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Hi, Dani, how's Hollywood? Have you settled in? | 0:00:30 | 0:00:32 | |
The weather is perfect. | 0:00:32 | 0:00:34 | |
I get my own trailer. | 0:00:34 | 0:00:35 | |
They're already talking sequels | 0:00:35 | 0:00:37 | |
and I get to do my own stunts. | 0:00:37 | 0:00:39 | |
Sounds like you're having the time of your life. | 0:00:39 | 0:00:41 | |
Oh, I miss you, guys. What's the latest Bogmoor gossip? | 0:00:41 | 0:00:43 | |
Well, Leo finally got accepted into magic school. | 0:00:43 | 0:00:46 | |
Well, it's about time. | 0:00:46 | 0:00:47 | |
He was one trick away from burning down the castle! | 0:00:47 | 0:00:49 | |
And Rich is still coming up with interesting business ideas. | 0:00:49 | 0:00:52 | |
-CASH REGISTER CHINGS -Bogmoor Castle, | 0:00:52 | 0:00:54 | |
Europe's largest indoor chicken sanctuary. | 0:00:54 | 0:00:56 | |
-Want to have a look? -Uh-huh! | 0:00:56 | 0:00:57 | |
CLUCKING | 0:00:57 | 0:00:59 | |
Don't go in there! | 0:00:59 | 0:01:01 | |
The chickens are crazy! | 0:01:01 | 0:01:02 | |
-Yeah, about that... -HE COUGHS | 0:01:05 | 0:01:07 | |
Rich is going to make the castle | 0:01:07 | 0:01:09 | |
the number one tourist attraction in Northern Ireland. | 0:01:09 | 0:01:11 | |
At the moment, it's still the number one tourist attraction | 0:01:11 | 0:01:14 | |
in his overactive imagination. | 0:01:14 | 0:01:15 | |
I can't wait. | 0:01:15 | 0:01:17 | |
-SHE CRACKS FINGERS -It means more humans to creep out. | 0:01:17 | 0:01:19 | |
Esme! | 0:01:19 | 0:01:20 | |
Don't do that! | 0:01:20 | 0:01:21 | |
Freaks me out. | 0:01:21 | 0:01:22 | |
Win! | 0:01:22 | 0:01:24 | |
And I've been looking into the family tree. | 0:01:24 | 0:01:27 | |
Guys! | 0:01:27 | 0:01:28 | |
You should see this tree! | 0:01:28 | 0:01:29 | |
There's a whole family of woodpeckers in here. | 0:01:29 | 0:01:31 | |
-HAMMERING -Ah, my head! | 0:01:31 | 0:01:34 | |
Ahhhh! | 0:01:34 | 0:01:36 | |
And how's Gabe doing? | 0:01:38 | 0:01:39 | |
-Well, I mean... -Hiya-roony! | 0:01:39 | 0:01:42 | |
How is my superstar cousin? | 0:01:42 | 0:01:43 | |
-Pretty good, Rich. -OFF SCREEN: Dani! | 0:01:43 | 0:01:46 | |
Sorry, guys, I'm needed on set. I'll talk to you and I promise. | 0:01:46 | 0:01:49 | |
-Bye, guys! -ALL: Bye! | 0:01:50 | 0:01:53 | |
My lady, my lady, my lady, my lady, my lady, my lady... | 0:01:53 | 0:01:57 | |
HE CLEARS HIS THROAT | 0:01:57 | 0:01:58 | |
-IN SULTRY TONE: -My lady... | 0:01:58 | 0:02:00 | |
Oh... Er... | 0:02:00 | 0:02:01 | |
-Gabe, sorry, she's gone. -Gone? | 0:02:01 | 0:02:04 | |
So soon? | 0:02:05 | 0:02:07 | |
We always seem to miss one another. There's so much I wanted to say. | 0:02:07 | 0:02:10 | |
I'm sure you'll get to speak to her sooner or later, mate. | 0:02:11 | 0:02:14 | |
Yes, sooner or later. | 0:02:14 | 0:02:15 | |
It isn't like I'm going anywhere. | 0:02:15 | 0:02:17 | |
Listen, don't worry, | 0:02:17 | 0:02:18 | |
cos I've got just the thing to take your mind off Dani. | 0:02:18 | 0:02:21 | |
-But I am completely over Dani. -Huh, come on. | 0:02:21 | 0:02:24 | |
-You're going to love it. -What this time?! | 0:02:24 | 0:02:25 | |
Far as I go. | 0:02:35 | 0:02:37 | |
The place you want is through those woods. | 0:02:41 | 0:02:43 | |
Across the swamp. | 0:02:43 | 0:02:46 | |
Cool! | 0:02:46 | 0:02:47 | |
A swamp! | 0:02:47 | 0:02:48 | |
I'll be able to collect some specimens. | 0:02:48 | 0:02:50 | |
-I've really caught the herpetology bug. -I'm sorry to hear that. | 0:02:50 | 0:02:53 | |
Herpetology is the study of amphibians and reptiles. | 0:02:53 | 0:02:57 | |
In that case, you're going to love Bogmoor Swamp. | 0:02:57 | 0:02:59 | |
Do you think there'll be leeches? I hate those guys. | 0:02:59 | 0:03:03 | |
They give me the heebie-leechies. | 0:03:03 | 0:03:05 | |
If you're going to Bodmoor Castle, | 0:03:05 | 0:03:07 | |
leeches are the least of your worries. | 0:03:07 | 0:03:09 | |
-What's in this? -My dragon. | 0:03:11 | 0:03:13 | |
You're going to fit right in. | 0:03:16 | 0:03:17 | |
Guess...what's in the box. | 0:03:27 | 0:03:29 | |
The world's largest Jack In The Box. | 0:03:29 | 0:03:32 | |
A maxed out 3D home cinema system with surround sound. | 0:03:32 | 0:03:35 | |
Something that sounds like a good idea at first | 0:03:35 | 0:03:38 | |
but is actually a total disaster. | 0:03:38 | 0:03:39 | |
Well, you're all wrong. | 0:03:39 | 0:03:41 | |
Particularly you, Kait. Nothing new there. | 0:03:41 | 0:03:43 | |
In this box is a radio station. | 0:03:43 | 0:03:46 | |
You've got an entire radio station in this one box? | 0:03:46 | 0:03:48 | |
Is it a radio station for tiny little gnomes, Master Richard? | 0:03:48 | 0:03:51 | |
Well, this is just the gear we need. I've got it all second-hand. | 0:03:51 | 0:03:54 | |
Cheap as. What do you reckon? | 0:03:54 | 0:03:55 | |
Bogmoor FM - 24-hour local news spliced with some furious tunes. | 0:03:55 | 0:04:00 | |
-That is a wicked concept, cuz. -Hold on. There's only a few of us. | 0:04:00 | 0:04:03 | |
How are we going to run a 24-hour radio station? | 0:04:03 | 0:04:05 | |
We'll record a couple of shows a day and repeat them on the loop. | 0:04:05 | 0:04:08 | |
By your standards, it's actually not a bad idea. | 0:04:08 | 0:04:10 | |
It could really put us on the map. | 0:04:10 | 0:04:11 | |
See, I knew you'd come round to my genius, Kaitlyn. | 0:04:11 | 0:04:14 | |
Don't all stand around basking in the glow of my awesome, | 0:04:14 | 0:04:16 | |
because we...have got a studio to set up. | 0:04:16 | 0:04:20 | |
I meant that. | 0:04:21 | 0:04:22 | |
Easy on the crumbs there, Man Versus Food. | 0:04:22 | 0:04:24 | |
You don't want to attract the mice. | 0:04:24 | 0:04:26 | |
Hey, Diego, look at this. What do you think it is? | 0:04:29 | 0:04:32 | |
It doesn't matter what you think it is, | 0:04:32 | 0:04:33 | |
-I'm going to tell you what it is. It's a... -Go away, Roxy. | 0:04:33 | 0:04:36 | |
-I'm meditating. -It's a microphone. | 0:04:36 | 0:04:39 | |
It's a pencil. | 0:04:41 | 0:04:42 | |
No, it's a microphone. Duh! | 0:04:42 | 0:04:47 | |
POP MUSIC PLAYS Look at me, I'm a rock star. | 0:04:47 | 0:04:49 | |
# La, la, la, la, la, la... # | 0:04:49 | 0:04:52 | |
You're not a rock star, Roxy. | 0:04:52 | 0:04:54 | |
You're an irritation. I'm trying to relax. | 0:04:54 | 0:04:57 | |
MEDITATING MUSIC PLAYS | 0:04:57 | 0:04:59 | |
Stop being such a grumpy old rat. | 0:04:59 | 0:05:01 | |
POP MUSIC PLAYS This is how I relax. | 0:05:01 | 0:05:04 | |
# La, la, la, la, la... # | 0:05:04 | 0:05:07 | |
When will this nightmare end? | 0:05:07 | 0:05:10 | |
-Swagalicious. -For once, I have to agree. | 0:05:25 | 0:05:27 | |
I love it. | 0:05:27 | 0:05:28 | |
Plus, it doubles into a recording studio, so we can get some bands in. | 0:05:28 | 0:05:31 | |
We can get Jay-Z to bang out his next album here. | 0:05:31 | 0:05:33 | |
-Let's not get carried away. -Indeed. | 0:05:33 | 0:05:35 | |
Perhaps before we get to Jay-Z, we could start | 0:05:35 | 0:05:37 | |
with plain old Jay-A...or Jay-B. | 0:05:37 | 0:05:40 | |
-ESME: -Can I have my own radio show? Can I? Can I, Rich? | 0:05:40 | 0:05:43 | |
Sorry, Esme, this is a human station only. | 0:05:43 | 0:05:45 | |
The plan is to attract visitors, not send them fleeing in terror. | 0:05:45 | 0:05:48 | |
So, Jimmy, you're the engineer, so I want you on tune duty. | 0:05:48 | 0:05:52 | |
I'm going to get my shake on. | 0:05:52 | 0:05:54 | |
Go, Jimmy. Go, Jimmy. | 0:05:54 | 0:05:56 | |
Not cool. Not cool. | 0:05:56 | 0:05:57 | |
All right, Kait. You're full of opinions. Why don't you be producer? | 0:05:57 | 0:06:02 | |
Your first job is to assign the DJ. | 0:06:02 | 0:06:04 | |
HE CLEARS HIS THROAT | 0:06:06 | 0:06:09 | |
-Rich, would you like to be the DJ? -Yeah, I'd love to be the DJ. | 0:06:09 | 0:06:12 | |
Your second job is to tell the DJ how good-looking he is. | 0:06:12 | 0:06:15 | |
Don't push it. | 0:06:15 | 0:06:17 | |
-So what can I do? -You can stay out of the way and not cause trouble. | 0:06:17 | 0:06:21 | |
Why do you think I'm going to cause trouble? | 0:06:21 | 0:06:22 | |
-Do I really need to answer that? -Stop treating me like a little kid. | 0:06:22 | 0:06:25 | |
-I've been stuck on this realm just as long as you have. -Esme, wait. | 0:06:25 | 0:06:29 | |
Well, you better go after her. | 0:06:29 | 0:06:31 | |
The last thing we need is another Esme rampage. | 0:06:31 | 0:06:33 | |
Not even Esme can ruin Bogmoor FM. | 0:06:33 | 0:06:35 | |
Guys, I've got a really good feeling about this. | 0:06:35 | 0:06:38 | |
Get the tunes on. | 0:06:40 | 0:06:42 | |
Oh, I love this one. | 0:06:42 | 0:06:44 | |
I'm sorry I upset you. I know I've been rather melancholy of late. | 0:07:04 | 0:07:08 | |
Ever since Dani left, you've been walking around the castle | 0:07:08 | 0:07:10 | |
-like a storm cloud in lacy cuffs. -I am completely over Dani. | 0:07:10 | 0:07:15 | |
Yeah, and I'm Scooby-Doo. | 0:07:15 | 0:07:16 | |
-What are you doing? -Updating my blog. | 0:07:18 | 0:07:20 | |
Ten reasons why you should never date a human. | 0:07:20 | 0:07:23 | |
Reason number one - they turn you into a complete misery guts | 0:07:23 | 0:07:26 | |
when they leave for Hollywood. | 0:07:26 | 0:07:28 | |
You can't put my personal business online. Anyone could read it. | 0:07:28 | 0:07:31 | |
You're always putting your personal business in those soppy love songs. | 0:07:31 | 0:07:34 | |
My melodic compositions are for my ears only. | 0:07:34 | 0:07:37 | |
I will not let you expose my tender feelings to the entire afterlife. | 0:07:37 | 0:07:41 | |
-Hey! Give that back. -No. | 0:07:41 | 0:07:44 | |
You are not getting it back until you learn to respect others. | 0:07:55 | 0:07:59 | |
What are you looking at? | 0:08:02 | 0:08:04 | |
I know what I'm doing. | 0:08:05 | 0:08:07 | |
I shall prove to you that I'm completely over Dani... | 0:08:07 | 0:08:10 | |
by writing an album of songs about how I'm completely over Dani. | 0:08:10 | 0:08:15 | |
MUSIC: "Greensleeves" | 0:08:15 | 0:08:18 | |
Hello, little fella. | 0:08:25 | 0:08:26 | |
Aren't you a handsome frog? What shall we call you then, frog? | 0:08:29 | 0:08:33 | |
Common frog? | 0:08:34 | 0:08:36 | |
Oh, come on, Dylan. Think of a name. That's it. Common. | 0:08:36 | 0:08:40 | |
I'll call you Common. Come on, Common. Come and meet Trafford. | 0:08:40 | 0:08:44 | |
Oh, no. Trafford? | 0:08:47 | 0:08:49 | |
Trafford? | 0:08:52 | 0:08:54 | |
We've got a dragon on the loose, Common. | 0:08:54 | 0:08:56 | |
If you were a dragon, where would you flee to? | 0:08:56 | 0:09:00 | |
FROG CROAKS | 0:09:00 | 0:09:01 | |
Yeah, you're right. Let's source out the nearest source of warmth. | 0:09:01 | 0:09:05 | |
This is Dr Rich live on Bogmoor FM. | 0:09:07 | 0:09:10 | |
Now I've got just the musical medicine | 0:09:10 | 0:09:12 | |
for whatever your ears might need. | 0:09:12 | 0:09:14 | |
This is a new one from Wiley. | 0:09:15 | 0:09:17 | |
MUSIC: "Lights On" by Wiley Ft. Angel And Tinchy Stryder | 0:09:17 | 0:09:20 | |
MUSIC STOPS | 0:09:25 | 0:09:27 | |
Hello? | 0:09:32 | 0:09:34 | |
Anybody home? | 0:09:34 | 0:09:35 | |
Wow. | 0:09:43 | 0:09:44 | |
This place is totally not what I expected. | 0:09:44 | 0:09:47 | |
The other castles I've been to were way bouncier. | 0:09:47 | 0:09:50 | |
The sun is shining. It's a lovely day here at Bogmoor Castle. | 0:09:50 | 0:09:53 | |
What is everybody up to? Are you driving to work? | 0:09:53 | 0:09:56 | |
Are you on the way to the spa? Are you on the way to get your hair cut? | 0:09:56 | 0:10:00 | |
Well, I'm sitting here chilling in the castle... | 0:10:00 | 0:10:02 | |
HE SCREAMS | 0:10:02 | 0:10:04 | |
THEY SCREAM | 0:10:04 | 0:10:05 | |
What is that? | 0:10:05 | 0:10:06 | |
Sorry, folks. | 0:10:08 | 0:10:09 | |
We're just having a few technical difficulties here in the studio. | 0:10:09 | 0:10:14 | |
Nothing major. Aah! Nothing major. | 0:10:14 | 0:10:17 | |
Trafford! There you are, boy. | 0:10:21 | 0:10:23 | |
-Who are you? -Dylan? | 0:10:23 | 0:10:25 | |
-Oh, hi, Rich. -Where did you come from? | 0:10:25 | 0:10:27 | |
-First of all, I was born at a very young age. -Yeah, skip to the end. | 0:10:27 | 0:10:31 | |
The airport. | 0:10:31 | 0:10:32 | |
Rich, who is this? | 0:10:32 | 0:10:34 | |
Kait, Jimmy, meet my brother Dylan. | 0:10:34 | 0:10:37 | |
We have to do something about Gabe. | 0:10:37 | 0:10:39 | |
DYLAN SCREAMS | 0:10:39 | 0:10:40 | |
Ghost! | 0:10:40 | 0:10:41 | |
-ESME SCREAMS -Monster! | 0:10:41 | 0:10:43 | |
DYLAN SCREAMS | 0:10:43 | 0:10:44 | |
Trafford isn't a monster, he's a bearded dragon. | 0:10:44 | 0:10:46 | |
ESME SCREAMS | 0:10:46 | 0:10:47 | |
Is there a difference?! | 0:10:47 | 0:10:49 | |
He's an Australian reptile. | 0:10:49 | 0:10:51 | |
Be very careful what you say about him. | 0:10:51 | 0:10:53 | |
He's very sensitive. | 0:10:53 | 0:10:55 | |
-Whoa. What happened in here? -He did. | 0:10:55 | 0:10:59 | |
Not another one. | 0:11:00 | 0:11:01 | |
Stop doing that. | 0:11:01 | 0:11:03 | |
Gabe, this is my brother Dylan. | 0:11:03 | 0:11:06 | |
Greetings, Master Dylan. | 0:11:06 | 0:11:07 | |
Master Rich, would it be possible to use the studio to record some music? | 0:11:07 | 0:11:11 | |
Well, I don't know if you could tell, Gabe, | 0:11:11 | 0:11:13 | |
but the studio's wrecked. | 0:11:13 | 0:11:15 | |
-It's fine. Me and Jimmy'll sort it. -What about the radio show? | 0:11:15 | 0:11:18 | |
We can just put a loop of our playlist on overnight. | 0:11:18 | 0:11:21 | |
Chill your heels, treacle. | 0:11:21 | 0:11:23 | |
Looks like you two have got some catching up to do. | 0:11:23 | 0:11:25 | |
Didn't you get Mum and Dad's postcard? | 0:11:33 | 0:11:35 | |
I got it, I just, you know, didn't read it exactly. | 0:11:35 | 0:11:39 | |
Look, I've had the castle to get up and running. Big ideas to have. | 0:11:39 | 0:11:43 | |
My brain's already full of genius, | 0:11:43 | 0:11:45 | |
I can only take in so much new information. | 0:11:45 | 0:11:47 | |
"Dear Rich, we're off on an expedition to the Amazon. | 0:11:49 | 0:11:52 | |
"We're sending you Dylan to look after until we get back. | 0:11:52 | 0:11:55 | |
"Whatever you do, don't let his bearded dragon get loose." | 0:11:56 | 0:11:59 | |
Oops. | 0:11:59 | 0:12:01 | |
Look, bruv, no disrespect, but this is the last thing I need. | 0:12:01 | 0:12:03 | |
I can't be babysitting. | 0:12:03 | 0:12:04 | |
I don't need babysitting. I promise I won't cause any more chaos. | 0:12:04 | 0:12:08 | |
Look, it's late, you must be tired. | 0:12:10 | 0:12:12 | |
Grab your popcorn, we don't want to attract the mice, all right? | 0:12:12 | 0:12:15 | |
You've got mice? | 0:12:15 | 0:12:16 | |
Cool. | 0:12:16 | 0:12:18 | |
There's another human. This place is overrun. | 0:12:23 | 0:12:26 | |
What? | 0:12:26 | 0:12:28 | |
But I love humans. | 0:12:28 | 0:12:29 | |
I love how they're all pink and hairless and stuff. | 0:12:29 | 0:12:31 | |
-They're so funny. -We should call in the exterminators. | 0:12:31 | 0:12:34 | |
No. More humans means more mess, and more mess means more food. | 0:12:34 | 0:12:39 | |
I know you love your food, Diego. | 0:12:39 | 0:12:41 | |
I also love peace and quiet. All humans seem to do is argue. Noisily. | 0:12:41 | 0:12:46 | |
-All we ever do is argue. -No, we don't. -Yeah, we do. | 0:12:46 | 0:12:49 | |
-No, we don't. -We do. | 0:12:49 | 0:12:51 | |
-Don't. -Do. | 0:12:51 | 0:12:52 | |
Do, do, do, do, do, do, do. | 0:12:52 | 0:12:53 | |
Don't, don't, d-dont, don't, d-don't, don't. | 0:12:53 | 0:12:55 | |
Yes, we do. Look, we're arguing right now. How cool is that! | 0:12:55 | 0:12:58 | |
So easy to wind up. | 0:12:59 | 0:13:01 | |
I thought I'd be sleeping with you. We used to have bunk beds. | 0:13:11 | 0:13:13 | |
Mate, sleep time is when I get my best ideas. | 0:13:13 | 0:13:16 | |
Last time we shared a bunk bed, | 0:13:16 | 0:13:17 | |
-you kept me up all night jumping off the top. -I was learning to fly. | 0:13:17 | 0:13:20 | |
I thought if I had smaller and smaller parachutes every time | 0:13:20 | 0:13:23 | |
I jumped, eventually, I wouldn't need one. | 0:13:23 | 0:13:26 | |
What about the ghosts? | 0:13:28 | 0:13:29 | |
Gabe and Esme are harmless. | 0:13:29 | 0:13:31 | |
We haven't heard from the poltergeist in months. | 0:13:31 | 0:13:34 | |
Poltergeist? | 0:13:34 | 0:13:35 | |
He's stuck down in the dungeon, but he's never going to come out. | 0:13:35 | 0:13:38 | |
But anyway, listen, night, bruv. | 0:13:40 | 0:13:42 | |
OWL HOOTS | 0:13:47 | 0:13:48 | |
OWL HOOTS | 0:13:54 | 0:13:55 | |
(Testing.) | 0:14:08 | 0:14:09 | |
ECHOES: Test! | 0:14:09 | 0:14:11 | |
FEEDBACK | 0:14:11 | 0:14:13 | |
Now then, which one of these buttons will allow me to record my songs? | 0:14:15 | 0:14:19 | |
Ah. | 0:14:21 | 0:14:22 | |
Hello. | 0:14:22 | 0:14:24 | |
This is Gabe. | 0:14:24 | 0:14:26 | |
This song is A Sonnet For A Rose Called Dani. | 0:14:26 | 0:14:32 | |
MUSIC: "Greensleves" | 0:14:34 | 0:14:35 | |
# Oh, my Lady Dani | 0:14:35 | 0:14:38 | |
# Oh, Dani, Dani | 0:14:38 | 0:14:40 | |
# Oh, Dani. # | 0:14:40 | 0:14:42 | |
OWL HOOTS | 0:14:42 | 0:14:44 | |
COW MOOS | 0:14:49 | 0:14:50 | |
Oh, good, you're awake. | 0:15:06 | 0:15:08 | |
HE SCREAMS | 0:15:08 | 0:15:09 | |
Ghost! | 0:15:09 | 0:15:11 | |
Help! Rich! Jimmy! Ghostbusters! | 0:15:11 | 0:15:15 | |
Sh! You're making enough noise to wake the dead. | 0:15:15 | 0:15:18 | |
It's a bit late for that, isn't it? | 0:15:18 | 0:15:20 | |
I was pretty blown away by that stunt you pulled earlier. | 0:15:20 | 0:15:23 | |
Wrecking the studio. | 0:15:23 | 0:15:24 | |
It was just too funny. Hey. Where are you going? | 0:15:24 | 0:15:29 | |
To go sleep with Rich. No offence, but there's a ghost in my bedroom. | 0:15:29 | 0:15:34 | |
Bogmoor FM. It's better than silence, you're listening to Bogmoor FM. | 0:15:36 | 0:15:40 | |
-More music, more chat and more... -Rich, are you asleep? | 0:15:40 | 0:15:43 | |
Bro, have you ever heard of knocking? I could have been in my boxers. | 0:15:46 | 0:15:49 | |
Can I sleep with you tonight? | 0:15:49 | 0:15:50 | |
My room's scary. | 0:15:50 | 0:15:52 | |
-Fine, you can have my bed. -You can have my duvet, if you want. | 0:15:53 | 0:15:57 | |
Sorry about the crumbs, I was eating a pork pie. | 0:15:57 | 0:16:00 | |
Night, Rich. | 0:16:00 | 0:16:01 | |
-Morning. -You look terrible. -Thanks. I didn't get much sleep. -Dylan? | 0:16:10 | 0:16:15 | |
SHE HUMS "GREENSLEEVES" | 0:16:16 | 0:16:18 | |
-What are you humming? -Oh, I don't know. | 0:16:18 | 0:16:21 | |
I was listening to the Bogmoor FM loop on the way here, | 0:16:21 | 0:16:23 | |
so I must have heard it on there. | 0:16:23 | 0:16:24 | |
-Doesn't sound like our playlist. -Must have heard it somewhere else. | 0:16:24 | 0:16:28 | |
I'll meet you in the studio. | 0:16:28 | 0:16:29 | |
SHE HUMS "GREENSLEEVES" | 0:16:29 | 0:16:31 | |
-Morning! -Leave me alone. | 0:16:37 | 0:16:39 | |
I'm sorry you find me scary, but I'm not the one with a baby dragon, | 0:16:39 | 0:16:43 | |
and I find that pretty scary. | 0:16:43 | 0:16:45 | |
At least my dragon isn't dead. | 0:16:45 | 0:16:47 | |
-I never meant to die, Dylan. -So how did it happen? | 0:16:47 | 0:16:51 | |
Me and Gabe caught a fever. | 0:16:51 | 0:16:52 | |
What about bearded dragons, can they come back as ghosts? | 0:16:52 | 0:16:55 | |
I don't know how it works. | 0:16:55 | 0:16:57 | |
So what can ghosts do? | 0:16:57 | 0:16:59 | |
I can't touch anything that's living, | 0:16:59 | 0:17:01 | |
but I can disappear and reappear within the castle. | 0:17:01 | 0:17:03 | |
But I'm not allowed to leave the castle. | 0:17:03 | 0:17:05 | |
I can fly, teleport and move things with my mind. | 0:17:05 | 0:17:08 | |
-It's pretty cool. -Can you smell things? Do you know other ghosts? | 0:17:08 | 0:17:11 | |
What about Michael Jackson, | 0:17:11 | 0:17:13 | |
is he a ghost? Why are only some people ghosts? | 0:17:13 | 0:17:15 | |
Do you miss using the toilet? I would. | 0:17:15 | 0:17:17 | |
Be my friend and I'll teach you everything I know. | 0:17:17 | 0:17:20 | |
-Can you teach me how to teleport and walk through walls? -Sure. | 0:17:20 | 0:17:23 | |
You've got a deal. | 0:17:23 | 0:17:24 | |
Do you want to know what else? Ghosts never get into trouble. | 0:17:24 | 0:17:28 | |
Morning, guys. We're all set to go. | 0:17:34 | 0:17:38 | |
HE HUMS "GREENSLEEVES" | 0:17:38 | 0:17:41 | |
What is that song? | 0:17:41 | 0:17:42 | |
I don't know, cos it must have been on our playlist. | 0:17:42 | 0:17:44 | |
That song's not on our playlist. | 0:17:44 | 0:17:47 | |
-Now you come to mention it... -What's this doing in here? | 0:17:47 | 0:17:50 | |
Ah, Lady Kaitlyn, you found it. | 0:17:52 | 0:17:54 | |
I must have left it in here last night. | 0:17:54 | 0:17:56 | |
Gabe, what were you doing in here last night? | 0:17:57 | 0:17:59 | |
I was recording some songs for Dani. | 0:17:59 | 0:18:02 | |
I'm going to make an album to send to her. | 0:18:02 | 0:18:04 | |
I know my songs may be somewhat old-fashioned by your taste, | 0:18:05 | 0:18:08 | |
but there's no need... | 0:18:08 | 0:18:09 | |
-Mate, everything you did last night went out live. -Everything? | 0:18:09 | 0:18:12 | |
You mean... | 0:18:14 | 0:18:15 | |
-My songs were broadcast... -To the entire village. | 0:18:15 | 0:18:18 | |
But those songs are personal. | 0:18:19 | 0:18:21 | |
-For Dani's ears only. -DOORBELL RINGS | 0:18:21 | 0:18:23 | |
All right, keep your hair on. I'm coming. | 0:18:25 | 0:18:27 | |
SCREAMING | 0:18:29 | 0:18:31 | |
-ALL: -We love you! | 0:18:31 | 0:18:32 | |
See, after everything that's gone wrong, they love me. It's a hit. | 0:18:32 | 0:18:36 | |
-THEY CHANT: -Gabe! Gabe! Gabe! | 0:18:36 | 0:18:38 | |
-Are they saying, "Gabe?" -No, no. They're saying, "Goobe." | 0:18:38 | 0:18:41 | |
It must be the local sound for Rich rocks. | 0:18:41 | 0:18:44 | |
Gabe, we love you! | 0:18:44 | 0:18:46 | |
They must have thought that Gabe's broadcast was a radio show. | 0:18:47 | 0:18:51 | |
OK, so, on the plus side, we're a hit. | 0:18:51 | 0:18:54 | |
And on the downside, all of our listeners want to meet the ghost. | 0:18:54 | 0:18:57 | |
So now what do we do? | 0:18:57 | 0:18:59 | |
SCREAMING CONTINUES | 0:18:59 | 0:19:01 | |
Is he here? He's my hero! | 0:19:01 | 0:19:03 | |
You can do it. | 0:19:04 | 0:19:06 | |
Just imagine yourself disappearing and reappearing somewhere else. | 0:19:06 | 0:19:09 | |
OK, ready? | 0:19:09 | 0:19:10 | |
And...vanish. | 0:19:10 | 0:19:11 | |
HE HICCUPS | 0:19:13 | 0:19:14 | |
It's no use. | 0:19:14 | 0:19:15 | |
All I've done is give myself synchronised diaphragmatic flutters. | 0:19:15 | 0:19:19 | |
Hiccups. | 0:19:19 | 0:19:21 | |
OK, how about we try walking through doors? | 0:19:21 | 0:19:23 | |
The key is to get a really good run up | 0:19:23 | 0:19:25 | |
and then imagine the door isn't there. | 0:19:25 | 0:19:28 | |
Ready? | 0:19:28 | 0:19:29 | |
Three...two...one... | 0:19:29 | 0:19:32 | |
There's more of them now. We're under siege. | 0:19:38 | 0:19:40 | |
They're not going to leave till they get to meet Gabe. | 0:19:40 | 0:19:42 | |
-Would it really hurt to let them in? -Mate, you're a ghost. | 0:19:42 | 0:19:45 | |
-They can't meet you. Unless... -Oh, no. | 0:19:45 | 0:19:49 | |
I know that face. I've had nightmares about that face. | 0:19:49 | 0:19:51 | |
That's the face you pull when you've thought of another crazy idea. | 0:19:51 | 0:19:54 | |
One person's madness is another person's genius, Kait. | 0:19:54 | 0:19:57 | |
Come on. | 0:19:57 | 0:19:58 | |
Dressing up as Gabe isn't going to work. | 0:20:04 | 0:20:06 | |
What are you talking about? Whatever I do works. | 0:20:06 | 0:20:08 | |
Look, I'll sign a few autographs, send them on their way | 0:20:08 | 0:20:10 | |
and then I can get along with my soon-to-be award-winning radio show. | 0:20:10 | 0:20:13 | |
THEY SCREAM | 0:20:17 | 0:20:18 | |
Ta-da. | 0:20:23 | 0:20:24 | |
What do you think? | 0:20:24 | 0:20:26 | |
Spectacular, Master Richard. You look like a true gentleman. | 0:20:26 | 0:20:30 | |
Well, I'll try, I'll try. | 0:20:30 | 0:20:32 | |
Not saying a word. | 0:20:32 | 0:20:34 | |
OK. Listen, girls, Gabe will see you but, first, | 0:20:42 | 0:20:46 | |
we need to establish some ground rules because this is not acceptable. | 0:20:46 | 0:20:49 | |
Calm you down, ladies, for it is I, DJ Gabriel. | 0:20:52 | 0:20:57 | |
-He's so gorgeous. -I thought he'd be taller. | 0:20:59 | 0:21:01 | |
-He sounded taller on the radio. -He's still hot though. | 0:21:01 | 0:21:05 | |
Even in those weird clothes. | 0:21:05 | 0:21:06 | |
We loved your songs. | 0:21:06 | 0:21:08 | |
They were so sad and beautiful. | 0:21:08 | 0:21:10 | |
Who's Dani? You must have really loved her. | 0:21:10 | 0:21:12 | |
-What's a harmonium? -What's a what? | 0:21:12 | 0:21:15 | |
You said on the radio that some of your songs | 0:21:15 | 0:21:17 | |
were playing the harmonium. | 0:21:17 | 0:21:19 | |
Yeah, I said-eth... | 0:21:19 | 0:21:21 | |
that my harmonium thingy is what I write-eth | 0:21:21 | 0:21:26 | |
my song-eth on. | 0:21:26 | 0:21:28 | |
Hey nonny, nonny. | 0:21:29 | 0:21:31 | |
Will you play us one of your songs? | 0:21:31 | 0:21:33 | |
I would do, but, you know, I'm very tired. You know, too much of that. | 0:21:35 | 0:21:39 | |
We're not going till you play a song. | 0:21:39 | 0:21:42 | |
Play a song. | 0:21:42 | 0:21:44 | |
THEY CHANT: Play a song! | 0:21:44 | 0:21:46 | |
I cannot believe Master Richard is taking credit for my music. | 0:21:47 | 0:21:50 | |
What choice does he have, mate? You can't go in there. | 0:21:50 | 0:21:53 | |
Imagine what would happen if they caught a whiff that you were dead. | 0:21:53 | 0:21:56 | |
You're right. I would cause chaos. | 0:21:56 | 0:21:58 | |
CHANTING CONTINUES | 0:21:59 | 0:22:02 | |
If they don't hear one of my ballads, | 0:22:04 | 0:22:06 | |
they're going to tear poor Master Richard apart. | 0:22:06 | 0:22:08 | |
Wait, I know what to do. | 0:22:08 | 0:22:09 | |
What are you doing? | 0:22:14 | 0:22:16 | |
Looking for insects for Trafford. | 0:22:16 | 0:22:18 | |
It's the only thing that encourages that greedy guts out of his tank. | 0:22:18 | 0:22:21 | |
What's in here? | 0:22:25 | 0:22:26 | |
-Dylan, wait, that's the door to the cellar. -But... | 0:22:26 | 0:22:29 | |
-Rich said the cellar's where you keep the... -Poltergeist! | 0:22:29 | 0:22:32 | |
You're on your own, sunshine. | 0:22:32 | 0:22:35 | |
HE SCREAMS | 0:22:35 | 0:22:36 | |
CHANTING CONTINUES | 0:22:36 | 0:22:38 | |
Ladies, ladies. | 0:22:40 | 0:22:42 | |
I'm Jimmy-J. I'm Rich...I mean, Gabe's manager, he needs his rest. | 0:22:42 | 0:22:48 | |
So I'm going to have to ask you to scram. | 0:22:48 | 0:22:52 | |
We are not leaving. | 0:22:52 | 0:22:53 | |
Then I guess you don't want these free exclusive | 0:22:55 | 0:22:57 | |
remixes of Gabe's first songs? | 0:22:57 | 0:22:59 | |
I want those. | 0:23:00 | 0:23:01 | |
-Can we get them signed? -One at a time, ladies, one at a time. | 0:23:01 | 0:23:04 | |
Rich! Rich, save me. | 0:23:05 | 0:23:08 | |
Why is he calling you Rich? I thought your name was Gabe. | 0:23:08 | 0:23:11 | |
That's right, it is Gabe. | 0:23:11 | 0:23:13 | |
He's...he's calling me Rich cos I'm totally loaded. | 0:23:13 | 0:23:16 | |
-I mean, how else do you think I'd afford this castle? -He's rich too? | 0:23:16 | 0:23:20 | |
-I saw him first. -No, you didn't. | 0:23:20 | 0:23:22 | |
THEY SCREAM | 0:23:22 | 0:23:23 | |
You have to do something. It's the polt...pol... | 0:23:28 | 0:23:32 | |
pol... | 0:23:32 | 0:23:34 | |
Oh, no. | 0:23:34 | 0:23:35 | |
What is that? | 0:23:35 | 0:23:37 | |
Ghost! | 0:23:37 | 0:23:38 | |
THEY SCREAM | 0:23:38 | 0:23:40 | |
Fret not, Master Richard. I've got this. | 0:23:43 | 0:23:45 | |
-Give me that key. -Not so fast. | 0:23:50 | 0:23:52 | |
Ghosty...over here. | 0:23:55 | 0:23:57 | |
Well...that got rid of the girls. | 0:24:03 | 0:24:04 | |
We've got so many fans, I think Bodmoor's going to be a hit. | 0:24:04 | 0:24:07 | |
-JIMMY: -Gabe, you're a star. -I am? | 0:24:07 | 0:24:10 | |
How would you like your own radio show? | 0:24:10 | 0:24:12 | |
Hang on, shouldn't we discuss this first? | 0:24:12 | 0:24:14 | |
-I'm the producer, so it's my decision. -Fine. | 0:24:14 | 0:24:18 | |
-It can go out on the Afternet, but ghosts only. -Sounds fair. | 0:24:18 | 0:24:21 | |
The spirit community will appreciate my unique | 0:24:21 | 0:24:23 | |
outlook on the ghostly realm. | 0:24:23 | 0:24:25 | |
-ESME: -If you're going to broadcast it online, | 0:24:25 | 0:24:27 | |
you're going to need my laptop passcode. | 0:24:27 | 0:24:29 | |
I have been hasty. | 0:24:32 | 0:24:33 | |
-I am sorry, sister. -Yes. Now can we get on with the ghost power lessons? | 0:24:35 | 0:24:39 | |
Ghost power lessons? | 0:24:39 | 0:24:41 | |
Yeah, Esme's been teaching me how to walk through walls and stuff. | 0:24:41 | 0:24:44 | |
But you can't teach ghost powers to a human, can you? | 0:24:44 | 0:24:47 | |
So what if I bend the truth...just a tiny bit. | 0:24:48 | 0:24:52 | |
But you know what's just as good as having ghost powers? | 0:24:52 | 0:24:54 | |
Having two mouths so you can eat and talk at the same time? | 0:24:54 | 0:24:57 | |
-I'm starting to like this kid. -No. Having a friend with ghost powers. | 0:24:57 | 0:25:02 | |
Hang on, what are we all standing around for? | 0:25:02 | 0:25:04 | |
We've got a show to prepare. | 0:25:04 | 0:25:05 | |
MUSIC PLAYS Humans are so noisy. | 0:25:09 | 0:25:12 | |
Keep it down, you apes! | 0:25:12 | 0:25:13 | |
Yeah, but if it wasn't for the humans dropping food, | 0:25:15 | 0:25:17 | |
we've have nothing to eat. Cheese? | 0:25:17 | 0:25:19 | |
MUSIC BECOMES MUFFLED | 0:25:24 | 0:25:26 | |
Peace at last. | 0:25:26 | 0:25:27 | |
What do you think of our room, little man? | 0:25:32 | 0:25:34 | |
Whoa! It's amazing! | 0:25:34 | 0:25:35 | |
My geckos. | 0:25:37 | 0:25:39 | |
Trafford. | 0:25:41 | 0:25:43 | |
-A bunk bed. Thanks, Rich. -I miss our old chats too. | 0:25:45 | 0:25:48 | |
Hasn't been the same without you. | 0:25:48 | 0:25:50 | |
-Baggsie top bunk. -Fine. | 0:25:50 | 0:25:52 | |
Just don't let your dragon escape. No flying lessons this time. | 0:25:52 | 0:25:55 | |
-Oh, bruv! -Don't "Oh, bruv" me. | 0:25:55 | 0:25:57 | |
-I love jumping off things. -It's dangerous. | 0:25:57 | 0:25:59 | |
-Danger's my middle name. -Your middle name is Albery. -Sh! | 0:25:59 | 0:26:03 | |
-Don't broadcast it. -Oh, talking of which, we've got a show to do. | 0:26:03 | 0:26:07 | |
Come on. | 0:26:07 | 0:26:08 | |
My special guest in the studio today is everybody's newest heartthrob, | 0:26:10 | 0:26:13 | |
the man of the moment. He's old school, he's retro. He's Gabe. | 0:26:13 | 0:26:18 | |
-It's a pleasure, Master Rich. -Dr Rich. | 0:26:19 | 0:26:22 | |
And reporting live from Hollywood, the girl of his dreams, | 0:26:22 | 0:26:25 | |
Miss Dani herself. | 0:26:25 | 0:26:27 | |
Hi, guys. Happy to be here. | 0:26:27 | 0:26:29 | |
To kick off, we've got DJ Jimmy's freshest remix of Gabe's | 0:26:29 | 0:26:32 | |
newest track - Sonnet For A Rose Called Dani. | 0:26:32 | 0:26:36 | |
GREENSLEEVES DANCE REMIX PLAYS | 0:26:37 | 0:26:40 | |
Yeah. Very romantic. | 0:26:41 | 0:26:43 | |
It did not sound like that when I wrote it. | 0:26:43 | 0:26:46 | |
# Oh, my Lady Dani, Dani | 0:26:47 | 0:26:51 | |
# I love thee, how I love you... # | 0:26:51 | 0:26:54 | |
Subtitles by Red Bee Media Ltd | 0:27:08 | 0:27:11 |