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Welcome to the world of Epic, | 0:00:04 | 0:00:06 | |
the place where you can become a master at everything on the planet. | 0:00:06 | 0:00:11 | |
No matter what it is, this programme shows you how to do it, | 0:00:11 | 0:00:15 | |
so sit back, strap yourself in | 0:00:15 | 0:00:17 | |
and get ready to become Epic At Everything! | 0:00:17 | 0:00:21 | |
Welcome to your total random fix of epicness. | 0:00:22 | 0:00:25 | |
We've got an amazing line-up of experts, hotshots | 0:00:27 | 0:00:30 | |
and all-round dudes with the lowdown on how you can do what they can do. | 0:00:30 | 0:00:35 | |
In just 15 minutes, you'll know how to... | 0:00:35 | 0:00:38 | |
shear a sheep... | 0:00:38 | 0:00:39 | |
become a mathematician... | 0:00:39 | 0:00:41 | |
do a trick with an orange... | 0:00:41 | 0:00:43 | |
dance the running man... | 0:00:43 | 0:00:45 | |
play the sitar... | 0:00:45 | 0:00:46 | |
and this kid will show you how to die like a king. | 0:00:46 | 0:00:49 | |
But, before any of that, grab your towel, | 0:00:49 | 0:00:51 | |
because you're about to dive into the sea of epicosity. | 0:00:51 | 0:00:55 | |
And you'll need to take a deep breath to do what this girl does. | 0:00:55 | 0:00:58 | |
Drumming is pretty epic. | 0:01:00 | 0:01:02 | |
But unless you got a spare bedroom, where do you put your drum kit? | 0:01:02 | 0:01:05 | |
SHE BEATBOXES | 0:01:07 | 0:01:08 | |
How about in your mouth, like this girl? | 0:01:08 | 0:01:11 | |
Hey, what's up? My name's Bellatrix, and I'm a world champion beatboxer. | 0:01:13 | 0:01:17 | |
Show off! | 0:01:17 | 0:01:18 | |
I'm going to show you some simple steps of how you can turn yourself | 0:01:18 | 0:01:21 | |
into your very own human beatbox, | 0:01:21 | 0:01:23 | |
so you can impress your friends at parties. | 0:01:23 | 0:01:24 | |
A little something like this... | 0:01:24 | 0:01:26 | |
-SHE BEATBOXES -OK, that's pretty amazing. | 0:01:26 | 0:01:29 | |
How do I do it? | 0:01:29 | 0:01:31 | |
First off, I want you to think of your voice as a drum kit. | 0:01:31 | 0:01:33 | |
OK. | 0:01:33 | 0:01:34 | |
Each of the sounds we're going to be making is going to be | 0:01:34 | 0:01:37 | |
a part of that drum kit, so we'll start with the bass drum. | 0:01:37 | 0:01:40 | |
Which you can think of as the letter B. | 0:01:40 | 0:01:41 | |
Buh-buh-buh. | 0:01:41 | 0:01:44 | |
Buh-buh-buh... Got it. Next? | 0:01:44 | 0:01:45 | |
Next we're going to introduce the high-hat, | 0:01:45 | 0:01:48 | |
which is basically two cymbals that you hit. | 0:01:48 | 0:01:50 | |
They can be represented by the letter T. | 0:01:50 | 0:01:53 | |
Tuh-tuh-tss-tss. | 0:01:53 | 0:01:54 | |
Tss-tss. This is easy. | 0:01:54 | 0:01:56 | |
Finally, we're going to bring in the snare drum. | 0:01:56 | 0:01:58 | |
You can think of the snare drum like the letter K. | 0:01:58 | 0:02:01 | |
Kuh! | 0:02:01 | 0:02:02 | |
O-K. | 0:02:02 | 0:02:04 | |
So, now we've got the three basic sounds. The bass drum - buh-buh... | 0:02:04 | 0:02:08 | |
the high-hat - tss-tss... | 0:02:08 | 0:02:09 | |
and the snare drum - kuh-kuh. | 0:02:09 | 0:02:11 | |
With just those three sounds, you can do a lot. | 0:02:11 | 0:02:14 | |
For example... | 0:02:14 | 0:02:16 | |
SHE BEATBOXES | 0:02:16 | 0:02:18 | |
Whoa! That's great! | 0:02:18 | 0:02:20 | |
Just remember not to try it at the dinner table. | 0:02:20 | 0:02:23 | |
And that's how to be epic at beatboxing. | 0:02:26 | 0:02:28 | |
Thank you, Bellatrix. | 0:02:28 | 0:02:30 | |
That's your first wave of epicness over, but don't dry off just yet, | 0:02:30 | 0:02:33 | |
there's plenty more coming your way - | 0:02:33 | 0:02:35 | |
like maths. No, seriously, it's cool. | 0:02:35 | 0:02:38 | |
Guess what? Maths is like magic. Don't believe me? | 0:02:40 | 0:02:44 | |
This girl's going to prove it. | 0:02:44 | 0:02:45 | |
Hi, I'm Rachel Riley, | 0:02:47 | 0:02:48 | |
and I'm going to teach you how to become a math-magician, | 0:02:48 | 0:02:51 | |
and predict a number that someone's thinking about. | 0:02:51 | 0:02:53 | |
And while there's no actual magic involved, | 0:02:53 | 0:02:56 | |
there is a little bit of maths trickery. | 0:02:56 | 0:02:58 | |
Go on, show us this magic maths. | 0:02:58 | 0:03:00 | |
Think of a number below ten. | 0:03:00 | 0:03:02 | |
-Five. -Now double it. | 0:03:02 | 0:03:03 | |
Five plus five is ten. | 0:03:03 | 0:03:05 | |
Add six to your new number. | 0:03:05 | 0:03:06 | |
Ten plus six is 16. | 0:03:06 | 0:03:08 | |
-Halve it. -Eight. | 0:03:08 | 0:03:10 | |
And lastly, subtract your original number. | 0:03:10 | 0:03:13 | |
Er, three. | 0:03:13 | 0:03:15 | |
Now, using my maths superpowers, | 0:03:15 | 0:03:16 | |
I can tell you that the number you're thinking about... | 0:03:16 | 0:03:20 | |
is three. | 0:03:20 | 0:03:21 | |
No way! How does that work? | 0:03:21 | 0:03:23 | |
The answer is always three - and this is why. | 0:03:23 | 0:03:26 | |
OK, show us how it's done. Different number. | 0:03:26 | 0:03:28 | |
-So, in our trick, we first think of a number. -Seven. | 0:03:28 | 0:03:31 | |
-And then we doubled it. -14. | 0:03:31 | 0:03:33 | |
-And then we added six. -20. | 0:03:33 | 0:03:34 | |
So when we halved this, we ended up with one of our number | 0:03:34 | 0:03:38 | |
and half of six. | 0:03:38 | 0:03:40 | |
And when we took away our original number, | 0:03:40 | 0:03:42 | |
all that was left was half of six, which is three. | 0:03:42 | 0:03:45 | |
-Aha! -And the answer is three, and it's always three. | 0:03:45 | 0:03:48 | |
Oh, cool trick. Thanks, Rachel! | 0:03:48 | 0:03:51 | |
From a math-magician to a dance floor diva. | 0:03:51 | 0:03:53 | |
Throw your calculators away - the only numbers you need | 0:03:53 | 0:03:55 | |
are one, two, three, four, | 0:03:55 | 0:03:57 | |
five, six, seven, eight. | 0:03:57 | 0:04:00 | |
If you don't want to dance like your dad then get on your feet | 0:04:00 | 0:04:03 | |
and get ready to learn a truly epic move. | 0:04:03 | 0:04:06 | |
Hi, I'm Lizzie Gough, | 0:04:06 | 0:04:07 | |
and I'm going to teach you a classic dance move that you HAVE to learn. | 0:04:07 | 0:04:11 | |
This is how to do the running man. | 0:04:11 | 0:04:13 | |
Amazing! Tell me more, running lady. | 0:04:15 | 0:04:18 | |
First, you're going to start with one leg up in the air, | 0:04:18 | 0:04:20 | |
-and you have your hands forward. -Got it. | 0:04:20 | 0:04:23 | |
You're going to bring your arms back, and you're going to | 0:04:23 | 0:04:25 | |
hop on the supporting leg, and put both feet on the floor. | 0:04:25 | 0:04:30 | |
Right, arms back and feet down. Next? | 0:04:30 | 0:04:33 | |
Then you're going to repeat the move, | 0:04:33 | 0:04:35 | |
so you're going to hop on the other foot. | 0:04:35 | 0:04:37 | |
At the same time, you're going to bring your arms forward. | 0:04:37 | 0:04:40 | |
Then you just keep repeating this move. | 0:04:40 | 0:04:43 | |
One, two... | 0:04:43 | 0:04:45 | |
I'll be hopping mad if I can't learn that. | 0:04:45 | 0:04:47 | |
-Sorry. -One, two... | 0:04:47 | 0:04:50 | |
And then you can keep going faster, turning around, | 0:04:50 | 0:04:53 | |
playing with it - just experiment. | 0:04:53 | 0:04:56 | |
And that's how you can be epic doing the running man. | 0:04:56 | 0:04:59 | |
Thank you Lizzie. Run along, now. | 0:04:59 | 0:05:01 | |
If Lizzie's running man has worn you out, tough! | 0:05:01 | 0:05:04 | |
Because there's still an epirrific mountain to climb. | 0:05:04 | 0:05:07 | |
Our resident king of uselessness has a trick up his sleeve... | 0:05:07 | 0:05:10 | |
you learn how to play this... | 0:05:10 | 0:05:13 | |
and this bloke does this. | 0:05:13 | 0:05:15 | |
But first - want to know how to die like a king? | 0:05:15 | 0:05:18 | |
Well, this kid will show you how it's done. | 0:05:18 | 0:05:21 | |
Picture the scene. You're the king of medieval England, | 0:05:21 | 0:05:24 | |
and you're taking your steed for a morning ride. | 0:05:24 | 0:05:27 | |
Ooh! | 0:05:27 | 0:05:28 | |
Phew! | 0:05:30 | 0:05:31 | |
-BIRD SQUAWKS -Argh! | 0:05:31 | 0:05:32 | |
That's bad luck, that is. | 0:05:32 | 0:05:34 | |
HE GROANS | 0:05:34 | 0:05:35 | |
Looks like your kinging days are over. | 0:05:35 | 0:05:37 | |
You need to plan your state funeral, and quick. | 0:05:37 | 0:05:40 | |
But how do you die like a king? | 0:05:40 | 0:05:43 | |
Well, to turn your funeral from a boo-hoo into a woo-hoo, | 0:05:43 | 0:05:46 | |
here's top actor and history fan Stephen Graham. | 0:05:46 | 0:05:49 | |
Take it away, big man. | 0:05:49 | 0:05:50 | |
So, you want the best funeral ever. | 0:05:52 | 0:05:53 | |
Um...yeah. | 0:05:53 | 0:05:55 | |
Here's a look at the most bizarre funerals from the past. | 0:05:55 | 0:06:00 | |
Let's get morbid. First up, ancient Egypt. | 0:06:00 | 0:06:02 | |
Ah... | 0:06:03 | 0:06:05 | |
Eh? | 0:06:05 | 0:06:07 | |
A funeral for a pharaoh was a very elaborate occasion. | 0:06:07 | 0:06:10 | |
First, they had to be mummified. | 0:06:10 | 0:06:13 | |
Mummies are epic. | 0:06:13 | 0:06:14 | |
-Ah! -What else? | 0:06:14 | 0:06:15 | |
Rumour has it that the slaves of the king were buried alive with them, | 0:06:15 | 0:06:20 | |
so they could wait on them in the next life. | 0:06:20 | 0:06:23 | |
Bit mean. | 0:06:23 | 0:06:24 | |
The pharaohs certainly knew how to make a funeral last. | 0:06:26 | 0:06:28 | |
But, for the drama, the only way was the Viking way. | 0:06:28 | 0:06:34 | |
Hi! | 0:06:35 | 0:06:36 | |
The Vikings believed in more than one god. | 0:06:36 | 0:06:39 | |
Ooh! | 0:06:39 | 0:06:40 | |
They believed that after their death, | 0:06:40 | 0:06:42 | |
they would meet all their gods in a place called Valhalla. | 0:06:42 | 0:06:48 | |
Now, the only way to get to Valhalla was by boat. | 0:06:48 | 0:06:51 | |
The Vikings would lay the body in the boat, then push it out to sea. | 0:06:51 | 0:06:56 | |
Then the village's best archer would fire a burning arrow... | 0:06:56 | 0:07:01 | |
HE IMITATES ARROW | 0:07:01 | 0:07:03 | |
..hit the main sail and set the boat on fire. | 0:07:03 | 0:07:07 | |
Of course. You had me, until the burning in a boat. | 0:07:07 | 0:07:09 | |
What's next? | 0:07:09 | 0:07:11 | |
Hello! | 0:07:11 | 0:07:13 | |
In Roman times, the funeral rituals began before death. | 0:07:13 | 0:07:17 | |
The eldest member of the family would be summoned to catch | 0:07:17 | 0:07:20 | |
and inhale the last breath of whomever was dying. | 0:07:20 | 0:07:24 | |
Eurgh. | 0:07:25 | 0:07:26 | |
That is gross. | 0:07:26 | 0:07:28 | |
There's got to be something better than that. | 0:07:28 | 0:07:30 | |
Oh! | 0:07:30 | 0:07:32 | |
Then, after eight days, the body would be ready for burial. | 0:07:32 | 0:07:34 | |
It would be taken through town, followed by a procession | 0:07:34 | 0:07:37 | |
of musicians, mourners and family members... | 0:07:37 | 0:07:39 | |
Hey, this is more like it! Party! | 0:07:39 | 0:07:42 | |
..who'd be wearing masks to look like their dead ancestors. | 0:07:42 | 0:07:47 | |
Spooky. | 0:07:47 | 0:07:49 | |
Hang on, that's pretty freaky. | 0:07:49 | 0:07:52 | |
And that...is how to die like a king. | 0:07:52 | 0:07:55 | |
Right, well, that was grim. Thanks, Stephen. | 0:07:55 | 0:07:58 | |
Moving on. What rhymes with "guitar" | 0:07:58 | 0:08:01 | |
and kind of looks a bit like one, too? | 0:08:01 | 0:08:03 | |
A sitar, of course! | 0:08:04 | 0:08:07 | |
Do you want to know how to play a sitar? | 0:08:07 | 0:08:09 | |
Well, listen up, cos we've got the sorcerer of sound | 0:08:09 | 0:08:11 | |
to show you how to make this centuries-old Indian instrument | 0:08:11 | 0:08:14 | |
sound seriously epic. | 0:08:14 | 0:08:16 | |
Hi, I'm Jonathan Mayer, and I'm going to show you how to play the sitar. | 0:08:16 | 0:08:20 | |
Mm, spectacular. Show me the sitar skills, sir. | 0:08:24 | 0:08:27 | |
Firstly, we have a mizrab, or plectrum, | 0:08:27 | 0:08:30 | |
which goes on my index finger like this. | 0:08:30 | 0:08:33 | |
Oof! OK, mizrab on. Next? | 0:08:33 | 0:08:35 | |
You need to get yourself in the right seated position, | 0:08:35 | 0:08:38 | |
because you don't want to be uncomfortable while you're playing. | 0:08:38 | 0:08:40 | |
So, sit - ahh! | 0:08:40 | 0:08:42 | |
-You have to get you right leg on top of your left leg... -You what? | 0:08:42 | 0:08:45 | |
..like this. | 0:08:45 | 0:08:46 | |
-GRUNTS: -Right... Comfy. Next? | 0:08:46 | 0:08:49 | |
Rest the main body of the sitar on your left foot. | 0:08:49 | 0:08:52 | |
-The neck should rest on your right knee. -Got it. | 0:08:52 | 0:08:56 | |
Rest the thumb of your right hand on the bottom of the neck, | 0:08:56 | 0:08:59 | |
where the pattern stops. | 0:08:59 | 0:09:01 | |
Just about there. | 0:09:01 | 0:09:02 | |
Now we know where everything goes, | 0:09:02 | 0:09:04 | |
-I'm going to teach you the jalla technique. -Jally good! | 0:09:04 | 0:09:07 | |
You need to pluck the first string... | 0:09:07 | 0:09:10 | |
and then reach up to hit the rhythmical strings three times, | 0:09:10 | 0:09:14 | |
like this. | 0:09:14 | 0:09:15 | |
MUSIC | 0:09:15 | 0:09:18 | |
-Yup. -And then you just repeat it. | 0:09:18 | 0:09:19 | |
MUSIC | 0:09:19 | 0:09:22 | |
Sounding great, JM! | 0:09:24 | 0:09:25 | |
Once you've got the basics down, eventually, you'll be able to play | 0:09:25 | 0:09:29 | |
something like this. | 0:09:29 | 0:09:30 | |
MUSIC | 0:09:30 | 0:09:32 | |
Rocking it, sitar-style! | 0:09:32 | 0:09:34 | |
INTRICATE MUSIC | 0:09:34 | 0:09:38 | |
And that's how to become epic at playing the sitar. | 0:09:38 | 0:09:42 | |
Really epic sitar skills. Thanks, Jonathan! | 0:09:42 | 0:09:45 | |
Sitars are definitely epic, but they're not crazy epic. | 0:09:45 | 0:09:49 | |
For that, there is only one man you need to call - this guy. | 0:09:49 | 0:09:54 | |
He's the Prince of Pointlessness, the Emperor of the Absurd, | 0:09:54 | 0:09:57 | |
the Saint of Silliness. | 0:09:57 | 0:09:59 | |
He's Max Byrne and he's always got a trick that is totally useless, | 0:09:59 | 0:10:02 | |
-but brilliant. -Vah! | 0:10:02 | 0:10:05 | |
And for this, you'll need an orange. | 0:10:05 | 0:10:08 | |
Shamai! I'm Max Byrne. | 0:10:11 | 0:10:13 | |
SIZZLING | 0:10:13 | 0:10:14 | |
What's that, I hear? You want me to tell you something interesting and, | 0:10:14 | 0:10:18 | |
yes, slightly mind-blowing? I can tell you how many individual segments | 0:10:18 | 0:10:22 | |
-there are in this orange. -No way. -What's that? -Are you talking to me? | 0:10:22 | 0:10:27 | |
-Is he talking to me? -There's ten segments in this orange. | 0:10:27 | 0:10:31 | |
Don't believe me? | 0:10:31 | 0:10:32 | |
No...but I'd like to. | 0:10:32 | 0:10:35 | |
Ten segments, you say, Max? Prove it. | 0:10:36 | 0:10:39 | |
One, two, three, four, | 0:10:39 | 0:10:42 | |
five, six, seven, eight, | 0:10:42 | 0:10:45 | |
nine... | 0:10:45 | 0:10:47 | |
..ten. | 0:10:48 | 0:10:49 | |
Amazing! Come on, how did you do it? | 0:10:49 | 0:10:51 | |
Now, what I didn't show you was that, before the trick, | 0:10:53 | 0:10:56 | |
-I removed the green plug at the top of the orange. -Why? | 0:10:56 | 0:11:00 | |
At the top of the orange, there are little small holes. | 0:11:00 | 0:11:02 | |
Each one of these holes represents | 0:11:02 | 0:11:04 | |
an individual segment inside this orange. | 0:11:04 | 0:11:06 | |
You count them and that tells you how many individual segments are inside. | 0:11:06 | 0:11:11 | |
Holes = segments. Sneaky. | 0:11:11 | 0:11:14 | |
Now, orange-you glad you knew that?! | 0:11:14 | 0:11:18 | |
Oh, dear, Max. | 0:11:18 | 0:11:20 | |
-Get out of here. -Ta-ra! | 0:11:20 | 0:11:21 | |
Right, there's just enough time for one last throw of the dice | 0:11:22 | 0:11:26 | |
of epicorama. Is it six? | 0:11:26 | 0:11:27 | |
No! It's a sheep. | 0:11:27 | 0:11:31 | |
I bet you can't name an animal more epic than a sheep. | 0:11:32 | 0:11:35 | |
What's that? | 0:11:35 | 0:11:36 | |
A lion? Hmm....OK. | 0:11:36 | 0:11:38 | |
Another one. | 0:11:38 | 0:11:40 | |
An elephant? Good suggestion. | 0:11:40 | 0:11:42 | |
OK, one last go. | 0:11:42 | 0:11:44 | |
A shark? Fair point. | 0:11:44 | 0:11:47 | |
But can you shear a shark? No! | 0:11:47 | 0:11:50 | |
And that's why sheep are epic! | 0:11:50 | 0:11:53 | |
Wool is brilliant. It comes right off a sheep's back, | 0:11:54 | 0:11:57 | |
literally. But how do you get it from sheep to shop? | 0:11:57 | 0:12:00 | |
To show you how, we've got this top farmer. | 0:12:00 | 0:12:04 | |
Hi, I'm Gareth and I'm going to show you how to shear a sheep. | 0:12:04 | 0:12:08 | |
-He's going to what? -Shearing is a bit like | 0:12:08 | 0:12:10 | |
-a haircut, but for sheep. -That sheep looks like it can't wait(!) | 0:12:10 | 0:12:14 | |
Sheep need to be sheared once a year. | 0:12:14 | 0:12:16 | |
They like to stay cool in the summer, just like we do. | 0:12:16 | 0:12:19 | |
Ah, that'll explain the vest! | 0:12:19 | 0:12:21 | |
-I'm going to use a sheep-shearing machine. -Say what? | 0:12:22 | 0:12:25 | |
-A sheep-shearing machine. -Once more. -A sheep-shearing machine. | 0:12:25 | 0:12:29 | |
That's easy for you to say(!) | 0:12:29 | 0:12:30 | |
Let's do this! | 0:12:30 | 0:12:32 | |
-So, we start with the belly... -Uh-huh. -..then, the hind leg. -Oh. | 0:12:32 | 0:12:38 | |
-We do the back leg and the tail. -Oh, I bet that tickles. | 0:12:38 | 0:12:42 | |
I wonder what looks like from shears' point of view? | 0:12:43 | 0:12:46 | |
-Oh, epic! -We have one stroke down the neck and, then, the other stroke | 0:12:47 | 0:12:52 | |
-up the neck. -That makes sense. -Down onto the leg. | 0:12:52 | 0:12:55 | |
Coming round... | 0:12:57 | 0:12:59 | |
I think he only wanted a trim, Gareth. | 0:12:59 | 0:13:02 | |
..onto the back, on the big strokes, the long strokes. | 0:13:02 | 0:13:05 | |
This really reminds me of something. | 0:13:05 | 0:13:08 | |
It's a bit like peeling an orange. | 0:13:08 | 0:13:10 | |
Nah, it wasn't that. | 0:13:10 | 0:13:11 | |
Now we're coming on to the final piece of shearing. | 0:13:11 | 0:13:14 | |
Keeping the comb full. Keeping the sheep happy. | 0:13:16 | 0:13:20 | |
A happy sheep is a sheared sheep. | 0:13:20 | 0:13:22 | |
-This is now a fleece. We need to wrap it up, tidily... -Oh, cosy. | 0:13:23 | 0:13:29 | |
..then it goes off to make jumpers, carpets, and even aeroplane seats. | 0:13:29 | 0:13:35 | |
Let's stick to jumpers. I think you might need one for the winter. | 0:13:35 | 0:13:39 | |
HE SPEAKS WELSH | 0:13:40 | 0:13:42 | |
And that means..? | 0:13:42 | 0:13:43 | |
That's how you shear a sheep. | 0:13:43 | 0:13:46 | |
Oh, right. Cheers, Gareth! | 0:13:46 | 0:13:49 | |
Right, that brings us to the end of 15 minutes | 0:13:50 | 0:13:53 | |
of total random epicness. You should now be able to try this... | 0:13:53 | 0:13:57 | |
..and this, that and that. | 0:13:58 | 0:14:01 | |
This and this.... | 0:14:01 | 0:14:04 | |
and even that. | 0:14:04 | 0:14:05 | |
Now go forth and be epic at everything! | 0:14:05 | 0:14:09 |