Browse content similar to Monstrous Musicians. Check below for episodes and series from the same categories and more!
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# Terrible Tudors, gorgeous Georgians | 0:00:02 | 0:00:03 | |
# Slimy Stuarts, vile Victorians | 0:00:03 | 0:00:04 | |
-# Woeful wars, ferocious fights -Dingy castles, daring knights | 0:00:04 | 0:00:07 | |
-# Horrors that defy description -Cut-throat Celts, awful Egyptians | 0:00:07 | 0:00:09 | |
-# Vicious Vikings, cruel crimes -Punishment from ancient times | 0:00:09 | 0:00:12 | |
# Romans, rotten, rank and ruthless | 0:00:12 | 0:00:13 | |
# Cavemen, savage, fierce and toothless | 0:00:13 | 0:00:15 | |
-# Groovy Greeks, brainy sages -Mean and measly Middle Ages | 0:00:15 | 0:00:18 | |
# Gory stories, we do that | 0:00:18 | 0:00:20 | |
# And your host, a talking rat | 0:00:20 | 0:00:23 | |
# The past is no longer a mystery | 0:00:23 | 0:00:26 | |
# Welcome to... | 0:00:26 | 0:00:27 | |
# Horrible Histories. # | 0:00:27 | 0:00:31 | |
Horrible Histories presents... | 0:00:31 | 0:00:34 | |
New from Horrible Music, the enchanting sounds of prehistory. | 0:00:37 | 0:00:42 | |
It's Neanderthal Choral Classics. | 0:00:42 | 0:00:44 | |
Before instruments, before real language, before modern humans, | 0:00:44 | 0:00:48 | |
there lived Neanderthals, with their beautiful voice. | 0:00:48 | 0:00:51 | |
SQUAWKS | 0:00:51 | 0:00:53 | |
Relax and unwind with a selection of timeless classics. | 0:00:53 | 0:00:57 | |
The golden age of rock. | 0:00:57 | 0:00:59 | |
Well, rocks. | 0:00:59 | 0:01:00 | |
From massive club hits... | 0:01:00 | 0:01:02 | |
Aaah! | 0:01:02 | 0:01:04 | |
..to haunting romantic duets. | 0:01:04 | 0:01:06 | |
Woman! | 0:01:06 | 0:01:07 | |
Berries! | 0:01:07 | 0:01:09 | |
The unique shape of the Neanderthal throat | 0:01:09 | 0:01:12 | |
combined with their powerful chest and massive noses | 0:01:12 | 0:01:14 | |
creates a sound you'll never forget. | 0:01:14 | 0:01:16 | |
THEY SCREECH | 0:01:16 | 0:01:18 | |
Just perfect for soothing lullabies. | 0:01:18 | 0:01:20 | |
# BABY SLEEP! | 0:01:20 | 0:01:22 | |
# BABY SLEEP! # | 0:01:22 | 0:01:24 | |
BABY CRIES | 0:01:24 | 0:01:25 | |
Yeah! He's singing! | 0:01:25 | 0:01:28 | |
For the first time on one compilation... | 0:01:28 | 0:01:31 | |
SINGS TUNELESS SCALE | 0:01:31 | 0:01:36 | |
Neanderthal Choral Classics - the unique sound | 0:01:39 | 0:01:42 | |
that will echo through the ages. | 0:01:42 | 0:01:44 | |
Order today and get a free mammoth song relaxation CD. | 0:01:44 | 0:01:48 | |
-Mammoth! -TRUMPETING, SCREAMING | 0:01:48 | 0:01:51 | |
Neanderthal Choral Classics. | 0:01:56 | 0:01:58 | |
It's a mammoth hit! | 0:01:58 | 0:01:59 | |
What a racket. | 0:01:59 | 0:02:01 | |
Even I could do better than that. | 0:02:01 | 0:02:03 | |
So I'm starting a band. | 0:02:03 | 0:02:06 | |
We'll be the biggest rat sensation since The Squeakend. | 0:02:06 | 0:02:09 | |
The Squeakend! | 0:02:09 | 0:02:11 | |
All I need is a name, some songs | 0:02:11 | 0:02:13 | |
and some bandmates. | 0:02:13 | 0:02:15 | |
Easy! I could have three cats fighting in a cupboard | 0:02:15 | 0:02:18 | |
and sound less scary than those Neanderthals. | 0:02:18 | 0:02:21 | |
Mind you, there was a time when music was meant to be scary. | 0:02:21 | 0:02:26 | |
Er, where do you think you're off to, young Celt? | 0:02:26 | 0:02:29 | |
I'm off out to play with my axe. | 0:02:29 | 0:02:31 | |
What about your music lesson? Your teacher will be here any minute. | 0:02:31 | 0:02:34 | |
-Oh, Ma. -I didnae spend two weeks' peat harvest | 0:02:34 | 0:02:38 | |
on a brand-new carnyx war horn | 0:02:38 | 0:02:39 | |
for you to leave it hanging up on the hut wall. | 0:02:39 | 0:02:42 | |
I hate the stupid carnyx. | 0:02:42 | 0:02:44 | |
CRASH, WHINNYING | 0:02:44 | 0:02:45 | |
You'll not be saying that | 0:02:45 | 0:02:46 | |
when you've led your tribe into battle against the Romans with it, | 0:02:46 | 0:02:49 | |
wee man. Noo then, let's hear the piece you've been working on. | 0:02:49 | 0:02:52 | |
HE SIGHS | 0:02:52 | 0:02:54 | |
STUTTERY TUNELESS SQUALL | 0:02:56 | 0:02:59 | |
What was that supposed to be?! | 0:02:59 | 0:03:02 | |
This is how it's supposed to sound. | 0:03:02 | 0:03:05 | |
DEEP RESONANT NOTE | 0:03:05 | 0:03:10 | |
Oh! That was absolutely shocking. | 0:03:12 | 0:03:16 | |
Cheers. | 0:03:16 | 0:03:17 | |
You see? The carnyx is meant to strike fear into the heart | 0:03:17 | 0:03:21 | |
of whoever hears it. | 0:03:21 | 0:03:23 | |
Try again. | 0:03:23 | 0:03:24 | |
OFF-KEY NOTES | 0:03:26 | 0:03:29 | |
You're getting worse! | 0:03:29 | 0:03:31 | |
Well done. | 0:03:31 | 0:03:32 | |
I wish my parents had made me learn when I was a bairn. | 0:03:32 | 0:03:36 | |
It's never too late, you know! | 0:03:36 | 0:03:38 | |
RUMBLING | 0:03:38 | 0:03:39 | |
You sound quite dreadful, | 0:03:39 | 0:03:41 | |
but you're still not giving me nightmares. Again. | 0:03:41 | 0:03:43 | |
RESONANT NOTE, RUMBLING | 0:03:43 | 0:03:46 | |
That was it! Look! | 0:03:48 | 0:03:51 | |
Your neighbours are running for the Trossachs! | 0:03:51 | 0:03:53 | |
And your mother's ears are bleeding. | 0:03:53 | 0:03:55 | |
You did that. | 0:03:55 | 0:03:57 | |
ECHOING DEEP RESONANT NOTE | 0:03:58 | 0:04:01 | |
PTHRRT! | 0:04:03 | 0:04:05 | |
-Smell that, son? -Aye. | 0:04:05 | 0:04:08 | |
You just made me broon my breeks. | 0:04:08 | 0:04:11 | |
Same time next week? | 0:04:11 | 0:04:13 | |
Oh, son! | 0:04:16 | 0:04:17 | |
You've made your old ma... | 0:04:17 | 0:04:19 | |
-FARTING -..proud. | 0:04:19 | 0:04:21 | |
We Vikings can be pretty terrifying, too, | 0:04:23 | 0:04:27 | |
and scare the living daylights out of our enemies. | 0:04:27 | 0:04:29 | |
Although not with our music. | 0:04:29 | 0:04:31 | |
What we sometimes listen to might surprise you. | 0:04:31 | 0:04:35 | |
CHEERING | 0:04:35 | 0:04:36 | |
By Odin, what a great battle! | 0:04:36 | 0:04:40 | |
100 Anglo-Saxons are no match for even one Viking warrior. | 0:04:40 | 0:04:45 | |
-Ho! -It's so cool when we do that. | 0:04:45 | 0:04:47 | |
Now, are there any Anglo-Saxons left in the village? | 0:04:47 | 0:04:52 | |
-No, sire. We chased them all away. -Good. | 0:04:52 | 0:04:54 | |
Well, in that case, are you ready to party hard? | 0:04:54 | 0:04:59 | |
CHEERING | 0:04:59 | 0:05:01 | |
A-one, a-two, a-one, two, three, four! | 0:05:01 | 0:05:04 | |
GENTLE TINKLING MUSIC | 0:05:04 | 0:05:07 | |
Join in if you know the moves! | 0:05:09 | 0:05:11 | |
SNORT | 0:05:14 | 0:05:15 | |
What was that noise? | 0:05:15 | 0:05:18 | |
Was it my little bell? | 0:05:18 | 0:05:19 | |
-Do it again. -TINKLING | 0:05:19 | 0:05:21 | |
-SNORT -There it was again! | 0:05:21 | 0:05:23 | |
We cannot have anyone know about these little dances. | 0:05:23 | 0:05:26 | |
Don't worry, sire. It was probably the wistful sigh | 0:05:26 | 0:05:30 | |
of an ancestor's spirit, also wanting to throw some shapes. | 0:05:30 | 0:05:34 | |
And who can blame them? | 0:05:34 | 0:05:36 | |
In which case, rewind! | 0:05:36 | 0:05:39 | |
CACKLING | 0:05:41 | 0:05:43 | |
Look, it's a Saxon! | 0:05:45 | 0:05:47 | |
I can't breathe! I can't breathe! | 0:05:47 | 0:05:49 | |
You cannot tell anyone what you saw this evening. | 0:05:49 | 0:05:51 | |
You're joking! | 0:05:51 | 0:05:53 | |
Hey, everyone! Come and look at these scary Vikings! | 0:05:53 | 0:05:56 | |
HE MIMICS MUSIC | 0:05:56 | 0:05:58 | |
You're really leaving me with absolutely no choice in this. | 0:06:00 | 0:06:04 | |
Yurgh! | 0:06:04 | 0:06:05 | |
That was harsh. | 0:06:05 | 0:06:07 | |
Shall we continue? | 0:06:07 | 0:06:09 | |
TINKLING STARTS | 0:06:09 | 0:06:10 | |
No, no. Huge buzzkill. | 0:06:10 | 0:06:13 | |
Huge buzzkill for me. | 0:06:13 | 0:06:16 | |
Flail along at home | 0:06:17 | 0:06:18 | |
with Now That's What I Call... Whipping Songs 14th Century. | 0:06:18 | 0:06:22 | |
# Cos if you want to free yourself from sin | 0:06:22 | 0:06:26 | |
# Then, baby, you should go and whip yourself. # | 0:06:26 | 0:06:30 | |
Ooh! Aaah! | 0:06:30 | 0:06:32 | |
It's the popular music craze that's trudging semi-naked across Europe | 0:06:32 | 0:06:35 | |
and whipping away its sins so God will take away the plague. | 0:06:35 | 0:06:39 | |
Now That's What I Call Whipping Songs 14th Century. | 0:06:39 | 0:06:42 | |
# Too late now to say sorry | 0:06:42 | 0:06:45 | |
# Cos we've got boils all over our body. # | 0:06:45 | 0:06:48 | |
Ow! | 0:06:48 | 0:06:49 | |
It's nonstop hits, and slaps, and slashes, | 0:06:49 | 0:06:51 | |
and the more of us that whip ourselves along to the music, | 0:06:51 | 0:06:54 | |
the more God will see we're sorry, and maybe take the plague away. | 0:06:54 | 0:06:57 | |
Please, please, take it away. | 0:06:57 | 0:06:59 | |
# We're going to party like it's 1312 tonight. Come on! | 0:06:59 | 0:07:04 | |
# Cos all I need to make my body ripped | 0:07:04 | 0:07:06 | |
# Is a great big leather whip. # | 0:07:06 | 0:07:09 | |
Ow! | 0:07:09 | 0:07:10 | |
Now That's What I Call Whipping Songs 14th Century. | 0:07:10 | 0:07:15 | |
Yes, it's true. Some people in the Middle Ages | 0:07:15 | 0:07:18 | |
really did sing whilst whipping themselves. | 0:07:18 | 0:07:21 | |
Well, that's one dance craze my new group won't be doing. | 0:07:21 | 0:07:26 | |
Yes, it's time to meet my band! | 0:07:26 | 0:07:28 | |
Hairy Styles, | 0:07:28 | 0:07:30 | |
Justin Sewerpipe, | 0:07:30 | 0:07:31 | |
Flusher, and Stayn Malik. | 0:07:31 | 0:07:33 | |
SPLASH | 0:07:33 | 0:07:35 | |
Oh! Stayn's quit already. | 0:07:35 | 0:07:36 | |
Never mind! We'll carry on without him. | 0:07:36 | 0:07:39 | |
Now, we need to come up with something new. | 0:07:39 | 0:07:42 | |
Maybe we can get some inspiration from this incredible composer. | 0:07:42 | 0:07:47 | |
'With her school at the bottom of the league table | 0:07:47 | 0:07:49 | |
'and in danger of being relegated, | 0:07:49 | 0:07:50 | |
'head teacher Hannah Lawrence | 0:07:50 | 0:07:52 | |
'is under pressure to improve results. | 0:07:52 | 0:07:54 | |
'This...is Historical Educating. | 0:07:54 | 0:07:57 | |
'It's Wednesday morning, | 0:07:58 | 0:08:00 | |
'and class 7F have a new music teacher.' | 0:08:00 | 0:08:02 | |
Wolfgang Amadeus... | 0:08:02 | 0:08:04 | |
Mozart! HE CHUCKLES | 0:08:04 | 0:08:06 | |
But you can call me...Mr Genius. Ja? | 0:08:06 | 0:08:09 | |
What better music teacher than Mozart? | 0:08:10 | 0:08:12 | |
Writing music by the age of four, | 0:08:12 | 0:08:14 | |
first symphony when he was eight. | 0:08:14 | 0:08:16 | |
The kids can look at him and say, "I can do that." | 0:08:16 | 0:08:19 | |
I mean, obviously they CAN'T do it, | 0:08:19 | 0:08:20 | |
they're already too old, but... still. | 0:08:20 | 0:08:23 | |
OK, so you all know my stuff, right? | 0:08:23 | 0:08:26 | |
Of course you do, of course you do. What about this one? | 0:08:26 | 0:08:29 | |
MUSIC: Piano Sonata No.16 in C major by Mozart | 0:08:29 | 0:08:31 | |
-ALL: -No. | 0:08:31 | 0:08:33 | |
OK. What about...this one? | 0:08:33 | 0:08:36 | |
MUSIC: Symphony No.40 in G minor by Mozart | 0:08:36 | 0:08:38 | |
Lovely. Ja? | 0:08:38 | 0:08:39 | |
-ALL: -No. | 0:08:39 | 0:08:40 | |
Come on, you guys. OK, what about...this one? | 0:08:40 | 0:08:44 | |
MUSIC: Eine kleine Nachtmusik, 1st movement by Mozart | 0:08:44 | 0:08:46 | |
-ALL: -No. | 0:08:46 | 0:08:48 | |
Look, I have written over 200 hours of this music, so | 0:08:48 | 0:08:51 | |
I'm just going to keep playing and playing | 0:08:51 | 0:08:53 | |
until somebody recognises something. | 0:08:53 | 0:08:55 | |
-ALL: -Oh, yeah... -Oh, you know it? | 0:08:55 | 0:08:57 | |
It's your favourite one, I thought so. | 0:08:57 | 0:08:59 | |
So we can all agree that I am Mr Genius, ja? | 0:08:59 | 0:09:02 | |
HE FARTS | 0:09:02 | 0:09:04 | |
OK - who is playing the trouser trumpet? | 0:09:05 | 0:09:07 | |
I am yanking your chain - it was me! | 0:09:09 | 0:09:12 | |
I find ge-pumping to be, how you say, hilarious. | 0:09:12 | 0:09:15 | |
I do! I do, really do. | 0:09:15 | 0:09:17 | |
HE FARTS "EINE KLEINE NACHTMUSIK" | 0:09:17 | 0:09:19 | |
Sir... Can we learn some ACTUAL music now? | 0:09:26 | 0:09:28 | |
In a moment. | 0:09:28 | 0:09:30 | |
And...can somebody open a window? | 0:09:30 | 0:09:32 | |
'Mozart is called into the head teacher's office.' | 0:09:32 | 0:09:35 | |
Come in, Mr Mozart. | 0:09:39 | 0:09:41 | |
Is there something the matter, Mrs McSmackybottom? | 0:09:41 | 0:09:44 | |
Not my name - but, yes, there is something the matter. | 0:09:44 | 0:09:46 | |
I understand your teaching methods are a little...off-the-cuff. | 0:09:46 | 0:09:50 | |
HE LAUGHS | 0:09:50 | 0:09:51 | |
-Guff! You said "off the guff"! -You can't behave like that. | 0:09:51 | 0:09:55 | |
Honestly, if Ofsted get wind of this... | 0:09:55 | 0:09:57 | |
Wind! You did actually say "wind" that time. | 0:09:57 | 0:09:59 | |
You're fired. | 0:09:59 | 0:10:00 | |
What? | 0:10:00 | 0:10:02 | |
You can't fire ME. I'm a genius. | 0:10:02 | 0:10:04 | |
A genius who needs a new job. | 0:10:04 | 0:10:06 | |
Job! "Job", that means "poo-poo". | 0:10:06 | 0:10:08 | |
Yeah, I'll...I'll see mein-self out. | 0:10:09 | 0:10:12 | |
There was just one more thing... HE FARTS | 0:10:14 | 0:10:16 | |
Hi. I'm world-famous musician and pianist Mozart. | 0:10:18 | 0:10:22 | |
No, not THAT Mozart - | 0:10:22 | 0:10:24 | |
Wolfgang's my annoying little brother. | 0:10:24 | 0:10:26 | |
I'm Maria Anna, and I was super-famous for my piano playing. | 0:10:26 | 0:10:30 | |
I started when I was eight, | 0:10:30 | 0:10:31 | |
and I played to sell-out crowds all across Europe. | 0:10:31 | 0:10:34 | |
But can you guess what happened to me when I turned 18? Did I... | 0:10:34 | 0:10:37 | |
The answer is... | 0:10:46 | 0:10:48 | |
B. I stayed in Salzburg and gave up performing. | 0:10:48 | 0:10:51 | |
Ja. Then I turned 18. My dad stopped me performing, | 0:10:51 | 0:10:54 | |
because he said I had to get married. | 0:10:54 | 0:10:56 | |
So my little brother Wolfgang took over and became famous instead. | 0:10:56 | 0:11:00 | |
So annoying! | 0:11:00 | 0:11:02 | |
That's totes annoying, Maria Anna. YOU'RE the best - obvs. | 0:11:02 | 0:11:07 | |
If only there was some way to prove it. I know - a musical duel. | 0:11:07 | 0:11:11 | |
It's been done, you know. | 0:11:11 | 0:11:13 | |
The German pianist Daniel Steibelt | 0:11:13 | 0:11:15 | |
once challenged the great Ludwig van Beethoven | 0:11:15 | 0:11:18 | |
to a piano duel - and there could be only one winner. | 0:11:18 | 0:11:22 | |
THEY CHAT | 0:11:22 | 0:11:25 | |
Ludwig van Beethoven. | 0:11:25 | 0:11:28 | |
Greatest composer of all time. | 0:11:28 | 0:11:31 | |
You're too kind. | 0:11:31 | 0:11:32 | |
I challenge you to a duel. | 0:11:32 | 0:11:35 | |
Ja. No, thanks. | 0:11:35 | 0:11:37 | |
Why? You... | 0:11:37 | 0:11:39 | |
-..chicken? -LADIES GASP, MUSIC STOPS | 0:11:40 | 0:11:42 | |
HE CLUCKS BEETHOVEN'S 5TH SYMPHONY | 0:11:42 | 0:11:45 | |
Stop it! | 0:11:48 | 0:11:50 | |
Nobody calls Beethoven "chicken". | 0:11:50 | 0:11:53 | |
Gentlemen...choose your weapon. | 0:11:53 | 0:11:56 | |
I choose... | 0:11:58 | 0:11:59 | |
this piece. By Mozart. | 0:11:59 | 0:12:02 | |
Well... | 0:12:02 | 0:12:04 | |
in that case, I'm going to give you | 0:12:04 | 0:12:06 | |
-a good "Haydn". -ALL GROAN | 0:12:06 | 0:12:08 | |
Joseph Haydn. | 0:12:10 | 0:12:11 | |
Wow. Tough crowd. | 0:12:11 | 0:12:13 | |
Round one... | 0:12:13 | 0:12:16 | |
MUSIC: Piano Sonata in A major by Mozart | 0:12:16 | 0:12:19 | |
MUSIC: Sonata No.60 in C major by Haydn | 0:12:23 | 0:12:27 | |
Round two... | 0:12:29 | 0:12:31 | |
MUSIC: Piano Sonata No.11 in B flat major by Beethoven | 0:12:31 | 0:12:38 | |
CLAPPING | 0:12:43 | 0:12:45 | |
And now, gentlemen, | 0:12:45 | 0:12:47 | |
you must both play a piece of music | 0:12:47 | 0:12:49 | |
that you have never seen before. | 0:12:49 | 0:12:51 | |
MUSIC: Piano Sonata No.11 in B flat major by Beethoven | 0:12:54 | 0:12:57 | |
HE PLAYS A DUFF NOTE, ALL GROAN | 0:13:00 | 0:13:03 | |
ALL GASP | 0:13:10 | 0:13:13 | |
MUSIC: Concerto in G minor, No.6 by Steibelt | 0:13:13 | 0:13:15 | |
CLAPPING | 0:13:32 | 0:13:34 | |
Ha-ha! I could beat you in my sleep. | 0:13:35 | 0:13:38 | |
Fine, you win! You win. | 0:13:38 | 0:13:40 | |
HE PLAYS A FINAL FLOURISH | 0:13:46 | 0:13:49 | |
'It's The H Factor! Where the real superstars are the composers! | 0:13:52 | 0:13:58 | |
'The first hopeful to see the judges... | 0:14:00 | 0:14:04 | |
'is Ludwig van Beethoven!' | 0:14:04 | 0:14:06 | |
OK. So, Beethoven. Why do you think you've got the H Factor? | 0:14:08 | 0:14:12 | |
I can't hear you. I've gone deaf. | 0:14:12 | 0:14:14 | |
But despite my deafness, | 0:14:14 | 0:14:16 | |
many people still consider me the greatest composer of all time. | 0:14:16 | 0:14:20 | |
Yeah, you know...there IS such a thing as overconfidence, Ludwig. | 0:14:20 | 0:14:25 | |
MUSIC: Moonlight Sonata by Beethoven | 0:14:29 | 0:14:32 | |
No... No, no. Two words. Bor-ing. | 0:14:35 | 0:14:38 | |
I think you're wrong, Simon, you've got it all... | 0:14:38 | 0:14:42 | |
I think you are an absolute star, I love it. It's a yes from me. | 0:14:42 | 0:14:45 | |
Sorry, darling, it's a no from me. | 0:14:45 | 0:14:49 | |
From me, it's a... # no-o-o-ooo! # | 0:14:49 | 0:14:52 | |
I'll assume it's a yes. See you at boot camp. Can't wait. | 0:14:52 | 0:14:56 | |
No, no, no, no, no! | 0:15:01 | 0:15:03 | |
Hairy, you need to hit the beat, | 0:15:03 | 0:15:05 | |
then, Flusher, you come in with the bass. | 0:15:05 | 0:15:08 | |
Honestly. Sometimes, this lot put so little effort in. | 0:15:08 | 0:15:12 | |
It's like they're made of cardboard. | 0:15:12 | 0:15:14 | |
They don't get how important music can be. | 0:15:14 | 0:15:16 | |
Ask Harriet Tubman - | 0:15:16 | 0:15:18 | |
she and many of her fellow African-Americans | 0:15:18 | 0:15:21 | |
were slaves in the southern states of the USA, | 0:15:21 | 0:15:24 | |
and singing was just one of the ways they tried to keep their spirits up. | 0:15:24 | 0:15:29 | |
But if you listen carefully, | 0:15:29 | 0:15:30 | |
you might find that wasn't ALL the songs were doing. | 0:15:30 | 0:15:34 | |
-TOGETHER: -# When the sun comes up and the first bird sings | 0:15:34 | 0:15:37 | |
# We'll be digging this field till the night bell rings | 0:15:37 | 0:15:41 | |
# When the sun comes up, dear Lord, we'll say | 0:15:41 | 0:15:45 | |
# The big dumb foreman is coming this way... # | 0:15:45 | 0:15:49 | |
Hey, Tubman! We need to talk. | 0:15:49 | 0:15:52 | |
Now. | 0:15:52 | 0:15:53 | |
I've been gettin' whispers | 0:15:53 | 0:15:55 | |
that y'all slaves are usin' songs to share secret messages. | 0:15:55 | 0:15:59 | |
Why, I'm sure I don't know what you is talking about. | 0:15:59 | 0:16:03 | |
-TOGETHER: -# That big, dumb foreman, he's a total fool | 0:16:03 | 0:16:06 | |
# He's as ugly as a bullfrog and as stupid as a mule... # | 0:16:06 | 0:16:10 | |
Whisper is, y'all usin' songs to help each other escape. | 0:16:10 | 0:16:14 | |
# Now's a bad time for sneakin' through the farm | 0:16:14 | 0:16:17 | |
# The foreman is here and he'll do you some harm | 0:16:17 | 0:16:21 | |
# So wade in the water... # | 0:16:21 | 0:16:25 | |
I'm tellin' you, boss, there ain't no messages in the songs. | 0:16:25 | 0:16:28 | |
And why would I ever lie to you? | 0:16:28 | 0:16:30 | |
Apart from all the really obvious reasons. | 0:16:30 | 0:16:32 | |
# Sorry, but to tell it plain | 0:16:32 | 0:16:35 | |
# A stupid foreman has got no brain... # | 0:16:35 | 0:16:40 | |
All right, then, I believe you. Keep up the good work. | 0:16:40 | 0:16:43 | |
Nice tunes, by the way, guys! | 0:16:43 | 0:16:46 | |
# Sorry, but to tell it plain | 0:16:46 | 0:16:49 | |
# The stupid foreman's go-o-ot no brain... # | 0:16:49 | 0:16:53 | |
I'M the foreman! | 0:16:53 | 0:16:55 | |
Where's everybody gone?! | 0:16:57 | 0:16:59 | |
That's right - | 0:16:59 | 0:17:01 | |
Harriet Tubman really did use coded gospel songs to help slaves escape. | 0:17:01 | 0:17:05 | |
Radical. | 0:17:05 | 0:17:06 | |
And this music led to blues, | 0:17:06 | 0:17:08 | |
which led to jazz and eventually to the pop music you listen to today. | 0:17:08 | 0:17:13 | |
Far out, man. | 0:17:13 | 0:17:14 | |
But not all music is quite so groovy to listen to. | 0:17:14 | 0:17:17 | |
Hi, and welcome back to the Dead Lounge, where we are joined by one | 0:17:18 | 0:17:22 | |
of the 20th century's most famous composers, it's John Cage Jr. | 0:17:22 | 0:17:27 | |
So, John, what are you going to be performing for us today? | 0:17:27 | 0:17:30 | |
Well, I'll be performing my most famous piece, 4'33". | 0:17:30 | 0:17:34 | |
If you know it, join in. | 0:17:34 | 0:17:36 | |
OK - ladies and gentlemen, Mr John Cage Jr. | 0:17:36 | 0:17:39 | |
TOTAL SILENCE | 0:17:45 | 0:17:47 | |
Whenever you're ready. | 0:17:51 | 0:17:52 | |
Sorry, John, we are live, so... if you could just get started. | 0:17:57 | 0:18:00 | |
We HAD started. | 0:18:01 | 0:18:03 | |
-Right... -HE CLEARS HIS THROAT | 0:18:03 | 0:18:05 | |
And again. From the top. | 0:18:05 | 0:18:08 | |
You're not playing anything, are you, though, John? | 0:18:08 | 0:18:11 | |
Exactly. 4'33" is just silence. | 0:18:11 | 0:18:14 | |
It's absolutely no music? | 0:18:14 | 0:18:16 | |
It IS music. Because... EVERYTHING is music, | 0:18:16 | 0:18:19 | |
INCLUDING silence. | 0:18:19 | 0:18:20 | |
All right. | 0:18:20 | 0:18:22 | |
Sorry, how long is this, John? | 0:18:25 | 0:18:26 | |
It's called 4'33" - you know, how long do you think it is? | 0:18:26 | 0:18:30 | |
Four and a half minutes? | 0:18:30 | 0:18:31 | |
It's going to be four and a half hours at this rate. | 0:18:31 | 0:18:34 | |
I mean, you don't need the whole orchestra, do you? | 0:18:34 | 0:18:36 | |
I am here trying to play my music, | 0:18:36 | 0:18:38 | |
my...my silent music, and you do not UNDERSTAND music. | 0:18:38 | 0:18:42 | |
The sound of my baton, that is music. You are just a button pusher! | 0:18:42 | 0:18:46 | |
What's that, John? | 0:18:46 | 0:18:48 | |
Can't hear you, John. It's just silence, isn't it? | 0:18:48 | 0:18:51 | |
INAUDIBLE | 0:18:51 | 0:18:53 | |
Ooh. | 0:18:53 | 0:18:54 | |
'Next to audition, | 0:18:58 | 0:19:00 | |
'all the way from Italy... | 0:19:00 | 0:19:02 | |
'is Gioachino Rossini!' | 0:19:02 | 0:19:05 | |
OK. So you're Rossini, and you're going to play us... | 0:19:05 | 0:19:09 | |
The Overture from The Thieving Magpie. | 0:19:09 | 0:19:12 | |
Before I begin, can I say how wonderful you're looking today? | 0:19:12 | 0:19:15 | |
Oh, thank you, darling! | 0:19:15 | 0:19:18 | |
Sorry, what's going on? Are you writing this now? | 0:19:18 | 0:19:21 | |
OK, I admit it, I've not written it yet. I hate writing overtures, | 0:19:22 | 0:19:26 | |
I always leave it to the last minute. Give me one second. | 0:19:26 | 0:19:28 | |
If I could move my face, | 0:19:28 | 0:19:30 | |
I'd be frowning. Not happy. | 0:19:30 | 0:19:32 | |
Rossini, I love it. You're an absolute star. | 0:19:32 | 0:19:35 | |
If he likes it, I'm definitely out. | 0:19:35 | 0:19:37 | |
From me, it's a | 0:19:37 | 0:19:39 | |
# no-o-o-o-oo-oo-oo! | 0:19:39 | 0:19:42 | |
Wait, wait, wait. What about this? | 0:19:42 | 0:19:44 | |
HE SINGS THE "WILLIAM TELL" OVERTURE | 0:19:44 | 0:19:47 | |
-Stop it... -Rossini Style! | 0:19:47 | 0:19:49 | |
Whoop, whoop... | 0:19:49 | 0:19:50 | |
Rossini, you're embarrassing yourself. | 0:19:50 | 0:19:53 | |
HE CONTINUES SINGING TO HIMSELF | 0:19:53 | 0:19:55 | |
Ooh! | 0:19:55 | 0:19:57 | |
No - we are not calling ourselves Little Mice. | 0:20:00 | 0:20:03 | |
We...are One DiRat-tion. TWANG! | 0:20:03 | 0:20:06 | |
And, no, this isn't my latest dance - | 0:20:06 | 0:20:08 | |
Marcus my pet flea has escaped, and he's particularly bitey today. | 0:20:08 | 0:20:12 | |
Mind you, these dance moves would look pretty good | 0:20:12 | 0:20:15 | |
on rock and roll superstar Elvis Presley. | 0:20:15 | 0:20:19 | |
Back in 1950s America, when he appeared on TV, | 0:20:19 | 0:20:22 | |
his dancing was considered dangerous! | 0:20:22 | 0:20:25 | |
Oooh! Aagh! Oooh! | 0:20:25 | 0:20:27 | |
CLANG Rattus has left the building! | 0:20:27 | 0:20:31 | |
Well, uh, thank you very much | 0:20:31 | 0:20:32 | |
for having me back on The Ed Sullivan Show, sir. | 0:20:32 | 0:20:34 | |
It's our pleasure, Elvis, | 0:20:34 | 0:20:36 | |
we're huge fans of this new ready to roll music of yours. | 0:20:36 | 0:20:39 | |
It's called rock and roll. It's very popular with the teenagers. | 0:20:39 | 0:20:43 | |
We just love your music - | 0:20:43 | 0:20:46 | |
just a few folks ain't so keen on the dancing. | 0:20:46 | 0:20:49 | |
What do they say about it, sir? | 0:20:49 | 0:20:51 | |
Well, it's not so much the saying, more the, um... | 0:20:51 | 0:20:54 | |
the protestin', | 0:20:54 | 0:20:55 | |
and the burnin' of effigies of you | 0:20:55 | 0:20:57 | |
-in St Louis and Nashville. -Uh-huh. | 0:20:57 | 0:20:59 | |
But if you tone it down a touch, we're there. | 0:20:59 | 0:21:02 | |
Whatever you say, sir. | 0:21:02 | 0:21:04 | |
Let's just take a little peeky-boo at the performance, | 0:21:04 | 0:21:07 | |
and we'll see what we're going to record. | 0:21:07 | 0:21:10 | |
In three, two, one... | 0:21:10 | 0:21:12 | |
# Well, since my baby left me... # | 0:21:12 | 0:21:15 | |
Ohhh! | 0:21:15 | 0:21:16 | |
Whoa-hoa...! What was that? | 0:21:16 | 0:21:19 | |
What, this? | 0:21:19 | 0:21:20 | |
Ohhh... | 0:21:20 | 0:21:22 | |
Listen, young man, you... | 0:21:22 | 0:21:24 | |
HE CLEARS HIS THROAT | 0:21:26 | 0:21:27 | |
I told you to tone it down, snake hips! | 0:21:28 | 0:21:32 | |
Women and children watch this show. | 0:21:32 | 0:21:34 | |
Well, uh...that's my thing. | 0:21:34 | 0:21:35 | |
Ohhh... | 0:21:35 | 0:21:37 | |
Tell you what - Derek, just shoot him from the waist up. | 0:21:37 | 0:21:39 | |
I'm not going to be responsible | 0:21:39 | 0:21:41 | |
for the disintegration of civilisation. Rehearse, | 0:21:41 | 0:21:43 | |
three, two, one. | 0:21:43 | 0:21:44 | |
# ..baby left me... | 0:21:44 | 0:21:46 | |
-Ohhh! -Whoa, | 0:21:46 | 0:21:47 | |
those arms are indecent. | 0:21:47 | 0:21:49 | |
Indecent arms. | 0:21:49 | 0:21:51 | |
Just let's... Derek, just get the head... | 0:21:51 | 0:21:54 | |
Even you can't do anything with just your face. | 0:21:54 | 0:21:56 | |
-Well, I guess not, sir. -OK, well...we'll go with that. | 0:21:56 | 0:21:59 | |
Wait, does this count? Uh-huh-huh... | 0:21:59 | 0:22:01 | |
-Whoa! -THUD | 0:22:01 | 0:22:02 | |
Hey, and welcome back to the Dead Lounge - | 0:22:04 | 0:22:08 | |
the home, hopefully, at some point, of some of history's finest music. | 0:22:08 | 0:22:12 | |
Now, I'm joined in the studio by our next act. | 0:22:12 | 0:22:14 | |
He was a sensation in the '60s - | 0:22:14 | 0:22:17 | |
ladies and gentlemen, | 0:22:17 | 0:22:18 | |
the one and only Jimi Hendrix. | 0:22:18 | 0:22:21 | |
Hey, man. How's it going? | 0:22:21 | 0:22:23 | |
Hi, Jimi. Now, your guitar playing is legendary, | 0:22:23 | 0:22:26 | |
and I hear you caused a real sensation | 0:22:26 | 0:22:28 | |
at the Monterey Festival in '67. | 0:22:28 | 0:22:31 | |
Yeah, yeah. Them cats are really into it. | 0:22:31 | 0:22:34 | |
-You want us to do what we did back at the Monterey? -Yes, I do. | 0:22:34 | 0:22:36 | |
-Yes, I sure as darn it do. -HE LAUGHS | 0:22:36 | 0:22:39 | |
Take it away, Jimi Hendrix. | 0:22:39 | 0:22:42 | |
HE PLAYS A COOL RIFF | 0:22:42 | 0:22:43 | |
Jimi's playing is so hot, | 0:22:48 | 0:22:51 | |
it's like I can actually smell the burning. | 0:22:51 | 0:22:54 | |
-SIZZLING -I can smell burning. | 0:22:54 | 0:22:57 | |
Is that his guitar on fire?! Is that his guitar on fire? | 0:22:58 | 0:23:01 | |
Fire! Everyone out, get out, get out. | 0:23:01 | 0:23:04 | |
What kind of rock star doesn't follow | 0:23:04 | 0:23:05 | |
basic health and safety procedures? | 0:23:05 | 0:23:07 | |
OK... | 0:23:08 | 0:23:10 | |
I have a new piece - | 0:23:10 | 0:23:12 | |
Nine Minutes Six Seconds. | 0:23:12 | 0:23:13 | |
'It's time...for the last composer of the day!' | 0:23:20 | 0:23:24 | |
So, who are you, darling? | 0:23:25 | 0:23:27 | |
-I'm, er... -HE CLEARS HIS THROAT | 0:23:27 | 0:23:29 | |
-SNIFFLING: -..Henry Purcell. | 0:23:29 | 0:23:31 | |
I'm sorry. Are you OK? | 0:23:32 | 0:23:34 | |
I haven't seen someone looking this bad | 0:23:34 | 0:23:35 | |
since I saw Louis without make-up. | 0:23:35 | 0:23:38 | |
PURCELL COUGHS | 0:23:38 | 0:23:39 | |
I came home late from the pub last night and, erm... | 0:23:39 | 0:23:42 | |
my wife locked me out. | 0:23:42 | 0:23:43 | |
Well done, missus! | 0:23:43 | 0:23:45 | |
Right. | 0:23:45 | 0:23:47 | |
HE CLEARS HIS THROAT | 0:23:47 | 0:23:48 | |
-UPBEAT ELECTRONIC RHYTHM -Erm... | 0:23:48 | 0:23:51 | |
Sorry, it's just, I'm used to playing a rather... | 0:23:52 | 0:23:55 | |
a rather different one. | 0:23:55 | 0:23:57 | |
How about...this? | 0:23:57 | 0:24:00 | |
-STEADY BACKING BEAT -Ah. There you go. | 0:24:00 | 0:24:04 | |
MUSIC: Trumpet Tune and Air by Purcell | 0:24:04 | 0:24:06 | |
OK, stop there... | 0:24:12 | 0:24:13 | |
I like it. It's a yes from me. | 0:24:13 | 0:24:16 | |
I thought it was FABULOUS, darling, it's yes from me. | 0:24:17 | 0:24:21 | |
# Ye-e-e-e-e-e-e-e-e-es # from me-e-e. | 0:24:21 | 0:24:26 | |
Purcell, I love it. You're an absolute star. | 0:24:26 | 0:24:28 | |
So - that's three yeses and one idiot. | 0:24:28 | 0:24:31 | |
Henry Purcell, you're through to the next round. | 0:24:31 | 0:24:34 | |
HE SPLUTTERS | 0:24:34 | 0:24:37 | |
Talented, AND dead. Kerching. | 0:24:37 | 0:24:40 | |
Purcell really did die of a cold | 0:24:45 | 0:24:46 | |
after being locked out of the house by his wife. | 0:24:46 | 0:24:50 | |
Nice beat, though! I might use that for my first solo track. | 0:24:50 | 0:24:53 | |
Yeah, I decided to quit the band and go it alone, | 0:24:53 | 0:24:56 | |
with my new stage name, Ed Shee-Rat! Yeah. | 0:24:56 | 0:25:01 | |
From the Neanderthals to the present day, | 0:25:01 | 0:25:03 | |
people have always wanted great music. | 0:25:03 | 0:25:05 | |
Which is a shame, because my music stinks. | 0:25:05 | 0:25:08 | |
No - I'm no Queen Cleopatra of Egypt. | 0:25:08 | 0:25:11 | |
She could sing, dance | 0:25:11 | 0:25:12 | |
AND play the lyre. | 0:25:12 | 0:25:15 | |
Now, then. Where's that beat? | 0:25:15 | 0:25:17 | |
# Uhh, uhh, aah | 0:25:17 | 0:25:19 | |
# Uhh, uhh, aah | 0:25:19 | 0:25:22 | |
# A voice, a beat, a melody How music began | 0:25:22 | 0:25:26 | |
-# I play this very nicely. -Lyre... -# Really - I can | 0:25:26 | 0:25:30 | |
# A harp, a flute And this is really funky | 0:25:30 | 0:25:33 | |
-# Before that came the Swedish horn -It's cold as a brass monkey! | 0:25:33 | 0:25:37 | |
-# 700 BC -Greek song contests, we're told | 0:25:37 | 0:25:40 | |
-# In Chalcis, each tune is judged -Is Simon Cowell that old? | 0:25:40 | 0:25:44 | |
# We Greeks invent the organ, and we're musical, Greased Lightnin'! | 0:25:44 | 0:25:47 | |
# And Celts, the horn of war | 0:25:47 | 0:25:49 | |
# That sounds pretty frightening | 0:25:49 | 0:25:51 | |
-# Music, music, music -# Where did it all come from? | 0:25:51 | 0:25:54 | |
-# Music, music, music -# We just love to sing along | 0:25:54 | 0:25:58 | |
-# Music, music, music -# Creativity at its best | 0:25:58 | 0:26:02 | |
-# Music, music, music -# I wonder what came next | 0:26:02 | 0:26:05 | |
# Gregorian chanting introduces monk rock | 0:26:05 | 0:26:10 | |
# Adding harmonies entertains the church flock | 0:26:10 | 0:26:14 | |
# Then came troubadours, of course | 0:26:14 | 0:26:17 | |
# Play the sackbutt, if you've patience | 0:26:17 | 0:26:21 | |
# Apart from banning women, it's a musical renaissance | 0:26:21 | 0:26:25 | |
# Vivaldi, Bach and Handel, new music causes shock | 0:26:25 | 0:26:29 | |
# Can YOU handle these changes? Are you ready to baroque? | 0:26:29 | 0:26:33 | |
# Forget what has gone before | 0:26:33 | 0:26:36 | |
# We call that Jurassic | 0:26:36 | 0:26:40 | |
# Listen to our symphonies | 0:26:40 | 0:26:44 | |
# Each one is a classic | 0:26:44 | 0:26:47 | |
# Opera! Popular! | 0:26:47 | 0:26:50 | |
# Romantic, not elitist | 0:26:50 | 0:26:53 | |
# Mahler, Verdi, Wagner | 0:26:53 | 0:26:55 | |
# That is not a bad list | 0:26:55 | 0:26:58 | |
# So the story told so far, music's mostly fun | 0:26:58 | 0:27:01 | |
# But oh so many ch-ch-ch-ch-changes gonna come | 0:27:01 | 0:27:05 | |
# Mass-produced pianos really strike a chord | 0:27:05 | 0:27:09 | |
'# What's that on the phonograph? It's a record' | 0:27:09 | 0:27:13 | |
# Immigrants to the US bring their music heart and soul | 0:27:13 | 0:27:17 | |
# Afro, Jews plus jazz and blues equals rock and roll! | 0:27:17 | 0:27:22 | |
# My singing changes everything, uh-huh-huh | 0:27:22 | 0:27:25 | |
# It's all shook up | 0:27:25 | 0:27:28 | |
# The USA... | 0:27:28 | 0:27:29 | |
# Led the way... | 0:27:29 | 0:27:31 | |
-# Until we turned up -Oooh! | 0:27:31 | 0:27:35 | |
# Pop music explodes | 0:27:35 | 0:27:37 | |
# Too many styles to mention | 0:27:37 | 0:27:40 | |
# Rock, dance, rap and R&B | 0:27:40 | 0:27:43 | |
# Now there's only one direction | 0:27:43 | 0:27:47 | |
# Whatever has been | 0:27:47 | 0:27:50 | |
# Whatever may appear | 0:27:50 | 0:27:53 | |
# Every piece of music | 0:27:53 | 0:27:56 | |
# Finds its way | 0:27:56 | 0:27:58 | |
# Back | 0:27:58 | 0:28:00 | |
-# Uhh... -Here! | 0:28:00 | 0:28:02 | |
# ..uhh, aah | 0:28:02 | 0:28:04 | |
# Uhh, uhh. # | 0:28:04 | 0:28:06 | |
It's another hit! | 0:28:09 | 0:28:12 | |
LAUGHTER | 0:28:12 | 0:28:14 | |
-Och, it's never... -INDISTINCT | 0:28:14 | 0:28:17 | |
Generic Scottish sayings. | 0:28:17 | 0:28:19 | |
LAUGHTER | 0:28:19 | 0:28:20 | |
# The past is no longer a mystery | 0:28:20 | 0:28:23 | |
# Hope you enjoyed | 0:28:23 | 0:28:25 | |
# Horrible Histories! # | 0:28:25 | 0:28:27 |