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On Deadly 60, I've had loads of incredible animal encounters. | 0:00:03 | 0:00:08 | |
Here's just one of my many favourites. | 0:00:08 | 0:00:11 | |
This is Deadly 60...Bites! | 0:00:12 | 0:00:16 | |
Next on my list is one of the amazing birds of prey | 0:00:17 | 0:00:21 | |
we have here in the UK. | 0:00:21 | 0:00:23 | |
And it hunts in the challenging environment of our woodlands. | 0:00:23 | 0:00:28 | |
The master of this habitat is this winged wonder, the goshawk. | 0:00:29 | 0:00:34 | |
Goshawks typically breed and hunt in mature woodlands. | 0:00:34 | 0:00:39 | |
And hunting in here is about dodging obstacles | 0:00:39 | 0:00:42 | |
and being able to ambush your prey. | 0:00:42 | 0:00:44 | |
-Because of that... -GOSHAWK CRIES OUT | 0:00:44 | 0:00:46 | |
she has a very different design, and quite a loud voice, as you can hear! | 0:00:46 | 0:00:50 | |
I'm not sure she'll let me show you this, | 0:00:50 | 0:00:53 | |
but the wings - come on, sweetheart - | 0:00:53 | 0:00:56 | |
are shorter, and more rounded. | 0:00:56 | 0:01:00 | |
And she has this wonderful, fan-shaped tail. | 0:01:00 | 0:01:05 | |
There you go. | 0:01:05 | 0:01:07 | |
This works like a rudder steering her amongst the trees. | 0:01:07 | 0:01:10 | |
To show you how awesome she can be, in full predatory mode, | 0:01:10 | 0:01:14 | |
we'll have her hunt something a little bit bigger than normal. Me. | 0:01:14 | 0:01:19 | |
Goshawks are so super-fast, | 0:01:20 | 0:01:23 | |
we've had to bring all kinds of bits of kit | 0:01:23 | 0:01:26 | |
to try and film her in flight. | 0:01:26 | 0:01:28 | |
We've even got people in the trees! | 0:01:28 | 0:01:32 | |
Right... Now, | 0:01:37 | 0:01:39 | |
I've got, erm, I've got the lure, | 0:01:39 | 0:01:42 | |
a little bit of meat there, on my hand. | 0:01:42 | 0:01:46 | |
And when Ellie is loosed, | 0:01:48 | 0:01:50 | |
she'll try and find the path of least resistance to find me. | 0:01:50 | 0:01:54 | |
This woodland could be hell for a bird of prey. | 0:01:54 | 0:01:58 | |
It's just a tangle of beech, conifers and hazel. | 0:01:58 | 0:02:04 | |
All the trees are very tightly packed together. | 0:02:04 | 0:02:07 | |
And for a bird as big as the goshawk, really, | 0:02:07 | 0:02:11 | |
it's going to have to dodge and weave in and out | 0:02:11 | 0:02:15 | |
with incredible manoeuvrability. | 0:02:15 | 0:02:18 | |
I'm really quite far from her. | 0:02:18 | 0:02:20 | |
But, erm, their eyesight is about eight times better than ours. | 0:02:20 | 0:02:25 | |
So she should spot me with ease. | 0:02:25 | 0:02:28 | |
OK, whenever you're ready... | 0:02:31 | 0:02:33 | |
Ugh! Crikey! | 0:02:50 | 0:02:51 | |
The force of that, as she hits you! | 0:02:54 | 0:02:57 | |
Imagine what it must be like if you were a rabbit! | 0:02:57 | 0:03:00 | |
I didn't hear a sound! | 0:03:00 | 0:03:03 | |
It just belted me! | 0:03:03 | 0:03:05 | |
OK, so now I've felt what it's like to be the prey, | 0:03:05 | 0:03:09 | |
we have a remarkable bit of technology | 0:03:09 | 0:03:12 | |
which can show us what it's like to be the hunter. | 0:03:12 | 0:03:15 | |
This harness here - please don't take my fingers off, Ellie, | 0:03:15 | 0:03:19 | |
that would be such a bad day - | 0:03:19 | 0:03:21 | |
attaches to a tiny little mini camera, which is going to give us | 0:03:21 | 0:03:25 | |
a goshawk's-eye view of flying through these trees. | 0:03:25 | 0:03:29 | |
Come on, shall we get you kitted up? | 0:03:29 | 0:03:31 | |
Right, just about...there. | 0:03:33 | 0:03:36 | |
Now that my role as prey is over, it's time to check out | 0:04:00 | 0:04:04 | |
exactly how Ellie hunts, in such thick woods. | 0:04:04 | 0:04:07 | |
Right, let's look at our hero, or should I say heroine, in action. | 0:04:07 | 0:04:12 | |
Look at that! You can see the talons coming back open, spreading, | 0:04:16 | 0:04:20 | |
with razor-sharp ends to them. | 0:04:20 | 0:04:22 | |
Just imagine, if you were a bird or a rabbit, | 0:04:22 | 0:04:25 | |
and saw those coming at you like that, | 0:04:25 | 0:04:28 | |
it would be the last thing you ever saw. | 0:04:28 | 0:04:31 | |
I mean, really, she's gone from about 30 miles an hour | 0:04:31 | 0:04:35 | |
to a complete stop in the space of under a second. | 0:04:35 | 0:04:38 | |
The deceleration forces must be incredible, the G-forces, unreal. | 0:04:38 | 0:04:43 | |
And she's doing that by throwing back her wings, | 0:04:43 | 0:04:46 | |
spreading those flight feathers, and just stopping herself dead, | 0:04:46 | 0:04:51 | |
like a parachute on a drag racing car. That force goes into the prey. | 0:04:51 | 0:04:55 | |
All the force from the flight hits the prey, | 0:04:55 | 0:04:58 | |
and it'll be all over within seconds. | 0:04:58 | 0:05:00 | |
Oh, wow! | 0:05:03 | 0:05:04 | |
That was... Hang on, I'm going to watch that again. | 0:05:06 | 0:05:09 | |
It was all over... Even speeded down that amount, | 0:05:09 | 0:05:13 | |
it's all over in a fraction of a second. | 0:05:13 | 0:05:16 | |
Effortlessly, she's folded her wings together so she can get through | 0:05:16 | 0:05:20 | |
that narrow gap without losing any speed whatsoever. | 0:05:20 | 0:05:23 | |
But she's going through a gap not much wider than her body, | 0:05:23 | 0:05:26 | |
let alone with her spread wings. | 0:05:26 | 0:05:28 | |
I think all this technology that we've had to use to get any sense | 0:05:28 | 0:05:33 | |
of what the goshawk's like at hunting shows | 0:05:33 | 0:05:36 | |
why she has to go on the Deadly 60. I mean, she thinks, acts, sees, | 0:05:36 | 0:05:41 | |
in a whole different world of speed to us. | 0:05:41 | 0:05:44 | |
And that's why you're going on the Deadly 60. | 0:05:44 | 0:05:48 | |
You have no idea what that is, do you? | 0:05:48 | 0:05:51 | |
Amazing acceleration, speed and agility. | 0:05:52 | 0:05:56 | |
This dodging and weaving aerial predator | 0:05:56 | 0:05:59 | |
is any woodland animal's worst nightmare. | 0:05:59 | 0:06:02 | |
Goshawk has got to go on the Deadly 60. | 0:06:02 | 0:06:06 | |
Subtitles by Red Bee Media Ltd | 0:06:22 | 0:06:25 | |
E-mail [email protected] | 0:06:25 | 0:06:28 |