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Previously on Lost & Found... | 0:00:02 | 0:00:03 | |
Are you auditioning for the studio? | 0:00:03 | 0:00:05 | |
I don't think I could ever make it into Lost and Found | 0:00:05 | 0:00:07 | |
because the musicians here are way more talented than me. | 0:00:07 | 0:00:10 | |
If I get into Lost and Found, | 0:00:10 | 0:00:11 | |
that means I could spend a lot less time in my neighbourhood, | 0:00:11 | 0:00:13 | |
which is a good thing. | 0:00:13 | 0:00:15 | |
This is the audition song? | 0:00:15 | 0:00:16 | |
This was my one chance, and I blew it. | 0:00:16 | 0:00:19 | |
I'm never going to get in. | 0:00:19 | 0:00:20 | |
Luke and I see Annabelle standing onstage singing her heart out. | 0:00:20 | 0:00:24 | |
# ..in the shadows Till the walls come down... # | 0:00:24 | 0:00:27 | |
She deserves to be here, man. | 0:00:27 | 0:00:29 | |
# Miss Invisible. # | 0:00:30 | 0:00:32 | |
It's audition day... | 0:00:36 | 0:00:38 | |
..number two! | 0:00:38 | 0:00:39 | |
I'm in Busker Alley | 0:00:39 | 0:00:41 | |
playing for the new auditioners. | 0:00:41 | 0:00:42 | |
Hopefully, I can calm some nerves. | 0:00:42 | 0:00:45 | |
# We go hard and we go strong | 0:00:45 | 0:00:48 | |
# We were built to carry on | 0:00:48 | 0:00:52 | |
# Hearts on fire burning bright... # | 0:00:52 | 0:00:55 | |
So my little sister Jackie and I | 0:00:55 | 0:00:56 | |
walk in, and there's this guy singing and he's so amazing. | 0:00:56 | 0:00:59 | |
# Strike a match | 0:00:59 | 0:01:02 | |
# They blow it out At the top | 0:01:02 | 0:01:06 | |
# They knock you down We won't stop | 0:01:06 | 0:01:09 | |
# No matter what they do They're never... # | 0:01:09 | 0:01:15 | |
This girl just jumps right in and starts singing with me. | 0:01:15 | 0:01:18 | |
Impressive. | 0:01:18 | 0:01:19 | |
# Throw your sticks and stones | 0:01:19 | 0:01:24 | |
# You can't break our bones Whoa-oh-oh... # | 0:01:24 | 0:01:28 | |
Times like these are what I live for. | 0:01:28 | 0:01:30 | |
Jumping in and singing with a stranger. | 0:01:30 | 0:01:32 | |
And why not bring that to my audition? The unexpected. | 0:01:32 | 0:01:35 | |
# Whoa-oh-oh oh-oh | 0:01:35 | 0:01:38 | |
# We're invincible, invincible | 0:01:38 | 0:01:42 | |
# We're invincible, invincible. # | 0:01:42 | 0:01:45 | |
-Yes! -You're amazing. | 0:01:45 | 0:01:48 | |
-Thank you. You too. -What's your name? | 0:01:48 | 0:01:50 | |
-I'm Theo. -Mary. | 0:01:50 | 0:01:51 | |
Nice to meet you. Please tell me you're auditioning. | 0:01:51 | 0:01:54 | |
I actually am. I'm with my little sister, Jackie. | 0:01:54 | 0:01:56 | |
-Oh, are you auditioning, too? -No, not me. -You should! | 0:01:56 | 0:02:00 | |
My sister Jackie and I are really close. | 0:02:00 | 0:02:01 | |
She's too young to audition this year, | 0:02:01 | 0:02:03 | |
but I'm hoping she'll audition next year. | 0:02:03 | 0:02:05 | |
The audition room is just that way. | 0:02:05 | 0:02:07 | |
-Yeah. -Um, yeah. Good luck. | 0:02:07 | 0:02:08 | |
-Thanks so much. Come on, Jackie. -See you. | 0:02:08 | 0:02:11 | |
If Lost and Found is like this, this is where I want to be. | 0:02:11 | 0:02:14 | |
# We are the lost | 0:02:14 | 0:02:16 | |
# And the found | 0:02:16 | 0:02:17 | |
# Don't know where we stand but it's solid ground | 0:02:17 | 0:02:20 | |
# It's your shot Let's see what you got | 0:02:20 | 0:02:23 | |
# Only your true light shines as bright as you | 0:02:23 | 0:02:27 | |
# Whoa-oh-oh, oh-oh Whoa-oh-oh, oh-oh | 0:02:27 | 0:02:30 | |
# Whoa, oh, oh, oh... # | 0:02:30 | 0:02:33 | |
-Hey. -Hey. | 0:02:48 | 0:02:50 | |
Always need water to calm my nerves. | 0:02:50 | 0:02:52 | |
Um, Mary, um, are you sure you wanna go through with your plan? | 0:02:52 | 0:02:55 | |
I'm not sure if it's a good idea. | 0:02:55 | 0:02:57 | |
'I wrote a song for the auditions.' | 0:02:57 | 0:02:58 | |
It's still called "Original", but mine is totally different. | 0:02:58 | 0:03:01 | |
Look, I wanna stand out here. I wanna be remembered. | 0:03:01 | 0:03:04 | |
Rewriting the audition song is a big gamble. | 0:03:04 | 0:03:07 | |
I bet they want everyone singing the exact same song. | 0:03:07 | 0:03:09 | |
They probably do. But I'm willing to take risks. | 0:03:09 | 0:03:12 | |
No guts, no glory, right? | 0:03:12 | 0:03:14 | |
I want to show my sister that you have to push yourself in order to | 0:03:14 | 0:03:17 | |
succeed. You can't just go along with what everybody else is doing. | 0:03:17 | 0:03:20 | |
First group up. Let's go. Make a line right here. | 0:03:20 | 0:03:22 | |
That's me. I'll see you later. | 0:03:22 | 0:03:25 | |
Come on, guys. Don't be nervous. OK, let's go. | 0:03:25 | 0:03:28 | |
Don't worry - you'll do great! | 0:03:33 | 0:03:35 | |
All right. Looks like we're all here. | 0:03:36 | 0:03:38 | |
Welcome to today's auditions. | 0:03:38 | 0:03:39 | |
'The first day of auditions was fantastic,' | 0:03:42 | 0:03:44 | |
so I can't wait to see what today's auditions will bring. | 0:03:44 | 0:03:47 | |
Wow. | 0:03:53 | 0:03:54 | |
-Clara, you're good. -Mm. -Just...yes. | 0:03:55 | 0:03:59 | |
No, I can't do this. | 0:03:59 | 0:04:01 | |
Yes. Yes, you can. You've practised this song five billion times, OK? | 0:04:01 | 0:04:06 | |
You're golden. | 0:04:06 | 0:04:07 | |
'I'm a dancer, and I know how scary auditions can be.' | 0:04:07 | 0:04:10 | |
Clara has always been super, super excited and anxious, | 0:04:10 | 0:04:15 | |
but she just needs to calm down and focus on what she needs to do here. | 0:04:15 | 0:04:19 | |
-Good luck. -Thank you. | 0:04:19 | 0:04:21 | |
You're welcome. Just breathe. | 0:04:21 | 0:04:23 | |
Stay calm. You have this. | 0:04:23 | 0:04:26 | |
'Parker caught me singing alone, and she gave me a shot at auditioning. | 0:04:30 | 0:04:34 | |
'And I really hope I don't mess it up.' | 0:04:34 | 0:04:35 | |
-Hi. -Hi. -My name's Isaac. -Hi. I'm Clara. | 0:04:43 | 0:04:47 | |
-You seem kind of nervous. -Yeah. -You must be auditioning? -Mm-hm. | 0:04:47 | 0:04:51 | |
Don't worry. You'll be great. | 0:04:51 | 0:04:54 | |
How long have you been going here? | 0:04:54 | 0:04:56 | |
About five minutes. I'm auditioning too. | 0:04:56 | 0:04:58 | |
Wow. You seem so calm. | 0:04:58 | 0:05:00 | |
That's just me. | 0:05:01 | 0:05:03 | |
OK - look at my hand. | 0:05:03 | 0:05:06 | |
Show me yours. | 0:05:06 | 0:05:07 | |
Do you feel that? | 0:05:10 | 0:05:12 | |
Got to feel more like that. | 0:05:12 | 0:05:13 | |
OK. | 0:05:15 | 0:05:16 | |
'Isaac seems to have a really calming effect on me.' | 0:05:16 | 0:05:20 | |
I hope Isaac gets in. | 0:05:20 | 0:05:21 | |
I mean, I hope I get in, but I really hope Isaac gets in, too. | 0:05:21 | 0:05:25 | |
All right. Who would like to go next? | 0:05:28 | 0:05:31 | |
Cool. Come on up. | 0:05:31 | 0:05:33 | |
MUSIC STARTS | 0:05:37 | 0:05:40 | |
# Everybody tries to put me in a box | 0:05:41 | 0:05:44 | |
# Tell me to be different, to be something I'm not... # | 0:05:44 | 0:05:46 | |
Jamie's not going to get in here. | 0:05:46 | 0:05:48 | |
'He plays his guitar and he thinks he can hide behind it.' | 0:05:48 | 0:05:50 | |
I see you. | 0:05:50 | 0:05:52 | |
'I'm trying to enjoy the auditions, because, after all, | 0:05:52 | 0:05:55 | |
'I wrote the audition song. But...' | 0:05:55 | 0:05:57 | |
Annabelle really messed up her audition yesterday, | 0:05:57 | 0:06:00 | |
then Luke and I heard her singing alone, | 0:06:00 | 0:06:02 | |
and now I just can't get her voice out of my head. | 0:06:02 | 0:06:05 | |
# Once in a lifetime... # | 0:06:05 | 0:06:06 | |
Look... | 0:06:06 | 0:06:07 | |
I think I might have figured out | 0:06:07 | 0:06:09 | |
-a way we can get Annabelle a second chance. -Really? -Yeah. | 0:06:09 | 0:06:13 | |
OK, shoot. | 0:06:13 | 0:06:14 | |
You gotta talk to Mr T. | 0:06:14 | 0:06:16 | |
You are out of your mind. | 0:06:16 | 0:06:17 | |
You're the only one who can pull this off, | 0:06:17 | 0:06:19 | |
and...honestly, you can convince pretty much anyone of anything. | 0:06:19 | 0:06:23 | |
Look, if you do this, I'll owe you one. | 0:06:24 | 0:06:28 | |
Anything? | 0:06:28 | 0:06:29 | |
Anything. | 0:06:29 | 0:06:31 | |
I'm thinking soup! | 0:06:31 | 0:06:32 | |
I hate you so much. | 0:06:33 | 0:06:36 | |
# Oh, oh, oh... # | 0:06:36 | 0:06:39 | |
CHEERING | 0:06:39 | 0:06:41 | |
Are there any more auditioners left to perform? | 0:06:46 | 0:06:48 | |
All right. Show us what you got. | 0:06:49 | 0:06:52 | |
'Jackie wants to follow my footsteps, | 0:06:52 | 0:06:54 | |
'and I don't want to let her down.' | 0:06:54 | 0:06:55 | |
But I have to show her that in order to succeed, | 0:06:55 | 0:06:58 | |
you have to break a few rules along the way. | 0:06:58 | 0:07:00 | |
APPLAUSE | 0:07:00 | 0:07:03 | |
Hi. My name is Mary. | 0:07:03 | 0:07:05 | |
MUSIC STARTS | 0:07:07 | 0:07:09 | |
Angus - phone! Are you serious? Come on. Rules. | 0:07:09 | 0:07:12 | |
'This guy named Angus pulls out his phone.' | 0:07:15 | 0:07:17 | |
And Mr T yells at him for breaking the rules. | 0:07:17 | 0:07:19 | |
'I better play it safe here.' | 0:07:19 | 0:07:21 | |
Actually, could I have the backing track, please? | 0:07:21 | 0:07:24 | |
-Sure. Backing track, please. -Thanks. | 0:07:24 | 0:07:27 | |
MUSIC STARTS | 0:07:27 | 0:07:28 | |
# Oh, oh | 0:07:28 | 0:07:31 | |
# Yeah, yeah | 0:07:31 | 0:07:33 | |
# Everybody tries to put me in a box | 0:07:36 | 0:07:38 | |
# Tell me to be different, to be something I'm not | 0:07:38 | 0:07:40 | |
# I don't wanna see a photocopy | 0:07:40 | 0:07:42 | |
# When I'm staring in the mirror | 0:07:42 | 0:07:44 | |
# I've got nothing to prove | 0:07:44 | 0:07:47 | |
# I'm breaking all the rules | 0:07:47 | 0:07:49 | |
# I'm not your typical | 0:07:49 | 0:07:51 | |
# I'm original | 0:07:52 | 0:07:53 | |
# Like Mona Lisa smile... # | 0:07:53 | 0:07:55 | |
'I'm singing about being original,' | 0:07:55 | 0:07:57 | |
but I'm not being original. | 0:07:57 | 0:07:59 | |
I don't feel like myself up there. | 0:07:59 | 0:08:00 | |
I feel like I'm just doing what's expected. | 0:08:00 | 0:08:03 | |
# Certified, unique | 0:08:03 | 0:08:05 | |
# 100% a masterpiece | 0:08:05 | 0:08:07 | |
# No, you can't copy me, I'm the original, original... # | 0:08:07 | 0:08:12 | |
'Watching Mary perform her audition,' | 0:08:13 | 0:08:15 | |
she was the first person to just...own the stage. | 0:08:15 | 0:08:19 | |
She has a great presence. | 0:08:19 | 0:08:21 | |
# I'm one in a million | 0:08:21 | 0:08:25 | |
# I'm once in a lifetime... # | 0:08:25 | 0:08:31 | |
'As soon as Mary starts to sing,' | 0:08:33 | 0:08:35 | |
Jude is captured. | 0:08:35 | 0:08:37 | |
Her dancing and everything is just, like, the perfect...bloop! | 0:08:37 | 0:08:41 | |
# Like Mona Lisa smile, like Elvis Presley style | 0:08:41 | 0:08:45 | |
# The first one of my kind, I'm the original, original | 0:08:45 | 0:08:50 | |
# I'm certified unique, 100% a masterpiece | 0:08:50 | 0:08:54 | |
# No, you can't copy me, I'm the original, original | 0:08:54 | 0:08:59 | |
# Original... # | 0:08:59 | 0:09:02 | |
I'm glad Jackie's not watching. I'm not proud of this performance. | 0:09:02 | 0:09:05 | |
I don't care what anybody else thinks. | 0:09:05 | 0:09:07 | |
# Original | 0:09:07 | 0:09:11 | |
# Original | 0:09:12 | 0:09:16 | |
# I'm original. # | 0:09:16 | 0:09:18 | |
CHEERING AND APPLAUSE | 0:09:18 | 0:09:20 | |
'It was a great performance but I wonder why Mary changed her mind.' | 0:09:20 | 0:09:23 | |
I've seen a lot of auditions, | 0:09:23 | 0:09:25 | |
and I can't help but think that Mary was capable of more. | 0:09:25 | 0:09:28 | |
You guys did great. Thank you for coming. | 0:09:35 | 0:09:37 | |
We'll get back to you with the results later. | 0:09:37 | 0:09:40 | |
Uh, Mr T, can I ask you a question? | 0:09:49 | 0:09:52 | |
Not here. Can we go in the green room? | 0:09:54 | 0:09:56 | |
OK. | 0:09:57 | 0:09:58 | |
It's now or never. | 0:10:00 | 0:10:02 | |
Let's see if I can convince Mr T to give Annabelle another shot. | 0:10:02 | 0:10:05 | |
Were you impressed? You were there. It was not pretty. | 0:10:19 | 0:10:22 | |
Luke has just asked me to give Annabelle a second chance, and...no. | 0:10:22 | 0:10:26 | |
I am telling you that she can sing. I heard her. | 0:10:26 | 0:10:29 | |
Of course she can sing. That's how you get in the door. | 0:10:29 | 0:10:31 | |
But this is an audition, and she blew it. | 0:10:31 | 0:10:33 | |
This is not some sort of a recreational sports league | 0:10:33 | 0:10:35 | |
where everybody gets a trophy at the end and shakes hands. | 0:10:35 | 0:10:38 | |
This is the real thing, and she lost. Get it? | 0:10:38 | 0:10:41 | |
Yeah. | 0:10:43 | 0:10:44 | |
'I can't convince Mr T, because,' | 0:10:47 | 0:10:48 | |
at the end of the day, he's right. | 0:10:48 | 0:10:51 | |
Oh, no. You sang your version of the song, didn't you? | 0:10:54 | 0:10:58 | |
No, Jackie, I sang the song the way it was written. | 0:10:58 | 0:11:01 | |
That's great! | 0:11:01 | 0:11:02 | |
No, it's not. | 0:11:02 | 0:11:04 | |
I blew my chance. | 0:11:04 | 0:11:06 | |
They didn't see the real me. | 0:11:06 | 0:11:08 | |
'I'm supposed to show my sister' | 0:11:08 | 0:11:09 | |
that it's OK to be yourself. You should be confident in who you are. | 0:11:09 | 0:11:12 | |
But I'm totally failing at this right now. | 0:11:12 | 0:11:15 | |
Mary, | 0:11:15 | 0:11:16 | |
I've never seen you do a bad performance. | 0:11:16 | 0:11:18 | |
I'm sure it was amazing. Don't worry about it. | 0:11:18 | 0:11:21 | |
Come on, let's hug it out. | 0:11:23 | 0:11:24 | |
All right. Thanks. | 0:11:25 | 0:11:27 | |
'I hold myself to an extremely high standard.' | 0:11:27 | 0:11:29 | |
But today, I didn't measure up. | 0:11:29 | 0:11:32 | |
'We're just waiting here and I'm SO nervous.' | 0:11:39 | 0:11:41 | |
Hello, Delta group and welcome to today's auditions. | 0:11:50 | 0:11:53 | |
APPLAUSE | 0:11:53 | 0:11:54 | |
All right. Who wants to go first? | 0:11:59 | 0:12:01 | |
I'm going first. | 0:12:01 | 0:12:02 | |
All right. Be my guest. | 0:12:02 | 0:12:04 | |
APPLAUSE AND WHOOPING | 0:12:04 | 0:12:06 | |
'I'm really relieved that Isaac stepped up to sing first,' | 0:12:06 | 0:12:08 | |
because I'm really not ready yet. | 0:12:08 | 0:12:11 | |
You should ask me my name. | 0:12:11 | 0:12:12 | |
OK. What's your name? | 0:12:14 | 0:12:15 | |
Isaac. | 0:12:15 | 0:12:16 | |
'When Isaac demands that Mr T ask for his name | 0:12:16 | 0:12:19 | |
'in the middle of his audition,' | 0:12:19 | 0:12:21 | |
I just think everyone's shocked. | 0:12:21 | 0:12:23 | |
No-one talks to Mr T like that. | 0:12:23 | 0:12:26 | |
MUSIC STARTS | 0:12:26 | 0:12:28 | |
# Everybody tries to put me in a box | 0:12:32 | 0:12:34 | |
# Tell me to be different, to be something I'm not | 0:12:34 | 0:12:36 | |
# But I don't wanna see a photocopy | 0:12:36 | 0:12:38 | |
# When I'm staring in the mirror | 0:12:38 | 0:12:40 | |
# Got nothing to prove | 0:12:40 | 0:12:43 | |
# Breaking all the rules | 0:12:43 | 0:12:45 | |
# I'm not your typical | 0:12:45 | 0:12:47 | |
# I'm original | 0:12:47 | 0:12:49 | |
# Like Mona Lisa smile Like Elvis Presley style | 0:12:49 | 0:12:54 | |
# The first one of my kind | 0:12:54 | 0:12:56 | |
# I'm o-original, original | 0:12:56 | 0:12:59 | |
# Certified unique, 100% a masterpiece | 0:12:59 | 0:13:03 | |
# No, you can't copy me... # | 0:13:03 | 0:13:05 | |
Isaac is really bringing it. He was born for this. | 0:13:05 | 0:13:07 | |
# Original... # | 0:13:07 | 0:13:09 | |
'I remember the exact place that I heard Isaac sing,' | 0:13:09 | 0:13:12 | |
because I know he's going to go places. | 0:13:12 | 0:13:14 | |
# Original, original | 0:13:14 | 0:13:16 | |
# Original... # | 0:13:16 | 0:13:18 | |
'When I sing, I'm not sad, I'm not poor, I'm not rich.' | 0:13:18 | 0:13:21 | |
All I am is my voice. | 0:13:21 | 0:13:23 | |
# Original, original. # | 0:13:23 | 0:13:26 | |
-Yeah! -CHEERING | 0:13:26 | 0:13:28 | |
'If that's how good you have to be to get in here,' | 0:13:29 | 0:13:32 | |
I don't stand a chance. | 0:13:32 | 0:13:33 | |
All right. Are there any auditioners left to go? | 0:13:33 | 0:13:36 | |
'I'm the very last person to audition,' | 0:13:36 | 0:13:39 | |
and I still don't feel ready. | 0:13:39 | 0:13:41 | |
Me. | 0:13:42 | 0:13:43 | |
Sure. Come on up. | 0:13:43 | 0:13:45 | |
Round of applause, please. | 0:13:47 | 0:13:48 | |
I'm Clara. | 0:13:53 | 0:13:55 | |
MUSIC STARTS | 0:13:55 | 0:13:57 | |
SHE CLEARS HER THROAT | 0:13:57 | 0:13:59 | |
# Everybody tries to put me in a box | 0:14:04 | 0:14:06 | |
# Tell me to be different, to be something I'm not | 0:14:06 | 0:14:09 | |
# I don't wanna see a photocopy | 0:14:09 | 0:14:10 | |
# When I'm staring in the mirror | 0:14:10 | 0:14:13 | |
# Got nothing to prove... # | 0:14:13 | 0:14:14 | |
'I've never sung in front of people before, and I'm so nervous.' | 0:14:14 | 0:14:18 | |
And I can't do anything about it. | 0:14:18 | 0:14:20 | |
# I'm original | 0:14:20 | 0:14:22 | |
# Like Mona Lisa smile, like Elvis Presley style | 0:14:22 | 0:14:27 | |
# The first one of my kind | 0:14:27 | 0:14:28 | |
# I'm original, original | 0:14:28 | 0:14:31 | |
# I'm certified unique... # | 0:14:31 | 0:14:32 | |
'Clara starts out really nervous,' | 0:14:32 | 0:14:34 | |
but once Isaac starts helping her out, she's doing great. | 0:14:34 | 0:14:36 | |
# I'm original, original | 0:14:36 | 0:14:40 | |
# Original | 0:14:40 | 0:14:42 | |
# Original | 0:14:44 | 0:14:47 | |
# I won't apologise for drawing out the lines | 0:14:49 | 0:14:51 | |
# I'm a strike of lightning and I won't strike twice | 0:14:51 | 0:14:53 | |
# Crashing through the walls like a cannonball | 0:14:53 | 0:14:56 | |
# Just watch me rock it my way | 0:14:56 | 0:14:58 | |
# Got nothing to prove... # | 0:14:58 | 0:15:00 | |
'I was concerned when Clara began, but then she opens up' | 0:15:00 | 0:15:04 | |
and I hear the voice that I heard that day in the bull pen. | 0:15:04 | 0:15:07 | |
# Original... # | 0:15:07 | 0:15:09 | |
'To me,' | 0:15:09 | 0:15:10 | |
Clara was like a star. | 0:15:10 | 0:15:12 | |
She was brought down to earth. | 0:15:12 | 0:15:14 | |
# Original | 0:15:14 | 0:15:16 | |
# Original... # | 0:15:16 | 0:15:18 | |
'It felt so good when they all supported me.' | 0:15:18 | 0:15:21 | |
# Original... # | 0:15:21 | 0:15:24 | |
And it's all thanks to Isaac. | 0:15:24 | 0:15:25 | |
WHOOPING | 0:15:25 | 0:15:27 | |
'I have a plan.' | 0:15:30 | 0:15:31 | |
I just need to get Annabelle here. I'll worry about Mr T later. | 0:15:31 | 0:15:35 | |
Luke, give me the keys to the van. | 0:15:35 | 0:15:37 | |
-OK. -Let's go, let's go. Come on. | 0:15:37 | 0:15:39 | |
-All right, you owe me another one. -Fine. Fine. Thank you. | 0:15:39 | 0:15:41 | |
I think my plan has about a 10% chance of working. | 0:15:42 | 0:15:46 | |
# Original, original, original... # | 0:15:46 | 0:15:49 | |
-Are you John? -Yeah. | 0:15:52 | 0:15:54 | |
I just got a text from some guy named John. | 0:15:54 | 0:15:57 | |
He said something about auditioning again, | 0:15:57 | 0:15:59 | |
but that obviously can't be right. | 0:15:59 | 0:16:00 | |
So you still wanna audition, right? | 0:16:00 | 0:16:03 | |
-Obviously. -All right. Let's go. | 0:16:03 | 0:16:06 | |
-Right now? -Yeah. -But I totally bombed my audition, | 0:16:06 | 0:16:08 | |
-I can't go back. -I don't care. You're auditioning again. | 0:16:08 | 0:16:10 | |
-Are you serious? -Yes. Come on! -OK, well, hold on. | 0:16:10 | 0:16:13 | |
What are you doing? | 0:16:13 | 0:16:14 | |
Taking a picture of the licence plate and sending it to my mom | 0:16:14 | 0:16:17 | |
so she knows where I am, obviously. | 0:16:17 | 0:16:18 | |
-That's fair, yeah. Safety first. -Smile. | 0:16:18 | 0:16:20 | |
-What? -OK. Let's go. | 0:16:20 | 0:16:22 | |
-Here we go. -All right. | 0:16:24 | 0:16:25 | |
OK. Now my plan has a 20% chance of working. | 0:16:28 | 0:16:30 | |
-Can I ask you something? -Sure, yeah. | 0:16:34 | 0:16:37 | |
Are you sure this is OK? Like, why would Mr T want me back? | 0:16:37 | 0:16:41 | |
I totally bombed my audition. | 0:16:41 | 0:16:43 | |
I can't tell Annabelle that Mr T is decidedly not OK with this, | 0:16:43 | 0:16:46 | |
I can't have her jumping out of a moving van. | 0:16:46 | 0:16:49 | |
It wasn't that... | 0:16:49 | 0:16:51 | |
It's kind of like a roulette of second chances kind of thing. | 0:16:51 | 0:16:55 | |
Um, it's, uh, it's kind of random but at the same time, | 0:16:55 | 0:16:58 | |
he also chooses who he, like, sees potential in. | 0:16:58 | 0:17:01 | |
Don't worry about it. It's going to be fine. | 0:17:01 | 0:17:03 | |
I'm so happy I get another chance to audition. | 0:17:03 | 0:17:06 | |
I can't believe Mr T's OK with this. | 0:17:06 | 0:17:08 | |
-Honestly, don't worry. You're going to do great. -OK. Thank you. | 0:17:08 | 0:17:11 | |
No problem. | 0:17:13 | 0:17:14 | |
I just have to get Annabelle in front of Mr T and hope for the best. | 0:17:14 | 0:17:17 | |
All right. Thank you very much. So that's it for auditions this year. | 0:17:25 | 0:17:29 | |
Thank you to everyone who came out, you all did a great job, | 0:17:29 | 0:17:31 | |
you brought your best. You'll hear from us later. Thank... | 0:17:31 | 0:17:35 | |
Uh, we got one more. | 0:17:36 | 0:17:38 | |
'My plan was just to get Annabelle here.' | 0:17:38 | 0:17:41 | |
Now that she's here, I have no idea what to do next. | 0:17:41 | 0:17:44 | |
Didn't you already have your chance? | 0:17:44 | 0:17:45 | |
Yeah. | 0:17:47 | 0:17:49 | |
John acted like Mr T was OK with me coming back and auditioning again. | 0:17:50 | 0:17:53 | |
But it obviously looks like he isn't. | 0:17:53 | 0:17:55 | |
You - with me, now. | 0:17:56 | 0:17:57 | |
'This is the John that I know and love.' | 0:18:00 | 0:18:03 | |
(Come with me.) | 0:18:04 | 0:18:05 | |
'He stood up for what he believed in' | 0:18:05 | 0:18:07 | |
and good on him. | 0:18:07 | 0:18:08 | |
(Just stand right...here. It's going to be OK.) | 0:18:08 | 0:18:12 | |
Thank you. | 0:18:13 | 0:18:14 | |
'I can't believe this audition wasn't set up.' | 0:18:19 | 0:18:22 | |
I really hope I'm not humiliated again. | 0:18:22 | 0:18:25 | |
Get over there. | 0:18:25 | 0:18:26 | |
What gives you the right to undermine my authority like that? | 0:18:26 | 0:18:29 | |
-I wasn't trying to undermine you. -Oh, really? | 0:18:29 | 0:18:32 | |
So you bring Luke in here to try and convince me, and I say no. | 0:18:32 | 0:18:34 | |
Then you go and pick her up and bring her back without telling me? | 0:18:34 | 0:18:37 | |
-Are you kidding me? -I didn't know what I was supposed to do! | 0:18:37 | 0:18:40 | |
I pity the fool that doesn't give her a second chance here. | 0:18:40 | 0:18:43 | |
You are not calling me a fool right now. | 0:18:43 | 0:18:45 | |
I am, if you don't give her another shot. | 0:18:45 | 0:18:47 | |
I know what it's like to mess up. | 0:18:54 | 0:18:55 | |
So I'm going to fight for her. | 0:18:57 | 0:18:59 | |
You better be ready this time. | 0:19:17 | 0:19:19 | |
'I am shocked. | 0:19:23 | 0:19:26 | |
'Annabelle has no idea how lucky she is to get a second chance here.' | 0:19:26 | 0:19:30 | |
No-one gets that. | 0:19:30 | 0:19:32 | |
# If I could find some courage | 0:19:33 | 0:19:37 | |
# And follow it down the path | 0:19:37 | 0:19:41 | |
# If fate can make it happen | 0:19:41 | 0:19:44 | |
# How do I make it last? | 0:19:45 | 0:19:48 | |
# What am I waiting for? | 0:19:48 | 0:19:52 | |
# Oh, oh, oh | 0:19:52 | 0:19:55 | |
# Now it's my time | 0:19:55 | 0:19:59 | |
# Now is my time | 0:19:59 | 0:20:03 | |
# Now it's my time | 0:20:03 | 0:20:06 | |
# To rise up | 0:20:06 | 0:20:08 | |
# I'm tired of laying here on the floor | 0:20:08 | 0:20:12 | |
# It's my time to shine | 0:20:12 | 0:20:14 | |
# So right, so light | 0:20:14 | 0:20:17 | |
# Like never before... # | 0:20:17 | 0:20:19 | |
There's no way that I'm letting go of this chance. | 0:20:19 | 0:20:22 | |
It's the only one I've got. | 0:20:22 | 0:20:24 | |
# My heart is like a prisoner of war | 0:20:26 | 0:20:29 | |
# I can't give less when I know I want more | 0:20:29 | 0:20:34 | |
# And why can't I step through the door | 0:20:34 | 0:20:37 | |
# If I'm ready to fly, if I'm ready to soar | 0:20:37 | 0:20:47 | |
# Now is my time | 0:20:47 | 0:20:50 | |
# I'm ready to rise, I'm ready to shine | 0:20:50 | 0:20:54 | |
# Now it's my time | 0:20:54 | 0:20:58 | |
# I figured it out | 0:20:58 | 0:21:00 | |
# I figured it out. # | 0:21:02 | 0:21:07 | |
WHOOPING | 0:21:07 | 0:21:09 | |
Now, auditions are over. | 0:21:11 | 0:21:13 | |
CHEERING Yeah! | 0:21:13 | 0:21:16 | |
'John is a quiet kid, | 0:21:16 | 0:21:18 | |
'and he doesn't even stand up for himself, but he stood up for her.' | 0:21:18 | 0:21:22 | |
And that's what life's about. You got to fight for something. | 0:21:22 | 0:21:25 |