Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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# Terrible Tudors, gorgeous Georgians Slimy Stuarts, vile Victorians | 0:00:02 | 0:00:04 | |
# Woeful wars, ferocious fights Dingy castles, daring knights | 0:00:04 | 0:00:07 | |
# Horrors that defy description Cut-throat Celts, awful Egyptians | 0:00:07 | 0:00:10 | |
# Vicious Vikings, cruel crimes Punishment from ancient times | 0:00:10 | 0:00:13 | |
# Romans, rotten, rank and ruthless Cavemen, savage, fierce and toothless | 0:00:13 | 0:00:15 | |
# Groovy Greeks, brainy sages Mean and measly Middle Ages | 0:00:15 | 0:00:18 | |
# Gory stories, we do that And your host, a talking rat | 0:00:18 | 0:00:23 | |
# The past is no longer a mystery Welcome to... | 0:00:23 | 0:00:27 | |
# Horrible Histories. # | 0:00:27 | 0:00:32 | |
The Roman army defeated all who stood in their way | 0:00:38 | 0:00:40 | |
as they marched through Europe | 0:00:40 | 0:00:42 | |
and generals who were outstanding in battle | 0:00:42 | 0:00:45 | |
were honoured with a victory parade called a Roman Triumph. | 0:00:45 | 0:00:48 | |
-4,996. -What are we on, Calculus? | 0:00:48 | 0:00:53 | |
4,996 barbarians killed, sir. | 0:00:53 | 0:00:55 | |
What about that one there with the axe? | 0:00:55 | 0:00:57 | |
-I can't give you that one, sir. He's still moving. -You can now. | 0:00:57 | 0:01:01 | |
4,997. | 0:01:01 | 0:01:03 | |
This will be the first time I've ever killed 5,000 enemies | 0:01:03 | 0:01:06 | |
in one battle and qualified for a Roman Triumph. | 0:01:06 | 0:01:10 | |
Just need three more. Ha! | 0:01:10 | 0:01:13 | |
Two more and then yours truly will be parading | 0:01:13 | 0:01:16 | |
in a chariot through the streets of Rome | 0:01:16 | 0:01:18 | |
to the wild adulation of the crowd. | 0:01:18 | 0:01:21 | |
Oh, please. Oh, please. | 0:01:22 | 0:01:24 | |
-Ooh, is that one there? -Yes, I'll give you that. | 0:01:26 | 0:01:30 | |
He's moving, but he's not going anywhere without his head. 4,999. | 0:01:30 | 0:01:35 | |
Get in! Come on! | 0:01:35 | 0:01:37 | |
One more. | 0:01:37 | 0:01:38 | |
The might of Rome is too much. | 0:01:38 | 0:01:41 | |
We surrender. | 0:01:41 | 0:01:43 | |
What's that? You refuse to surrender? | 0:01:43 | 0:01:46 | |
Carry on fighting, everyone. | 0:01:46 | 0:01:47 | |
The battle is over. You have won this day. | 0:01:47 | 0:01:50 | |
Ha, look he threw his weapons at me. | 0:01:53 | 0:01:55 | |
Fight on, men. | 0:01:55 | 0:01:56 | |
-No, General, he's surrendered. -La, la, la. I can't hear you. | 0:01:56 | 0:02:02 | |
We can't keep fighting them if they've surrendered. | 0:02:02 | 0:02:04 | |
I only need one more death to get my Triumph, my parade. | 0:02:04 | 0:02:07 | |
Just write one down, will you? Look, that one looks dead there. | 0:02:07 | 0:02:11 | |
He's waving. | 0:02:11 | 0:02:14 | |
Are you going to help me or not? | 0:02:14 | 0:02:16 | |
I will not lie on my battle report. | 0:02:16 | 0:02:18 | |
You're either with me or against me. | 0:02:18 | 0:02:23 | |
Thank you. | 0:02:23 | 0:02:26 | |
And one more enemy dead, makes 5,000. Yay! | 0:02:26 | 0:02:31 | |
5,000. | 0:02:31 | 0:02:33 | |
Got 5,000. | 0:02:33 | 0:02:35 | |
-How did we lose to this lot? -5,000, 5,000. Come on, everybody. | 0:02:35 | 0:02:39 | |
5,000. | 0:02:39 | 0:02:41 | |
If you were awarded a Roman Triumph, | 0:02:41 | 0:02:43 | |
you paraded through the streets of Rome on a chariot. | 0:02:43 | 0:02:46 | |
You can read all about it in a book. | 0:02:46 | 0:02:49 | |
That's right, a book. | 0:02:49 | 0:02:50 | |
An exciting new Roman invention. | 0:02:50 | 0:02:53 | |
Intuitive, revolutionary. | 0:02:53 | 0:02:56 | |
Ancient Rome is delighted to announce | 0:02:56 | 0:02:57 | |
the launch of the all new aBook, the take-anywhere reading solution. | 0:02:57 | 0:03:02 | |
aBook is amazing. Up until now the only way to get your | 0:03:02 | 0:03:06 | |
poetry to the masses was by writing it down on long, awkward scrolls. | 0:03:06 | 0:03:10 | |
Or by shouting really loud. | 0:03:10 | 0:03:12 | |
Now aBook has changed all that. | 0:03:12 | 0:03:14 | |
With new aBook you simply turn the page, | 0:03:14 | 0:03:16 | |
using the unique turnable pages to reveal new information. | 0:03:16 | 0:03:20 | |
By writing data on both sides of the page, new aBook holds | 0:03:20 | 0:03:24 | |
more information in less space than anything that's gone before. | 0:03:24 | 0:03:27 | |
What's more, the unique hardwearing cover means | 0:03:27 | 0:03:30 | |
your writing is safe from anything the Roman world might throw at it. | 0:03:30 | 0:03:35 | |
Well, within reason. | 0:03:35 | 0:03:36 | |
Incredibly clever yet incredibly simple, | 0:03:36 | 0:03:39 | |
aBook is the new book that rewrites the book on writing books. | 0:03:39 | 0:03:45 | |
-And coming soon from the makers of aBook, aNother Book. -Oh, no. | 0:03:45 | 0:03:49 | |
I just got used to using this one and they're bringing another one out? | 0:03:49 | 0:03:53 | |
Typical. Ha-ha. Funny. | 0:03:53 | 0:03:56 | |
Bonjour and welcome to Middle Ages France. | 0:03:59 | 0:04:02 | |
Home to poor peasants like me and rich aristocrats like this prankster. | 0:04:02 | 0:04:08 | |
Woo-hoo! Hey. What's up, prank fans? | 0:04:08 | 0:04:12 | |
My name is Robert Artois and you are watching You've Been Artois'd. | 0:04:12 | 0:04:17 | |
The red-hot hidden camera show that is both wook and gnarly. | 0:04:17 | 0:04:20 | |
You see, I know those words. I am street, no? Woo-hoo, that's right. | 0:04:20 | 0:04:26 | |
OK, as usual we have rigged up | 0:04:26 | 0:04:28 | |
my beautiful French crib with the coolest, most up-to-date pranking | 0:04:28 | 0:04:31 | |
technologies the Middle Ages can offer. | 0:04:31 | 0:04:34 | |
All we need now is some friends to come round, | 0:04:34 | 0:04:36 | |
some dukes and duchesses, and then we crank up the pranks. | 0:04:36 | 0:04:41 | |
All right, top of the pops. Let's go. | 0:04:41 | 0:04:44 | |
Woo-hoo! Looks like we got a bite, my prank friends. | 0:04:47 | 0:04:51 | |
Right there is Angelina, she's a good friend of mine, | 0:04:51 | 0:04:53 | |
a real good friend of mine. | 0:04:53 | 0:04:55 | |
She's also a princess from the neighbouring county. | 0:04:55 | 0:04:58 | |
Awesome. | 0:04:58 | 0:05:01 | |
Woo-hoo. Now, what Angelina does not know is | 0:05:01 | 0:05:04 | |
I have buried this water pipe in the middle of my garden path. | 0:05:04 | 0:05:08 | |
It is specially designed to spray cold jets of water | 0:05:08 | 0:05:11 | |
up ladies' dresses. | 0:05:11 | 0:05:13 | |
Boom-boom bang-bang, baby. | 0:05:13 | 0:05:14 | |
Ssh. | 0:05:16 | 0:05:18 | |
SHE SCREAMS | 0:05:19 | 0:05:21 | |
Yeah! Woo-hoo! Ha, ha. | 0:05:22 | 0:05:25 | |
-You've been Artois'd. -What? -You've been Artois'd. -What do you mean? | 0:05:25 | 0:05:29 | |
I mean you've been Artois'd, as in me, Robert of Artois. You know me? | 0:05:29 | 0:05:34 | |
We met at the Count De Crystal's dinner party. | 0:05:34 | 0:05:36 | |
You looked so beautiful that night... | 0:05:36 | 0:05:39 | |
That is not important. What's important is you've been Artois'd. | 0:05:39 | 0:05:42 | |
-Why do you keep saying that? -Because you've been Artois'd, girl. | 0:05:42 | 0:05:47 | |
Woo-hoo. Look who else has popped by to say hi. | 0:05:47 | 0:05:50 | |
It's my main man, the Portuguese ambassador. | 0:05:50 | 0:05:53 | |
Boom, baby. It's my spitting statue. Ah, and he's fallen in the nettles. | 0:05:53 | 0:05:58 | |
Excellent. Time for me to go and say hello. | 0:05:58 | 0:06:01 | |
Ah, I will kill whoever did this. | 0:06:01 | 0:06:04 | |
Maybe I just leave it for a little bit, OK? OK. | 0:06:04 | 0:06:07 | |
Ssh. | 0:06:09 | 0:06:10 | |
Woo-hoo! Ha-ha. | 0:06:12 | 0:06:14 | |
My best blood the Lord D'Enfry has just been Artois'd. | 0:06:14 | 0:06:17 | |
You've been Artois'd. | 0:06:17 | 0:06:19 | |
I think I need a doctor. My leg is broken. | 0:06:19 | 0:06:23 | |
All right! Top of the pops. | 0:06:23 | 0:06:26 | |
OK, I think you will agree, | 0:06:28 | 0:06:30 | |
these dudes have made excellent sports, no? | 0:06:30 | 0:06:32 | |
Ha-ho! High five, big brother. | 0:06:32 | 0:06:34 | |
-Who are you? -OK, then. | 0:06:34 | 0:06:36 | |
Next week we have more fun, we have more pranks... | 0:06:36 | 0:06:40 | |
-Ha, you've been Artois'ded. -It's Artois'd. Artois'd, yeah? | 0:06:40 | 0:06:44 | |
No, that is not cool. | 0:06:44 | 0:06:46 | |
That is not cool. | 0:06:46 | 0:06:49 | |
I thought you were my friend. | 0:06:50 | 0:06:53 | |
Ah, this is the life, isn't it? | 0:06:59 | 0:07:02 | |
Me own boy joining me in the family business. | 0:07:02 | 0:07:05 | |
So proud of you, son. | 0:07:05 | 0:07:08 | |
Right, let's get cracking. | 0:07:08 | 0:07:11 | |
This poo isn't going to shift itself. | 0:07:11 | 0:07:14 | |
-Dad? -Yes, son. | 0:07:14 | 0:07:16 | |
I'm not sure this job's for me. | 0:07:16 | 0:07:18 | |
Is it me? Is it my chatter? I know I can go on a bit. | 0:07:18 | 0:07:22 | |
No, Dad. It's not you. | 0:07:22 | 0:07:23 | |
-It's the poo. -What about the poo? -Don't tell me you can't smell it. | 0:07:23 | 0:07:27 | |
No. | 0:07:27 | 0:07:29 | |
If I'm honest, when you first told me I was going to be a gong farmer, | 0:07:29 | 0:07:33 | |
I pictured fields and fresh air. | 0:07:33 | 0:07:36 | |
-Not this. -Look, gong means poo | 0:07:36 | 0:07:39 | |
and your family has been shovelling it up for generations. | 0:07:39 | 0:07:42 | |
Plus, you get sixpence a day and it's a regular nine-to-five job. | 0:07:42 | 0:07:47 | |
I mean, granted it is nine in the evening until five in the morning, | 0:07:47 | 0:07:50 | |
-but you can't have everything, can you son, eh? -It's no good, Dad. | 0:07:50 | 0:07:54 | |
-Gong farming just isn't my thing. -What are you going to do? | 0:07:54 | 0:07:58 | |
My friend's dad is taking me on as an apprentice. He's a tanner. | 0:07:58 | 0:08:01 | |
-A tanner? -I'll learn how to make leather. | 0:08:01 | 0:08:04 | |
-What about the family business? -I just don't want to work with poo. | 0:08:04 | 0:08:09 | |
That's it, lad. Shove the dead animal skin right into the poo, right down. | 0:08:13 | 0:08:20 | |
Smells like it needs a bit more chicken poo. | 0:08:20 | 0:08:22 | |
Did you know the stinky fumes were sometimes so bad that gong farmers | 0:08:29 | 0:08:33 | |
passed out and drowned in poo? | 0:08:33 | 0:08:36 | |
There's no nice way of writing that obituary, I can tell you. | 0:08:36 | 0:08:40 | |
There was no sewer system in Tudor times. | 0:08:40 | 0:08:43 | |
Instead, toilet waste collected in cesspits, | 0:08:43 | 0:08:46 | |
which sometimes had to be emptied out. | 0:08:46 | 0:08:48 | |
KNOCKING | 0:08:48 | 0:08:50 | |
Your Highness, | 0:08:51 | 0:08:53 | |
honour that cannot be expressed in words and joy that cannot be... | 0:08:53 | 0:08:57 | |
-Yes, yes. Do you have a toilet? -Your Majesty? | 0:08:57 | 0:09:00 | |
Oh, come on, it's a perfectly simple question, Sir Thomas. | 0:09:00 | 0:09:03 | |
-Do you have a toilet? -Yes, yes. It's up the stairs. | 0:09:03 | 0:09:06 | |
Excellent. Yes, this will do. | 0:09:06 | 0:09:09 | |
The toilets at Hampton Court | 0:09:09 | 0:09:12 | |
are having their annual clear-out, emptying out all of the um... | 0:09:12 | 0:09:15 | |
-Oh, what's that word that queens don't say? -Poo, Your Majesty. | 0:09:15 | 0:09:19 | |
Exactly. The problem is it makes the palace | 0:09:19 | 0:09:21 | |
rather smell of um... Say it. | 0:09:21 | 0:09:23 | |
-Poo, Your Majesty. -Exactly. | 0:09:23 | 0:09:25 | |
Which is rather unpleasant on my delicate little nose. | 0:09:25 | 0:09:28 | |
So I thought I might come and stay here. | 0:09:28 | 0:09:30 | |
-Of course, Your Majesty. -For a couple of months. -Months? | 0:09:30 | 0:09:34 | |
Is there a problem, Sir Thomas? | 0:09:34 | 0:09:36 | |
Bearing in mind that I am the queen and everything. | 0:09:36 | 0:09:39 | |
Not at all, Your Majesty. | 0:09:39 | 0:09:41 | |
My house is your house. | 0:09:41 | 0:09:42 | |
Well, it's not really, is it? | 0:09:42 | 0:09:44 | |
Your house is much smaller | 0:09:44 | 0:09:46 | |
and less impressive than my house but it doesn't smell of... | 0:09:46 | 0:09:49 | |
-Poo, Your Majesty. -Exactly. | 0:09:49 | 0:09:52 | |
But does my queen not worry that my | 0:09:52 | 0:09:54 | |
humble accommodation may simply not be big enough for us all? | 0:09:54 | 0:09:58 | |
Hm, yes. You might be right. | 0:09:58 | 0:10:01 | |
Right, well, you and your family had better clear off. | 0:10:01 | 0:10:04 | |
Go and live in a tent for a few weeks. | 0:10:04 | 0:10:06 | |
-I don't think... -Excellent, then it's decided. | 0:10:06 | 0:10:10 | |
I shall move in here with my furniture, servants and courtiers | 0:10:10 | 0:10:14 | |
and you and your family shall go and live in the garden. | 0:10:14 | 0:10:17 | |
-Any questions? -Well... -Good. | 0:10:17 | 0:10:19 | |
If there's anything else you need don't hesitate to... | 0:10:19 | 0:10:22 | |
Key. | 0:10:22 | 0:10:24 | |
Cheers. | 0:10:24 | 0:10:26 | |
Well, it's always nice to have visitors. | 0:10:27 | 0:10:30 | |
It's false. | 0:10:44 | 0:10:46 | |
Urgh! | 0:10:47 | 0:10:49 | |
Four eager chefs, four historical eras, but just one prize. | 0:10:54 | 0:10:59 | |
Who will be crowed Historical MasterChef? | 0:10:59 | 0:11:02 | |
We are looking for an exceptional cook | 0:11:02 | 0:11:05 | |
who does exceptional cooking, exceptionally. | 0:11:05 | 0:11:08 | |
I'm shouting for no reason whatsoever. | 0:11:08 | 0:11:13 | |
28-year-old Kamaho has come all the way from Mexico in the 1300s | 0:11:15 | 0:11:20 | |
and is hoping to wow the judges with some Aztec home cooking. | 0:11:20 | 0:11:24 | |
So, Kamaho, what are you cooking for us today? | 0:11:24 | 0:11:26 | |
-Argh! -Well, I was going to do crickets as the starter. | 0:11:26 | 0:11:30 | |
Oh, hang on, you've got one on your head. Don't move. | 0:11:30 | 0:11:33 | |
-Missed. -No, I think you got him. | 0:11:33 | 0:11:36 | |
Now his starter has escaped, | 0:11:36 | 0:11:38 | |
Kamaho must impress the judges with the rest of his Aztec meal. | 0:11:38 | 0:11:41 | |
There are so many fantastic Aztec dishes to choose from. | 0:11:41 | 0:11:44 | |
Iguana, salamander, howler monkey. | 0:11:44 | 0:11:48 | |
What's a howler monkey? | 0:11:48 | 0:11:50 | |
It's a monkey whose howl is so loud it can be heard three miles away. | 0:11:50 | 0:11:54 | |
-Must be the loudest creature on Earth. -It's one of them. | 0:11:54 | 0:11:58 | |
-What's that? -Carrot. -Yeah, I know. | 0:11:58 | 0:12:00 | |
I was a greengrocer. | 0:12:00 | 0:12:01 | |
Kamaho is serving up a main course of hot dog surprise. | 0:12:05 | 0:12:08 | |
-Now, I suppose the surprise is it's real dog. -Oh, no. Of course not. | 0:12:08 | 0:12:13 | |
I mean, it is real dog. | 0:12:13 | 0:12:15 | |
We Aztecs eat dog all the time, so that's not the surprise. | 0:12:15 | 0:12:18 | |
The surprise is I stuffed the tortilla full of red-hot chillies. | 0:12:18 | 0:12:23 | |
Argh! Argh! | 0:12:23 | 0:12:26 | |
After the reception for his main course, | 0:12:28 | 0:12:31 | |
Kamaho is pinning his hopes on his final dish. | 0:12:31 | 0:12:34 | |
I'm getting freshness, coolness. It's soothing. | 0:12:34 | 0:12:37 | |
-What is it exactly? -Frogspawn with tadpoles and lake scum biscuits. | 0:12:37 | 0:12:42 | |
Kamaho, your starter went missing, | 0:12:45 | 0:12:49 | |
your main course was inedible, your dessert was untouchable. | 0:12:49 | 0:12:53 | |
But I really like what you've done to Gregg. | 0:12:53 | 0:12:56 | |
-Argh. -For that reason, you're through to the next round. | 0:12:56 | 0:13:00 | |
-Congratulations. You agree, don't you? -Urgh. -That's a yes. | 0:13:00 | 0:13:04 | |
The Aztecs used to eat a special breed of small dog which | 0:13:07 | 0:13:11 | |
had virtually no hair. The dogs didn't need it in the hot climate. | 0:13:11 | 0:13:15 | |
I ate some dog once, but I had trouble keeping it down. | 0:13:15 | 0:13:18 | |
Down boy, down. Ha, ha, ha! | 0:13:18 | 0:13:19 | |
Aztecs really did eat dog though, as well as howler monkeys. | 0:13:19 | 0:13:24 | |
SHOUTING: I've worked out why we keep getting hunted by Aztecs. | 0:13:28 | 0:13:33 | |
Oh, have you? Why's that, then? | 0:13:33 | 0:13:35 | |
It's cos we make such a loud noise we're easy to find. | 0:13:35 | 0:13:39 | |
Oh, I see. | 0:13:39 | 0:13:41 | |
So that's why we're whispering. | 0:13:41 | 0:13:44 | |
Precisely. | 0:13:44 | 0:13:46 | |
The comfiest of beds. The tastiest of food and five-star service. | 0:13:53 | 0:14:01 | |
Stay here and you won't want to leave. | 0:14:01 | 0:14:03 | |
In fact, you won't be able to. | 0:14:03 | 0:14:07 | |
It's a prison. | 0:14:07 | 0:14:08 | |
Yes, here at Newgate Prison, | 0:14:08 | 0:14:10 | |
you'll be able to enjoy the utmost Georgian luxury. | 0:14:10 | 0:14:14 | |
As long as you've got the money to pay for it. | 0:14:14 | 0:14:16 | |
Yes, in return for a simple bribe, they'll unlock your manacles | 0:14:16 | 0:14:20 | |
for a while, | 0:14:20 | 0:14:22 | |
let you receive visitors in your private room | 0:14:22 | 0:14:25 | |
and even let you keep pets. | 0:14:25 | 0:14:27 | |
I'd like a pig. | 0:14:27 | 0:14:30 | |
Pigs aren't allowed, filthy animals. | 0:14:30 | 0:14:32 | |
In fact, here at Newgate Prison you can live in comfort and luxury. | 0:14:32 | 0:14:37 | |
As long as you don't run out of cash. | 0:14:37 | 0:14:40 | |
Right then, you. | 0:14:40 | 0:14:41 | |
Let's get you out of this private room, get you in a crowded cell | 0:14:41 | 0:14:45 | |
with the rest of the criminal scum. Come on! | 0:14:45 | 0:14:48 | |
You're in luck, a room's just become available. | 0:14:49 | 0:14:53 | |
Newgate Prison. | 0:14:55 | 0:14:57 | |
Book early to avoid disappointment. | 0:14:57 | 0:15:00 | |
If you couldn't afford the nice rooms, | 0:15:00 | 0:15:03 | |
conditions in Newgate were quite disgusting. | 0:15:03 | 0:15:05 | |
The prison was riddled with lice and fleas and, believe me, | 0:15:05 | 0:15:09 | |
I know what that feels like. Oh! | 0:15:09 | 0:15:11 | |
Oh! So Newgate was the most famous Georgian prison, | 0:15:11 | 0:15:15 | |
time to meet the most famous Georgian criminal - Dick Turpin. | 0:15:15 | 0:15:19 | |
Ow, ow, ow! No biting, no biting. | 0:15:19 | 0:15:21 | |
Everyone thinks they know the story Of Dick Turpin's highway glory | 0:15:24 | 0:15:27 | |
But my past is far more gory I was no saint | 0:15:27 | 0:15:30 | |
You think life is one big antic My profession is romantic | 0:15:30 | 0:15:34 | |
Hate to be pedantic But it ain't | 0:15:34 | 0:15:36 | |
-Ho! -As a butcher down in Essex I was handy with a knife | 0:15:43 | 0:15:47 | |
Had a side-line as a poacher Led a less than honest life | 0:15:47 | 0:15:51 | |
The notorious gang of Gregory Liked my style and dedication | 0:15:51 | 0:15:54 | |
They signed me up and gave me a real robber's education | 0:15:54 | 0:15:58 | |
# We rampaged through the Essex farms | 0:15:58 | 0:15:59 | |
# We stole and robbed and fought | 0:15:59 | 0:16:01 | |
# But when the law came for us I escaped and they got caught | 0:16:01 | 0:16:04 | |
-# I became a highway man Was daylight robbery -Ho! | 0:16:04 | 0:16:11 | |
-# I was no Prince Charming Nothing dandy about me -Ho! # | 0:16:11 | 0:16:18 | |
The truth is I was violent And with my good mate Matt King | 0:16:18 | 0:16:21 | |
Robbed travellers at gunpoint Money, watches, anything | 0:16:21 | 0:16:24 | |
My horse it wasn't called Black Bess | 0:16:24 | 0:16:27 | |
Although that's what you've read Was no romantic hero | 0:16:27 | 0:16:30 | |
Shot not one but two men dead | 0:16:30 | 0:16:31 | |
# The legend that surrounds me Misses out the crucial part | 0:16:31 | 0:16:35 | |
# I was a ruthless killer With a ruthless killer's heart | 0:16:35 | 0:16:38 | |
-# Was a vicious highwayman A source of pain and tears -Ho! | 0:16:38 | 0:16:45 | |
-# When you hear how my story ends You won't believe your ears -Ho! # | 0:16:45 | 0:16:52 | |
I ran away to Yorkshire Changed my name to John Palmer | 0:16:52 | 0:16:55 | |
Was sent to prison after stealing chickens from a farmer | 0:16:55 | 0:16:58 | |
Wrote a letter to my family A plea it did relate | 0:16:58 | 0:17:02 | |
The postman saw the envelope And here's the twist of fate | 0:17:02 | 0:17:05 | |
He had taught me how to write So he knew I'd lied | 0:17:05 | 0:17:08 | |
"That's not John Palmer's hand That's Dick Turpin's," he cried | 0:17:08 | 0:17:12 | |
-# Was a vicious highwayman My crimes had brought me fame -Ho! | 0:17:12 | 0:17:18 | |
# Was stitched up by a postie | 0:17:18 | 0:17:21 | |
-# That's not glamorous, that's lame -Ho! | 0:17:21 | 0:17:26 | |
-# No more stand and deliver You'll remember this, I hope -Ho! | 0:17:26 | 0:17:32 | |
# It's no fun hanging with highwaymen | 0:17:32 | 0:17:35 | |
# When you're hanging from a rope. # | 0:17:35 | 0:17:39 | |
Ooh, thank you very much. | 0:18:01 | 0:18:03 | |
If you got injured in Viking times, we had some pretty strange ways of | 0:18:13 | 0:18:17 | |
making you better. | 0:18:17 | 0:18:18 | |
All right, all right. | 0:18:20 | 0:18:21 | |
-Don't worry, an ambulance is going to be here soon. -Make way, make way. | 0:18:21 | 0:18:25 | |
Make way, make way, woman. | 0:18:25 | 0:18:27 | |
-Historical paramedics. -You don't look like paramedics. -We're Vikings. | 0:18:27 | 0:18:30 | |
Don't worry, we're very advanced. | 0:18:30 | 0:18:32 | |
We can handle anything, from setting broken bones, | 0:18:32 | 0:18:34 | |
to delivering babies and surgery to magic spells. | 0:18:34 | 0:18:37 | |
What was the last bit? | 0:18:37 | 0:18:38 | |
It doesn't matter, what's important is we save your friend. | 0:18:38 | 0:18:41 | |
-He's been stabbed. -I don't think so. -Clean the wound. | 0:18:41 | 0:18:44 | |
First things first. He could have been cursed. | 0:18:44 | 0:18:46 | |
We need the healing stone from the sword that stabbed him up. | 0:18:46 | 0:18:50 | |
It wasn't a sword. He fell off his bike. | 0:18:50 | 0:18:53 | |
Ah, try this. It might work. | 0:18:53 | 0:18:55 | |
No, it's not working, Nigel. | 0:18:55 | 0:18:57 | |
-We need blood. We need blood! -What, you mean a transfusion? | 0:18:57 | 0:19:00 | |
No, we need the blood from a bull that this man has killed, | 0:19:00 | 0:19:03 | |
then we spread it over the hillside | 0:19:03 | 0:19:05 | |
and leave meat for the elves. | 0:19:05 | 0:19:07 | |
Their magic can save us. | 0:19:07 | 0:19:09 | |
He hasn't killed a bull. | 0:19:09 | 0:19:11 | |
Really? What do you people do all day? | 0:19:11 | 0:19:13 | |
Geoff, I think it's getting worse. This wound could be deep. | 0:19:13 | 0:19:17 | |
-He urgently needs soup. -No, he needs hospital. | 0:19:17 | 0:19:19 | |
Will you stop making words up and listen? | 0:19:19 | 0:19:21 | |
We feed him a soup made of onions, leeks and herbs. | 0:19:21 | 0:19:24 | |
Then we sniff the wound. If we can smell the soup, | 0:19:24 | 0:19:26 | |
that means the belly is punctured. | 0:19:26 | 0:19:28 | |
If we can't smell the soup, that means the wound | 0:19:28 | 0:19:30 | |
isn't as severe as we first thought. | 0:19:30 | 0:19:32 | |
No, I can't smell anything. | 0:19:32 | 0:19:34 | |
-Shall we do a blood test to be sure? -That sounds sensible. | 0:19:34 | 0:19:37 | |
-Start licking his shirt. -But clearly isn't. | 0:19:37 | 0:19:39 | |
Internal wound blood tastes different to that of a flesh wound. | 0:19:39 | 0:19:43 | |
We can determine how serious the wound is by tasting the blood. | 0:19:43 | 0:19:46 | |
-Well? -Strawberry. Ooh, it's nice. | 0:19:46 | 0:19:48 | |
But it's not blood. He's just dropped his ice cream, hasn't he? | 0:19:48 | 0:19:53 | |
He lives! Good work, Geoff. | 0:19:54 | 0:19:57 | |
Let us carve runic symbols into a whalebone to ensure | 0:19:57 | 0:20:00 | |
this young man's good health. | 0:20:00 | 0:20:02 | |
THEY CHANT AND SING | 0:20:02 | 0:20:07 | |
SIRENS WAIL | 0:20:07 | 0:20:09 | |
-Sounds like a proper ambulance. We'd best go. -Run away, run away! | 0:20:09 | 0:20:14 | |
Excuse me, sir. Oh, no. | 0:20:16 | 0:20:18 | |
Jane bring the Medikit. | 0:20:18 | 0:20:20 | |
Oh, and some stain remover. | 0:20:20 | 0:20:23 | |
Polite Victorian society had lots of rules of etiquette | 0:20:28 | 0:20:32 | |
which dictated how men and women should behave towards each other. | 0:20:32 | 0:20:35 | |
Good day. | 0:20:35 | 0:20:37 | |
I just left the pheasant where it was and shot Mr Harrington instead. | 0:20:37 | 0:20:42 | |
Oh, Mr Darbley, I've never known such a great wit. | 0:20:43 | 0:20:46 | |
Oh, you're too kind. | 0:20:46 | 0:20:48 | |
-Well, this looks as good a spot as any. -Oh, yes, it's perfect. | 0:20:48 | 0:20:51 | |
I must say, Miss Pennywhistle, | 0:20:51 | 0:20:53 | |
you really are the most pleasant of company. | 0:20:53 | 0:20:56 | |
Charming of character, bright of mind and with | 0:20:56 | 0:20:59 | |
as pretty a smile as I have ever... | 0:20:59 | 0:21:02 | |
-I have never known such rudeness. -What's that? | 0:21:02 | 0:21:05 | |
Sitting next to a lady in the countryside is entirely improper. | 0:21:05 | 0:21:09 | |
-The very height of Victorian rudeness. -I'm sorry. | 0:21:09 | 0:21:12 | |
Perhaps this humble sandwich would serve by way of an apology. | 0:21:12 | 0:21:17 | |
Perhaps. What, pray tell, is in the sandwich? | 0:21:17 | 0:21:21 | |
Cheese and onion. | 0:21:21 | 0:21:23 | |
Rudeness that cannot be counted on one's fingers or measured | 0:21:23 | 0:21:26 | |
-in one's heart. -What now? | 0:21:26 | 0:21:29 | |
Cheese and onion, Mr Darbley? | 0:21:29 | 0:21:31 | |
There is nothing more rude in polite Victorian society | 0:21:31 | 0:21:34 | |
than for a man to smell of onion. | 0:21:34 | 0:21:36 | |
Yes, of course. | 0:21:36 | 0:21:38 | |
Well, happily there are plenty of non-onion | 0:21:38 | 0:21:41 | |
based delights within the hamper. | 0:21:41 | 0:21:43 | |
I'll just attend to this nosebleed you appeared to have caused | 0:21:43 | 0:21:46 | |
-caused and I'll... Oh, what? -Rudeness beyond human comprehension. | 0:21:46 | 0:21:50 | |
-Come on! -Blowing your nose in public is the height of bad manners. | 0:21:50 | 0:21:55 | |
As it would seem are most things, Miss Pennywhistle. | 0:21:55 | 0:21:58 | |
May I ask where polite Victorian society stands on apple pie? | 0:21:58 | 0:22:03 | |
Apple pie? | 0:22:03 | 0:22:05 | |
Is it considered discourteous, offensive or uncultured? | 0:22:05 | 0:22:08 | |
Well, no. | 0:22:08 | 0:22:10 | |
Is it rude, ill-mannered, | 0:22:10 | 0:22:13 | |
-improper or indiscrete? -I don't believe so, no. | 0:22:13 | 0:22:17 | |
So just to clarify, you have no objection whatsoever to apple pie? | 0:22:17 | 0:22:21 | |
No, of course not. | 0:22:21 | 0:22:23 | |
Good. | 0:22:23 | 0:22:24 | |
Just be thankful I forgot the cream. | 0:22:26 | 0:22:29 | |
Well, he's the rudest man I've ever met. | 0:22:31 | 0:22:34 | |
But he sure can bake. | 0:22:36 | 0:22:39 | |
It's true. | 0:22:46 | 0:22:47 | |
Yes, life in Victorian England could be quite complicated. | 0:22:54 | 0:22:58 | |
Lady Penelope, we've been courting for ten years now | 0:22:58 | 0:23:04 | |
and there's something I must say to you as a matter of urgency. | 0:23:04 | 0:23:07 | |
Yes, Lord Percival, say it | 0:23:07 | 0:23:09 | |
and say it now, | 0:23:09 | 0:23:10 | |
for if my heart beats any faster I will surely faint. | 0:23:10 | 0:23:14 | |
-I... -Yes? -I... -Yes? -I... -Yes? | 0:23:14 | 0:23:20 | |
Lost for words? | 0:23:21 | 0:23:22 | |
Then why not say it with flowers? | 0:23:22 | 0:23:25 | |
With the new Victorian floral messaging system | 0:23:25 | 0:23:28 | |
you can literally say it with flowers, because each flower | 0:23:28 | 0:23:31 | |
means a different thing, yeah? | 0:23:31 | 0:23:33 | |
A red tulip means I love you. | 0:23:33 | 0:23:35 | |
A forget-me-not means true love. | 0:23:35 | 0:23:37 | |
A cactus flower means I really love you. | 0:23:37 | 0:23:41 | |
Whatever you need to say, say it with flowers. | 0:23:41 | 0:23:43 | |
Do you by any chance have one that means "I love someone else"? | 0:23:43 | 0:23:46 | |
And another that means "and it's your best friend"? | 0:23:46 | 0:23:50 | |
I can do you a hyacinth. | 0:23:50 | 0:23:53 | |
-I'll take all you've got. -Or for you, an orange lily. | 0:23:53 | 0:23:58 | |
Just give me the cactus. You! | 0:23:58 | 0:24:01 | |
Whatever you need to say, | 0:24:01 | 0:24:03 | |
say it with flowers, with the new Victorian floral messaging system. | 0:24:03 | 0:24:07 | |
Well, I think I got that message. | 0:24:08 | 0:24:11 | |
Anyone got any tweezers? Tweezers? | 0:24:11 | 0:24:16 | |
The Victorian language of flowers is known as floriography. | 0:24:16 | 0:24:21 | |
And here's another example, a dried-out white rose meant, | 0:24:21 | 0:24:24 | |
"I'd rather be dead than go out with you". | 0:24:24 | 0:24:26 | |
Well, either that or "I can't afford a new rose". | 0:24:26 | 0:24:29 | |
The famous Battle of the Somme in 1916 | 0:24:34 | 0:24:36 | |
was supposed to be the campaign that would finish | 0:24:36 | 0:24:39 | |
the First World War for good, but that's not quite how it turned out. | 0:24:39 | 0:24:43 | |
Ah, Corporal. Do you have an update for me? | 0:24:43 | 0:24:47 | |
I'm pleased to report, sir, that the Somme campaign is over. | 0:24:47 | 0:24:50 | |
Brilliant. I told you my World War One trench warfare tactics | 0:24:50 | 0:24:54 | |
were state of the art. | 0:24:54 | 0:24:55 | |
So, how much land have we taken back off those dastardly Germans? | 0:24:55 | 0:25:00 | |
Well, sir, we have pushed the enemy back... | 0:25:00 | 0:25:03 | |
-Two miles. -Two? | 0:25:04 | 0:25:07 | |
Oh, that's not very much, is it? | 0:25:07 | 0:25:09 | |
Well, progress nevertheless, what? | 0:25:09 | 0:25:11 | |
I think we should celebrate a job well done. | 0:25:11 | 0:25:14 | |
It has taken five months, sir. | 0:25:14 | 0:25:16 | |
It's always the negatives with you, isn't it, Corporal? | 0:25:16 | 0:25:19 | |
Modern warfare takes time, man. | 0:25:19 | 0:25:21 | |
It's cost us 620,000 men, sir. | 0:25:21 | 0:25:26 | |
Oh, that is rather a lot, isn't it? | 0:25:26 | 0:25:28 | |
But on the plus side we are two miles nearer to Berlin, what? | 0:25:28 | 0:25:32 | |
-How much further to go? -490 miles, sir. | 0:25:32 | 0:25:35 | |
I see. So we've only moved two miles in five months. | 0:25:35 | 0:25:39 | |
At this rate we should be in Berlin by... Don't tell me. | 0:25:39 | 0:25:42 | |
490 divided by two, times by five, carry over the do-dah | 0:25:42 | 0:25:47 | |
and that what's-my-face. | 0:25:47 | 0:25:49 | |
It's over 100 years, sir. | 0:25:49 | 0:25:51 | |
Oh, well, we won't be alive then, will we? | 0:25:51 | 0:25:55 | |
-Not with you in charge, sir, no. -Hm. | 0:25:55 | 0:25:58 | |
Not as tasty as it looks. | 0:26:03 | 0:26:05 | |
In World War One, bombs used the explosive TNT which is made from | 0:26:07 | 0:26:12 | |
glycerine which comes from fat. | 0:26:12 | 0:26:14 | |
So during the war we needed lots and lots of fat. Yuk! | 0:26:14 | 0:26:19 | |
Hello. I'm the Fat King. I know what you're thinking. | 0:26:22 | 0:26:26 | |
He's not fat, he's not a king. Well, you're right on both counts. | 0:26:26 | 0:26:29 | |
They call me that because I'm the boss here and this is my fat factory. | 0:26:29 | 0:26:33 | |
Yes, come down to our fat extraction factory where we'll even turn your | 0:26:36 | 0:26:41 | |
animal poo into fat. | 0:26:41 | 0:26:42 | |
# Bring us a big smelly cowpat and let us turn it into fat at... # | 0:26:42 | 0:26:48 | |
We'll even convert your waste food into fat. | 0:26:50 | 0:26:53 | |
# Don't leave food stuff for the rat | 0:26:53 | 0:26:56 | |
# When we can turn it into fat at... # | 0:26:56 | 0:26:59 | |
You'll be surprised with what we can turn into fat. | 0:27:01 | 0:27:04 | |
We'll even take your dead horse. | 0:27:04 | 0:27:07 | |
# If your horse was hit by a German shell | 0:27:07 | 0:27:09 | |
# Bring him here when he starts to smell | 0:27:09 | 0:27:12 | |
# We'll melt him down It won't take long | 0:27:12 | 0:27:15 | |
# And stick his remains in a big old bomb. # | 0:27:15 | 0:27:17 | |
The Germans will be surprised when we fire old Dobbin back at them. | 0:27:17 | 0:27:22 | |
So don't delay, come to the... | 0:27:22 | 0:27:24 | |
Today! | 0:27:25 | 0:27:27 | |
Girls! You're not filming, are you? | 0:27:31 | 0:27:34 | |
# Tall tales, atrocious acts, we gave you all the fearsome facts... # | 0:27:34 | 0:27:37 | |
Want some more Horrible Histories? Come with me down the time sewers. | 0:27:37 | 0:27:42 | |
Go to the CBBC website and click on Horrible Histories. | 0:27:42 | 0:27:46 | |
See you down there. | 0:27:46 | 0:27:47 | |
# ..a mystery | 0:27:47 | 0:27:48 | |
# Hope you enjoyed Horrible Histories. # | 0:27:48 | 0:27:54 |