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'Previously on Glee Club, 15 acts battled it out across the heats. | 0:00:03 | 0:00:07 | |
# ..When you call my name... # | 0:00:07 | 0:00:11 | |
'Our expert judges selected the top five.' | 0:00:11 | 0:00:13 | |
Absolutely amazing. | 0:00:13 | 0:00:16 | |
-World-class. -Fantastic. | 0:00:16 | 0:00:18 | |
You look like you think you can win this. | 0:00:18 | 0:00:21 | |
'Today, they take to the stage once again, | 0:00:21 | 0:00:23 | |
'but only three can make it to the final.' | 0:00:23 | 0:00:26 | |
# Oh, trouble, trouble, trouble... # | 0:00:26 | 0:00:30 | |
'And now, it's down to you to decide who those acts will be. | 0:00:30 | 0:00:34 | |
'Coming live from Glasgow, this is Comic Relief Does Glee Club 2013!' | 0:00:34 | 0:00:41 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:00 | |
'Live from Glasgow, | 0:01:00 | 0:01:02 | |
'it's time for the semi-final of Comic Relief Does Glee Club. | 0:01:02 | 0:01:06 | |
'And because they met 10 years ago this year and they still | 0:01:06 | 0:01:08 | |
haven't grown up, please welcome your hosts, Sam and Mark!' | 0:01:08 | 0:01:13 | |
-Whoo! All right! -BOTH: Hello! | 0:01:19 | 0:01:21 | |
Thank you very much, Mr D, for that lovely intro. | 0:01:21 | 0:01:24 | |
Did you know, it is Comic Relief's 25th anniversary this year too? | 0:01:24 | 0:01:27 | |
But who cares about that? I mean, it's all about us, 10 years together on telly! | 0:01:27 | 0:01:30 | |
'I know, I can't quite believe it myself.' | 0:01:30 | 0:01:33 | |
Is that because you thought we were destined for bigger things? | 0:01:33 | 0:01:36 | |
'No, because I always thought Dick and Dom were far better.' | 0:01:36 | 0:01:39 | |
Wh... Don't laugh at that! Don't you dare! | 0:01:39 | 0:01:41 | |
-'Only joking, only joking!' -Sshh! | 0:01:41 | 0:01:44 | |
-'I love you boys.' -Zip it! | 0:01:44 | 0:01:45 | |
Now. Before we get down to business, | 0:01:47 | 0:01:50 | |
we have to introduce a woman who has been there from the very beginning. | 0:01:50 | 0:01:53 | |
We think she's awesome. It's the fabulous Naomi Wilkinson! | 0:01:53 | 0:01:57 | |
CHEERING AND APPLAUSE | 0:01:57 | 0:02:00 | |
-Hello, hello! Hi, guys. -How exciting is this?! -It's the semi-final! | 0:02:00 | 0:02:07 | |
-Oh, wow. -Look what I have. | 0:02:07 | 0:02:08 | |
Isn't that the Comic Relief Does Glee Club 2013 winners' trophy? | 0:02:08 | 0:02:13 | |
It is indeed. | 0:02:13 | 0:02:15 | |
And I'm going to be holding on to it until the final, | 0:02:15 | 0:02:17 | |
-because we all know, you two can't be trusted. -What?! | 0:02:17 | 0:02:21 | |
What are you talking about? Of course we can, can't we be trusted, Mark? | 0:02:21 | 0:02:24 | |
-We can't be trusted. -We can't be trusted. You're quite right, actually. | 0:02:24 | 0:02:28 | |
It is probably safe with you backstage. While you're there, you can check on our lovely groups. | 0:02:28 | 0:02:32 | |
I will do that for you. See you later. Bye! | 0:02:32 | 0:02:35 | |
-That's a good trophy, isn't it? -Yeah. | 0:02:38 | 0:02:40 | |
Now let's get down to business. This is the semi-final, | 0:02:40 | 0:02:43 | |
where you guys at home decide the fate of our acts. | 0:02:43 | 0:02:46 | |
The top five made it this far by wowing our judges. | 0:02:46 | 0:02:49 | |
But now they need to perform to win your votes. | 0:02:49 | 0:02:51 | |
Earlier today, our acts recorded their performances | 0:02:51 | 0:02:54 | |
especially for you. | 0:02:54 | 0:02:55 | |
The groups with the most votes will go through to the final, where | 0:02:55 | 0:02:58 | |
one of them will become the winner of Comic Relief Does Glee Club 2013. | 0:02:58 | 0:03:02 | |
It's very exciting! | 0:03:02 | 0:03:04 | |
And the final ingredient to make this show go off with a bang, | 0:03:04 | 0:03:07 | |
four people so renowned in the entertainment industry, | 0:03:07 | 0:03:10 | |
Simon Cowell actually calls them for advice! | 0:03:10 | 0:03:12 | |
You know who they are, it's the judges. | 0:03:12 | 0:03:14 | |
'They are the top coaches in the industry and have worked with | 0:03:19 | 0:03:22 | |
'a host of stars, from the Saturdays to Olly Murs. | 0:03:22 | 0:03:25 | |
'It's the judges! Head judge, Carrie.' | 0:03:25 | 0:03:27 | |
Absolutely brilliant. I loved it. | 0:03:27 | 0:03:30 | |
You absolutely blew me away. | 0:03:30 | 0:03:33 | |
'Vocal coach, David Grant.' | 0:03:33 | 0:03:36 | |
Confidence, attitude and swagger. Amazing. | 0:03:36 | 0:03:40 | |
Nobody does what you do as well as you do. | 0:03:40 | 0:03:43 | |
'New judge, John Modi. | 0:03:43 | 0:03:45 | |
Practise, rehearse, perform. I think we've got an awesome show. | 0:03:45 | 0:03:51 | |
'Dancer and choreographer, Sisco Gomez.' | 0:03:51 | 0:03:54 | |
As soon is the first word started, you were like, bam! | 0:03:54 | 0:03:57 | |
And I believed every single word. | 0:03:57 | 0:03:58 | |
I loved the choreography, the concept, how quirky it was. | 0:03:58 | 0:04:02 | |
Oh, and here they are in the flesh, it's the judges! | 0:04:08 | 0:04:11 | |
CHEERING AND APPLAUSE | 0:04:11 | 0:04:15 | |
-Lovely to have you here, guys. -Lovely. | 0:04:24 | 0:04:26 | |
Now, Carrie, I think you'll agree, what an amazing couple of weeks it's been on Glee Club. | 0:04:26 | 0:04:30 | |
Are you ready for this live semi-final? | 0:04:30 | 0:04:32 | |
I think this is the strongest series we've had, they are amazing. | 0:04:32 | 0:04:35 | |
-Definitely. -And Sisco, can I just say, your kilt is amazing. Isn't it? | 0:04:35 | 0:04:40 | |
CHEERING AND WHOOPING | 0:04:40 | 0:04:43 | |
Also, do you reckon the public will have a tough decision today? | 0:04:43 | 0:04:47 | |
It's very tough, because as Carrie said, it just gets better | 0:04:47 | 0:04:49 | |
and better. I'm glad that we only have this much responsibility! | 0:04:49 | 0:04:53 | |
-THEY LAUGH -OK, if you'd like to take your seats. | 0:04:53 | 0:04:56 | |
Our judges, everybody! | 0:04:56 | 0:04:59 | |
CHEERING AND APPLAUSE | 0:04:59 | 0:05:01 | |
Now, remember, it's your votes that count. | 0:05:01 | 0:05:04 | |
However, we are asking our judges to score in the event that | 0:05:04 | 0:05:06 | |
the phone votes are tied or there is a technical problem. | 0:05:06 | 0:05:09 | |
So, let's get this show on the road. | 0:05:09 | 0:05:11 | |
Performing first and currently fourth on the leaderboard, | 0:05:11 | 0:05:13 | |
is one of our two acts from Scotland. | 0:05:13 | 0:05:15 | |
They love musical theatre and they admire Little Mix. | 0:05:15 | 0:05:18 | |
Let's join Naomi with Bittersweet. | 0:05:18 | 0:05:20 | |
Bittersweet, you are looking absolutely gorgeous today. | 0:05:20 | 0:05:23 | |
Tell me, how does it feel to make it to the semifinals? | 0:05:23 | 0:05:27 | |
Well, it's really good, because we didn't exactly expect it, | 0:05:27 | 0:05:31 | |
considering we didn't win our heat. But it's exciting. | 0:05:31 | 0:05:33 | |
What a lovely surprise, eh? | 0:05:33 | 0:05:35 | |
Gemma, do you reckon you guys have got a secret weapon? | 0:05:35 | 0:05:38 | |
Well, actually, we have a secret prop, for the final. | 0:05:38 | 0:05:41 | |
But it's not been done yet in this show. | 0:05:41 | 0:05:44 | |
We can't tell you what it is, so to see it, you have to vote us in. | 0:05:44 | 0:05:49 | |
So, you need the vote to see this prop. | 0:05:49 | 0:05:51 | |
I like your tactical thinking there, very good. | 0:05:51 | 0:05:53 | |
So before you perform, I wish you the best of luck. | 0:05:53 | 0:05:55 | |
Let's take a look at your journey to the semi-final. | 0:05:55 | 0:05:58 | |
'Bittersweet went all out to impress at the judges' auditions, | 0:06:00 | 0:06:03 | |
'and didn't disappoint.' | 0:06:03 | 0:06:04 | |
# We are living in a material world | 0:06:04 | 0:06:08 | |
# And I am a material girl... # | 0:06:08 | 0:06:11 | |
I loved the vocals, the "dit-dit-dit"! | 0:06:11 | 0:06:13 | |
I'm going to be singing that for days now. | 0:06:13 | 0:06:16 | |
It's like watching a little mini performance from a musical. | 0:06:16 | 0:06:19 | |
'And in Round One, they blew the judges away.' | 0:06:19 | 0:06:23 | |
# Mama told me not to waste my life | 0:06:23 | 0:06:26 | |
# She said spread your wings, my little bird, and fly... # | 0:06:26 | 0:06:31 | |
Confidence, attitude and swagger. | 0:06:31 | 0:06:34 | |
I loved the choreography and the conviction. | 0:06:34 | 0:06:37 | |
I think you would definitely give Little Mix a run for their money. | 0:06:37 | 0:06:40 | |
'But for their survival song, there were mixed reactions.' | 0:06:40 | 0:06:43 | |
# You're gonna make me, make me love you | 0:06:43 | 0:06:46 | |
# Nothing at all, nothing that I'd do | 0:06:46 | 0:06:48 | |
# Promise I made, promise I made... # | 0:06:48 | 0:06:50 | |
It was a little bit shouty, so the vocal sound wasn't so good. | 0:06:50 | 0:06:55 | |
What this song required that | 0:06:55 | 0:06:56 | |
you seemed unable to really give it fully is warmth. | 0:06:56 | 0:06:59 | |
We'll take the judges' criticism in and just, like, | 0:06:59 | 0:07:02 | |
if we get through, then we'll do what they say. | 0:07:02 | 0:07:05 | |
'And despite not winning their heat, | 0:07:05 | 0:07:07 | |
'they still made it through to today's semi-final.' | 0:07:07 | 0:07:10 | |
# Starting to fade. # | 0:07:10 | 0:07:14 | |
'So, let's hope they do Scotland proud. | 0:07:17 | 0:07:19 | |
'Singing and dancing for you and for comic relief, it's Bittersweet!' | 0:07:19 | 0:07:23 | |
# Hey, hey, hey | 0:07:26 | 0:07:29 | |
# Hey, hey, hey | 0:07:29 | 0:07:32 | |
# You know I can do it better than you | 0:07:32 | 0:07:33 | |
# Uh-huh! | 0:07:33 | 0:07:35 | |
# I can do it even better in broken heels | 0:07:35 | 0:07:37 | |
# Whoo! Hey, hey, hey | 0:07:37 | 0:07:40 | |
# Hey, hey, hey | 0:07:40 | 0:07:43 | |
# All the ladies tell the fellas we can do what they can do | 0:07:43 | 0:07:45 | |
# We can do it even better in broken heels | 0:07:45 | 0:07:49 | |
# I roll my sleeves up, wrap my hair up | 0:07:49 | 0:07:51 | |
# There's no sign on the road so I never stop | 0:07:51 | 0:07:54 | |
-# Can you catch me? -Yeah, yeah, yeah | 0:07:54 | 0:07:57 | |
# You'll never catch me, ay, ay, ay | 0:07:57 | 0:08:00 | |
# I'm fresh out the box, fast like a fox | 0:08:00 | 0:08:02 | |
# Boss in my shoes, tick tock, 12 o'clock | 0:08:02 | 0:08:05 | |
# You better watch me, yeah, yeah, yeah | 0:08:05 | 0:08:08 | |
# Sit back and watch me, ay, ay, ay | 0:08:08 | 0:08:11 | |
# You go hard, yes, you do | 0:08:11 | 0:08:13 | |
# But when I go it's a magic show | 0:08:13 | 0:08:16 | |
# Oh, oh, oh, oh, oh, oh | 0:08:16 | 0:08:19 | |
# I get it when I want it and I get it right | 0:08:19 | 0:08:22 | |
# Hey, hey, hey | 0:08:22 | 0:08:25 | |
# Hey, hey, hey | 0:08:25 | 0:08:27 | |
# All the ladies tell the fellas we can do what they can do | 0:08:27 | 0:08:30 | |
# We can do it even better with broken heels | 0:08:30 | 0:08:33 | |
# Hey, hey, hey | 0:08:33 | 0:08:36 | |
# Hey, hey, hey | 0:08:36 | 0:08:39 | |
# All the ladies tell the fellas we can do what they can do | 0:08:39 | 0:08:41 | |
# We can do it even better in broken heels | 0:08:41 | 0:08:44 | |
# Anything you can do I can do better | 0:08:44 | 0:08:47 | |
# Boy, I can do it in broken heels | 0:08:47 | 0:08:50 | |
# Anything you can do we can do better | 0:08:50 | 0:08:53 | |
Boy, I can do it in broken, broken hee-ee-ee-eels-ah! # | 0:08:53 | 0:09:00 | |
CHEERING AND APPLAUSE | 0:09:00 | 0:09:03 | |
# Hee-ee-ee-eels-ah! # | 0:09:04 | 0:09:07 | |
Well done, guys, great way to start the show. | 0:09:07 | 0:09:09 | |
Let's see what our judges thought. | 0:09:09 | 0:09:11 | |
Carrie, it's always difficult to open the show. | 0:09:11 | 0:09:13 | |
How do you think Bittersweet did there? | 0:09:13 | 0:09:15 | |
I think every Glee Club today is going to feel super nervous. | 0:09:15 | 0:09:19 | |
But that was a great choice of song for you. | 0:09:19 | 0:09:21 | |
What I've always loved about you guys is your energy, and that just | 0:09:21 | 0:09:24 | |
burst out again, you burst out the screen when I watch it back at home. | 0:09:24 | 0:09:28 | |
Absolutely brilliant. I don't know that the soloists | 0:09:28 | 0:09:31 | |
were as strong today, but the ensemble work was beautiful. | 0:09:31 | 0:09:34 | |
Brilliant, OK. | 0:09:34 | 0:09:35 | |
David, do you reckon Bittersweet could be the next big girl band? | 0:09:37 | 0:09:40 | |
I tell you what they have done. | 0:09:40 | 0:09:42 | |
They have really raised the bar, | 0:09:42 | 0:09:44 | |
and everybody who wants to get through is going to have to jump it. | 0:09:44 | 0:09:47 | |
Today is our first voting day and you've given people a reason to vote. | 0:09:47 | 0:09:51 | |
What I asked you for on the last performance was that you give 100% energy, which you did, | 0:09:51 | 0:09:55 | |
and 80% volume, so that you could have tone and control, and you did that as well, so well done. | 0:09:55 | 0:10:00 | |
CHEERING AND APPLAUSE | 0:10:00 | 0:10:04 | |
John, what is it you like about Bittersweet? | 0:10:04 | 0:10:06 | |
You know, from day one, | 0:10:06 | 0:10:07 | |
you girls have had what I call the feelgood factor. | 0:10:07 | 0:10:10 | |
I'm always smiling, every time you finish performing. | 0:10:10 | 0:10:13 | |
What I like about you is that you're not trying to be older than | 0:10:13 | 0:10:16 | |
you are, you don't come across that way, and yet, you have the artistic | 0:10:16 | 0:10:20 | |
intelligence to get into character, no matter what song you are singing. | 0:10:20 | 0:10:24 | |
-Fantastic, good stuff. -Nice one. | 0:10:24 | 0:10:26 | |
And finally, Sisco, choreography expert, was that a good performance? | 0:10:26 | 0:10:30 | |
I think the choreography was spot-on. | 0:10:30 | 0:10:32 | |
You didn't do too much, it suited the song, it suited you guys, | 0:10:32 | 0:10:36 | |
you looked like you had so much fun. | 0:10:36 | 0:10:38 | |
The only critique I had, I wish the soloists had more | 0:10:38 | 0:10:40 | |
projection in the voice, because as soon as the ensemble stopped | 0:10:40 | 0:10:44 | |
singing, it was just like, there was lack of volume. | 0:10:44 | 0:10:46 | |
But other than that, you looked amazing and danced amazing. | 0:10:46 | 0:10:49 | |
Thank you very much. | 0:10:49 | 0:10:51 | |
So, you've heard what our judges thought, but it's up to you at home. | 0:10:51 | 0:10:55 | |
If Bittersweet are your favourite all-round entertainment performance, | 0:10:55 | 0:10:58 | |
and you want to see them in the final, you need to vote for them. | 0:10:58 | 0:11:01 | |
But only when the phone line is open and all five acts have performed. | 0:11:01 | 0:11:04 | |
Do not call now as your vote will not be counted | 0:11:04 | 0:11:06 | |
and you may still be charged. | 0:11:06 | 0:11:08 | |
Give it up for Bittersweet! | 0:11:08 | 0:11:09 | |
CHEERING | 0:11:09 | 0:11:10 | |
The next act to perform are currently third on the leaderboard. | 0:11:15 | 0:11:18 | |
Carrie thought their vocals were beautiful. | 0:11:18 | 0:11:20 | |
Let's go over to Naomi and meet Resonate. | 0:11:20 | 0:11:23 | |
Here they are, it's Resonate. It's good to see you guys again. | 0:11:23 | 0:11:26 | |
-Happy to be back? -Definitely. | 0:11:26 | 0:11:27 | |
Of course you are, you've made it through to the semifinals. | 0:11:27 | 0:11:30 | |
So, Jack, tell me, what are your strengths? | 0:11:30 | 0:11:32 | |
How are you planning to use them to get yourself through to the final? | 0:11:32 | 0:11:35 | |
Our strengths are certainly our vocals. | 0:11:35 | 0:11:37 | |
We're going to take the comments on board from the last round | 0:11:37 | 0:11:40 | |
and strip our choreography right back so that we can concentrate | 0:11:40 | 0:11:42 | |
on our harmonies and our connection with the lyrics. | 0:11:42 | 0:11:45 | |
Cannot wait to hear it. | 0:11:45 | 0:11:46 | |
Harriet, is everybody from the Isle of Wight supporting you today? | 0:11:46 | 0:11:49 | |
Well, we certainly hope so and we just hope | 0:11:49 | 0:11:51 | |
that they pick up the phone and vote for us | 0:11:51 | 0:11:53 | |
because we've got something special ready for the final. | 0:11:53 | 0:11:56 | |
Fingers crossed. All right, then, Resonate, | 0:11:56 | 0:11:58 | |
let's take a look at your story on your journey to the semifinals. | 0:11:58 | 0:12:02 | |
Resonate have shown the skills to be a resounding success | 0:12:04 | 0:12:07 | |
on their journey to Glasgow. | 0:12:07 | 0:12:09 | |
# Cry me a river that leads to your ocean... # | 0:12:09 | 0:12:14 | |
The vocals were really soothing and smooth. | 0:12:14 | 0:12:17 | |
I absolutely loved that song and the good news is, I still love it. | 0:12:17 | 0:12:21 | |
Things didn't go to plan in the first round of the studio heats. | 0:12:21 | 0:12:25 | |
# Your words don't mean a thing I'm not listening... # | 0:12:26 | 0:12:31 | |
I think the song slightly got the better of you. | 0:12:31 | 0:12:34 | |
This isn't your type of song. I felt like the song slightly exposed you. | 0:12:34 | 0:12:37 | |
But for their survival song, Resonate found their voice... | 0:12:39 | 0:12:42 | |
# Louder, louder | 0:12:43 | 0:12:46 | |
# And we'll run for our lives... # | 0:12:46 | 0:12:52 | |
That was a world-class performance. | 0:12:52 | 0:12:55 | |
..and turned their fortunes around. | 0:12:55 | 0:12:58 | |
-It's Resonate. -APPLAUSE | 0:12:58 | 0:13:00 | |
Well done, thank you so much. | 0:13:02 | 0:13:05 | |
-I thought they were joking when they said... -Yeah. | 0:13:05 | 0:13:08 | |
We couldn't really believe it. | 0:13:08 | 0:13:09 | |
There was like a pause afterwards and we were like...is this a joke? | 0:13:09 | 0:13:14 | |
Can they match that performance in the semifinal? | 0:13:14 | 0:13:17 | |
ALL: Resonate! | 0:13:17 | 0:13:19 | |
Hoping it'll be all right on the night, | 0:13:21 | 0:13:23 | |
singing and dancing for you and for Comic Relief, it's Resonate. | 0:13:23 | 0:13:27 | |
APPLAUSE | 0:13:27 | 0:13:29 | |
# You let all the girls go | 0:13:30 | 0:13:33 | |
# It makes you feel good, don't it? | 0:13:34 | 0:13:40 | |
# Behind your Broadway show | 0:13:41 | 0:13:45 | |
# I heard a voice say | 0:13:45 | 0:13:47 | |
# Please don't hurt me | 0:13:47 | 0:13:50 | |
# Please don't hurt me | 0:13:50 | 0:13:53 | |
# You've carried on so long | 0:13:53 | 0:13:55 | |
# You couldn't stop if you tried it | 0:13:55 | 0:13:59 | |
# Tried it | 0:13:59 | 0:14:00 | |
# But I'm gonna try | 0:14:00 | 0:14:03 | |
# Would you let me see beneath your beautiful? | 0:14:03 | 0:14:08 | |
# Would you let me see beneath your perfect? | 0:14:08 | 0:14:14 | |
# Take it off now, boy Take it off now, boy | 0:14:14 | 0:14:17 | |
# I wanna see inside | 0:14:17 | 0:14:20 | |
# Would you let me see beneath your beautiful tonight? | 0:14:20 | 0:14:26 | |
# I'm gonna climb on top of your ivory tower | 0:14:26 | 0:14:29 | |
# I'll hold your hand and then I just wanna know | 0:14:32 | 0:14:37 | |
# Would you let me see beneath your beautiful? | 0:14:37 | 0:14:42 | |
# Would you let me see beneath your perfect? | 0:14:42 | 0:14:48 | |
# Take it off now, girl Take it off now, girl | 0:14:48 | 0:14:51 | |
# I wanna see inside | 0:14:51 | 0:14:54 | |
# Would you let me | 0:14:54 | 0:14:57 | |
# See beneath your beautiful tonight? # | 0:14:57 | 0:15:03 | |
APPLAUSE | 0:15:03 | 0:15:05 | |
-Well done, guys. -Amazing, well done, Resonate, that was really good. | 0:15:09 | 0:15:14 | |
OK, let's go over to the judges and see what they thought. | 0:15:14 | 0:15:16 | |
David, you have worked with some of the best vocalists in the world. | 0:15:16 | 0:15:20 | |
How were the vocals in that performance? | 0:15:20 | 0:15:22 | |
Well, you were asked to turn every song into a song that suited you, | 0:15:22 | 0:15:28 | |
to make it stylistically work to your strengths and that's what you did. | 0:15:28 | 0:15:32 | |
I've got to say the a cappella bit in the middle was a mad thing | 0:15:32 | 0:15:37 | |
to do at this stage because it shows every flaw, | 0:15:37 | 0:15:40 | |
every mistake and every discrepancy, but there weren't any. | 0:15:40 | 0:15:44 | |
-That was fantastic. -Thank you very much. | 0:15:44 | 0:15:47 | |
APPLAUSE | 0:15:47 | 0:15:49 | |
-It's not a bad start, that. -Are you all right, Carrie? | 0:15:49 | 0:15:52 | |
Carrie is crying here, she must've liked it. | 0:15:52 | 0:15:54 | |
John, were you entertained, mate? | 0:15:54 | 0:15:56 | |
Yeah, you guys are more than entertainment. | 0:15:56 | 0:15:58 | |
I think you are an experience to be remembered, | 0:15:58 | 0:16:02 | |
I think you're vocal blessing indeed and you continue to do it. Well done. | 0:16:02 | 0:16:06 | |
APPLAUSE | 0:16:06 | 0:16:07 | |
Sisco, are you glad Resonate are in the semifinal? | 0:16:07 | 0:16:11 | |
Definitely, you guys blew me away last time. | 0:16:11 | 0:16:13 | |
I was absolutely gobsmacked | 0:16:13 | 0:16:14 | |
and what I love about you guys is that clarity in your harmonies. | 0:16:14 | 0:16:17 | |
You can really almost see every single layer that you're singing | 0:16:17 | 0:16:21 | |
and it's incredible. | 0:16:21 | 0:16:23 | |
Personally, I preferred your Leona Lewis rendition but that's not to say | 0:16:23 | 0:16:27 | |
that this was not good because vocally that was amazing. | 0:16:27 | 0:16:30 | |
APPLAUSE | 0:16:30 | 0:16:31 | |
-Carrie, quickly, are you all right? -Am I all right? | 0:16:31 | 0:16:34 | |
What did you think of that performance? | 0:16:34 | 0:16:35 | |
I want to let you into a little secret about talent shows. | 0:16:35 | 0:16:38 | |
Every judge on every talent show thinks, "Did I just say something | 0:16:38 | 0:16:41 | |
"that I shouldn't have said?" Everyone thinks it. | 0:16:41 | 0:16:43 | |
On the last show, I said you were world-class and I thought, | 0:16:43 | 0:16:46 | |
"That's a really big statement, should I have said that?" | 0:16:46 | 0:16:49 | |
I'm going to stand by what I said. I believe you guys are world-class. | 0:16:49 | 0:16:53 | |
Thank you very much, judges. | 0:16:53 | 0:16:55 | |
APPLAUSE | 0:16:55 | 0:16:57 | |
But it's not up to them to decide who goes through. It is up to you. | 0:16:57 | 0:17:00 | |
If Resonate are your favourite | 0:17:00 | 0:17:01 | |
all-round entertainment performance | 0:17:01 | 0:17:03 | |
and you want to see them in the final, you need to vote for them | 0:17:03 | 0:17:06 | |
but only when the phone lines open and all five acts have performed. | 0:17:06 | 0:17:09 | |
Do not call now as your vote will not be counted | 0:17:09 | 0:17:12 | |
and you may still be charged, but right now give it up for Resonate. | 0:17:12 | 0:17:15 | |
-Well done. -APPLAUSE | 0:17:15 | 0:17:17 | |
OK, our next act to perform are currently second on the leaderboard. | 0:17:21 | 0:17:25 | |
They come from London and they want to make a difference. | 0:17:25 | 0:17:27 | |
Let's go over to Naomi and meet MAD. | 0:17:27 | 0:17:30 | |
Hello there, MAD, how lovely to see you all again. | 0:17:31 | 0:17:34 | |
-Are you glad to be here? -Yeah, we are. -Now, Erin, tell me, | 0:17:34 | 0:17:36 | |
what have you all been up to since we last saw you? | 0:17:36 | 0:17:38 | |
-Have you been busy? -Er, yeah, we've just been rehearsing, | 0:17:38 | 0:17:41 | |
trying to, like, perfect what we've done. | 0:17:41 | 0:17:43 | |
Also I want to say congratulations to Mr Novak who had a baby yesterday. | 0:17:43 | 0:17:47 | |
Oh! Congratulations! What a lovely news. | 0:17:47 | 0:17:50 | |
-Have you got any message for your leader? -ALL: We love you, Mr Novak. | 0:17:50 | 0:17:54 | |
We love you! Ah! | 0:17:54 | 0:17:55 | |
Now, last time, Rachel, David said they loved your urban twist. | 0:17:55 | 0:17:59 | |
Can we expect more of the same thing today? | 0:17:59 | 0:18:00 | |
Yeah, we've really tried to take in what the judges said | 0:18:00 | 0:18:03 | |
and put it into our performance and we hope it pays off. | 0:18:03 | 0:18:05 | |
All right, well, let's see how MAD made it to the semifinal? | 0:18:05 | 0:18:09 | |
MAD's confidence was high | 0:18:12 | 0:18:13 | |
after making it through to the judges' auditions. | 0:18:13 | 0:18:16 | |
You guys absolutely nailed it. | 0:18:23 | 0:18:25 | |
Ayesha... You reminded me of Mary J Blige, Ayesha. | 0:18:25 | 0:18:29 | |
THEY GASP | 0:18:29 | 0:18:31 | |
And praise continued for MAD's round one performance in their heat. | 0:18:31 | 0:18:35 | |
# Crazy, crazy, crazy till we see the sun... # | 0:18:35 | 0:18:38 | |
MAD, beautiful arrangement, beautifully sung, | 0:18:38 | 0:18:43 | |
beautifully blended. | 0:18:43 | 0:18:44 | |
When it came to round two, things didn't quite go to plan. | 0:18:44 | 0:18:48 | |
It's MAD. | 0:18:48 | 0:18:49 | |
# I knew you were trouble when you walked in | 0:18:49 | 0:18:54 | |
# Shame on me now... # | 0:18:54 | 0:18:56 | |
I think today you didn't get the soloist right. | 0:18:56 | 0:18:59 | |
I felt like they didn't play to their strengths. | 0:18:59 | 0:19:02 | |
You know, guys, I think we're being little harsh on you. | 0:19:02 | 0:19:04 | |
It was pretty good. | 0:19:04 | 0:19:05 | |
But they still scored high enough to get through. | 0:19:05 | 0:19:08 | |
It's MAD! | 0:19:08 | 0:19:10 | |
CHEERING | 0:19:10 | 0:19:11 | |
-We're celebrities! -Yeah. Yeah, relieved. -We worked so hard. | 0:19:13 | 0:19:19 | |
ALL: Yeah! | 0:19:19 | 0:19:20 | |
CHANTING: M to the A to the D. M to the A to the D - MAD! | 0:19:20 | 0:19:24 | |
Hoping they don't have a mountain to climb to get to the final, | 0:19:26 | 0:19:29 | |
singing and dancing for you and for Comic Relief, it's MAD! | 0:19:29 | 0:19:32 | |
# When I was a little girl | 0:19:38 | 0:19:41 | |
# I had a rag doll | 0:19:41 | 0:19:44 | |
# The only doll I ever owned | 0:19:44 | 0:19:47 | |
# Now I love you just the way I loved that rag doll | 0:19:50 | 0:19:55 | |
# But only now my love has grown | 0:19:55 | 0:19:58 | |
# And it gets stronger in every way | 0:20:00 | 0:20:05 | |
# And it gets higher | 0:20:05 | 0:20:09 | |
# Day by day | 0:20:09 | 0:20:12 | |
# Do I love you? My oh my | 0:20:12 | 0:20:18 | |
# River deep, mountain high | 0:20:18 | 0:20:21 | |
# Yeah, yeah, yeah | 0:20:21 | 0:20:24 | |
# If I lost you, would I cry? | 0:20:24 | 0:20:27 | |
# Oh, how I love you, baby | 0:20:29 | 0:20:32 | |
# Baby, baby, baby! # | 0:20:32 | 0:20:37 | |
APPLAUSE | 0:20:37 | 0:20:39 | |
Well done, guys. | 0:20:42 | 0:20:43 | |
You looked like you enjoyed that definitely. | 0:20:43 | 0:20:45 | |
I love the pose at the end. | 0:20:45 | 0:20:47 | |
Let's have a look and see what the judges thought of that performance. | 0:20:47 | 0:20:50 | |
-John, what do you think of MAD? -You're back! | 0:20:50 | 0:20:53 | |
And with a vengeance and it looks like, no doubt, | 0:20:53 | 0:20:56 | |
it's directed at the judges. Ouch! | 0:20:56 | 0:20:58 | |
Well, the reality is thank you very much for making me look so good | 0:20:58 | 0:21:02 | |
by digging deep and coming back with a brilliant performance. Well done. | 0:21:02 | 0:21:07 | |
APPLAUSE | 0:21:07 | 0:21:08 | |
-Sisco, did that have enough soul for you? -It did, but you know what? | 0:21:08 | 0:21:12 | |
-What's your name, sorry? Yes? -Ayesha. -Ayesha. | 0:21:12 | 0:21:16 | |
Honestly, this song requires so much vocal thickness | 0:21:16 | 0:21:19 | |
and just raw soul, you should have just stuck with one soloist, | 0:21:19 | 0:21:23 | |
personally, because it was such a shaky start, | 0:21:23 | 0:21:25 | |
I think that nerves got the better out of the first two vocalists, | 0:21:25 | 0:21:28 | |
the soloists, but the charisma, the choreography, was all perfect. | 0:21:28 | 0:21:32 | |
I just wish you had stuck with the one soloist that can actually | 0:21:32 | 0:21:35 | |
give that song that punch it needed. | 0:21:35 | 0:21:38 | |
Carrie, you said MAD were brilliant, brilliant, brilliant | 0:21:38 | 0:21:40 | |
in the auditions. Were they brilliant this time? | 0:21:40 | 0:21:43 | |
I think you have the potential to be brilliant, brilliant, brilliant, | 0:21:43 | 0:21:46 | |
but we're now playing in the big league. | 0:21:46 | 0:21:48 | |
I think the second half of it was great. | 0:21:48 | 0:21:49 | |
It was so long before we got all of you singing. | 0:21:49 | 0:21:52 | |
It was about halfway through before we heard all the voices. | 0:21:52 | 0:21:55 | |
I would've liked the voices a little earlier and I really stick by what | 0:21:55 | 0:21:58 | |
we said last time, Ayesha - she's like a mammoth singer, so use her. | 0:21:58 | 0:22:03 | |
You guys are great ensemble but fantastic | 0:22:03 | 0:22:05 | |
but if you do get through, you've got to pick your best singers. | 0:22:05 | 0:22:09 | |
OK, thank you very much, Carrie. Don't worry, don't worry, | 0:22:09 | 0:22:11 | |
guys, because the power is no longer in our judges' hands. | 0:22:11 | 0:22:14 | |
It's up to you guys at home | 0:22:14 | 0:22:16 | |
-to decide who goes through to the final. -Yes, if MAD | 0:22:16 | 0:22:19 | |
is your all-round favourite entertainment performance | 0:22:19 | 0:22:21 | |
and you want to see them in the final, you need to vote for them | 0:22:21 | 0:22:24 | |
but only when the phone lines open | 0:22:24 | 0:22:25 | |
and all five acts have performed. | 0:22:25 | 0:22:27 | |
Don't call now as your vote will not be counted | 0:22:27 | 0:22:29 | |
and you may still be charged. Give it up for MAD. Well done, guys. | 0:22:29 | 0:22:32 | |
CHEERING | 0:22:32 | 0:22:34 | |
The next group to grace the stage | 0:22:37 | 0:22:39 | |
are currently fifth on the leaderboard. | 0:22:39 | 0:22:41 | |
They thrilled us with their theatrical performances. | 0:22:41 | 0:22:43 | |
Let's join Naomi to find out what LS8 have in store for us this time. | 0:22:43 | 0:22:47 | |
Thank you, Mark. Yes, it is LS8! | 0:22:47 | 0:22:49 | |
Here they are. Now, Harry, I almost don't think I need to ask you this. | 0:22:49 | 0:22:52 | |
What can we expect from tonight's performance? | 0:22:52 | 0:22:55 | |
Well, you can expect a lot of sparkle and pizzazz. | 0:22:55 | 0:22:58 | |
I thought that's what you might say. Anything else? | 0:22:58 | 0:23:01 | |
An explosion of characters. | 0:23:01 | 0:23:04 | |
I cannot wait to see that. Shannon, | 0:23:04 | 0:23:06 | |
have you had loads of support from your family and friends? | 0:23:06 | 0:23:09 | |
Well, we've got the rest of LS8 but only eight of us could do this, | 0:23:09 | 0:23:12 | |
so we've got a lot of support from them and the rest of REBEL, | 0:23:12 | 0:23:15 | |
and obviously, us families and friends. | 0:23:15 | 0:23:17 | |
Well, best of luck to you all. | 0:23:17 | 0:23:19 | |
Let's remind ourselves of LS8's journey to the semi-final. | 0:23:19 | 0:23:22 | |
Right, next up we have LS8 from Leeds | 0:23:24 | 0:23:27 | |
and I think you guys might enjoy this. | 0:23:27 | 0:23:30 | |
Very theatrical, very unusual. | 0:23:30 | 0:23:32 | |
# Let's do the time warp again... # | 0:23:32 | 0:23:37 | |
I loved it. I am thoroughly entertained. | 0:23:37 | 0:23:40 | |
You, John, were brilliantly demented. | 0:23:40 | 0:23:43 | |
How do you feel about being called demented? | 0:23:43 | 0:23:47 | |
It was great, cos I was meant to be demented. | 0:23:47 | 0:23:49 | |
Could LS8 be just as theatrical when they took to the stage in Glasgow? | 0:23:49 | 0:23:53 | |
We need to give it us best sparkle. | 0:23:53 | 0:23:55 | |
How'd you sparkle? | 0:23:55 | 0:23:57 | |
-It's all in the eyes! -Give it some pizzazz! | 0:23:57 | 0:23:59 | |
# You fall in love, zing-boom | 0:24:00 | 0:24:04 | |
# The sky up above, zing-boom | 0:24:04 | 0:24:07 | |
# Is caving in | 0:24:07 | 0:24:10 | |
SHE SHRIEKS | 0:24:10 | 0:24:11 | |
I love the choreography, the concept, how quirky it was. | 0:24:11 | 0:24:14 | |
It was quite random as well, yet entertaining. | 0:24:14 | 0:24:17 | |
It was eccentric, it was full of drama, it was a winning performance. | 0:24:17 | 0:24:21 | |
It's LS8! | 0:24:21 | 0:24:22 | |
Here's my medal! Woo! | 0:24:25 | 0:24:27 | |
-You're crying! -Aw! | 0:24:27 | 0:24:29 | |
-I'm shocked! -Shocked, yeah. -Really shocked! | 0:24:29 | 0:24:33 | |
ALL: LS8! Woo! | 0:24:33 | 0:24:36 | |
I think my eardrum's burst. | 0:24:37 | 0:24:38 | |
This was a hit for Kim Wilde, | 0:24:40 | 0:24:41 | |
but would it be another "Wilde" performance from LS8? | 0:24:41 | 0:24:45 | |
Singing and dancing for you and for Comic Relief, it is LS8. | 0:24:45 | 0:24:49 | |
# Looking out a dirty old window | 0:24:53 | 0:24:56 | |
# Down below the cars in the city go rushing by | 0:24:56 | 0:25:01 | |
# I sit here alone and I wonder why | 0:25:02 | 0:25:06 | |
# Friday night and everyone's moving | 0:25:08 | 0:25:10 | |
# I can feel the heat but it's soothing, heading down | 0:25:10 | 0:25:16 | |
# I search for the beat in this dirty town | 0:25:16 | 0:25:20 | |
# Downtown the young ones are going | 0:25:20 | 0:25:22 | |
# Downtown the young ones are growing | 0:25:22 | 0:25:25 | |
-# We're the kids in America! -Whoa-oh | 0:25:25 | 0:25:28 | |
-# We're the kids in America! -Whoa-oh | 0:25:28 | 0:25:32 | |
# Everybody live for the music-go-round | 0:25:32 | 0:25:35 | |
# Na-na-na na-na-na-na | 0:25:35 | 0:25:38 | |
# Na-na-na na-na-na-na | 0:25:38 | 0:25:40 | |
# Na-na-na na-na-na-na | 0:25:40 | 0:25:43 | |
# Na-na-na na-na-na-na | 0:25:43 | 0:25:46 | |
# Na-na-na-na na | 0:25:46 | 0:25:49 | |
# Outside a new day is dawning | 0:25:53 | 0:25:55 | |
# Outside suburbia's sprawling everywhere | 0:25:55 | 0:26:01 | |
# I don't want to go, baby | 0:26:01 | 0:26:04 | |
# New York to east California | 0:26:04 | 0:26:07 | |
# There's a new wave coming, I warn ya | 0:26:07 | 0:26:10 | |
# We're the kids in America! # | 0:26:10 | 0:26:16 | |
CHEERING AND APPLAUSE | 0:26:16 | 0:26:20 | |
You can relax your faces now, guys. | 0:26:24 | 0:26:26 | |
Well done. Let's go to the judges and see what they thought of that. | 0:26:26 | 0:26:29 | |
Sisco, what impressed you about that performance? | 0:26:29 | 0:26:31 | |
I love how fearless you are, like, you're not afraid to be quirky, | 0:26:31 | 0:26:35 | |
to be slightly odd and slightly too much. It's...it's great. | 0:26:35 | 0:26:38 | |
I really think, I really respect you guys because you give it 110%. | 0:26:38 | 0:26:43 | |
I love the concept, it really suited you guys. | 0:26:43 | 0:26:45 | |
I think you got a little tired | 0:26:45 | 0:26:46 | |
because the volume of the vocals slightly descended in the middle | 0:26:46 | 0:26:50 | |
but you know what? When something's that funny and random, | 0:26:50 | 0:26:52 | |
-it doesn't really matter. It was absolutely fantastic. -Thank you. | 0:26:52 | 0:26:56 | |
CHEERING | 0:26:56 | 0:26:57 | |
Carrie, what do you like about LS8? | 0:26:57 | 0:26:58 | |
What do I like? Can I just say, Sisco, what is the "slightly"? | 0:26:58 | 0:27:01 | |
There is nothing "slightly" about these guys. | 0:27:01 | 0:27:04 | |
They are totally demented. | 0:27:04 | 0:27:05 | |
CHEERING | 0:27:05 | 0:27:07 | |
And that is why I love you! I feel like, you know the movie Twilight? | 0:27:07 | 0:27:10 | |
If it had music, this would be it. | 0:27:10 | 0:27:12 | |
It's young, it's freaky, it's current, it's original. | 0:27:12 | 0:27:17 | |
I love you guys. | 0:27:17 | 0:27:18 | |
CHEERING AND APPLAUSE | 0:27:18 | 0:27:20 | |
They love you guys, but it's up to you at home now. | 0:27:20 | 0:27:22 | |
Who do you want to see through to the final? | 0:27:22 | 0:27:25 | |
If LS8 are your favourite all-round entertainment performance | 0:27:25 | 0:27:28 | |
and you want to see them in the final, you need to vote for them, | 0:27:28 | 0:27:31 | |
but only when the phone lines open and all five acts have performed. | 0:27:31 | 0:27:34 | |
Do not call now as your vote will not be counted | 0:27:34 | 0:27:36 | |
and you may still be charged. | 0:27:36 | 0:27:38 | |
Right now, give it up for LS8! | 0:27:38 | 0:27:40 | |
CHEERING AND APPLAUSE | 0:27:40 | 0:27:42 | |
And now it's time for our fifth and final act, | 0:27:44 | 0:27:47 | |
who are currently top of the leaderboard with over 190 points, | 0:27:47 | 0:27:50 | |
so no pressure, then. Let's go over to Naomi and Raveheart. | 0:27:50 | 0:27:53 | |
Thank you, Sam. | 0:27:53 | 0:27:55 | |
Currently having a quiff competition with Raveheart here. | 0:27:55 | 0:27:58 | |
So, girls, are you feeling under any extra pressure | 0:27:58 | 0:28:01 | |
because you are currently top of the leaderboard? | 0:28:01 | 0:28:03 | |
Um, we're just trying to not think about that now | 0:28:03 | 0:28:05 | |
-and focus on our performance and hope we give the best. -Good answer. | 0:28:05 | 0:28:09 | |
Hey, Brooke, what's been the best part of being on Glee Club so far? | 0:28:09 | 0:28:12 | |
Well, I think we can agree we've loved every minute of it | 0:28:12 | 0:28:15 | |
but performing in front of the judges and being on TV's just... | 0:28:15 | 0:28:17 | |
I've loved every second of it. It's been great. | 0:28:17 | 0:28:20 | |
You're about to do it again. Best of luck to you. | 0:28:20 | 0:28:22 | |
Before we see you perform, let's take a trip down memory lane | 0:28:22 | 0:28:24 | |
and remind ourselves of Raveheart's journey to the semi-final. | 0:28:24 | 0:28:28 | |
Motherwell's Raveheart blew the judges away with | 0:28:30 | 0:28:33 | |
their wall of sound from the moment they took the Glee Club stage. | 0:28:33 | 0:28:37 | |
# These wings are made to fly. # | 0:28:38 | 0:28:41 | |
Anybody who wants to win this | 0:28:41 | 0:28:43 | |
is going to have to kick and scratch and push past you. | 0:28:43 | 0:28:47 | |
But Raveheart are much more than just brave hearts | 0:28:47 | 0:28:51 | |
when it comes to performing as a group. | 0:28:51 | 0:28:53 | |
Being on the stage, it's amazing. | 0:28:53 | 0:28:55 | |
It's such an amazing experience to just be all together. | 0:28:55 | 0:28:58 | |
Once you, like, start getting all the harmonies right, | 0:28:58 | 0:29:01 | |
and it sounds just like amazing, it makes you feel... | 0:29:01 | 0:29:04 | |
-"Let's go for it!" -..so much better! | 0:29:04 | 0:29:06 | |
# Sisters are doing it for themselves | 0:29:06 | 0:29:11 | |
# Standing on their own two feet | 0:29:12 | 0:29:15 | |
# And ringing on their own bells... # | 0:29:16 | 0:29:19 | |
Absolutely brilliant. | 0:29:19 | 0:29:21 | |
-You're fantastic. -The choreography was brilliant. | 0:29:21 | 0:29:24 | |
It's Raveheart! | 0:29:24 | 0:29:25 | |
Their performance earned them top place on the leaderboard. | 0:29:28 | 0:29:31 | |
Can they repeat their success one more time? | 0:29:31 | 0:29:34 | |
Hoping people will jump up and vote for them, | 0:29:37 | 0:29:40 | |
singing and dancing for you and for Comic Relief, it's Raveheart! | 0:29:40 | 0:29:44 | |
# Your eyes tell me how you want me | 0:29:48 | 0:29:53 | |
# I can feel it in your heartbeat | 0:29:53 | 0:29:57 | |
# I know you like what you see | 0:29:57 | 0:30:00 | |
# Hold me | 0:30:02 | 0:30:05 | |
# I'll give all that you need | 0:30:05 | 0:30:08 | |
# Wrap your love around me | 0:30:08 | 0:30:11 | |
# You're so excited, I can feel you getting hotter | 0:30:11 | 0:30:15 | |
# Oh, baby | 0:30:15 | 0:30:17 | |
# I'll take you down, I'll take you down | 0:30:17 | 0:30:22 | |
# Where no one's ever gone before | 0:30:22 | 0:30:24 | |
# And if you want more | 0:30:24 | 0:30:26 | |
# If you want more, more, more | 0:30:26 | 0:30:31 | |
# Jump for my love | 0:30:31 | 0:30:34 | |
# Jump in and feel my touch | 0:30:34 | 0:30:38 | |
# Jump, if you want to taste my kisses in the night, yeah | 0:30:38 | 0:30:42 | |
# Ju-ump for my love | 0:30:42 | 0:30:45 | |
-# I know my heart -I know my heart can make you happy | 0:30:45 | 0:30:49 | |
-# You know these arms -You know these arms can fill you up | 0:30:49 | 0:30:52 | |
# Jump, you want to taste my kisses in the night, yeah | 0:30:52 | 0:30:56 | |
# Ju-ump for my love | 0:30:56 | 0:31:00 | |
-# I know my heart -I know my heart can make you happy | 0:31:00 | 0:31:03 | |
-# You know these arms -You know these arms can fill you up | 0:31:03 | 0:31:06 | |
# Jump, you want to taste my kisses in the night, yeah | 0:31:06 | 0:31:10 | |
# Ju-ump for my love. # | 0:31:10 | 0:31:14 | |
CHEERING AND APPLAUSE | 0:31:14 | 0:31:16 | |
Jump! Jump! | 0:31:19 | 0:31:22 | |
Oh, that was great, Raveheart. Let's see what our judges thought. | 0:31:22 | 0:31:25 | |
Carrie, was that the standard you were expecting? | 0:31:25 | 0:31:28 | |
You know, these guys always deliver in terms of uniformity. | 0:31:28 | 0:31:31 | |
You all look, even, the same in what you're wearing, | 0:31:31 | 0:31:34 | |
but uniformity of tone and sound is always there. You always deliver. | 0:31:34 | 0:31:37 | |
I wanted a bit more punch in those choruses, somehow. | 0:31:37 | 0:31:40 | |
I wanted it to be able to lift up a gear and it wasn't quite there, | 0:31:40 | 0:31:44 | |
but still, all that beautiful uniformity there. Lovely. | 0:31:44 | 0:31:46 | |
APPLAUSE | 0:31:46 | 0:31:47 | |
David. Raveheart have gone one step further than they did last year. | 0:31:47 | 0:31:51 | |
Can they go all the way to the final, do you think? | 0:31:51 | 0:31:53 | |
Well, that's down to the viewers, isn't it? | 0:31:53 | 0:31:55 | |
It's not in our hands any more, but what I will say is, once again, | 0:31:55 | 0:31:58 | |
you're given people a reason to vote. | 0:31:58 | 0:32:00 | |
I think you give people a reason to want to be in your gang | 0:32:00 | 0:32:02 | |
because you do look like a gang and what you did out there was say, | 0:32:02 | 0:32:06 | |
"Come on, if you think you're bad enough, get in ahead of us!" | 0:32:06 | 0:32:09 | |
APPLAUSE | 0:32:09 | 0:32:11 | |
John, you have been a fan of Raveheart from the very beginning. | 0:32:11 | 0:32:15 | |
Have they done you proud? | 0:32:15 | 0:32:16 | |
You girls always do me proud, | 0:32:16 | 0:32:18 | |
and today, especially, you fly the flag high for Scotland | 0:32:18 | 0:32:21 | |
and it was a great performance. | 0:32:21 | 0:32:23 | |
Great energy, great, great, great. | 0:32:23 | 0:32:26 | |
CHEERING | 0:32:26 | 0:32:27 | |
And finally, Sisco, what do you think of Raveheart's performance? | 0:32:27 | 0:32:31 | |
I think vocally you guys are impossible to critique. | 0:32:31 | 0:32:34 | |
Like Carrie said, it's so uniform and so clear, I loved it. | 0:32:34 | 0:32:37 | |
One thing I'd say, I thought the choreography | 0:32:37 | 0:32:40 | |
was a little two-dimensional, it needed more formations. | 0:32:40 | 0:32:43 | |
Maybe that would have taken up it up a gear | 0:32:43 | 0:32:45 | |
because visually, you just looked a little still, but it's a vocal... | 0:32:45 | 0:32:48 | |
-And the vocals were amazing. -Thank you. | 0:32:48 | 0:32:52 | |
CHEERING AND APPLAUSE | 0:32:52 | 0:32:54 | |
Well, remember, as David just said, | 0:32:54 | 0:32:55 | |
deciding who goes through to the final is up to you guys at home. | 0:32:55 | 0:32:59 | |
Yes. If Raveheart are your favourite all-round entertainment performance | 0:32:59 | 0:33:02 | |
and you want to see them in the final - look at them go here - | 0:33:02 | 0:33:05 | |
you need to vote for them, but only when the phone lines open | 0:33:05 | 0:33:07 | |
and all five acts are performed. | 0:33:07 | 0:33:09 | |
Do not call now as your vote will not be counted | 0:33:09 | 0:33:11 | |
and you may still be charged. | 0:33:11 | 0:33:12 | |
Well done, guys. Give it up for Raveheart! | 0:33:12 | 0:33:15 | |
CHEERING AND APPLAUSE | 0:33:15 | 0:33:18 | |
All right! This is the exciting bit | 0:33:20 | 0:33:22 | |
because all five acts have now performed. | 0:33:22 | 0:33:24 | |
And who better to open the phone lines than a voice that can only be | 0:33:24 | 0:33:27 | |
described as liquid peanut butter, | 0:33:27 | 0:33:29 | |
smooth with a hint of nuttiness. | 0:33:29 | 0:33:31 | |
Mr D, can you do the honours? | 0:33:31 | 0:33:33 | |
Well, Sammingtons, it is the sole reason I do this gig, of course. | 0:33:33 | 0:33:36 | |
Here we go. Ahem. | 0:33:36 | 0:33:38 | |
The phone lines are now open! | 0:33:38 | 0:33:41 | |
CHEERING | 0:33:42 | 0:33:45 | |
Phone lines will stay open for approximately 15 minutes. | 0:33:45 | 0:33:47 | |
Calls are free from BT and most landlines. | 0:33:47 | 0:33:50 | |
Some networks and mobile operators will charge for these calls. | 0:33:50 | 0:33:53 | |
Please remember to ask the bill payer's permission. | 0:33:53 | 0:33:55 | |
For full terms and conditions, visit the CBBC website. | 0:33:55 | 0:33:58 | |
All five acts deserve your support | 0:33:58 | 0:33:59 | |
and a place in the final, but only three can go through. | 0:33:59 | 0:34:02 | |
Here's a reminder of those all-important performances | 0:34:02 | 0:34:05 | |
and more importantly, those numbers to call. | 0:34:05 | 0:34:07 | |
# Hey, hey, all the ladies tell the fellas | 0:34:07 | 0:34:10 | |
# We can do what they can do, we can do it even better in broken heels | 0:34:10 | 0:34:15 | |
# Hey, hey, hey, hey, hey, hey | 0:34:15 | 0:34:20 | |
# All the ladies tell the fellas we can do what they can do | 0:34:20 | 0:34:23 | |
# We can do it even better in broken heels. # | 0:34:23 | 0:34:27 | |
# Let me see beneath your beautiful | 0:34:27 | 0:34:32 | |
# Would you let me see beneath your perfect? | 0:34:32 | 0:34:38 | |
# Take it off now, boy, take it off now, boy | 0:34:38 | 0:34:41 | |
# I wanna see inside. # | 0:34:41 | 0:34:44 | |
# Do I love you, my, oh my? | 0:34:44 | 0:34:49 | |
# River deep, mountain high | 0:34:49 | 0:34:53 | |
# Yeah, yeah | 0:34:53 | 0:34:55 | |
# If I lost you would I cry? | 0:34:55 | 0:34:59 | |
# Oh how I love you, baby... # | 0:34:59 | 0:35:04 | |
# I can feel the heat but it's soothing, heading down | 0:35:04 | 0:35:09 | |
# I search for the beat in this dirty town | 0:35:09 | 0:35:13 | |
# Down town the young ones are going | 0:35:13 | 0:35:15 | |
# Down town the young ones are growing | 0:35:15 | 0:35:18 | |
# We're the kids in America, whoa | 0:35:18 | 0:35:21 | |
# We're the kids in America. # | 0:35:21 | 0:35:23 | |
# I know my heart, my heart can make you happy | 0:35:23 | 0:35:27 | |
# You know these arms, these arms can feel you up | 0:35:27 | 0:35:31 | |
# Jump, if you want to taste my kisses in the night | 0:35:31 | 0:35:35 | |
# Then jump for my love. # | 0:35:35 | 0:35:38 | |
APPLAUSE | 0:35:38 | 0:35:42 | |
Good luck with that. | 0:35:43 | 0:35:45 | |
While you decide who to vote for, let's chat to the judges | 0:35:45 | 0:35:48 | |
and get their thoughts on today's performances. | 0:35:48 | 0:35:50 | |
Lovely David, how much credit would you give | 0:35:50 | 0:35:53 | |
to our performers for actually doing a grand job? | 0:35:53 | 0:35:56 | |
Loads. I'd give credit to Bittersweet for bubbly excitement. | 0:35:56 | 0:36:00 | |
Credit to Resonate for being THE vocal ensemble. | 0:36:00 | 0:36:04 | |
Credit to M.A.D for street-y, urban energy, credit to LS8 for not | 0:36:04 | 0:36:09 | |
being over-the-top, they don't even know a top exists. | 0:36:09 | 0:36:12 | |
Credit to Raveheart for being pure, unadulterated syncopated fun. | 0:36:12 | 0:36:17 | |
-Wow, syncopated is a great word! -Word of the day goes to David. | 0:36:17 | 0:36:21 | |
Brilliant. | 0:36:21 | 0:36:23 | |
John, what surprised you the most today? | 0:36:23 | 0:36:26 | |
What surprised me the most is the level of increase I've seen | 0:36:26 | 0:36:31 | |
before my eyes from every group, the focus, energy, sound, everything. | 0:36:31 | 0:36:37 | |
They've come here and they've come ready to fight for that prize. | 0:36:37 | 0:36:41 | |
You know what? I'm very proud for the five acts. | 0:36:41 | 0:36:43 | |
Five very different styles of choreography. How did they compare? | 0:36:45 | 0:36:49 | |
What I love about every single finalist is | 0:36:49 | 0:36:52 | |
they stuck to their own style. | 0:36:52 | 0:36:54 | |
Each choreography represented them, and that's what | 0:36:54 | 0:36:56 | |
we wanted to see because if not we're judging the same thing. | 0:36:56 | 0:36:59 | |
So it was so good to see they stuck to their fortes. | 0:36:59 | 0:37:02 | |
-Congratulations to all five groups. -Nice. Carrie? | 0:37:02 | 0:37:05 | |
How would you sum up today's semifinal? | 0:37:05 | 0:37:07 | |
I tell you what, if I was a kid watching this programme | 0:37:07 | 0:37:10 | |
I would want to be in every one of those groups. There is something for everybody. | 0:37:10 | 0:37:13 | |
You have the two Scottish bands battling it out in the pop area, | 0:37:13 | 0:37:17 | |
rhythm and blues, musical theatre, | 0:37:17 | 0:37:20 | |
-whatever your taste is you have got someone to vote for. -Definitely. | 0:37:20 | 0:37:22 | |
Thank you very much, judges. | 0:37:22 | 0:37:24 | |
It is a tough decision for you guys at home, and an even tougher wait | 0:37:24 | 0:37:27 | |
for the supporters of the acts which have come from all over the UK. | 0:37:27 | 0:37:30 | |
Naomi is in the audience somewhere with the supporters, | 0:37:30 | 0:37:33 | |
have they got any nails left? | 0:37:33 | 0:37:35 | |
I do not know. Hold up your hands, everybody. | 0:37:35 | 0:37:38 | |
Still some nails left here, | 0:37:38 | 0:37:39 | |
but I am surrounded by supporters of our acts. | 0:37:39 | 0:37:43 | |
Give us a cheer, everybody. | 0:37:43 | 0:37:44 | |
CHEERING | 0:37:44 | 0:37:47 | |
Loads of fans. Who are you? You are here with Bittersweet. | 0:37:47 | 0:37:50 | |
What did you think of their performance? | 0:37:50 | 0:37:53 | |
100% in everything they do. | 0:37:53 | 0:37:55 | |
-They are great and they bond well together. -Are you related? | 0:37:55 | 0:37:58 | |
-Yes, I'm the mother of Jordan. -How proud are you now? | 0:37:58 | 0:38:03 | |
Scale of one to 100? About 100. | 0:38:03 | 0:38:06 | |
Let me see these banners down here, who else have we got? | 0:38:06 | 0:38:09 | |
Show me your banner. Who are you cheering for? | 0:38:09 | 0:38:11 | |
Let's see you sparkle. I'm guessing LS8. Who are you to them? | 0:38:11 | 0:38:16 | |
I'm Gabby's mum. | 0:38:17 | 0:38:19 | |
I saw you mouthing every single word so I'm reckoning you have | 0:38:19 | 0:38:22 | |
seen this performance quite a few times in rehearsal. | 0:38:22 | 0:38:25 | |
Yes, on the odd occasion. | 0:38:25 | 0:38:27 | |
I have heard her singing numerous times at home. | 0:38:27 | 0:38:30 | |
-How did you think they got on? -I am so proud, we are all so proud. | 0:38:30 | 0:38:33 | |
We have got our tissues, fantastic. | 0:38:33 | 0:38:35 | |
I want to see the back of these T-shirts. Stand up. Give us a twirl. | 0:38:35 | 0:38:38 | |
Look at these T-shirts! | 0:38:38 | 0:38:39 | |
LS8 mums and dads. | 0:38:39 | 0:38:41 | |
That is fantastic. I love them. Thank you so much. | 0:38:41 | 0:38:44 | |
Down here we have Resonate fans. | 0:38:44 | 0:38:48 | |
Your group look so composed, how are your nerves holding up? | 0:38:48 | 0:38:52 | |
-I'm fine, very proud of them. -Are you? | 0:38:52 | 0:38:54 | |
Why should everyone at home be voting for them? | 0:38:54 | 0:38:57 | |
Please vote for them because if you think they're world-class now, | 0:38:57 | 0:39:00 | |
wait till you see what they've got prepared for tomorrow. | 0:39:00 | 0:39:02 | |
Wow! | 0:39:02 | 0:39:04 | |
I'd like to see that. Who are we supporting here? Need I ask? | 0:39:04 | 0:39:08 | |
Raveheart. | 0:39:08 | 0:39:10 | |
-Go, go, Raveheart. -Who are you? -I'm Colin, I'm Mia's dad, the small one. | 0:39:10 | 0:39:15 | |
I'm sorry I get upset at these but it means everything to the families too | 0:39:20 | 0:39:23 | |
cos we've put everything as well as the kids too | 0:39:23 | 0:39:26 | |
so go away and vote please because they need it. | 0:39:26 | 0:39:29 | |
Ah, so well said. And over here we have a representative from MAD? | 0:39:29 | 0:39:34 | |
Yes, that's right. | 0:39:34 | 0:39:36 | |
They got a bit of criticism from the judges. | 0:39:36 | 0:39:38 | |
What are your words of encouragement to them? | 0:39:38 | 0:39:40 | |
Listen, they've done really well, they've really performed well, | 0:39:40 | 0:39:42 | |
they're fully committed. It's not about the judges, | 0:39:42 | 0:39:45 | |
it's about the vote now, that's what it's about. | 0:39:45 | 0:39:48 | |
Exactly, very well said. | 0:39:48 | 0:39:49 | |
Well, thank you so much to do their supporters. | 0:39:49 | 0:39:51 | |
You have approximately eight minutes left to vote for your favourites, | 0:39:51 | 0:39:55 | |
so here's a reminder of those numbers you need to call. | 0:39:55 | 0:39:59 | |
# Hey, hey, hey | 0:39:59 | 0:40:00 | |
# All the ladies tell the fellas | 0:40:00 | 0:40:02 | |
# We can do what they can do | 0:40:02 | 0:40:03 | |
# We can do it even better | 0:40:03 | 0:40:04 | |
# With broken heels | 0:40:04 | 0:40:06 | |
# Hey, hey, hey | 0:40:06 | 0:40:09 | |
# Hey, hey, hey | 0:40:10 | 0:40:12 | |
# All the ladies tell the fellas | 0:40:12 | 0:40:13 | |
# We can do what they can do | 0:40:13 | 0:40:15 | |
# We can do it even better | 0:40:15 | 0:40:16 | |
# With broken heels... # | 0:40:16 | 0:40:18 | |
# Would you let me see beneath your beautiful? | 0:40:18 | 0:40:24 | |
# Would you let me see beneath your perfect | 0:40:24 | 0:40:29 | |
# Take it off now, boy Take it off now, boy | 0:40:29 | 0:40:33 | |
# I wanna see inside... # | 0:40:33 | 0:40:35 | |
# Do I love you? My, oh, my | 0:40:35 | 0:40:40 | |
# River deep, mountain high | 0:40:40 | 0:40:44 | |
# Yeah, yeah, yeah | 0:40:44 | 0:40:46 | |
# If I lost you, would I cry? | 0:40:46 | 0:40:52 | |
# Oh, how I love you, baby... # | 0:40:52 | 0:40:55 | |
# I can feel the heat but it's soothing | 0:40:55 | 0:40:58 | |
# Heading down | 0:40:58 | 0:41:00 | |
# I search for the beat in this dirty town | 0:41:00 | 0:41:04 | |
# Down town the young ones are going | 0:41:04 | 0:41:07 | |
# Down town the young ones are growing | 0:41:07 | 0:41:10 | |
# We're the kids in America - whoa! We're the kids in America... # | 0:41:10 | 0:41:15 | |
# I know my heart | 0:41:15 | 0:41:17 | |
# I know my heart can make you happy | 0:41:17 | 0:41:19 | |
# You know these arms can fill you up | 0:41:19 | 0:41:22 | |
# Jump if you want to taste my kisses in the night, yeah | 0:41:22 | 0:41:26 | |
# Jump for my love... # | 0:41:26 | 0:41:29 | |
CHEERING | 0:41:31 | 0:41:32 | |
All of tonight's acts have been supporting Comic Relief | 0:41:34 | 0:41:37 | |
and you can too by doing something funny for money to help people | 0:41:37 | 0:41:40 | |
who really need help, here in the UK and in Africa. | 0:41:40 | 0:41:43 | |
Recently, we visited a charity | 0:41:43 | 0:41:44 | |
set up to help children with cerebral palsy | 0:41:44 | 0:41:46 | |
to find out how money raised by Comic Relief can make a difference. | 0:41:46 | 0:41:49 | |
Take a look. | 0:41:49 | 0:41:51 | |
We are here in Liverpool to meet an amazing boy called Joseph. | 0:41:51 | 0:41:54 | |
He's ten, he loves swimming, hanging out with his friends | 0:41:54 | 0:41:57 | |
and supporting his favourite football team Everton FC. | 0:41:57 | 0:42:00 | |
Joseph also has cerebral palsy, which means every day is a challenge for him. | 0:42:00 | 0:42:05 | |
Just getting out of bed, putting on some clothes | 0:42:05 | 0:42:07 | |
and walking down the stairs can sometimes be a struggle. | 0:42:07 | 0:42:10 | |
We are here to find out how Comic Relief funding | 0:42:10 | 0:42:12 | |
has made a real difference to Joseph's life. | 0:42:12 | 0:42:14 | |
-Sam, Mark! -Spotted us! -Let's go in. | 0:42:14 | 0:42:18 | |
-Hiya, Joseph! Mark. -Hi, Mark. -How you doing? I'm Sam. | 0:42:18 | 0:42:23 | |
Nice to see you. | 0:42:23 | 0:42:24 | |
'Joseph's mum Kate discovered he had cerebral palsy when he was just two years old.' | 0:42:24 | 0:42:28 | |
-We were concerned that he wasn't walking... -He wasn't mobile, he'd sit there and not move. | 0:42:33 | 0:42:37 | |
It was devastating. We didn't know much about it. | 0:42:37 | 0:42:41 | |
We didn't know if he'd walk or anything. | 0:42:41 | 0:42:45 | |
It was a total unknown to us and it was like our whole world fell apart. | 0:42:45 | 0:42:49 | |
'Cerebral palsy is a neurological condition, | 0:42:49 | 0:42:52 | |
'which means that children who have it can find movement and coordination difficult. | 0:42:52 | 0:42:56 | |
'It affects 1 in 400 children in the UK.' | 0:42:56 | 0:42:58 | |
Joseph, what's it like having cerebral palsy? | 0:42:58 | 0:43:02 | |
Cerebral palsy does affect me. | 0:43:02 | 0:43:07 | |
It's basically my legs, it's my arms. | 0:43:07 | 0:43:12 | |
When I've been walking a long distance, I get tired easily | 0:43:12 | 0:43:17 | |
or if I'm doing a long writing test, I can't do it with my hand cos it gets sore. | 0:43:17 | 0:43:22 | |
It must be great for you because every Monday, you go to Stick 'n' Step | 0:43:22 | 0:43:26 | |
which is a Comic Relief-funded project which is what we're here to see today. | 0:43:26 | 0:43:30 | |
It's basically just exercises for my lower and upper body. | 0:43:30 | 0:43:36 | |
It's anything. It's hands, legs. | 0:43:36 | 0:43:39 | |
They make it fun, they make it a laugh. They do games with it. | 0:43:39 | 0:43:43 | |
It is a big part of my life. Without it, I wouldn't be the person I am today. | 0:43:43 | 0:43:48 | |
It sounds fantastic! We need to see this place, but we need a tour guide. | 0:43:48 | 0:43:52 | |
-Are you up for that? -Yeah. -Fantastic! | 0:43:52 | 0:43:55 | |
-Can I finish my tea first? -Yeah. -Awesome, thank you! | 0:43:55 | 0:43:58 | |
'Joseph visits Stick 'n' Step once a week for over three hours. | 0:43:59 | 0:44:04 | |
'It's completely free and provides a specialist support service to children with cerebral palsy.' | 0:44:04 | 0:44:08 | |
Go on, after you. | 0:44:08 | 0:44:10 | |
In here first. | 0:44:10 | 0:44:11 | |
'The emphasis is on fun and play so the kids can gain confidence | 0:44:11 | 0:44:16 | |
'and become more independent. | 0:44:16 | 0:44:18 | |
'They learn the skills they need to do things most kids take for granted - | 0:44:18 | 0:44:22 | |
'from drawing a picture to playing games. | 0:44:22 | 0:44:25 | |
'The kids here also learn special exercises to control their muscles and help with movement. | 0:44:25 | 0:44:30 | |
'Krizsti has been teaching Joseph since he first started here over eight years ago. | 0:44:31 | 0:44:35 | |
'He's now seen as an important role model to many of the younger children.' | 0:44:35 | 0:44:39 | |
Joseph seems to be loved by everybody here. They all seem to look up to him. | 0:44:41 | 0:44:45 | |
He's like a big brother. | 0:44:45 | 0:44:47 | |
"I've been through this, I've done this. I can help you." | 0:44:47 | 0:44:50 | |
Have you seen the little connections? "Hold my hand and I'll stand up first." | 0:44:50 | 0:44:58 | |
It's this supportive, warm, loving environment | 0:44:58 | 0:45:01 | |
that this centre provides, gave him that confidence to do this. | 0:45:01 | 0:45:07 | |
For them it's a massive challenge, pushing their boundaries, | 0:45:07 | 0:45:11 | |
but they get on with it because we provide this play-based environment. | 0:45:11 | 0:45:15 | |
We are here to show families there is hope. | 0:45:15 | 0:45:18 | |
Our ethos is, "Taking the ability out of disability." | 0:45:18 | 0:45:22 | |
And you've seen that today. | 0:45:22 | 0:45:25 | |
We've been doing our warm ups and that's important | 0:45:25 | 0:45:28 | |
because we're going to be doing something else next, aren't we? | 0:45:28 | 0:45:31 | |
Yes, next is the football game. | 0:45:31 | 0:45:33 | |
SHOUTING AND CHEERING | 0:45:39 | 0:45:45 | |
Well done, guys, that was really god. | 0:45:57 | 0:46:00 | |
We have absolutely loved being here today. | 0:46:00 | 0:46:02 | |
Thank you for inviting us | 0:46:02 | 0:46:04 | |
and we can see why you love coming here so much. | 0:46:04 | 0:46:06 | |
What would you be doing if Stick 'n' Step wasn't here? | 0:46:06 | 0:46:08 | |
I wouldn't have been doing that. I wouldn't have had | 0:46:08 | 0:46:11 | |
the energy to do that. | 0:46:11 | 0:46:12 | |
-I probably couldn't even walk to do that. -Really? | 0:46:12 | 0:46:15 | |
So you'd say that this has given you the energy and the strength to | 0:46:15 | 0:46:19 | |
be able to take part in physical activities like that. Brilliant. | 0:46:19 | 0:46:22 | |
We can see that you have a lot of fun and make a lot of friends. | 0:46:22 | 0:46:24 | |
It's been fantastic. We've had a great time. | 0:46:24 | 0:46:26 | |
When you look at Joseph he's been helped a lot by going to | 0:46:26 | 0:46:30 | |
Stick 'n' Step. It's brought him on. Where he is today it's credit to them. | 0:46:30 | 0:46:35 | |
He's bubbly, he's energetic, he's full of life. | 0:46:35 | 0:46:38 | |
He's just a sensitive, caring, lovely young man. | 0:46:38 | 0:46:42 | |
Stick 'n' Step depends solely on charitable donations and fundraising | 0:46:42 | 0:46:46 | |
so it can continue to provide this amazing free service for Joseph | 0:46:46 | 0:46:51 | |
and all the other kids that come here. | 0:46:51 | 0:46:52 | |
Comic Relief funds programmes over the UK | 0:46:52 | 0:46:55 | |
-and it really has changed Joseph's life. -Joseph, thank you so much | 0:46:55 | 0:46:59 | |
for showing us around. You have been a star. | 0:46:59 | 0:47:01 | |
There's one last thing you would like to say to our viewers. | 0:47:01 | 0:47:03 | |
This Red Nose Day do something for funny for money. | 0:47:03 | 0:47:06 | |
-Off we go. -Come on guys. -Let's go. | 0:47:09 | 0:47:11 | |
CHEERING AND APPLAUSE | 0:47:13 | 0:47:15 | |
As you've just seen Comic Relief money really does help people | 0:47:17 | 0:47:20 | |
lead a better life. | 0:47:20 | 0:47:21 | |
It gives young people like Joseph hope for a brighter future. | 0:47:21 | 0:47:24 | |
We better watch our backs - Joseph will be after our job. | 0:47:24 | 0:47:26 | |
Speak for yourself. I think the Sam and Joe show has a nice ring to it. | 0:47:26 | 0:47:30 | |
Now, Mr Dee, seeing as you did such a beautiful job last time, | 0:47:30 | 0:47:33 | |
-would you like to do this bit? -Can I please? | 0:47:33 | 0:47:35 | |
Can I really? After all it is the second reason I love this gig. | 0:47:35 | 0:47:38 | |
Here we go. Stop voting, everybody, the phone lines are now closed. | 0:47:38 | 0:47:43 | |
That's your lot. Thank you very much. | 0:47:47 | 0:47:50 | |
Mr Dee will count and verify your votes. | 0:47:50 | 0:47:52 | |
If you do call now your vote will not be counted | 0:47:52 | 0:47:54 | |
and you may still be charged. | 0:47:54 | 0:47:56 | |
Our acts have done all they can. | 0:47:56 | 0:47:57 | |
They now have a nervous wait backstage | 0:47:57 | 0:47:59 | |
for the result, but helping to keep calm is a modern-day superwoman. | 0:47:59 | 0:48:02 | |
It's not Dot from EastEnders. It's Naomi. | 0:48:02 | 0:48:05 | |
-How are they getting on back there? -They're doing great. Thank you. | 0:48:05 | 0:48:09 | |
We're here in the green room with all the Glee Clubs. | 0:48:09 | 0:48:11 | |
You should feel the heat coming off all of them now they've finished performing. | 0:48:11 | 0:48:15 | |
-You got to go first. Was it good to get it over and done with? -Yes. | 0:48:15 | 0:48:19 | |
After rehearsing so many times it was good to just do it | 0:48:19 | 0:48:22 | |
-and we gave it our best. -How are your nerves now? Steady as a rock? | 0:48:22 | 0:48:26 | |
-Yes, a little bit. -Not too bad. Give me some of that. Bittersweet. | 0:48:26 | 0:48:32 | |
The world-class Resonate. Your angelic voices. | 0:48:32 | 0:48:35 | |
I know we keep banging on about you coming all | 0:48:35 | 0:48:37 | |
the way from the Isle of Wight. | 0:48:37 | 0:48:39 | |
Does that mean a lot to people on the island? | 0:48:39 | 0:48:42 | |
The island is such a lovely place to live but there are not that | 0:48:42 | 0:48:44 | |
many opportunities so it is a great experience for us to come here | 0:48:44 | 0:48:49 | |
and it is such a great cause so it's amazing. | 0:48:49 | 0:48:51 | |
So if you were lucky enough to get to the final what would | 0:48:51 | 0:48:55 | |
you do to thank everybody at home? | 0:48:55 | 0:48:56 | |
We just want to make everybody proud and do our best to show what we've got. | 0:48:56 | 0:49:02 | |
I bet you're going to do it. | 0:49:02 | 0:49:04 | |
What about MAD. Hey, girls how are you enjoying your time in Scotland? | 0:49:04 | 0:49:06 | |
Great. We're having lots of fun making the most of our time | 0:49:06 | 0:49:10 | |
and we just want everyone to know that we tried our best | 0:49:10 | 0:49:14 | |
and we see everyone as equal. | 0:49:14 | 0:49:16 | |
Check out what happens if you say something nice. | 0:49:16 | 0:49:20 | |
-You are well cool. -Snap, snap for Naomi. | 0:49:20 | 0:49:23 | |
-ALL: Snap, snap. -I get a snap, snap. Let's go. | 0:49:23 | 0:49:26 | |
and see the rather bonkers LS8. You've brought the make-up bag with you. | 0:49:26 | 0:49:31 | |
You did say he comes everywhere with you. | 0:49:31 | 0:49:33 | |
-Was there any more you could've given that performance? -No. | 0:49:33 | 0:49:37 | |
Not as far as we're concerned. | 0:49:37 | 0:49:38 | |
As long as we did our best and let's hope it's all right to get us through to the final. | 0:49:38 | 0:49:43 | |
-Regardless of the outcome will you carry on performing together? -Yes. | 0:49:43 | 0:49:47 | |
That makes me very happy to hear that. Look at this lot. | 0:49:47 | 0:49:49 | |
Raveheart with the red noses on. | 0:49:49 | 0:49:52 | |
If you are lucky enough to win this competition what will be | 0:49:52 | 0:49:55 | |
the next step for you guys? | 0:49:55 | 0:49:57 | |
We hope we just stick together and keep performing as a group. | 0:49:57 | 0:50:02 | |
I've just been talking to your dad. He's well proud. Well done, everybody. | 0:50:02 | 0:50:06 | |
I only wish I could sing as well as this. Good luck to you all. | 0:50:06 | 0:50:09 | |
Back to Sam and Mark. | 0:50:09 | 0:50:12 | |
Thanks. Now we have a musical treat for you. | 0:50:15 | 0:50:18 | |
She is tipped to be the next big thing. | 0:50:18 | 0:50:20 | |
Helping us celebrate Comic Relief it's the fantastic Nina Nesbitt. | 0:50:20 | 0:50:23 | |
# He's got a Rolling Stone's tee But he only knows one song | 0:50:28 | 0:50:32 | |
# They think they're from the sixties | 0:50:32 | 0:50:34 | |
# They were born in 1991 | 0:50:34 | 0:50:37 | |
# Oh oh o-oh | 0:50:37 | 0:50:38 | |
# Oh oh o-oh oh | 0:50:38 | 0:50:41 | |
# There's a man sitting in the corner | 0:50:41 | 0:50:44 | |
# No-one knows quite where he's from | 0:50:44 | 0:50:46 | |
# There's a fight between Jill and Lorna | 0:50:46 | 0:50:48 | |
# She's got a tattoo of the peace sign on her thumb | 0:50:48 | 0:50:50 | |
# All that and the night has just begun | 0:50:50 | 0:50:53 | |
# Stay out tonight | 0:50:54 | 0:50:57 | |
# And see through my eyes | 0:50:57 | 0:50:59 | |
# Stay out this time | 0:50:59 | 0:51:01 | |
# And we'll be home by five | 0:51:01 | 0:51:03 | |
# Stay out, stay out | 0:51:03 | 0:51:05 | |
# Stay ou-ou-out | 0:51:05 | 0:51:07 | |
# Stay out, stay out | 0:51:07 | 0:51:10 | |
# Stay ou-ou-out | 0:51:10 | 0:51:12 | |
# Oh oh o-oh | 0:51:12 | 0:51:14 | |
# Oh o-oh oh oh | 0:51:14 | 0:51:16 | |
# Chequered shirts and chino trousers | 0:51:16 | 0:51:18 | |
# Is this some kind of uniform? | 0:51:18 | 0:51:20 | |
# It seems that they think they're gangsters | 0:51:20 | 0:51:23 | |
# They've barely started 6th form | 0:51:23 | 0:51:25 | |
# Oh oh o-oh | 0:51:25 | 0:51:26 | |
# Oh o-oh o-oh | 0:51:26 | 0:51:29 | |
# She thinks she's in Barbados | 0:51:29 | 0:51:31 | |
# But outside it's minus three | 0:51:31 | 0:51:34 | |
# There's a guy outside I'm avoiding | 0:51:34 | 0:51:36 | |
# I think that he's just a mystery | 0:51:36 | 0:51:38 | |
# That time when he whispered to me | 0:51:38 | 0:51:42 | |
# Stay out, stay out tonight | 0:51:42 | 0:51:45 | |
# And see through my eyes | 0:51:45 | 0:51:47 | |
# Stay out this time | 0:51:47 | 0:51:49 | |
# And we'll be home by five | 0:51:49 | 0:51:51 | |
# Stay out, stay out | 0:51:51 | 0:51:53 | |
# Stay ou-ou-out | 0:51:53 | 0:51:55 | |
# Stay out, stay out | 0:51:55 | 0:51:57 | |
# Stay out | 0:51:57 | 0:51:59 | |
# Because there's people falling in love around you | 0:51:59 | 0:52:05 | |
# And there's people falling over their own shoes | 0:52:05 | 0:52:13 | |
# All these boys and girls are people Looking for someone to be | 0:52:15 | 0:52:19 | |
# All these boys and girls are people Waiting for their hearts to beat | 0:52:19 | 0:52:24 | |
# All these boys and girls are people Looking for someone to be | 0:52:24 | 0:52:28 | |
# All these boys and girls are people Waiting for their hearts to beat | 0:52:28 | 0:52:34 | |
# So stay out tonight | 0:52:36 | 0:52:38 | |
# And see through my eyes | 0:52:38 | 0:52:40 | |
# Stay out this time | 0:52:40 | 0:52:42 | |
# And we'll be home by five | 0:52:42 | 0:52:45 | |
# Stay out, stay out | 0:52:45 | 0:52:47 | |
# Stay ou-ou-out | 0:52:47 | 0:52:49 | |
# Stay out, stay out | 0:52:49 | 0:52:51 | |
# Stay ou-ou-out | 0:52:51 | 0:52:53 | |
# He's got a Rolling Stones tee But he only knows one song | 0:52:54 | 0:52:59 | |
# They think they're from the sixties | 0:52:59 | 0:53:01 | |
# But they were born in 1991. # | 0:53:01 | 0:53:05 | |
Thank you very much. | 0:53:05 | 0:53:07 | |
CHEERING AND APPLAUSE | 0:53:07 | 0:53:11 | |
-VOICEOVER: -Now, please welcome back onto the stage, our glee clubs. | 0:53:16 | 0:53:20 | |
-Bittersweet! -CHEERING | 0:53:20 | 0:53:23 | |
-Resonate. -CHEERING | 0:53:23 | 0:53:25 | |
-M.A.D. -CHEERING | 0:53:25 | 0:53:27 | |
-LS8. -CHEERING | 0:53:27 | 0:53:30 | |
And Raveheart! | 0:53:30 | 0:53:31 | |
CHEERING | 0:53:31 | 0:53:33 | |
-Welcome back, guys. -OK, we are moments away | 0:53:36 | 0:53:39 | |
from revealing the three acts going through to the final. | 0:53:39 | 0:53:42 | |
You have all done amazingly well to get this far. | 0:53:42 | 0:53:44 | |
You should be massively proud of what you've achieved. | 0:53:44 | 0:53:47 | |
Give them another round of applause. | 0:53:47 | 0:53:48 | |
Definitely. They've been brilliant. | 0:53:48 | 0:53:51 | |
OK, this is it. | 0:53:52 | 0:53:55 | |
We have the results. | 0:53:55 | 0:53:57 | |
They've been checked and verified. And we do have our three finalists. | 0:54:01 | 0:54:05 | |
Good luck to everyone. You've all been fantastic. | 0:54:05 | 0:54:08 | |
In no particular order, | 0:54:08 | 0:54:09 | |
I can reveal that the first act going through to the final is... | 0:54:09 | 0:54:14 | |
..LS8! | 0:54:37 | 0:54:38 | |
CHEERING | 0:54:38 | 0:54:42 | |
Congratulations, LS8. | 0:54:44 | 0:54:47 | |
OK, our second act going through to the final is... | 0:54:47 | 0:54:51 | |
..Raveheart! | 0:55:03 | 0:55:04 | |
CHEERING | 0:55:04 | 0:55:07 | |
The third and final act going through to the final is... | 0:55:12 | 0:55:16 | |
..Resonate! | 0:55:26 | 0:55:28 | |
CHEERING | 0:55:28 | 0:55:30 | |
Congratulations, guys. Amazing. | 0:55:33 | 0:55:35 | |
And also give a massive round of applause to our runners up - | 0:55:35 | 0:55:38 | |
Bittersweet and M.A.D. | 0:55:38 | 0:55:40 | |
Well done, guys. It wasn't easy. That is almost the end of the show. | 0:55:40 | 0:55:44 | |
-Naomi! -Come on. -Come on over. | 0:55:44 | 0:55:46 | |
What an awesome show, guys. Oh, my goodness. | 0:55:46 | 0:55:48 | |
Well done to Resonate, LS8 and Raveheart | 0:55:48 | 0:55:50 | |
on getting through to the final. | 0:55:50 | 0:55:52 | |
-It's been amazing. -Awesome. | 0:55:52 | 0:55:53 | |
OK, a big thank you to our judges. | 0:55:53 | 0:55:56 | |
Thank you, Carrie, David, John and Sisco. | 0:55:56 | 0:55:59 | |
See you in the final. | 0:55:59 | 0:56:00 | |
Join us next time as our three finalists | 0:56:01 | 0:56:03 | |
battle it out one more time | 0:56:03 | 0:56:04 | |
for the chance to be crowned winners of Comic Relief Does Glee Club 2013. | 0:56:04 | 0:56:08 | |
-Don't miss it. -We'll see you tomorrow. -Bye. -Bye. | 0:56:08 | 0:56:11 | |
Subtitles by Red Bee Media Ltd | 0:56:11 | 0:56:13 |