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On Deadly 60, I've had loads of incredible animal encounters. | 0:00:03 | 0:00:08 | |
Here's just one of my many favourites. | 0:00:09 | 0:00:11 | |
This is Deadly 60 Bites. | 0:00:12 | 0:00:17 | |
Today, we're in the Sonoran Desert in Arizona. | 0:00:17 | 0:00:20 | |
Despite what many people think about deserts being alive with snakes, | 0:00:20 | 0:00:25 | |
they can be quite shy of people and often very hard to find. | 0:00:25 | 0:00:31 | |
Luckily, though, we've got some Deadly 60 technology on our side. | 0:00:31 | 0:00:35 | |
Matt, talk us through how this works. | 0:00:37 | 0:00:39 | |
This antenna's directional, | 0:00:39 | 0:00:41 | |
so it'll tell you the strongest signals where the snake is. | 0:00:41 | 0:00:45 | |
-So if you listen, you can... -BLEEPS | 0:00:45 | 0:00:48 | |
-It's a little louder that way. -It does seem stronger in that direction. | 0:00:55 | 0:00:58 | |
Perfect. I'm following you. | 0:00:58 | 0:01:01 | |
I should point out that this isn't just a magic snake-finding device. | 0:01:01 | 0:01:06 | |
All the animals we'll be looking for have been caught | 0:01:06 | 0:01:09 | |
and implanted with a radio transmitter | 0:01:09 | 0:01:11 | |
about the size of my little finger. | 0:01:11 | 0:01:14 | |
That's the signal we're trying to pick up now. | 0:01:14 | 0:01:16 | |
'So this is what we're looking for. | 0:01:17 | 0:01:20 | |
'Rattlesnakes are the classic desert predator, | 0:01:20 | 0:01:23 | |
'arguably the most sophisticated snake on the planet, | 0:01:23 | 0:01:27 | |
'with hinged fangs, a superfast strike | 0:01:27 | 0:01:31 | |
'and an amazing sense of smell. | 0:01:31 | 0:01:34 | |
'This is the animal most people try and avoid. | 0:01:35 | 0:01:39 | |
'Even with this technology, it won't be easy finding a rattler, | 0:01:43 | 0:01:47 | |
'and with the temperature soaring to over 35 degrees, | 0:01:47 | 0:01:51 | |
'the crew are really having to work hard. | 0:01:51 | 0:01:54 | |
'While we sweat it out on the search, | 0:01:58 | 0:02:01 | |
'take a look at the demo me and the crew did | 0:02:01 | 0:02:03 | |
'to show you how the rattlesnake is such an effective killer. | 0:02:03 | 0:02:08 | |
'But to do this, we need to turn the lights out.' | 0:02:08 | 0:02:12 | |
This is a thermal imaging camera. | 0:02:13 | 0:02:16 | |
It actually picks up the heat generated by objects around you. | 0:02:16 | 0:02:21 | |
So things like... | 0:02:21 | 0:02:24 | |
this cactus here. | 0:02:24 | 0:02:26 | |
Obviously cactus have an awful lot of water in them, | 0:02:26 | 0:02:29 | |
and all that water is still quite warm, | 0:02:29 | 0:02:31 | |
so the cactus stands out beautifully | 0:02:31 | 0:02:34 | |
against the black of the sky. | 0:02:34 | 0:02:36 | |
And if I turn this onto the camera crew... | 0:02:36 | 0:02:40 | |
And Johnny, the cameraman, | 0:02:40 | 0:02:42 | |
the camera's dark, | 0:02:42 | 0:02:44 | |
and his head is almost white. | 0:02:44 | 0:02:47 | |
So, got a foxy bit of kit. Let's go see what we can find. | 0:02:47 | 0:02:50 | |
'This detection of heat is exactly how a rattlesnake | 0:02:55 | 0:02:58 | |
'is able to see its prey in the dark. | 0:02:58 | 0:03:01 | |
'It has supersensitive heat sensors | 0:03:01 | 0:03:03 | |
'on its face that pick up the heat given off from its prey's body, | 0:03:03 | 0:03:08 | |
'allowing the snake to catch its supper | 0:03:08 | 0:03:10 | |
'in the pitch black of night.' | 0:03:10 | 0:03:12 | |
A good-sized rat is eyeing me up from the rocks in front of me. | 0:03:14 | 0:03:19 | |
You can see the warmth generated by his body heat. | 0:03:19 | 0:03:22 | |
His eyes, particularly, seem to be very hot. | 0:03:22 | 0:03:26 | |
I'm being watched very intently | 0:03:34 | 0:03:38 | |
from no more than about ten feet away, | 0:03:38 | 0:03:41 | |
by a very bright pair of yellow eyes. | 0:03:41 | 0:03:44 | |
This is an Elf Owl. | 0:03:46 | 0:03:48 | |
He's probably... | 0:03:48 | 0:03:50 | |
no more than about that high, I'm guessing. | 0:03:50 | 0:03:55 | |
He is beautiful. | 0:03:55 | 0:03:57 | |
'This is exactly what a rattlesnake would see | 0:03:57 | 0:04:00 | |
'if it was looking at this owl. | 0:04:00 | 0:04:02 | |
'Now let's turn the lights back on and see if we can find one.' | 0:04:06 | 0:04:11 | |
Ow! | 0:04:17 | 0:04:18 | |
Some of these cactus could be well over 100 years old. | 0:04:23 | 0:04:27 | |
Even older than Nick, our sound man. | 0:04:27 | 0:04:30 | |
STEVE LAUGHS | 0:04:32 | 0:04:34 | |
There's a lot of reasons why reptiles do so well in dry desert environments like this. | 0:04:37 | 0:04:42 | |
Firstly, being so-called cold-blooded, | 0:04:42 | 0:04:45 | |
they get their energy from the sun, and there's plenty of that here. | 0:04:45 | 0:04:49 | |
Also, they have remarkable watertight skin, | 0:04:49 | 0:04:51 | |
so they don't sweat or lose any water to the outside environment. | 0:04:51 | 0:04:55 | |
They have the ability, in times when there's not much food around, | 0:04:55 | 0:04:58 | |
to just lie around and do nothing, | 0:04:58 | 0:05:00 | |
and, in extreme cases, even hibernate. | 0:05:00 | 0:05:04 | |
That one is a snake. | 0:05:15 | 0:05:18 | |
'Matt's locked on to a signal from a rattlesnake. | 0:05:18 | 0:05:20 | |
'We're getting close and we need to be really careful where we tread.' | 0:05:20 | 0:05:25 | |
-Where? -You see him? | 0:05:30 | 0:05:31 | |
OK, he's right there? Good. | 0:05:31 | 0:05:34 | |
Perfect. | 0:05:39 | 0:05:41 | |
If you can get him on the first shot, that's good. | 0:05:42 | 0:05:46 | |
One fell swoop. | 0:05:46 | 0:05:47 | |
Come around the other side now. | 0:05:50 | 0:05:52 | |
RATTLING | 0:05:53 | 0:05:55 | |
Listen to that! | 0:05:55 | 0:05:57 | |
That is THE sound of the Sonoran Desert. | 0:05:57 | 0:06:03 | |
RATTLING | 0:06:04 | 0:06:06 | |
Let's get him out in the open where we can look at him. | 0:06:11 | 0:06:15 | |
RATTLING | 0:06:16 | 0:06:18 | |
Listen to that rattle! | 0:06:20 | 0:06:22 | |
LOUD RATTLING | 0:06:24 | 0:06:27 | |
That wonderful sound is really the signature sound of the desert. | 0:06:27 | 0:06:31 | |
You hear it in all the Western movies. | 0:06:31 | 0:06:33 | |
Interlocking segments of keratin, | 0:06:35 | 0:06:38 | |
the same substance that's in our fingernails, | 0:06:38 | 0:06:41 | |
rattle together and create that incredible buzzing sound. | 0:06:41 | 0:06:45 | |
'Matt's marked the wild snakes he's studying with some paint | 0:06:47 | 0:06:50 | |
'so he can identify them.' | 0:06:50 | 0:06:53 | |
This is a tiger rattlesnake. | 0:06:54 | 0:06:57 | |
The dark and light bands running across the body | 0:06:57 | 0:07:01 | |
are for camouflage and are what give it its name. | 0:07:01 | 0:07:04 | |
These tongs look like they're squashing the snake, but it's a resilient creature. | 0:07:04 | 0:07:09 | |
They're not doing it any harm at all. | 0:07:09 | 0:07:12 | |
It's not a particularly big snake, but it does have very potent venom. | 0:07:12 | 0:07:17 | |
Certainly enough to mean I have to be very wary of it. | 0:07:17 | 0:07:20 | |
What a beauty! | 0:07:20 | 0:07:23 | |
Actually, what this is is an incredible predator. | 0:07:23 | 0:07:26 | |
The reason for that is a supersense. | 0:07:26 | 0:07:29 | |
Looking at the front of the head, | 0:07:29 | 0:07:31 | |
the snake almost appears to have two sets of nostrils. | 0:07:31 | 0:07:35 | |
The lower ones are what's called a loreal pit, | 0:07:35 | 0:07:38 | |
which picks up the warmth generated by the moving muscles of its prey. | 0:07:38 | 0:07:42 | |
It can literally see animals moving in the dark. | 0:07:42 | 0:07:46 | |
'Exactly as we saw earlier with our thermal camera.' | 0:07:47 | 0:07:51 | |
So all it has to do is to sit and wait | 0:07:53 | 0:07:56 | |
for a small mouse or other warm-blooded mammal to walk too close by, | 0:07:56 | 0:08:00 | |
and then it'll strike with its potent venom. | 0:08:00 | 0:08:03 | |
First of all, it instantly starts to slow the prey down. | 0:08:03 | 0:08:08 | |
But the prey also starts to bleed internally | 0:08:11 | 0:08:14 | |
and to urinate as it runs away, | 0:08:14 | 0:08:17 | |
leaving a scent trail which the rattlesnake can follow. | 0:08:17 | 0:08:20 | |
'So, dangerous to us they may be, | 0:08:21 | 0:08:24 | |
'but the rattlesnake is going on the Deadly 60 | 0:08:24 | 0:08:26 | |
'because of its ability to track, ambush and immobilise its prey. | 0:08:26 | 0:08:32 | |
'Venom, speed, supersenses, camouflage, | 0:08:36 | 0:08:40 | |
'and... did I mention venom? | 0:08:40 | 0:08:42 | |
'Well, there you go. The rattlesnake.' | 0:08:42 | 0:08:46 | |
Subtitles by Red Bee Media Ltd | 0:09:00 | 0:09:02 | |
E-mail [email protected] | 0:09:02 | 0:09:05 |