Browse content similar to Remember Me. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Do you want to find out about Matron's secret? Or not? | 0:00:02 | 0:00:04 | |
You're Blanche, aren't you? I used to be your best friend. | 0:00:04 | 0:00:07 | |
-I don't remember. -You can't play me, Feather. I always win. | 0:00:07 | 0:00:10 | |
-You lied to me. -Call it a lesson. -THEY SNIGGER | 0:00:10 | 0:00:14 | |
-And you let her get away with it? -This place is all I've got. | 0:00:14 | 0:00:18 | |
And I'll do anything I can to make sure I stay. | 0:00:18 | 0:00:21 | |
A word of advice. Tread very carefully, child. | 0:00:21 | 0:00:24 | |
'With some stories, it's hard to know where to begin. | 0:00:32 | 0:00:35 | |
'But I suppose it all started when Blanche came back.' | 0:00:35 | 0:00:38 | |
-Where did you get that? -Matron. | 0:00:41 | 0:00:44 | |
'Blanche wasn't like the rest of us. | 0:00:44 | 0:00:46 | |
'Everyone was wary of her, even Matron.' | 0:00:46 | 0:00:49 | |
That's my bed! | 0:00:54 | 0:00:56 | |
Yours is over there. | 0:00:56 | 0:00:58 | |
-Leave her. -She can't just take my bed. | 0:00:58 | 0:01:01 | |
-What do you want? -We used to be best friends. | 0:01:02 | 0:01:05 | |
-I can't believe you don't remember. -I don't remember a lot of things. | 0:01:05 | 0:01:08 | |
Listen, whatever deal you've got going on in here with Matron, | 0:01:08 | 0:01:12 | |
-you still need friends. -You want me to join your she-mob? | 0:01:12 | 0:01:15 | |
Just think about it. | 0:01:15 | 0:01:17 | |
That's all we're saying. | 0:01:17 | 0:01:19 | |
'Yes, that was where it began, | 0:01:22 | 0:01:24 | |
'but none of us could have guessed where it would end.' | 0:01:24 | 0:01:28 | |
BLANCHE WHIMPERS | 0:02:06 | 0:02:08 | |
Blanche, don't worry. | 0:02:18 | 0:02:19 | |
It's just me. Did you have a bad dream? | 0:02:19 | 0:02:22 | |
I don't dream. | 0:02:24 | 0:02:25 | |
I do. I have nightmares all the time. | 0:02:25 | 0:02:28 | |
Still? | 0:02:28 | 0:02:30 | |
You remember! | 0:02:32 | 0:02:33 | |
Monica, | 0:02:38 | 0:02:40 | |
please stay. | 0:02:40 | 0:02:41 | |
BELL RINGS | 0:02:59 | 0:03:01 | |
What are you doing there? | 0:03:11 | 0:03:13 | |
-Um... -We swapped. | 0:03:13 | 0:03:15 | |
The bed was too hard. | 0:03:16 | 0:03:18 | |
Still want to be my friend? | 0:03:18 | 0:03:20 | |
Is that yes? | 0:03:20 | 0:03:23 | |
It's a maybe. | 0:03:23 | 0:03:25 | |
Toffee? | 0:03:25 | 0:03:27 | |
Ah! Can we get more of these? | 0:03:28 | 0:03:30 | |
-Yeah, I will split them three ways. -Four ways! | 0:03:30 | 0:03:33 | |
Three ways. | 0:03:33 | 0:03:34 | |
Four's a crowd. | 0:03:34 | 0:03:36 | |
Three ways it is then. | 0:03:38 | 0:03:41 | |
Trouble in the she-mob. | 0:03:49 | 0:03:51 | |
She's slovenly, insolent, and her work would disgrace a five-year-old. | 0:04:00 | 0:04:05 | |
-Maybe a spell in the tent... -No! | 0:04:08 | 0:04:11 | |
-Blanche Newbold is not to be punished. -But... | 0:04:11 | 0:04:15 | |
-She's a disruptive influence on the other girls. -Then discipline them. | 0:04:15 | 0:04:20 | |
But you leave Blanche to me. | 0:04:20 | 0:04:22 | |
-Good morning, Stan. -Morning, Hetty, Sheila. | 0:04:28 | 0:04:31 | |
I was passing the baker's this morning, | 0:04:34 | 0:04:37 | |
happened to find some fancy cakes at two a penny and I thought | 0:04:37 | 0:04:40 | |
about those girls that always brighten my morning with a smile. | 0:04:40 | 0:04:43 | |
-Thank you, Stan. -Thank you! | 0:04:43 | 0:04:45 | |
Does your employer pay you to flirt, boy? Huh? | 0:04:45 | 0:04:48 | |
And you of all people should refrain from talking to young men, | 0:04:48 | 0:04:52 | |
lest you end up like your mothers. | 0:04:52 | 0:04:53 | |
-How dare you! -Yes, sir. Sorry, sir. Can I help you, sir? | 0:04:53 | 0:04:58 | |
Mr Overton. | 0:04:58 | 0:04:59 | |
I have an appointment with Matron Bottomley and Colonel Brigwell. | 0:04:59 | 0:05:03 | |
-Er... This way, sir. -Right. | 0:05:03 | 0:05:04 | |
-What's old Overcharge doing here? -I don't know. Who is he? | 0:05:08 | 0:05:11 | |
Just the most expensive painter and decorator in this part of town. | 0:05:11 | 0:05:15 | |
Oh, dear, oh, dear, oh, dear. | 0:05:15 | 0:05:18 | |
Tut, tut, tut. | 0:05:18 | 0:05:20 | |
-This paintwork is sadly in need of restoration. -Hm. | 0:05:20 | 0:05:26 | |
Matron, you should have sent for me months ago. | 0:05:26 | 0:05:30 | |
Well, alas, funds would not allow. | 0:05:30 | 0:05:32 | |
The foundlings' welfare must come first. | 0:05:32 | 0:05:35 | |
Of course, but we must keep up standards, Matron. | 0:05:35 | 0:05:38 | |
But we are agreed that Mr Overton should repaint the stairway. | 0:05:38 | 0:05:41 | |
I suppose so. | 0:05:41 | 0:05:43 | |
But I have to say, your services are somewhat expensive. | 0:05:43 | 0:05:46 | |
Like highway robbery. Stan's the name. Stan Pollard. | 0:05:46 | 0:05:51 | |
I'll make this place look new at a shilling a day. | 0:05:51 | 0:05:54 | |
-How dare you interrupt your betters! -A shilling a day? | 0:05:54 | 0:05:57 | |
A job like this needs a skilled craftsman, | 0:05:57 | 0:06:00 | |
-not a delivery boy. -I'm not just a delivery boy. | 0:06:00 | 0:06:04 | |
I've been doing jobs like this since I was a nipper. | 0:06:04 | 0:06:06 | |
My dad taught me. | 0:06:06 | 0:06:07 | |
-I hardly think you're suitable. -You know what? | 0:06:07 | 0:06:10 | |
I like this young man's spirit. | 0:06:10 | 0:06:12 | |
Enterprise, determination, the qualities that built this Empire. | 0:06:12 | 0:06:16 | |
Stan Pollard, you're hired. | 0:06:16 | 0:06:19 | |
Mr Sutton runs a printing concern, | 0:06:22 | 0:06:25 | |
which specialises in religious tracts. | 0:06:25 | 0:06:28 | |
Not only has he donated a printing press for the hospital, | 0:06:28 | 0:06:32 | |
but he has kindly agreed to instruct you in its use. | 0:06:32 | 0:06:36 | |
You may sit. | 0:06:36 | 0:06:38 | |
Another one looking for cheap labour. | 0:06:38 | 0:06:40 | |
If any of you show sufficient aptitude, | 0:06:40 | 0:06:43 | |
I may consider taking on an apprentice. | 0:06:43 | 0:06:47 | |
You mean we wouldn't have to join the army? | 0:06:47 | 0:06:50 | |
Can I work on it? | 0:06:50 | 0:06:52 | |
I've always wanted to know how a printing press works! | 0:06:52 | 0:06:54 | |
We'll work on it. | 0:06:54 | 0:06:56 | |
(Saves us from heavy lifting in the garden.) | 0:06:56 | 0:06:58 | |
-And me. -Me too. -Me too. | 0:06:58 | 0:07:01 | |
-Me too. -And me. | 0:07:01 | 0:07:03 | |
We'll start here. You can do the other end. | 0:07:06 | 0:07:09 | |
Why are you doing this? Is it just because I saw you cry? | 0:07:17 | 0:07:21 | |
Actually, you can do the whole corridor. | 0:07:21 | 0:07:24 | |
We're going to go back to the dorm. | 0:07:24 | 0:07:27 | |
-I can't. -Yes, you can. You're with me now. | 0:07:27 | 0:07:30 | |
Matron won't touch us. | 0:07:30 | 0:07:32 | |
Don't listen to her! She's using you! | 0:07:33 | 0:07:36 | |
Let...me...go! Let me pass! | 0:07:36 | 0:07:39 | |
Hey! Hey! What is going on? | 0:07:39 | 0:07:43 | |
Monica just attacked Elizabeth for no reason. | 0:07:43 | 0:07:47 | |
Didn't she? | 0:07:47 | 0:07:48 | |
Elizabeth? | 0:07:48 | 0:07:49 | |
Yes. | 0:07:53 | 0:07:56 | |
She did. | 0:07:56 | 0:07:58 | |
I thought you two were friends. | 0:08:02 | 0:08:04 | |
Disgusting behaviour. | 0:08:04 | 0:08:06 | |
Girls...! | 0:08:06 | 0:08:09 | |
If you can't use a mop properly, you'll have to manage without one. | 0:08:12 | 0:08:17 | |
Get on your knees, scrub this corridor by hand. | 0:08:18 | 0:08:21 | |
-Stan? What are you doing? -Sorry, Nurse. I'm working here. | 0:08:35 | 0:08:39 | |
You're going to have to use the back stairs. | 0:08:39 | 0:08:41 | |
But... Oh! | 0:08:41 | 0:08:42 | |
Remember, it is | 0:08:45 | 0:08:47 | |
essential that you use exactly the correct amount of ink. | 0:08:47 | 0:08:52 | |
Sir, the recreation bell went ages ago. | 0:08:58 | 0:09:01 | |
Oh, just go then, | 0:09:01 | 0:09:03 | |
if you would rather run around outside than learn an honest trade. | 0:09:03 | 0:09:06 | |
Please, may I stay, sir? It's fascinating. | 0:09:13 | 0:09:15 | |
And you show a natural aptitude for the work. | 0:09:15 | 0:09:18 | |
Tell me, have you ever considered being a printer's apprentice? | 0:09:18 | 0:09:22 | |
BELL RINGS | 0:10:06 | 0:10:08 | |
-Elspeth Brown? -Yes, Nurse Macclesfield. | 0:10:20 | 0:10:22 | |
-Amber Church? -Yes, Nurse Macclesfield. | 0:10:22 | 0:10:24 | |
Monica Clackett? | 0:10:24 | 0:10:26 | |
-Monica Clackett? -She's not here, Nurse. | 0:10:27 | 0:10:31 | |
Where is she? | 0:10:31 | 0:10:33 | |
-You don't think she's tried to run away... -Well, if she has, | 0:10:33 | 0:10:38 | |
there shall be consequences for all of you. | 0:10:38 | 0:10:41 | |
Especially her friends. | 0:10:44 | 0:10:45 | |
That's not fair. | 0:10:45 | 0:10:47 | |
-We're not her friends. -Hardly know the girl. | 0:10:47 | 0:10:50 | |
-SCREAM -< Come quickly! | 0:10:50 | 0:10:53 | |
What was that? | 0:10:53 | 0:10:55 | |
Er... Some foolishness, no doubt. | 0:10:55 | 0:10:59 | |
One of the junior girls playing a silly joke. | 0:10:59 | 0:11:01 | |
-That wasn't a joke. -Jane Davis? | 0:11:01 | 0:11:05 | |
-Yes, Nurse Macclesfield. -Poppy Coates? | 0:11:05 | 0:11:07 | |
-Yes, Nurse Macclesfield. -Betsy Harrison? | 0:11:07 | 0:11:10 | |
Yes, Nurse Macclesfield. | 0:11:10 | 0:11:12 | |
-Ellie Hughes? -Yes, Nurse Macclesfield. | 0:11:12 | 0:11:15 | |
Girls... | 0:11:25 | 0:11:27 | |
I have something to tell you. | 0:11:27 | 0:11:30 | |
It is very sad news and I hope | 0:11:34 | 0:11:37 | |
that you will bear it bravely, | 0:11:37 | 0:11:41 | |
like faithful Christians. | 0:11:41 | 0:11:43 | |
This morning, there was an accident. | 0:11:44 | 0:11:47 | |
Monica Clackett fell down the staircase in the hall. | 0:11:50 | 0:11:53 | |
A doctor was summoned immediately, | 0:11:55 | 0:11:58 | |
but the Good Lord has seen fit to deliver Monica from this | 0:12:00 | 0:12:04 | |
sinful world and clasp her to his bosom. | 0:12:04 | 0:12:07 | |
Now, let us pray. | 0:12:16 | 0:12:18 | |
Bless us, O Lord, and these, Thy gifts, | 0:12:28 | 0:12:30 | |
Which we receive through Your bounty. | 0:12:30 | 0:12:33 | |
-Amen. -Amen. -Amen. | 0:12:33 | 0:12:35 | |
QUIET SOBBING | 0:12:41 | 0:12:44 | |
Girls, I'm sure you're very upset. If you need someone to talk to... | 0:12:46 | 0:12:52 | |
You will not talk to the kitchen staff. | 0:12:52 | 0:12:56 | |
Know your place, Ida Patterson. | 0:12:56 | 0:12:58 | |
Yes, ma'am. | 0:12:58 | 0:13:00 | |
What is it, Sheila? | 0:13:04 | 0:13:06 | |
How did the accident happen? | 0:13:06 | 0:13:08 | |
Well, it seems that, for some reason, | 0:13:11 | 0:13:14 | |
Monica broke our rules | 0:13:14 | 0:13:16 | |
and went inside the hospital during recreation period. | 0:13:16 | 0:13:20 | |
And realising she was late for lessons, she ran down the staircase, | 0:13:20 | 0:13:24 | |
and sadly, she fell. | 0:13:25 | 0:13:27 | |
How could she just fall? | 0:13:27 | 0:13:29 | |
A careless delivery boy left a paintbrush covered with | 0:13:29 | 0:13:32 | |
paint on the stairs. | 0:13:32 | 0:13:34 | |
The poor child must have slipped on it. | 0:13:34 | 0:13:36 | |
Stan. It was Stan's fault? | 0:13:36 | 0:13:39 | |
It was nobody's fault. It was merely unfortunate. That is all. | 0:13:39 | 0:13:43 | |
-What is it, Elizabeth? -Will there be a funeral, Matron? | 0:13:47 | 0:13:52 | |
SOBBING | 0:13:52 | 0:13:55 | |
We will pray for her in chapel | 0:13:55 | 0:13:57 | |
and you should add her to your own nightly prayers. | 0:13:57 | 0:14:01 | |
Now, let us speak of this no more. | 0:14:01 | 0:14:04 | |
Eat. | 0:14:04 | 0:14:05 | |
I can't believe it. | 0:14:10 | 0:14:13 | |
I just want to say, Matron was wrong. | 0:14:13 | 0:14:16 | |
I know for a fact I cleared everything up | 0:14:16 | 0:14:18 | |
and put it inside when I went for lunch. | 0:14:18 | 0:14:20 | |
-So sorry about that poor girl. -Her name was Monica. | 0:14:22 | 0:14:25 | |
But I know I didn't cause the accident. | 0:14:28 | 0:14:30 | |
-Then you should tell somebody. Mr Cranbourne, Colonel Brigwell! -I did. | 0:14:30 | 0:14:36 | |
They believe Matron. I'm just a delivery boy. | 0:14:36 | 0:14:39 | |
-What's Matron trying to hide? -Hey, you mustn't talk like that, Hetty. | 0:14:39 | 0:14:44 | |
You could get into a lot of trouble. | 0:14:44 | 0:14:46 | |
But Matron's always lying. | 0:14:46 | 0:14:48 | |
Listen, | 0:14:48 | 0:14:51 | |
I saw Matron after... | 0:14:51 | 0:14:52 | |
After she found Monica. | 0:14:55 | 0:14:57 | |
The poor woman was beside herself. | 0:14:57 | 0:15:00 | |
-Matron was? -The look on her face, I've never seen the like. | 0:15:00 | 0:15:04 | |
I know you think Matron's a monster, | 0:15:07 | 0:15:10 | |
but she's human, | 0:15:10 | 0:15:12 | |
like the rest of us. | 0:15:12 | 0:15:15 | |
I can't lose my job over this. | 0:15:15 | 0:15:17 | |
Me and me brothers, we'll end up in the workhouse! | 0:15:17 | 0:15:20 | |
I don't believe it. Poor Monica. She was... | 0:15:26 | 0:15:29 | |
Of the three of them, she was the least worst. | 0:15:29 | 0:15:32 | |
Yeah, that's right. | 0:15:32 | 0:15:35 | |
I know she wasn't our friend, but... | 0:15:35 | 0:15:37 | |
-It wasn't your fault. -It was an accident. | 0:15:37 | 0:15:41 | |
And Stan's being blamed for it and he feels awful. | 0:15:41 | 0:15:44 | |
Well, he should have cleared his painting stuff up then, | 0:15:44 | 0:15:47 | |
-shouldn't he? -That's the thing, he swears he did. | 0:15:47 | 0:15:50 | |
We have to help. Find out the truth. | 0:15:50 | 0:15:52 | |
But it's not going to bring her back though, is it? | 0:15:52 | 0:15:54 | |
No, but her life meant something. | 0:15:54 | 0:15:57 | |
She was worth more than just a short prayer in chapel. We all are. | 0:15:57 | 0:16:01 | |
RATTLING | 0:16:08 | 0:16:10 | |
Well? | 0:16:19 | 0:16:21 | |
Um...we thought we heard an intruder in the attic. | 0:16:21 | 0:16:24 | |
Really? | 0:16:24 | 0:16:26 | |
So, I'd better fetch Matron and Mr Cranbourne, had I? | 0:16:26 | 0:16:29 | |
No, please don't tell anyone. | 0:16:29 | 0:16:30 | |
It's just that we sometimes go up to the tower to talk to the boys. | 0:16:30 | 0:16:34 | |
The boys? | 0:16:34 | 0:16:35 | |
It's the only way I can see my brother. | 0:16:35 | 0:16:38 | |
Please, Ida. | 0:16:38 | 0:16:39 | |
All right. I didn't see this. | 0:16:42 | 0:16:45 | |
And I don't ever want to see it again. | 0:16:45 | 0:16:48 | |
Be more careful in future. | 0:16:48 | 0:16:51 | |
-Yes, Ida. -Yes, Ida. | 0:16:51 | 0:16:52 | |
What are you doing? That's way too much ink! | 0:17:15 | 0:17:18 | |
No. It's the right amount. | 0:17:18 | 0:17:19 | |
I told you! Not too much ink! | 0:17:25 | 0:17:27 | |
I'm sorry, sir. I...I miscalculated. | 0:17:27 | 0:17:31 | |
Well...accidents will happen. Huh! | 0:17:33 | 0:17:37 | |
It wasn't an accident. | 0:17:42 | 0:17:44 | |
We did it on purpose. | 0:17:44 | 0:17:45 | |
Yeah. To get out of this boring job! | 0:17:45 | 0:17:48 | |
Ned? Is this true? | 0:17:49 | 0:17:52 | |
Yes, sir. | 0:17:53 | 0:17:55 | |
Then you may get out. All three of you! | 0:17:55 | 0:17:58 | |
Return to your normal duties! I don't want to see you here again! | 0:17:58 | 0:18:01 | |
-Yes, sir. -Yes, sir. -Yes, sir. | 0:18:01 | 0:18:03 | |
Sorry. We had to get out of there somehow. | 0:18:06 | 0:18:09 | |
I know, I just really like working on the printing press. | 0:18:09 | 0:18:12 | |
I know, but we need your detective skills. Look! | 0:18:12 | 0:18:14 | |
So, if she slipped on the wet paintbrush up there... | 0:18:17 | 0:18:20 | |
..and the brush fell down the stairs, | 0:18:22 | 0:18:24 | |
it seems to make sense. | 0:18:24 | 0:18:26 | |
Look at this! The white paint is newer than the blue. | 0:18:41 | 0:18:44 | |
He's right. Stan was working on the arches. | 0:18:46 | 0:18:49 | |
So, why was the brush dipped in blue paint? | 0:18:49 | 0:18:52 | |
Somebody wanted to make it look like Stan caused the accident. | 0:18:52 | 0:18:56 | |
We need to get the message to Hetty. | 0:18:57 | 0:18:59 | |
After such a disaster, I really do think | 0:18:59 | 0:19:02 | |
we should tell the dairy to dismiss the boy. | 0:19:02 | 0:19:04 | |
-We can't do that to Stan. -I agree. | 0:19:04 | 0:19:07 | |
After all, anyone can make mistakes. | 0:19:07 | 0:19:09 | |
You're too generous, Matron. | 0:19:11 | 0:19:13 | |
May I say that your conduct during this... | 0:19:13 | 0:19:15 | |
..dreadful affair has been admirable. | 0:19:16 | 0:19:19 | |
Even...inspirational. | 0:19:19 | 0:19:21 | |
Aw. Hm-hm! | 0:19:21 | 0:19:23 | |
That's addressed to me! Give it back! | 0:19:33 | 0:19:35 | |
-I'll tell Matron! -Give it back! | 0:19:35 | 0:19:37 | |
What?! What does it say?! | 0:19:40 | 0:19:41 | |
The boys say Matron was lying about the paint! | 0:19:47 | 0:19:49 | |
Poor Stan. | 0:19:49 | 0:19:51 | |
So, what really happened, then? | 0:19:51 | 0:19:53 | |
-I'll find out. -No, WE'LL find out. | 0:19:53 | 0:19:57 | |
-Look at this. -What's that doing there?! | 0:20:28 | 0:20:30 | |
It's still damp. | 0:20:32 | 0:20:34 | |
But why would somebody hide it? | 0:20:34 | 0:20:36 | |
Sheila? | 0:20:36 | 0:20:38 | |
Hetty! | 0:20:38 | 0:20:40 | |
Breaking rules again, Hetty Feather! | 0:20:40 | 0:20:43 | |
And you, Sheila, I thought better of you! | 0:20:43 | 0:20:45 | |
-Please, Nurse... -DON'T make excuses to me. | 0:20:45 | 0:20:48 | |
Save them for Matron. | 0:20:48 | 0:20:50 | |
So sorry to disturb you, Matron, | 0:20:57 | 0:20:59 | |
but I found these two neglecting their duties. | 0:20:59 | 0:21:02 | |
Wandering around the hospital. | 0:21:02 | 0:21:04 | |
We weren't wandering, we were investigating. | 0:21:04 | 0:21:07 | |
-Investigating? -Investigating what? | 0:21:07 | 0:21:10 | |
What happened to Monica! It wasn't Stan's fault! | 0:21:10 | 0:21:13 | |
The paint stains were the wrong colour. | 0:21:13 | 0:21:16 | |
And we found a broken mop that someone tried to hide. | 0:21:16 | 0:21:20 | |
Ask Matron. Ask her what really happened. | 0:21:20 | 0:21:23 | |
Please. | 0:21:25 | 0:21:27 | |
She has already told us. Haven't you, Matron? | 0:21:28 | 0:21:31 | |
No. | 0:21:35 | 0:21:37 | |
The truth is...when I found... | 0:21:42 | 0:21:45 | |
..when I found the girl... | 0:21:46 | 0:21:49 | |
..I realised immediately what must have happened. | 0:21:50 | 0:21:53 | |
SHE GASPS | 0:21:54 | 0:21:55 | |
You're late! | 0:22:00 | 0:22:02 | |
But who left the mop on the stairs? | 0:22:10 | 0:22:12 | |
Um... | 0:22:14 | 0:22:16 | |
It...it was me. | 0:22:16 | 0:22:18 | |
It was my fault! | 0:22:24 | 0:22:26 | |
-Stan, what are you doing? -Sorry, Nurse, I'm working here. | 0:22:27 | 0:22:30 | |
You're going to have to use the back stairs. | 0:22:30 | 0:22:33 | |
But... | 0:22:33 | 0:22:35 | |
SHE SIGHS | 0:22:35 | 0:22:36 | |
It was my fault! | 0:22:40 | 0:22:42 | |
I'm sorry, Mable. I wanted to spare you this. | 0:22:42 | 0:22:45 | |
NURSE SOBS | 0:22:45 | 0:22:47 | |
Allowing Stan to be blamed, it was a misjudgement, but I... | 0:22:51 | 0:22:54 | |
I did it to help a friend. | 0:22:56 | 0:22:58 | |
I thought a slight concealment might be for the good of all. | 0:22:58 | 0:23:02 | |
And I think in my position, many would have done the same. | 0:23:08 | 0:23:12 | |
-TEARFUL: -Thank you! | 0:23:13 | 0:23:15 | |
God forgive me. | 0:23:15 | 0:23:17 | |
I understand, Matron. | 0:23:17 | 0:23:19 | |
T-The shock, the grief. | 0:23:19 | 0:23:21 | |
You were not thinking clearly. | 0:23:21 | 0:23:22 | |
I am so sorry, Mr Cranbourne. | 0:23:22 | 0:23:25 | |
As you say, Matron, we all make mistakes. | 0:23:25 | 0:23:30 | |
Stan Pollard is afraid he's going to lose his job. | 0:23:30 | 0:23:32 | |
Yes. We must...we must set his mind at rest. | 0:23:32 | 0:23:36 | |
I-I-I will tell him that his brush did not cause the accident. | 0:23:36 | 0:23:40 | |
And as for the rest of this...unfortunate incident, | 0:23:40 | 0:23:45 | |
I think it best we keep it to ourselves. | 0:23:45 | 0:23:47 | |
What about Monica? | 0:23:51 | 0:23:52 | |
People deserve to know the truth. | 0:23:52 | 0:23:54 | |
My dear children, I understand your pain and your grief and your anger, | 0:23:56 | 0:24:01 | |
but what difference would it make? | 0:24:01 | 0:24:03 | |
She could be dismissed. | 0:24:05 | 0:24:07 | |
(Matron?) | 0:24:08 | 0:24:10 | |
And that would make you feel better? | 0:24:11 | 0:24:14 | |
Really? | 0:24:14 | 0:24:16 | |
Monica is gone and we cannot change that. | 0:24:18 | 0:24:20 | |
And...it was nobody's fault. | 0:24:20 | 0:24:23 | |
And at times like this, we must look to each other | 0:24:25 | 0:24:27 | |
for love...and forgiveness. | 0:24:27 | 0:24:30 | |
Now...girls, return to your duties. | 0:24:33 | 0:24:37 | |
There will be no punishments today. | 0:24:39 | 0:24:41 | |
NURSE SOBS | 0:24:53 | 0:24:55 | |
'We couldn't bring Monica back, | 0:24:59 | 0:25:01 | |
'but that didn't mean we had to forget her.' | 0:25:01 | 0:25:04 | |
Why are we doing this? | 0:25:04 | 0:25:06 | |
Because she was your friend. | 0:25:06 | 0:25:07 | |
I can't think what to say. | 0:25:15 | 0:25:17 | |
Anything. What she used to say, | 0:25:18 | 0:25:20 | |
what she used to do, what she liked, what she didn't like. | 0:25:20 | 0:25:24 | |
Cabbage. | 0:25:24 | 0:25:25 | |
Boiled cabbage. | 0:25:28 | 0:25:30 | |
She said it smelled like someone had broken wind. | 0:25:30 | 0:25:32 | |
She used to swap with me for potatoes. | 0:25:36 | 0:25:38 | |
She liked potatoes. | 0:25:39 | 0:25:41 | |
-And hopscotch. -Hopscotch? | 0:25:41 | 0:25:44 | |
When we were little, it was our game. | 0:25:47 | 0:25:49 | |
Monica used to name the squares after different towns. | 0:25:50 | 0:25:53 | |
Oxford, Edinburgh, Manchester, York. | 0:25:54 | 0:25:58 | |
We used to say that we'd...really visit them one day. | 0:25:59 | 0:26:02 | |
She loved to sing. | 0:26:09 | 0:26:11 | |
She was tone-deaf. | 0:26:11 | 0:26:13 | |
But she didn't know that. | 0:26:14 | 0:26:16 | |
And we never told her. | 0:26:16 | 0:26:18 | |
'And so we all helped each other to remember. | 0:26:29 | 0:26:31 | |
'And we found a way to make our memories last.' | 0:26:31 | 0:26:35 | |
-That's not a prayer book. -No. | 0:26:35 | 0:26:38 | |
It's a special order. | 0:26:38 | 0:26:40 | |
'Sometimes, sad things just happen and nobody knows why. | 0:26:41 | 0:26:46 | |
'But whatever the reason, | 0:26:46 | 0:26:48 | |
'remembering Monica always brought us together. | 0:26:48 | 0:26:51 | |
'To the rest of the world, she was just a foundling girl. | 0:26:51 | 0:26:55 | |
'But she was one of us. | 0:26:55 | 0:26:57 | |
'Her life was as important as anyone else's. | 0:26:57 | 0:27:00 | |
'And we made sure that everybody knew.' | 0:27:01 | 0:27:03 | |
Lady Asquith's butler will be paying us a visit today. | 0:27:21 | 0:27:23 | |
I have never been so mortified. | 0:27:23 | 0:27:26 | |
He will be setting you a number of tasks. | 0:27:26 | 0:27:28 | |
The girl who shows the greatest aptitude | 0:27:28 | 0:27:30 | |
will be awarded a testimonial. | 0:27:30 | 0:27:32 | |
We're all going into service, Hetty, let's try and do well. | 0:27:32 | 0:27:35 | |
I think Hetty's more interested in the boys visiting. | 0:27:35 | 0:27:38 | |
Dr Webster is wonderful. So full of stories! | 0:27:38 | 0:27:40 | |
And here we are! | 0:27:40 | 0:27:43 | |
-The snake, it's gone! It is gone! -PANICKED SCREAMS | 0:27:43 | 0:27:46 | |
HE SCREAMS | 0:27:46 | 0:27:47 | |
If anyone deserves to become an earl, then it is you. | 0:27:47 | 0:27:50 | |
He's a thief! | 0:27:50 | 0:27:51 |