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It's a brand new term | 0:00:02 | 0:00:03 | |
and CBBC has sent these four magicians | 0:00:03 | 0:00:05 | |
back to school. | 0:00:05 | 0:00:06 | |
They're pretending to be supply teachers | 0:00:06 | 0:00:09 | |
so that they can perform amazing magic | 0:00:09 | 0:00:12 | |
on unsuspecting classes. | 0:00:12 | 0:00:14 | |
But because you know and love them, | 0:00:14 | 0:00:16 | |
this time we've cunningly disguised them. | 0:00:16 | 0:00:18 | |
Then we hid secret cameras all over classrooms | 0:00:22 | 0:00:25 | |
and watched as they taught spectacular lessons. | 0:00:25 | 0:00:27 | |
Oh. | 0:00:27 | 0:00:28 | |
It went flying around, like a magic saucer. | 0:00:28 | 0:00:31 | |
That was sick. | 0:00:33 | 0:00:35 | |
It's more magic, it's more outrageous. | 0:00:35 | 0:00:39 | |
I was just flabbergasted. | 0:00:39 | 0:00:40 | |
But how long will it take before the classes shout...? | 0:00:40 | 0:00:43 | |
CROWD OF CHILDREN: Help! My supply teacher is still magic. | 0:00:43 | 0:00:47 | |
Hello, it's me Iain. | 0:00:50 | 0:00:51 | |
We're back to school for a new term at | 0:00:51 | 0:00:55 | |
Help! My Supply Teacher Is Still Magic. You could say it's... | 0:00:55 | 0:00:58 | |
-DEEP VOICE: -Help My Supply Teacher Is Magic 2, Return Of The Magic. | 0:00:58 | 0:01:03 | |
Once again we swapped regular teachers with magicians. | 0:01:03 | 0:01:06 | |
And because you know them, we've disguised them. | 0:01:06 | 0:01:10 | |
We've been secretly filming the results with special cameras | 0:01:10 | 0:01:12 | |
hidden in the classrooms. | 0:01:12 | 0:01:15 | |
Yeah, we're sneakier than a cat dressed up as a huge | 0:01:15 | 0:01:17 | |
piece of cheese at a hungry mouse convention. | 0:01:17 | 0:01:20 | |
We're also showing you loads of great tricks, tricks like this. | 0:01:20 | 0:01:24 | |
The invisible saw. | 0:01:25 | 0:01:26 | |
Coming up, James's magic is inescapably good, | 0:01:33 | 0:01:36 | |
but will he get away with it? | 0:01:36 | 0:01:38 | |
For Fergus's interactive illusion, you'll need a deck of cards. | 0:01:38 | 0:01:41 | |
Make sure those colours alternate. | 0:01:41 | 0:01:44 | |
Plus you've been sending in clips of all your best magic tricks. | 0:01:44 | 0:01:47 | |
And later on, I'll be picking my favourite. | 0:01:47 | 0:01:50 | |
Shazam, the Wannabe Wizards are back. But first... | 0:01:51 | 0:01:54 | |
Do you think you'd be able to tell if your teacher started doing magic? | 0:01:54 | 0:01:58 | |
Do you? | 0:01:58 | 0:02:00 | |
This is John, he's a great magician and a bit of a joker. | 0:02:02 | 0:02:05 | |
The disguise is on, cue the dramatic music. | 0:02:08 | 0:02:11 | |
KAZOO FANFARE | 0:02:11 | 0:02:13 | |
Not quite mate. Enter year five. | 0:02:13 | 0:02:16 | |
They don't know it yet, but John's about to give them a lesson | 0:02:16 | 0:02:18 | |
about sound waves that should have them doing the Mexican wave. | 0:02:18 | 0:02:23 | |
None of them have noticed the hidden cameras or recognised | 0:02:23 | 0:02:26 | |
John in his disguise. | 0:02:26 | 0:02:28 | |
Can he keep it up and will the magic fly? | 0:02:28 | 0:02:30 | |
Today I'm going to talk to you about sound, and specifically | 0:02:30 | 0:02:33 | |
about how sound works. Sound is in fact waves. | 0:02:33 | 0:02:37 | |
It's waves of energy travelling through air or solid | 0:02:37 | 0:02:40 | |
objects like a table or a wall. | 0:02:40 | 0:02:42 | |
I'm going to try and demonstrate how powerful sound is, | 0:02:42 | 0:02:44 | |
and I'm going to try and demonstrate that with a couple of experiments. | 0:02:44 | 0:02:47 | |
The class is enjoying the lesson already. | 0:02:47 | 0:02:50 | |
John's convinced them he's a teacher. | 0:02:50 | 0:02:52 | |
Sound waves themselves can be incredibly powerful. | 0:02:52 | 0:02:55 | |
Now I'm going to try and demonstrate how sound could be used to | 0:02:55 | 0:02:58 | |
move something with one of these. | 0:02:58 | 0:02:59 | |
This is just a nut and bolt, the type of thing you might | 0:02:59 | 0:03:02 | |
have at home, maybe holding something together on your bike. | 0:03:02 | 0:03:04 | |
And normally, if you want to unscrew that nut from the bolt, | 0:03:04 | 0:03:07 | |
you have to turn it like this and it takes a while | 0:03:07 | 0:03:09 | |
until it's all the way off. | 0:03:09 | 0:03:11 | |
I'm going to try and turn that nut off the bolt just using | 0:03:11 | 0:03:14 | |
the power of sound waves. | 0:03:14 | 0:03:16 | |
If that sounds impossible, it's because it's magic. | 0:03:16 | 0:03:19 | |
I'm going to use one of these. This is a kazoo. | 0:03:19 | 0:03:21 | |
Has anybody ever used a kazoo before? | 0:03:21 | 0:03:23 | |
Wonderful, you have to hum into it like this. | 0:03:23 | 0:03:26 | |
HE HUMS That gives you a note, watch. | 0:03:26 | 0:03:29 | |
Now what I'm going to do is try | 0:03:29 | 0:03:31 | |
and get what we call the resonant frequency of this particular nut. | 0:03:31 | 0:03:34 | |
If I get the frequency that resonates with that nut, | 0:03:34 | 0:03:38 | |
it will hopefully turn the nut completely off the bolt. | 0:03:38 | 0:03:41 | |
Now it might take me a while to get the note, | 0:03:41 | 0:03:43 | |
but we're going to give it a try. | 0:03:43 | 0:03:45 | |
OK, here we go. | 0:03:45 | 0:03:46 | |
HE PLAYS ASCENDING NOTES | 0:03:49 | 0:03:52 | |
That's it. | 0:03:52 | 0:03:54 | |
Whoa, he's making that nut unthread by sound alone. | 0:03:54 | 0:03:58 | |
-ALL: -Oh. | 0:03:58 | 0:04:01 | |
It's about to drop off and it's all about to kick off. | 0:04:01 | 0:04:04 | |
-ALL: -Oh. | 0:04:04 | 0:04:06 | |
Now isn't that great? It's amazing. | 0:04:06 | 0:04:08 | |
It's worthy of applause and they don't even know John's a magician. | 0:04:08 | 0:04:11 | |
Now, I'm going to try a bigger experiment. | 0:04:11 | 0:04:13 | |
I'm going to attempt to move a table. Now yesterday I was in the school | 0:04:13 | 0:04:17 | |
and I tried to move one of these tables using just | 0:04:17 | 0:04:19 | |
the power of sound and we couldn't do it, it was too big, I think. | 0:04:19 | 0:04:22 | |
So I've brought a table for home, and to do this I need more sound than | 0:04:22 | 0:04:25 | |
one just one kazoo, so I'm going to give everybody here a kazoo. | 0:04:25 | 0:04:28 | |
Please don't play a note on it straight away | 0:04:28 | 0:04:30 | |
because I get headaches very, very easily. | 0:04:30 | 0:04:32 | |
So wait until after we've all got one and I can tell you what to do. OK. | 0:04:32 | 0:04:36 | |
So here we are. Everybody have a kazoo there. | 0:04:36 | 0:04:40 | |
And a kazoo for you too, that's it. And there you are. | 0:04:40 | 0:04:42 | |
It sounds possible, but it isn't science. It's all a trick. | 0:04:42 | 0:04:46 | |
OK. I'm going to teach you now how to play a kazoo | 0:04:46 | 0:04:49 | |
if you've never played one before. You put the wider end in your mouth | 0:04:49 | 0:04:52 | |
and you've got to hum like this. | 0:04:52 | 0:04:54 | |
HE HUMS So everybody try that. | 0:04:54 | 0:04:55 | |
-ALL HUM -Anyone got any ear plugs? | 0:04:55 | 0:04:58 | |
And stop. This time try doing a little tune. | 0:04:58 | 0:05:00 | |
HE PLAYS A TUNE Try that. | 0:05:00 | 0:05:04 | |
THEY COPY HIS TUNE | 0:05:04 | 0:05:08 | |
Brilliant, in a moment I'm going to ask you all to play the same notes. | 0:05:10 | 0:05:13 | |
We're going to try and find the resonant frequency of the table | 0:05:13 | 0:05:16 | |
and see if we can move it slightly. Now I need somebody to help me. | 0:05:16 | 0:05:19 | |
No shortage of volunteers for a magic assistant, even though | 0:05:19 | 0:05:22 | |
-they've no idea it's all a trick yet. -Yes, what's your name? | 0:05:22 | 0:05:25 | |
-Joshua. -Joshua, wonderful. Come and stand over this side. | 0:05:25 | 0:05:28 | |
OK, Joshua, now do you think you're going to be able to play your kazoo | 0:05:28 | 0:05:31 | |
while you help me? | 0:05:31 | 0:05:34 | |
Yes, OK then. Here's what we're going to do. | 0:05:34 | 0:05:36 | |
Put your kazoo in your mouth. | 0:05:36 | 0:05:38 | |
OK, now with both hands I want you to grab | 0:05:38 | 0:05:40 | |
the corner of the tablecloth. | 0:05:40 | 0:05:42 | |
Now watch the table closely, the magic's coming. | 0:05:42 | 0:05:45 | |
OK, are you ready everybody? | 0:05:45 | 0:05:47 | |
On the count of three, I want you to all play this note. | 0:05:47 | 0:05:49 | |
HE HUMS | 0:05:49 | 0:05:50 | |
We're going to see if we can move the table | 0:05:50 | 0:05:52 | |
maybe just a few centimetres towards me. | 0:05:52 | 0:05:55 | |
Ready, one, two, three. | 0:05:55 | 0:05:57 | |
THEY ALL PLAY THE NOTE | 0:05:57 | 0:05:58 | |
OK, stop, stop, stop, stop. | 0:06:01 | 0:06:02 | |
I think we've got the wrong note, listen. Maybe a little bit lower. | 0:06:02 | 0:06:05 | |
Ahhh. | 0:06:05 | 0:06:08 | |
THEY COPY HIS NOTE | 0:06:08 | 0:06:09 | |
Louder. Louder. | 0:06:09 | 0:06:11 | |
We have lift off. | 0:06:15 | 0:06:18 | |
The table's floating off the ground by the sound of the kazoos, | 0:06:18 | 0:06:22 | |
-or so the class think. -Oh. | 0:06:22 | 0:06:25 | |
Oh. | 0:06:26 | 0:06:29 | |
Oh. | 0:06:29 | 0:06:30 | |
OK, whoa, stop, stop, stop, stop! | 0:06:33 | 0:06:38 | |
Wow, that lesson was way up there with the best, | 0:06:40 | 0:06:44 | |
and John's about to reveal the truth. | 0:06:44 | 0:06:47 | |
That was incredible, so much better than yesterday's class who tried | 0:06:47 | 0:06:52 | |
to move one of these tables, and you can see how powerful sound is. | 0:06:52 | 0:06:55 | |
Sound is so powerful that it can move a table. | 0:06:55 | 0:06:58 | |
But I have got a little bit of a confession to make. | 0:06:58 | 0:07:01 | |
-I'm not really a teacher at all, I'm actually a magician. -Oh, wow. | 0:07:01 | 0:07:05 | |
And you've been set up by your teachers and your family | 0:07:05 | 0:07:08 | |
and your head teachers. You're going to be on a CBBC show called | 0:07:08 | 0:07:11 | |
Help! My Supply Teacher's Magic. | 0:07:11 | 0:07:13 | |
And there's a camera here. There's a camera here. | 0:07:13 | 0:07:16 | |
There's a camera at the back. | 0:07:16 | 0:07:18 | |
John's sonic lesson went boom. | 0:07:20 | 0:07:23 | |
But what noises did the class make about it? | 0:07:23 | 0:07:26 | |
It was magic. Abracadabra. | 0:07:26 | 0:07:30 | |
There was one place this lesson and the table were going, | 0:07:30 | 0:07:33 | |
and that was up. | 0:07:33 | 0:07:35 | |
OK, whoa, stop, stop, stop! | 0:07:35 | 0:07:37 | |
It just started going crazy and haywire and off it just went, | 0:07:37 | 0:07:40 | |
flying around like a magic saucer. | 0:07:40 | 0:07:42 | |
I thought it was going to hit one of the people in the head. | 0:07:42 | 0:07:45 | |
An incredible trick, and the class had no idea John was a magician. | 0:07:45 | 0:07:50 | |
How long would it take for you to shout? | 0:07:50 | 0:07:52 | |
-CROWD OF CHILDREN: -Help! My supply teacher is still magic. | 0:07:52 | 0:07:56 | |
Later on, you'll see what happened | 0:07:59 | 0:08:01 | |
when James went undercover at another school. | 0:08:01 | 0:08:05 | |
He's all in chains and he's going to mess with their brains. | 0:08:05 | 0:08:09 | |
Right now though, Katherine's at a fairground | 0:08:09 | 0:08:11 | |
and she's about to get up close and magical. | 0:08:11 | 0:08:14 | |
Lucy or Diya, have either of you ever ripped your clothes | 0:08:14 | 0:08:17 | |
-while playing or doing sports or anything? -No. -Yes. | 0:08:17 | 0:08:20 | |
Now you haven't, you have, Lucy. | 0:08:20 | 0:08:21 | |
And have you had to sew it back up together again or do you just | 0:08:21 | 0:08:24 | |
-throw them away? -I just leave it. -You just leave it? | 0:08:24 | 0:08:27 | |
OK, well, do you know what happened to me this morning? | 0:08:27 | 0:08:30 | |
On my way here, I actually ripped a hole in my jeans | 0:08:30 | 0:08:33 | |
and these are new jeans, so I'm a little bit upset about it. | 0:08:33 | 0:08:35 | |
But, because I'm a magician, all I have to do is just | 0:08:35 | 0:08:38 | |
rub my hands together like this | 0:08:38 | 0:08:41 | |
and rub the tear. | 0:08:41 | 0:08:44 | |
What is Katherine doing? | 0:08:44 | 0:08:46 | |
And it actually mends itself and completely disappears. | 0:08:46 | 0:08:52 | |
-Cool. -She made the rip disappear. That demands a rewind. | 0:08:52 | 0:08:57 | |
And rub the tear. | 0:08:59 | 0:09:01 | |
She rubbed her hands together and rubbed the rip clean off. | 0:09:01 | 0:09:05 | |
-It actually mends itself and completely disappears. -Cool. | 0:09:05 | 0:09:10 | |
-Oh! -Oh! | 0:09:10 | 0:09:13 | |
-That is really clever. -Yeah. | 0:09:13 | 0:09:15 | |
Nice one, Katherine. Obviously magic's in your jeans. | 0:09:15 | 0:09:18 | |
-She went like this... -Like really fast. -And then she like... | 0:09:18 | 0:09:21 | |
She just rubbed it and then it disappeared. | 0:09:21 | 0:09:23 | |
She went like that and then it disappeared. | 0:09:23 | 0:09:25 | |
And then in her hands... It just vanished. | 0:09:25 | 0:09:28 | |
-It was amazing. -It was just really cool. -Yeah. | 0:09:28 | 0:09:33 | |
Now James is going to set you a magical challenge | 0:09:33 | 0:09:36 | |
in Tricks Of The Trade. | 0:09:36 | 0:09:37 | |
If you fancy yourself as a magician here's a trick you can | 0:09:37 | 0:09:40 | |
try on your mates. | 0:09:40 | 0:09:42 | |
James has got a ketchup sachet and a plastic bottle of water. | 0:09:42 | 0:09:47 | |
After putting the ketchup into the bottle | 0:09:47 | 0:09:49 | |
and screwing the lid back on, he's going to show you how to make | 0:09:49 | 0:09:52 | |
the ketchup rise and fall with the power of your mind. | 0:09:52 | 0:09:56 | |
Can you work out how to do it? | 0:09:56 | 0:09:57 | |
Keep watching and you'll find out later in the show. | 0:09:59 | 0:10:02 | |
It's going to be incredible. | 0:10:02 | 0:10:04 | |
Right now, we have something amazing for you. | 0:10:06 | 0:10:09 | |
Have you got your deck of cards ready? | 0:10:09 | 0:10:11 | |
This is the interactive illusion. | 0:10:11 | 0:10:13 | |
This is a trick where you can take part at home. | 0:10:13 | 0:10:15 | |
So come on, you need to pay close attention | 0:10:15 | 0:10:18 | |
get in nice and close. | 0:10:18 | 0:10:20 | |
You're still too far away. | 0:10:20 | 0:10:23 | |
Ha, ha, that's better. Here's Fergus. | 0:10:23 | 0:10:27 | |
Go on, get your deck of cards ready now. | 0:10:28 | 0:10:32 | |
Go through the deck and take out the four kings. | 0:10:32 | 0:10:37 | |
Do that now. Remove all four kings from the deck | 0:10:37 | 0:10:41 | |
and put the rest of the deck to one side. | 0:10:41 | 0:10:44 | |
We're only going to use these four kings. | 0:10:44 | 0:10:47 | |
I want you to keep the kings face up | 0:10:47 | 0:10:51 | |
so that you can see all four of them. | 0:10:51 | 0:10:55 | |
Arrange them in your hands in an alternating order, | 0:10:55 | 0:10:59 | |
with a red card closest to you. | 0:10:59 | 0:11:02 | |
So the order would go, red king, | 0:11:02 | 0:11:05 | |
black king, red king, | 0:11:05 | 0:11:10 | |
then a black king. Make sure those colours alternate. | 0:11:10 | 0:11:15 | |
Red, black, red, black. | 0:11:15 | 0:11:17 | |
But the suits can be in any order, that's up to you. | 0:11:17 | 0:11:22 | |
Whatever card is at the face of the packet will be a red suit. | 0:11:22 | 0:11:27 | |
I want you to spell that suit moving one | 0:11:27 | 0:11:31 | |
card from the face of the packet all the way to the back for each letter. | 0:11:31 | 0:11:36 | |
So if, like me, you're looking at the king of hearts, | 0:11:36 | 0:11:39 | |
you'd spell hearts, moving one card for each letter | 0:11:39 | 0:11:43 | |
and don't forget to include the S, just like this. | 0:11:43 | 0:11:49 | |
H-E-A-R-T-S. | 0:11:49 | 0:11:55 | |
Moving one card from the front to the back for each letter. | 0:11:55 | 0:12:01 | |
Do that now for the suit you're looking at, | 0:12:01 | 0:12:04 | |
which will be either hearts or diamonds. | 0:12:04 | 0:12:08 | |
Now take the card which you were looking at | 0:12:13 | 0:12:17 | |
and throw it away to one side. | 0:12:17 | 0:12:20 | |
Whatever king is now facing you, I want you to spell that suit, | 0:12:21 | 0:12:27 | |
moving one card for each letter from the front to the very | 0:12:27 | 0:12:31 | |
back of the packet, just like we did before. | 0:12:31 | 0:12:34 | |
Do that for me now. | 0:12:34 | 0:12:36 | |
Whatever king you are now looking at, take it | 0:12:41 | 0:12:45 | |
and throw it away to one side. | 0:12:45 | 0:12:48 | |
You're now holding two kings. | 0:12:48 | 0:12:51 | |
Mix them around as much as you want. | 0:12:51 | 0:12:54 | |
Are you done? Good. | 0:12:56 | 0:12:59 | |
Now whichever king you were looking at, | 0:12:59 | 0:13:02 | |
I want you to spell that suit just like we did earlier. | 0:13:02 | 0:13:05 | |
Move one card for each letter and don't forget the S, do that now. | 0:13:05 | 0:13:13 | |
One final time, throw to one side that card you are now looking at. | 0:13:20 | 0:13:26 | |
Concentrate on that remaining card. | 0:13:29 | 0:13:34 | |
I don't know what order the card started in or how you mixed them, | 0:13:35 | 0:13:39 | |
but I'm going to try and work out which card you're holding onto. | 0:13:39 | 0:13:44 | |
Concentrate on it. | 0:13:44 | 0:13:47 | |
It's black... | 0:13:47 | 0:13:49 | |
it's the king of clubs. | 0:13:49 | 0:13:52 | |
Did it work for you? | 0:13:52 | 0:13:55 | |
Wow, well the quantity of the magic is exhausting and the quality | 0:13:55 | 0:13:58 | |
so good, I've forgotten my own name. | 0:13:58 | 0:14:00 | |
HE LAUGHS | 0:14:02 | 0:14:03 | |
It's Iain. Anyhow, I feel like I've earned a sit down, but before I do, | 0:14:03 | 0:14:07 | |
let's have a look at what's coming up. | 0:14:07 | 0:14:08 | |
It's all kinds of ridiculousness. | 0:14:08 | 0:14:10 | |
James reveals his secret in Tricks Of The Trade. | 0:14:10 | 0:14:14 | |
Have you worked it out yet? | 0:14:14 | 0:14:16 | |
Katherine gets up close and magical with a trick that's on the money. | 0:14:16 | 0:14:19 | |
Oh, oh, oh. | 0:14:19 | 0:14:21 | |
And watch what happens when James goes undercover in another school. | 0:14:21 | 0:14:25 | |
Will he fool the class, or will they realise | 0:14:25 | 0:14:28 | |
the supply teacher is still magic? | 0:14:28 | 0:14:30 | |
Whoo. Each week I'm bringing you another of our new favourite magic | 0:14:30 | 0:14:34 | |
movers and shakers doing tricks in cribs, yards and front rooms. | 0:14:34 | 0:14:39 | |
We call them the Wannabe Wizards. | 0:14:39 | 0:14:41 | |
So I've got my comfy chair. | 0:14:41 | 0:14:43 | |
I've got my computer to watch the magic on. | 0:14:45 | 0:14:47 | |
Oh, and I need my headphones. | 0:14:47 | 0:14:50 | |
-HE SHOUTS: -The neighbours have complained about the noise. | 0:14:50 | 0:14:54 | |
Let's do this already! | 0:14:54 | 0:14:57 | |
We asked you to send in clips of yourself | 0:14:57 | 0:14:59 | |
performing your best magic tricks. | 0:14:59 | 0:15:01 | |
We received loads of clips from all over the country. | 0:15:01 | 0:15:04 | |
Each episode I will be choosing a favourite Wannabe Wizard | 0:15:04 | 0:15:07 | |
and showing them to you guys. | 0:15:07 | 0:15:09 | |
My Wannabe Wizard this time is from London. | 0:15:09 | 0:15:12 | |
He's about to earn his place at the top table. | 0:15:12 | 0:15:16 | |
Hi, so I have a coin, a glass and some paper towels. | 0:15:16 | 0:15:21 | |
And what I'm going to do is make the coin go through the table. | 0:15:21 | 0:15:24 | |
So I'll cover it with the glass and this paper towel. | 0:15:26 | 0:15:30 | |
OK. Three, two, one. Oh. | 0:15:34 | 0:15:38 | |
If at first you don't succeed. | 0:15:38 | 0:15:41 | |
OK. That didn't work that time, but let's try again. | 0:15:41 | 0:15:44 | |
One, two, three. | 0:15:44 | 0:15:47 | |
Oh, OK. It doesn't matter, we'll try one more time. | 0:15:47 | 0:15:51 | |
One, two, three. | 0:15:51 | 0:15:55 | |
Well, coin's still here... | 0:16:00 | 0:16:01 | |
..and the glass went through the table. | 0:16:05 | 0:16:07 | |
Incredible. Let's get a rewind. | 0:16:07 | 0:16:11 | |
One, two, three. | 0:16:11 | 0:16:13 | |
The glass disappeared through the table instead of the coin. | 0:16:15 | 0:16:18 | |
Well, coin's still here. | 0:16:18 | 0:16:21 | |
Don't try that with a glass on your table | 0:16:21 | 0:16:24 | |
unless you're Curran, who's my Wannabe Wizard this time. | 0:16:24 | 0:16:27 | |
Thank you. | 0:16:27 | 0:16:29 | |
Now it's time for James to reveal this secret in Tricks Of The Trade. | 0:16:29 | 0:16:33 | |
James will show you how to make a ketchup sachet | 0:16:33 | 0:16:36 | |
in a bottle of water rise and fall with the power of your mind. | 0:16:36 | 0:16:41 | |
Come on, have you worked it out? How many of you got it? | 0:16:41 | 0:16:44 | |
Maybe it's a magical ketchup sachet. Nah, of course it isn't. Come on. | 0:16:44 | 0:16:49 | |
The trick is actually quite simple. | 0:16:49 | 0:16:52 | |
Once the sachet is in the bottle and sealed with the lid, | 0:16:52 | 0:16:55 | |
if you squeeze the base of the bottle, it'll make the sachet fall. | 0:16:55 | 0:16:59 | |
If you release the base, the sachet will rise. | 0:16:59 | 0:17:01 | |
Then use your other hand to make it seem as | 0:17:01 | 0:17:03 | |
if it's controlling the movement of the sachet. | 0:17:03 | 0:17:06 | |
How about that? Did you get it? | 0:17:06 | 0:17:08 | |
Are you amazing already? | 0:17:08 | 0:17:10 | |
Now you've all got something to show off with in the playground. | 0:17:10 | 0:17:13 | |
Next Katherine is at a farm, getting up close and magical. | 0:17:15 | 0:17:18 | |
What I've got on me are these two different coins. | 0:17:18 | 0:17:21 | |
So I want you all to have a look at them for me and tell me, | 0:17:21 | 0:17:23 | |
do you recognise them at all? | 0:17:23 | 0:17:25 | |
-No. -You don't recognise them? -1969? -No, I don't. | 0:17:25 | 0:17:28 | |
No, OK. This coin here is | 0:17:28 | 0:17:30 | |
an old English penny. | 0:17:30 | 0:17:32 | |
And this coin is... | 0:17:32 | 0:17:35 | |
-Yeah, it's an American coin. It's an American half dollar. -Hmm. | 0:17:35 | 0:17:40 | |
So in this hand I've got three copper old English pennies, | 0:17:40 | 0:17:45 | |
and I've got three silver American half dollars in this hand. | 0:17:45 | 0:17:49 | |
And what I'd like you to do, Sophia, is bring both your hands out | 0:17:49 | 0:17:53 | |
with your palms up, that's perfect. | 0:17:53 | 0:17:55 | |
And just going to show you | 0:17:55 | 0:17:57 | |
that I've got one, two, | 0:17:57 | 0:18:02 | |
three copper coins, | 0:18:02 | 0:18:05 | |
and one, two, | 0:18:05 | 0:18:08 | |
three silver coins. | 0:18:08 | 0:18:11 | |
Now what I'm going to do is that I'm going to swap around the two | 0:18:11 | 0:18:14 | |
middle coins, OK. | 0:18:14 | 0:18:17 | |
So now the copper coin is sandwiched in between the two silver coins and | 0:18:17 | 0:18:21 | |
the silver coin is now sandwiched in between the two copper coins. | 0:18:21 | 0:18:26 | |
Now wouldn't it be amazing | 0:18:26 | 0:18:27 | |
if these two coins could switch places by magic? | 0:18:27 | 0:18:31 | |
-That would be amazing wouldn't it? -Yeah. | 0:18:31 | 0:18:34 | |
OK, so what I'd like you to do is just... | 0:18:34 | 0:18:36 | |
..close your hand for me, like that, and watch the middle coin, OK. | 0:18:37 | 0:18:42 | |
SHE BLOWS ON IT | 0:18:43 | 0:18:45 | |
And look, can you see, it's changed into the silver one? | 0:18:45 | 0:18:48 | |
-So I've got three silver ones here and you... -Oh, oh, oh. | 0:18:48 | 0:18:52 | |
..have got three copper ones over here. | 0:18:53 | 0:18:56 | |
That is truly amazing, let's get a rewind. | 0:18:56 | 0:19:00 | |
-OK. -Katherine blew on her hand | 0:19:00 | 0:19:02 | |
and changed the copper coin for a silver one. | 0:19:02 | 0:19:05 | |
..Silver one, so I've got three silver ones... | 0:19:05 | 0:19:07 | |
And the copper coin appeared in Sophia's hands. | 0:19:07 | 0:19:10 | |
-It's going to get better. -Three copper ones over here. | 0:19:10 | 0:19:14 | |
-OK, so let's do that again but this time... -My gosh. | 0:19:14 | 0:19:18 | |
..we're going to do this all in your hands, | 0:19:18 | 0:19:20 | |
-and you're going to do the magic. -What? -OK? | 0:19:20 | 0:19:22 | |
OK, so open up your hands for me. | 0:19:24 | 0:19:27 | |
OK, so we've got one copper. | 0:19:30 | 0:19:32 | |
One silver, one copper, one silver, | 0:19:32 | 0:19:36 | |
one copper, one silver. | 0:19:36 | 0:19:39 | |
Remember the coins in Sophia's hand alternate between copper and silver. | 0:19:39 | 0:19:44 | |
All I want you to do is, Sophia, is fold them in your hand like that, | 0:19:44 | 0:19:48 | |
and give a big blow. | 0:19:48 | 0:19:49 | |
That's perfect. | 0:19:51 | 0:19:52 | |
-And now open up your hand, and you can see they've all separated. -Oh. | 0:19:52 | 0:19:58 | |
So we've got one, two, three silver coins | 0:19:58 | 0:20:02 | |
and one, two, three copper coins. Isn't that amazing? | 0:20:02 | 0:20:08 | |
-I know how they do it. -Do you? -No you don't, Oscar. | 0:20:08 | 0:20:11 | |
They blow it and they just switch. | 0:20:11 | 0:20:13 | |
-Absolutely right, that's exactly what happens. -Oh! | 0:20:13 | 0:20:15 | |
That's how the magic was done. | 0:20:15 | 0:20:18 | |
The coins were alternating copper and silver, but they became | 0:20:18 | 0:20:21 | |
all copper and all silver with a magic blow of the hand. | 0:20:21 | 0:20:24 | |
-And you can see they've all separated. -Oh! | 0:20:24 | 0:20:28 | |
-Incredible. -Amazing. -Incredible. | 0:20:28 | 0:20:31 | |
Double incredible! | 0:20:31 | 0:20:33 | |
I was going to do a trick with money, | 0:20:34 | 0:20:36 | |
but I couldn't find any coins. | 0:20:36 | 0:20:39 | |
No change there then! | 0:20:39 | 0:20:40 | |
OK, it's time for more school magic | 0:20:44 | 0:20:46 | |
and now it's James pretending to be a supply teacher | 0:20:46 | 0:20:49 | |
and trying to fool another class. | 0:20:49 | 0:20:51 | |
The wig is on, the hidden cameras are set. | 0:20:51 | 0:20:55 | |
Break time's over, though. | 0:20:55 | 0:20:56 | |
The bell's about to go and it's time for magic. | 0:20:56 | 0:20:59 | |
Enter Year Four. They don't know it yet, | 0:21:01 | 0:21:03 | |
but they're about to get an incredible lesson | 0:21:03 | 0:21:06 | |
about crime and punishment that will tie their minds in knots. | 0:21:06 | 0:21:09 | |
So far, none of them have noticed the hidden cameras in their hall | 0:21:09 | 0:21:13 | |
or recognised James as our magician. | 0:21:13 | 0:21:15 | |
But this will be one history lesson that they'll remember for all time. | 0:21:15 | 0:21:19 | |
Now, I work in a museum. | 0:21:19 | 0:21:21 | |
And I'm here to tell you today about history. | 0:21:21 | 0:21:25 | |
And my area of expertise | 0:21:25 | 0:21:26 | |
is the history of law enforcement and the police. | 0:21:26 | 0:21:30 | |
James is pretending to be a historian this time, very sneaky. | 0:21:30 | 0:21:34 | |
The first period we're going to look at today is the Medieval period, | 0:21:34 | 0:21:37 | |
which is over 2,000 years ago. | 0:21:37 | 0:21:41 | |
That's even older than some of your teachers. | 0:21:41 | 0:21:43 | |
-Oh. -But not all, just some. | 0:21:43 | 0:21:46 | |
Now these days, what do the police use to restrain people, | 0:21:46 | 0:21:49 | |
-what do they use? Yeah? -Handcuffs. | 0:21:49 | 0:21:52 | |
Handcuffs, yeah. | 0:21:52 | 0:21:53 | |
But that's now, see 2,000 years ago, | 0:21:53 | 0:21:55 | |
the police didn't have the intricate bits of machinery | 0:21:55 | 0:21:58 | |
to make all the difficult locks did they? | 0:21:58 | 0:22:00 | |
A bit of genuine history to help convince the class | 0:22:00 | 0:22:03 | |
the lesson is real before he does the magic. | 0:22:03 | 0:22:06 | |
They had much more primitive methods. | 0:22:06 | 0:22:08 | |
Now one of the methods was this. | 0:22:08 | 0:22:11 | |
This would be stuck in the ground and the prisoner would | 0:22:11 | 0:22:15 | |
have their thumbs tied on the other side so they couldn't get through. | 0:22:15 | 0:22:18 | |
In fact, I've got some string here. Shall we try it? | 0:22:18 | 0:22:22 | |
James is about to string them along and they don't suspect a thing. | 0:22:22 | 0:22:26 | |
Could you help me, is that OK? | 0:22:26 | 0:22:28 | |
This is one of their regular teachers, Miss Ryan. | 0:22:28 | 0:22:30 | |
She's about to help with the magic, though she doesn't know how. | 0:22:30 | 0:22:34 | |
So what would happen is the prisoner would put his hands | 0:22:34 | 0:22:37 | |
this side of the pole and you can see that's through my thumbs. | 0:22:37 | 0:22:40 | |
Could you tie a nice tight knot on the top, please? | 0:22:40 | 0:22:42 | |
-I will. -Tight as you can. -OK. | 0:22:42 | 0:22:44 | |
Make it nice and tight, go on, a bit tighter oh, ooh. | 0:22:44 | 0:22:47 | |
Ow, that's very tight. | 0:22:47 | 0:22:49 | |
And again, excellent, | 0:22:49 | 0:22:50 | |
and just give it a little pull to show that's tight there, yeah. | 0:22:50 | 0:22:53 | |
Try and get your finger in that knot and give it a pull as well. | 0:22:53 | 0:22:56 | |
-Can you feel that that's tight? -It's really tight. -That's very tight. | 0:22:56 | 0:23:00 | |
There's nothing ropey about this trick coming up. | 0:23:00 | 0:23:02 | |
Now the prisoner would obviously be tied to the pole. | 0:23:02 | 0:23:06 | |
Sometimes days at a time. Now, if the pole was a lot higher than this | 0:23:06 | 0:23:10 | |
he couldn't go over the top. He couldn't go through the bottom. | 0:23:10 | 0:23:13 | |
But some people, because they'd been arrested so many times, | 0:23:13 | 0:23:16 | |
they knew the secret of getting out. | 0:23:16 | 0:23:17 | |
Just, let's see. One, two, three. Oh! | 0:23:17 | 0:23:22 | |
Did you see that? | 0:23:22 | 0:23:23 | |
His hands were tied round the pole but he melted off it. | 0:23:23 | 0:23:26 | |
Can you see that that's still tight? | 0:23:26 | 0:23:28 | |
Can you give that a little pull and that a pull? | 0:23:28 | 0:23:30 | |
And his hands are still tied together. | 0:23:30 | 0:23:32 | |
-Can you see that's tight? Is that still tight? -Yeah. | 0:23:32 | 0:23:34 | |
It is, isn't it? In fact, I think I'm going to need a hand | 0:23:34 | 0:23:36 | |
to get out of this, so could you please cut me out? | 0:23:36 | 0:23:38 | |
-OK. -Excellent. Be very careful and... | 0:23:38 | 0:23:41 | |
Oh, that's very tight, there we go. | 0:23:41 | 0:23:44 | |
Oh, that hurt. Oh, much better. | 0:23:44 | 0:23:47 | |
Now, a little bit later than the Medieval period | 0:23:47 | 0:23:50 | |
came my favourite piece of apparatus. | 0:23:50 | 0:23:52 | |
I've brought this especially from the museum today. | 0:23:52 | 0:23:55 | |
This... | 0:23:55 | 0:23:57 | |
is called... | 0:23:57 | 0:23:58 | |
a Steinmeyer. | 0:23:58 | 0:24:00 | |
Look at that. | 0:24:00 | 0:24:02 | |
Now this was used in Germany in the 1600s. | 0:24:02 | 0:24:05 | |
And what would happen, the prisoner would stand like this | 0:24:05 | 0:24:10 | |
and chains would go left and right all the way up. | 0:24:10 | 0:24:13 | |
And then they would be padlocked in like this | 0:24:13 | 0:24:15 | |
and then a curtain would be drawn around them | 0:24:15 | 0:24:18 | |
to isolate them from the rest of the town. | 0:24:18 | 0:24:20 | |
-It's not very pleasant is it? Shall I get in? -Yeah. | 0:24:20 | 0:24:24 | |
Shall I get in? Sarah, could you come and help me? | 0:24:24 | 0:24:26 | |
This is Sarah, my assistant. | 0:24:26 | 0:24:28 | |
The class thinks she's James's museum assistant, | 0:24:28 | 0:24:30 | |
but she's actually a magician's assistant. | 0:24:30 | 0:24:32 | |
So this is going to be pretty loud, cos this thing makes a bit of noise. | 0:24:32 | 0:24:36 | |
But what Sarah's going to do is she's going to link the chains | 0:24:36 | 0:24:39 | |
all the way through, just like this. | 0:24:39 | 0:24:40 | |
So if we start there, Sarah, that'd be great. | 0:24:40 | 0:24:42 | |
I know you don't have chains or one of these at home. | 0:24:42 | 0:24:46 | |
But if you did, please don't try any of this. | 0:24:46 | 0:24:49 | |
Excellent, and you can see that's really tight round my legs. | 0:24:49 | 0:24:51 | |
And then another one. | 0:24:51 | 0:24:53 | |
Oh, no. Oh! | 0:24:55 | 0:24:59 | |
Oh, this is uncomfortable. | 0:24:59 | 0:25:01 | |
Well and truly chained and framed. | 0:25:01 | 0:25:03 | |
Will James get away with his magic trick? | 0:25:03 | 0:25:06 | |
More importantly, can he get away from it? | 0:25:06 | 0:25:09 | |
Oh. | 0:25:09 | 0:25:10 | |
Last one. Last one. OK. | 0:25:12 | 0:25:15 | |
Sarah, if you could put a padlock on, just down here, | 0:25:15 | 0:25:18 | |
if you could secure it? | 0:25:18 | 0:25:19 | |
This is very tight and uncomfortable. | 0:25:20 | 0:25:23 | |
Just perfect for holding dangerously good magicians. | 0:25:24 | 0:25:28 | |
Now, as well as being chained up, | 0:25:28 | 0:25:31 | |
-do you remember what else I said would happen? -The curtain. | 0:25:31 | 0:25:34 | |
The curtain would be pulled, so can we pull the curtain? | 0:25:34 | 0:25:37 | |
Watch this closely. | 0:25:37 | 0:25:38 | |
His assistant Sarah is pulling the curtain on James, | 0:25:38 | 0:25:41 | |
who is chained, right? | 0:25:41 | 0:25:42 | |
-What? -Huh? | 0:25:48 | 0:25:49 | |
But...everything is easy to get out of once you know the secret. | 0:25:53 | 0:25:57 | |
James is free and his assistant is now locked up. | 0:25:57 | 0:26:00 | |
That's amazing magic. | 0:26:00 | 0:26:02 | |
-What do you think, shall we let her out? -Yeah. | 0:26:02 | 0:26:04 | |
Yeah, let's let her out. Lucky I've got some keys. | 0:26:04 | 0:26:08 | |
Whoa, she really is shackled in tight. How did that happen? | 0:26:08 | 0:26:11 | |
Surely it was James who was in the chains? | 0:26:11 | 0:26:14 | |
Out of there, watch your face. | 0:26:15 | 0:26:17 | |
James has unlocked Sarah | 0:26:19 | 0:26:21 | |
and now he's about to offer the key to this trick. | 0:26:21 | 0:26:23 | |
How about giving Sarah a little clap? Excellent, well done, Sarah. | 0:26:23 | 0:26:28 | |
Now, now that I've done that, would you like me to tell you the secret? | 0:26:30 | 0:26:33 | |
ALL: Yeah. | 0:26:33 | 0:26:34 | |
Do you want to know the secret to how all this works? ALL: Yeah. | 0:26:34 | 0:26:37 | |
Well the secret is, I'm not really from a museum. | 0:26:37 | 0:26:40 | |
I'm actually a magician. | 0:26:41 | 0:26:43 | |
And not only that, your teachers know I'm a magician | 0:26:45 | 0:26:48 | |
and your parents know I'm a magician. | 0:26:48 | 0:26:50 | |
And you're secretly being filmed right now on hidden cameras | 0:26:50 | 0:26:54 | |
in that box there and over there and over there | 0:26:54 | 0:26:58 | |
for Help! My Supply Teacher is Magic on CBBC. | 0:26:58 | 0:27:02 | |
-ALL: -Oh! | 0:27:02 | 0:27:03 | |
James's lock down trick had the class all hyped up. | 0:27:03 | 0:27:07 | |
But did it leave them tongue tied? | 0:27:07 | 0:27:09 | |
I was thinking, why, how did he do that? | 0:27:09 | 0:27:12 | |
James was well and truly chained up. | 0:27:12 | 0:27:15 | |
It was really magic. | 0:27:15 | 0:27:17 | |
It certainly was. James was free in a flash. | 0:27:17 | 0:27:20 | |
He's out and the woman's in it already. | 0:27:20 | 0:27:23 | |
Amazingly, they swapped places. But how? | 0:27:24 | 0:27:27 | |
Huh? | 0:27:27 | 0:27:29 | |
An incredible trick, and this class didn't realise. | 0:27:31 | 0:27:34 | |
See you later, but until then, if you're at school and you think | 0:27:41 | 0:27:44 | |
something magical's occurring, maybe you'll find yourselves shouting, | 0:27:44 | 0:27:47 | |
Help! My Supply Teacher Is Still Magic. | 0:27:47 | 0:27:52 | |
Subtitles by Red Bee Media Ltd | 0:27:57 | 0:27:59 |