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It's term time again | 0:00:02 | 0:00:03 | |
and our four magicians have left school | 0:00:03 | 0:00:04 | |
on a brand-new mission. | 0:00:04 | 0:00:06 | |
But do you think you'd recognise them | 0:00:07 | 0:00:10 | |
if they were outside the classroom? | 0:00:10 | 0:00:11 | |
Do you? | 0:00:11 | 0:00:13 | |
Now's your chance | 0:00:14 | 0:00:15 | |
cos they're going deeper undercover | 0:00:15 | 0:00:18 | |
with new disguises, ambitious costumes | 0:00:18 | 0:00:21 | |
and even taller tales. | 0:00:21 | 0:00:23 | |
# La-la-la-laaa! # | 0:00:23 | 0:00:26 | |
This time we're taking unsuspecting kids out of school, | 0:00:26 | 0:00:30 | |
piling them on coaches | 0:00:30 | 0:00:31 | |
and sending them on school trips. | 0:00:31 | 0:00:34 | |
They're off to visit some amazing locations | 0:00:34 | 0:00:36 | |
where they'll witness incredible magic. | 0:00:36 | 0:00:39 | |
I was like, "Oh, my gosh!" | 0:00:39 | 0:00:41 | |
And once again, we're hiding secret cameras in every corner, | 0:00:41 | 0:00:44 | |
so you don't miss a trick on any school trip. | 0:00:44 | 0:00:48 | |
The magic is bigger than ever. | 0:00:48 | 0:00:50 | |
Wow! | 0:00:50 | 0:00:51 | |
It might be term time, but school's out. | 0:00:51 | 0:00:54 | |
I can't believe our teachers did that. | 0:00:54 | 0:00:56 | |
How long will it take before the classes shout... | 0:00:56 | 0:00:58 | |
Hello. It's me, Iain, and welcome to Help! My School Trip is Magic. | 0:01:05 | 0:01:10 | |
Our magicians are no longer supply teachers. | 0:01:10 | 0:01:13 | |
They're now faking it as staff in some popular attractions. | 0:01:13 | 0:01:16 | |
And because we know you know them, | 0:01:16 | 0:01:19 | |
we've disguised them even more. | 0:01:19 | 0:01:22 | |
We've secretly filmed the results with special hidden cameras. | 0:01:22 | 0:01:25 | |
We have a school trip planned to a music academy today. | 0:01:25 | 0:01:28 | |
Music can be magical. | 0:01:28 | 0:01:31 | |
I've even got my magical invisible violin with me. Right. | 0:01:31 | 0:01:34 | |
HE PLAYS VIOLIN OUT OF TUNE | 0:01:34 | 0:01:38 | |
Oh, I just dropped it. | 0:01:38 | 0:01:39 | |
VIOLIN FALLING | 0:01:41 | 0:01:43 | |
Here... | 0:01:43 | 0:01:45 | |
VIOLIN STILL FALLING | 0:01:45 | 0:01:46 | |
Here's what's coming up in today's show. | 0:01:46 | 0:01:49 | |
VIOLIN LANDS AND BREAKS | 0:01:49 | 0:01:52 | |
HE SINGS HIGH PITCHED NOTE | 0:01:52 | 0:01:54 | |
John is the voice, | 0:01:54 | 0:01:55 | |
but he doesn't turn chairs round, | 0:01:55 | 0:01:57 | |
he turns heads with some smashing magic. | 0:01:57 | 0:02:00 | |
'Oh, bellissimo, magnifico.' | 0:02:00 | 0:02:03 | |
You've been sending in clips of all your best magic tricks. | 0:02:03 | 0:02:06 | |
And later on I'll be picking my favourite. | 0:02:06 | 0:02:08 | |
It's our Wannabe Wizards. | 0:02:08 | 0:02:10 | |
As sure as eggs is eggs, | 0:02:10 | 0:02:11 | |
John will reveal the secret in Tricks Of The Trade. | 0:02:11 | 0:02:15 | |
And James is dressed as a courtier at the castle, | 0:02:15 | 0:02:17 | |
but will this trip be caught out with his spooky tricks? | 0:02:17 | 0:02:21 | |
HE PLAYS VIOLIN OUT OF TUNE | 0:02:23 | 0:02:25 | |
Do you think you'd be able to tell if your school trip was magic? | 0:02:25 | 0:02:29 | |
Do you? | 0:02:29 | 0:02:31 | |
CAT SHRIEKS | 0:02:31 | 0:02:34 | |
CAT MEOWS | 0:02:34 | 0:02:35 | |
We're about to have a ball thanks to magician John. | 0:02:36 | 0:02:39 | |
And what goes up must come down. | 0:02:39 | 0:02:43 | |
In size at least. | 0:02:43 | 0:02:44 | |
It's a big trick with a small golf ball. | 0:02:45 | 0:02:48 | |
And there's a big golfing expectation for Year Five. | 0:02:49 | 0:02:53 | |
They think they're getting on board for a normal school trip. | 0:02:53 | 0:02:56 | |
However, their parents and teachers know differently, | 0:02:56 | 0:02:59 | |
they're on a magical mystery tour to... | 0:02:59 | 0:03:03 | |
The Royal Academy of Music. | 0:03:03 | 0:03:05 | |
Famous former pupils include Sir Elton John, Katherine Jenkins | 0:03:05 | 0:03:09 | |
and Gareth Malone from The Choir. | 0:03:09 | 0:03:12 | |
Here they teach over 20 musical disciplines ranging from piano | 0:03:12 | 0:03:15 | |
to strings to vocal studies. | 0:03:15 | 0:03:18 | |
So, our magicians can play their tricks, string the kids along | 0:03:18 | 0:03:21 | |
and hit the high note, | 0:03:21 | 0:03:23 | |
we're giving them a musical make over. | 0:03:23 | 0:03:25 | |
John's an Italian tenor, | 0:03:25 | 0:03:26 | |
or should I say ten euros. Ha-ha. | 0:03:26 | 0:03:28 | |
And rollover Beethoven, here's Fergus. | 0:03:28 | 0:03:32 | |
Rolling down the road is the bus. | 0:03:32 | 0:03:34 | |
The unsuspecting kids are on their way | 0:03:34 | 0:03:36 | |
to experience a magical masterpiece. | 0:03:36 | 0:03:39 | |
# Mi-a-la-la-laaa... # | 0:03:39 | 0:03:40 | |
Sounds more like Fergus and John | 0:03:40 | 0:03:43 | |
will be creating a piece of music called Mayhem. | 0:03:43 | 0:03:45 | |
# La-laaaaaaaaaa! # | 0:03:45 | 0:03:47 | |
They better practice more as the class have arrived downstairs | 0:03:47 | 0:03:50 | |
completely unaware that Fergus is musically mixed up. | 0:03:50 | 0:03:53 | |
I just want to make sure I hit all the right beats. | 0:03:53 | 0:03:56 | |
All the right beats, beats, beats... | 0:03:56 | 0:03:57 | |
THEY BEATBOX BADLY | 0:03:57 | 0:04:03 | |
That's going to take some, eh, beating. | 0:04:03 | 0:04:07 | |
Meanwhile, the pupils are looking around the academy museum, | 0:04:07 | 0:04:10 | |
which includes the Stradivari violin | 0:04:10 | 0:04:12 | |
once played to Queen Marie Antoinette. | 0:04:12 | 0:04:14 | |
Our magicians are revved up for this one. | 0:04:15 | 0:04:18 | |
Come on, guys, no need to be 'violin-t'. | 0:04:18 | 0:04:20 | |
Their concerted efforts were worthwhile, | 0:04:21 | 0:04:24 | |
they're ready for the performance of their life, | 0:04:24 | 0:04:26 | |
as here comes their toughest audience yet. | 0:04:26 | 0:04:29 | |
-IN ITALIAN ACCENT: -A good morning, boys and a girls. | 0:04:29 | 0:04:32 | |
How are you? You good? | 0:04:32 | 0:04:33 | |
STUDENTS: Yeah. | 0:04:33 | 0:04:35 | |
That's good. My name is Dino. | 0:04:35 | 0:04:36 | |
Dino Whatimean. | 0:04:36 | 0:04:38 | |
Dino Whatimean? | 0:04:38 | 0:04:39 | |
They don't know yet, mate. | 0:04:39 | 0:04:41 | |
Today, I going to talk to you about music. | 0:04:41 | 0:04:44 | |
You like-a music? | 0:04:44 | 0:04:45 | |
STUDENTS: Yeah. | 0:04:45 | 0:04:46 | |
Music, it come from the heart. | 0:04:46 | 0:04:48 | |
It's beautiful. You want to dance, | 0:04:48 | 0:04:50 | |
you want to sing, you want to move. | 0:04:50 | 0:04:51 | |
I love the music. | 0:04:51 | 0:04:53 | |
That guy definitely loves the 'muu-sic'. | 0:04:53 | 0:04:55 | |
How many people play a musical instrument? Who plays? | 0:04:55 | 0:04:58 | |
Oh, good, let's see what you play. | 0:04:58 | 0:04:59 | |
John plays a fool and likes to blow his own trumpet. | 0:04:59 | 0:05:02 | |
-What do you play? -Piano. | 0:05:02 | 0:05:03 | |
The piano, we got lots of pianos here. | 0:05:03 | 0:05:06 | |
This is a piano gallery. | 0:05:06 | 0:05:07 | |
We got lots of pianos here, but do you know what, | 0:05:07 | 0:05:10 | |
we all got an instrument. | 0:05:10 | 0:05:12 | |
Every one of you bambinos, you've got an instrument. | 0:05:12 | 0:05:15 | |
What's your instrument? You tell me. What is it? | 0:05:15 | 0:05:17 | |
STUDENTS: Voice. | 0:05:17 | 0:05:18 | |
Your voice. | 0:05:18 | 0:05:19 | |
We can all sing. | 0:05:19 | 0:05:21 | |
Some better than others. | 0:05:21 | 0:05:22 | |
You know, in my hometown, | 0:05:22 | 0:05:24 | |
we have a myth that the tenors of Campobasso, | 0:05:24 | 0:05:28 | |
they could use their voice | 0:05:28 | 0:05:30 | |
to break the glass. | 0:05:30 | 0:05:32 | |
You get what we call a resonant frequency. | 0:05:32 | 0:05:36 | |
Say that for me. Say resonant frequency. | 0:05:36 | 0:05:39 | |
STUDENTS: Resonant frequency. | 0:05:39 | 0:05:42 | |
They're copying his dodgy accent. | 0:05:42 | 0:05:44 | |
You got a resonant frequency of the glass, | 0:05:44 | 0:05:47 | |
and the glass, it vibrates. | 0:05:47 | 0:05:49 | |
If I played a bit more, | 0:05:49 | 0:05:50 | |
it vibrate, it vibrate, it smash. | 0:05:50 | 0:05:53 | |
Now, I think we can do that today with your voices. Can we do that? | 0:05:53 | 0:05:56 | |
STUDENTS: No. Yes. | 0:05:56 | 0:05:57 | |
You won't need opera glasses to see this. | 0:05:57 | 0:05:59 | |
Listen, I got a beautiful glass here. Do you know what this is? | 0:05:59 | 0:06:02 | |
A beautiful glass? | 0:06:02 | 0:06:03 | |
This is a Venetian glass, | 0:06:03 | 0:06:06 | |
you listen to the beautiful sound of the Venetian. | 0:06:06 | 0:06:09 | |
That beautiful, yeah, that D minor. | 0:06:10 | 0:06:12 | |
They've noted it. | 0:06:12 | 0:06:13 | |
Beautiful, beautiful glass, we're going to try | 0:06:13 | 0:06:15 | |
and break the glass with our voices. | 0:06:15 | 0:06:17 | |
Here, I'll tell you what I'm going to do. | 0:06:17 | 0:06:19 | |
I'm going to cover up the glass for your safety, | 0:06:19 | 0:06:21 | |
but more important... | 0:06:21 | 0:06:22 | |
for my-a safety, yes? | 0:06:22 | 0:06:24 | |
We're going to cover up the glass with this beautiful, little cover | 0:06:24 | 0:06:27 | |
like this, so that we don't get glass all over the shop-a. | 0:06:27 | 0:06:31 | |
His Italian impression hit a bum note then. | 0:06:31 | 0:06:33 | |
Here's what we're going to do. | 0:06:33 | 0:06:34 | |
We going to get a C minor, three octaves above middle C, | 0:06:34 | 0:06:37 | |
it's very difficult, very difficult, but you can do it. | 0:06:37 | 0:06:40 | |
OK, we have a little warm up. | 0:06:40 | 0:06:41 | |
We're going to sing the note, OK. | 0:06:41 | 0:06:43 | |
Just do this with me, you sing after me, are you ready? | 0:06:43 | 0:06:46 | |
Remember to watch the glass for some class magic. | 0:06:46 | 0:06:48 | |
# La-la-la-laaa! # | 0:06:48 | 0:06:50 | |
# La-la-la-laaa! # | 0:06:50 | 0:06:53 | |
Oh, you... I going to cry, I going to cry, that beautiful. | 0:06:53 | 0:06:55 | |
I'm filling up, too. | 0:06:55 | 0:06:56 | |
That beautiful. We do it again. | 0:06:56 | 0:06:58 | |
# La-la-la-laaa! # | 0:06:58 | 0:07:00 | |
# La-la-la-laaa! # | 0:07:00 | 0:07:01 | |
Very good. We're going to go a little bit higher. | 0:07:01 | 0:07:03 | |
# La-la-la-laaa! # | 0:07:03 | 0:07:05 | |
'This trick's going to be off the scale.' | 0:07:05 | 0:07:07 | |
That's very good. OK, I think we're ready for the note. | 0:07:07 | 0:07:10 | |
This is the note we're going to hit. | 0:07:10 | 0:07:12 | |
HE SINGS NOTE BADLY | 0:07:12 | 0:07:13 | |
Not quite sure John got that? | 0:07:13 | 0:07:14 | |
Can you hit that note? | 0:07:14 | 0:07:16 | |
STUDENTS SING NOTE | 0:07:16 | 0:07:17 | |
That's a little bit low. | 0:07:17 | 0:07:18 | |
You've got to lift it up a little. Lift it up, lift... whoa, whoa. | 0:07:18 | 0:07:21 | |
Wait, bambino, bambino, whoa, whoa, whoa. | 0:07:21 | 0:07:23 | |
We're going to go like this. | 0:07:23 | 0:07:24 | |
HE SINGS HIGH-PITCHED NOTE | 0:07:24 | 0:07:26 | |
-STUDENTS REPEAT NOTE -That's good, OK. | 0:07:26 | 0:07:27 | |
I'm going to count you down. I'm going to count one, two, three, | 0:07:27 | 0:07:30 | |
you're going to sing the note. We're going to lift the volume, | 0:07:30 | 0:07:33 | |
get louder and louder and louder. | 0:07:33 | 0:07:34 | |
The frequency vibrate the glass and break. | 0:07:34 | 0:07:36 | |
-Here we go, you ready? -We're ready. | 0:07:36 | 0:07:38 | |
Take in a big deep breath. | 0:07:38 | 0:07:40 | |
Uno... | 0:07:40 | 0:07:41 | |
duo... | 0:07:41 | 0:07:42 | |
quattro... | 0:07:42 | 0:07:43 | |
Tres amusing. | 0:07:43 | 0:07:44 | |
STUDENTS SING | 0:07:44 | 0:07:46 | |
And more. And more. | 0:07:46 | 0:07:47 | |
And more. And more. Argh. | 0:07:47 | 0:07:50 | |
Wow, the glass exploded | 0:07:50 | 0:07:52 | |
and so did my mind. | 0:07:52 | 0:07:53 | |
You break the glass. | 0:07:53 | 0:07:55 | |
Let's get a rewind. | 0:07:55 | 0:07:57 | |
STUDENTS SING | 0:07:57 | 0:07:59 | |
And more. And more. And more. And more. | 0:07:59 | 0:08:01 | |
Argh. | 0:08:01 | 0:08:03 | |
They hit the high note | 0:08:03 | 0:08:05 | |
and the glass, it broke. | 0:08:05 | 0:08:06 | |
Bellissimo, magnifico. | 0:08:06 | 0:08:09 | |
They can't believe their eyes or their ears. | 0:08:09 | 0:08:12 | |
It's beautiful. I want to throw you roses. | 0:08:12 | 0:08:16 | |
John told them about the resonance frequency. | 0:08:16 | 0:08:19 | |
It vibrate, it vibrate and smash. | 0:08:19 | 0:08:21 | |
The class reached the note and it was a major highlight | 0:08:21 | 0:08:24 | |
when it made the glass go, BOOM. | 0:08:24 | 0:08:26 | |
Some supreme magic led by the great soprano. | 0:08:26 | 0:08:30 | |
Encore I hear you say? | 0:08:30 | 0:08:31 | |
You're in luck. | 0:08:31 | 0:08:33 | |
Fergus bangs his magical drum with a trick that takes some beating. | 0:08:33 | 0:08:37 | |
Can I hear you make a 'duff'? | 0:08:37 | 0:08:38 | |
STUDENTS REPEAT | 0:08:38 | 0:08:40 | |
Now John is going to set you a magical challenge | 0:08:40 | 0:08:43 | |
in Tricks Of Trade. | 0:08:43 | 0:08:44 | |
If you fancy yourself as a magician, | 0:08:44 | 0:08:46 | |
here's a trick you can try | 0:08:46 | 0:08:48 | |
on your family at breakfast. | 0:08:48 | 0:08:49 | |
John is going to show you | 0:08:49 | 0:08:51 | |
how to stand an egg | 0:08:51 | 0:08:52 | |
on its end like this. | 0:08:52 | 0:08:54 | |
Did you actually do that one John? | 0:08:54 | 0:08:56 | |
Can you remember how? | 0:08:56 | 0:08:57 | |
Keep watching and you'll find out how to do it later in the show. | 0:09:00 | 0:09:04 | |
Provided that John gets his stuff together. | 0:09:04 | 0:09:06 | |
It will be awesome, we promise. | 0:09:06 | 0:09:08 | |
Back to the music academy in time for a second verse. | 0:09:11 | 0:09:14 | |
John's magic was beyond compare, | 0:09:15 | 0:09:17 | |
but can Fergus better his operetta? | 0:09:17 | 0:09:20 | |
It's time for Eine kleine nachtmagic. | 0:09:20 | 0:09:22 | |
So, my name is Trevor Cleff. | 0:09:24 | 0:09:26 | |
Trevor Cleff? | 0:09:26 | 0:09:27 | |
Sounds like treble clef. | 0:09:27 | 0:09:29 | |
But the class don't know the musical score yet. | 0:09:29 | 0:09:31 | |
I'm in charge here at the academy of all instrumental design. | 0:09:31 | 0:09:36 | |
I replicate things, I fix things, I do all of those things. | 0:09:36 | 0:09:39 | |
So, isn't it wonderful the things that we have around us today? | 0:09:39 | 0:09:42 | |
You'll have seen downstairs, we have a Stradivari violin, | 0:09:42 | 0:09:45 | |
dates back, it's like 300 years old. | 0:09:45 | 0:09:48 | |
This particular piano here is from the 1600s, | 0:09:48 | 0:09:53 | |
so that is 500 years old. | 0:09:53 | 0:09:57 | |
Isn't that incredible? | 0:09:57 | 0:09:58 | |
And a true fact. | 0:09:58 | 0:10:00 | |
Now, one of the things I specialise in is drums | 0:10:00 | 0:10:03 | |
and the design of drums, | 0:10:03 | 0:10:05 | |
so who here has played the drums? | 0:10:05 | 0:10:07 | |
Lots of you, very good. | 0:10:07 | 0:10:08 | |
Now obviously the drums are very, very noisy instruments. | 0:10:08 | 0:10:12 | |
Don't bang on about it, mate. | 0:10:12 | 0:10:13 | |
But what we're going to do is talk about the design. | 0:10:13 | 0:10:17 | |
So, we have here a drumhead | 0:10:17 | 0:10:20 | |
and here we have the plinth. | 0:10:20 | 0:10:22 | |
The plinth is the thing that the drumhead sits on, | 0:10:22 | 0:10:24 | |
so it's nice and stable. | 0:10:24 | 0:10:26 | |
Keep your eyes on that drum, | 0:10:26 | 0:10:27 | |
cos it's so magic, it'll knock your high hat off. | 0:10:27 | 0:10:30 | |
Now, often you have padding in the drum | 0:10:30 | 0:10:33 | |
and what that does is it reverberates the sound, | 0:10:33 | 0:10:35 | |
so it makes it echo. So, you get a really good, solid noise. | 0:10:35 | 0:10:39 | |
We also have drum skins. | 0:10:39 | 0:10:43 | |
They go on the front and the back of the drum. | 0:10:43 | 0:10:45 | |
And we're going to do that now | 0:10:45 | 0:10:47 | |
with some assistance from Dino, so over you come, Dino. | 0:10:47 | 0:10:49 | |
Dino is Bach... | 0:10:49 | 0:10:51 | |
I mean, back. | 0:10:51 | 0:10:53 | |
So, I'll place this one here, this drum skin, on the front, | 0:10:53 | 0:10:56 | |
and Dino will place that one on to the back. | 0:10:56 | 0:10:59 | |
There's nothing inside that drumhead or underneath it. | 0:10:59 | 0:11:03 | |
They're placing the skins carefully on the drum. | 0:11:03 | 0:11:05 | |
It's already starting to look a bit more like a drum, yes? | 0:11:05 | 0:11:09 | |
STUDENTS: Yes. | 0:11:09 | 0:11:10 | |
Shall we see if it sounds a bit more like a drum, yes? | 0:11:10 | 0:11:12 | |
STUDENTS: Yes. | 0:11:12 | 0:11:13 | |
They don't mind a bit of noise. | 0:11:13 | 0:11:15 | |
Oh, that doesn't sound much like a drum does, it? | 0:11:15 | 0:11:17 | |
Normally you get more of a 'duff'. Can I hear you make a 'duff'? | 0:11:17 | 0:11:20 | |
STUDENTS IMITATE | 0:11:20 | 0:11:21 | |
Put a couple of those together | 0:11:21 | 0:11:23 | |
and you could have 'duff duff' bit from the end of EastEnders. | 0:11:23 | 0:11:26 | |
Now, if you have a smaller drum like a drum with a thinner skin | 0:11:26 | 0:11:29 | |
and even more timbering you get like a...a 'ka-ch'. | 0:11:29 | 0:11:31 | |
-Can you do a 'ka-ch'? -STUDENTS REPEAT | 0:11:31 | 0:11:33 | |
Good, and then you might have a cymbal, like a high hat, | 0:11:33 | 0:11:36 | |
like a 'ti-ti-ti-ti'. | 0:11:36 | 0:11:37 | |
So, can I get a 'duff-ch-ti-duff-ch-ti'? | 0:11:37 | 0:11:40 | |
STUDENTS REPEAT | 0:11:40 | 0:11:41 | |
That's right. Now, these drums will all go together. | 0:11:41 | 0:11:44 | |
Normally, drums aren't played on their own | 0:11:44 | 0:11:46 | |
because they're so noisy and loud, | 0:11:46 | 0:11:47 | |
so they'll be part of a bigger band or something like that. | 0:11:47 | 0:11:50 | |
Some loud magic coming up. | 0:11:50 | 0:11:51 | |
Watch the drum. | 0:11:51 | 0:11:53 | |
Dino? Do you know when the drum was first invented? | 0:11:53 | 0:11:55 | |
Yes, the first drum it was, it was in a... | 0:11:55 | 0:11:58 | |
KNOCKING | 0:11:58 | 0:11:59 | |
-What was that? -Did anyone else hear that? | 0:11:59 | 0:12:01 | |
STUDENTS: Yes. | 0:12:01 | 0:12:03 | |
Where did it come from? | 0:12:03 | 0:12:04 | |
MORE KNOCKING | 0:12:04 | 0:12:06 | |
It's sounds like the drum, but that was empty, wasn't it? | 0:12:06 | 0:12:08 | |
This drum is playing itself. | 0:12:08 | 0:12:11 | |
It's playing a trick on them. | 0:12:11 | 0:12:12 | |
It's playing itself, that's... | 0:12:12 | 0:12:14 | |
OH!! | 0:12:14 | 0:12:16 | |
BOOM, a banging trick. It's Catherine. | 0:12:16 | 0:12:18 | |
Where did she come from? | 0:12:18 | 0:12:20 | |
She certainly a good stick. | 0:12:20 | 0:12:22 | |
It's Catherine. | 0:12:22 | 0:12:23 | |
And I'm Fergus. | 0:12:23 | 0:12:26 | |
Yeah, I'm John. | 0:12:26 | 0:12:27 | |
They're about to build to the big crescendo. | 0:12:27 | 0:12:30 | |
-John is not actually Italian... -I'm not. | 0:12:30 | 0:12:32 | |
but he does love to eat a lot of pizza. | 0:12:32 | 0:12:33 | |
Gives a new meaning to Vivaldi's Four Seasons. | 0:12:33 | 0:12:37 | |
And in fact we are... | 0:12:37 | 0:12:39 | |
magicians. | 0:12:39 | 0:12:40 | |
You've all been set up by your teacher, by your schools, | 0:12:40 | 0:12:44 | |
by your parents. There's camera, there's a camera there, | 0:12:44 | 0:12:46 | |
there's a camera there, and you're going to be on | 0:12:46 | 0:12:49 | |
Help! My School trip is Magic. | 0:12:49 | 0:12:51 | |
High-five. | 0:12:51 | 0:12:53 | |
A chorus of approval, | 0:12:53 | 0:12:55 | |
but what chord did it strike with the school trippers? | 0:12:55 | 0:12:59 | |
It was a really excellent trick. | 0:12:59 | 0:13:01 | |
John's soprano sorcery totally smashed it. | 0:13:01 | 0:13:04 | |
I couldn't believe when the glass broke. | 0:13:06 | 0:13:10 | |
I didn't know that it was going happen. | 0:13:10 | 0:13:12 | |
It was time to drum up support for the next trick. | 0:13:12 | 0:13:16 | |
When they slid the two sides, | 0:13:16 | 0:13:19 | |
there was no way that they could kind of get in. | 0:13:19 | 0:13:23 | |
There was definitely no space inside that bass drum. | 0:13:23 | 0:13:26 | |
When the lady came out from the drum | 0:13:29 | 0:13:31 | |
I actually knew their faces, | 0:13:31 | 0:13:33 | |
cos I've watched it on TV. | 0:13:33 | 0:13:36 | |
And now you're on TV, too. | 0:13:36 | 0:13:38 | |
I've never seen anything like it except for cartoons. | 0:13:38 | 0:13:42 | |
This Mozart-ful magic hit the school trip | 0:13:42 | 0:13:45 | |
like a bolt from the Blue Danube. | 0:13:45 | 0:13:47 | |
It was as pitch perfect as this shout... | 0:13:47 | 0:13:50 | |
-CHILDREN SHOUT: -Help! My school trip is magic! | 0:13:50 | 0:13:56 | |
Still to come. | 0:13:56 | 0:13:57 | |
John shows you how to make boiled eggs stand like soldiers. | 0:13:57 | 0:14:01 | |
Have you worked it out yet? | 0:14:01 | 0:14:03 | |
And James is at the castle | 0:14:03 | 0:14:05 | |
to make them jump with his cabinet of horrors. | 0:14:05 | 0:14:08 | |
Will they realise their school trip is magic? | 0:14:08 | 0:14:11 | |
It really spooked me out. | 0:14:11 | 0:14:15 | |
But first, we asked you to send in clips | 0:14:15 | 0:14:17 | |
of yourself performing your best magic tricks. | 0:14:17 | 0:14:20 | |
We received loads of clips from all over the country. | 0:14:20 | 0:14:23 | |
Each week, I'll be choosing our favourite Wannabe Wizard | 0:14:23 | 0:14:26 | |
and showing them to you guys. | 0:14:26 | 0:14:27 | |
My Wannabe Wizard this time is Jacob from Newtown Powys, | 0:14:29 | 0:14:33 | |
with two tricks for the price of one. | 0:14:33 | 0:14:35 | |
Hi, my name is Jacob | 0:14:35 | 0:14:37 | |
and I'm going to do a few magic tricks for you. | 0:14:37 | 0:14:41 | |
My first magic trick is going to change | 0:14:41 | 0:14:44 | |
one ace and three threes into four aces. | 0:14:44 | 0:14:47 | |
Wow. Sounds complicated. | 0:14:47 | 0:14:49 | |
Here is one ace... | 0:14:50 | 0:14:53 | |
and three threes. | 0:14:53 | 0:14:55 | |
One ace, three threes. Righto | 0:14:55 | 0:14:57 | |
Now, I'm going to change them into four aces. | 0:14:57 | 0:15:01 | |
But how? | 0:15:01 | 0:15:02 | |
Oh. | 0:15:02 | 0:15:04 | |
Abracadabra. | 0:15:04 | 0:15:05 | |
Now as if by magic, | 0:15:05 | 0:15:07 | |
which it is, | 0:15:07 | 0:15:08 | |
they've changed into four aces. | 0:15:08 | 0:15:11 | |
Blow me down. | 0:15:11 | 0:15:13 | |
My second trick is going to be with the magic goblet. | 0:15:13 | 0:15:16 | |
OK. That can make balls disappear and reappear. | 0:15:16 | 0:15:20 | |
Gotcha. | 0:15:20 | 0:15:21 | |
First, I'm going to put this ball in my pocket. | 0:15:21 | 0:15:24 | |
It's definitely not in the goblet. | 0:15:24 | 0:15:27 | |
Where is the ball? In my pocket or in the goblet? | 0:15:27 | 0:15:30 | |
It's in your pocket, mate. | 0:15:30 | 0:15:31 | |
-You think in my pocket? -Yes. | 0:15:31 | 0:15:33 | |
I can tell you... | 0:15:33 | 0:15:34 | |
-you're wrong. -Wow. | 0:15:34 | 0:15:36 | |
Now where is the ball? In my pocket or in the goblet? | 0:15:37 | 0:15:40 | |
-Duh, in the goblet. -Think it's in the goblet? -Yeah. | 0:15:40 | 0:15:43 | |
And I can tell you... | 0:15:43 | 0:15:45 | |
you're wrong. | 0:15:45 | 0:15:46 | |
Not again. | 0:15:46 | 0:15:47 | |
Where did it go? | 0:15:47 | 0:15:49 | |
It was in my pocket. | 0:15:49 | 0:15:50 | |
How did it get in there? | 0:15:50 | 0:15:51 | |
I hope you've enjoyed my magic show. | 0:15:53 | 0:15:57 | |
Too right. We have. | 0:15:57 | 0:15:58 | |
And thanks for watching. | 0:16:00 | 0:16:02 | |
You're welcome. | 0:16:02 | 0:16:03 | |
Here's card jester James. | 0:16:05 | 0:16:07 | |
Some might say he's not playing | 0:16:07 | 0:16:09 | |
with a full deck. | 0:16:09 | 0:16:10 | |
There's certainly not much on top. | 0:16:10 | 0:16:12 | |
I don't mean his shiny head. | 0:16:12 | 0:16:14 | |
With that, he's the heir to a magical crown. | 0:16:15 | 0:16:18 | |
This is Year Four mounting their mighty stead | 0:16:21 | 0:16:24 | |
for a school trip into the past. | 0:16:24 | 0:16:26 | |
And not so long ago they were set up by their teachers and parents, | 0:16:27 | 0:16:31 | |
but this trip is not simply educational. | 0:16:31 | 0:16:34 | |
It's not just historical... | 0:16:34 | 0:16:36 | |
it's magical. | 0:16:36 | 0:16:37 | |
It's a trip to... | 0:16:37 | 0:16:39 | |
Leeds Castle, deep in the Kent countryside. | 0:16:39 | 0:16:43 | |
It's been a Norman stronghold, | 0:16:43 | 0:16:44 | |
a Medieval palace, | 0:16:44 | 0:16:46 | |
a Jacobean country house | 0:16:46 | 0:16:48 | |
and a Georgian mansion. | 0:16:48 | 0:16:49 | |
And in more recent times, it's been home to James... | 0:16:49 | 0:16:52 | |
well, for about an hour. | 0:16:52 | 0:16:54 | |
We've put him in this courtly costume, | 0:16:54 | 0:16:56 | |
and he's already clearly feeling the part. | 0:16:56 | 0:16:59 | |
Today, I've been getting into character | 0:16:59 | 0:17:01 | |
by skipping gracefully up the corridors | 0:17:01 | 0:17:03 | |
and trying to talk as grand as possible. | 0:17:03 | 0:17:05 | |
Which I think has gone remarkably well. | 0:17:05 | 0:17:07 | |
This lot will be the judge of that. | 0:17:08 | 0:17:10 | |
They don't know it yet, | 0:17:10 | 0:17:11 | |
but this castle is going to give them the creeps. | 0:17:11 | 0:17:13 | |
CREEPY LAUGH | 0:17:13 | 0:17:15 | |
The castle we're in today is very old, | 0:17:15 | 0:17:17 | |
so we're going to play on that with the tricks, | 0:17:17 | 0:17:19 | |
and make it may be a little bit spooky, | 0:17:19 | 0:17:21 | |
and there might be some frights along the way. | 0:17:21 | 0:17:24 | |
Good job the coaches aren't here yet. | 0:17:24 | 0:17:26 | |
Oh! That made me jump. | 0:17:26 | 0:17:28 | |
And James better jump to it | 0:17:28 | 0:17:30 | |
and get to our room right with all the old-y hidden cameras. | 0:17:30 | 0:17:33 | |
While the kids feel the history of these hollowed halls, | 0:17:35 | 0:17:38 | |
it's time for James to get his story straight. | 0:17:38 | 0:17:41 | |
I didn't know they did the running man in Tudor times. | 0:17:43 | 0:17:46 | |
Here comes the class now, | 0:17:46 | 0:17:47 | |
and they're going to meet | 0:17:47 | 0:17:48 | |
our king of conjuring with some tales | 0:17:48 | 0:17:50 | |
that'll blow their minds and chill their spines. | 0:17:50 | 0:17:54 | |
-Good afternoon. -STUDENTS: Good afternoon. | 0:17:54 | 0:17:56 | |
Wonderful. My name is Lou Scannon | 0:17:56 | 0:17:59 | |
and I'm dressed as a courtier from the Tudor times. | 0:17:59 | 0:18:03 | |
He said his name was Loose Cannon, | 0:18:03 | 0:18:05 | |
but it shot way over their heads fortunately. | 0:18:05 | 0:18:07 | |
I'm here to tell you about the most famous Tudor ever to live, | 0:18:07 | 0:18:11 | |
in fact one of the most kings of our country. | 0:18:11 | 0:18:16 | |
I'm here to tell you about King Henry VIII. | 0:18:16 | 0:18:19 | |
There he is. | 0:18:19 | 0:18:21 | |
Not literally. | 0:18:21 | 0:18:22 | |
Feast your eyes upon Henry's splendour. | 0:18:22 | 0:18:25 | |
Wow, if he's impressed with that, | 0:18:25 | 0:18:26 | |
wait till he gets a load of the magic. | 0:18:26 | 0:18:29 | |
Now, who can tell me how many wives Henry VIII had? | 0:18:29 | 0:18:34 | |
Yes, at the back. | 0:18:34 | 0:18:35 | |
-Six. -Six. That's right, Henry VIII had a lot of wives. | 0:18:35 | 0:18:38 | |
None of the class have a sixth sense about James's real identity. | 0:18:38 | 0:18:42 | |
In fact, even though this castle predates Henry by 400 years, | 0:18:42 | 0:18:47 | |
it was renovated by Henry for his first wife Catherine of Aragon. | 0:18:47 | 0:18:53 | |
And I'm pleased to tell you that today | 0:18:53 | 0:18:55 | |
we have several artefacts to show you | 0:18:55 | 0:18:58 | |
from the time of Catherine of Aragon. | 0:18:58 | 0:19:00 | |
In fact, this, believe it or not, | 0:19:00 | 0:19:04 | |
was Catherine's personal jewellery box. | 0:19:04 | 0:19:07 | |
It wasn't. But this is where the magic fibbing begins. | 0:19:07 | 0:19:11 | |
Given to her as a gift by King Henry himself. | 0:19:11 | 0:19:15 | |
They're with him so far. | 0:19:15 | 0:19:17 | |
And you can see it has a little drawer at the front | 0:19:17 | 0:19:19 | |
with some jewellery in, | 0:19:19 | 0:19:21 | |
and on top, this is the most miraculous find, | 0:19:21 | 0:19:24 | |
is a small ring box. | 0:19:24 | 0:19:26 | |
And inside the ring box | 0:19:29 | 0:19:32 | |
is what we believe to be the actual engagement ring | 0:19:32 | 0:19:39 | |
of Catherine of Aragon to King Henry. | 0:19:39 | 0:19:42 | |
They believe it really belongs to the former queen. | 0:19:42 | 0:19:45 | |
This is very, very old. | 0:19:45 | 0:19:47 | |
Now, just going to pop that back in the box. | 0:19:47 | 0:19:50 | |
The ring is back inside the historical box. | 0:19:50 | 0:19:54 | |
Here at the castle we're very, very proud to have... | 0:19:54 | 0:19:58 | |
Something's caught their attention. | 0:19:58 | 0:20:01 | |
The box has sprung open on its own. | 0:20:01 | 0:20:03 | |
They don't know what to make of this. | 0:20:03 | 0:20:05 | |
Yes, OK, OK, OK, OK, calm down, calm down. | 0:20:05 | 0:20:07 | |
He wants the class to keep a lid on it. Ha! | 0:20:07 | 0:20:09 | |
Sorry. | 0:20:09 | 0:20:11 | |
It's very strange. Erm, where was I? | 0:20:13 | 0:20:15 | |
James knew it would open up, and is acting up. | 0:20:15 | 0:20:18 | |
That's right, Catherine of Aragon. | 0:20:18 | 0:20:20 | |
That's right, that's right. We were talking about Catherine. | 0:20:20 | 0:20:22 | |
We're very pleased to have such a large collection | 0:20:22 | 0:20:24 | |
of Catherine's possessions here. | 0:20:24 | 0:20:26 | |
They're watching that box. | 0:20:26 | 0:20:28 | |
Including the jewellery box and several... | 0:20:28 | 0:20:31 | |
It popped open again. This is creepy. | 0:20:31 | 0:20:33 | |
This isn't funny. I...I don't quite know what's happening. | 0:20:34 | 0:20:38 | |
The ring is still intact and... | 0:20:38 | 0:20:41 | |
-It did just move, didn't it? -STUDENTS: Yeah. | 0:20:41 | 0:20:43 | |
The class are moved, too... | 0:20:43 | 0:20:45 | |
to nervous giggles. | 0:20:45 | 0:20:46 | |
-It wasn't just my imagination? -STUDENTS: No. | 0:20:46 | 0:20:49 | |
It's very strange. | 0:20:49 | 0:20:50 | |
Some strange things happen when you're at the castle. | 0:20:50 | 0:20:53 | |
If we could just keep our eye... | 0:20:53 | 0:20:56 | |
-Oh! -Whoa, the box jumped out, | 0:20:56 | 0:20:58 | |
but James hasn't been caught out yet. | 0:20:58 | 0:21:00 | |
Maybe, some things are best left untouched, | 0:21:00 | 0:21:05 | |
and we'll quickly put this away. | 0:21:05 | 0:21:08 | |
He claimed the ring belonged to Tudor queen | 0:21:10 | 0:21:13 | |
and trippers couldn't believe what they'd seen. | 0:21:13 | 0:21:16 | |
The wooden box popped open twice, | 0:21:16 | 0:21:18 | |
and then the class were spooked out | 0:21:18 | 0:21:20 | |
when the ring box pinged out. | 0:21:20 | 0:21:22 | |
Later on, will the trippers be scared witless | 0:21:22 | 0:21:25 | |
when they witness this...? | 0:21:25 | 0:21:26 | |
-She was one of the... -Oh. | 0:21:26 | 0:21:28 | |
Now it's time for John to reveal the secret in Tricks Of The Trade. | 0:21:30 | 0:21:34 | |
John will show you how to get an egg to stand up on its end | 0:21:34 | 0:21:37 | |
just like this one he allegedly did earlier. | 0:21:37 | 0:21:40 | |
Can you work it out? | 0:21:40 | 0:21:42 | |
Do you use double-sided sticky tape? | 0:21:42 | 0:21:43 | |
Well, you could do, | 0:21:45 | 0:21:47 | |
but John can't find the end. | 0:21:47 | 0:21:49 | |
Do you flatten the egg? | 0:21:49 | 0:21:50 | |
Not unless you've got a change of clothes. | 0:21:52 | 0:21:55 | |
Here's the secret... | 0:21:55 | 0:21:57 | |
You need to use a small amount of salt. | 0:21:57 | 0:21:59 | |
Pour out a small pile of salt | 0:22:01 | 0:22:03 | |
and balance the egg in the middle of it. | 0:22:03 | 0:22:05 | |
The egg should stand upright. | 0:22:07 | 0:22:10 | |
Now, blow away the loose salt around the egg, | 0:22:10 | 0:22:13 | |
it will leave just a couple of grains of salt | 0:22:13 | 0:22:15 | |
propping up the egg | 0:22:15 | 0:22:17 | |
and make it look it's standing up by itself. | 0:22:17 | 0:22:20 | |
Now, you're ready to show your family | 0:22:20 | 0:22:22 | |
and fry their brains. | 0:22:22 | 0:22:23 | |
It's back to the castle for some more magic of moats. | 0:22:26 | 0:22:29 | |
I mean, notes. | 0:22:29 | 0:22:31 | |
Conjuring courtier James is about to bring some history to life, | 0:22:31 | 0:22:34 | |
but will he scare the class out of theirs? | 0:22:34 | 0:22:37 | |
If I could show you this beautiful cabinet here, | 0:22:38 | 0:22:41 | |
which was a possession of Catherine of Aragon, | 0:22:41 | 0:22:44 | |
and kept in her bedroom next to her bed. | 0:22:44 | 0:22:46 | |
She had a big, four-poster bed with grand curtains. | 0:22:46 | 0:22:49 | |
-Most likely. -Like this. | 0:22:49 | 0:22:51 | |
And inside are kept some of her possessions | 0:22:51 | 0:22:54 | |
that might have been found in the bedroom in the 1500s. | 0:22:54 | 0:22:59 | |
-Not really. -Here we have a bell. | 0:22:59 | 0:23:01 | |
HE RINGS BELL | 0:23:01 | 0:23:02 | |
Not lunchtime yet, though. | 0:23:02 | 0:23:04 | |
Which Catherine might have summoned upon her ladies-in-waiting | 0:23:04 | 0:23:07 | |
and gone, "Please, please come help me, | 0:23:07 | 0:23:10 | |
"I would like my breakfast." | 0:23:10 | 0:23:12 | |
And ring the bell like so. | 0:23:12 | 0:23:13 | |
We also have this. | 0:23:13 | 0:23:15 | |
Who can tell me what this is? Yes. | 0:23:15 | 0:23:18 | |
Tambourine. | 0:23:18 | 0:23:19 | |
It's a tambourine, that's right. | 0:23:19 | 0:23:21 | |
And it would have been used by the court jesters | 0:23:21 | 0:23:23 | |
who maybe would have done a dance and a song for the king and queen. | 0:23:23 | 0:23:26 | |
That's very, very old, indeed. | 0:23:26 | 0:23:28 | |
And we have this, | 0:23:28 | 0:23:30 | |
which is a goblet full of jewels. | 0:23:30 | 0:23:33 | |
You can see many jewels in the goblet, which is very, very old, | 0:23:33 | 0:23:36 | |
and a very, very valuable thing. | 0:23:36 | 0:23:37 | |
Remember these objects. | 0:23:37 | 0:23:39 | |
And last but certainly not least, | 0:23:39 | 0:23:42 | |
a wonderful picture of Catherine herself. | 0:23:42 | 0:23:44 | |
Isn't she looking splendid? | 0:23:44 | 0:23:46 | |
Beautiful lady Catherine. | 0:23:46 | 0:23:47 | |
Looks more like princess Leia from Star Wars. | 0:23:47 | 0:23:51 | |
Now, let's just pop that back in there. | 0:23:51 | 0:23:54 | |
And if we close up the curtains... | 0:23:54 | 0:23:56 | |
Note, nothing funny going on at the back. | 0:23:56 | 0:23:59 | |
Now, in addition to this, | 0:23:59 | 0:24:00 | |
another interesting thing happened here at the castle | 0:24:00 | 0:24:03 | |
all those years ago. | 0:24:03 | 0:24:04 | |
-You see, it is while Henry was married to C... -BELL RINGS | 0:24:04 | 0:24:07 | |
What just happened? | 0:24:07 | 0:24:09 | |
The bell just fell over. | 0:24:17 | 0:24:20 | |
That's very strange. Erm... | 0:24:20 | 0:24:22 | |
Most certainly is. Must have been a draft. | 0:24:22 | 0:24:24 | |
Anyway, what was I saying? That's right. | 0:24:24 | 0:24:27 | |
It was while he was married to his first wife, Catherine of Aragon, | 0:24:27 | 0:24:30 | |
-that the king met his second wife at... -TAMBOURINE JINGLES | 0:24:30 | 0:24:32 | |
What? The tambourine feel out of the cabinet. | 0:24:32 | 0:24:36 | |
What on earth? | 0:24:36 | 0:24:37 | |
There's no-one in there. | 0:24:37 | 0:24:40 | |
And it's not a spooky coincidence. | 0:24:40 | 0:24:44 | |
That is very strange, isn't it? | 0:24:46 | 0:24:48 | |
Strange magic. | 0:24:48 | 0:24:51 | |
Maybe, we should just put that back and carry on. | 0:24:51 | 0:24:53 | |
Ah, yes. Every...everything's fine, everything's fine. | 0:24:53 | 0:24:56 | |
James is enjoying the charade, and it's not over yet. | 0:24:56 | 0:24:59 | |
He met his second wife Ann Boleyn | 0:24:59 | 0:25:00 | |
as he was married to Catherine of Aragon here at the castle. | 0:25:00 | 0:25:04 | |
-In fact, she was one of the... -THUD | 0:25:04 | 0:25:05 | |
Oh. | 0:25:05 | 0:25:07 | |
Nervous laughter and hands over mouths, | 0:25:07 | 0:25:09 | |
this dastardly trick is definitely working. | 0:25:09 | 0:25:12 | |
They've spotted something untoward. | 0:25:15 | 0:25:18 | |
It's behind you. | 0:25:18 | 0:25:20 | |
That's alleviated the tension. | 0:25:22 | 0:25:24 | |
The picture's changed. | 0:25:24 | 0:25:25 | |
That's not Catherine of Aragon at all. | 0:25:25 | 0:25:28 | |
It's now a very strange looking man, indeed. | 0:25:28 | 0:25:31 | |
Putting it mildly, that's John. | 0:25:31 | 0:25:33 | |
Now, such things can go unexplained, | 0:25:35 | 0:25:37 | |
as you imagine, this castle is very old. | 0:25:37 | 0:25:40 | |
However, I do have an explanation for the happenings today. | 0:25:40 | 0:25:44 | |
Would you like to know the explanation to the wondrous events? | 0:25:44 | 0:25:47 | |
STUDENTS: Yeah. | 0:25:47 | 0:25:49 | |
You see this is not Catherine. | 0:25:49 | 0:25:52 | |
They know that much. | 0:25:52 | 0:25:53 | |
His name... | 0:25:53 | 0:25:55 | |
is John. | 0:25:55 | 0:25:57 | |
The truth will out. | 0:25:57 | 0:25:59 | |
And you see, my name is not Lou. | 0:25:59 | 0:26:03 | |
My name is actually James, | 0:26:03 | 0:26:06 | |
and I'm a magician. | 0:26:06 | 0:26:08 | |
And you've all been set up by your teachers and your parents | 0:26:08 | 0:26:12 | |
and, you're being filmed on cameras there, and there, | 0:26:12 | 0:26:14 | |
and there for CBBC's | 0:26:14 | 0:26:17 | |
Help! My School trip is Magic. | 0:26:17 | 0:26:19 | |
CHILDREN SCREAM | 0:26:19 | 0:26:24 | |
Wow, that magic featured a strange presence from the past, | 0:26:24 | 0:26:27 | |
but how did the class remember it? | 0:26:27 | 0:26:30 | |
It was really amazing. | 0:26:30 | 0:26:33 | |
James displayed a cabinet full of items | 0:26:33 | 0:26:35 | |
apparently belonging to Catherine of Aragon, | 0:26:35 | 0:26:38 | |
and the bell fell all on its own. | 0:26:38 | 0:26:40 | |
When he showed us all the stuff, I was like, "Nobody's in there." | 0:26:40 | 0:26:44 | |
Then it was just really creepy | 0:26:44 | 0:26:45 | |
because, erm, the tambourine fell and all the jewels fell out, | 0:26:45 | 0:26:48 | |
and I was like, "What's happening?" | 0:26:48 | 0:26:50 | |
It's like the cabinet was alive. How was it happening? | 0:26:50 | 0:26:53 | |
He was one of the... | 0:26:53 | 0:26:55 | |
It really spooked me out, | 0:26:55 | 0:26:57 | |
cos..cos he wasn't touching anything. | 0:26:57 | 0:26:59 | |
The portrait of Catherine changed to a mugshot of magician John... | 0:26:59 | 0:27:02 | |
Now a very strange looking man, indeed. | 0:27:02 | 0:27:06 | |
I thought like I was dreaming, | 0:27:06 | 0:27:07 | |
cos I knew that possibly couldn't be real. | 0:27:07 | 0:27:10 | |
It was real all right. Really magic. | 0:27:11 | 0:27:14 | |
They didn't see it coming and they couldn't work it out. | 0:27:14 | 0:27:17 | |
-CHILDREN SHOUT: -Help! My School Trip is Magic. | 0:27:19 | 0:27:24 | |
See you later, but until then, if you're on a school trip | 0:27:24 | 0:27:28 | |
and you think something magic's going on, | 0:27:28 | 0:27:30 | |
maybe you'll find yourselves shouting, | 0:27:30 | 0:27:31 | |
"Help! My school trip is magic!" | 0:27:31 | 0:27:35 |