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Welcome to The 71st Little Howard Awards for excellence | 0:00:02 | 0:00:07 | |
in the field of making Little Howard based television, radio and theatre. | 0:00:07 | 0:00:12 | |
But mainly television. | 0:00:12 | 0:00:14 | |
This is the first Little Howard Award Ceremony out of all 71 | 0:00:14 | 0:00:18 | |
not to take place solely in the imagination of Little Howard. | 0:00:18 | 0:00:22 | |
So without further ado... | 0:00:22 | 0:00:24 | |
Ladies and gentlemen, | 0:00:25 | 0:00:27 | |
please, welcome your host for the first and last | 0:00:27 | 0:00:31 | |
annual Little Howard awards, Little Howard! | 0:00:31 | 0:00:35 | |
APPLAUSE | 0:00:35 | 0:00:37 | |
BIG HOWARD COUGHS | 0:00:42 | 0:00:43 | |
Oh, yes. And Big Howard. | 0:00:43 | 0:00:44 | |
-Hello. Good aft... -SCREECH OF FEEDBACK | 0:00:50 | 0:00:52 | |
Sorry. Sorry. | 0:00:52 | 0:00:53 | |
Good afternoon and welcome to the Little Howard Awards! | 0:00:53 | 0:00:56 | |
APPLAUSE | 0:00:56 | 0:00:57 | |
Or as some people call them, the Howies! | 0:00:57 | 0:01:00 | |
People who have called them that have been removed from the theatre | 0:01:00 | 0:01:03 | |
and pushed in a puddle. | 0:01:03 | 0:01:04 | |
SCATTERED LAUGHTER | 0:01:04 | 0:01:06 | |
Ooh! Apparently, we're already overrunning! | 0:01:06 | 0:01:10 | |
OK, without further ado-do, here is the Golden Klaxon Award | 0:01:10 | 0:01:14 | |
for Best Klaxon Moment in Series Three. | 0:01:14 | 0:01:18 | |
And the nominations are... | 0:01:18 | 0:01:20 | |
'Little Howard for Why Do I Have To Share?' | 0:01:20 | 0:01:24 | |
It's a highly successful sprout cordial making facility, | 0:01:24 | 0:01:27 | |
which is surprisingly volatile when disturbed. | 0:01:27 | 0:01:30 | |
BELLOWING KLAXON | 0:01:30 | 0:01:32 | |
Oh! I think I can see the green! | 0:01:34 | 0:01:36 | |
FORE! Golf balls! | 0:01:36 | 0:01:39 | |
'Little Howard for How Can I Read Someone's Mind?' | 0:01:39 | 0:01:43 | |
Ooh! On second thoughts, | 0:01:43 | 0:01:45 | |
I'll just open the window and leave it for a couple more days. | 0:01:45 | 0:01:48 | |
BELLOWING KLAXON | 0:01:48 | 0:01:49 | |
I, Little Howard, have come up with | 0:01:49 | 0:01:52 | |
another one of my Bi-i-ig Questions! | 0:01:52 | 0:01:56 | |
How can I read someone's mind? | 0:01:56 | 0:01:59 | |
'Surprise, surprise - Little Howard for Why Am I Afraid?' | 0:02:02 | 0:02:05 | |
BELLOWING KLAXON | 0:02:05 | 0:02:06 | |
I, Little Howard, have come up with another of my Bi-i-ig Questions! | 0:02:06 | 0:02:11 | |
Why am I afraid? | 0:02:11 | 0:02:12 | |
A-a-argh! | 0:02:14 | 0:02:16 | |
Argh! | 0:02:16 | 0:02:18 | |
'And... Oh, for goodness sake! | 0:02:22 | 0:02:24 | |
'Little Howard, for Can I Catch A Mermaid?' | 0:02:24 | 0:02:26 | |
BELLOWING KLAXON | 0:02:26 | 0:02:29 | |
I do wish you wouldn't... | 0:02:31 | 0:02:33 | |
Ow! Ow! | 0:02:33 | 0:02:35 | |
APPLAUSE | 0:02:36 | 0:02:39 | |
Some classic Klaxon Moments there... from me. | 0:02:39 | 0:02:43 | |
-Yeah, right(!) -Obviously the quality of entry was very high this year, | 0:02:43 | 0:02:48 | |
but there can only be one winner. | 0:02:48 | 0:02:51 | |
And the winner is... | 0:02:51 | 0:02:53 | |
BELLOWING KLAXON | 0:02:53 | 0:02:55 | |
LAUGHTER AND APPLAUSE | 0:02:55 | 0:02:56 | |
We'll never know. | 0:02:56 | 0:02:58 | |
I'll keep it anyway. Next up is the Golden Monkey... | 0:02:58 | 0:03:03 | |
That's never gold! | 0:03:03 | 0:03:04 | |
The Brass Monkey Award for best monkey song. | 0:03:04 | 0:03:08 | |
-And the... -SCREECH OF FEEDBACK | 0:03:10 | 0:03:11 | |
And the nominations are... | 0:03:11 | 0:03:13 | |
'Me, in Can I Catch A Mermaid?' | 0:03:16 | 0:03:19 | |
# I love mer-monkeys Lots of mer-monkeys | 0:03:19 | 0:03:22 | |
# All those flippy little flappy little mer-monkeys... # | 0:03:22 | 0:03:25 | |
'The lovely me, in Am I Art?' | 0:03:25 | 0:03:27 | |
# I think that if we all were monkeys | 0:03:29 | 0:03:30 | |
# We'd have happier mananas... # | 0:03:30 | 0:03:32 | |
'Me, in How Can I Change Someone's Mind?' | 0:03:32 | 0:03:36 | |
# For you know that it's the monkeys I adore... # | 0:03:36 | 0:03:38 | |
'And, last but not least, me, in Can I be In Two Places At Once?' | 0:03:38 | 0:03:42 | |
# I wouldn't love her any more. # Thank you very much! | 0:03:42 | 0:03:46 | |
What happened to the monkeys, Little Howard? | 0:03:46 | 0:03:49 | |
The Monkeys are on tour in Japan. | 0:03:49 | 0:03:51 | |
They sent this dance via satellite hologram. | 0:03:51 | 0:03:54 | |
And I'm still in bed! | 0:03:54 | 0:03:56 | |
Some fabulous monkey songs by me there but which is the winner? | 0:04:00 | 0:04:05 | |
And the win.. | 0:04:05 | 0:04:07 | |
And the winner is... | 0:04:07 | 0:04:09 | |
"Dear Big Howard, you've been entered for a prize draw!" Ooh! | 0:04:10 | 0:04:15 | |
That's not the right envelope, Big Howard! | 0:04:15 | 0:04:19 | |
Oh, here it is. | 0:04:19 | 0:04:20 | |
And the winner is... | 0:04:20 | 0:04:22 | |
Oh... The monkey dance from today's show?! | 0:04:22 | 0:04:25 | |
Roger what's going on? | 0:04:25 | 0:04:27 | |
It's OK. I rigged it so today's song would win. | 0:04:27 | 0:04:31 | |
-But we haven't got one. -But you will. | 0:04:31 | 0:04:33 | |
We are going to put on the best version of the Monkey Song ever! | 0:04:33 | 0:04:37 | |
With 100 fire-breathing monkeys in top hat and tails! | 0:04:37 | 0:04:41 | |
Brilliant! | 0:04:41 | 0:04:43 | |
I've won a holiday in Spain! | 0:04:43 | 0:04:45 | |
All I have to do is send my bank details to... | 0:04:45 | 0:04:47 | |
Put it in the shredder and read the next award. | 0:04:47 | 0:04:50 | |
You never let me send my bank details to anyone. | 0:04:54 | 0:04:56 | |
AUDIENCE: Aw! | 0:04:56 | 0:04:57 | |
The next award is The Golden Goose Award for Best Supporting Character. | 0:04:57 | 0:05:02 | |
Without supporting characters, the show would just be me and him, | 0:05:02 | 0:05:05 | |
and how rubbish would that be? | 0:05:05 | 0:05:06 | |
As rubbish as this? | 0:05:06 | 0:05:08 | |
Just read the nominations. | 0:05:08 | 0:05:10 | |
'Bob The Postman, as himself.' | 0:05:10 | 0:05:13 | |
-Who are you? -It's OK, Big Howard, | 0:05:13 | 0:05:15 | |
you just fainted like a big, wet lettuce. | 0:05:15 | 0:05:19 | |
This is Bob The Postman. | 0:05:19 | 0:05:20 | |
Be careful shouting about mermaids, son. | 0:05:20 | 0:05:22 | |
Some people might think you're one envelope short of a postbag. | 0:05:22 | 0:05:26 | |
Sorry, did nobody mention? I work in the post office. | 0:05:26 | 0:05:29 | |
I mean they'll think you're a bit soft in the head. | 0:05:29 | 0:05:31 | |
'Some kid as the human version of me, only uglier and more annoying.' | 0:05:31 | 0:05:36 | |
Big Howard, isn't it brilliant? | 0:05:36 | 0:05:39 | |
I'm Little Howard! | 0:05:39 | 0:05:40 | |
What? Ow! | 0:05:40 | 0:05:42 | |
Honestly, he's very nice! | 0:05:45 | 0:05:47 | |
Joshua, stop kicking him! | 0:05:47 | 0:05:49 | |
What?! Argh! Ow! | 0:05:49 | 0:05:53 | |
Ere, are you kicking my client?! | 0:05:53 | 0:05:57 | |
'Jetman UK, as himself.' | 0:05:57 | 0:05:59 | |
-I reckon you two have got vertigo. -No, vertigo just means dizziness. | 0:05:59 | 0:06:02 | |
I think you'll find we've got acrophobia. | 0:06:02 | 0:06:05 | |
No, only idiots think that's called vertigo. No offence. | 0:06:05 | 0:06:09 | |
'And Lady Gaga as Lady Gaga, but a bit less weird than the real one | 0:06:09 | 0:06:12 | |
'in Where is Big Howard?' | 0:06:12 | 0:06:15 | |
# I think that you might miss him | 0:06:15 | 0:06:18 | |
# He's a bit too wide, too thick, and too long | 0:06:18 | 0:06:21 | |
# But you don't know what you've got till it's gone... # | 0:06:21 | 0:06:25 | |
APPLAUSE | 0:06:27 | 0:06:29 | |
Unfortunately, only three of the nominees | 0:06:30 | 0:06:33 | |
could make it tonight, so let's hope one of them wins. | 0:06:33 | 0:06:35 | |
-And the winner is... -DRUM ROLL | 0:06:38 | 0:06:40 | |
..Roger T Pigeon?! He wasn't even nominated! | 0:06:40 | 0:06:44 | |
Ah, yes! I'm here, everybody. It's Roger time! Hi, fans. | 0:06:44 | 0:06:48 | |
I'd like to thank my...self really. | 0:06:48 | 0:06:51 | |
Fair's fair, I was the best. | 0:06:51 | 0:06:54 | |
But I'd like to say a word to all the other nominees, | 0:06:54 | 0:06:57 | |
and that word is... | 0:06:57 | 0:06:59 | |
losers! | 0:06:59 | 0:07:01 | |
BOOING | 0:07:01 | 0:07:03 | |
I'm so sorry. | 0:07:03 | 0:07:04 | |
The next award is the Awokup Anitwaz-Alladream Award | 0:07:04 | 0:07:08 | |
for Most Plausible Story. | 0:07:08 | 0:07:09 | |
This award was named in memory of Awokup Anitwaz-Alladream, | 0:07:09 | 0:07:14 | |
one of our oldest and wisest monkey script writers, | 0:07:14 | 0:07:17 | |
who died earlier this year when he was crushed under the weight | 0:07:17 | 0:07:21 | |
of an infinite number of typewriters that fell on his head | 0:07:21 | 0:07:25 | |
when he was trying to put them away in the cupboard. | 0:07:25 | 0:07:28 | |
The Awokup Anitwaz-Alladream Award is for the most plausible | 0:07:28 | 0:07:31 | |
and believable storyline in the series. | 0:07:31 | 0:07:33 | |
Oh, dear! | 0:07:33 | 0:07:35 | |
'The nominations for the most plausible storyline are... | 0:07:35 | 0:07:38 | |
'Little Howard growing massive in Why Can't I Be Bigger?' | 0:07:38 | 0:07:41 | |
Look at me, Big Howard, I'm enormous! | 0:07:42 | 0:07:46 | |
I warn you, you'll bang your head on something. | 0:07:46 | 0:07:49 | |
Stupid tiny giant! Ow! | 0:07:49 | 0:07:52 | |
'The parallel universe bit in Can I Be In Two Places At Once?' | 0:07:52 | 0:07:56 | |
Yeah, I bet if he was in your show you'd have to do | 0:07:56 | 0:07:58 | |
another cheap best-of episode at the end of the series, huh? | 0:07:58 | 0:08:01 | |
But I'm worth it, baby. Look at the individual hairs. | 0:08:01 | 0:08:05 | |
'It turning out to be Bob The Postman all along, | 0:08:06 | 0:08:09 | |
'in Can I Catch A Mermaid?' | 0:08:09 | 0:08:10 | |
And the idiots fell for that? | 0:08:12 | 0:08:14 | |
Well, I tell you for definite, | 0:08:14 | 0:08:15 | |
this is not a hoax, this is the real deal. Oh, yes, sir. | 0:08:15 | 0:08:18 | |
'Erm, Big Howard, the mermaid... it's Bob The Postman! | 0:08:18 | 0:08:22 | |
'Don't be so silly, Little Howard. It's clearly a beautiful... | 0:08:22 | 0:08:25 | |
'What the...?! Ooh!' | 0:08:25 | 0:08:27 | |
LAUGHTER | 0:08:28 | 0:08:30 | |
Oh, that's priceless! It really is! | 0:08:30 | 0:08:33 | |
'And finally, the house blowing up, in Why do I Have To Share?' | 0:08:33 | 0:08:37 | |
-I hope you boys have learned your lesson! -Yes, we have, Angel Mother. | 0:08:37 | 0:08:41 | |
Because we couldn't share, we killed you and blew up our house. | 0:08:41 | 0:08:46 | |
Good. Then my work here is done. | 0:08:46 | 0:08:50 | |
Oh, flippin' heck, the winch mechanism's jammed! | 0:08:50 | 0:08:53 | |
APPLAUSE | 0:08:58 | 0:09:01 | |
And the winner is... | 0:09:01 | 0:09:03 | |
Oi! Flappy legs! Bit of a problem with the monkey dance. | 0:09:03 | 0:09:06 | |
The monkeys want paying more. | 0:09:06 | 0:09:08 | |
Fair enough. We do pay them peanuts. | 0:09:08 | 0:09:12 | |
Yes, and they want MORE peanuts. | 0:09:12 | 0:09:14 | |
But don't worry, they'll get more peanuts over my dead body! | 0:09:14 | 0:09:19 | |
That's very generous of you. | 0:09:19 | 0:09:21 | |
We can give them Roger's dead body! They'll like that. | 0:09:21 | 0:09:24 | |
No, you've misunderstood. | 0:09:24 | 0:09:27 | |
We can't give in to monkey labour intimidation! | 0:09:27 | 0:09:30 | |
Don't worry, I will crush them like a frog. | 0:09:30 | 0:09:32 | |
A frog?! | 0:09:34 | 0:09:35 | |
You haven't seen Roger's pet frog, have you? | 0:09:35 | 0:09:38 | |
The next category is The Golden Shot Award for best stunt man. | 0:09:39 | 0:09:44 | |
Now, I'm yet to win an award so far, | 0:09:44 | 0:09:46 | |
but I'm quietly confident about this one. | 0:09:46 | 0:09:49 | |
And the knobbly knees are... | 0:09:49 | 0:09:51 | |
'Big Howard for the food fight, in Why Do I Have To Share?' | 0:09:51 | 0:09:55 | |
# ..Dresses with blue satin sashes | 0:09:55 | 0:09:58 | |
# Snowflakes that stay on my nose and eyelashes | 0:09:58 | 0:10:01 | |
# Silver white winters that melt into springs... # | 0:10:01 | 0:10:05 | |
'Big Howard for the parachute jump, in Why Am I Afraid?' | 0:10:05 | 0:10:08 | |
# ..My favourite things | 0:10:08 | 0:10:09 | |
# When the dog bites | 0:10:09 | 0:10:12 | |
# When the bee stings When I'm feeling sad... # | 0:10:12 | 0:10:16 | |
'Big Howard for the rolling down the hill bit, | 0:10:16 | 0:10:19 | |
'in How Can I Read Your Mind?' | 0:10:19 | 0:10:21 | |
# ..And then I don't feel So bad... # | 0:10:21 | 0:10:25 | |
'And Big Howard for the awesome bicycle stunt at the start | 0:10:25 | 0:10:29 | |
'of Why Can't I Be In Charge?' | 0:10:29 | 0:10:31 | |
OW! | 0:10:31 | 0:10:33 | |
I do wish you wouldn't do that! | 0:10:34 | 0:10:37 | |
Ow! | 0:10:37 | 0:10:38 | |
APPLAUSE | 0:10:38 | 0:10:40 | |
And the winner is, if I do say so myself... | 0:10:40 | 0:10:43 | |
..Har...?! Harrison Johnson?! | 0:10:44 | 0:10:48 | |
Who the...?! | 0:10:48 | 0:10:49 | |
Harrison Johnson is my on-set stand-in, | 0:10:49 | 0:10:52 | |
without whom this show would not be possible. | 0:10:52 | 0:10:56 | |
He's a bit of flippin' wood! | 0:10:56 | 0:10:59 | |
Here are some examples of his very fine work, | 0:10:59 | 0:11:02 | |
-followed by an in-depth interview with me. -What?! | 0:11:02 | 0:11:06 | |
# Hello | 0:11:06 | 0:11:07 | |
# Hello | 0:11:09 | 0:11:11 | |
# Hello | 0:11:13 | 0:11:14 | |
# Hello Oh, oh, oh, oh... # | 0:11:17 | 0:11:20 | |
# It's all right I'm getting busy | 0:11:21 | 0:11:23 | |
# Just enjoy a pop | 0:11:23 | 0:11:25 | |
# It's OK with me if you don't have that much to say, hey! | 0:11:25 | 0:11:28 | |
# Kinda like this goon But there's something you should know | 0:11:28 | 0:11:33 | |
# I just came to say hello... # | 0:11:33 | 0:11:36 | |
APPLAUSE | 0:11:43 | 0:11:45 | |
Harrison Johnson, thank you very much for talking to us tonight, | 0:11:45 | 0:11:49 | |
and congratulations on your award. | 0:11:49 | 0:11:51 | |
Thank you. It is very nice to be honoured in this way. | 0:11:51 | 0:11:55 | |
I am not having my award given to a bit of flippin' wood! | 0:11:55 | 0:11:59 | |
Who are you calling wooden? I'm a better actor than you! | 0:11:59 | 0:12:03 | |
How dare you! I have never been so insulted, | 0:12:03 | 0:12:06 | |
specifically by a bit of wood, in all my entire life! | 0:12:06 | 0:12:09 | |
Roll the adverts! | 0:12:09 | 0:12:12 | |
FEEBLE FANFARE | 0:12:12 | 0:12:13 | |
Coming up: The best ad from the Mermaids episode. | 0:12:13 | 0:12:16 | |
If you're still waiting for the DVD box-set, don't hold your breath. | 0:12:16 | 0:12:20 | |
Unless, of course, you're under water. | 0:12:20 | 0:12:22 | |
All 4,000 episodes of the cult TV classic | 0:12:22 | 0:12:25 | |
The Underwater Crime-Fighting Mermaid From The Sea! | 0:12:25 | 0:12:28 | |
HORNPIPE PLAYS | 0:12:28 | 0:12:30 | |
WEST COUNTRY ACCENT: Hello! | 0:12:32 | 0:12:34 | |
Hello, I'm a mermaid, but I also solves underwater crimes. | 0:12:34 | 0:12:39 | |
Hello. | 0:12:43 | 0:12:44 | |
My name is Big Howard and I went to the launderette | 0:12:44 | 0:12:48 | |
and I took out my bag of pants and everyone ran away | 0:12:48 | 0:12:52 | |
because I smell of eggy guffs. But now I use this... | 0:12:52 | 0:12:55 | |
'Roger, please don't show that one!' | 0:12:55 | 0:12:58 | |
Argh! | 0:12:58 | 0:12:59 | |
Coming soon, the Tiny Classics Season - | 0:12:59 | 0:13:02 | |
a series of films specially for the teensy weensy. | 0:13:02 | 0:13:06 | |
This Sunday, Microscopic Sherlock Holmes, | 0:13:06 | 0:13:09 | |
the first ever costume drama entirely performed by germs on a slide. | 0:13:09 | 0:13:14 | |
Starring the Ebola virus as the great detective. | 0:13:14 | 0:13:17 | |
So we're in the digestive tract. | 0:13:17 | 0:13:19 | |
Is there a name for this canal, Holmes? | 0:13:19 | 0:13:22 | |
Alimentary, my dear Watson, alimentary. | 0:13:22 | 0:13:24 | |
It's here at last. The Panoonis Sticker Book of Phobias. | 0:13:26 | 0:13:29 | |
Untold thousands of stickers to collect, | 0:13:29 | 0:13:32 | |
each depicting a genuine fear. | 0:13:32 | 0:13:35 | |
Genuphobia - fear of knees. Lutraphobia - fear of otters. | 0:13:35 | 0:13:39 | |
Defecaloesiophobia - fear of pooing. | 0:13:39 | 0:13:43 | |
Advertophobia - fear of adverts. | 0:13:43 | 0:13:46 | |
What?! Nobody's afraid of adverts! | 0:13:46 | 0:13:49 | |
APPLAUSE | 0:13:51 | 0:13:52 | |
I hope you enjoyed those adverts. | 0:13:53 | 0:13:55 | |
I know I certainly did. And the next award is... Here! | 0:13:55 | 0:13:59 | |
Get off! Ar-r-rgh! | 0:13:59 | 0:14:01 | |
BOOING | 0:14:01 | 0:14:04 | |
Nothing wrong with a bit of healthy competition, Big Howard. | 0:14:04 | 0:14:07 | |
Shut up. The next award... | 0:14:07 | 0:14:10 | |
Oh, no... | 0:14:11 | 0:14:12 | |
The next award is Lifetime of Irritation Award. | 0:14:14 | 0:14:18 | |
This prestigious award goes to a person who's been a constant pain | 0:14:18 | 0:14:21 | |
in the backside throughout the series. | 0:14:21 | 0:14:23 | |
It goes to our inappropriately maternal computer, Mother. | 0:14:23 | 0:14:28 | |
Morning, Mother! | 0:14:30 | 0:14:32 | |
-Lovely day for a cycle ride, dear! -Isn't it just? | 0:14:32 | 0:14:35 | |
Wait a minute. | 0:14:35 | 0:14:37 | |
-Let's do it! -Oh, 'eck! | 0:14:37 | 0:14:40 | |
Yippee-ki-yay! | 0:14:40 | 0:14:42 | |
# Give it all away Give me one last try... # Whoo! | 0:14:47 | 0:14:53 | |
My circuits are buzzing like a hornet's nest, yo! Let's do it again! | 0:14:55 | 0:15:00 | |
-Oh, dear. -Whooo! | 0:15:00 | 0:15:02 | |
Where's the flumping plane, dude! | 0:15:02 | 0:15:05 | |
# The things you had to share | 0:15:11 | 0:15:15 | |
# Are now no longer there | 0:15:15 | 0:15:17 | |
# You could not get along | 0:15:17 | 0:15:20 | |
# Now all your love is gone! | 0:15:20 | 0:15:23 | |
# What have we done? | 0:15:23 | 0:15:25 | |
-# How did this all evolve? -How did it get this far? | 0:15:25 | 0:15:29 | |
-# From playing indoor golf? -Now that she's gone | 0:15:29 | 0:15:31 | |
# How could pea cordial | 0:15:31 | 0:15:33 | |
-# We've blown up our com-pu-ter! -Put us through this ordeal? | 0:15:33 | 0:15:36 | |
-# What have we done? -The things you had to share | 0:15:36 | 0:15:38 | |
-# Tell me how did this start? -Are now no longer there! | 0:15:38 | 0:15:42 | |
-# Can't believe that she's gone -How did it get this far? | 0:15:42 | 0:15:45 | |
-# Her monitor blown apart -I was three under par | 0:15:45 | 0:15:49 | |
-# What have we? -What have we? -What have you done? # | 0:15:49 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:56 | |
I can't believe Mother got her own award. | 0:15:58 | 0:16:02 | |
Oh, come on, Big Howard, you've won a couple... Oh, no. | 0:16:02 | 0:16:05 | |
No, you haven't, have you? | 0:16:05 | 0:16:07 | |
'Ere, whatever your names are. | 0:16:07 | 0:16:09 | |
Just to let you know I've broken the monkey strike. | 0:16:09 | 0:16:12 | |
Oh, great. How? | 0:16:12 | 0:16:15 | |
I was firm but... Well, not fair, exactly. | 0:16:15 | 0:16:19 | |
I was firm, but rude, and ultimately they respect my authority. | 0:16:19 | 0:16:23 | |
You won't have any more trouble from those monk... | 0:16:23 | 0:16:25 | |
Can you smell burning? Has someone lit a...? Oh, 'eck! | 0:16:27 | 0:16:31 | |
Oi! Mind me feathers! Get off, you silly simians! | 0:16:31 | 0:16:36 | |
Wow! That should make it into the Best Action Sequence category. | 0:16:37 | 0:16:42 | |
'The first and last flight of Jetman UK.' | 0:16:42 | 0:16:46 | |
THUD! | 0:16:55 | 0:16:56 | |
Oh, dear. | 0:16:56 | 0:16:57 | |
'Me, rampaging around Purley like King Godzilla.' | 0:16:57 | 0:17:03 | |
Where are you, Gordon? Gordon! | 0:17:03 | 0:17:05 | |
THUNDERING FOOTSTEPS | 0:17:05 | 0:17:08 | |
That can't be him, he's tiny! | 0:17:08 | 0:17:11 | |
Oops, silly me. Come here you! | 0:17:12 | 0:17:16 | |
'Us scooba-dee-doo diving.' | 0:17:16 | 0:17:19 | |
'And finally, us blowing up our house.' | 0:17:37 | 0:17:39 | |
It looks as if it's about to explode. | 0:17:39 | 0:17:41 | |
# And then I don't feel so bad. # | 0:17:41 | 0:17:47 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
And the next award is the Geoff Coward Award for brilliant direct... | 0:18:07 | 0:18:10 | |
PHONE RINGS | 0:18:10 | 0:18:12 | |
Sorry. | 0:18:12 | 0:18:13 | |
Hello? | 0:18:17 | 0:18:18 | |
Hello. Er, I'm up a tree. | 0:18:18 | 0:18:20 | |
Turns out the monkeys won't be doing the monkey song, but... | 0:18:20 | 0:18:23 | |
I've arranged something else. | 0:18:23 | 0:18:25 | |
You'll get your monkey song, just not the monkeys. | 0:18:25 | 0:18:28 | |
Did you say you're up a tree? | 0:18:28 | 0:18:30 | |
Oh, yes. Pretty good place to hide from monkeys, eh? | 0:18:30 | 0:18:33 | |
One thing monkeys can't do is fly. | 0:18:33 | 0:18:35 | |
Except in The Wizard of Oz. | 0:18:35 | 0:18:38 | |
I'm pretty sure monkeys are quite good at climbing trees. | 0:18:38 | 0:18:42 | |
Oh, dear. | 0:18:42 | 0:18:44 | |
MONKEY'S SCREECH | 0:18:44 | 0:18:46 | |
'Argh! Me wing...' | 0:18:46 | 0:18:48 | |
APPLAUSE | 0:18:48 | 0:18:51 | |
The final category this year is The Best Little Howard Award, | 0:18:51 | 0:18:54 | |
rewarding the best Little Howard in all of the series. | 0:18:54 | 0:18:57 | |
-What?! -And the nominees are... | 0:18:57 | 0:19:00 | |
No, no! You don't...! | 0:19:00 | 0:19:03 | |
'Me. Oh, not me. H9 in How Can I Be In Two Places At Once?' | 0:19:05 | 0:19:10 | |
Ow! Little Howard, you're on fire! | 0:19:10 | 0:19:13 | |
My pleasure! | 0:19:13 | 0:19:15 | |
Oh. You are actually on fire. | 0:19:15 | 0:19:18 | |
Oh, must get that fixed before the invasion. | 0:19:18 | 0:19:22 | |
The what? | 0:19:22 | 0:19:23 | |
-Erm, nothing! -Ow! | 0:19:23 | 0:19:25 | |
'Massive me in Why Can't I Be Bigger?' | 0:19:25 | 0:19:29 | |
Little Howard, you come down here this instant, young man, | 0:19:29 | 0:19:32 | |
before you get shot down by biplanes. | 0:19:32 | 0:19:34 | |
-Biplanes?! Ha! I eat biplanes for breakfast! -Right! | 0:19:34 | 0:19:40 | |
I'm telling Mother. You just wait. | 0:19:40 | 0:19:42 | |
DIALS NUMBER | 0:19:42 | 0:19:44 | |
'CGI me in How Can I Be In Two Places At Once again.' | 0:19:45 | 0:19:49 | |
You will all obey me! | 0:19:49 | 0:19:52 | |
Obey! Obey! Obey! | 0:19:52 | 0:19:57 | |
'Tiny me, in Why Can't I Be Bigger?' | 0:19:57 | 0:20:00 | |
You've got to help! I'm shrinking! Do you know the way to the hospital? | 0:20:03 | 0:20:06 | |
Thank you, madam. | 0:20:06 | 0:20:08 | |
'And the cardboard cut-out of me, in How Can I Be In Two Places At Once?' | 0:20:08 | 0:20:12 | |
-You're grounded, young man. -I'm very sorry, Big Howard. | 0:20:12 | 0:20:15 | |
I shan't take my eyes off you for a minute! | 0:20:15 | 0:20:17 | |
Trying to sneak out of the house without me noticing. | 0:20:17 | 0:20:21 | |
I'm not an idiot, you know! Eyes like a hawk! | 0:20:21 | 0:20:24 | |
APPLAUSE | 0:20:24 | 0:20:26 | |
And the winner is, with over 90% of the vote... What?! | 0:20:28 | 0:20:33 | |
Harrison Johnson, who played the photo-copied Little Howard | 0:20:33 | 0:20:36 | |
in Two Places At Once?! Oh, I'm furious! | 0:20:36 | 0:20:39 | |
CHUCKLING > | 0:20:39 | 0:20:41 | |
Listen, Little Howard, there are a load of ants back here | 0:20:41 | 0:20:44 | |
in tiny monkey costumes. | 0:20:44 | 0:20:46 | |
They say they're here for the Monkey Song. | 0:20:46 | 0:20:48 | |
But we told everybody we were going to do a song and dance | 0:20:48 | 0:20:53 | |
-with 100 monkeys. Not ants! -Yeah. It will be a bit of an anti-climax! | 0:20:53 | 0:20:58 | |
Anty-climax! Hee-hee-hee! Ants! | 0:21:00 | 0:21:03 | |
I said anty-climax! | 0:21:03 | 0:21:05 | |
I heard what you said. | 0:21:05 | 0:21:06 | |
Ha-ha-ha. Huh... | 0:21:06 | 0:21:09 | |
Cos it's the end of the show and it'll be a damp squib. | 0:21:09 | 0:21:11 | |
An anty-climax! Anty. They're ants. Anty-climax! | 0:21:11 | 0:21:14 | |
There's no chance we're ending this series on THAT joke. | 0:21:14 | 0:21:17 | |
Cue the Monkey Song! | 0:21:17 | 0:21:19 | |
CHEERING | 0:21:20 | 0:21:22 | |
# I love monkeys I love monkeys All those | 0:21:22 | 0:21:26 | |
# Happy, little chirpy, little monkeys | 0:21:26 | 0:21:29 | |
# With their tails that they used to have | 0:21:29 | 0:21:30 | |
# And their bananas that they used to have | 0:21:30 | 0:21:32 | |
# I think that now that we are monkeys we have happier mananas | 0:21:32 | 0:21:36 | |
# Gave me monkeys lots of monkeys | 0:21:36 | 0:21:38 | |
# For you knew that it's the monkeys I adore | 0:21:38 | 0:21:42 | |
# If my love said that she did not gave me monkeys | 0:21:42 | 0:21:45 | |
# I would not gave... oh... more. # | 0:21:45 | 0:21:48 | |
SQUELCH! | 0:21:48 | 0:21:49 | |
What the...?! | 0:21:49 | 0:21:51 | |
-Bleurgh! -Oh, the humanity! | 0:21:52 | 0:21:55 | |
Oh, come off it. They're only ants! | 0:21:55 | 0:21:58 | |
Very talented ants. | 0:21:58 | 0:22:01 | |
Bye! | 0:22:01 | 0:22:02 | |
ONE PERSON CLAPS | 0:22:02 | 0:22:04 |