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With a casing made of aluminium - We do apologise viewers, we seem to | :00:06. | :00:14. | |
have joined today's DNN at the end of the show. Please bear with us | :00:14. | :00:23. | |
while we investigate. Well, what a show THAT was! I still can't believe | :00:23. | :00:26. | |
that Camel survived. I know. And Justin Bieber | :00:26. | :00:28. | |
parachuting in. You really couldn't make it up. | :00:28. | :00:31. | |
Anyway, that's all from this series of DNN. I've been the outstanding | :00:31. | :00:33. | |
Felicity Bond. And I've been the hatstanding Bob | :00:33. | :00:35. | |
Roberts. Say goodbye, Bob. | :00:35. | :00:38. | |
Goodbye, Bob! So, where are you going for your holidays, Flicky? | :00:38. | :00:43. | |
Once again, we're very sorry, but we appear to have missed this week's | :00:43. | :00:47. | |
episode of DNN. However, you have been good enough to tune in, so | :00:47. | :00:51. | |
we'll leave the cameras rolling to give you an exclusive look at what | :00:51. | :00:55. | |
goes on in the studio after the show. | :00:55. | :00:56. | |
goes on in the studio after the Well done, everyone. See you all | :00:56. | :01:04. | |
next series, apart from the people I'm getting sacked. And | :01:04. | :01:06. | |
next series, apart from the people out this hatastrophe! So | :01:06. | :01:10. | |
next series, apart from the people Ha! What's this for? Snorkelling? | :01:10. | :01:10. | |
No. They're Ha! What's this for? Snorkelling? | :01:10. | :01:12. | |
You sleep in this? Yes, | :01:12. | :01:14. | |
You sleep in this? Whoa, whoa, | :01:14. | :01:18. | |
You sleep in this? That must mean there's a breaking | :01:18. | :01:20. | |
story from on-the-spot reporter Phil Tyme. You often miss the story, | :01:20. | :01:23. | |
Phil. But this week you've missed the entire show! We're off air! I | :01:23. | :01:30. | |
know that but this is one exclusive you're going to want to | :01:30. | :01:33. | |
know that but this is one exclusive I am standing outside the head | :01:33. | :01:37. | |
office of our late night sister show DNN, no nonsense nightly news live | :01:37. | :01:42. | |
as ever. More than ever. Thank you. I am here because you're not going | :01:42. | :01:45. | |
to believe what I found in my e-mails this morning. Yes, was it an | :01:45. | :01:52. | |
eagle? You can't send an eagle by e-mail, Bob. Heads up, everyone. | :01:52. | :01:58. | |
That eagle is still in my office. No, it was a private message, shh, | :01:58. | :02:05. | |
sent to me, privately by someone at DNNNNN. Get this they're finally | :02:05. | :02:11. | |
giving Henry Smart a cohost. What? Yes, I knew that would get your | :02:11. | :02:15. | |
attention, but brace yourself. There's more. The e-mail also says | :02:15. | :02:19. | |
they have had their eyes on DNN, and there is only one person for the | :02:19. | :02:23. | |
job. It's one of us people. Well, I'm not doing it. I don't think it's | :02:23. | :02:28. | |
you, Bob. Exactly. Don't touch what you can't afford. This is not just | :02:28. | :02:33. | |
breaking news. This is something that could change the face of DNN | :02:33. | :02:38. | |
forever. Me and Terry aren't budging until we get this amazing exclusive, | :02:38. | :02:43. | |
so watch this space, people. See you in a bit. Thanks, Phil. I don't | :02:43. | :02:49. | |
believe it. It's finally happening. What is happening? Tymal Mills? At | :02:49. | :02:58. | |
last!! Thank you, hair genie! No Bob, I mean I'm finally moving to | :02:58. | :03:01. | |
DNNNNNN. Er, hold on a sausage. What makes | :03:01. | :03:04. | |
you think you'll get the job? Er, who else is there? | :03:04. | :03:07. | |
What do you mean? Have you seen our show? This is Phil | :03:07. | :03:14. | |
time - live! Excuse me. I am on a date with Harry - no! Not in front | :03:14. | :03:21. | |
of the camera. Oh, sorry. Right. Can you get this out of my face? I am | :03:21. | :03:25. | |
trying to do some work here. Jahmene, I love the whole hand thing | :03:25. | :03:32. | |
you do. Boom! How about walk the dog? Let's walk the dog. This is not | :03:32. | :03:37. | |
appropriate for a journalist of my stature. Milk a cow. Let's milk a | :03:37. | :03:43. | |
appropriate for a journalist of my me to make the tea, don't | :03:43. | :03:48. | |
OK. Ahh! I am a very patient person with | :03:48. | :03:51. | |
a beautiful soul! Right. To you. Ahh! I am a very patient person with | :03:51. | :04:09. | |
Well, I, for one, cannot see what you're driving at. All seems | :04:09. | :04:12. | |
perfectly normal to me. Flying donkeys would seem normal to | :04:12. | :04:14. | |
you. Ah, yes. Uncle Dobbin - now that man | :04:14. | :04:17. | |
could flap. Can we get a feed open to the | :04:17. | :04:25. | |
DNNNNNN studio? Oh, please can we not? I've already | :04:25. | :04:28. | |
had three naps today. Ah - Hello, Felicity! | :04:28. | :04:30. | |
Hi, Henry. And hello, Bob. | :04:30. | :04:32. | |
Oh, told you. So what's all this I hear about you | :04:32. | :04:36. | |
getting a co-host from DNN, Henry? Well, that's certainly the rumour, | :04:36. | :04:39. | |
Felicity. Does this mean we'll be working together soon? | :04:40. | :04:44. | |
You think it'll be me, Henry? LAUGHTER | :04:44. | :04:49. | |
Well, I hope your ears are up to it. I genuinely have no idea who it's | :04:49. | :04:52. | |
going to be, Felicity, but rest assured, I have my fingers crossed. | :04:52. | :04:56. | |
I'll be in touch as soon as I hear anything. | :04:56. | :04:57. | |
Thank you, Henry. Oh, and bye-bye, Bob. | :04:57. | :05:00. | |
Missing you already, Henry. Oh, wait a minute. No, I'm not. Shaboom! Got | :05:00. | :05:03. | |
him! He's gone. | :05:03. | :05:07. | |
Oh. Well, I don't know what you're getting so excited about anyway. | :05:07. | :05:10. | |
Who'd want to be on DNNNNNN? It's so BORING. | :05:10. | :05:12. | |
They're the most credible news show on television, Bob. They've | :05:12. | :05:14. | |
interviewed Obama. Yes, and we've interviewed a llama. | :05:14. | :05:17. | |
What's your point?! We get great interviews! This is Gary oding for | :05:17. | :05:26. | |
DNN now joined by my complornsal friend Andy Murray. Who are you? You | :05:26. | :05:31. | |
look nothing like you do in the film. That's good. How long did the | :05:31. | :05:38. | |
makeup take? Um, it's a cartoon.I have never been to Roy MacEl-Roy's | :05:38. | :05:43. | |
birthday party. I think it's "-McIlroy". He picked you. No, he | :05:43. | :05:49. | |
picked you. Really?It doesn't matter. Mates before princesses. | :05:49. | :05:57. | |
Oggie! It's Gary Ogden - do you remember that? I think you have the | :05:57. | :06:01. | |
wrong bloke. Not number one, Lawson. I said number two, Lawson. You think | :06:01. | :06:04. | |
my name is Andy? I said number two, Lawson. You think | :06:04. | :06:11. | |
swimming stroke. No. I said number two, Lawson. You think | :06:11. | :06:22. | |
Spraggen. Sproggon. Spraggen. OK. | :06:22. | :06:31. | |
Spraggen. Sproggon. Spraggen. this? I need to think like a hose! | :06:31. | :06:36. | |
What's 57 rounded to the nearette 10th? 60. And don't even think about | :06:36. | :06:42. | |
squirting that thing at me. My hair is waterproof anyway. She goes in | :06:42. | :06:47. | |
through my nose and my head while I am asleep. It is called | :06:47. | :06:50. | |
visualisation. It really helps me get into the mind of the trees. If | :06:51. | :06:56. | |
you even touch that finger, I'll make sure you never work in TV | :06:56. | :07:01. | |
again. Don't think I won't! What are you supposed to be? Come off it, | :07:01. | :07:05. | |
Terry. It's clearly not real. Knock, knock. Who is there? What do you | :07:05. | :07:09. | |
want? Who sent you, and where is your identification? The | :07:09. | :07:14. | |
interrupting cow! I don't get it. No! You have offered to cycle around | :07:14. | :07:19. | |
for us today. No, I haven't. You're going out for the day, and then | :07:19. | :07:25. | |
suddenly you go, oh, no, I forgot to do my makeup. That would never | :07:25. | :07:30. | |
happen. Why not? Because I am not an idiot. | :07:30. | :07:34. | |
Wellll, I say potato, you say "potahto". | :07:34. | :07:36. | |
I do NOT say "potahto". Ah-hah! You just did! It's the lies | :07:36. | :07:42. | |
that hurt the most. Er, excuse me, FeliciBob, I was just | :07:42. | :07:46. | |
packing up all of my Harry Styles-abilia, and I overheard Gary | :07:46. | :07:48. | |
in the toilets. Oh, dear. Was it "nuclear pants | :07:48. | :07:50. | |
Wednesday"? What's "nuclear pants Wednesday"? | :07:50. | :07:52. | |
The day after "curried fajita Tuesday." Woo! | :07:52. | :08:01. | |
Eeewww! No, he was dishing some megagoss about one of us getting a | :08:02. | :08:06. | |
new job? Is it me? It's me, isn't it?! | :08:06. | :08:08. | |
Well, it could be anyone from the DNN family. | :08:08. | :08:10. | |
Right, stopface. Can I just say, you lot are NOT my family. | :08:10. | :08:13. | |
Yes, we are, little one. Phil's the bumbling uncle. Nellie's the strict | :08:13. | :08:15. | |
auntie. I guess Davina would be our crazy | :08:15. | :08:18. | |
cousin - twice removed. Yep, Jahmene's the teenage son. And | :08:18. | :08:21. | |
Gary's the family pet. Whoa - what does that make us? | :08:21. | :08:24. | |
Easy. You're mum and dad. Er, we are NOT mum and dad. | :08:24. | :08:27. | |
You're not actually my mother! Hey, don't talk to your mother like | :08:27. | :08:31. | |
that! Go to your room, Stacey Mayonnaise. | :08:31. | :08:32. | |
It's "Stacey-May ANAIS"! Argh, you are so annoying!!! | :08:32. | :08:33. | |
See? Family. are so annoying!!! | :08:33. | :08:44. | |
You're saying you actually want to work on the stuffiest news show in | :08:44. | :08:59. | |
You're saying you actually want to Right! Henry Smart | :08:59. | :09:12. | |
You're saying you actually want to Ah, you bunch of southern softies. | :09:12. | :09:13. | |
Anyway, I'm just giving the Ah, you bunch of southern softies. | :09:13. | :09:17. | |
She's got a point. They don't do THAT at DNNNNNN, Flicky. Here, we | :09:17. | :09:21. | |
let our viewers have their say. Calling him a moose is something so | :09:21. | :09:24. | |
silly to do. Why couldn't he have done a tree or Alan Titchmarsh? You | :09:24. | :09:28. | |
reckon Jedward are clones? They look the same, talk the same, have the | :09:28. | :09:33. | |
same hair. It's like they're twins! The best thing about packed lunches | :09:33. | :09:38. | |
is if there's something you don't like you swap it with friends for | :09:38. | :09:44. | |
crisps and desserts. I haven't managed to swap my bean salad, but | :09:44. | :09:50. | |
maybe one day. I love my packed lunches. I love them so much that I | :09:50. | :10:04. | |
even -- We take the news to Aye, it's true. And we don't just | :10:04. | :10:08. | |
listen. We take the news to THEM, an all. | :10:08. | :10:12. | |
Heel, Brian! Heel! Woaaaah! It can get seriously annoying and a | :10:12. | :10:55. | |
bit more-ish. Heel, Brian! Ahh! Say what you like about his work, | :10:55. | :10:58. | |
Jahmene Mann really knows his way around a good cup of tea. | :10:58. | :11:00. | |
You're not wrong, all unfortunately. | :11:00. | :11:03. | |
True. Seriously, have you forgotten your passport or something?! Get | :11:03. | :11:05. | |
out! Calm down, Bob. That must mean Phil | :11:05. | :11:09. | |
Tyme's got some news about the DNN- NN-NN job for us. What do you know, | :11:09. | :11:11. | |
Phil? No name I have found out one thing - it's | :11:11. | :11:14. | |
definitely a I have found out one thing - it's | :11:14. | :11:17. | |
it. I know. It's Factor, this, so that narrowing it | :11:17. | :11:30. | |
down to Stacey-May! Nellie - Davina! And you, Felicity. Slightly | :11:30. | :11:36. | |
down to Stacey-May! Nellie - Davina! running myself, but if you take me, | :11:36. | :11:38. | |
down to Stacey-May! Nellie - Davina! you've also got to take Terry, and | :11:38. | :11:39. | |
no-one who eats that you've also got to take Terry, and | :11:39. | :11:45. | |
in an enclosed space - disgusting, so the big boss is going to be out | :11:45. | :11:49. | |
in a few minutes, and we'll be waiting here, live and exclusively | :11:49. | :11:57. | |
for DNN. Don't go anywhere. Right. Let's have another looksee. | :11:57. | :12:00. | |
What's all this, Felicity? It's all my old hair, Bob. BOB: | :12:00. | :12:04. | |
Well, why are you taking it on holiday? | :12:04. | :12:05. | |
Because I'm worth it. You see, you constantly surprise me, | :12:05. | :12:09. | |
Felicity. That's why I think DNNNNNNNN - that's why "that show" | :12:09. | :12:17. | |
is a bad idea. At least here you never know what to expect. Come on. | :12:17. | :12:28. | |
Let's get this grey hair. Come on. Fly, Keith. Just to mind light! Oh, | :12:28. | :12:35. | |
Keith. This is Alan. My actual name is eeee! Eeeegh! No, the gh is | :12:35. | :12:49. | |
silent as in snowplow. Live on the banks of Snowdonia... Oh, wrong | :12:49. | :12:55. | |
specs. These are my head tray ones. No! My cape of justice will protect | :12:55. | :12:59. | |
us! Nice canoe, by the way. I was hoping | :12:59. | :13:04. | |
you wouldn't notice. What idiot runs security here? Ten-four, all quiet | :13:04. | :13:14. | |
here. My pleasure.My pleasure. No, it's my pleasure. It's my pleasure. | :13:14. | :13:23. | |
This is mega-anti-lol. My pleasure. My pleasure. Whoa, Felicity, you | :13:23. | :13:28. | |
didn't dell me you had a sister. My pleasure! My pleasure! Robert, do | :13:28. | :13:31. | |
you want me to come into the pleasure! My pleasure! Robert, do | :13:31. | :13:34. | |
and have words in person? Is that what you want? She's in your dress! | :13:34. | :13:38. | |
Turn it off. How is this my career? what you want? She's in your dress! | :13:38. | :13:44. | |
But don't you like stability, Bob? Of course I like you. And it's | :13:44. | :13:46. | |
pronounced Of course I like you. And it's | :13:46. | :13:47. | |
Right, damage control. If you DO get Of course I like you. And it's | :13:47. | :14:08. | |
drive. Gary Ogden. I'm doing it, daddy, I mean Benny. | :14:09. | :14:15. | |
drive. Gary Ogden. I'm doing it, Ogden. Smaller, smaller than that... | :14:15. | :14:27. | |
Gary Ogden. I am! Gary Ogden. OK, point taken. | :14:27. | :14:39. | |
Jahmene. LAUGHTER | :14:39. | :14:41. | |
That still leaves you with three solid professional choices. There's | :14:41. | :14:46. | |
Nellie, Stacey-May and Davina. So, clowns, are they hilarious or | :14:46. | :14:51. | |
terrifying? Or just people who've bought too much white foundation and | :14:51. | :14:57. | |
need to grow up? ! Tornadoes are going to rip through like the | :14:57. | :15:03. | |
judgmental mother-in-law looking for dust. Not done, you are very | :15:03. | :15:09. | |
unprofessional. I've got lozengers OK, don't think I won't use 'em. | :15:09. | :15:14. | |
There 'll be rain. I've not looked at the satellite aimages, but it's | :15:14. | :15:22. | |
Wales for an educated guess. I'm better than a bumblebee. Never put a | :15:22. | :15:29. | |
pun in my autocue again. In the glorious emerald paradise that is | :15:29. | :15:38. | |
Newcastle... ! You have ruined it. Like everything. This is the worst | :15:38. | :15:45. | |
holiday I've ever had. The main thing we've learned from all this is | :15:45. | :15:53. | |
not to mess with Nellie Osman. I hope you are listening, Robert. You | :15:53. | :15:59. | |
can't believe leave. Why not? Because of those three. Play the | :15:59. | :16:03. | |
tape. You have to have a heart of stone to leave | :16:03. | :16:08. | |
tape. You have to have a heart of # Just the two of us... # | :16:08. | :16:10. | |
There's an egg in my cup. Better. # Just the two of us... # | :16:10. | :16:15. | |
think Bob is the best # Just the two of us... # | :16:15. | :16:24. | |
anchor. Bob. I won. I don't know how to describe it. Like the USA, the | :16:24. | :16:26. | |
United States are awesome. to describe it. Like the USA, the | :16:26. | :16:31. | |
all of this is a dream. If it was a dream, | :16:31. | :16:34. | |
all of this is a dream. If it was a Once again, let go of my | :16:34. | :16:42. | |
all of this is a dream. If it was a about the news. That's better. Is | :16:43. | :16:45. | |
that a horse wearing trousers? Where? My mistake.All queue here. | :16:45. | :16:53. | |
Cancel that and send reinforcements. Happy place, Bob. | :16:53. | :16:58. | |
# Just the two of us... # Ought to Tutankhamen. That's how you | :16:58. | :17:08. | |
break the news. Look at him. I can tell he's thinking. There are three | :17:08. | :17:15. | |
Bs in Bob Roberts. Look, it was a lovely tape, Bob, but this is the | :17:15. | :17:18. | |
big break that I've been waiting for. Stay! I'll pay you. In belly | :17:18. | :17:25. | |
button fluff. Not an incentive, Bob. It's all I have. Would you stay if I | :17:25. | :17:31. | |
finally finish telling you about Nellie's unfortunate incident? | :17:31. | :17:34. | |
Maybe. Come on, hit me. No! I meant with the story. Oh, all | :17:34. | :17:39. | |
right. Kill the studio power, no screens, no curtains, no reflective | :17:39. | :17:44. | |
surfaces. I'm taking no chances with Nellie popping up. | :17:44. | :17:52. | |
So, where've we got to? We were heading to Buckingham Palace and she | :17:52. | :17:55. | |
didn't realise there was a Princess behind her. I tell a lie, it was | :17:55. | :18:00. | |
Lennox Lewis, but he was in a ball gown. In came the famous shoe | :18:00. | :18:10. | |
designer. Jimmy Choo?Bless you. Nellie goes to see the person | :18:10. | :18:13. | |
honourable friending the horn and it was bill Turnbull off Breakfast with | :18:13. | :18:18. | |
a bass guitar. Them they go on a road trip, drive up to the skinny | :18:18. | :18:27. | |
aisles. Scilly.I know! The camper van had been modified by that | :18:27. | :18:32. | |
footballer Robbie. Savage?No, he's nice. Before too long they realised | :18:33. | :18:37. | |
footballer Robbie. Savage?No, he's they'd taken a wrong turn. They | :18:37. | :18:39. | |
emerged from the sea, Nellie popped out to pick up a French pancake. | :18:39. | :18:44. | |
Cpepe? Anton Du Beke's blimp. Careful what | :18:44. | :18:52. | |
you say, Anton Du Beke's blimp. Careful what | :18:52. | :19:06. | |
no, no, no! Not now.What's it to be, Flicky? | :19:06. | :19:12. | |
job? Let's assume our position, Bob. OK, this is the big one. Do you know | :19:12. | :19:17. | |
who's got the job? Don't rush me, Felicity, it's my big | :19:17. | :19:21. | |
who's got the job? Don't rush me, because here comes the DNNNNNN big | :19:21. | :19:25. | |
boss right now. Please show your utmost respect for his Lordship, | :19:25. | :19:31. | |
little Alan Sugar. Hello, Phil. Hello, your grace, I believe you | :19:31. | :19:37. | |
have some news for me to break? I do. It's here. Thank you.No | :19:37. | :19:43. | |
problem. Back to the board room. Stay lucky, son. | :19:43. | :19:51. | |
This is proper exciting, this. What is all the noise? I can't hear | :19:51. | :19:57. | |
Harry. It's my business.Phil knows who got the job. Just tell us? All | :19:57. | :20:01. | |
right, all right, keep your very nice hair on! They say, and I quote | :20:01. | :20:09. | |
"this woman constantly demonstrates charm and astonishing journalistic | :20:09. | :20:13. | |
nous, as well as a staggering about ability to deal with Bob Roberts' | :20:13. | :20:19. | |
relentless rubbish". That's everyone on the show. Got a point there, | :20:19. | :20:24. | |
like. I can reveal the journalist who's landed the co- coanchor spot | :20:24. | :20:34. | |
on DNNNNNN is... Woah woah woah | :20:34. | :20:40. | |
I'm loving this, me. Here it comes. It's... Me... What? !What? ! You | :20:41. | :20:50. | |
have ruined me exclusive. That was an autobiographies lute shoe-in as | :20:50. | :20:56. | |
well. Cheese and crackers, man, I hate this job sometimes me. Terry, | :20:56. | :21:00. | |
start the van, we are going home and take them back. Unbelievable. | :21:00. | :21:05. | |
You got the job, but you are not allowed to be in | :21:05. | :21:08. | |
You got the job, but you are not more. Finally someone's acknowledged | :21:08. | :21:10. | |
You got the job, but you are not my skills and given me another | :21:10. | :21:13. | |
chance because I'm a professional. I've known about it for weeks. Can | :21:13. | :21:16. | |
someone get Henry. Is this true? I I've known about it for weeks. Can | :21:16. | :21:31. | |
you. Is that Louise Minchin from BBC Breakfast? EU missed | :21:31. | :21:43. | |
you. Is that Louise Minchin from BBC Great whosmt is it? Ellie Osmon.I'm | :21:43. | :21:43. | |
surprised, especially after the unfortunate business last year. | :21:43. | :21:46. | |
Thursday that was blown unfortunate business last year. | :21:46. | :21:51. | |
proportion. Not really. Let's not forget my friend Bill was there. He | :21:51. | :21:56. | |
even sent me some pictures. Have a look. It's appalling.A bit. | :21:56. | :22:02. | |
Seriously? How did they get an elephant up the Eiffel Tower? What | :22:02. | :22:10. | |
is it, Henry? I think you had better take a look at this. Is that Nellie? | :22:10. | :22:16. | |
What's Taylor swift doing on a bungee rope? Can't look. Sorry, | :22:16. | :22:23. | |
chaps, I've got to go. Some sports reporter's invited me to a barbecue, | :22:23. | :22:27. | |
he says we are close personal friends. Can't place him. Bye. Well, | :22:27. | :22:33. | |
this will not do, you are fired. No, please, I want to just be back in | :22:33. | :22:38. | |
the studio. So what happens now? Plan B. | :22:38. | :22:42. | |
Hey, Felicity Bond is nobody's Plan B. You are right. And anyway, I | :22:42. | :22:48. | |
couldn't leave you guys, I'm staying. Plan C then. Send her in. | :22:48. | :22:54. | |
You are mired! Hello. What? Who is that? Does she | :22:54. | :23:02. | |
work here? I've literally never seen her ball. Hello DNN studio, an | :23:02. | :23:10. | |
excellent decision. My reputation remains as untarnished as a freshly | :23:10. | :23:18. | |
ly starched pair of smalls. Now cut the link, you are wasting | :23:18. | :23:25. | |
electricity. You knead a hair cut! I can't believe it. Sticking with | :23:25. | :23:29. | |
us, Felicity? Yes, Bob, I am.So are you Nellie, I've got to say I'm | :23:29. | :23:34. | |
quite relieved. You are the best journalist here! Really?Bob! | :23:34. | :23:39. | |
quite relieved. You are the best is. And I promise I'll never mention | :23:39. | :23:43. | |
the unfortunate incident ever again. You promise. Thank you. Was that a | :23:43. | :23:49. | |
smile? No. Group hug. So until next time, | :23:49. | :23:57. | |
smile? No. Group hug. So until next irpressible Bob Roberts. Say | :23:57. | :23:57. | |
goodbye, Bob? | :23:57. | :24:00. |