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Could I speak to big-time Hollywood film producer Kenny Bigtime, please? | 0:00:01 | 0:00:06 | |
Oh, are you his secretary? | 0:00:06 | 0:00:08 | |
You're his secretary's secretary's secretary? | 0:00:08 | 0:00:12 | |
Blimey, he IS important! | 0:00:12 | 0:00:15 | |
I'm calling to confirm his meeting with Little Howard and Big Howard. | 0:00:15 | 0:00:18 | |
Yes, he is coming too. Well, someone's got to drive. | 0:00:18 | 0:00:24 | |
I hope he doesn't wear that horrible suit. | 0:00:24 | 0:00:26 | |
Hello, Mr Bigtime. | 0:00:26 | 0:00:29 | |
Thank you for agreeing to meet... | 0:00:29 | 0:00:31 | |
Big Howard, I've come up with a great new sketch for our comedy show. | 0:00:31 | 0:00:35 | |
Why are you dressed like that? | 0:00:35 | 0:00:37 | |
-We've got that big meeting today. -What meeting? | 0:00:37 | 0:00:41 | |
The most important meeting of our lives | 0:00:41 | 0:00:43 | |
with the film producer. The one I've been going on about for months. | 0:00:43 | 0:00:47 | |
No, drawn a complete blank on that one. | 0:00:47 | 0:00:51 | |
I know. I could show him my sketch. | 0:00:51 | 0:00:53 | |
-You're on stage and I run on and I hit you with a mattress. -A mattress? | 0:00:53 | 0:00:59 | |
Or a massive pillow or a stick. I'm still working on the finer details. | 0:00:59 | 0:01:04 | |
Then you get pelted with fish | 0:01:04 | 0:01:05 | |
and then this massive custard pie falls out of the ceiling | 0:01:05 | 0:01:09 | |
and splats you completely. Isn't it brilliant? | 0:01:09 | 0:01:12 | |
Little Howard, that is just not funny and not the sort of thing | 0:01:12 | 0:01:16 | |
you should show a big-time Hollywood film producer. | 0:01:16 | 0:01:19 | |
People aren't going to laugh at things falling on my... | 0:01:19 | 0:01:23 | |
PARP! | 0:01:23 | 0:01:25 | |
I, Little Howard, have come up with another one of my big questions. | 0:01:25 | 0:01:29 | |
What is funny? | 0:01:29 | 0:01:32 | |
I don't believe it! | 0:01:32 | 0:01:34 | |
You set that klaxon off and nothing bad happened to me. | 0:01:34 | 0:01:37 | |
This is a complete turning point in my... | 0:01:37 | 0:01:41 | |
Argh! | 0:01:41 | 0:01:42 | |
'Custard pies flew in Purley after dancing monkeys invaded a bakery. | 0:01:42 | 0:01:46 | |
'Police think a cartoon boy may have given them the idea.' | 0:01:46 | 0:01:51 | |
# I love monkeys, I love monkeys | 0:01:52 | 0:01:55 | |
# All those happy little chirpy little monkeys | 0:01:55 | 0:01:58 | |
# With their tails and their bananas | 0:01:58 | 0:02:02 | |
# I think that if we all were monkeys we'd have happier mananas | 0:02:02 | 0:02:05 | |
# Give me monkeys, lots of monkeys | 0:02:05 | 0:02:08 | |
# Buy a doughnut next to monkeys I adore | 0:02:08 | 0:02:12 | |
# If my love said that she did not love those monkeys | 0:02:12 | 0:02:15 | |
# I wouldn't love any more. # Thank you very much! | 0:02:15 | 0:02:18 | |
-Oo-ah-ah-ah-ah-ah! -Who was that? Who laughed? | 0:02:20 | 0:02:23 | |
Oh, it's you, Monkey Six. | 0:02:23 | 0:02:26 | |
Why did you laugh? | 0:02:26 | 0:02:28 | |
Well, it's because you're funny, Little Howard. | 0:02:28 | 0:02:31 | |
Funny how? Funny like a clown? | 0:02:31 | 0:02:34 | |
I amuse you? I make you laugh, do I? I'm here to amuse you? | 0:02:34 | 0:02:37 | |
-Well, yes. -Oh, yes. | 0:02:37 | 0:02:40 | |
Well, thank you very much for your positive feedback, Monkey Six. | 0:02:40 | 0:02:44 | |
I am promoting you to Monkey Three. | 0:02:44 | 0:02:46 | |
I really wish I hadn't said that. | 0:02:53 | 0:02:56 | |
Ha-ha-ha-ha! | 0:02:56 | 0:02:58 | |
I think I just answered my own question. That is very funny. | 0:02:58 | 0:03:03 | |
Where did that come from? | 0:03:03 | 0:03:05 | |
-Where did what come from, Big Howard? -The massive custard pie. | 0:03:05 | 0:03:10 | |
I built a few props in preparation | 0:03:10 | 0:03:12 | |
for you saying you thought my sketch was brilliant. | 0:03:12 | 0:03:17 | |
I'm not sure "brilliant" is the word I'd use. | 0:03:17 | 0:03:20 | |
All clean. | 0:03:30 | 0:03:32 | |
Can we answer my big question, please, Big Howard? | 0:03:32 | 0:03:36 | |
How do we answer a question like "what is funny"? | 0:03:36 | 0:03:38 | |
Surely it's completely subjective. | 0:03:38 | 0:03:40 | |
Subjective? What's that? | 0:03:40 | 0:03:43 | |
Is it an ejector seat in a submarine? | 0:03:43 | 0:03:46 | |
No. Subjective means it's different for everybody. | 0:03:48 | 0:03:51 | |
What one person might think is hilarious | 0:03:51 | 0:03:53 | |
someone else might think is rubbish. Some people might not find US funny. | 0:03:53 | 0:03:57 | |
Ha-ha-ha-ha-ha! | 0:03:58 | 0:04:02 | |
Oh, the very idea! | 0:04:02 | 0:04:06 | |
You're crazy! | 0:04:06 | 0:04:07 | |
We haven't got time to answer your big question cos we've got our big | 0:04:07 | 0:04:12 | |
meeting with Kenny Bigtime from Bigtime Films in Hollywood. | 0:04:12 | 0:04:15 | |
-How do I look? -You look like a million dollars...in the bath. | 0:04:18 | 0:04:23 | |
Gentlemen, this is Kenny Bigtime from Bigtime Films. | 0:04:27 | 0:04:31 | |
Roger, shouldn't you be sitting over here? | 0:04:35 | 0:04:38 | |
-Don't you work for us? -Not any more. | 0:04:38 | 0:04:40 | |
This guy's got loads more wonga than you. | 0:04:40 | 0:04:43 | |
Hello, Mr Bigtime. | 0:04:43 | 0:04:46 | |
Mr Bigtime says that he's very pleased to meet you, Little Howard, | 0:04:46 | 0:04:49 | |
but that he's far too rich and important to speak. | 0:04:49 | 0:04:53 | |
Blimey! | 0:04:53 | 0:04:55 | |
Mr Bigtime has asked me to tell you he attended your show last night | 0:04:55 | 0:04:59 | |
and thought that Little Howard was brilliant. | 0:04:59 | 0:05:01 | |
A comic genius on a par with Barry Chuck. | 0:05:01 | 0:05:06 | |
High praise indeed. | 0:05:06 | 0:05:08 | |
Big Howard, on the other hand, is not funny. | 0:05:08 | 0:05:11 | |
"Rubbish." | 0:05:12 | 0:05:14 | |
"I've had more laughs on my last trip to the dentist." | 0:05:14 | 0:05:18 | |
"When he forgot to give me an anaesthetic | 0:05:20 | 0:05:24 | |
-"and I ended up with an infection... -Yes, all right! | 0:05:24 | 0:05:27 | |
In short, Big Howard should be dropped from the act completely. | 0:05:27 | 0:05:31 | |
If you'd sign this contract, Little Howard, | 0:05:31 | 0:05:33 | |
you can start your career in Hollywood. | 0:05:33 | 0:05:35 | |
-And Big Howard, please leave the building and never come back. -What?! | 0:05:35 | 0:05:40 | |
Mr Bigtime realises that this will be difficult for you, Little Howard, | 0:05:40 | 0:05:44 | |
and he has found a tall man with blond hair | 0:05:44 | 0:05:46 | |
who is prepared to change his name to Big Howard. | 0:05:46 | 0:05:49 | |
Blimey, you can write quick. | 0:05:49 | 0:05:51 | |
Hi, I'm Big Howard. Little Howard, I do wish you wouldn't do that. | 0:05:51 | 0:05:57 | |
No! | 0:05:57 | 0:05:59 | |
Little Howard, this is a really big opportunity for you. | 0:06:02 | 0:06:05 | |
I think I'm holding you back and I think you should go on without me. | 0:06:05 | 0:06:10 | |
No! Mr Bigtime, we all know Big Howard's not funny. | 0:06:10 | 0:06:13 | |
-What?! -Shut up. I'm sticking up for you. | 0:06:13 | 0:06:17 | |
But I can make him funny. | 0:06:17 | 0:06:19 | |
Give me 24 hours. | 0:06:19 | 0:06:21 | |
HE TRUMPS | 0:06:33 | 0:06:36 | |
Mr Bigtime says you're on. | 0:06:37 | 0:06:41 | |
On second thoughts, could we make it 48? | 0:06:41 | 0:06:44 | |
Mr Bigtime has asked me to shake my head solemnly to indicate... | 0:06:46 | 0:06:51 | |
You could have done that yourself! | 0:06:51 | 0:06:53 | |
-What are we doing here? -We're going to make you | 0:06:59 | 0:07:02 | |
the funniest tall, blond man in all of this part of Surrey. | 0:07:02 | 0:07:05 | |
How? | 0:07:05 | 0:07:07 | |
Two monkeys fall out of a tree. | 0:07:09 | 0:07:10 | |
-Faster! -Two nuns go into a bar. | 0:07:10 | 0:07:13 | |
Run faster! Tell more jokes! | 0:07:17 | 0:07:19 | |
Two ostriches put their heads in... | 0:07:19 | 0:07:23 | |
That wasn't funny enough. Faster! | 0:07:23 | 0:07:26 | |
Right, hit him. | 0:07:26 | 0:07:28 | |
Hi. Hi there. | 0:07:37 | 0:07:40 | |
OK, so there was a sandwich... | 0:07:40 | 0:07:42 | |
Rubbish! Tell us a joke we know! | 0:07:42 | 0:07:47 | |
Make me laugh. Get your knees up! | 0:07:47 | 0:07:50 | |
The funniest thing about you is your shorts at the moment. | 0:07:50 | 0:07:53 | |
-Be funnier! -I can't go on! | 0:07:53 | 0:07:56 | |
I haven't got any more jokes in me! | 0:07:56 | 0:07:58 | |
I've had maths tests funnier than you. | 0:08:00 | 0:08:02 | |
Who are these two? | 0:08:07 | 0:08:09 | |
They're the Tomichio brothers from the Moscow Institute of Slapstick. | 0:08:09 | 0:08:13 | |
-What are they doing here? -Sergei, eyes right. | 0:08:13 | 0:08:16 | |
Hit him in the mush! | 0:08:16 | 0:08:18 | |
-Aargh! Aargh! -One more time, Sergei. | 0:08:18 | 0:08:20 | |
-In the mush, Ivan. Hit him. -Ow! | 0:08:20 | 0:08:24 | |
-Ow! -Big Howard, we are going to keep on doing this until you get it right. | 0:08:24 | 0:08:28 | |
Sergei and Ivan are trained ladder thwacking experts. | 0:08:28 | 0:08:32 | |
They could do this all day. And again! | 0:08:32 | 0:08:34 | |
Come on, hit him, Ivan! And again! | 0:08:34 | 0:08:38 | |
-Hey... -Get off! Your rubbish. | 0:08:38 | 0:08:41 | |
Hit the banana. Well done. | 0:08:41 | 0:08:43 | |
Get off! | 0:08:43 | 0:08:45 | |
Oh, well done. | 0:08:45 | 0:08:47 | |
Boo! | 0:08:47 | 0:08:49 | |
Oh, good shot. Get your knees up! | 0:08:49 | 0:08:52 | |
Be funny! Be funny and get your knees up! | 0:08:52 | 0:08:54 | |
Faster! | 0:08:54 | 0:08:56 | |
Leave me alone! | 0:08:59 | 0:09:02 | |
Get up, you miserable worm! | 0:09:02 | 0:09:04 | |
If you're like this, you'll never make it through panto. | 0:09:04 | 0:09:06 | |
I'm getting pretty good at punching fruit. | 0:09:16 | 0:09:18 | |
Yeah, but the idea is to stop people throwing it at you. | 0:09:18 | 0:09:22 | |
Oh, yeah. I'm never gonna be funny, am I? | 0:09:22 | 0:09:26 | |
Don't be sad, Big Howard. | 0:09:26 | 0:09:30 | |
I mean, what is "funny" anyway? | 0:09:30 | 0:09:32 | |
What's the point of laughter? | 0:09:32 | 0:09:34 | |
Good morning! Laughter is an instinctive, contagious, stereotype, | 0:09:34 | 0:09:39 | |
unconsciously controlled, social play vocalisation. | 0:09:39 | 0:09:43 | |
I can see you're both fascinated. | 0:09:43 | 0:09:45 | |
Humans are the only animals that truly laugh. | 0:09:45 | 0:09:48 | |
Our laughter possibly evolved | 0:09:48 | 0:09:50 | |
from the way animals breathe while they're playing. | 0:09:50 | 0:09:53 | |
Chimpanzees make laughter-like panting noises when they're | 0:09:53 | 0:09:57 | |
gadding about. Likewise, rats make | 0:09:57 | 0:10:00 | |
a very distinctive squeak when they're playing the billy goat. | 0:10:00 | 0:10:04 | |
Billy goats don't laugh at all, strangely. | 0:10:04 | 0:10:06 | |
What about hyenas? They laugh all the time. | 0:10:06 | 0:10:09 | |
The noise hyenas make that sounds like laughter | 0:10:09 | 0:10:12 | |
actually means they're frightened. | 0:10:12 | 0:10:14 | |
And horses can't be sick. | 0:10:14 | 0:10:17 | |
What's that got to do with anything? | 0:10:17 | 0:10:19 | |
I just thought it was interesting. | 0:10:19 | 0:10:21 | |
But why do we laugh? | 0:10:21 | 0:10:22 | |
Laughter helps society work. | 0:10:22 | 0:10:24 | |
It's a way humans can show that they like each other. | 0:10:24 | 0:10:28 | |
See? You're looking at complete strangers laughing and it's already | 0:10:35 | 0:10:39 | |
-made you two chuckle. -Oh, yeah! | 0:10:39 | 0:10:42 | |
But sometimes laughter can be bad for society. | 0:10:42 | 0:10:46 | |
Laughing at people who are different from you can divide society in two. | 0:10:46 | 0:10:50 | |
Anyone who's ever been bullied will know that there's a big difference | 0:10:50 | 0:10:53 | |
between people laughing with you and people laughing at you. | 0:10:53 | 0:10:56 | |
But why aren't I funny? | 0:10:56 | 0:10:58 | |
I'm sure some people find you funny. | 0:10:58 | 0:11:00 | |
I can't think who at the moment, but then I'm only a supercomputer | 0:11:00 | 0:11:05 | |
with access to the entire internet. | 0:11:05 | 0:11:07 | |
What we need is a load of people, | 0:11:07 | 0:11:10 | |
maybe at a comedy show, who could tell us what they think. | 0:11:10 | 0:11:13 | |
We don't have time for that. | 0:11:13 | 0:11:15 | |
We've got to prove that I'm funny to Kenny Bigtime, and before that | 0:11:15 | 0:11:18 | |
we've got to do one of our shows to an audience...full of people! Ahh! | 0:11:18 | 0:11:23 | |
Are you thinking what I'm thinking? | 0:11:23 | 0:11:26 | |
Yeah. Let's see if we can make a horse be sick. | 0:11:26 | 0:11:30 | |
No, let's go and ask the audience at one of our shows. | 0:11:30 | 0:11:33 | |
Can the horse come too? | 0:11:33 | 0:11:36 | |
Shut up. | 0:11:36 | 0:11:38 | |
-Ladies and gentlemen, please welcome onto the stage Little Howard! -CHILDREN: LITTLE HOWARD! | 0:11:41 | 0:11:46 | |
Oh, for heaven's sake! | 0:11:49 | 0:11:51 | |
What? | 0:11:51 | 0:11:53 | |
-You've got... -Oh, have I got chocolate around my face? | 0:11:53 | 0:11:57 | |
I don't know. You've got a Thomas the Tank Engine mask on. | 0:11:57 | 0:12:00 | |
Oh, sorry about that. I'll take it off. | 0:12:00 | 0:12:03 | |
-For heaven's sake! -What now? | 0:12:07 | 0:12:10 | |
-What? -You've got chocolate all round your face. I'm so sorry about this. | 0:12:10 | 0:12:14 | |
-Thank you, Big Howard. -It's fine. OK, we're now... | 0:12:17 | 0:12:20 | |
Where did you get the Thomas the Tank Engine mask from? | 0:12:20 | 0:12:22 | |
I got it from Thomas the Tank Engine magazine. | 0:12:22 | 0:12:25 | |
Right. Where did you get that from? | 0:12:25 | 0:12:27 | |
You didn't cross the road to go to the shop, did you? | 0:12:27 | 0:12:29 | |
You know you're not allowed to cross the road on your own. | 0:12:29 | 0:12:32 | |
-Um... I found it. -Right. Where did you get the chocolate bar from? | 0:12:32 | 0:12:36 | |
-I found that as well. -OK, so long as you didn't cross the road. | 0:12:36 | 0:12:39 | |
We're going to tell you some of my favourite jokes from my childhood. | 0:12:39 | 0:12:42 | |
-Oh, do we have to? Your jokes are rubbish. -Yes, we do have to. | 0:12:42 | 0:12:45 | |
-These jokes are rubbish. -They're brilliant. | 0:12:45 | 0:12:48 | |
They're fantastic. OK, what's black and white and red all over? | 0:12:48 | 0:12:52 | |
-I don't know, what's black and white and red all over? -A newspaper! | 0:12:52 | 0:12:56 | |
I don't get it. | 0:13:01 | 0:13:03 | |
A newspaper is black and white, | 0:13:03 | 0:13:05 | |
or at least they used to be, and now you read them all over. | 0:13:05 | 0:13:09 | |
-So it's read all over. It's the past tense of read. -But I don't. | 0:13:09 | 0:13:12 | |
I just look at the cartoons. | 0:13:12 | 0:13:14 | |
-I like Calvin and Hobbs. -I don't care. | 0:13:14 | 0:13:16 | |
Let's try another one. | 0:13:16 | 0:13:18 | |
What's green, furry and goes up and down and up and down? | 0:13:18 | 0:13:21 | |
Um, a budgie on a see-saw? | 0:13:21 | 0:13:23 | |
No, it's a gooseberry in a lift. | 0:13:23 | 0:13:25 | |
Oh, I prefer mine. I think it's more realistic. | 0:13:25 | 0:13:29 | |
Why is a budgie on a see-saw | 0:13:29 | 0:13:30 | |
more realistic than a gooseberry in a lift? | 0:13:30 | 0:13:32 | |
When have you ever seen a budgie on any sort playground equipment? | 0:13:32 | 0:13:36 | |
That doesn't prove anything. | 0:13:39 | 0:13:41 | |
A gooseberry wouldn't be able to reach all the buttons in the lift. | 0:13:41 | 0:13:44 | |
It can probably only press up to floor seven | 0:13:44 | 0:13:47 | |
and then it's got to get out and walk. | 0:13:47 | 0:13:49 | |
-Look, it doesn't matter. -It matters to me. | 0:13:49 | 0:13:51 | |
Let's try another one. Why did the chicken cross the road? | 0:13:51 | 0:13:55 | |
How old is the chicken? | 0:13:55 | 0:13:57 | |
I don't know, Howard. | 0:13:57 | 0:13:59 | |
The joke doesn't specify how old the chicken is. | 0:13:59 | 0:14:01 | |
-Is the chicken six? -I don't know. | 0:14:01 | 0:14:03 | |
Cos if he was six, he wouldn't be allowed to cross the road. | 0:14:03 | 0:14:06 | |
And if he got found out, he'd get in big trouble. | 0:14:06 | 0:14:09 | |
Look, the joke isn't about you. | 0:14:09 | 0:14:12 | |
I want some jokes that ARE about me, not about grown-ups or chickens | 0:14:12 | 0:14:15 | |
or people who can read. | 0:14:15 | 0:14:17 | |
Fine. I'm sorry about this. We'll do some jokes about Little Howard. | 0:14:17 | 0:14:20 | |
OK, how many Little Howards does it take to screw in a lightbulb? | 0:14:20 | 0:14:24 | |
I don't know. How many? | 0:14:24 | 0:14:25 | |
One. He holds the light bulb up in the air | 0:14:25 | 0:14:28 | |
and apparently the entire world revolves around him! | 0:14:28 | 0:14:31 | |
That's mean. OK, fine. | 0:14:31 | 0:14:33 | |
-How many Big Howards does it take to screw in a light bulb? -I don't know. | 0:14:33 | 0:14:38 | |
-20. -Why 20? | 0:14:38 | 0:14:40 | |
Cos he can't do it on his own because he's stupid! | 0:14:40 | 0:14:42 | |
Doctor, doctor, I've got a fly in my soup. | 0:14:42 | 0:14:45 | |
Why are you telling me about your soup? I'm a doctor. | 0:14:45 | 0:14:48 | |
I'm sorry, I'm a stupid durr-brain | 0:14:48 | 0:14:50 | |
and I don't even know what a doctor is! | 0:14:50 | 0:14:52 | |
-Finished? -No, I haven't finished. | 0:14:52 | 0:14:56 | |
Why did Big Howard cross the road? | 0:14:56 | 0:14:58 | |
No-one knows, because he's such an idiot! | 0:14:58 | 0:15:01 | |
-Why did Little Howard cross the road? -I crossed the road to buy | 0:15:01 | 0:15:05 | |
-a Thomas the Tank Engine magazine and a chocolate bar. -Ha-ha-ha-ha-ha! | 0:15:05 | 0:15:09 | |
That was a mean trick. | 0:15:09 | 0:15:10 | |
-It wasn't a big, stupid, durr-brain, trick though, was it? -No. | 0:15:10 | 0:15:14 | |
So do you owe someone an apology? | 0:15:14 | 0:15:16 | |
-I'm sorry I called to a big, fat, stupid idiot, Big Howard. -Thank you. | 0:15:16 | 0:15:21 | |
-Fat? You didn't call me fat. -Oops! | 0:15:21 | 0:15:24 | |
-Well, that seemed to go well. -Yeah, but did they like me, though? | 0:15:26 | 0:15:32 | |
Let's go and ask them. | 0:15:32 | 0:15:34 | |
Who do you think's funnier, me or Little Howard? | 0:15:35 | 0:15:37 | |
-Little Howard. -Little Howard. -Little Howard. | 0:15:37 | 0:15:39 | |
You think Little Howard's funnier. | 0:15:39 | 0:15:41 | |
Why do you think he's funnier than me? | 0:15:41 | 0:15:43 | |
He tells much better jokes than you. | 0:15:43 | 0:15:45 | |
Could you please tell Big Howard he's funnier than me? 50p? | 0:15:45 | 0:15:49 | |
OK, if you say so. Big Howard. | 0:15:49 | 0:15:51 | |
As loud as you can. "Big Howard is very funny." | 0:15:51 | 0:15:54 | |
Big Howard is funnier than Little Howard. | 0:15:54 | 0:15:57 | |
Oh, this is never going to work. | 0:15:57 | 0:15:59 | |
-Didn't really mean it though, did he? -Can we make Big Howard funnier? | 0:15:59 | 0:16:03 | |
-I don't know. -Get some new jokes? | 0:16:03 | 0:16:06 | |
-OK. -Make him wear a chicken suit. | 0:16:06 | 0:16:09 | |
-A chicken suit? -Yeah. | 0:16:09 | 0:16:11 | |
-Make Howard not funny. -There's no way of me ever being funny? | 0:16:11 | 0:16:14 | |
No, not really. | 0:16:14 | 0:16:15 | |
Hello, Big Howard and Little Howard. | 0:16:15 | 0:16:18 | |
Can you ask me those questions? | 0:16:18 | 0:16:20 | |
Certainly, little boy. | 0:16:20 | 0:16:22 | |
Second thoughts, don't bother. I thought you were rubbish. | 0:16:22 | 0:16:26 | |
You should be dropped from the act. You're a loser. | 0:16:26 | 0:16:29 | |
Oh, even the audience don't think I'm funny! | 0:16:29 | 0:16:32 | |
Will our dynamic duo be split up by Kenny Bigtime from Bigtime Films? | 0:16:32 | 0:16:37 | |
Will the audience notice how tragically unfunny Big Howard is? | 0:16:37 | 0:16:41 | |
-Oi! Leave it out! -I'm just saying what everyone's thinking. | 0:16:41 | 0:16:44 | |
-Well, don't! -Look, you've ruined my bit now. | 0:16:44 | 0:16:47 | |
You're really dragging everyone down, you are. | 0:16:47 | 0:16:50 | |
Are you down in the dumps? Mum or dad stressing you out? | 0:16:54 | 0:16:58 | |
Life just getting you down? | 0:16:58 | 0:17:01 | |
Then you need canned laughter. | 0:17:01 | 0:17:03 | |
Turn your life into one big sitcom | 0:17:03 | 0:17:05 | |
with your very own tinned studio audience! | 0:17:05 | 0:17:08 | |
Canned laughter. It's packed with meaty chuckles and contains more | 0:17:08 | 0:17:12 | |
juicy titters than ever before. | 0:17:12 | 0:17:14 | |
So get a tin of canned laughter | 0:17:14 | 0:17:16 | |
and make your family funnier than My Family. | 0:17:16 | 0:17:18 | |
Which shouldn't be too hard! | 0:17:18 | 0:17:21 | |
Hello, children of Britain. | 0:17:21 | 0:17:24 | |
The government of this country has decided that, | 0:17:24 | 0:17:26 | |
in order to bring us further in line with European flatulent simulations, | 0:17:26 | 0:17:30 | |
as of 6 o'clock this evening, farts are officially no longer funny. | 0:17:30 | 0:17:35 | |
You may also know farts by the name trumps, grunts, | 0:17:35 | 0:17:40 | |
pup-pups, trouser thunderclaps or gusset frighteners. | 0:17:40 | 0:17:45 | |
In particular, we at the Guff Office have decided | 0:17:45 | 0:17:48 | |
that laughing at the following noises is right out. This one. THHRPP | 0:17:48 | 0:17:52 | |
This one as well... TTHHHRRRPP | 0:17:52 | 0:17:53 | |
And especially... THHRAPP | 0:17:53 | 0:17:56 | |
LAUGHTER Oi, you! Stop that! | 0:17:56 | 0:17:57 | |
The cameraman is laughing. You are not allowed to laugh at farts. | 0:17:57 | 0:18:00 | |
-Oh, come on, it's not six o'clock yet. -THRRRP | 0:18:00 | 0:18:04 | |
Um, that wasn't me. I must have leant on one of the buttons. | 0:18:04 | 0:18:08 | |
He done a guff! | 0:18:08 | 0:18:09 | |
They hated me. | 0:18:14 | 0:18:16 | |
Especially the little boy with the sailor suit and the feathers. | 0:18:16 | 0:18:20 | |
And it's only two hours before we've got to perform. | 0:18:20 | 0:18:24 | |
Little Howard, I think I'm holding you back. | 0:18:25 | 0:18:28 | |
I think I should resign and leave you to go on and make it without me. | 0:18:28 | 0:18:32 | |
And the winner of the award for best animated six-year-old comedian | 0:18:35 | 0:18:41 | |
not lumbered with a real human man is... | 0:18:41 | 0:18:43 | |
Little Howard! | 0:18:43 | 0:18:45 | |
Wow, I wasn't expecting this at all. | 0:18:49 | 0:18:51 | |
I'd like to thank, um.. | 0:18:51 | 0:18:54 | |
Well, no-one, cos I done it all by myself! Ha-ha! | 0:18:54 | 0:18:58 | |
OK, bye then. | 0:19:00 | 0:19:02 | |
-I knew you'd say that, Little Howard. What? -Not really. | 0:19:02 | 0:19:05 | |
I'm joking. | 0:19:05 | 0:19:07 | |
I need you, Big Howard. | 0:19:07 | 0:19:09 | |
I don't think I'd be as funny without you up there on stage with me. | 0:19:09 | 0:19:13 | |
That's very nice of you, Little Howard. | 0:19:13 | 0:19:15 | |
I must say I really appreciate your support. | 0:19:15 | 0:19:18 | |
Having someone as unfunny as you makes me look like a comedy genius. | 0:19:18 | 0:19:23 | |
-What?! -Come on, there's someone I want you to meet. | 0:19:23 | 0:19:25 | |
His job is making university students funny. | 0:19:25 | 0:19:30 | |
Blimey, he must be good! | 0:19:31 | 0:19:35 | |
Hello, this is Big Howard. We need you to make him funny, please. | 0:19:38 | 0:19:42 | |
Hello, I'm Oliver Double, | 0:19:42 | 0:19:44 | |
I'm a lecturer in stand-up comedy at Kent University. | 0:19:44 | 0:19:48 | |
Er, normally, | 0:19:48 | 0:19:50 | |
somebody would be making a joke about my name about now. | 0:19:50 | 0:19:53 | |
I can't think of one. | 0:19:54 | 0:19:56 | |
Right, OK, I think perhaps you do need a bit of help. | 0:19:56 | 0:19:59 | |
Why do people make jokes about Oliver Oliver? | 0:19:59 | 0:20:02 | |
No, it's Oliver Double. | 0:20:02 | 0:20:04 | |
-That's what I said. -You said Oliver Twice. | 0:20:04 | 0:20:06 | |
No, I said Oliver Oliver, but it's Oliver Twice, is it? | 0:20:06 | 0:20:10 | |
OK, OK, OK. | 0:20:10 | 0:20:11 | |
So, what makes you think you're not very funny, then, Big Howard? | 0:20:11 | 0:20:15 | |
Well, Kenny Bigtime said I wasn't. | 0:20:15 | 0:20:18 | |
You don't want to listen to him. Comedy's completely subjective - | 0:20:18 | 0:20:22 | |
what you find funny I might not find funny at all. | 0:20:22 | 0:20:24 | |
On stage, he always gets all the laughs and I never get anything. | 0:20:24 | 0:20:29 | |
That's not true. That thing you did with my name - | 0:20:29 | 0:20:32 | |
-Little Howard was saying all the funny stuff... -Was I? | 0:20:32 | 0:20:35 | |
Yes, but it wouldn't have been the same without you there. | 0:20:35 | 0:20:37 | |
The thing is, you're a classic double act. | 0:20:37 | 0:20:41 | |
You mean, like the Chuckle Brothers, | 0:20:41 | 0:20:43 | |
the best comedy duo in the whole wide world? | 0:20:43 | 0:20:45 | |
Yeah, or Laurel and Hardy or Morecambe and Wise. | 0:20:45 | 0:20:50 | |
One of them's more important, and that's the straight man. | 0:20:50 | 0:20:54 | |
The straight man feeds lines to the funny man so he can make them funny. | 0:20:54 | 0:20:58 | |
Because he's more important, he's really sort of bossy | 0:20:58 | 0:21:01 | |
and that's why it's funny when the funnyman says something | 0:21:01 | 0:21:04 | |
cheeky about him cos it brings him down a peg or two. | 0:21:04 | 0:21:06 | |
But even though they argue, you can tell they like each other. | 0:21:06 | 0:21:10 | |
But how are we gonna get Kenny Bigtime to like me? | 0:21:10 | 0:21:14 | |
There are lots of ways of being funny. | 0:21:14 | 0:21:16 | |
You've just got to find one that works for you. | 0:21:16 | 0:21:19 | |
There's observational comedy, where your observe something about | 0:21:19 | 0:21:23 | |
everyday life, a little detail that people don't normally notice. | 0:21:23 | 0:21:25 | |
Like, hey, you know when you share a flat with the cartoon boy... | 0:21:25 | 0:21:30 | |
Well, that might be a little bit particular to you. | 0:21:30 | 0:21:33 | |
Then there's surreal comedy, where you create amazing, bizarre images. | 0:21:33 | 0:21:37 | |
That's not very surreal, he does that all the time. | 0:21:42 | 0:21:44 | |
Then there's slapstick, physical comedy, | 0:21:44 | 0:21:47 | |
getting hit with custard pies | 0:21:47 | 0:21:48 | |
and bashed around the head with a funny object. | 0:21:48 | 0:21:51 | |
No, I don't really think... Ow! Ow! | 0:21:51 | 0:21:54 | |
Sorry, just illustrating the point. | 0:21:54 | 0:21:57 | |
Grumpy. | 0:21:57 | 0:21:59 | |
Do you think you could teach me all of those things in... | 0:21:59 | 0:22:02 | |
just under half an hour? | 0:22:02 | 0:22:04 | |
I don't know about that. Most of it is about finding out about yourself, | 0:22:04 | 0:22:08 | |
bits of your personality that you can make bigger | 0:22:08 | 0:22:11 | |
and share with an audience. | 0:22:11 | 0:22:12 | |
You should stop worrying about what's | 0:22:12 | 0:22:15 | |
going to make Kenny Bigtime laugh | 0:22:15 | 0:22:17 | |
and just think about what's going to make YOU laugh. | 0:22:17 | 0:22:20 | |
-Mmm. Thank you very much, Oliver Oliver. -No, it's Oliver Double. | 0:22:20 | 0:22:23 | |
-Double Oliver Double Double? -Yeah, stop that now. | 0:22:23 | 0:22:26 | |
The rain in Spain falls mainly on the plain. | 0:22:38 | 0:22:41 | |
On the fortnight I booked a holiday there. | 0:22:41 | 0:22:45 | |
Mickey the monkey made a mess in the manager's mug. | 0:22:45 | 0:22:50 | |
Are you ready for the biggest performance of your life? | 0:22:50 | 0:22:54 | |
-No pressure. -I'm doing my vocal warm-ups. | 0:22:54 | 0:22:56 | |
Kenny kicked a kipper and got clobbered by the cobbler. | 0:22:56 | 0:22:59 | |
Hiya, lads! I just popped backstage to wish you good luck, Big Howard, | 0:22:59 | 0:23:04 | |
with your final performance ever. | 0:23:04 | 0:23:07 | |
Don't listen to him, Big Howard! | 0:23:07 | 0:23:08 | |
Bertie biffed a big baguette and bought a bag of biscuits! | 0:23:08 | 0:23:13 | |
Big Howard is going to be hilarious. | 0:23:13 | 0:23:14 | |
Well, there's a first time for everything. | 0:23:14 | 0:23:17 | |
Oh, it's time for you to go on. | 0:23:17 | 0:23:19 | |
-Don't worry, I'll introduce you! -No! -No! | 0:23:19 | 0:23:23 | |
No, in the name of...! | 0:23:23 | 0:23:26 | |
Ha-ha-ha-ha-ha! | 0:23:26 | 0:23:30 | |
Ladies and gentlemen, and nasty little kids. | 0:23:32 | 0:23:35 | |
Please welcome a sensation | 0:23:35 | 0:23:37 | |
that's about to take the world of comedy by storm, | 0:23:37 | 0:23:40 | |
and the big fat worthless loser who always hangs around with him. | 0:23:40 | 0:23:43 | |
Please clap your hands and share your breakfast for Little Howard! | 0:23:43 | 0:23:47 | |
And some bloke. | 0:23:47 | 0:23:48 | |
Er, hello, everybody. | 0:23:53 | 0:23:55 | |
Erm, my name's Big Howard, and this is, erm... | 0:23:55 | 0:23:59 | |
Oh, erm, what's your name? | 0:23:59 | 0:24:01 | |
-Little Howard! -I knew that. | 0:24:01 | 0:24:03 | |
And we are the world's first human... | 0:24:03 | 0:24:06 | |
-Oh, I know this! -Human cartoon double act, what are you doing?! | 0:24:06 | 0:24:10 | |
I'm sorry, I'm just really nervous! | 0:24:10 | 0:24:12 | |
Snap out of it, Big Howard, don't lose it now. | 0:24:12 | 0:24:16 | |
That'll sort 'em. | 0:24:16 | 0:24:18 | |
Oh! | 0:24:18 | 0:24:20 | |
Keep it together, Big Howard, last time they threw pineapples. | 0:24:20 | 0:24:24 | |
BOOING | 0:24:24 | 0:24:26 | |
OK... | 0:24:26 | 0:24:28 | |
Two monkeys walk into a restaurant. | 0:24:28 | 0:24:31 | |
Er... And the service is really bad... | 0:24:31 | 0:24:35 | |
Little Howard, where are you doing, Little Howard? | 0:24:37 | 0:24:40 | |
Little Howard, get down! What are you doing?! | 0:24:56 | 0:24:59 | |
Don't hit me with a mattress, this is a really important show! | 0:24:59 | 0:25:02 | |
I'm just trusting my comedy instincts, Big Howard. | 0:25:02 | 0:25:05 | |
Do not pelt me with fish, I will not be pelted with fish | 0:25:05 | 0:25:09 | |
in front of paying members of the public. | 0:25:09 | 0:25:13 | |
Stop that. Ow! Do not pelt me with fish! | 0:25:13 | 0:25:17 | |
If you insist... | 0:25:17 | 0:25:19 | |
Ha-ha-ha-ha! Right on the pecker! | 0:25:22 | 0:25:25 | |
LAUGHTER | 0:25:30 | 0:25:32 | |
Thank you very much, a round of applause for Big Howard! | 0:25:32 | 0:25:36 | |
We are Big Howard and Little Howard! | 0:25:36 | 0:25:40 | |
Thank you. Thank you...Oh, dear! | 0:25:41 | 0:25:44 | |
Hey, that were right funny, that. You're a proper belter, you. | 0:25:50 | 0:25:53 | |
Who, me? | 0:25:53 | 0:25:55 | |
Well, both of you. I get it now. | 0:25:55 | 0:25:58 | |
He gets on your nerves and you lose your temper. Hilarious! | 0:25:58 | 0:26:02 | |
And then he hits you with stuff. | 0:26:02 | 0:26:04 | |
That's called slapstick. That is brilliant. | 0:26:04 | 0:26:06 | |
Big Howard doesn't have to leave?! | 0:26:06 | 0:26:08 | |
-Course not, he can stay - on one condition. -What? | 0:26:08 | 0:26:12 | |
You let me have a go at hitting you with stuff. | 0:26:12 | 0:26:15 | |
Get me a great big mallet. And cue the music! | 0:26:15 | 0:26:18 | |
Oh, for heaven's sake. Blimmin' Americans. | 0:26:18 | 0:26:22 | |
# There are many things that you could do in this old world | 0:26:22 | 0:26:25 | |
# Every life must find its own true path | 0:26:25 | 0:26:28 | |
# But please do take a moment as your fortunes are unfurled | 0:26:28 | 0:26:31 | |
# You could try to make somebody laugh! | 0:26:31 | 0:26:33 | |
# Slapstick, slapstick You may not approve | 0:26:33 | 0:26:36 | |
# But it can make me laugh so hard that I can hardly move | 0:26:36 | 0:26:39 | |
# Slapstick, slapstick, You may not agree | 0:26:39 | 0:26:41 | |
# But you haven't seen a cartoon monkey fall out of a tree | 0:26:41 | 0:26:45 | |
# You can try some witty banter, you can hit them with a pun | 0:26:49 | 0:26:52 | |
# You can shock them with the truth or with a lie | 0:26:52 | 0:26:55 | |
# You can double your entendre, cos doing it is fun | 0:26:55 | 0:26:58 | |
# But if in doubt, just hit them with a pie! | 0:26:58 | 0:27:01 | |
# Slapstick, slapstick You may think it's coarse | 0:27:01 | 0:27:04 | |
# But you haven't seen a fat man falling off a horse | 0:27:04 | 0:27:07 | |
# Slapstick, slapstick You may think it's base | 0:27:07 | 0:27:09 | |
# But you will not be laughing when this pie goes in your face! | 0:27:09 | 0:27:13 | |
# You can give a man a fish, he will eat for a day | 0:27:16 | 0:27:20 | |
# Teach him how to fish, he'll eat for life | 0:27:20 | 0:27:23 | |
# But if you hit him with a fish he will not know what to say | 0:27:23 | 0:27:26 | |
# But you will really entertain his wife! | 0:27:26 | 0:27:29 | |
# Slapstick, slapstick, you may think it's base | 0:27:29 | 0:27:31 | |
# But you will not be laughing when this pie goes in your face | 0:27:31 | 0:27:34 | |
# Slapstick, slapstick, you may not approve | 0:27:34 | 0:27:37 | |
# But it can make me laugh so hard that I can hardly move! | 0:27:37 | 0:27:40 | |
# Slapstick, slapstick, you may think it's coarse | 0:27:40 | 0:27:43 | |
# But you haven't seen a fat man falling off a horse | 0:27:43 | 0:27:45 | |
# Slapstick, slapstick, you may not agree | 0:27:45 | 0:27:48 | |
# But it can make me laugh so hard I do a bit of wee! # | 0:27:48 | 0:27:52 | |
LOUD LAUGHTER | 0:27:55 | 0:27:58 | |
So, where do we sign? | 0:28:03 | 0:28:05 | |
I can say that, this is kids' telly. OK, if you insist. | 0:28:07 | 0:28:10 | |
You are without reservation the greatest biggest pile of... | 0:28:10 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:17 | 0:28:19 | |
E-mail [email protected] | 0:28:19 | 0:28:21 |