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-I rather miss our suppers. -Much to do. -As you wish. | 0:00:02 | 0:00:06 | |
Could you take a message to Harriet? | 0:00:06 | 0:00:08 | |
Write something, like a letter. | 0:00:08 | 0:00:10 | |
I've got a letter for you. | 0:00:10 | 0:00:11 | |
Oh, no, I must have dropped it. | 0:00:11 | 0:00:12 | |
You made Matron wear a feather. | 0:00:12 | 0:00:14 | |
You can make her do anything. | 0:00:14 | 0:00:15 | |
Let me be your companion and we will travel together, | 0:00:15 | 0:00:19 | |
wherever the journey takes us. | 0:00:19 | 0:00:20 | |
You and I, oh, Rupert, it was unexpected, I have to say, | 0:00:20 | 0:00:23 | |
but you have touched my heart. | 0:00:23 | 0:00:25 | |
I think, perhaps, I should take my leave as you've clearly taken leave | 0:00:25 | 0:00:28 | |
-of your senses. -I know who you're looking for. | 0:00:28 | 0:00:30 | |
-Certain. -Feather. | 0:00:30 | 0:00:32 | |
Harriet, too. | 0:00:32 | 0:00:34 | |
-But mostly Feather. -You! | 0:00:34 | 0:00:36 | |
I haven't done anything. | 0:00:36 | 0:00:37 | |
That's not what I've heard. Dry your eyes, girl, | 0:00:37 | 0:00:39 | |
you'll find no pity here. | 0:00:39 | 0:00:40 | |
I will find whoever did this, and they will pay! | 0:00:40 | 0:00:44 | |
'I'd been in the tench before and survived. | 0:00:52 | 0:00:55 | |
'Unchanged and unbroken. | 0:00:55 | 0:00:56 | |
'But this time was different.' | 0:00:57 | 0:01:00 | |
BANGING NOISE Let me out! | 0:01:00 | 0:01:02 | |
Let me out! | 0:01:02 | 0:01:04 | |
Please! | 0:01:04 | 0:01:05 | |
Please thank Lydia. | 0:01:08 | 0:01:09 | |
That's with responses. | 0:01:09 | 0:01:11 | |
'My letters had brought shame on Matron and she wanted me to suffer. | 0:01:11 | 0:01:14 | |
'But not just me. She punished Harriet, too. | 0:01:14 | 0:01:18 | |
'I was more alone than ever. | 0:01:18 | 0:01:19 | |
'I was losing my fight. | 0:01:21 | 0:01:23 | |
'Today was her chance. | 0:01:24 | 0:01:26 | |
'Today, Matron was determined to prove she was in charge.' | 0:01:26 | 0:01:29 | |
Efficient work, Mr Cranbourne? | 0:02:09 | 0:02:12 | |
And exacting, as you can see. | 0:02:12 | 0:02:15 | |
Carry on. | 0:02:15 | 0:02:16 | |
I'll guess that today's event will expect the best. | 0:02:18 | 0:02:21 | |
Rich patrons buying beautiful works of art. | 0:02:22 | 0:02:24 | |
A single smudge and a pamphlet will have to be reprinted. | 0:02:26 | 0:02:30 | |
Thankfully, my boys are precise. | 0:02:31 | 0:02:33 | |
I trust the girls are preparing well, | 0:02:34 | 0:02:36 | |
especially after yesterday's chaos. | 0:02:36 | 0:02:38 | |
And the child still in the tench, I presume. | 0:02:38 | 0:02:41 | |
The girls are next on my list. | 0:02:43 | 0:02:44 | |
Ida, set these girls to work. | 0:02:53 | 0:02:56 | |
Come on. | 0:02:56 | 0:02:57 | |
When our guests arrive, Elizabeth, you will take cloaks and hats. | 0:02:59 | 0:03:03 | |
Sheila, Blanche, you will serve. | 0:03:03 | 0:03:06 | |
Can't I serve with Sheila? | 0:03:06 | 0:03:08 | |
I want to mingle with the guests, too. | 0:03:09 | 0:03:11 | |
Mingle? | 0:03:11 | 0:03:12 | |
You will do as you're told and speak when you're spoken to. | 0:03:13 | 0:03:16 | |
Matron, is there no-one else to help? | 0:03:16 | 0:03:20 | |
I could do with more experienced girls today. | 0:03:20 | 0:03:23 | |
Then you'd better teach them, hadn't you? | 0:03:23 | 0:03:25 | |
Keep up the good work. | 0:03:28 | 0:03:30 | |
Right, let's start on the pastry. | 0:03:34 | 0:03:37 | |
Welcome to kitchen duty. | 0:03:40 | 0:03:41 | |
Anyone who gets Feather put in the tench has to be on our side. | 0:03:44 | 0:03:46 | |
BANGING NOISE | 0:03:49 | 0:03:54 | |
We'll never see Harriet again. | 0:04:19 | 0:04:22 | |
All because of Hetty and those stupid letters. | 0:04:22 | 0:04:24 | |
Hetty's paying for it, too. | 0:04:24 | 0:04:25 | |
Yeah, but Harriet will never know what I wanted to tell her. | 0:04:25 | 0:04:28 | |
So? | 0:04:28 | 0:04:30 | |
-Do something about it. -Like what? | 0:04:30 | 0:04:32 | |
-Sneak out. -Escape? | 0:04:35 | 0:04:38 | |
-No way. -Go to Lady Asquith's and find Harriet. | 0:04:38 | 0:04:42 | |
And sneak back in again. | 0:04:42 | 0:04:43 | |
In a couple of hours, | 0:04:43 | 0:04:44 | |
this place is going to be crawling with Matron's guests. | 0:04:44 | 0:04:47 | |
Exactly. | 0:04:47 | 0:04:48 | |
Mr Dearheart. | 0:04:52 | 0:04:53 | |
Pleasure as always. | 0:04:53 | 0:04:54 | |
The pleasure is all mine, Matron. | 0:04:54 | 0:04:56 | |
To follow in the footsteps of William Hogarth himself. | 0:04:56 | 0:04:59 | |
Ah, indeed. | 0:04:59 | 0:05:01 | |
Our hospital takes great pride in its artistic connections. | 0:05:01 | 0:05:05 | |
And I'm honoured to play my part. | 0:05:05 | 0:05:06 | |
All of the pieces in today's fair | 0:05:07 | 0:05:09 | |
have been generously donated by talented young artists. | 0:05:09 | 0:05:13 | |
One day, their work may be as famous as Hogarth's. | 0:05:13 | 0:05:16 | |
Our governors will be so impressed. | 0:05:17 | 0:05:20 | |
With a lady with such good taste at the helm, Matron, they ought to be. | 0:05:20 | 0:05:24 | |
For your sweet pastry, it's much like your plain. | 0:05:29 | 0:05:32 | |
-Only sweeter. -And always the same measure. | 0:05:32 | 0:05:36 | |
Two of flour. | 0:05:36 | 0:05:38 | |
And one of sugar. | 0:05:40 | 0:05:42 | |
That was flour, Ida. | 0:05:44 | 0:05:46 | |
It was what? | 0:05:46 | 0:05:48 | |
Are you all right? | 0:05:48 | 0:05:49 | |
I...I'll fetch the jam, eh? | 0:05:50 | 0:05:53 | |
You...you start from scratch. | 0:05:53 | 0:05:55 | |
Ready, girls? Watch and you might learn something. | 0:05:57 | 0:06:00 | |
Gideon and Walter, you will set up the easels. | 0:06:18 | 0:06:20 | |
Vince and Judd, you will place the labels on each of the paintings. | 0:06:20 | 0:06:24 | |
All in hand, Mr Cranbourne? | 0:06:24 | 0:06:26 | |
As ever, Matron, as ever. | 0:06:26 | 0:06:28 | |
Mathias and Ned, you will help the gentlemen over here with the drapes. | 0:06:29 | 0:06:34 | |
Set to it. | 0:06:34 | 0:06:35 | |
Thanks to Mr Dearheart, | 0:06:41 | 0:06:43 | |
this may be one of our most notable fundraisers yet. | 0:06:43 | 0:06:46 | |
My boys will see to that. | 0:06:46 | 0:06:47 | |
Now, where is the painting you wished to show me? | 0:06:47 | 0:06:49 | |
-Straight ahead. -Ah. | 0:06:49 | 0:06:51 | |
Oh. | 0:07:03 | 0:07:04 | |
It is quite beautiful. | 0:07:04 | 0:07:06 | |
And only last week the artist was invited to join the Royal Academy. | 0:07:06 | 0:07:10 | |
So, a work such as this would sell for... | 0:07:11 | 0:07:14 | |
£200 would be my recommendation. | 0:07:14 | 0:07:16 | |
Two... Mr Cranbourne, did you hear that? | 0:07:17 | 0:07:20 | |
£200. | 0:07:20 | 0:07:21 | |
What the hospital could do with that! | 0:07:21 | 0:07:24 | |
New slates for the children would be my priority. | 0:07:24 | 0:07:27 | |
New boots for the boys. | 0:07:27 | 0:07:28 | |
Would you care to see our list of guests over tea? | 0:07:28 | 0:07:30 | |
Generous benefactors, I hope. | 0:07:30 | 0:07:32 | |
I hope so. Carry on, Mr Cranbourne. | 0:07:32 | 0:07:34 | |
It's the perfect place. | 0:07:41 | 0:07:43 | |
Now all we've got to do is make him invisible. | 0:07:43 | 0:07:46 | |
SHE SOBS | 0:07:58 | 0:08:02 | |
Oi, what are you doing? | 0:08:11 | 0:08:12 | |
Cockerel In The Yard. | 0:08:16 | 0:08:17 | |
Highland Cows In The Heath. | 0:08:17 | 0:08:18 | |
I thought the guests could do with a laugh. | 0:08:18 | 0:08:20 | |
You're trying to get us into lumber. | 0:08:20 | 0:08:23 | |
Why would I do that? | 0:08:23 | 0:08:24 | |
Boys! | 0:08:24 | 0:08:25 | |
It was him. He switched our labels, sir. | 0:08:25 | 0:08:28 | |
I was only fooling, sir. | 0:08:28 | 0:08:29 | |
There will be no fooling while I'm on duty. | 0:08:29 | 0:08:31 | |
You cannot be trusted. | 0:08:32 | 0:08:34 | |
Confinement to dormitory, it is. | 0:08:35 | 0:08:37 | |
-Straight there. -Yes, sir. | 0:08:37 | 0:08:39 | |
-Sorry, sir. -And tomorrow, you will be on cleaning duty alone. | 0:08:39 | 0:08:42 | |
Mr Cranbourne, I can't undo the knots. | 0:08:49 | 0:08:52 | |
Should we tidy up now, sir? | 0:08:58 | 0:09:00 | |
Yes, put that down over there and | 0:09:00 | 0:09:02 | |
take the empty crates out to the yard. | 0:09:02 | 0:09:04 | |
The guests will be here before we know it. | 0:09:04 | 0:09:06 | |
Yes, sir. | 0:09:06 | 0:09:07 | |
Oh, Lady Asquith. I'm so pleased you were able to arrive early. | 0:09:23 | 0:09:27 | |
-Colonel Brigwell. -Matron. | 0:09:27 | 0:09:28 | |
Allow me to introduce my contact and my friend, Mr Dearheart. | 0:09:29 | 0:09:33 | |
A delight to meet you. | 0:09:33 | 0:09:35 | |
Such charitable endeavours you support here, ma'am. | 0:09:35 | 0:09:37 | |
The foundlings are a credit. | 0:09:37 | 0:09:39 | |
Well, I must agree. | 0:09:39 | 0:09:41 | |
And my new foundling maid is settling in very well. | 0:09:41 | 0:09:43 | |
Oh, glad to hear that, Lady Asquith. | 0:09:43 | 0:09:45 | |
Though I wasn't expecting her quite so soon. | 0:09:45 | 0:09:47 | |
Harriet will not let you down. | 0:09:48 | 0:09:50 | |
Now, Colonel, I'm sure you're keen to make Mr Dearheart's acquaintance. | 0:09:50 | 0:09:55 | |
His support of our hospital is quite a coup, wouldn't you say? | 0:09:55 | 0:09:58 | |
Mr Dearheart, so good to see you again. | 0:09:58 | 0:10:01 | |
Oh, you know each other? | 0:10:01 | 0:10:03 | |
You sold a rather fine landscape to my sister. | 0:10:03 | 0:10:06 | |
Brightens up the drawing room in Eaton Square, no end. | 0:10:06 | 0:10:08 | |
You were there at its unveiling. | 0:10:08 | 0:10:10 | |
Along with her rather yappy lapdog. | 0:10:10 | 0:10:12 | |
THEY LAUGH | 0:10:12 | 0:10:14 | |
I remember Mimi very well. | 0:10:14 | 0:10:15 | |
-Exactly. -And a very beautiful painting. | 0:10:15 | 0:10:18 | |
I viewed it myself at lunch. | 0:10:18 | 0:10:19 | |
-Isn't it? -Oh, what a delight. | 0:10:19 | 0:10:21 | |
Oh, Mr Cranbourne. | 0:10:23 | 0:10:24 | |
Working hard as ever? | 0:10:24 | 0:10:25 | |
Afternoon, Colonel. Lady Asquith. | 0:10:25 | 0:10:28 | |
Matron, everything is in place. | 0:10:28 | 0:10:30 | |
Excellent, then why don't we inspect your efforts? | 0:10:30 | 0:10:33 | |
Lead the way, chaps. | 0:10:33 | 0:10:34 | |
Matron, is there somewhere I may leave my shawl? | 0:10:36 | 0:10:39 | |
Your sh...? | 0:10:39 | 0:10:41 | |
OK, it's time. | 0:10:50 | 0:10:51 | |
Kitchen. Go! | 0:10:55 | 0:10:57 | |
Sir, sir! | 0:10:57 | 0:10:59 | |
-Mathias, now. -A request from Lady Asquith. | 0:11:00 | 0:11:03 | |
She says to meet at her household | 0:11:03 | 0:11:05 | |
at seven o'clock prompt to collect her. | 0:11:05 | 0:11:06 | |
I'll certainly be waiting around. | 0:11:06 | 0:11:09 | |
I'll let her know you'll be on time. | 0:11:09 | 0:11:11 | |
All we've got to do now is sneak him back in again. | 0:11:16 | 0:11:19 | |
I'm going to be the best foundling servant Matron's ever seen. | 0:11:20 | 0:11:24 | |
Would madam care to taste a chicken fancy or a mushroom delight? | 0:11:24 | 0:11:30 | |
Splendid! I'll have both and... | 0:11:30 | 0:11:34 | |
And a tart to follow. | 0:11:34 | 0:11:35 | |
My jam tarts, they'll be burnt! | 0:11:35 | 0:11:37 | |
-Thank you, Blanche. -Mine were ready too. | 0:11:40 | 0:11:43 | |
Told you. After today, we'll be friends. | 0:11:43 | 0:11:45 | |
Everything ready, girls? | 0:11:49 | 0:11:50 | |
Perfect, Ida. | 0:11:50 | 0:11:51 | |
Ladies and gentlemen, will you | 0:11:55 | 0:11:57 | |
please join me in thanking Mr Dearheart. | 0:11:57 | 0:12:01 | |
APPLAUSE | 0:12:01 | 0:12:04 | |
And, of course, the dutiful member of staff | 0:12:04 | 0:12:07 | |
who has helped to make this entire event possible, | 0:12:07 | 0:12:10 | |
the hard working and irreplaceable... | 0:12:10 | 0:12:12 | |
-..Mr Cranbourne. -APPLAUSE | 0:12:13 | 0:12:19 | |
Keep your eyes off the food and your mouths shut. | 0:12:22 | 0:12:26 | |
So, without further ado... | 0:12:26 | 0:12:28 | |
A mark of thanks to our foundlings, the reason we are here. | 0:12:28 | 0:12:34 | |
-APPLAUSE -Bravo, Matron. | 0:12:34 | 0:12:37 | |
Bravo indeed. | 0:12:37 | 0:12:39 | |
I declare this art fair open for business. | 0:12:39 | 0:12:42 | |
Thank you, Matron. | 0:12:42 | 0:12:43 | |
Hetty, it's Ida. | 0:12:58 | 0:13:01 | |
Are you all right in there? Don't you worry, I'm right here. | 0:13:01 | 0:13:06 | |
Tell Matron she's won. | 0:13:06 | 0:13:08 | |
Oh, Hetty. | 0:13:08 | 0:13:10 | |
I can't stay here much longer. | 0:13:10 | 0:13:13 | |
Hey, this isn't the little helper I know. | 0:13:13 | 0:13:15 | |
Look, I brought you these. | 0:13:15 | 0:13:18 | |
They won't miss a few and it'll give you strength. | 0:13:20 | 0:13:23 | |
You'll be out soon enough, I know you will. | 0:13:23 | 0:13:25 | |
What happened to Harriet? | 0:13:38 | 0:13:39 | |
What did Matron do to her? | 0:13:39 | 0:13:42 | |
She sent her away to Lady Asquith's this morning. | 0:13:42 | 0:13:45 | |
-Harriet's gone. -It's what she wanted, isn't it? | 0:13:45 | 0:13:48 | |
She's a good maid. | 0:13:48 | 0:13:50 | |
And you, you're a good, strong girl. | 0:13:50 | 0:13:52 | |
You can get through this. | 0:13:52 | 0:13:54 | |
Just imagine that you're some place else, eh? | 0:13:54 | 0:13:57 | |
I've already tried. | 0:14:02 | 0:14:04 | |
I couldn't do it. | 0:14:05 | 0:14:06 | |
Then let me help you. | 0:14:07 | 0:14:09 | |
We'll do it together, shall we? | 0:14:09 | 0:14:11 | |
Potato petite, madam? | 0:14:44 | 0:14:46 | |
-Thank you. -I must say, I do admire your dress. | 0:14:46 | 0:14:49 | |
So fine for a lady of your age. | 0:14:49 | 0:14:51 | |
Oh, Sheila. | 0:14:51 | 0:14:52 | |
I've always wanted to wear silk. | 0:14:54 | 0:14:56 | |
I'm so sorry, madam. | 0:14:56 | 0:14:58 | |
Some of our girls do tend to lack a little je ne sais quoi. | 0:14:58 | 0:15:02 | |
Wearing silk, my eye. | 0:15:05 | 0:15:07 | |
-I was being polite. -Sheila says she's the best servant there is. | 0:15:07 | 0:15:10 | |
Yeah, well, I beg to differ. Cloakroom duty, both of you. | 0:15:10 | 0:15:14 | |
I'd rather a few fancies left over than | 0:15:14 | 0:15:15 | |
serve our guests more impudence. | 0:15:15 | 0:15:17 | |
Go on. | 0:15:18 | 0:15:20 | |
I'd look better in silk than her any day of the week. | 0:15:20 | 0:15:23 | |
They think they're so much better than us. | 0:15:23 | 0:15:25 | |
We'll show them. | 0:15:25 | 0:15:26 | |
Where have you always wanted to go, Hetty? | 0:15:29 | 0:15:32 | |
MOURNFULLY: Anywhere but here. | 0:15:32 | 0:15:34 | |
So, let's see. | 0:15:34 | 0:15:37 | |
How about fishing boats? | 0:15:37 | 0:15:40 | |
All different colours. | 0:15:40 | 0:15:42 | |
Bobbing up and down in the harbour. | 0:15:42 | 0:15:44 | |
And whitewashed fishermen's cottages glowing in the sun. | 0:15:44 | 0:15:49 | |
And just a pebble's throw away, there's the beach. | 0:15:49 | 0:15:53 | |
And the blue sea stretching out beyond. | 0:15:53 | 0:15:55 | |
How about that? | 0:15:57 | 0:15:58 | |
I've never seen the sea. | 0:15:58 | 0:16:00 | |
Oh, you'd love it, Hetty. | 0:16:00 | 0:16:03 | |
Boots off. Walking in the sand. | 0:16:03 | 0:16:05 | |
How does it feel? | 0:16:07 | 0:16:09 | |
The sand? | 0:16:09 | 0:16:10 | |
-Is it warm? -It's warm some days, wet and a bit smelly on others. | 0:16:11 | 0:16:16 | |
My favourite is collecting seashells. | 0:16:17 | 0:16:20 | |
Some are small and pretty like a little fingernail. | 0:16:20 | 0:16:23 | |
But the best are them that you hold up to your ear. | 0:16:23 | 0:16:26 | |
And if you listen, you can hear the sea. | 0:16:26 | 0:16:30 | |
I can hear it. | 0:16:30 | 0:16:31 | |
-WHISPERS: -Harriet. | 0:16:44 | 0:16:45 | |
Mathias? | 0:16:45 | 0:16:46 | |
What are you doing here? | 0:16:48 | 0:16:50 | |
Well, I just...I hid in the crate and the boys snuck me out. | 0:16:50 | 0:16:55 | |
I got in Lady Asquith's carriage and I came here... | 0:16:55 | 0:16:57 | |
You came here just to tell me that? | 0:16:57 | 0:17:00 | |
I can feel the waves lapping at my feet. | 0:17:02 | 0:17:05 | |
Go on, Hetty. Have a little paddle. | 0:17:06 | 0:17:08 | |
No-one's watching. Lift your dress a little. | 0:17:08 | 0:17:10 | |
Fishes. Are they biting my feet, Ida? | 0:17:14 | 0:17:17 | |
Well, let's leave the fish for the fishermen, shall we? | 0:17:17 | 0:17:20 | |
If we walk to the harbour, they'll be back with the catch by now. | 0:17:20 | 0:17:24 | |
We'll have herrings for tea. | 0:17:24 | 0:17:26 | |
I'll put them on the fire and we'll eat them watching the sun go down. | 0:17:26 | 0:17:30 | |
Have you been here before? | 0:17:32 | 0:17:33 | |
I used to live there when I was a girl. | 0:17:35 | 0:17:36 | |
Before you came to London? | 0:17:38 | 0:17:39 | |
Before, yeah. | 0:17:40 | 0:17:42 | |
It sounds perfect. | 0:17:43 | 0:17:45 | |
They're all so beautiful. | 0:17:46 | 0:17:48 | |
They duchess's one is so heavy, I could hardly get it on the hanger. | 0:17:48 | 0:17:53 | |
Then wearing a bustle and a hat, those ladies must be exhausted. | 0:17:53 | 0:17:57 | |
Not to mention stinking rich. | 0:17:57 | 0:17:59 | |
Well, we can all be rich. | 0:18:00 | 0:18:03 | |
THEY GIGGLE | 0:18:03 | 0:18:06 | |
For now, anyway. | 0:18:06 | 0:18:07 | |
Oooh! | 0:18:12 | 0:18:13 | |
Lady Elizabeth, Lord Blanche, such a pleasure to see you. | 0:18:14 | 0:18:19 | |
And you, Lady Sheila. | 0:18:19 | 0:18:21 | |
I'm a duchess, not a lady. | 0:18:21 | 0:18:23 | |
And I am a lord, what does it matter? | 0:18:23 | 0:18:25 | |
Because I live in a castle and I'm richer than she is. | 0:18:25 | 0:18:27 | |
Not fair. | 0:18:29 | 0:18:30 | |
I want to be a duchess. | 0:18:30 | 0:18:32 | |
Tough, I'm wearing her cloak. | 0:18:32 | 0:18:34 | |
Wait, do you hear a noise? | 0:18:34 | 0:18:37 | |
Stay here. | 0:18:39 | 0:18:40 | |
I'll keep watch. | 0:18:41 | 0:18:42 | |
Dear Lady Elizabeth, shall we walk? | 0:18:46 | 0:18:49 | |
THEY GIGGLE | 0:18:49 | 0:18:51 | |
It's my fault you're here. | 0:18:58 | 0:18:59 | |
If it wasn't for me... | 0:18:59 | 0:19:00 | |
If I hadn't got Hetty to write that letter. | 0:19:01 | 0:19:03 | |
She got carried away. | 0:19:03 | 0:19:05 | |
It was Blanche who betrayed us to Matron. | 0:19:05 | 0:19:07 | |
-Blanche? -Doesn't matter. | 0:19:07 | 0:19:09 | |
Only I wish I'd got to see the letter. | 0:19:09 | 0:19:11 | |
I might have worn a feather. | 0:19:11 | 0:19:13 | |
-Would you? -Yeah. | 0:19:13 | 0:19:15 | |
If you brought me one. A feather plucked from a hawk just for me. | 0:19:15 | 0:19:18 | |
Plucked. Have you ever tried catching a hawk? | 0:19:18 | 0:19:20 | |
THEY LAUGH | 0:19:20 | 0:19:22 | |
So why are you here? | 0:19:24 | 0:19:25 | |
Harriet, | 0:19:29 | 0:19:31 | |
when I leave the foundling hospital... | 0:19:31 | 0:19:33 | |
..will you wait for me? | 0:19:34 | 0:19:36 | |
You know where to find me. | 0:19:38 | 0:19:39 | |
BELL RINGS IN THE DISTANCE | 0:19:42 | 0:19:44 | |
The carriage, I have to go. | 0:19:44 | 0:19:46 | |
Mathias... | 0:19:46 | 0:19:47 | |
Take this for the journey. | 0:19:51 | 0:19:53 | |
I'll say one got knocked on the floor. | 0:19:53 | 0:19:55 | |
Bye. | 0:20:03 | 0:20:05 | |
Sir, sir. | 0:20:26 | 0:20:28 | |
I...think the horses might be thirsty, sir. | 0:20:28 | 0:20:32 | |
Fine horses they are too, sir. | 0:20:35 | 0:20:37 | |
I love horses. It's good to give them water | 0:20:37 | 0:20:39 | |
while they wait, isn't it? | 0:20:39 | 0:20:41 | |
So, what happened? | 0:20:41 | 0:20:42 | |
She gave me a porkpie. | 0:20:43 | 0:20:45 | |
No wonder he's smiling. | 0:20:45 | 0:20:46 | |
Nothing at all. Are you sure? | 0:20:48 | 0:20:50 | |
Perhaps a water for yourself, sir? | 0:20:50 | 0:20:52 | |
'Come on, lads, bring the carriages round.' | 0:20:52 | 0:20:54 | |
I have to go, Hetty. | 0:20:54 | 0:20:56 | |
No. No, please don't leave me alone, please! | 0:20:56 | 0:20:59 | |
Just picture our special place. | 0:20:59 | 0:21:01 | |
You are not here, you're by the sea, remember? | 0:21:01 | 0:21:04 | |
And I'm with you. | 0:21:04 | 0:21:05 | |
But what if she leaves me in here overnight? | 0:21:05 | 0:21:07 | |
No! Please tell me another story, Ida, please. | 0:21:07 | 0:21:10 | |
One day... | 0:21:10 | 0:21:12 | |
-I will tell you everything. -'Let's go.' | 0:21:12 | 0:21:15 | |
But if I don't go now... | 0:21:15 | 0:21:16 | |
So what do I do when I hear rats? | 0:21:16 | 0:21:18 | |
Just think, "I can get through this. | 0:21:18 | 0:21:21 | |
"I'm Hetty Feather. | 0:21:21 | 0:21:23 | |
"It won't always be like this." | 0:21:23 | 0:21:25 | |
You really mean that? | 0:21:25 | 0:21:27 | |
I know it. | 0:21:27 | 0:21:28 | |
-Honest, I do. -But how? | 0:21:28 | 0:21:31 | |
You're my girl, Hetty. | 0:21:31 | 0:21:33 | |
My very own girl. | 0:21:33 | 0:21:35 | |
You always have been. | 0:21:36 | 0:21:38 | |
-What did you say? -I have to go. | 0:21:38 | 0:21:41 | |
No, wait. Ida, wait. | 0:21:41 | 0:21:43 | |
Your own girl? Ida! | 0:21:43 | 0:21:45 | |
-Congratulations. -Thanks. | 0:21:53 | 0:21:55 | |
Another sale? There's hardly a painting left. | 0:21:56 | 0:21:59 | |
Although the most expensive portrait is yet to be sold, Matron. | 0:21:59 | 0:22:03 | |
Not for much longer. | 0:22:03 | 0:22:05 | |
I've been admiring it all evening. I think it's worth every penny. | 0:22:05 | 0:22:08 | |
-I'll take it. -All yours for £200. | 0:22:08 | 0:22:12 | |
Oh, I say, how very generous, Lady Asquith. | 0:22:12 | 0:22:15 | |
Well, it seems our art fair could not be more perfect. | 0:22:15 | 0:22:18 | |
-Matron... -Oh, my! | 0:22:18 | 0:22:19 | |
Blanche, what on earth are you doing? | 0:22:19 | 0:22:22 | |
It's the girls, come quick. | 0:22:22 | 0:22:23 | |
Is there a problem with one of your charges? | 0:22:24 | 0:22:27 | |
Please do excuse me, Colonel. | 0:22:27 | 0:22:28 | |
Mr Cranbourne. | 0:22:32 | 0:22:34 | |
I need a word with you in private. | 0:22:35 | 0:22:37 | |
Shall we talk over tea, Lady Elizabeth? | 0:22:42 | 0:22:45 | |
My drawing room or yours, Duchess? | 0:22:45 | 0:22:47 | |
Well, well, well. Having fun, are we? | 0:22:47 | 0:22:49 | |
Cloaks off, put everything back in its place. | 0:22:49 | 0:22:51 | |
I will deal with you two in the morning. | 0:22:52 | 0:22:55 | |
You did this on purpose. | 0:23:00 | 0:23:03 | |
You snitched. | 0:23:03 | 0:23:05 | |
-Again. -You need to know that I'm not your friend. | 0:23:05 | 0:23:08 | |
I'm not anyone's friend. | 0:23:08 | 0:23:10 | |
Everything in hand, Matron? | 0:23:23 | 0:23:25 | |
Oh, a minor misunderstanding. | 0:23:25 | 0:23:27 | |
Some girls do tend to overreact. | 0:23:27 | 0:23:29 | |
So I've noticed. | 0:23:29 | 0:23:31 | |
But now I'm here, we ought to discuss what really counts. Hm? | 0:23:32 | 0:23:36 | |
How to spend the proceeds of our most successful fundraising ever. | 0:23:37 | 0:23:41 | |
I mean, Lady Asquith's contribution alone could stretch to... | 0:23:41 | 0:23:44 | |
New slates for the children. | 0:23:44 | 0:23:46 | |
New boots for the boys. | 0:23:46 | 0:23:47 | |
Books for the library. | 0:23:47 | 0:23:49 | |
Well, the foundlings would do better to concentrate on their duties. | 0:23:49 | 0:23:52 | |
Mr Cranbourne has many ideas. | 0:23:52 | 0:23:55 | |
Oh? | 0:23:56 | 0:23:58 | |
These decisions, they need... | 0:23:58 | 0:24:00 | |
they need time and consideration by myself and the governors. | 0:24:00 | 0:24:03 | |
But now Mr Cranbourne has agreed to his new position. | 0:24:03 | 0:24:06 | |
Your new position, Mr Cranbourne? | 0:24:08 | 0:24:10 | |
A promotion, Matron. | 0:24:14 | 0:24:16 | |
Well, more a joint running of the hospital, as it were. | 0:24:16 | 0:24:19 | |
But that is my job. | 0:24:21 | 0:24:22 | |
It is for me to oversee the running, the day-to-day duties. | 0:24:24 | 0:24:28 | |
The governors have been discussing it for some time, Matron. | 0:24:28 | 0:24:31 | |
I look forward to working with you both in partnership. | 0:24:31 | 0:24:34 | |
Our decision is final. | 0:24:34 | 0:24:36 | |
Congratulations, Mr Cranbourne. | 0:24:37 | 0:24:40 | |
Good evening, Matron. | 0:24:40 | 0:24:41 | |
It seems you and I are now equals, Matron. | 0:24:51 | 0:24:53 | |
And one night in solitude | 0:24:55 | 0:24:57 | |
is more than enough for any child, don't you think? | 0:24:57 | 0:25:00 | |
Hetty Feather! | 0:25:16 | 0:25:18 | |
I'm sorry, Matron. | 0:25:20 | 0:25:22 | |
Come with me. | 0:25:22 | 0:25:23 | |
I apologise for my behaviour. | 0:25:24 | 0:25:26 | |
Save your breath. | 0:25:26 | 0:25:27 | |
Bed! | 0:25:33 | 0:25:35 | |
All of you! | 0:25:35 | 0:25:36 | |
And not another word from any of you. | 0:25:38 | 0:25:41 | |
What happened? Lost your tongue in there, Feather? | 0:25:50 | 0:25:53 | |
The tench has sent her loopy. | 0:25:54 | 0:25:56 | |
She's always been loopy. | 0:25:56 | 0:25:58 | |
'This time the tench had nearly broken me. | 0:26:00 | 0:26:02 | |
'But I'd got through it. And nothing could touch me now. | 0:26:03 | 0:26:06 | |
'They could say what they liked. | 0:26:08 | 0:26:10 | |
'I didn't care about the she-mob. | 0:26:10 | 0:26:12 | |
'I didn't care about Blanche snitching. | 0:26:12 | 0:26:14 | |
'Not even Matron's scheming plans could touch me.' | 0:26:17 | 0:26:19 | |
SHE SIGHS | 0:26:21 | 0:26:24 | |
This is my hospital. | 0:26:24 | 0:26:25 | |
'I was almost afraid to believe what I knew in my heart was the truth. | 0:26:27 | 0:26:32 | |
'I'd found her.' | 0:26:32 | 0:26:33 | |
My own girl. | 0:26:33 | 0:26:34 | |
My own girl. | 0:26:37 | 0:26:38 | |
'At last, I'd found her. | 0:26:39 | 0:26:41 | |
'I knew who my mother was.' | 0:26:42 | 0:26:44 | |
Hetty! Come quick! | 0:26:48 | 0:26:50 | |
It appears Harriet received a visitor. | 0:26:50 | 0:26:53 | |
Have you seen the way Mathias Grigg looks at her in chapel? | 0:26:53 | 0:26:55 | |
If anyone was to go visiting, it'd be him. | 0:26:55 | 0:26:58 | |
Something has come to light. | 0:26:58 | 0:26:59 | |
An incident on Mr Cranbourne's watch. | 0:26:59 | 0:27:01 | |
You have to go now. | 0:27:01 | 0:27:03 | |
Meet me later then. In the tower. | 0:27:03 | 0:27:05 | |
I want proof, and you are going to get it for me. | 0:27:05 | 0:27:08 | |
They think they're smart. They won't know what's hit them | 0:27:08 | 0:27:11 | |
when they see us. | 0:27:11 | 0:27:12 | |
-Gideon! -I never wanted to let you go, you know that. | 0:27:13 | 0:27:17 | |
You can't do this! | 0:27:17 | 0:27:19 | |
The boy's lying. | 0:27:19 | 0:27:20 | |
Now we're together, we can leave here. | 0:27:22 | 0:27:25 |