | 0:18:49 | 0:18:53 | |
Let's have a little chat with you. | 0:18:53 | 0:18:55 | |
Now, David said to you that you sounded like a recording. | 0:18:55 | 0:18:58 | |
So how are you going to up your game for the next level | 0:18:58 | 0:19:01 | |
if you sound that good now? | 0:19:01 | 0:19:02 | |
I guess we'll try and match it and be even better. But, um... | 0:19:02 | 0:19:07 | |
No, we really enjoyed performing that | 0:19:07 | 0:19:09 | |
and singing's one of our high points so we try our best. | 0:19:09 | 0:19:12 | |
Well, you could tell you enjoyed it. | 0:19:12 | 0:19:14 | |
Three fantastic performances. But you're all going to have to turn up | 0:19:14 | 0:19:17 | |
the heat now because next you've got to sing for your survival. | 0:19:17 | 0:19:20 | |
So please give them all a great big round of applause | 0:19:20 | 0:19:22 | |
and it's back to you, Sam and Mark. | 0:19:22 | 0:19:24 | |
CHEERING AND APPLAUSE | 0:19:24 | 0:19:25 | |
Thank you very much, Naomi. It is getting hot in here. | 0:19:25 | 0:19:28 | |
While the groups get ready for round number two, | 0:19:28 | 0:19:30 | |
let's remind ourselves why we're here and how Comic Relief | 0:19:30 | 0:19:32 | |
really does make a difference to young people in the UK and in Africa. | 0:19:32 | 0:19:36 | |
Comic Relief works hard to support people who are leading | 0:19:38 | 0:19:41 | |
incredibly difficult lives by funding projects all over Africa | 0:19:41 | 0:19:45 | |
as well as right here in the UK. | 0:19:45 | 0:19:47 | |
In fact, the charity has funded over 15,000 projects in the UK, | 0:19:48 | 0:19:52 | |
working 365 days a year to change things for the better. | 0:19:52 | 0:19:57 | |
The donations that YOU make | 0:19:59 | 0:20:00 | |
will help vulnerable people from all walks of life, at home and abroad. | 0:20:00 | 0:20:05 | |
You can help make a huge difference. | 0:20:05 | 0:20:07 | |
To find out how you can do something funny for money, get a grown-up | 0:20:07 | 0:20:11 | |
and visit the CBBC website at... | 0:20:11 | 0:20:14 | |
..and follow the link to Comic Relief. | 0:20:17 | 0:20:20 | |
Thank you. | 0:20:20 | 0:20:22 | |
CHEERS AND APPLAUSE | 0:20:27 | 0:20:30 | |
You really can make a difference so go on, get involved | 0:20:30 | 0:20:33 | |
and do something funny for money. | 0:20:33 | 0:20:35 | |
Get this, I know this one guy who is going to | 0:20:35 | 0:20:37 | |
sit in a bath of maggots for 24 hours! | 0:20:37 | 0:20:40 | |
AUDIENCE GROANS | 0:20:40 | 0:20:41 | |
-That's disgusting! -I don't know what you're laughing at. You're the guy. | 0:20:41 | 0:20:45 | |
What?! | 0:20:45 | 0:20:46 | |
Anyway, Round Two is the last chance for our groups | 0:20:46 | 0:20:48 | |
to deliver a show-stopping performance. | 0:20:48 | 0:20:50 | |
They need to score as many points as they can to secure a top spot | 0:20:50 | 0:20:53 | |
on the Glee Club leaderboard. | 0:20:53 | 0:20:55 | |
Remember, only the top five will go through to the live finals. | 0:20:55 | 0:20:58 | |
OK, Mr D, can you please do the honours | 0:20:58 | 0:21:00 | |
and introduce the final round? | 0:21:00 | 0:21:01 | |
I'm off in the bath. | 0:21:01 | 0:21:03 | |
Round Two, Survival Song. The groups have to give it their all. | 0:21:03 | 0:21:06 | |
It's their final chance to build those all-important points. | 0:21:06 | 0:21:09 | |
CHEERS AND APPLAUSE | 0:21:09 | 0:21:10 | |
They've come all the way from the Isle of Wight, | 0:21:13 | 0:21:15 | |
which is off the south coast of England. | 0:21:15 | 0:21:17 | |
Thanks for that, Mr Geography. | 0:21:17 | 0:21:19 | |
Let us take a look at Resonate's journey to the heats. | 0:21:19 | 0:21:21 | |
-I'm guessing it involved a boat. -Probably. | 0:21:21 | 0:21:24 | |
Resonate have shown the skills | 0:21:26 | 0:21:28 | |
to be a resounding success on their journey to Glasgow. | 0:21:28 | 0:21:32 | |
They grabbed the chance to have a bit of fun | 0:21:32 | 0:21:34 | |
at the judges' auditions in London, | 0:21:34 | 0:21:36 | |
before taking the stage | 0:21:36 | 0:21:38 | |
and walking away with the sound of high praise ringing in their ears. | 0:21:38 | 0:21:42 | |
-How are you feeling today? -Excited. | 0:21:42 | 0:21:45 | |
# Cry me a river that leads to your ocean | 0:21:45 | 0:21:50 | |
# You'll never see me fall apart. # | 0:21:50 | 0:21:54 | |
The vocals were really soothing and smooth. | 0:21:54 | 0:21:57 | |
I could have sat and listened to that sound all day. | 0:21:57 | 0:21:59 | |
I absolutely loved that song and the good news is I still love it! | 0:21:59 | 0:22:03 | |
I didn't like that one though. | 0:22:03 | 0:22:06 | |
-What's this? -You don't notice anything. | 0:22:06 | 0:22:09 | |
You're so busy listening to singing! | 0:22:09 | 0:22:12 | |
So can Resonate keep their Glee Club dream alive? | 0:22:13 | 0:22:17 | |
Resonate's style is kind of... we're into ballads | 0:22:17 | 0:22:21 | |
-and quite slow songs but we can definitely do upbeat stuff. -Yeah. | 0:22:21 | 0:22:26 | |
-We're definitely looking forward to getting in the studio. -Yeah. | 0:22:26 | 0:22:29 | |
-Performing in front of the judges. -It is going to be so fun! | 0:22:29 | 0:22:32 | |
-I'm a bit nervous, though. -Yeah. I was going to say that! | 0:22:32 | 0:22:35 | |
It is quite clear there is tough competition. | 0:22:37 | 0:22:39 | |
It is down to the last 15. Everyone's at a high standard. | 0:22:39 | 0:22:42 | |
-It is. A really high standard. -It's pretty obvious now. | 0:22:42 | 0:22:45 | |
Have you got what it takes to get through to the semifinal? | 0:22:45 | 0:22:48 | |
It's just so hard to say, isn't it? | 0:22:48 | 0:22:50 | |
Everyone's amazing, but we're going to give it our best. | 0:22:50 | 0:22:53 | |
CHEERS AND APPLAUSE | 0:22:54 | 0:22:56 | |
They've performed with opera legend Lesley Garrett, | 0:22:56 | 0:22:59 | |
so let's hope this performance will be a walk or a RUN in the park. | 0:22:59 | 0:23:02 | |
Singing Run by Snow Patrol, | 0:23:02 | 0:23:04 | |
then later covered by Leona Lewis, it's Resonate! | 0:23:04 | 0:23:07 | |
CHEERS AND APPLAUSE | 0:23:07 | 0:23:10 | |
# I'll sing it one last time for you | 0:23:17 | 0:23:24 | |
# Then we really have to go | 0:23:24 | 0:23:31 | |
# You've been the only thing that's right | 0:23:31 | 0:23:37 | |
# In all I've done | 0:23:37 | 0:23:45 | |
# Light up, light up | 0:23:45 | 0:23:49 | |
# As if you have a choice | 0:23:49 | 0:23:54 | |
# Even if you cannot hear my voice | 0:23:54 | 0:24:01 | |
# I'll be right beside you, dear | 0:24:01 | 0:24:09 | |
# Louder, louder... # | 0:24:12 | 0:24:13 | |
Yeah! | 0:24:13 | 0:24:14 | |
# And we'll run for our lives | 0:24:15 | 0:24:20 | |
# I can hardly speak, I understand | 0:24:20 | 0:24:28 | |
# Why you can't raise your voice | 0:24:28 | 0:24:30 | |
# To say | 0:24:30 | 0:24:38 | |
# Light up | 0:24:39 | 0:24:41 | |
# Light up. # | 0:24:41 | 0:24:44 | |
CHEERS AND APPLAUSE | 0:24:44 | 0:24:48 | |
-Wow! -Well done, guys, that was great. -Haunting! | 0:24:50 | 0:24:54 | |
David, did Resonate pull it out of the bag there? | 0:24:54 | 0:24:59 | |
The bag? They're back in the game. | 0:24:59 | 0:25:02 | |
That was...fantastic! | 0:25:02 | 0:25:05 | |
Beautiful arrangement, beautifully performed, | 0:25:05 | 0:25:08 | |
wonderfully blended. | 0:25:08 | 0:25:10 | |
I loved every minute of it. | 0:25:10 | 0:25:12 | |
From the very first note that you sang to the very last harmony, | 0:25:12 | 0:25:16 | |
-that was wonderful. -John, did you like it? | 0:25:16 | 0:25:19 | |
I would buy that single tomorrow if you released it. | 0:25:19 | 0:25:21 | |
That's the Resonate I saw on Day One | 0:25:21 | 0:25:23 | |
and that's the Resonate I'm seeing in front of me now. Well done. | 0:25:23 | 0:25:27 | |
APPLAUSE Sisco, were they good enough? | 0:25:27 | 0:25:30 | |
That's probably, vocally, the best performance of all three seasons. | 0:25:30 | 0:25:35 | |
-WOW! -Amazing work! | 0:25:35 | 0:25:37 | |
CHEERS AND APPLAUSE | 0:25:37 | 0:25:39 | |
I think the arrangement, the quality of your voices, the blend | 0:25:39 | 0:25:43 | |
and the way you guys incorporated the song was absolutely amazing. | 0:25:43 | 0:25:49 | |
Which just shows, if you're that good, you have to make sure | 0:25:49 | 0:25:52 | |
that, in other styles, you consistently give as much. | 0:25:52 | 0:25:55 | |
Try to be versatile because with that vocal ability, | 0:25:55 | 0:25:58 | |
you guys are unstoppable. That was beautiful. | 0:25:58 | 0:26:01 | |
CHEERS AND APPLAUSE | 0:26:01 | 0:26:03 | |
Carrie, do you still think it was the right decision | 0:26:03 | 0:26:05 | |
to put Resonate through? | 0:26:05 | 0:26:07 | |
Well, that was a world-class performance. | 0:26:07 | 0:26:10 | |
You could sing that on a world stage | 0:26:10 | 0:26:13 | |
and stand against any of the top artists that we have out there | 0:26:13 | 0:26:16 | |
and you would equal them. Absolutely brilliant. | 0:26:16 | 0:26:19 | |
What I want to say to you is this - | 0:26:19 | 0:26:21 | |
you were clearly really intimidated by your first song today. | 0:26:21 | 0:26:25 | |
Do YOUR thing. Make it your own. This is what you have. | 0:26:25 | 0:26:29 | |
Stop trying to be something else on those songs that you find tricky, | 0:26:29 | 0:26:33 | |
do this on that and we'd have gone, | 0:26:33 | 0:26:35 | |
"I love how they've taken a Little Mix track and made it choral." | 0:26:35 | 0:26:38 | |
Yeah? So that is my advice. | 0:26:38 | 0:26:39 | |
If you get through, please give us this on every single song. | 0:26:39 | 0:26:44 | |
Well done, guys. Well done. | 0:26:44 | 0:26:46 | |
CHEERS AND APPLAUSE | 0:26:46 | 0:26:48 | |
Well, they were not bad comments. | 0:26:48 | 0:26:49 | |
You totally redeemed yourselves! All right! Back in the game. | 0:26:49 | 0:26:53 | |
Thank you very much, judges, and give it up one more time | 0:26:53 | 0:26:55 | |
for the brilliant Resonate. | 0:26:55 | 0:26:57 | |
CHEERS AND APPLAUSE | 0:26:57 | 0:26:58 | |
Well done, guys. | 0:26:58 | 0:27:00 | |
A quality performance there. You gave me goose bumps. | 0:27:02 | 0:27:05 | |
So you're back in the game. That's what David said. | 0:27:05 | 0:27:08 | |
John said he would buy your single if it was released tomorrow. | 0:27:08 | 0:27:11 | |
Sisco said the best, vocally, of any series. | 0:27:11 | 0:27:13 | |
-You must be happy with those comments. -Definitely. | 0:27:13 | 0:27:16 | |
They are amazing comments and we are so glad that we could just | 0:27:16 | 0:27:19 | |
show you what we've got with that song. | 0:27:19 | 0:27:22 | |
Well, Carrie said, "world-class", so if you ever got to perform | 0:27:22 | 0:27:24 | |
on a world stage, who would you like to perform alongside? | 0:27:24 | 0:27:28 | |
Um, I don't know. | 0:27:29 | 0:27:32 | |
The Les Miserables cast at the West End. | 0:27:32 | 0:27:35 | |
-Sam and Mark. -"Sam and Mark!" They are shouting out. Yes. -Of course. | 0:27:35 | 0:27:40 | |
Fingers crossed you've done enough to get through to the next round. | 0:27:40 | 0:27:43 | |
Please put your hands together for Resonate. | 0:27:43 | 0:27:46 | |
CHEERS AND APPLAUSE | 0:27:46 | 0:27:48 | |
Oh, it just got interesting. Thank you very much, Naomi. | 0:27:48 | 0:27:51 | |
Now, the next act is our only group from Glasgow. | 0:27:51 | 0:27:54 | |
Let's take a look at Bittersweet's journey to the heats. | 0:27:54 | 0:27:57 | |
Bittersweet's performance put a smile on John's face in Glasgow. | 0:28:02 | 0:28:06 | |
There's nothing "Bittersweet" about you. You're all sweet. | 0:28:06 | 0:28:09 | |
Really enjoyed that. I'm going to be smiling all day after that one. | 0:28:09 | 0:28:13 | |
They went all-out to impress at the judges' auditions. | 0:28:13 | 0:28:15 | |
And didn't disappoint! | 0:28:15 | 0:28:17 | |
# Cos we are living in a material world | 0:28:17 | 0:28:21 | |
# And I am a material girl | 0:28:21 | 0:28:24 | |
# You know that we are living in a material world | 0:28:24 | 0:28:28 | |
# And I am a material girl... # | 0:28:28 | 0:28:31 | |
I really loved that performance. I loved the choreography. | 0:28:31 | 0:28:34 | |
I thought you were really original. | 0:28:34 | 0:28:36 | |
I loved the vocals, the doop-doop-doo-doo. | 0:28:36 | 0:28:39 | |
I am going to be singing that for days now. | 0:28:39 | 0:28:41 | |
It is like watching a little mini performance from a musical. | 0:28:41 | 0:28:44 | |
It was really very, very good. | 0:28:44 | 0:28:46 | |
So can they top that performance again? | 0:28:46 | 0:28:49 | |
-How much have you been practising? -Lots. -Everyday? | 0:28:49 | 0:28:54 | |
Nearly. | 0:28:54 | 0:28:56 | |
# I want to sing, sing, sing | 0:28:56 | 0:28:59 | |
# I want to dance, dance, dance | 0:28:59 | 0:29:01 | |
# I want to sing | 0:29:01 | 0:29:02 | |
# I want to dance. Hallelu! # | 0:29:02 | 0:29:04 | |
I would say Bittersweet are girly. | 0:29:04 | 0:29:06 | |
-We're quirky and cute. -Bubbly. -Bubbly. Energy. | 0:29:06 | 0:29:11 | |
-Energetic, I should say. -Energetic. | 0:29:11 | 0:29:13 | |
One of the really good things about Bittersweet | 0:29:13 | 0:29:16 | |
and one of the reasons we feel so comfortable performing | 0:29:16 | 0:29:19 | |
is because we're almost like a family. Bittersweet. Girl power. | 0:29:19 | 0:29:23 | |
CHEERS AND APPLAUSE | 0:29:23 | 0:29:25 | |
Let's hope their performance is anything but "Bittersweet". | 0:29:25 | 0:29:28 | |
Singing and dancing for a place in the live finals, | 0:29:28 | 0:29:31 | |
it's Bittersweet with The Promise. | 0:29:31 | 0:29:33 | |
CHEERS AND APPLAUSE | 0:29:33 | 0:29:36 | |
# One, two, three, four | 0:29:39 | 0:29:41 | |
# Everything he does, better than anything ordinary | 0:29:41 | 0:29:46 | |
# Everything he wants, he gets, cos | 0:29:46 | 0:29:50 | |
# Everything he does is kinda necessary | 0:29:50 | 0:29:52 | |
# I believe in love, tell me, can anything last for ever? | 0:29:52 | 0:29:58 | |
# Life can live up to love | 0:29:58 | 0:30:00 | |
# Got a hand on my heart, never saying never | 0:30:00 | 0:30:04 | |
# You're gonna make me, make me love you | 0:30:04 | 0:30:06 | |
# Nothing at all, nothing that I do | 0:30:06 | 0:30:08 | |
# Promise I made, promise I made | 0:30:08 | 0:30:10 | |
# Starting to fade, starting to fade, fade | 0:30:10 | 0:30:14 | |
# You're gonna make me, make me love you | 0:30:14 | 0:30:17 | |
# Nothing at all that I cannot do | 0:30:17 | 0:30:19 | |
# Promise I made, promise I made | 0:30:19 | 0:30:21 | |
# Starting to fade, starting to fade. | 0:30:21 | 0:30:23 | |
# Maybe next time I'll take the ride on by | 0:30:25 | 0:30:29 | |
# I wanna feel you near | 0:30:29 | 0:30:32 | |
# Cos I can't play this like I'm meant to now | 0:30:34 | 0:30:37 | |
# My Aladdin's lamp is down and I got a fear | 0:30:37 | 0:30:42 | |
# Oh, baby, right here | 0:30:42 | 0:30:45 | |
# Giving up just looking into windows | 0:30:45 | 0:30:50 | |
# Yeah, I've had enough of wishing I've found you | 0:30:50 | 0:30:56 | |
# You're gonna make me, make me love you | 0:30:56 | 0:30:59 | |
# Nothing at all that I cannot do | 0:30:59 | 0:31:02 | |
# Promise I made, promise I made | 0:31:02 | 0:31:05 | |
# Starting to fade. # | 0:31:05 | 0:31:09 | |
CHEERS AND APPLAUSE | 0:31:11 | 0:31:13 | |
-We need a cleaner. -Cleaner! -Well done, guys. | 0:31:17 | 0:31:21 | |
Let's go to the judges, see what they thought. | 0:31:21 | 0:31:23 | |
John, did that performance work for you? | 0:31:23 | 0:31:25 | |
Yeah, you guys do. | 0:31:25 | 0:31:27 | |
I mean, it's basically your use of props, your fashion sense, | 0:31:27 | 0:31:32 | |
your choreography, your vocals. | 0:31:32 | 0:31:34 | |
Everything you guys do for me, so far, has been pretty spot on. | 0:31:34 | 0:31:40 | |
And, again, I've got a smile on my face. | 0:31:40 | 0:31:42 | |
I love listening to you girls sing. You could easily be a girl band. | 0:31:42 | 0:31:46 | |
APPLAUSE | 0:31:46 | 0:31:47 | |
-All right. -Sisco, did that performance | 0:31:47 | 0:31:50 | |
PROMISE everything you'd hoped for? See what I did there? | 0:31:50 | 0:31:53 | |
I really enjoy you guys. | 0:31:53 | 0:31:55 | |
I think you guys have a really nice sense of unity | 0:31:55 | 0:31:58 | |
and you can tell you guys enjoy each other's company. | 0:31:58 | 0:32:01 | |
That reads on stage. That is really good. | 0:32:01 | 0:32:03 | |
I think I prefer you when you sing in a more contemporary format. | 0:32:03 | 0:32:08 | |
So the Little Mix song, I think, suited you more. | 0:32:08 | 0:32:10 | |
It's more hip and you guys have more attitude than that song. | 0:32:10 | 0:32:14 | |
You guys were playing this very sweet character | 0:32:14 | 0:32:16 | |
and I felt it restricted you slightly. A good performance. | 0:32:16 | 0:32:19 | |
-Good use of props but I'd prefer something more contemporary. -OK. | 0:32:19 | 0:32:23 | |
APPLAUSE | 0:32:23 | 0:32:26 | |
Carrie, do you think it was the right song for their voices? | 0:32:26 | 0:32:29 | |
I don't know that it was the wrong song, actually. | 0:32:29 | 0:32:32 | |
I think that the challenge always | 0:32:32 | 0:32:34 | |
when you've got lots of choreography | 0:32:34 | 0:32:36 | |
is how you keep the vocal energy lower, | 0:32:36 | 0:32:38 | |
so it stays nice and smooth with a song like that, | 0:32:38 | 0:32:41 | |
whilst doing those punchy moves. | 0:32:41 | 0:32:43 | |
For me, it was a little bit shouty. | 0:32:43 | 0:32:46 | |
So the vocal sound was not so good | 0:32:46 | 0:32:48 | |
but very entertaining and I must point out you. | 0:32:48 | 0:32:50 | |
-You have a beautiful solo voice. -Thank you, Carrie. | 0:32:50 | 0:32:53 | |
CHEERS AND APPLAUSE | 0:32:53 | 0:32:55 | |
David, what did you like about that performance? | 0:32:55 | 0:32:58 | |
What I liked about the performance was the fact that, | 0:32:58 | 0:33:00 | |
as John pointed out, you look like a group. | 0:33:00 | 0:33:02 | |
You're a Glee Club that look like a gang. | 0:33:02 | 0:33:04 | |
You work together. You play to each other's strengths. | 0:33:04 | 0:33:08 | |
What I think is different about this song | 0:33:08 | 0:33:10 | |
is it had a different requirement to the first song. | 0:33:10 | 0:33:12 | |
The first song required energy and swagger | 0:33:12 | 0:33:14 | |
and attitude, which you have 100% of. | 0:33:14 | 0:33:17 | |
What this song required, | 0:33:17 | 0:33:19 | |
that you seemed unable to really give it fully, is warmth. | 0:33:19 | 0:33:23 | |
I would love to hear you vocally working on how to sing | 0:33:23 | 0:33:26 | |
within yourselves, not at 100%, | 0:33:26 | 0:33:28 | |
and just blend and put warmth into a song. | 0:33:28 | 0:33:31 | |
Thank you very much, Judges. | 0:33:31 | 0:33:33 | |
CHEERS AND APPLAUSE | 0:33:33 | 0:33:34 | |
-Not bad at all, guys. Are you happy with those comments? -All: Yes. | 0:33:34 | 0:33:38 | |
-Well done, girls. -Props as well. | 0:33:38 | 0:33:39 | |
Ladies and gentlemen, give it up for Bittersweet! | 0:33:39 | 0:33:43 | |
CHEERS AND APPLAUSE | 0:33:43 | 0:33:44 | |
Bittersweet, come on over here. | 0:33:47 | 0:33:48 | |
Top comments to you there, girls. | 0:33:48 | 0:33:50 | |
Obviously coming across as great mates onstage. That's really good. | 0:33:50 | 0:33:53 | |
Lovely comments about your beautiful solo voice, Danielle. | 0:33:53 | 0:33:56 | |
-What do you think of that? -Yes, I was really happy. | 0:33:56 | 0:33:58 | |
I think I was just in the moment. | 0:33:58 | 0:34:01 | |
-You just want to do a good job and go all-out. -Well, you obviously did. | 0:34:01 | 0:34:05 | |
Now, you have done all you can. How does it feel? | 0:34:05 | 0:34:07 | |
There's nothing more you can do. | 0:34:07 | 0:34:09 | |
Well, it feels really good to let it all out. | 0:34:09 | 0:34:11 | |
We have been doing it for ages and we have worked really hard on it. | 0:34:11 | 0:34:14 | |
Like, we will take the judges' criticism in | 0:34:14 | 0:34:17 | |
-and, if we get through, then we will do what they say. -Excellent! | 0:34:17 | 0:34:21 | |
Now, you clearly love your props. | 0:34:21 | 0:34:23 | |
I was just wondering, | 0:34:23 | 0:34:24 | |
if you get through to the next stage, what props are next? | 0:34:24 | 0:34:27 | |
-Well, you'll just have to wait and find out. -A top-secret prop. Ooh! | 0:34:27 | 0:34:32 | |
I like the sound of that. Please give a big cheer for Bittersweet. | 0:34:32 | 0:34:36 | |
CHEERS AND APPLAUSE | 0:34:36 | 0:34:37 | |
Thank you very much, Naomi. Our last act is from Milton Keynes. | 0:34:39 | 0:34:42 | |
Did you know that "silent monkey" is an anagram of Milton Keynes? | 0:34:42 | 0:34:47 | |
OK! Let's meet Allsorts. | 0:34:47 | 0:34:49 | |
Good afternoon, everybody. | 0:34:51 | 0:34:53 | |
Allsorts' journey began when they caught John's attention in London. | 0:34:56 | 0:35:00 | |
Well done! Give yourselves a round of applause! | 0:35:00 | 0:35:03 | |
And they carried on doing just that at the judges' auditions, | 0:35:03 | 0:35:06 | |
with David and Dionne full of praise. | 0:35:06 | 0:35:09 | |
# Like the bright sunlight burning down | 0:35:09 | 0:35:12 | |
# Burning down on me... # | 0:35:12 | 0:35:15 | |
The performance was there, the energy was there, the joy was there. | 0:35:15 | 0:35:19 | |
I loved it. I absolutely loved it. You were giving all this sassiness. | 0:35:19 | 0:35:23 | |
I was singing along with you. | 0:35:23 | 0:35:25 | |
Can this all-girl group continue their journey | 0:35:25 | 0:35:27 | |
all the way to the top five? | 0:35:27 | 0:35:29 | |
How did you feel, walking into the studio for the first time? | 0:35:31 | 0:35:35 | |
It was...overwhelming. | 0:35:35 | 0:35:38 | |
What are you going to be thinking about as you are performing? | 0:35:38 | 0:35:41 | |
Just to give it our all, really, | 0:35:41 | 0:35:42 | |
because we worked so hard to be here and loads of energy | 0:35:42 | 0:35:45 | |
because it requires loads of energy to do what we do. | 0:35:45 | 0:35:48 | |
You say you are feeling "excitous"? What is that? | 0:35:48 | 0:35:50 | |
-It is a cross between excited and nervous. -I love it! | 0:35:50 | 0:35:54 | |
I get excitous as all the time. | 0:35:54 | 0:35:56 | |
Our style is, like, bubbly, fresh and fierce. | 0:35:56 | 0:36:01 | |
THEY LAUGH | 0:36:01 | 0:36:02 | |
It just sums up who we are and what we want to show to the judges. | 0:36:02 | 0:36:05 | |
And our costumes and that. | 0:36:05 | 0:36:07 | |
We have tried so hard to impress the judges | 0:36:07 | 0:36:09 | |
and this is what we love doing, so hopefully we can portray that. | 0:36:09 | 0:36:13 | |
-We have worked really hard. -It is overwhelming just to be this far. | 0:36:13 | 0:36:17 | |
-It is very special. -It has been a really good experience as well. | 0:36:17 | 0:36:20 | |
CHEERS AND APPLAUSE | 0:36:20 | 0:36:21 | |
They're our last act to perform for the judges. | 0:36:21 | 0:36:24 | |
Let's hope they can add some valuable points to their score. | 0:36:24 | 0:36:27 | |
Singing and dancing to Joyful, Joyful from Sister Act II... | 0:36:27 | 0:36:31 | |
-Great film! -..it's Allsorts! | 0:36:31 | 0:36:33 | |
CHEERS AND APPLAUSE | 0:36:33 | 0:36:35 | |
# Joyful, Joyful Lord, we adore Thee | 0:36:40 | 0:36:48 | |
# God of glory, Lord of love | 0:36:48 | 0:36:55 | |
# Hearts unfold like flowers before Thee | 0:36:55 | 0:37:02 | |
# Hail Thee as the sun above | 0:37:03 | 0:37:10 | |
CHORUS: # Joyful, Joyful Lord, we adore Thee | 0:37:10 | 0:37:14 | |
# God of glory, Lord of love | 0:37:14 | 0:37:18 | |
# Hearts unfold like flowers before Thee | 0:37:18 | 0:37:22 | |
# Hail Thee as the sun above | 0:37:22 | 0:37:25 | |
-RAPS: -Check the rhyme! | 0:37:25 | 0:37:26 | |
Joyful, Joyful Lord, we adore Thee | 0:37:26 | 0:37:29 | |
An' in my life I put none before Thee | 0:37:29 | 0:37:31 | |
Cos since I was a youngster I came to know | 0:37:31 | 0:37:33 | |
That you was the only way to go Everybody! | 0:37:33 | 0:37:35 | |
# Come and join the chorus | 0:37:35 | 0:37:37 | |
# The mighty, mighty chorus | 0:37:37 | 0:37:39 | |
# Which the morning stars began | 0:37:39 | 0:37:44 | |
# The Father of love is reigning over us | 0:37:44 | 0:37:49 | |
# By the way What have you done for Him lately? | 0:37:49 | 0:37:54 | |
# Ooh, ooh, ooh, yeah! | 0:37:54 | 0:37:56 | |
# He watches over everything | 0:37:57 | 0:38:01 | |
# So we sing | 0:38:01 | 0:38:03 | |
# Fill us with the light of day | 0:38:03 | 0:38:06 | |
# Light of day! # | 0:38:06 | 0:38:09 | |
CHEERS AND APPLAUSE | 0:38:09 | 0:38:11 | |
Yeah! Yeah! | 0:38:14 | 0:38:16 | |
Well done, guys. | 0:38:16 | 0:38:17 | |
OK. Sisco, how does that performance compare to the others we've seen. | 0:38:17 | 0:38:21 | |
Well, it's hard because you guys are really performance-based | 0:38:21 | 0:38:25 | |
and you really used the movement to your advantage. | 0:38:25 | 0:38:28 | |
Um...I have to say, I don't know your name, the first soloist? | 0:38:28 | 0:38:31 | |
-Bethany. -Bethany, your voice is incredible. | 0:38:31 | 0:38:34 | |
So crisp, so clear, so beautiful! Oh, it's amazing! | 0:38:34 | 0:38:37 | |
Such a hard song cos it's iconic and I thought you guys did really good. | 0:38:37 | 0:38:41 | |
-It's going to be really hard to choose. -Definitely. | 0:38:41 | 0:38:44 | |
APPLAUSE | 0:38:44 | 0:38:47 | |
Carrie, quite a gospel song, did you feel uplifted after that? | 0:38:47 | 0:38:50 | |
I like the way... I didn't feel they did it in a particularly gospel way, | 0:38:50 | 0:38:53 | |
which I thought was good. A bit of a twist on it. | 0:38:53 | 0:38:55 | |
I have to agree with Sisco, what a great first solo! Beautiful! | 0:38:55 | 0:39:00 | |
APPLAUSE | 0:39:00 | 0:39:02 | |
-David, give us your thoughts on that performance. -I really enjoyed it. | 0:39:02 | 0:39:06 | |
I loved watching them. You guys are just fun! | 0:39:06 | 0:39:09 | |
You're energetic, you're joyful. | 0:39:09 | 0:39:11 | |
Actually, the title of that song | 0:39:11 | 0:39:13 | |
accurately describes what you are as a glee club. | 0:39:13 | 0:39:16 | |
-You just look really joyful up there and I enjoyed it. -Fantastic. | 0:39:16 | 0:39:20 | |
CHEERS AND APPLAUSE | 0:39:20 | 0:39:22 | |
And, John, that's quite a big song. Were the vocals up to it? | 0:39:22 | 0:39:26 | |
It's amazing. Yes, it is a huge song | 0:39:26 | 0:39:29 | |
and you starting, Bethany, was fantastic | 0:39:29 | 0:39:31 | |
cos I think that solo was probably the best solo | 0:39:31 | 0:39:34 | |
I've heard this series anyway, which is fantastic. | 0:39:34 | 0:39:37 | |
And it's fantastic to see the different age groups. | 0:39:37 | 0:39:40 | |
But the older girls don't eclipse the younger girls. | 0:39:40 | 0:39:43 | |
You girls just are real fighters | 0:39:43 | 0:39:45 | |
and you are right there right to the end and the momentum stayed there. | 0:39:45 | 0:39:48 | |
Well done. | 0:39:48 | 0:39:49 | |
APPLAUSE AND CHEERS | 0:39:49 | 0:39:53 | |
Thank you very much, Judges. Give it up for Allsorts. | 0:39:53 | 0:39:56 | |
Well done, girls. | 0:39:56 | 0:39:58 | |
CHEERS AND APPLAUSE | 0:39:58 | 0:40:01 | |
That was wicked! You guys were doing the rapping thing. | 0:40:01 | 0:40:05 | |
Do you think we could fool this audience into believing | 0:40:05 | 0:40:08 | |
I was the ninth member? | 0:40:08 | 0:40:09 | |
Because I feel like a sort of match. | 0:40:09 | 0:40:11 | |
-Do you think we could pull the wool over their eyes? -Definitely. | 0:40:11 | 0:40:14 | |
Just need some neon legwarmers. | 0:40:14 | 0:40:16 | |
So, for John, Bethany, he said possibly the best solo this series. | 0:40:16 | 0:40:21 | |
-What do you feel about that? -It just feels overwhelming. | 0:40:21 | 0:40:25 | |
We've worked so hard to get here | 0:40:25 | 0:40:27 | |
and it's amazing to hear that feedback because we all want | 0:40:27 | 0:40:30 | |
to be in performing arts or singers and so that is incredible to hear. | 0:40:30 | 0:40:33 | |
My mum will be happy about that! | 0:40:33 | 0:40:35 | |
I was going to say, I bet all your family and friends | 0:40:35 | 0:40:38 | |
are so proud of watching you today. Let us hear it for the Allsorts! | 0:40:38 | 0:40:42 | |
CHEERS AND APPLAUSE | 0:40:42 | 0:40:45 | |
-I would not like to be a judge on this show. -Me neither, mate. | 0:40:45 | 0:40:49 | |
Thank you very much, Naomi. | 0:40:49 | 0:40:50 | |
So all three acts have now performed and can do no more. | 0:40:50 | 0:40:53 | |
While we check and verify the final scores | 0:40:53 | 0:40:55 | |
and you wait to find out if your favourite has won, | 0:40:55 | 0:40:58 | |
here is a quick reminder of those fantastic performances. | 0:40:58 | 0:41:01 | |
# Louder, louder | 0:41:02 | 0:41:05 | |
# And we'll run for our lives | 0:41:05 | 0:41:11 | |
# I can hardly speak, I understand... # | 0:41:11 | 0:41:17 | |
# You're going to make me, make me love you | 0:41:18 | 0:41:21 | |
# Nothing at all that I cannot do | 0:41:21 | 0:41:23 | |
# Promise I made, promise I made | 0:41:23 | 0:41:26 | |
# Starting to fade, starting to fade... # | 0:41:26 | 0:41:29 | |
# He watches over everything | 0:41:30 | 0:41:34 | |
# So we sing | 0:41:34 | 0:41:36 | |
# Fill me with the light of day! | 0:41:36 | 0:41:40 | |
# Light of day! # | 0:41:40 | 0:41:41 | |
CHEERS AND APPLAUSE | 0:41:46 | 0:41:51 | |
-Welcome back our three acts. -Resonate! | 0:41:51 | 0:41:55 | |
CHEERS AND APPLAUSE | 0:41:55 | 0:41:57 | |
Bittersweet! | 0:41:57 | 0:41:59 | |
CHEERS AND APPLAUSE | 0:41:59 | 0:42:00 | |
And Allsorts! | 0:42:00 | 0:42:02 | |
CHEERS AND APPLAUSE | 0:42:02 | 0:42:03 | |
Judges, you have seen them all perform | 0:42:03 | 0:42:05 | |
and awarded points for vocal ability, | 0:42:05 | 0:42:07 | |
creativity and performance over two rounds. | 0:42:07 | 0:42:10 | |
Carrie, before we reveal the winner, | 0:42:10 | 0:42:12 | |
how would you sum up the performances we've seen today? | 0:42:12 | 0:42:15 | |
I think we have seen three very different, | 0:42:15 | 0:42:17 | |
really strong performances | 0:42:17 | 0:42:19 | |
and this is one of the hardest judging sessions I've had to do. | 0:42:19 | 0:42:23 | |
Yes, definitely. Sucks to be you. Really does. | 0:42:23 | 0:42:26 | |
Thank you very much, Carrie. | 0:42:26 | 0:42:28 | |
The scores have been checked and verified and we now have the results. | 0:42:28 | 0:42:32 | |
Good luck, guys. | 0:42:35 | 0:42:37 | |
I can reveal that the winner of today's heat is... | 0:42:37 | 0:42:40 | |
..with a total score of 179, it's Resonate! | 0:42:54 | 0:42:58 | |
CHEERS AND APPLAUSE | 0:42:58 | 0:43:01 | |
Well done, guys. Please give a round of applause to our winners up, | 0:43:01 | 0:43:06 | |
Bittersweet and Allsorts. Well done, guys. You have been brilliant. | 0:43:06 | 0:43:09 | |
CHEERS AND APPLAUSE | 0:43:09 | 0:43:12 | |
Well, you've actually... | 0:43:12 | 0:43:14 | |
You've got the judges on their feet. | 0:43:14 | 0:43:16 | |
That's how fantastic the standard was today. | 0:43:16 | 0:43:18 | |
You should be all very, very proud of yourselves. | 0:43:18 | 0:43:21 | |
Thank you once again to our judges, Carrie, David, John and Sisco. | 0:43:21 | 0:43:25 | |
-A round of applause for our judges. -A hard, hard shout. | 0:43:25 | 0:43:28 | |
CHEERS AND APPLAUSE | 0:43:28 | 0:43:30 | |
And how could we forget, the lovely Naomi. What a tough show! | 0:43:30 | 0:43:34 | |
-It really was. I've got the medals. -Do your thing! | 0:43:34 | 0:43:37 | |
So make sure you join us next time for Comic Relief Does Glee Club. | 0:43:37 | 0:43:41 | |
BOTH: See you then. | 0:43:41 | 0:43:43 | |
APPLAUSE | 0:43:43 | 0:43:45 | |
That's it. The top five are in place. | 0:43:45 | 0:43:48 | |
Resonate storm into third place | 0:43:48 | 0:43:49 | |
with maximum points for their Round Two performance | 0:43:49 | 0:43:52 | |
and Bittersweet take fourth place. | 0:43:52 | 0:43:54 | |
If you want a reminder of the performances, | 0:43:54 | 0:43:56 | |
go to the CBBC website and click on the link for the current top five. | 0:43:56 | 0:44:00 | |
Join us tomorrow at the earlier time of 4:15pm, | 0:44:00 | 0:44:02 | |
when we will be live on CBBC and BBC1 for the semifinal. | 0:44:02 | 0:44:06 | |
Don't miss it! | 0:44:06 | 0:44:08 |