Browse content similar to Midsummer Night's Nightmare. Check below for episodes and series from the same categories and more!
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So, our last suggestion on how to stay chilled on a boiling hot | 0:00:30 | 0:00:33 | |
summer's night is to put ice cubes in your duvet. | 0:00:33 | 0:00:36 | |
-I mean, can our next caller beat that? -I think I can. | 0:00:36 | 0:00:39 | |
You could wear pyjamas made out of ice cubes or buy a helicopter | 0:00:39 | 0:00:42 | |
and use it as a massive fan, or carry your bed to Antarctica. | 0:00:42 | 0:00:46 | |
Whoa, man, you need to stop there, | 0:00:46 | 0:00:48 | |
because I'm shivering just hearing that. | 0:00:48 | 0:00:50 | |
I've also got another idea. | 0:00:50 | 0:00:51 | |
I think your show needs a co-host and it shall be me. | 0:00:51 | 0:00:54 | |
Really? | 0:00:54 | 0:00:55 | |
I will arrive tomorrow to start. I'll even move into the castle. | 0:00:55 | 0:00:58 | |
It'll make my trip to work so much quicker. | 0:00:58 | 0:01:01 | |
I mean, I don't really know about that. I don't even know your name. | 0:01:01 | 0:01:04 | |
It's Master J-Dog. | 0:01:04 | 0:01:06 | |
-Jimmy? -Ha-ha, I got you, cuz. | 0:01:08 | 0:01:11 | |
You know what? You didn't have me fooled for a second. | 0:01:11 | 0:01:13 | |
No, it was more like a minute. | 0:01:13 | 0:01:14 | |
But seriously, though, I will be back tomorrow because, you know, | 0:01:14 | 0:01:17 | |
my tour's over and stuff and I'm coming home. | 0:01:17 | 0:01:19 | |
Anyways, Rich, I've got to go, because my credit's running out. | 0:01:19 | 0:01:22 | |
Well, listeners, Jimmy's going to be back on air tomorrow, | 0:01:22 | 0:01:26 | |
but until then, stay chilled, Bogmoor. | 0:01:26 | 0:01:28 | |
Yeah, man. | 0:01:30 | 0:01:32 | |
I thought after winning this, my business would really take off. | 0:01:33 | 0:01:36 | |
Well, you're still doing really well. | 0:01:36 | 0:01:38 | |
Yeah, but I need an idea that's going to take it to the next level. | 0:01:38 | 0:01:41 | |
So, did you bring your thinking cap like I asked? | 0:01:41 | 0:01:43 | |
Yep, one Tibetan thinking cap. | 0:01:43 | 0:01:46 | |
-Those really exist? -Mm-hm. | 0:01:47 | 0:01:49 | |
Who knew? Anyway, let's get thinking. | 0:01:49 | 0:01:52 | |
-Hmm. -Girls, I've got some good news. | 0:01:52 | 0:01:56 | |
-Are yous two thinking? -We're just trying to come up with an idea | 0:01:56 | 0:01:59 | |
that's going to take Kait's Bakes to the next level. | 0:01:59 | 0:02:01 | |
Well, that's easy - make an advert, stick it online, | 0:02:01 | 0:02:03 | |
wait for it to go viral, job done. | 0:02:03 | 0:02:05 | |
Oh, that's a great idea, thanks, Rich. | 0:02:05 | 0:02:08 | |
Always happy to help you, Kaity Kait. | 0:02:08 | 0:02:09 | |
Well, I'd better go and tell the others the news. | 0:02:09 | 0:02:12 | |
Wait, hold on, you've not told us yet. | 0:02:12 | 0:02:14 | |
Wait, didn't I? | 0:02:14 | 0:02:16 | |
Well, I've just got off the phone to Jimmy | 0:02:16 | 0:02:18 | |
and it looks like he'll be back tomorrow. Cool, huh? | 0:02:18 | 0:02:20 | |
-Oh, that's brilliant news. -Yeah, amazing. | 0:02:20 | 0:02:23 | |
Want to play? I've got an ace trick I want to do on Clare. | 0:02:29 | 0:02:32 | |
We swap her hairspray for whipped cream. | 0:02:32 | 0:02:36 | |
Sounds great, but I've got to write an essay on boring Shakespeare. | 0:02:36 | 0:02:41 | |
-Ooh, A Midsummer Night's Dream. -More like a nightmare. | 0:02:41 | 0:02:44 | |
-Then come and play. -Sorry, I really can't. | 0:02:44 | 0:02:50 | |
What's happening, little man? I have got some good news. | 0:02:50 | 0:02:52 | |
Is it an asteroid about to destroy all life on earth? | 0:02:52 | 0:02:56 | |
And more importantly, all homework? | 0:02:56 | 0:02:58 | |
No, Jimmy's back, ehhh. | 0:02:58 | 0:03:01 | |
Pity. An asteroid would have been nice. | 0:03:01 | 0:03:04 | |
Unless... Does Jimmy know anything about A Midsummer Night's Dream? | 0:03:04 | 0:03:08 | |
Has it got killer robots in it and giant space aliens? | 0:03:08 | 0:03:11 | |
-I wish. -Well, then I doubt it. Have you asked anybody else? | 0:03:11 | 0:03:15 | |
Yeah, but... | 0:03:15 | 0:03:17 | |
Kait knew less than she thought. | 0:03:17 | 0:03:19 | |
So, then she woke up, realised he was dead and killed herself. | 0:03:19 | 0:03:23 | |
Very sad. Poor Romeo and Juliet. | 0:03:23 | 0:03:26 | |
Are you sure that's A Midsummer Night's Dream | 0:03:26 | 0:03:29 | |
and not Romeo and Juliet? | 0:03:29 | 0:03:31 | |
Oh, yeah, the clue's in the name, isn't it? | 0:03:31 | 0:03:34 | |
And Clare knew less than Kait. | 0:03:34 | 0:03:36 | |
-Clare do you like Shakespeare? -No, why? -But... | 0:03:40 | 0:03:46 | |
Oh, oh, this. No, this is just the thickest book I could find. | 0:03:46 | 0:03:50 | |
Going to use it to flatten my lucky Malaysian hair braids. | 0:03:50 | 0:03:54 | |
Sometimes wear them on my radio show. | 0:03:54 | 0:03:56 | |
If they're not flat, then they're not lucky. | 0:03:56 | 0:03:59 | |
What about you? Will you help? | 0:04:02 | 0:04:05 | |
Do you know what? I'd love to, but, you know, I've got this thing and... | 0:04:05 | 0:04:08 | |
and it's... and it's helping this other thing, so I'm sorry. | 0:04:08 | 0:04:12 | |
If no-one's going to help you, then why don't you leave it | 0:04:15 | 0:04:18 | |
and come and play instead? | 0:04:18 | 0:04:20 | |
If you helped instead of pestering me, we could get it done | 0:04:20 | 0:04:23 | |
and then we could go and play. | 0:04:23 | 0:04:24 | |
Fine, be like that, I'll leave you alone with your boring Shakespeare. | 0:04:24 | 0:04:28 | |
Such a shocking way to treat the greatest writer in history. | 0:04:30 | 0:04:35 | |
Gabe, you think Shakespeare was the greatest writer in history? | 0:04:37 | 0:04:40 | |
-I don't think, I know. -Could you help me with | 0:04:40 | 0:04:43 | |
A Midsummer Night's Dream homework, then? | 0:04:43 | 0:04:45 | |
I would be delighted, Master Dylan. This will be fun. | 0:04:45 | 0:04:50 | |
In 1590, his first play, The Two Gentlemen of Verona, | 0:04:54 | 0:04:59 | |
was performed. The only one of his to feature a dog. | 0:04:59 | 0:05:03 | |
Gabe, can we talk about A Midsummer Night's Dream, please? | 0:05:03 | 0:05:06 | |
Yes. Once we have discussed the 13 plays which he wrote before that | 0:05:06 | 0:05:11 | |
-masterpiece. -13? Unlucky for me. | 0:05:11 | 0:05:15 | |
His second play was The Taming of the Shrew. | 0:05:15 | 0:05:18 | |
Now, it's not actually about a tiny furry shrew. | 0:05:18 | 0:05:23 | |
It refers to a young feisty woman called Kate, | 0:05:23 | 0:05:27 | |
much like our very own Kait, one might say. | 0:05:27 | 0:05:31 | |
I, myself, have seen this play 29... | 0:05:31 | 0:05:35 | |
Oh. I thought only ghosts could disappear like that. | 0:05:35 | 0:05:39 | |
So, let's talk about what to do if someone you like has gone away | 0:05:39 | 0:05:44 | |
and is about to come back. | 0:05:44 | 0:05:46 | |
We'll call this totally made-up person, Jim... | 0:05:46 | 0:05:49 | |
Jerry, definitely Jerry, not Jimmy. | 0:05:49 | 0:05:52 | |
So, you used to think that if he grew up a bit, then you might more | 0:05:54 | 0:05:59 | |
than just like him, but what if he hasn't grown up? | 0:05:59 | 0:06:04 | |
Or what if he has grown up, but you don't like him? | 0:06:04 | 0:06:08 | |
Well, what if he doesn't like me? | 0:06:09 | 0:06:11 | |
I mean, you, and, oh, that's all from me, Bogmoor, | 0:06:11 | 0:06:16 | |
because we're running out of time. Bye! | 0:06:16 | 0:06:19 | |
-You all right, Clare? -Yeah. Yeah. | 0:06:19 | 0:06:22 | |
Why on earth wouldn't I be? | 0:06:22 | 0:06:24 | |
Hey, Dylan. Are you in a cupboard? | 0:06:28 | 0:06:31 | |
I'm avoiding Gabe. | 0:06:31 | 0:06:33 | |
He's meant to be helping me with my Midsummer Night's Dream essay, | 0:06:33 | 0:06:35 | |
but he's so boring. | 0:06:35 | 0:06:37 | |
He really does like his Shakespeare. | 0:06:37 | 0:06:39 | |
And I've managed to upset Leonie, so now she's not talking to me. | 0:06:39 | 0:06:42 | |
Are you feeling a tiny bit sorry for yourself? | 0:06:42 | 0:06:45 | |
No, I'm feeling a lot sorry for myself. | 0:06:45 | 0:06:47 | |
Do you need me to send some help? | 0:06:47 | 0:06:49 | |
What about Shakespeare himself? He can explain all his baffling words. | 0:06:49 | 0:06:53 | |
Can't, he's a bit busy working on the top afterlife soap, | 0:06:53 | 0:06:56 | |
GhostEnders, but I'm sure I can send someone nearly as good. | 0:06:56 | 0:07:00 | |
-Go wait by the portal. -Thanks, Esme. | 0:07:00 | 0:07:03 | |
There you are. So, his next plays were the Henry VI trilogy. | 0:07:03 | 0:07:09 | |
So, come hither. | 0:07:09 | 0:07:12 | |
Interestingly, scholars believe he wrote Henry VI part two | 0:07:12 | 0:07:16 | |
before he wrote part one. | 0:07:16 | 0:07:19 | |
That's just what a genius he was. | 0:07:19 | 0:07:21 | |
He's gone again. | 0:07:24 | 0:07:25 | |
How does he do it? | 0:07:28 | 0:07:30 | |
There you are. Why are you here? | 0:07:33 | 0:07:34 | |
We're not expecting anyone, are we? | 0:07:36 | 0:07:38 | |
A last-minute job. Anyway, I'll deal with it. | 0:07:38 | 0:07:42 | |
Why don't you go and rest? | 0:07:42 | 0:07:45 | |
No. I promised to teach you, so teach you I shall. | 0:07:45 | 0:07:48 | |
Where was I? | 0:07:48 | 0:07:50 | |
Ah, yes, next comes Titus Andronicus, | 0:07:50 | 0:07:54 | |
the sixth and goriest one. | 0:07:54 | 0:07:56 | |
Actually, some may argue that it was his first play. | 0:07:56 | 0:08:01 | |
-But they would be wrong. -Sorry, who are you? | 0:08:02 | 0:08:06 | |
I am here to assist master Dylan on matters Shakespearean. | 0:08:06 | 0:08:10 | |
Master Dylan, is my help no good? | 0:08:10 | 0:08:13 | |
No, it's brilliant, but there's quite a lot of it. | 0:08:13 | 0:08:17 | |
If anything, you know too much. | 0:08:17 | 0:08:20 | |
So, you summoned this nonentity. Ridiculous. | 0:08:20 | 0:08:24 | |
Allow me to introduce myself. Thomas Hill-Norton at your service. | 0:08:26 | 0:08:30 | |
Of course, when I say, "Ridiculous," I really mean brilliant. | 0:08:33 | 0:08:38 | |
Why, Mr Hill-Norton, I'm a huge fan. | 0:08:38 | 0:08:41 | |
You know who he is? | 0:08:43 | 0:08:44 | |
He was a member of Shakespeare's very own company of players. | 0:08:44 | 0:08:47 | |
Yes, hardly a nonentity. | 0:08:47 | 0:08:51 | |
I was just teasing. | 0:08:51 | 0:08:52 | |
I couldn't think of anyone better to assist me in teaching master Dylan. | 0:08:52 | 0:08:56 | |
On the contrary, it shall be you who will be assisting me. | 0:08:56 | 0:08:59 | |
Look, I don't care who assists who, as long as I get my homework done. | 0:08:59 | 0:09:02 | |
-BOTH: -Of course. | 0:09:02 | 0:09:04 | |
Did you know I am a great actor? | 0:09:07 | 0:09:09 | |
No, because you're not. | 0:09:11 | 0:09:12 | |
I was in the most recent Transformers film. | 0:09:12 | 0:09:14 | |
What, as a giant deadly robot? | 0:09:14 | 0:09:17 | |
No, as a mouse. | 0:09:17 | 0:09:19 | |
You can see me scurrying across the screen at one point, if you look | 0:09:19 | 0:09:22 | |
carefully, squint a bit, then close your eyes and use your imagination. | 0:09:22 | 0:09:27 | |
I always fancied doing a bit of acting. | 0:09:28 | 0:09:31 | |
Perhaps we could make our own film right here in the mouse hole. | 0:09:31 | 0:09:34 | |
That's a great idea. | 0:09:34 | 0:09:36 | |
Of course, I will write it, direct it, produce it and star in it. | 0:09:36 | 0:09:40 | |
-Well, what does that leave for me? -Making the tea. | 0:09:40 | 0:09:43 | |
No? Fair enough. | 0:09:46 | 0:09:49 | |
So, are you a bit worried about Jimmy coming back? | 0:09:51 | 0:09:55 | |
What? No, what would give you that idea? | 0:09:55 | 0:09:59 | |
Everything you said on your show. | 0:09:59 | 0:10:01 | |
Oh, that. | 0:10:01 | 0:10:03 | |
I just don't know how we'll both feel after all this time. | 0:10:03 | 0:10:07 | |
Well, you'll find out tomorrow. | 0:10:07 | 0:10:09 | |
But waiting is so hard. | 0:10:09 | 0:10:10 | |
I mean, I've been trying everything to relax. | 0:10:10 | 0:10:13 | |
-I've been drinking herbal tea, doing meditation. -Any good? -No! | 0:10:13 | 0:10:17 | |
I've drunk so much herbal tea, that every time I try | 0:10:17 | 0:10:20 | |
and meditate, I have to stop to go for a pee. | 0:10:20 | 0:10:23 | |
Well, how about to take your mind off things. | 0:10:23 | 0:10:26 | |
You can help me film my ad? | 0:10:26 | 0:10:27 | |
Ooh, help you get it online to give it that big business-y boost. | 0:10:27 | 0:10:31 | |
Can I be the star? | 0:10:31 | 0:10:32 | |
Ooh, sorry, I've already cast the lead. Ta-da! | 0:10:32 | 0:10:36 | |
I just thought it'd sound so good, you know, | 0:10:36 | 0:10:39 | |
Kait's Bakes by appointment to Prince William himself. | 0:10:39 | 0:10:42 | |
Ooh, nice. Are you sure, though? | 0:10:42 | 0:10:45 | |
I mean, he can be a bit feisty. | 0:10:45 | 0:10:48 | |
Exactly, he's got an artistic temperament. He'll be perfect. | 0:10:48 | 0:10:51 | |
Come on. | 0:10:51 | 0:10:53 | |
I come to help and he disappears. | 0:10:56 | 0:10:59 | |
He has a habit of doing that. | 0:10:59 | 0:11:00 | |
Oh, I do hope he hurries back soon. | 0:11:00 | 0:11:02 | |
A Midsummer Night's Dream is one of my favourite plays of Will's. | 0:11:02 | 0:11:07 | |
-Did you really call him Will? -All of his friends did. | 0:11:07 | 0:11:10 | |
Oh, to have been his friend. | 0:11:10 | 0:11:12 | |
In my time, I've played almost all of the parts in it. | 0:11:12 | 0:11:16 | |
When I was young, I played both Hermia and Helena. | 0:11:16 | 0:11:19 | |
Sorry had to get this, and I may not know much about the play, | 0:11:19 | 0:11:24 | |
but aren't Hermia and Helena girls? | 0:11:24 | 0:11:26 | |
Indeed, but in my time, women weren't allowed to become actors, | 0:11:26 | 0:11:31 | |
so boys took the female parts. | 0:11:31 | 0:11:34 | |
Not letting women act is so unfair. | 0:11:34 | 0:11:36 | |
I agree, but it is just what happened. | 0:11:36 | 0:11:41 | |
I thought you were leaving me alone with boring Shakespeare? | 0:11:41 | 0:11:44 | |
Well, like you said, if I help, then we can go and play quicker, swap | 0:11:44 | 0:11:48 | |
Clare's face cream for toothpaste, make her sticky and minty. | 0:11:48 | 0:11:51 | |
I often find that the best way to grasp a play is to act it out. | 0:11:51 | 0:11:56 | |
Yeah, skill, let's do that. | 0:11:56 | 0:11:58 | |
Excellent, so all we need now is some more actors and costumes. | 0:11:58 | 0:12:03 | |
-I'll get some more actors. -And I'll get costumes. | 0:12:03 | 0:12:06 | |
And I shall prepare to act. | 0:12:06 | 0:12:08 | |
Me-me-me-me, do-do-do-do-did-did-de-a. | 0:12:11 | 0:12:15 | |
This is how you prepare? Oh. | 0:12:15 | 0:12:18 | |
In my time, we used to eat a massive lunch and then have a lie-down. | 0:12:18 | 0:12:23 | |
And to think I once thought you were a great actor. | 0:12:24 | 0:12:27 | |
Ugh. Well, that could have gone better. | 0:12:32 | 0:12:35 | |
Yeah, like Prince William might not have thrown me | 0:12:35 | 0:12:37 | |
into Bogmoor's biggest, muddiest puddle. | 0:12:37 | 0:12:39 | |
Er, and you might not have chucked me into a pile of horse poo. | 0:12:39 | 0:12:42 | |
Yeah, sorry I did that. Still, I think we got it, though. | 0:12:42 | 0:12:45 | |
Let's take a look. | 0:12:45 | 0:12:46 | |
Did you leave the lens cap on? | 0:12:49 | 0:12:51 | |
Oh, I knew I should've gone to film school first. | 0:12:51 | 0:12:53 | |
And action! | 0:12:53 | 0:12:55 | |
No, no, no, no, Prince William, whoa, whoa, whoa! | 0:12:55 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:01 | |
Think that's funny, do you? I'll show you funny. | 0:13:01 | 0:13:04 | |
Ahh! HORSE LAUGHS | 0:13:04 | 0:13:06 | |
Did Prince William just laugh at me? | 0:13:06 | 0:13:08 | |
Well, he does have a really good sense of humour. | 0:13:08 | 0:13:10 | |
Guys, you've got to come to the main hall. | 0:13:10 | 0:13:13 | |
Come on, move it! | 0:13:13 | 0:13:14 | |
Why are we here? And who's this? | 0:13:19 | 0:13:22 | |
He makes Gabe look trendy. | 0:13:22 | 0:13:24 | |
I am Thomas Hill-Morton and you shall be acting out | 0:13:24 | 0:13:28 | |
-Mr Shakespeare's play... -A Midsummer Night's Dream. | 0:13:28 | 0:13:32 | |
You're my band of merry players. | 0:13:33 | 0:13:35 | |
Uhh! | 0:13:35 | 0:13:36 | |
OK, grumpy players. | 0:13:36 | 0:13:39 | |
Actually, I've got an ad to film. | 0:13:39 | 0:13:41 | |
-Yeah, and I've got to help Kait. -Oh, yeah, no, actually, so have I. | 0:13:41 | 0:13:44 | |
No, you need to stay and help Dylan. He always helps you, doesn't he? | 0:13:44 | 0:13:48 | |
Besides, if you don't join in, I'm going to be furious. | 0:13:48 | 0:13:52 | |
It seems that we have found our Hermia. | 0:13:53 | 0:13:57 | |
-Who? -One of the play's characters of whom Shakespeare says, | 0:13:57 | 0:14:03 | |
"Though she is but little, she is fierce." | 0:14:03 | 0:14:06 | |
-Yeah, that's Leonie. -So, are the rest of you willing? | 0:14:06 | 0:14:09 | |
Go on, then, it might be a bit of fun. | 0:14:11 | 0:14:14 | |
And we are merry players once more. | 0:14:14 | 0:14:16 | |
Now, young Dylan has gone to fetch me some costumes. | 0:14:16 | 0:14:19 | |
Who will gather me some props? | 0:14:19 | 0:14:21 | |
I shall! And master Rich may come and assist me. | 0:14:21 | 0:14:25 | |
Oh, may I? All right, then. | 0:14:25 | 0:14:27 | |
Excellent. Now the rest of us shall prepare the stage. | 0:14:27 | 0:14:31 | |
MUSIC PLAYS | 0:14:31 | 0:14:33 | |
Master Rich, you have gathered suitable props? | 0:14:39 | 0:14:43 | |
Think this might come in handy, eh? | 0:14:43 | 0:14:45 | |
How about you, sir, and take that, you rogue. | 0:14:45 | 0:14:48 | |
There are swords in his plays, but, alas, not this one. | 0:14:48 | 0:14:53 | |
-What else did you get? -Voila. | 0:14:53 | 0:14:56 | |
-No. -Cup of tea? -No. | 0:14:56 | 0:14:59 | |
-Definitely no. -Boom... -Even more definitely no. | 0:15:00 | 0:15:04 | |
How did you think that a games console would be useful? | 0:15:04 | 0:15:07 | |
Well, you know, I thought I could play on it if I get bored. | 0:15:07 | 0:15:10 | |
You know, Shakespeare can be a bit yawnsville. | 0:15:10 | 0:15:13 | |
He is never yawnsville! | 0:15:13 | 0:15:16 | |
All right, if you say so, Gabe. What's in your prop bag, then? | 0:15:16 | 0:15:19 | |
See, useful, useful and crucial. | 0:15:21 | 0:15:28 | |
Wait, mine are all rubbish, but that donkey's head is crucial? | 0:15:28 | 0:15:32 | |
It is the symbolic and thematic heart of the entire piece. | 0:15:32 | 0:15:37 | |
What? | 0:15:37 | 0:15:38 | |
A man called Bottom gets it stuck on his head. | 0:15:38 | 0:15:42 | |
That actually sounds quite funny, you know. | 0:15:43 | 0:15:46 | |
Maybe Shakespeare ain't so yawnsville after all. | 0:15:46 | 0:15:49 | |
The perfect space for our play and how are the costumes coming along? | 0:15:51 | 0:15:55 | |
I'm wearing tights. | 0:15:55 | 0:15:56 | |
And you're carrying them off very well, master Richard. | 0:15:56 | 0:16:00 | |
I do have nice legs, don't I? | 0:16:00 | 0:16:02 | |
-I feel like a potato in a sack. -So do I, but a really cool potato. | 0:16:02 | 0:16:06 | |
How do you look so good? | 0:16:08 | 0:16:10 | |
Is this a little big on me? | 0:16:10 | 0:16:12 | |
Nah... Maybe a bit. | 0:16:12 | 0:16:14 | |
So, the stage is set. Come with me, master Dylan, you shall sit here. | 0:16:14 | 0:16:19 | |
Let us begin. | 0:16:22 | 0:16:23 | |
Now, this play takes place around the time of the wedding | 0:16:23 | 0:16:27 | |
between Theseus, Duke of Athens and Hippolyta, Queen of the Amazons. | 0:16:27 | 0:16:30 | |
-Who? -You see, this is why it's so hard. | 0:16:30 | 0:16:33 | |
If I may put it in more modern terms. | 0:16:33 | 0:16:37 | |
Imagine Prince Harry marrying Jennifer Lawrence. | 0:16:37 | 0:16:41 | |
Oh, I get it, brilliant. | 0:16:41 | 0:16:44 | |
Hang on, Gabe, you know who Jennifer Lawrence is? | 0:16:44 | 0:16:46 | |
I'm a big fan of hers. | 0:16:46 | 0:16:47 | |
I love that film she did, The Hungry James. | 0:16:47 | 0:16:51 | |
Yeah, a massive fan. | 0:16:51 | 0:16:52 | |
Gabriel, please can you stop interrupting? | 0:16:52 | 0:16:54 | |
Actually, that was kind of helpful. | 0:16:54 | 0:16:57 | |
Thank you. | 0:16:57 | 0:16:58 | |
Now, the play's inspirations include Ovid's Metamorphosis. | 0:16:58 | 0:17:04 | |
And that was way less helpful. | 0:17:04 | 0:17:06 | |
So back to me, then. | 0:17:06 | 0:17:08 | |
Now, this is a play about love and how it drives even the most | 0:17:08 | 0:17:11 | |
sane people mad, and it all takes place over one magical night. | 0:17:11 | 0:17:16 | |
Well, that's nice, but when do we start acting? | 0:17:17 | 0:17:20 | |
Now, fierce Hermia, for the action starts with you. | 0:17:20 | 0:17:22 | |
Cool. So what do I do? | 0:17:22 | 0:17:26 | |
Well, at the beginning of the play you're in love with a man | 0:17:26 | 0:17:29 | |
named Lysander, who I shall play. | 0:17:29 | 0:17:32 | |
So, if you just pretend that... | 0:17:32 | 0:17:34 | |
Sweet Lysander, I love you so much, I fear my heart may burst. | 0:17:34 | 0:17:38 | |
-That kind of thing? -That was marvellous. | 0:17:40 | 0:17:43 | |
Alas, Hermia's father wants her to marry another, named Demetrius, | 0:17:43 | 0:17:47 | |
whom she dislikes. | 0:17:47 | 0:17:49 | |
Now that shall be played by... | 0:17:49 | 0:17:52 | |
you, Rich. | 0:17:52 | 0:17:54 | |
Oh, great. | 0:17:54 | 0:17:56 | |
I hate you, you're the worst thing I've ever seen. | 0:17:56 | 0:17:59 | |
That's some good acting, Leonie. You was acting, right? | 0:17:59 | 0:18:03 | |
Now, though Hermia does not like Demetrius, another does, | 0:18:04 | 0:18:07 | |
and her name is Helena. | 0:18:07 | 0:18:09 | |
That shall be played by you. You love him, but he loves you not. | 0:18:09 | 0:18:12 | |
Maybe I should play Helena? | 0:18:14 | 0:18:16 | |
Oh, no, no, no, no, no, no. | 0:18:16 | 0:18:17 | |
I have another role reserved for you. | 0:18:17 | 0:18:19 | |
We just need love from you and rejection from you. | 0:18:19 | 0:18:23 | |
The minimalist approach, interesting. | 0:18:35 | 0:18:38 | |
OK, The Cat Hunter, scene one, take one, and action! | 0:18:41 | 0:18:48 | |
For too long we have feared our feline foes, | 0:18:48 | 0:18:53 | |
but now Carlos the Mighty Cat Hunter shall fight back. | 0:18:53 | 0:18:59 | |
Hear my roar! Meoow! | 0:18:59 | 0:19:03 | |
Soon cats will not say, "Meow," they will say, "Ow," | 0:19:03 | 0:19:07 | |
because I will hurt them! | 0:19:07 | 0:19:09 | |
OK, hang on a second, do I even get any lines in this? | 0:19:09 | 0:19:13 | |
Because either I get to do something or I'm going to become | 0:19:13 | 0:19:16 | |
the Mouse Hunter, and the mouse that I hunt will be you. | 0:19:16 | 0:19:20 | |
That's not in the script, is it? | 0:19:22 | 0:19:24 | |
Cut! | 0:19:26 | 0:19:28 | |
To be together, Hermia and Lysander run away to the forest. | 0:19:28 | 0:19:32 | |
Lysander, let us go and love in peace forever. | 0:19:32 | 0:19:35 | |
But because he still loves Hermia, Demetrius follows. | 0:19:35 | 0:19:39 | |
No, don't go, Hermia. | 0:19:40 | 0:19:42 | |
And because she still loves him, Helena also follows. | 0:19:42 | 0:19:45 | |
Hang on, wait for me. | 0:19:45 | 0:19:48 | |
But then along comes a mischief-making fairy named Puck, | 0:19:48 | 0:19:51 | |
to ruin things. Dylan, that shall be you. | 0:19:51 | 0:19:54 | |
A mischief-maker who spoils it all? | 0:19:54 | 0:19:57 | |
Bit of a stretch, isn't it? | 0:19:57 | 0:19:58 | |
Oh, it's amazing. So what do I do? | 0:19:58 | 0:20:01 | |
Well, Puck's master, Oberon, who is King of the Fairies. | 0:20:02 | 0:20:05 | |
-I'll be him. -Who doesn't say anything yet... | 0:20:05 | 0:20:08 | |
Not fair. | 0:20:08 | 0:20:09 | |
..pities Helena, so he gets Puck to cast a spell on Demetrius | 0:20:09 | 0:20:13 | |
to make him love her. | 0:20:13 | 0:20:14 | |
Only Puck gets the wrong man, and it is Lysander who falls in love | 0:20:14 | 0:20:17 | |
with her instead. | 0:20:17 | 0:20:19 | |
Oh, Helena, how I do love thee so. | 0:20:22 | 0:20:24 | |
Excuse me, what about me? | 0:20:26 | 0:20:29 | |
Sorry, Hermia, I do not love thee now. | 0:20:29 | 0:20:31 | |
That makes me furious! And sad. | 0:20:31 | 0:20:35 | |
Well, when Oberon hears what's happened... | 0:20:35 | 0:20:37 | |
Yeah, but still doesn't say anything. | 0:20:37 | 0:20:39 | |
Still not fair. | 0:20:39 | 0:20:41 | |
..he makes Puck do the spell properly | 0:20:41 | 0:20:43 | |
so that Demetrius falls in love with Helena. | 0:20:43 | 0:20:45 | |
Only Helena doesn't believe him. | 0:20:45 | 0:20:47 | |
What are you doing, bruv? | 0:20:49 | 0:20:51 | |
Fairy magic. | 0:20:51 | 0:20:53 | |
Abracadabra, abracadoo, Demetrius will now love you. | 0:20:53 | 0:20:58 | |
Just tell her that you love her. | 0:21:00 | 0:21:02 | |
-I love you. -Diction, clarity. | 0:21:03 | 0:21:06 | |
-I love you. -No, really look at her. | 0:21:06 | 0:21:09 | |
I... Oh, do you know what? | 0:21:09 | 0:21:10 | |
I can't be bothered with this any more. | 0:21:10 | 0:21:12 | |
Me too, this is ridiculous. | 0:21:14 | 0:21:16 | |
Brilliant, so real, so truthful. | 0:21:18 | 0:21:21 | |
You don't know the half of it. | 0:21:21 | 0:21:22 | |
Right, time for my bit, I think. | 0:21:22 | 0:21:25 | |
I am Oberon, King of the Fairies! | 0:21:27 | 0:21:33 | |
And though I'm usually a very fair fairy, I am now cross, | 0:21:33 | 0:21:38 | |
really cross, because my Queen Titania has upset me grievously. | 0:21:38 | 0:21:43 | |
Ohh! | 0:21:43 | 0:21:44 | |
You're laughing at me. Fine. | 0:21:50 | 0:21:52 | |
If you don't appreciate great acting, then you shall not have it. | 0:21:52 | 0:21:57 | |
Why are all the corners taken? | 0:21:59 | 0:22:01 | |
Well, that was extraordinary, although Oberon was very | 0:22:03 | 0:22:09 | |
cross with Titania, the role I was saving for you. | 0:22:09 | 0:22:12 | |
Me? A Queen? Oh, I could get used to this. | 0:22:12 | 0:22:18 | |
-So as she slept... -Oh. | 0:22:18 | 0:22:22 | |
Oberon got Puck to magically make her fall in love with | 0:22:23 | 0:22:27 | |
the first thing that she set her eyes upon waking. | 0:22:27 | 0:22:31 | |
Abracadabra, abracadee, fall in love with the first thing you see. | 0:22:31 | 0:22:35 | |
Jimmy? | 0:22:42 | 0:22:44 | |
Jimmy? There is no Jimmy in this play. | 0:22:44 | 0:22:46 | |
Hey, guys, my flight landed early, so, yeah, here I am. | 0:22:46 | 0:22:49 | |
So we'll just stop the whole play all together, shall we? | 0:22:49 | 0:22:52 | |
I don't know why I bother. | 0:22:52 | 0:22:53 | |
This place hasn't changed much, but you're dressed really weird. | 0:22:58 | 0:23:03 | |
And there's a new ghost I don't know. Looks a bit angry. | 0:23:03 | 0:23:06 | |
Well, that's Thomas. Esme sent him back to help me with my homework. | 0:23:06 | 0:23:10 | |
Is it about being a grumpy ghost? | 0:23:10 | 0:23:11 | |
Worse, Shakespeare, a Midsummer Night's Dream. | 0:23:11 | 0:23:16 | |
-Uhh, yawn. -You're kidding, right? That's an awesome play. | 0:23:16 | 0:23:20 | |
-Huh? -Sorry, you know who Shakespeare is? -Yeah. | 0:23:20 | 0:23:22 | |
This place might not have changed, but you have. | 0:23:22 | 0:23:24 | |
No, not at all, I've loved that play since I was at school. | 0:23:24 | 0:23:27 | |
Can you help me with it, then? | 0:23:27 | 0:23:28 | |
No, but maybe Mr will.i.am Shakespeare can. | 0:23:28 | 0:23:32 | |
Luckily, I came prepared. | 0:23:32 | 0:23:34 | |
APPLAUSE | 0:24:14 | 0:24:17 | |
-So, you've got it? -Yeah. | 0:24:17 | 0:24:18 | |
Right, now go do your homework. | 0:24:18 | 0:24:20 | |
-What? No, come on... -Homework first, fun later. | 0:24:20 | 0:24:23 | |
I'll help you. I can act bits out. | 0:24:23 | 0:24:25 | |
-OK, cheers, Jimmy. -No worries, man. | 0:24:25 | 0:24:29 | |
Such a travesty. So modern! | 0:24:29 | 0:24:32 | |
-An insult to the great man. -Finally something we agree on. | 0:24:32 | 0:24:37 | |
Ah. Perhaps this shall keep him quiet? | 0:24:37 | 0:24:39 | |
Oh, so I'm Bottom, am I? Wait, it's Titania who loves me... | 0:24:41 | 0:24:45 | |
Donkey attack! | 0:24:45 | 0:24:48 | |
No - it's made him even louder. | 0:24:48 | 0:24:51 | |
-It's good to see you, Clare. -Oh, you too, Jimmy. | 0:24:52 | 0:24:54 | |
-Ehh. -I'm sorry if I was annoying. | 0:24:56 | 0:25:00 | |
Oh, no, no, not at all, though you were a little bit. | 0:25:00 | 0:25:03 | |
It's just that I get so passionate about the great man. | 0:25:03 | 0:25:06 | |
I know, I understand, I share that passion. | 0:25:06 | 0:25:09 | |
Do you think we have passed some of it on to them? | 0:25:09 | 0:25:12 | |
We certainly tried. | 0:25:12 | 0:25:13 | |
I've just had an idea. | 0:25:14 | 0:25:16 | |
How would you like to meet the master himself? | 0:25:16 | 0:25:19 | |
-Shakespeare? -The very same. I can introduce you, if you like. | 0:25:21 | 0:25:24 | |
No, I... I would not like that, I would love it! | 0:25:24 | 0:25:28 | |
Well, come on, then! | 0:25:28 | 0:25:30 | |
It's good to see you, man. I've got so many ideas, you know. | 0:25:31 | 0:25:34 | |
So have I. | 0:25:34 | 0:25:35 | |
You've actually wrote them down? | 0:25:38 | 0:25:39 | |
Hey, you've got to be serious to succeed. | 0:25:39 | 0:25:42 | |
I want to succeed. | 0:25:42 | 0:25:43 | |
So, how is it seeing Jimmy again? | 0:25:43 | 0:25:45 | |
He's...different. I mean, the way he told Dylan to do his homework. | 0:25:45 | 0:25:49 | |
Yeah, that's not like Jimmy. | 0:25:49 | 0:25:51 | |
It's like a more grown-up version of Jimmy. | 0:25:51 | 0:25:53 | |
No, but he's still daft, I mean, how he had that donkey on his head. | 0:25:53 | 0:25:57 | |
Mad idea.. | 0:25:57 | 0:25:59 | |
And action! | 0:26:04 | 0:26:05 | |
From apple and aniseed. | 0:26:05 | 0:26:07 | |
To carrot and corn. | 0:26:07 | 0:26:09 | |
Kait's Bakes are the best animal snacks anywhere ever. | 0:26:09 | 0:26:12 | |
Yep, and they're super good for you and hyper-yummy, and that's | 0:26:12 | 0:26:15 | |
come straight from the horse's mouth, even though I am a donkey. | 0:26:15 | 0:26:19 | |
-Ee-oor, ee-or, ee-or. -And cut! That's a wrap. | 0:26:19 | 0:26:22 | |
That's exactly what my business needed to get it to the next level. | 0:26:22 | 0:26:25 | |
-Thanks, guys. -Ee-or, ee-or, ee-or. | 0:26:25 | 0:26:28 |