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-And you are? -Ida Battersea. New kitchen maid. | 0:00:00 | 0:00:03 | |
Don't cross Matron. | 0:00:03 | 0:00:05 | |
And never fraternise with the foundlings. | 0:00:05 | 0:00:07 | |
A well-run hospital is both my duty and my pleasure. | 0:00:07 | 0:00:09 | |
-If Matron was to hear about this... -Hear about what? | 0:00:09 | 0:00:13 | |
-We didn't take anything from the girls. -You know us. | 0:00:13 | 0:00:17 | |
-We're always innocent. -If they get in trouble, we all do. | 0:00:17 | 0:00:20 | |
Any other misdemeanours today, Feather will be dealt with firmly. | 0:00:20 | 0:00:24 | |
Then at once... | 0:00:35 | 0:00:37 | |
THEY KNOCK SEVEN TIMES | 0:00:37 | 0:00:39 | |
..the hospital ghost appears. | 0:00:39 | 0:00:41 | |
Joseph Twig, the ghostly foundling boy. | 0:00:43 | 0:00:47 | |
Boo! | 0:00:47 | 0:00:48 | |
THEY LAUGH | 0:00:48 | 0:00:52 | |
'Every foundling had a past life, a family they never knew. | 0:00:54 | 0:00:58 | |
'Who was my mother? Where is she now, and who am I? | 0:01:00 | 0:01:04 | |
'These questions haunted me. | 0:01:05 | 0:01:06 | |
'But I would never stop looking for the answers. | 0:01:08 | 0:01:11 | |
'For all of us foundlings, there was a real past, | 0:01:11 | 0:01:14 | |
'but whenever I reached out to touch it, it disappeared. | 0:01:14 | 0:01:17 | |
'Just like a ghost.' | 0:01:17 | 0:01:20 | |
THUNDER CRASHES | 0:01:51 | 0:01:55 | |
When will it stop? | 0:01:55 | 0:01:56 | |
-When it passes over. -That could be all night. | 0:01:57 | 0:02:00 | |
I know, I'll tell you a story. | 0:02:00 | 0:02:03 | |
-Oh, not again. -Boring. | 0:02:03 | 0:02:06 | |
A soppy story all about your squirrel tree. | 0:02:06 | 0:02:09 | |
That will get us to sleep. | 0:02:09 | 0:02:11 | |
Why don't I tell you a scary story, then? | 0:02:11 | 0:02:13 | |
Like you could scare me. | 0:02:13 | 0:02:16 | |
I'd like to see her try. | 0:02:16 | 0:02:18 | |
THUNDER CRASHES | 0:02:19 | 0:02:22 | |
It was a dark and stormy night... | 0:02:24 | 0:02:26 | |
..when the lady of the house heard footsteps. | 0:02:27 | 0:02:31 | |
She opened the scullery door... | 0:02:31 | 0:02:33 | |
..and she saw her... | 0:02:34 | 0:02:36 | |
..the ghost of Flora, the lonely kitchen maid. | 0:02:39 | 0:02:43 | |
-It was her footsteps. -Ghoulish. | 0:02:45 | 0:02:48 | |
Walking around in the night, | 0:02:48 | 0:02:49 | |
just like we hear in the tower. | 0:02:49 | 0:02:51 | |
THUNDER CRASHES | 0:02:52 | 0:02:56 | |
-You hear footsteps in the tower? -And tapping at the walls. | 0:02:56 | 0:03:00 | |
Shadows on the floor? | 0:03:00 | 0:03:02 | |
You mean your stupid tower's haunted? | 0:03:04 | 0:03:06 | |
-By the ghostly foundling boy. -Everyone knows about Joseph Twig. | 0:03:06 | 0:03:11 | |
That's probably where he died. | 0:03:11 | 0:03:13 | |
And you know what they say? | 0:03:14 | 0:03:16 | |
When his ghost is around, | 0:03:19 | 0:03:22 | |
you feel a cool breeze | 0:03:22 | 0:03:24 | |
and his bony fingers touching your hair. | 0:03:24 | 0:03:28 | |
THUNDER CRASHES, THEY SCREAM | 0:03:28 | 0:03:33 | |
DOOR OPENS | 0:03:33 | 0:03:35 | |
Sheila Ormsby. | 0:03:37 | 0:03:38 | |
What a surprise. | 0:03:39 | 0:03:41 | |
It was Hetty, Nurse. | 0:03:41 | 0:03:43 | |
She was scaring us with stories of Joseph Twig. | 0:03:43 | 0:03:46 | |
-The ghost boy who haunts the hospital. -Huh! | 0:03:46 | 0:03:49 | |
Do you think I was born yesterday? | 0:03:49 | 0:03:51 | |
Tomorrow - | 0:03:53 | 0:03:54 | |
hard chores instead of embroidery. | 0:03:54 | 0:03:57 | |
Oh, and, um, | 0:03:57 | 0:03:59 | |
no more sneaking about after dark. | 0:03:59 | 0:04:02 | |
Otherwise, the ghostly foundling boy will come. | 0:04:02 | 0:04:06 | |
And he will torment you. | 0:04:06 | 0:04:09 | |
THUNDER ROLLS | 0:04:09 | 0:04:11 | |
SHE LAUGHS | 0:04:13 | 0:04:15 | |
Please follow me. | 0:04:20 | 0:04:22 | |
We are grateful for your time, Matron. | 0:04:22 | 0:04:25 | |
Our pleasure, Mr McCartney, Mrs McCartney. | 0:04:25 | 0:04:27 | |
A friend came to visit on Admissions Day | 0:04:27 | 0:04:30 | |
and she told us every detail. | 0:04:30 | 0:04:32 | |
But we wanted to see for ourselves. | 0:04:32 | 0:04:35 | |
As one of the wealthiest brokers in the capital, I'm almost embarrassed | 0:04:35 | 0:04:40 | |
not to have been involved with such a worthy cause before. | 0:04:40 | 0:04:43 | |
New patrons are always very welcome. | 0:04:43 | 0:04:46 | |
So where would you like to start? The boys in lessons? | 0:04:46 | 0:04:50 | |
Let's start with the young ladies. I've brought treats. | 0:04:50 | 0:04:55 | |
Foundling girls are this way. | 0:04:55 | 0:04:58 | |
We like to keep our children busy. | 0:04:58 | 0:05:01 | |
Hard work and education are the cornerstones of the hospital. | 0:05:01 | 0:05:05 | |
They brought treats. | 0:05:05 | 0:05:07 | |
White sheep, white sheep | 0:05:07 | 0:05:09 | |
On a blue hill | 0:05:09 | 0:05:11 | |
When the wind stops, you all stand still | 0:05:11 | 0:05:14 | |
SOMEONE SNORES | 0:05:14 | 0:05:15 | |
When the wind blows, you walk away slow | 0:05:15 | 0:05:19 | |
White sheep, white sheep, where do you go? | 0:05:19 | 0:05:22 | |
THE TEACHER SNORES | 0:05:22 | 0:05:24 | |
Nurse Macclesfield? | 0:05:30 | 0:05:31 | |
Ah! Joseph Twig, stay away from me! | 0:05:31 | 0:05:34 | |
-THEY LAUGH -Twig? | 0:05:34 | 0:05:36 | |
Isn't he the ghost that haunts the hospital? | 0:05:36 | 0:05:39 | |
Ghost indeed. | 0:05:40 | 0:05:43 | |
-Who believes in them, eh? -SHE LAUGHS | 0:05:43 | 0:05:46 | |
Are you featherbrained or something? | 0:05:46 | 0:05:49 | |
Me? | 0:05:49 | 0:05:51 | |
Get to the corner for the rest of the class. | 0:05:51 | 0:05:53 | |
No way. | 0:05:55 | 0:05:56 | |
-What did he do to deserve that? -It suits you, Mathias. | 0:05:56 | 0:06:00 | |
Yeah, you should wear a dunce's hat all the time. | 0:06:00 | 0:06:03 | |
Quiet, you boys. | 0:06:03 | 0:06:04 | |
Mr and Mrs McCartney, here are our senior foundlings. | 0:06:04 | 0:06:09 | |
All our girls are taught to embroider. | 0:06:09 | 0:06:11 | |
-Such pretty work. -Almost fine enough for Bond Street. | 0:06:11 | 0:06:15 | |
Thank you, my lady. | 0:06:15 | 0:06:16 | |
Pleasure to meet you, my lady. | 0:06:22 | 0:06:24 | |
Perhaps your guests would like a handkerchief? | 0:06:25 | 0:06:29 | |
-As a souvenir of their visit. -May I? | 0:06:29 | 0:06:32 | |
With our compliments, Mrs McCartney. | 0:06:32 | 0:06:34 | |
What a sweet girl. | 0:06:36 | 0:06:38 | |
Yes, always so charming. | 0:06:38 | 0:06:41 | |
Thank you so much, my lady. | 0:06:44 | 0:06:46 | |
Oh, my. | 0:06:46 | 0:06:48 | |
It is the child. | 0:06:49 | 0:06:50 | |
Mrs McCartney, whatever is the matter? | 0:06:51 | 0:06:54 | |
I...I think she needs some air. | 0:06:54 | 0:06:55 | |
-I'll go and get Cranbourne with the smelling salts. -Yes. | 0:06:55 | 0:06:58 | |
Last year, we lost our only child. | 0:07:03 | 0:07:08 | |
Lucy. | 0:07:08 | 0:07:09 | |
Our friend who visited | 0:07:11 | 0:07:13 | |
said the girl looked so like her, we should see for ourselves. | 0:07:13 | 0:07:17 | |
-And she does. So very much. -Same hair. | 0:07:17 | 0:07:20 | |
Same beautiful eyes. | 0:07:20 | 0:07:23 | |
Dear me, what a dreadful shock. | 0:07:23 | 0:07:26 | |
If there would be any comfort in it, you're more then welcome to come | 0:07:28 | 0:07:32 | |
and see Polly. | 0:07:32 | 0:07:33 | |
We allow visitors to watch them dine each Sunday. | 0:07:33 | 0:07:36 | |
There's a small charge for entry. | 0:07:36 | 0:07:39 | |
That's not why we're here. | 0:07:39 | 0:07:41 | |
We do not wish to merely see the child. | 0:07:41 | 0:07:44 | |
We want to adopt her. | 0:07:44 | 0:07:45 | |
Oh, I'm afraid that's not possible. | 0:07:47 | 0:07:50 | |
There's always a chance, however slim, | 0:07:54 | 0:07:56 | |
that a foundling may be claimed by their real mother. | 0:07:56 | 0:07:59 | |
No, adoption is against hospital rules. | 0:07:59 | 0:08:02 | |
But we'd give her a good life. | 0:08:02 | 0:08:03 | |
The girl would have every extravagance. A prosperous future. | 0:08:03 | 0:08:07 | |
-I am quite set. -And in return, | 0:08:07 | 0:08:09 | |
we are prepared to make a most generous donation. | 0:08:09 | 0:08:12 | |
For my wife's happiness, Matron. | 0:08:13 | 0:08:16 | |
You name the price. | 0:08:16 | 0:08:18 | |
Well... | 0:08:21 | 0:08:22 | |
I see, erm... | 0:08:24 | 0:08:26 | |
..however... | 0:08:27 | 0:08:28 | |
What Matron is trying to say... | 0:08:28 | 0:08:30 | |
Even with the donation, adoption is not possible. | 0:08:31 | 0:08:35 | |
Colonel Brigwell would say the same. | 0:08:36 | 0:08:38 | |
Well... | 0:08:41 | 0:08:42 | |
..perhaps, then, it's the Colonel | 0:08:43 | 0:08:46 | |
we need to speak to. | 0:08:46 | 0:08:47 | |
Shall we, my dear? | 0:08:51 | 0:08:52 | |
-SHE SIGHS -Brigwell will tell them the rules. | 0:08:56 | 0:09:00 | |
-He is the rules. -Indeed. | 0:09:00 | 0:09:02 | |
Dunce. | 0:09:07 | 0:09:08 | |
-He believes in ghosties. -That's how daft he is. | 0:09:10 | 0:09:14 | |
-His knees would be knocking if he saw a spook. -What? | 0:09:14 | 0:09:17 | |
-And yours wouldn't? -Never. | 0:09:17 | 0:09:19 | |
Let's show them a real spook. | 0:09:22 | 0:09:24 | |
-Our very own ghostly foundling boy. -Then well see who's scared. | 0:09:24 | 0:09:27 | |
-And stupid. -Good idea. | 0:09:27 | 0:09:29 | |
Let's talk at the end of the lesson. | 0:09:29 | 0:09:31 | |
Ghosts need to look the part. | 0:09:31 | 0:09:33 | |
-Colonel. -Ah, Matron. | 0:09:36 | 0:09:38 | |
The McCartneys have explained their situation, | 0:09:38 | 0:09:40 | |
and in this instance, I think we should grant their request. | 0:09:40 | 0:09:44 | |
You're giving permission to adopt? | 0:09:44 | 0:09:46 | |
The child will have a most wonderful future. | 0:09:46 | 0:09:48 | |
And as for the donation... | 0:09:48 | 0:09:50 | |
We can afford to be... | 0:09:50 | 0:09:51 | |
-..helpful. -I see. | 0:09:52 | 0:09:54 | |
A wonderful outcome all round. | 0:09:54 | 0:09:56 | |
I do appreciate your fastidiousness, Matron, but adoption in this | 0:09:56 | 0:10:00 | |
case is for the greater good of the child...and the hospital. | 0:10:00 | 0:10:04 | |
Of course, Colonel Brigwell. | 0:10:04 | 0:10:05 | |
Cranbourne, tell them to hold the carriage. | 0:10:05 | 0:10:08 | |
We have much to discuss. | 0:10:08 | 0:10:09 | |
What was that all about? | 0:10:22 | 0:10:24 | |
Them toffs want to adopt someone to become a rich girl. | 0:10:24 | 0:10:26 | |
Whatever I did to cause such a dizzy spell, my lady, | 0:10:29 | 0:10:31 | |
it wasn't my intention. | 0:10:31 | 0:10:33 | |
Please accept my sincere apologies. | 0:10:33 | 0:10:35 | |
Polly has always been such a good girl. | 0:10:35 | 0:10:39 | |
Thank you, dear child. | 0:10:39 | 0:10:40 | |
But that is not the nature of this meeting. | 0:10:40 | 0:10:43 | |
Lemon biscuit? | 0:10:46 | 0:10:47 | |
You may. | 0:10:49 | 0:10:50 | |
Our cook used to make them for our daughter, you see. | 0:10:53 | 0:10:56 | |
Lucy's favourite. | 0:10:56 | 0:10:58 | |
We rather hope you'll like them too. | 0:10:58 | 0:11:00 | |
Thank you. | 0:11:00 | 0:11:02 | |
May I share it with my friends? | 0:11:02 | 0:11:05 | |
-Of course you may. -Now... | 0:11:05 | 0:11:08 | |
Polly... | 0:11:10 | 0:11:11 | |
The McCartneys have some news. | 0:11:11 | 0:11:13 | |
-Polly. -What happened? | 0:11:18 | 0:11:20 | |
The McCartneys, they want to adopt me. | 0:11:23 | 0:11:26 | |
They want to what? | 0:11:26 | 0:11:29 | |
-Matron. -Your friend is leaving us. -Forever? | 0:11:31 | 0:11:34 | |
Polly will depart for her new home tomorrow. | 0:11:36 | 0:11:38 | |
She has a privileged life ahead of her. Unlike some. | 0:11:39 | 0:11:43 | |
Polly, this can't be happening. BELL RINGS | 0:11:46 | 0:11:48 | |
Off to your lunch now. | 0:11:48 | 0:11:50 | |
What now? | 0:11:58 | 0:12:00 | |
Tell Cranbourne me and Ned volunteer to clean the writing slates. | 0:12:00 | 0:12:03 | |
-He knows Nurse Mac gets them done every week. -Got it. | 0:12:03 | 0:12:06 | |
We'll cover, but be quick. | 0:12:06 | 0:12:08 | |
Ned, follow me. | 0:12:12 | 0:12:15 | |
You have to tell them you don't want to leave. | 0:12:22 | 0:12:24 | |
How can I? They're so kind. | 0:12:24 | 0:12:28 | |
Mrs McCartney even brought lemon biscuits for me. | 0:12:28 | 0:12:31 | |
She sounds lovely. | 0:12:31 | 0:12:33 | |
She might sound lovely today, but what about when you get to know her? | 0:12:33 | 0:12:37 | |
-You might hate her. She might hate you. -Hetty! | 0:12:38 | 0:12:42 | |
I mean, you don't even like the biscuits they gave you. | 0:12:42 | 0:12:45 | |
-I didn't get the chance. Save that for us to share. -Oh, sorry. | 0:12:45 | 0:12:51 | |
They said I'd have my own bedroom and a governess. | 0:12:51 | 0:12:54 | |
-That has to be better than being a foundling. -What? | 0:12:54 | 0:12:58 | |
-Leaving to become a dead girl? I don't think so. -Hetty. | 0:12:58 | 0:13:02 | |
-This isn't about you. -No, it's about Polly. | 0:13:02 | 0:13:05 | |
The first friend I ever made here. | 0:13:06 | 0:13:08 | |
You're sweet, but this Lucy might have been like Sheila. | 0:13:10 | 0:13:14 | |
And besides, I'd miss you. | 0:13:17 | 0:13:20 | |
-Me too. -And me. | 0:13:20 | 0:13:23 | |
You're the only friends I've ever known, | 0:13:23 | 0:13:25 | |
but there's nothing we can do. | 0:13:25 | 0:13:27 | |
Isn't there? Just you leave it to me. | 0:13:27 | 0:13:31 | |
The last kitchen maid, I caught her pinching a piecrust. | 0:13:33 | 0:13:36 | |
-Never? -She didn't last long after that. | 0:13:36 | 0:13:39 | |
Straight back to it, Ida. Dining tables need a polish. | 0:13:44 | 0:13:47 | |
Let's go. | 0:13:50 | 0:13:51 | |
Finish up, girls. | 0:13:55 | 0:13:58 | |
Matron shall be checking all arithmetic this week. | 0:13:58 | 0:14:02 | |
And woe betide anyone who... | 0:14:02 | 0:14:03 | |
Polly! You haven't even started. | 0:14:05 | 0:14:08 | |
It's boring. | 0:14:08 | 0:14:10 | |
Boring? I'll give you boring, you little... | 0:14:10 | 0:14:12 | |
Polly's been out of sorts. | 0:14:12 | 0:14:15 | |
It's the McCartneys, Nurse. | 0:14:15 | 0:14:17 | |
Oh, those. | 0:14:17 | 0:14:18 | |
Well, in that case, take her outside for a breath of fresh air | 0:14:19 | 0:14:23 | |
and then straight back to class. | 0:14:23 | 0:14:25 | |
Both of you. | 0:14:25 | 0:14:26 | |
Um, we've finished, Nurse. | 0:14:33 | 0:14:37 | |
Shall I deliver this week's arithmetic to Matron? | 0:14:37 | 0:14:39 | |
Yes. Take Elizabeth to help. | 0:14:39 | 0:14:42 | |
They'll only want good girls for their daughters, that's for sure. | 0:14:45 | 0:14:49 | |
Aye, someone's in a rush? | 0:14:53 | 0:14:56 | |
Matron sent us. | 0:14:56 | 0:14:57 | |
We need more sugar for the visitors' tea. | 0:14:57 | 0:15:02 | |
Not for us, of course. | 0:15:02 | 0:15:04 | |
-Sweet enough. -Help them fetch it will you, Ida? | 0:15:04 | 0:15:07 | |
My bunions won't cope with much more traipsing. Be quick about it. | 0:15:07 | 0:15:11 | |
Yes, Cook, be right with you. | 0:15:11 | 0:15:12 | |
New kitchen maid. This should be easy. | 0:15:15 | 0:15:19 | |
Right, a china bowl and some fine linen. | 0:15:19 | 0:15:23 | |
We're in a rush. Polly, sugar from the pantry. | 0:15:23 | 0:15:26 | |
You always are. | 0:15:26 | 0:15:28 | |
-I met you, didn't I? -Think so. | 0:15:28 | 0:15:30 | |
Couldn't forget that hair. | 0:15:30 | 0:15:31 | |
I've not seen another foundling with hair like that. | 0:15:31 | 0:15:34 | |
MOUTHS: Go! Quick! | 0:15:34 | 0:15:37 | |
-Unique. That's me. -Oh, isn't that nice to know? | 0:15:37 | 0:15:41 | |
-Hetty? That's your name, isn't it? -That's right. | 0:15:43 | 0:15:46 | |
Now, leave the rest to us. You wouldn't want to be late for Cook. | 0:15:46 | 0:15:50 | |
Thanks, Hetty. | 0:15:50 | 0:15:51 | |
Phew. She can talk. | 0:15:55 | 0:15:58 | |
-What are you doing here? -Could say the same for you. -Tough. | 0:16:00 | 0:16:03 | |
-That's what we came for. -No way. | 0:16:03 | 0:16:05 | |
This mission's a matter of pride. | 0:16:05 | 0:16:07 | |
Tonight we're spooking Vince and Judd. | 0:16:07 | 0:16:10 | |
We'll show them who's scared of ghosts. | 0:16:10 | 0:16:12 | |
That's not pride. | 0:16:12 | 0:16:13 | |
That's a prank. | 0:16:13 | 0:16:14 | |
For Polly, this is a matter of life and death. | 0:16:14 | 0:16:17 | |
-Almost literally. -What? | 0:16:17 | 0:16:18 | |
She's being adopted to become a dead girl. And we have to stop it. | 0:16:18 | 0:16:22 | |
-We? -I need the flour first. | 0:16:22 | 0:16:26 | |
Then we meet up later to scare Vince. He's always got it coming. | 0:16:26 | 0:16:30 | |
Good idea. | 0:16:30 | 0:16:32 | |
Before that, we all help Polly. | 0:16:32 | 0:16:35 | |
I only came back for a tray. | 0:16:35 | 0:16:37 | |
If you're up to no good, I'll need to tell Cook. | 0:16:38 | 0:16:41 | |
Didn't Cook tell you? | 0:16:48 | 0:16:49 | |
Foundlings aren't allowed to be left unsupervised in the kitchen. | 0:16:49 | 0:16:53 | |
If you snitch, you're in lumber. | 0:16:53 | 0:16:56 | |
Well, I never! | 0:16:57 | 0:16:59 | |
KNOCKS ON DOOR | 0:17:00 | 0:17:03 | |
-Excuse me, Matron, this week's arithmetic. -Thank you, girls. | 0:17:03 | 0:17:08 | |
-Nice to meet you. I'm Sheila, by the way. -Elizabeth. | 0:17:08 | 0:17:12 | |
Perhaps you'd like me to pour you some more tea? | 0:17:12 | 0:17:16 | |
-Um, well, there really is no need. -That would be lovely. | 0:17:16 | 0:17:20 | |
If this doesn't work, you're going to have to tell them | 0:17:29 | 0:17:32 | |
that you don't want to leave. | 0:17:32 | 0:17:34 | |
You don't want to be adopted. | 0:17:34 | 0:17:36 | |
Looking like that, no-one would have you. | 0:17:54 | 0:17:57 | |
Thank you for the tea. | 0:17:59 | 0:18:01 | |
And remember, the name's Sheila. | 0:18:01 | 0:18:04 | |
-Sheila Ormsby. -Now, girls. | 0:18:04 | 0:18:07 | |
We have matters to discuss. | 0:18:07 | 0:18:09 | |
I'm certain I wasn't meant to be a foundling. | 0:18:09 | 0:18:12 | |
I was destined for the finer things in life. | 0:18:12 | 0:18:16 | |
How are you today, my lady? | 0:18:16 | 0:18:18 | |
Sheila. | 0:18:18 | 0:18:20 | |
I would make you such a wonderful daughter. | 0:18:20 | 0:18:22 | |
I have no idea where she got such information. | 0:18:22 | 0:18:26 | |
They want to adopt someone. I heard them. | 0:18:26 | 0:18:29 | |
Yes, but not just anyone. | 0:18:29 | 0:18:32 | |
Polly, she's been taken ill. | 0:18:32 | 0:18:33 | |
-Come quick, Matron. -I'll be back in a minute. | 0:18:33 | 0:18:36 | |
-The child. -Polly? | 0:18:36 | 0:18:38 | |
I'm sure there's nothing for you to be concerned about. | 0:18:38 | 0:18:40 | |
-What's happened, Feather? -One minute she was fine. | 0:18:43 | 0:18:47 | |
The next, she ate some biscuit and she came out in a rash, | 0:18:47 | 0:18:50 | |
and then she collapsed. | 0:18:50 | 0:18:52 | |
Please, I need the infirmary. | 0:18:52 | 0:18:55 | |
Just like when she got stung by a bee. All red and itchy. | 0:18:55 | 0:18:59 | |
I could never eat another lemon biscuit again. | 0:18:59 | 0:19:03 | |
-She's not right for them, Matron. -Hm. | 0:19:03 | 0:19:06 | |
Foundlings, back to your classrooms. | 0:19:06 | 0:19:08 | |
Now! | 0:19:08 | 0:19:10 | |
Lemon biscuit, you say? | 0:19:12 | 0:19:15 | |
Yes, Matron. | 0:19:15 | 0:19:16 | |
Odd. | 0:19:17 | 0:19:19 | |
Because I smell the distinct scent of... | 0:19:19 | 0:19:21 | |
SHE SNIFFS | 0:19:21 | 0:19:24 | |
..raspberry. | 0:19:24 | 0:19:25 | |
Well? | 0:19:32 | 0:19:34 | |
Matron, she's my friend. | 0:19:35 | 0:19:37 | |
You can't just send her away. | 0:19:37 | 0:19:38 | |
I'm afraid it's all been agreed. | 0:19:38 | 0:19:41 | |
Polly has a future anyone would yearn for. | 0:19:41 | 0:19:43 | |
Come on, let's get you cleaned up. | 0:19:43 | 0:19:45 | |
-Polly! -No, Matron, please! | 0:19:45 | 0:19:47 | |
Just as I thought. | 0:19:55 | 0:19:56 | |
The excitement proved all too much. | 0:19:58 | 0:20:00 | |
Oh, that is good news. | 0:20:00 | 0:20:02 | |
Well, what do you say, Polly? | 0:20:02 | 0:20:04 | |
We just want to love you, like real parents would. | 0:20:07 | 0:20:11 | |
-We'd do anything to make you happy. -Anything at all. | 0:20:12 | 0:20:15 | |
-Polly. -Well? | 0:20:21 | 0:20:24 | |
It's not what you think. | 0:20:25 | 0:20:26 | |
The McCartneys want to adopt me so I can have a good life. | 0:20:26 | 0:20:29 | |
-You said yes? -It's for the best, Hetty. | 0:20:29 | 0:20:32 | |
And they promised I can still be your friend too. | 0:20:32 | 0:20:35 | |
-I can write and I can visit. -That's wonderful. | 0:20:35 | 0:20:38 | |
I can even bring you gifts. | 0:20:38 | 0:20:41 | |
They're just trying to buy your love. | 0:20:41 | 0:20:43 | |
What if they are? | 0:20:43 | 0:20:44 | |
She'll be Polly McCartney with no hard chores any more. | 0:20:44 | 0:20:47 | |
I'd still be me. And once I'm on the outside, I can help you. | 0:20:47 | 0:20:51 | |
If you don't get a letter back from your borrowed family, | 0:20:51 | 0:20:54 | |
I could help. | 0:20:54 | 0:20:55 | |
-Help me find my mother? -I'd be free. | 0:20:55 | 0:20:58 | |
I can find out things. Tell you when I visit. | 0:20:58 | 0:21:01 | |
I want you to be happy, Polly. That's all that matters. | 0:21:02 | 0:21:06 | |
-I'll still miss you. -Me too. | 0:21:06 | 0:21:08 | |
Poor Hetty, losing her friend. | 0:21:11 | 0:21:13 | |
Couldn't have happened to a nicer girl. | 0:21:13 | 0:21:15 | |
BELL RINGS | 0:21:15 | 0:21:18 | |
Break's over, girls! Back to your dorms. Go on. | 0:21:18 | 0:21:21 | |
Forget the she-mob. Hang a yellow duster in the girls' dorm window. | 0:21:22 | 0:21:26 | |
-Signal to the boys. -Tonight's Polly's last night. | 0:21:26 | 0:21:29 | |
Time to have some fun. THEY GIGGLE | 0:21:29 | 0:21:32 | |
Oi. Where are you going? | 0:21:35 | 0:21:37 | |
Ghost hunting. On the lookout for Joseph Twig. | 0:21:37 | 0:21:40 | |
-Come if you like. -If you're brave enough. -Us? | 0:21:41 | 0:21:45 | |
We're not stupid. | 0:21:46 | 0:21:49 | |
I don't believe in ghosts. | 0:21:49 | 0:21:50 | |
Nothing to be scared of then, is there? | 0:21:50 | 0:21:52 | |
A DOOR CREAKS | 0:22:08 | 0:22:11 | |
FOOTSTEPS | 0:22:11 | 0:22:14 | |
-THREE KNOCKS -What was that? | 0:22:46 | 0:22:49 | |
It's him. The ghostly foundling boy. | 0:22:49 | 0:22:53 | |
Didn't you know? He always knocks three times before he appears. | 0:22:53 | 0:22:57 | |
Yeah, likely story. | 0:22:57 | 0:23:00 | |
-HE SCREAMS -Joseph Twig! Run! | 0:23:19 | 0:23:22 | |
-Get out! -Go! | 0:23:22 | 0:23:24 | |
THEY SCREAM | 0:23:24 | 0:23:26 | |
Now who are the dunces? | 0:23:26 | 0:23:27 | |
-Like we didn't already know. -Did you see all their faces? | 0:23:27 | 0:23:30 | |
They fell for it. | 0:23:30 | 0:23:31 | |
The trick with the flour worked brilliantly. | 0:23:33 | 0:23:35 | |
Thanks for your help, girls. | 0:23:35 | 0:23:37 | |
-Polly, we'll never forget it, or you. -They screamed so loud. Argh! | 0:23:37 | 0:23:41 | |
They're never going to call me a dunce again. | 0:23:41 | 0:23:44 | |
-This is the best last night ever. -We'll always be friends. | 0:23:44 | 0:23:47 | |
Always. | 0:23:47 | 0:23:48 | |
Promise you'll never forget me? | 0:23:59 | 0:24:01 | |
Hetty Feather, how could I? | 0:24:01 | 0:24:04 | |
Come on. | 0:24:04 | 0:24:05 | |
Here she is. | 0:24:08 | 0:24:10 | |
-So pretty. -All set, Polly? | 0:24:10 | 0:24:13 | |
A happy ending indeed. | 0:24:17 | 0:24:19 | |
Who knows? In a few years, Matron may have to curtsey to you. | 0:24:30 | 0:24:34 | |
-SHE LAUGHS WRYLY -Best wishes, Polly. | 0:24:34 | 0:24:37 | |
Thank you, Matron. | 0:24:37 | 0:24:38 | |
Bye, Hetty. | 0:24:40 | 0:24:42 | |
Not bye, just see you soon. | 0:24:42 | 0:24:45 | |
Your carriage awaits. | 0:24:51 | 0:24:53 | |
Take care. I'll write soon. | 0:24:54 | 0:24:56 | |
-I can write to Polly, can't I, Matron? -Oh, yes, yes. | 0:25:01 | 0:25:04 | |
I have the McCartneys' address right here. | 0:25:04 | 0:25:07 | |
Mrs McCartney, when will we come back to visit? | 0:25:13 | 0:25:16 | |
Dear child. This is your new life now. | 0:25:16 | 0:25:19 | |
Well, Feather, what are you waiting for? | 0:25:47 | 0:25:49 | |
Polly's address, Matron. | 0:25:53 | 0:25:55 | |
-May I write to her today? -Hm. | 0:25:55 | 0:25:57 | |
MATRON GIGGLES | 0:26:00 | 0:26:03 | |
But you said. They promised her! | 0:26:04 | 0:26:06 | |
Do you think I'm a fool? | 0:26:06 | 0:26:08 | |
You can't play me, Feather. | 0:26:08 | 0:26:10 | |
I always win. | 0:26:10 | 0:26:12 | |
You lied to me. | 0:26:12 | 0:26:14 | |
Call it a lesson. | 0:26:14 | 0:26:15 | |
Learn it now, or you'll be sorry. | 0:26:16 | 0:26:18 | |
I am watching you. | 0:26:21 | 0:26:22 | |
Who's scared now, Feather? | 0:26:29 | 0:26:32 | |
'I'd lost my best friend and my battle with Matron went on. | 0:26:37 | 0:26:41 | |
'But if she ever thought she'd win, she was wrong. | 0:26:41 | 0:26:44 | |
'Like Polly, you can change your name, | 0:26:44 | 0:26:47 | |
'but you can't change the person inside. | 0:26:47 | 0:26:49 | |
'But until I found my mother, I didn't really know who I was inside. | 0:26:55 | 0:26:59 | |
'One day, I'd find the answers to all of my questions, | 0:27:01 | 0:27:03 | |
'and I'd find her. | 0:27:03 | 0:27:04 | |
'Then I wouldn't be the ghost of who I was any more. I'd be real. | 0:27:06 | 0:27:10 | |
'I'd be me.' | 0:27:10 | 0:27:12 | |
Jem's coming today, and he said, "Meet me by the gates at noon." | 0:27:16 | 0:27:20 | |
It looks like my brother, Jem. | 0:27:20 | 0:27:22 | |
Your uncle is the Earl? | 0:27:22 | 0:27:24 | |
Of Wellesley, yes. | 0:27:24 | 0:27:25 | |
Hetty's my family. If you want jam, ask your own sister. | 0:27:25 | 0:27:28 | |
I pray that the matter of your family inheritance | 0:27:28 | 0:27:31 | |
is soon resolved. | 0:27:31 | 0:27:32 | |
You kept your secrets from me. | 0:27:32 | 0:27:34 | |
Now you don't have any secrets any more. | 0:27:34 | 0:27:36 | |
He wants us to steal from the kitchen. | 0:27:36 | 0:27:40 | |
My letters from Jem. | 0:27:40 | 0:27:41 | |
What have you done with them? | 0:27:41 | 0:27:42 | |
Tell Hetty she can have it back when she brings us what we need. | 0:27:42 | 0:27:46 |