Browse content similar to Lenny the Hero. Check below for episodes and series from the same categories and more!
Line | From | To | |
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Welcome to Hotel Trubble. | 0:00:01 | 0:00:03 | |
Meet Sally, our receptionist. | 0:00:03 | 0:00:05 | |
People! Trying to have a conversation here! | 0:00:05 | 0:00:08 | |
And, this is Lenny. | 0:00:08 | 0:00:09 | |
He's a man of many talents. | 0:00:09 | 0:00:11 | |
-This is Dolly, she's Mr Trubble's... -HE CLEARS HIS THROAT | 0:00:11 | 0:00:15 | |
..fiance. | 0:00:15 | 0:00:17 | |
And, this is Mrs Poshington, the new cleaner. | 0:00:17 | 0:00:20 | |
Which, just leaves me, Jamie... | 0:00:20 | 0:00:22 | |
I'm the bell boy. | 0:00:22 | 0:00:24 | |
# Hotel Trubble forever | 0:00:24 | 0:00:26 | |
# It's the pits and we know | 0:00:26 | 0:00:29 | |
# We're stuck but we love it | 0:00:29 | 0:00:32 | |
# Hotel Trubble forever | 0:00:32 | 0:00:34 | |
# We're a team staying calm Arm in arm | 0:00:34 | 0:00:37 | |
# So the hotel survives | 0:00:37 | 0:00:39 | |
# Trubble, Trubble | 0:00:39 | 0:00:41 | |
# Keep the hotel alive. # | 0:00:41 | 0:00:44 | |
Right, next on the agenda is Mrs Poshington. | 0:00:44 | 0:00:50 | |
Ah, yeah, a bit delicate this. | 0:00:50 | 0:00:52 | |
Mrs Poshington? | 0:00:52 | 0:00:54 | |
-Mrs P? -Allow me. | 0:00:54 | 0:00:58 | |
Mrs Poshington! RUMBLING | 0:00:58 | 0:01:00 | |
Hello? | 0:01:00 | 0:01:02 | |
-SHOUTING: -We've had another complaint about you, Mrs Poshington. | 0:01:02 | 0:01:05 | |
Sleeping on the job. | 0:01:05 | 0:01:06 | |
Oh, Jamie, surely there's no harm in me | 0:01:06 | 0:01:09 | |
taking a little nap in the guest beds. | 0:01:09 | 0:01:12 | |
Er, yes! | 0:01:12 | 0:01:14 | |
With the guests still in them. | 0:01:14 | 0:01:16 | |
# They long to be, close to you... # | 0:01:16 | 0:01:21 | |
HE SCREAMS | 0:01:21 | 0:01:24 | |
No wonder the hotel's doing so badly. | 0:01:25 | 0:01:28 | |
Stop shouting, Jamie! | 0:01:28 | 0:01:29 | |
This is the worst birthday party I've ever been to. | 0:01:29 | 0:01:31 | |
-It's not a party, Lenny, it's a meeting. -Oh! Not again! | 0:01:31 | 0:01:36 | |
Good job I brought my own cake though. | 0:01:36 | 0:01:39 | |
# Happy birthday! Happy birthday! # | 0:01:39 | 0:01:42 | |
Is that it, then, can we go? | 0:01:44 | 0:01:46 | |
No! Next on the agenda is...Sally. | 0:01:46 | 0:01:51 | |
Is this going to take long? | 0:01:51 | 0:01:52 | |
Because there's a toilet in room 102 that has my name on it. | 0:01:52 | 0:01:58 | |
LENNY GROANS | 0:01:58 | 0:02:00 | |
Come on then, Jamie, spit it out. | 0:02:00 | 0:02:03 | |
You know what I'm going to say, don't you, Sally? | 0:02:03 | 0:02:05 | |
-Hmm... That you regret having such a flat, square head? -No! | 0:02:05 | 0:02:10 | |
Hey! No, what I'm going to say, Sally, is you're a receptionist. | 0:02:10 | 0:02:14 | |
-Start answering the phones instead of breaking them! -RUMBLING | 0:02:16 | 0:02:20 | |
PHONE RINGS | 0:02:20 | 0:02:22 | |
PHONE RINGS | 0:02:25 | 0:02:27 | |
Here. | 0:02:27 | 0:02:28 | |
PHONE RINGS | 0:02:30 | 0:02:32 | |
Telephone! Telephone! Telephone! | 0:02:34 | 0:02:36 | |
I don't know what you're talking about. | 0:02:36 | 0:02:39 | |
PHONE RINGS | 0:02:39 | 0:02:42 | |
SMASH! | 0:02:44 | 0:02:47 | |
We really need to up our games, guys. | 0:02:47 | 0:02:50 | |
Come up with new ideas to make the hotel really unique. You know? | 0:02:50 | 0:02:54 | |
Any suggestions? | 0:02:54 | 0:02:56 | |
Any serious suggestions? | 0:02:56 | 0:02:58 | |
Sally, look, what I'm doing here. | 0:03:01 | 0:03:04 | |
Sally, look! | 0:03:04 | 0:03:06 | |
Oh, oh... | 0:03:06 | 0:03:08 | |
SMASH! | 0:03:08 | 0:03:10 | |
You know, sometimes I feel like no-one even knows I exist. | 0:03:13 | 0:03:17 | |
Do you ever get like that, Sally? Sally? | 0:03:17 | 0:03:21 | |
-Sally? -Do what? | 0:03:21 | 0:03:23 | |
LENNY SIGHS | 0:03:23 | 0:03:25 | |
Sally, watch this. | 0:03:25 | 0:03:27 | |
Open! | 0:03:28 | 0:03:30 | |
Open! | 0:03:32 | 0:03:33 | |
Erm, what am I watching, exactly? | 0:03:33 | 0:03:35 | |
You talking to the door? | 0:03:35 | 0:03:37 | |
It's a new plan I have to renovate the hotel. | 0:03:37 | 0:03:40 | |
It's just a few teething problems right now, that's all. | 0:03:40 | 0:03:43 | |
Let's try this one. | 0:03:43 | 0:03:45 | |
Open. | 0:03:48 | 0:03:49 | |
Open. | 0:03:50 | 0:03:52 | |
Open! | 0:03:54 | 0:03:56 | |
Oh, come on! | 0:03:56 | 0:03:57 | |
SHE LAUGHS | 0:03:57 | 0:03:59 | |
Look, I told you, you see! | 0:03:59 | 0:04:01 | |
AEROSOL HISSES | 0:04:06 | 0:04:08 | |
-Told me, what? -That's better. | 0:04:11 | 0:04:13 | |
That my voice-recognition technology would be a success. | 0:04:13 | 0:04:16 | |
I downloaded it straight from the Internet, | 0:04:16 | 0:04:19 | |
so it's bound to be reliable. Look! | 0:04:19 | 0:04:21 | |
Call Mr Trubble. | 0:04:26 | 0:04:28 | |
Call Mr Trubble! | 0:04:32 | 0:04:35 | |
Call Trubbly Wubbly! | 0:04:35 | 0:04:36 | |
CREAKING | 0:04:36 | 0:04:38 | |
Oh, yeah, that door's always been a bit loose. | 0:04:39 | 0:04:42 | |
Jamie, would you mind fixing that? | 0:04:42 | 0:04:45 | |
I'm just going to go and speak to the lift. | 0:04:45 | 0:04:48 | |
If I'm not back in an hour, would you call an ambulance. | 0:04:48 | 0:04:53 | |
Well, she'll be gone for more than an hour, | 0:04:53 | 0:04:56 | |
-we don't have a lift! -SHE LAUGHS | 0:04:56 | 0:04:58 | |
Jamie, I've been thinking of some new ideas to make the hotel better. | 0:04:58 | 0:05:02 | |
Lenny, we don't pay you to think. Now, fix that door. | 0:05:02 | 0:05:05 | |
JUNGLE CALLS | 0:05:05 | 0:05:08 | |
I was thinking I could do some of my tricks. | 0:05:08 | 0:05:11 | |
I've always told you I can lift 50 times my own bodyweight | 0:05:11 | 0:05:14 | |
and run faster than the speed of light. | 0:05:14 | 0:05:16 | |
Lenny, I've told you before - you've got to stop confusing | 0:05:16 | 0:05:19 | |
things you've had a dream about with things you can actually do. | 0:05:19 | 0:05:22 | |
You didn't invent a never-ending pencil, either. | 0:05:22 | 0:05:26 | |
Yes, I did, I can show it to you. | 0:05:26 | 0:05:28 | |
No, I'm not interested in seeing that. | 0:05:28 | 0:05:30 | |
I've got to show Sally something. Sally, come with me. | 0:05:30 | 0:05:32 | |
Honestly, tell me, on a scale of one to ten, | 0:05:32 | 0:05:35 | |
with one being the least boring and ten being the most boring, | 0:05:35 | 0:05:38 | |
-how boring is this going to be? -To me, one. | 0:05:38 | 0:05:41 | |
To you... | 0:05:41 | 0:05:43 | |
..150. | 0:05:44 | 0:05:45 | |
Oh, better than expected. | 0:05:45 | 0:05:47 | |
Jamie, what have you done to the TV room? | 0:05:47 | 0:05:50 | |
It's not the TV room any more. | 0:05:50 | 0:05:52 | |
-It's the Palace of Stars! Behold! -FANFARE | 0:05:52 | 0:05:56 | |
All the celebrity guests we've had staying at the hotel. | 0:05:56 | 0:06:00 | |
Celebrities? He unblocked the drains. | 0:06:00 | 0:06:03 | |
Well, if you want to quibble. | 0:06:03 | 0:06:05 | |
And this one says, "Thanks for a great stay at Hotel Trubble, | 0:06:05 | 0:06:08 | |
"I hope your dentures don't cause you any more problems." | 0:06:08 | 0:06:12 | |
It's an unusual message, sure. | 0:06:12 | 0:06:14 | |
That was Mrs P's dentist. | 0:06:14 | 0:06:16 | |
Don't you see? Once people realise | 0:06:16 | 0:06:18 | |
what a celebrity magnet we are, they'll come in droves! | 0:06:18 | 0:06:21 | |
Action stations, everyone, stop what you're doing. | 0:06:21 | 0:06:26 | |
We have a very important guest arriving. | 0:06:26 | 0:06:28 | |
Ooh, is it the pest controller! At last. | 0:06:28 | 0:06:32 | |
You know, that kitchen's got so many rats, chef's got them making jam. | 0:06:32 | 0:06:35 | |
-NEW YORK ACCENT: -What sort of jam you making? | 0:06:35 | 0:06:38 | |
Traffic jam, rat-face. | 0:06:38 | 0:06:41 | |
THEY LAUGH | 0:06:41 | 0:06:43 | |
No! I'm talking about... | 0:06:43 | 0:06:45 | |
Ed Flaxman. | 0:06:45 | 0:06:47 | |
WIND HOWLS | 0:06:51 | 0:06:54 | |
BELL TOLLS | 0:06:54 | 0:06:57 | |
He's only like the most famous news reporter of all time! | 0:06:58 | 0:07:03 | |
Oh, dimwits! Anyway, he's here! | 0:07:04 | 0:07:07 | |
-Guys, this is it! -What is? -Don't you see, if we can get him to put | 0:07:07 | 0:07:11 | |
a story about the hotel in the news, | 0:07:11 | 0:07:13 | |
everybody will want to stay here. | 0:07:13 | 0:07:15 | |
We'll be inundated! | 0:07:15 | 0:07:17 | |
Are you forgetting something? | 0:07:17 | 0:07:19 | |
THIS is Hotel Trubble. | 0:07:19 | 0:07:20 | |
Nothing newsworthy ever happens here. | 0:07:20 | 0:07:23 | |
Nonsense! I'm going go to tell him about the Palace Of Stars. | 0:07:23 | 0:07:28 | |
SALLY SIGHS | 0:07:28 | 0:07:30 | |
BANG! | 0:07:30 | 0:07:32 | |
GLASS SHATTERS | 0:07:32 | 0:07:33 | |
SALLY LAUGHS | 0:07:33 | 0:07:35 | |
SHOES SQUEAK | 0:07:38 | 0:07:40 | |
CREAKING | 0:07:40 | 0:07:42 | |
MAN CLEARS HIS THROAT | 0:07:42 | 0:07:44 | |
Oh... | 0:07:45 | 0:07:46 | |
Hello. | 0:07:46 | 0:07:49 | |
Was I asleep in your bed? | 0:07:49 | 0:07:52 | |
-LOUDLY: -I think so, yes. | 0:07:52 | 0:07:55 | |
Ah... | 0:07:55 | 0:07:56 | |
Perhaps you'd care to explain? | 0:07:57 | 0:08:00 | |
Explain? Oh, ah. | 0:08:00 | 0:08:03 | |
Yes, of course, explain. | 0:08:03 | 0:08:05 | |
Well, you see... | 0:08:05 | 0:08:08 | |
Here in Hotel Trubble, | 0:08:10 | 0:08:12 | |
we pride ourselves in having the softest beds known to man. | 0:08:12 | 0:08:20 | |
The only way to make sure they are the softest beds known to man, | 0:08:20 | 0:08:26 | |
we have to put them to the test by sleeping in them all day, | 0:08:26 | 0:08:33 | |
which I do very well. | 0:08:33 | 0:08:35 | |
I see. | 0:08:36 | 0:08:38 | |
Well, in that case, thanks! | 0:08:38 | 0:08:41 | |
That's exactly the level of service I need. | 0:08:41 | 0:08:43 | |
Phew! | 0:08:43 | 0:08:45 | |
You see, as you can probably tell from my face, | 0:08:45 | 0:08:47 | |
I'm newscaster, Ed Flaxman. | 0:08:47 | 0:08:49 | |
It's my responsibility to actually find the news. | 0:08:49 | 0:08:52 | |
If I don't find any, there won't be any. It's as simple as that. | 0:08:52 | 0:08:56 | |
That does sound very stressful. | 0:08:56 | 0:08:59 | |
Is that why you're here, to find something exciting to go in the news? | 0:08:59 | 0:09:04 | |
Absolutely not! No way! | 0:09:04 | 0:09:06 | |
I'm here to relax, pure and simple. | 0:09:06 | 0:09:09 | |
You see, I grew up in this town. | 0:09:09 | 0:09:12 | |
I love this town. | 0:09:12 | 0:09:14 | |
-Whatever it's called. -How lovely. | 0:09:14 | 0:09:16 | |
-Unusual name for a town. -No, what I meant... | 0:09:16 | 0:09:21 | |
Anyway, let me make one thing clear. | 0:09:21 | 0:09:23 | |
If anything newsworthy happens | 0:09:23 | 0:09:25 | |
while I'm staying here in How Lovely, | 0:09:25 | 0:09:28 | |
I will absolutely blow my top. | 0:09:28 | 0:09:30 | |
ELEPHANT TRUMPETING, RUMBLING | 0:09:30 | 0:09:32 | |
PHONE EMITS A PULSING BEEP | 0:09:32 | 0:09:35 | |
-Hello? -'Hello!' | 0:09:37 | 0:09:39 | |
Hello, Mr Trubble. It's Lenny here. | 0:09:39 | 0:09:42 | |
INDISTINCT ANGRY SHOUTING | 0:09:42 | 0:09:44 | |
Get someone more important to call you back. | 0:09:44 | 0:09:47 | |
Yeah, OK. Bye. | 0:09:48 | 0:09:51 | |
Grow. | 0:09:52 | 0:09:54 | |
Grow. It's hard to tell in this case. | 0:09:54 | 0:09:56 | |
Not necessarily a failure, though. Perhaps I'll try something easier. | 0:09:56 | 0:10:02 | |
Dolly, do you think I'm insignificant? | 0:10:02 | 0:10:05 | |
Not now, Lenny, I'm talking to a chandelier. | 0:10:05 | 0:10:08 | |
Light. | 0:10:08 | 0:10:10 | |
Light. | 0:10:10 | 0:10:11 | |
Light! | 0:10:11 | 0:10:13 | |
It's like I'm not even here! | 0:10:13 | 0:10:15 | |
-Mr Flaxman, can I just... -I thought I'd made myself perfectly clear. | 0:10:15 | 0:10:19 | |
I'm not looking for anything to go on the news. | 0:10:19 | 0:10:22 | |
I'm here on holiday. I'm trying to relax! | 0:10:22 | 0:10:24 | |
Look, it's working! | 0:10:24 | 0:10:26 | |
On! On! | 0:10:26 | 0:10:28 | |
On! | 0:10:28 | 0:10:30 | |
It doesn't look entirely safe. | 0:10:30 | 0:10:32 | |
I'll just, er... | 0:10:32 | 0:10:35 | |
Check the motherboard. | 0:10:35 | 0:10:36 | |
Mr Flaxman... | 0:10:38 | 0:10:39 | |
I've spent long enough in this weird hotel of yours. | 0:10:39 | 0:10:42 | |
I'm here to relax and so far | 0:10:42 | 0:10:44 | |
it's been the most stressful holiday of my entire life! | 0:10:44 | 0:10:47 | |
That's not fair, you've only been here for 45 minutes. | 0:10:47 | 0:10:50 | |
Enough! I don't want to see any of you ever, ever again! | 0:10:50 | 0:10:55 | |
CHANDELIER RATTLES | 0:10:55 | 0:10:57 | |
Nooooooooooo! | 0:10:57 | 0:11:06 | |
MUSIC: "Theme from Superman" by John Williams | 0:11:06 | 0:11:10 | |
GLASS SHATTERS | 0:11:10 | 0:11:12 | |
You saved his life. | 0:11:21 | 0:11:23 | |
How did you even get there in time? | 0:11:23 | 0:11:25 | |
Faster than the speed of light, remember? | 0:11:25 | 0:11:28 | |
I've not seen you before. | 0:11:28 | 0:11:30 | |
-What's your name, son? -Er, Lenny. | 0:11:30 | 0:11:32 | |
-Lenny what? -Lenny Lemon. -Oh... | 0:11:32 | 0:11:35 | |
Stupid name. Almost sounds made up. | 0:11:35 | 0:11:39 | |
Still, I'm sure we can fix that. | 0:11:39 | 0:11:41 | |
What do you mean, fix it? | 0:11:41 | 0:11:43 | |
Let me think. | 0:11:43 | 0:11:44 | |
Mm, Leonard Citrus. | 0:11:44 | 0:11:47 | |
That's it, perfect. | 0:11:47 | 0:11:48 | |
Buckle up, Leonard, you're about to become very, very famous, indeed. | 0:11:48 | 0:11:52 | |
I thought you came here to relax. | 0:11:52 | 0:11:54 | |
When the news comes a calling, you've just got to answer. | 0:11:54 | 0:11:57 | |
Breaking news, this lunchtime. | 0:11:58 | 0:12:00 | |
Unbelievable act of superhuman heroism coming up. | 0:12:02 | 0:12:05 | |
Amazing story about to unfold. | 0:12:06 | 0:12:08 | |
World exclusive right here. | 0:12:09 | 0:12:11 | |
Here it comes. | 0:12:12 | 0:12:13 | |
Hold your ears... | 0:12:14 | 0:12:15 | |
It's here. | 0:12:15 | 0:12:16 | |
Right now! | 0:12:17 | 0:12:18 | |
I'm standing inside Hotel Trubble, where my life has just been saved | 0:12:21 | 0:12:26 | |
by an amazing act of superhuman heroism. | 0:12:26 | 0:12:29 | |
This man, Leonard Citrus... | 0:12:29 | 0:12:31 | |
..has never done anything interesting in his entire life. | 0:12:34 | 0:12:37 | |
Isn't that right, Leonard? | 0:12:37 | 0:12:39 | |
Well, erm... | 0:12:39 | 0:12:41 | |
-Come on, come on! -Yes. | 0:12:41 | 0:12:43 | |
Until today, when he intervened to prevent a chandelier | 0:12:43 | 0:12:46 | |
from falling on this perfect head. | 0:12:46 | 0:12:48 | |
-Isn't that right, Leonard? -Yeah. | 0:12:48 | 0:12:51 | |
Here's a computer reconstruction of exactly what happened as it happened. | 0:12:51 | 0:12:56 | |
(COMPUTER) 'I am Ed Flaxman. | 0:12:56 | 0:12:58 | |
'I am a chandelier. | 0:12:58 | 0:13:00 | |
'I am Leonard Citrus. | 0:13:00 | 0:13:02 | |
'Whoa! Watch out!' | 0:13:02 | 0:13:05 | |
GLASS SHATTERS | 0:13:05 | 0:13:07 | |
Amazing! What have you got to say, Leonard? | 0:13:07 | 0:13:10 | |
Well, I'd just like to thank my mum... | 0:13:10 | 0:13:13 | |
Exactly! That's all from me, back to you in the studio, Jane. | 0:13:13 | 0:13:17 | |
Hi, Jane. | 0:13:17 | 0:13:18 | |
-That's a great story, Lenny. -I know. | 0:13:18 | 0:13:21 | |
Who'd have thought a dog could do an impression of Bruce Forsyth. | 0:13:21 | 0:13:25 | |
Not that story! The one about you. | 0:13:25 | 0:13:28 | |
Oh, right, yeah. I suppose so. | 0:13:28 | 0:13:30 | |
It reminds me of when I was on the news. | 0:13:30 | 0:13:33 | |
-Why were you on the news? -Ah, well... | 0:13:33 | 0:13:35 | |
It's best if I don't say any more about that. For legal reasons. | 0:13:35 | 0:13:41 | |
Oh, look, something dirty. | 0:13:41 | 0:13:44 | |
Needs scrubbing. | 0:13:44 | 0:13:46 | |
Why did Lenny get on the TV? Why not me? | 0:13:46 | 0:13:50 | |
Because Lenny was doing something heroic, | 0:13:50 | 0:13:52 | |
whereas you were applying your lip gloss. | 0:13:52 | 0:13:54 | |
Well, if you're going to split hairs. | 0:13:54 | 0:13:57 | |
Lenny, you're going to be famous! | 0:13:57 | 0:13:59 | |
More importantly, Hotel Trubble's going to be famous. | 0:13:59 | 0:14:02 | |
You're really going to put this place on the map. | 0:14:02 | 0:14:05 | |
-Isn't it already on the map? -No, it's just an expression. | 0:14:05 | 0:14:08 | |
You know, like, "If the cap fits, wear it." | 0:14:08 | 0:14:11 | |
OK. | 0:14:11 | 0:14:12 | |
Never mind. | 0:14:14 | 0:14:15 | |
-Can I help you? -Well, since you're offering. | 0:14:19 | 0:14:21 | |
-Put me on the news. -I think not. | 0:14:21 | 0:14:25 | |
-Are you following me? -Not exactly. -What exactly are you doing? | 0:14:25 | 0:14:28 | |
Nothing, just going to follow | 0:14:28 | 0:14:30 | |
you around a bit, let you see how interesting I am. | 0:14:30 | 0:14:32 | |
You're weird. | 0:14:32 | 0:14:34 | |
# You think I'm psycho, don't you, Mama? # | 0:14:35 | 0:14:39 | |
Oh! | 0:14:40 | 0:14:41 | |
# Mama, pour me a cup | 0:14:41 | 0:14:44 | |
# You think I'm psycho, don't you, Mama? | 0:14:44 | 0:14:48 | |
# You better let them lock me up. # | 0:14:50 | 0:14:52 | |
Ah! | 0:15:01 | 0:15:02 | |
There you are, you naughty boy! | 0:15:02 | 0:15:04 | |
Please, just leave me alone, you creepy woman. | 0:15:04 | 0:15:07 | |
Not until you put me on the news. | 0:15:07 | 0:15:11 | |
Please, please... | 0:15:13 | 0:15:16 | |
Please, please, please... (Please put me on the news.) | 0:15:16 | 0:15:20 | |
Argh! | 0:15:20 | 0:15:21 | |
The fastest way to fame, | 0:15:22 | 0:15:24 | |
fortune and success is to flog your heroic story in a book. | 0:15:24 | 0:15:27 | |
Oh, I don't know. Dolly once asked me to write a note for the milkman. | 0:15:27 | 0:15:31 | |
It took me two-and-a-half weeks! | 0:15:31 | 0:15:33 | |
Don't worry, we'll get a ghost writer to write it. | 0:15:33 | 0:15:36 | |
A ghost writer? But won't the keyboard go through its fingers? | 0:15:36 | 0:15:40 | |
No, a ghost writer is just a normal writer who does all the hard work so | 0:15:40 | 0:15:45 | |
famous people don't have to. | 0:15:45 | 0:15:47 | |
So, what do I do? | 0:15:47 | 0:15:48 | |
Nothing. You just...be you. | 0:15:48 | 0:15:52 | |
I thought me being me was something not many people were interested in. | 0:15:52 | 0:15:55 | |
Nonsense! | 0:15:55 | 0:15:56 | |
I've always said you're a very special young man. | 0:15:56 | 0:15:59 | |
No, you haven't! You once told me I was the human equivalent of a sock. | 0:15:59 | 0:16:02 | |
Warm, but empty. | 0:16:02 | 0:16:04 | |
Remember, just stick to the speech and try not to say anything weird | 0:16:09 | 0:16:13 | |
about the Queen's secret weasel farm or dung beetles living on Mars. | 0:16:13 | 0:16:17 | |
Hello, everyone. Thanks for coming to the launch of my book. | 0:16:21 | 0:16:26 | |
I'd just like to make a quick confession that | 0:16:26 | 0:16:29 | |
I didn't actually write the book. | 0:16:29 | 0:16:31 | |
A ghost wrote it for me. | 0:16:31 | 0:16:34 | |
I know, I was amazed as well. | 0:16:34 | 0:16:36 | |
I thought his hands would go straight through the keys, but they didn't. | 0:16:36 | 0:16:41 | |
Oh, I know. I could show you all my never-ending pencil. | 0:16:41 | 0:16:45 | |
-Lenny. -Lenny, can I have your autograph, please? | 0:16:47 | 0:16:50 | |
I can't believe it, Lenny - | 0:16:51 | 0:16:53 | |
everyone's obsessed with your never-ending pencil. | 0:16:53 | 0:16:56 | |
-Why didn't you tell me about this before? -I did tell you. -Sorry... | 0:16:56 | 0:16:59 | |
You wait till Mr Trubble finds out about this. | 0:16:59 | 0:17:02 | |
This is the busiest we've been in ages. | 0:17:02 | 0:17:05 | |
Clever old me. | 0:17:05 | 0:17:06 | |
Er, aren't these people here to see me? | 0:17:06 | 0:17:09 | |
Yeah, of course, yeah. Anyway, I've organised a treat for you. | 0:17:09 | 0:17:13 | |
Custard cream sandwiches. | 0:17:13 | 0:17:15 | |
That sounds lovely, | 0:17:15 | 0:17:17 | |
but I can't. | 0:17:17 | 0:17:19 | |
Mr Flaxman says he's going to take me out for dinner and we're going to | 0:17:19 | 0:17:22 | |
do an exclusive feature interview and that I can have three courses. | 0:17:22 | 0:17:25 | |
-Whatever that means. -Oh, brilliant. | 0:17:25 | 0:17:28 | |
Ed thinks my never-ending pencil is something else. | 0:17:28 | 0:17:32 | |
Look! | 0:17:32 | 0:17:34 | |
I've only ever been to one restaurant before. | 0:17:37 | 0:17:40 | |
Maybe I should come with you. | 0:17:40 | 0:17:42 | |
Just to make sure you don't confuse the fork for half a spider again. | 0:17:42 | 0:17:46 | |
-Ready, Leonard? -Oh, yeah, ready, Ed. | 0:17:46 | 0:17:49 | |
-See you later, Jamie. -Yeah, see you later, Jimmy. | 0:17:49 | 0:17:51 | |
Jamie. Maybe I could... | 0:17:51 | 0:17:53 | |
-Sorry, can't stop and chat, table's booked for seven. -Oh! | 0:17:53 | 0:17:57 | |
Have a great time! | 0:17:58 | 0:18:01 | |
-Remember it all started... -GLASS SHATTERS | 0:18:01 | 0:18:04 | |
..Hotel Trubble. | 0:18:04 | 0:18:06 | |
It says here that Lenny enjoys slow cooking | 0:18:12 | 0:18:16 | |
and the poems of William Wordsworth. Who knew that? | 0:18:16 | 0:18:20 | |
Where is Lenny? He was supposed to be here half an hour ago! | 0:18:20 | 0:18:25 | |
I know he's a big star and everything, but... | 0:18:25 | 0:18:27 | |
There's still a bunch of menial tasks with his name on them. | 0:18:27 | 0:18:30 | |
Apparently, his favourite food is halibut. | 0:18:30 | 0:18:34 | |
Do you know, I'm learning so much. | 0:18:34 | 0:18:36 | |
It's not like him. | 0:18:36 | 0:18:37 | |
I don't see what the problem is. | 0:18:37 | 0:18:39 | |
Lenny gets rich and famous and the hotel benefits. | 0:18:39 | 0:18:42 | |
It's all good, isn't it? | 0:18:42 | 0:18:43 | |
SMASHING | 0:18:44 | 0:18:45 | |
-Hey, dudes. -Hey. | 0:18:47 | 0:18:48 | |
Lenny, what are you wearing? | 0:18:48 | 0:18:51 | |
These are the latest celebrity clothes. | 0:18:51 | 0:18:53 | |
In fact, this outfit is a hand-me-down from Justin Bieber. | 0:18:53 | 0:18:58 | |
Celebrity... What are you talking about? | 0:18:58 | 0:19:01 | |
I opened three jumble sales this morning, AND an envelope. | 0:19:01 | 0:19:05 | |
Well, you should have been here working. | 0:19:05 | 0:19:07 | |
Work, no way. Ed reckons I don't have to work another day in my life. | 0:19:07 | 0:19:11 | |
So, I quit. | 0:19:11 | 0:19:14 | |
-What? -That's right, Jimmy. -Jamie. -Whatever... | 0:19:14 | 0:19:17 | |
Oh, you... | 0:19:17 | 0:19:18 | |
You are funny, Lenny. | 0:19:18 | 0:19:20 | |
Now, come on, get back to work. | 0:19:22 | 0:19:25 | |
It's not a joke. He's got bigger fish to fry. | 0:19:25 | 0:19:28 | |
Salmon, haddock, mackerel. | 0:19:28 | 0:19:30 | |
About that size, just big fish. | 0:19:30 | 0:19:33 | |
It's just an expression! | 0:19:33 | 0:19:35 | |
-Oh, right. -But you can't leave! | 0:19:35 | 0:19:37 | |
We need you at the hotel. | 0:19:37 | 0:19:40 | |
I said I was quitting, I didn't say I was leaving. | 0:19:40 | 0:19:42 | |
Dolly, hand me the keys to the penthouse suite. I'm moving in. | 0:19:42 | 0:19:47 | |
# When will I, will I be famous? # | 0:19:48 | 0:19:53 | |
PHONE RINGS | 0:19:53 | 0:19:55 | |
Sally, what are you doing? | 0:19:56 | 0:19:58 | |
It's not fair, Jamie! | 0:19:58 | 0:20:00 | |
I was the one that was meant to be famous, not Lenny. | 0:20:00 | 0:20:05 | |
Where's my cardboard cut-out? | 0:20:05 | 0:20:07 | |
If you ever manage to save somebody's life, | 0:20:07 | 0:20:09 | |
you'll get a cardboard cut-out too. | 0:20:09 | 0:20:11 | |
But, until that time... | 0:20:11 | 0:20:12 | |
Yes, I've got it! | 0:20:12 | 0:20:14 | |
I just need to save his life. | 0:20:14 | 0:20:16 | |
# Think I'm psycho, don't you, Mama... # | 0:20:16 | 0:20:20 | |
What, whose life? | 0:20:20 | 0:20:22 | |
-Thanks, Jamie, I could almost kiss you. -OK. | 0:20:22 | 0:20:25 | |
I said, "Almost." | 0:20:27 | 0:20:29 | |
# I think we're alone now | 0:20:29 | 0:20:32 | |
# There doesn't seem to be anyone around | 0:20:32 | 0:20:36 | |
# I think we're alone now | 0:20:36 | 0:20:39 | |
# The beating of our hearts is the only sound... # | 0:20:39 | 0:20:43 | |
What are you doing?! | 0:20:45 | 0:20:47 | |
You stopped breathing, I'm saving your life! | 0:20:47 | 0:20:50 | |
I was asleep! | 0:20:50 | 0:20:51 | |
Save your breath, Mr Flaxman, I'll give you mouth-to-mouth. | 0:20:51 | 0:20:54 | |
MUFFLED SHOUTS | 0:20:57 | 0:20:58 | |
Get off me! | 0:20:58 | 0:21:00 | |
Right, that's it. I'm calling the police. | 0:21:00 | 0:21:03 | |
You've broken my ribs. | 0:21:05 | 0:21:07 | |
What's that? You'd like to cancel? | 0:21:11 | 0:21:13 | |
Oh, you'd rather sleep naked on the top of Mount Etna. | 0:21:13 | 0:21:17 | |
Well, your loss! | 0:21:17 | 0:21:19 | |
That's the third cancellation we've had today. | 0:21:19 | 0:21:22 | |
-No-one wants to stay in the same hotel as Lenny. -I don't blame them. | 0:21:22 | 0:21:25 | |
Ever since he moved in here, it's been a nightmare. | 0:21:25 | 0:21:28 | |
It's like he thinks he's... Dizzie Osborne. | 0:21:28 | 0:21:32 | |
Or, even worse, that... Ozzy Rascal. | 0:21:32 | 0:21:35 | |
I see what you mean. | 0:21:37 | 0:21:40 | |
What's that? | 0:21:40 | 0:21:41 | |
Room service for Lenny. | 0:21:41 | 0:21:43 | |
-He wants a basketful of puppies at room temperature. -What? | 0:21:43 | 0:21:48 | |
That's not the half of it. | 0:21:48 | 0:21:51 | |
The first thing he wanted was a bowl of M&Ms | 0:21:51 | 0:21:55 | |
with the brown ones taken out. | 0:21:55 | 0:21:57 | |
Then it was play dough and a boa constrictor, | 0:21:57 | 0:22:01 | |
12 leafy plants, 24 small towels and a boom box. | 0:22:01 | 0:22:06 | |
And, then he wanted me to shave his back. | 0:22:06 | 0:22:09 | |
Right! That's it, this has to stop. | 0:22:09 | 0:22:12 | |
I'm going up there. | 0:22:12 | 0:22:14 | |
Nothing... Nothing is going to stand in my way. | 0:22:14 | 0:22:18 | |
MUSIC: "In Da Club" By 50 Cent | 0:22:26 | 0:22:28 | |
Ride 'em, cowboy. Yee-ha! | 0:22:33 | 0:22:36 | |
Lenny, I'd like a word. | 0:22:36 | 0:22:38 | |
Whoa, whoa, wait a sec! | 0:22:38 | 0:22:40 | |
What have you done to this room? | 0:22:40 | 0:22:42 | |
Yeah, do you like it? I've Lennied it. | 0:22:42 | 0:22:44 | |
Lenny, what's happened to you? | 0:22:44 | 0:22:47 | |
You can't just do as you please, people are cancelling | 0:22:47 | 0:22:49 | |
left, right and centre. | 0:22:49 | 0:22:50 | |
Oh, is that the time? Sorry, Jamie, I'll have to ask you to leave, | 0:22:50 | 0:22:54 | |
Piers Morgan's due any minute to do a live interview on me. | 0:22:54 | 0:22:57 | |
He specifically requested no bell-boys in the background. | 0:22:57 | 0:23:00 | |
(That means you.) | 0:23:00 | 0:23:02 | |
-Right! -MUSIC STOPS | 0:23:02 | 0:23:04 | |
-What are you doing?! -I've had enough. | 0:23:04 | 0:23:06 | |
It's either you or me, Lenny. | 0:23:06 | 0:23:09 | |
This hotel isn't big enough for the both of us. | 0:23:09 | 0:23:12 | |
Fine... | 0:23:12 | 0:23:14 | |
MUSIC: Theme from The Good, The Bad And The Ugly | 0:23:14 | 0:23:17 | |
SHOTS FIRED | 0:23:40 | 0:23:43 | |
All right, Jamie, I give up. I'm leaving. | 0:23:43 | 0:23:47 | |
-Jamie. -Lenny. | 0:23:47 | 0:23:50 | |
-It's been nice working with you. -So, what are you going to do? | 0:23:50 | 0:23:53 | |
Well, Ed thinks there's enough | 0:23:53 | 0:23:55 | |
interest in my never-ending pencil to take it out on tour. | 0:23:55 | 0:23:58 | |
What, like stadiums and stuff? | 0:23:58 | 0:24:02 | |
-With a pencil? It doesn't even make sense. -It doesn't make sense. | 0:24:02 | 0:24:06 | |
Well, we'll start with | 0:24:06 | 0:24:07 | |
the local old people's homes and then take it from there. | 0:24:07 | 0:24:10 | |
Goodbye. | 0:24:10 | 0:24:12 | |
Are you all right, Jamie? | 0:24:21 | 0:24:23 | |
This day can't get any worse. | 0:24:23 | 0:24:26 | |
PHONE RINGS | 0:24:26 | 0:24:28 | |
Hello, Hotel Trubble. | 0:24:32 | 0:24:34 | |
-'Jamie...' -Sally. Where are you? | 0:24:34 | 0:24:36 | |
'I'm sort of in prison.' | 0:24:36 | 0:24:38 | |
Oh, no! | 0:24:39 | 0:24:42 | |
Bong! Breaking news this lunchtime... | 0:24:42 | 0:24:45 | |
Bong! Relaxing holiday ruined by raving lunatic. Bong! | 0:24:45 | 0:24:50 | |
Bum-faced bumwit responsible for probably the worst holiday | 0:24:50 | 0:24:53 | |
of all time. Bong! | 0:24:53 | 0:24:55 | |
It's not that bad, at least they didn't mention the hotel. | 0:24:55 | 0:24:59 | |
And all of this took place | 0:24:59 | 0:25:00 | |
in probably the worst hotel I've ever stayed at. | 0:25:00 | 0:25:03 | |
Hotel Trubble. | 0:25:03 | 0:25:05 | |
Well, at least they didn't give away the address. | 0:25:05 | 0:25:08 | |
Hotel Trubble, 171 The High Street. | 0:25:08 | 0:25:13 | |
171 The High... TURNS TV OFF | 0:25:13 | 0:25:15 | |
Oh, crumpets. | 0:25:15 | 0:25:18 | |
Sally... why were you in that police car? | 0:25:23 | 0:25:25 | |
Because I've been jailed, Lenny. | 0:25:25 | 0:25:28 | |
If you hadn't got famous, | 0:25:28 | 0:25:29 | |
it would never have occurred to me to get famous. | 0:25:29 | 0:25:32 | |
and I wouldn't have broken Mr Flaxman's ribs trying to save him. | 0:25:32 | 0:25:36 | |
No, what are you doing? | 0:25:39 | 0:25:41 | |
Oh, is your pencil broken? Aw... | 0:25:43 | 0:25:46 | |
Oh, my never-ending pencil. | 0:25:51 | 0:25:53 | |
Lenny... | 0:26:00 | 0:26:02 | |
Can I have my job back, please? | 0:26:02 | 0:26:04 | |
But I thought you were tired of feeling ignored. | 0:26:04 | 0:26:08 | |
I was, but... I was wrong. | 0:26:08 | 0:26:11 | |
I want to stay at Hotel Trubble. | 0:26:11 | 0:26:12 | |
It's my home. | 0:26:12 | 0:26:14 | |
Plus, Sally broke the never-ending pencil, so I guess the tour's off. | 0:26:14 | 0:26:19 | |
Well, in that case then, | 0:26:19 | 0:26:20 | |
why don't you get your uniform back on and get back to work? | 0:26:20 | 0:26:24 | |
Shall I start with unblocking the men's toilets? | 0:26:24 | 0:26:27 | |
Oh, no. Your talents have been severely underestimated, Lenny. | 0:26:27 | 0:26:30 | |
I've got a much bigger and better job for you to do. | 0:26:30 | 0:26:34 | |
OK, Jamie, where do you want me to begin? | 0:26:37 | 0:26:39 | |
Right, Lenny, Dolly wants you to start with the door. | 0:26:39 | 0:26:42 | |
Oh, right, all right. Here goes. | 0:26:42 | 0:26:46 | |
And, open! | 0:26:46 | 0:26:48 | |
Right... | 0:26:52 | 0:26:53 | |
Now... | 0:26:53 | 0:26:55 | |
The plant. | 0:26:55 | 0:26:57 | |
Erm, grow! | 0:26:57 | 0:27:00 | |
And, finally, light! | 0:27:00 | 0:27:03 | |
Hey, hey! | 0:27:03 | 0:27:05 | |
You see, just a small problem with the electrics. | 0:27:05 | 0:27:08 | |
Well done, Lenny. It's good to have you back. | 0:27:08 | 0:27:11 | |
I just hope none of us has any run in with the news again. | 0:27:11 | 0:27:13 | |
Jamie, don't thank me but I just might have | 0:27:13 | 0:27:17 | |
the answer to your prayers. | 0:27:17 | 0:27:20 | |
"The day I woke up in Ed Flaxman's bed." | 0:27:22 | 0:27:25 | |
Mrs P, you sold your story to the papers. | 0:27:25 | 0:27:27 | |
You cheeky devil, you. | 0:27:27 | 0:27:30 | |
To be honest, this isn't really what I had in mind. | 0:27:30 | 0:27:32 | |
In fact, we'll be lucky if we don't have Ed Flaxman's | 0:27:32 | 0:27:34 | |
lawyers on the phone. | 0:27:34 | 0:27:35 | |
PHONE RINGS | 0:27:35 | 0:27:37 | |
Sally... See who it is. | 0:27:38 | 0:27:42 | |
Hello, Hotel Trubble. | 0:27:42 | 0:27:44 | |
MUFFLED SHOUTING | 0:27:44 | 0:27:45 | |
# Hotel Trubble forever | 0:27:52 | 0:27:54 | |
# It's the pits and we know we're stuck, but we love it | 0:27:54 | 0:27:59 | |
# Hotel Trubble forever | 0:27:59 | 0:28:02 | |
# We're a team staying calm, arm in arm, so the hotel survives | 0:28:02 | 0:28:07 | |
# Trubble, trubble Keep the hotel alive! # | 0:28:07 | 0:28:10 | |
E-mail [email protected] | 0:28:10 | 0:28:12 |