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Previously on Lost and Found... | 0:00:02 | 0:00:03 | |
You better be ready this time. | 0:00:03 | 0:00:05 | |
'Annabelle has no idea how lucky she is to get a second chance here. | 0:00:05 | 0:00:09 | |
'No-one gets that.' | 0:00:09 | 0:00:10 | |
I love lists, I love crossing things off lists | 0:00:10 | 0:00:12 | |
and love filing those lists. | 0:00:12 | 0:00:14 | |
I'm on it. | 0:00:14 | 0:00:16 | |
Maggie? Do you want to switch? | 0:00:16 | 0:00:18 | |
Yeah, OK! Awesome! | 0:00:18 | 0:00:20 | |
I can't believe Leia ditched me. | 0:00:20 | 0:00:22 | |
Worst mentor ever. | 0:00:22 | 0:00:24 | |
# Yeah, it's crazy how the world spins round and round | 0:00:31 | 0:00:34 | |
# With all this foolishness going down | 0:00:34 | 0:00:36 | |
# I keep my head up and on a good path | 0:00:36 | 0:00:39 | |
# But when I look back, ain't going to feel right, though | 0:00:39 | 0:00:42 | |
# Anybody who be hanging | 0:00:42 | 0:00:43 | |
# They all want me to slip like you went skating | 0:00:43 | 0:00:45 | |
# I bust a triple axel and make it look like, what? | 0:00:45 | 0:00:48 | |
# I keep it classy, no professor | 0:00:48 | 0:00:50 | |
# I just want to be myself when I can | 0:00:50 | 0:00:52 | |
# I don't want my problems, feeling free, man | 0:00:52 | 0:00:55 | |
# They fly away, yeah, I'm talking miles away | 0:00:55 | 0:00:59 | |
# I just want to be myself when I can | 0:00:59 | 0:01:01 | |
# I don't want my problems, feeling free, man... # | 0:01:01 | 0:01:04 | |
So right now Jude and I are just performing Dancing in the Rain | 0:01:04 | 0:01:06 | |
and the energy is amazing. | 0:01:06 | 0:01:09 | |
# I'm dancing in the rain | 0:01:09 | 0:01:13 | |
# I'm not waiting for the storm to pass | 0:01:13 | 0:01:15 | |
# Because even when it rains I'm going to dance... # | 0:01:15 | 0:01:18 | |
# You can catch me dancing in the rain... # | 0:01:18 | 0:01:21 | |
Isaac told me he doesn't have a lot of experience on stage which is | 0:01:21 | 0:01:24 | |
crazy because every time me and Isaac perform, it's the greatest. | 0:01:24 | 0:01:28 | |
# ..your umbrella under stormy weather | 0:01:28 | 0:01:32 | |
# Soaking into me Tastes so bitter sweet | 0:01:32 | 0:01:37 | |
# I'm about to leave this shelter I'm going to be free forever | 0:01:37 | 0:01:42 | |
# You just wait and see | 0:01:42 | 0:01:46 | |
# I'm dancing in the rain | 0:01:46 | 0:01:50 | |
# I'm not waiting for the storm to pass | 0:01:50 | 0:01:53 | |
# Cos even when it rains I'm going to dance... # | 0:01:53 | 0:01:56 | |
This is exactly what I dreamed Lost and Found would be. | 0:01:58 | 0:02:01 | |
I love working with artists like Jude. | 0:02:01 | 0:02:03 | |
He really makes me feel like I belong here. | 0:02:03 | 0:02:06 | |
Hip-hop, hip-hop! | 0:02:06 | 0:02:08 | |
# We are the lost and the found | 0:02:10 | 0:02:13 | |
# Don't know where we stand but it's solid ground | 0:02:13 | 0:02:16 | |
# It's your shot See what you've got | 0:02:16 | 0:02:19 | |
# Let your true light shine as bright as you. # | 0:02:19 | 0:02:22 | |
I'm in the Junction all by myself | 0:02:47 | 0:02:49 | |
because I'm just really upset that Leia didn't invite me to live choir. | 0:02:49 | 0:02:53 | |
-Hey, Annabelle. -Hey. | 0:02:56 | 0:02:58 | |
-What's up? -Nothing. | 0:02:58 | 0:03:00 | |
It doesn't look like nothing. | 0:03:02 | 0:03:04 | |
You're sad sipping and you're even biting the straw. | 0:03:04 | 0:03:07 | |
-Well, you know that live choir thing that Leia organises? -Yeah. | 0:03:08 | 0:03:12 | |
Live choir is awesome. | 0:03:12 | 0:03:14 | |
Leia picks a select group of people and then they all sing one song | 0:03:14 | 0:03:17 | |
and post it on the internet. | 0:03:17 | 0:03:19 | |
-Did you get invited? -Of course. | 0:03:19 | 0:03:21 | |
Well, I didn't and I don't know why. | 0:03:21 | 0:03:23 | |
It think she doesn't like me. | 0:03:23 | 0:03:25 | |
-Ask Leia for an invitation. -Are you crazy? What if she says no? | 0:03:25 | 0:03:28 | |
Just chill. | 0:03:28 | 0:03:30 | |
'Leia ditched me on the first day that I got here.' | 0:03:30 | 0:03:33 | |
She could just easily say no and laugh in my face. | 0:03:33 | 0:03:36 | |
I don't want that to happen. | 0:03:36 | 0:03:38 | |
You want some sad muffin to go with your sad sipping? | 0:03:38 | 0:03:41 | |
Sure. | 0:03:41 | 0:03:43 | |
Tuesday? | 0:03:45 | 0:03:46 | |
Hold on one second. | 0:03:48 | 0:03:50 | |
OK. I called you guys in here today because Tyler Shaw | 0:03:50 | 0:03:53 | |
is coming into the studio to record some tracks. | 0:03:53 | 0:03:56 | |
And I need an assistant. | 0:03:56 | 0:03:58 | |
For... For Tyler Shaw? | 0:03:58 | 0:04:01 | |
Yeah, that name sounds pretty familiar. | 0:04:01 | 0:04:03 | |
It should! He's an amazing musician, | 0:04:03 | 0:04:07 | |
songwriter and human being. | 0:04:07 | 0:04:09 | |
Well, if you're such a big fan, why don't you hum a song | 0:04:09 | 0:04:11 | |
of Tyler's? Let me hear it. | 0:04:11 | 0:04:13 | |
SHE HUMS | 0:04:13 | 0:04:16 | |
Oh, yeah, I know that song. I love that guy. | 0:04:16 | 0:04:18 | |
He doesn't even know who he is! | 0:04:18 | 0:04:19 | |
-I'm his biggest fan. -You should choose me. | 0:04:19 | 0:04:22 | |
Let's do it this way. | 0:04:22 | 0:04:23 | |
I'm going to ask you one question and whoever has the best answer | 0:04:23 | 0:04:28 | |
wins an afternoon with Tyler Shaw. | 0:04:28 | 0:04:29 | |
So what's the question? | 0:04:29 | 0:04:31 | |
How many piano tuners are there in the world? | 0:04:31 | 0:04:34 | |
I got this. | 0:04:34 | 0:04:36 | |
If I got the chance to be Tyler Shaw's assistant, | 0:04:36 | 0:04:39 | |
it would mean that I'm already making it in the music business. | 0:04:39 | 0:04:43 | |
This is what I want to do for the rest of my life. | 0:04:43 | 0:04:45 | |
May the best...me win. | 0:04:45 | 0:04:47 | |
Hah, in your dreams! | 0:04:47 | 0:04:49 | |
Are you still there? | 0:04:49 | 0:04:50 | |
Do you know how to cross-check numbers from across the country? | 0:04:50 | 0:04:53 | |
-That doesn't even matter. -Yeah, it does. | 0:04:53 | 0:04:55 | |
Wait... I've got to go back for a quick second, is that cool? | 0:04:55 | 0:04:58 | |
OK? | 0:04:58 | 0:04:59 | |
All right. | 0:04:59 | 0:05:01 | |
Hey, Parker, I've got my answer. | 0:05:03 | 0:05:05 | |
Shoot. | 0:05:05 | 0:05:06 | |
-HE RAPS: -I've got piano keys for sale, you could use it for anything, | 0:05:06 | 0:05:10 | |
you could use tails, but me, how would I use it for that? | 0:05:10 | 0:05:12 | |
What would I use it for? I'm going to get a black piano | 0:05:12 | 0:05:14 | |
and what do I play it for? | 0:05:14 | 0:05:16 | |
World peace, I get my black piano, play it for world peace... | 0:05:16 | 0:05:18 | |
This rap I came up with took me 60 seconds. | 0:05:18 | 0:05:22 | |
Not the greatest answer, but definitely the fastest. | 0:05:22 | 0:05:25 | |
-RAPS: -Whenever I say Parker, I got something to say... | 0:05:25 | 0:05:28 | |
-NORMAL: -So what do you think about that? | 0:05:28 | 0:05:30 | |
Jude's answer was creative, innovative and timely | 0:05:30 | 0:05:33 | |
and Tyler is going to be here any minute | 0:05:33 | 0:05:35 | |
so I think I've found my assistant. | 0:05:35 | 0:05:37 | |
Thank you, thank you, thank you so much. | 0:05:37 | 0:05:39 | |
# Let me take you back. # | 0:05:40 | 0:05:42 | |
-MUFFLED: Oh, hey! -Hi, Annabelle. -Hello. | 0:05:50 | 0:05:53 | |
It's Leia. | 0:05:53 | 0:05:54 | |
I'm not mentally or physically able to talk to her right now. | 0:05:54 | 0:05:58 | |
So, I actually wanted to talk to you...about... | 0:05:58 | 0:06:02 | |
..the live choir... | 0:06:04 | 0:06:05 | |
Annabel is trying to talk to me, | 0:06:07 | 0:06:10 | |
but all I hear is, "Blah, blah, blah, live choir, | 0:06:10 | 0:06:13 | |
"blah, blah, blah, live choir..." | 0:06:13 | 0:06:16 | |
So I'm guessing it's about live choir. | 0:06:16 | 0:06:19 | |
-Sorry... -Oh, I know what you want! | 0:06:19 | 0:06:23 | |
-Mm-hm! -You want to help set up. | 0:06:23 | 0:06:25 | |
-Yeah. -Oh, that's so sweet of you. Thank you so much. | 0:06:27 | 0:06:31 | |
Maybe if I do a good job setting up, she'll like me more. | 0:06:31 | 0:06:34 | |
See you then. Bye. | 0:06:34 | 0:06:36 | |
Parker, Parker! I have your answer. | 0:06:46 | 0:06:49 | |
It took me a bit of time | 0:06:49 | 0:06:51 | |
but I had to make sure my answer was perfect. | 0:06:51 | 0:06:54 | |
So I went to every store in the city that sells pianos, right? | 0:06:54 | 0:07:00 | |
And then I got them to tell me how many tuners they have. | 0:07:00 | 0:07:03 | |
22,653 piano tuners, boom. | 0:07:03 | 0:07:08 | |
-And then I got the total and it's right... -Rachel? | 0:07:08 | 0:07:11 | |
Jude gave me his answer hours ago. He got the gig. | 0:07:11 | 0:07:15 | |
When I find out that Jude gets to be Tyler Shaw's assistant over me, | 0:07:15 | 0:07:20 | |
I'm devastated. I worked so hard for this, this means so much more to me. | 0:07:20 | 0:07:25 | |
Yo. | 0:07:44 | 0:07:47 | |
Yo! | 0:07:47 | 0:07:49 | |
Yo, yo, yo, yo. | 0:07:49 | 0:07:52 | |
-RAPS: -Mike check, one, two, one, two, | 0:07:52 | 0:07:54 | |
I said, my flow is so sick, I've got the permanent flu. | 0:07:54 | 0:07:57 | |
I said, Jude is the man with one heck of a plan | 0:07:57 | 0:08:00 | |
and when I speed up the flow I want to make you dance, eh! | 0:08:00 | 0:08:03 | |
-Let's get it, homie - -Nice flow. | 0:08:03 | 0:08:04 | |
Who said that? | 0:08:06 | 0:08:08 | |
It's me. | 0:08:09 | 0:08:11 | |
Oh, hey. Thank you. | 0:08:11 | 0:08:12 | |
-Tyler. -Hey, Parker. | 0:08:12 | 0:08:14 | |
-Welcome. -This guy's sick. | 0:08:14 | 0:08:17 | |
Do you think I could get him on one of my tracks? | 0:08:17 | 0:08:19 | |
-Let's go ask him. -Let's do it. | 0:08:19 | 0:08:21 | |
When Tyler mentions he wants Jude on one of his tracks, | 0:08:21 | 0:08:24 | |
I'm ecstatic because who knows when the big break comes? | 0:08:24 | 0:08:27 | |
Maybe this is Jude's big break. | 0:08:27 | 0:08:29 | |
-Jude! -Hey, Parker, what's up? | 0:08:29 | 0:08:31 | |
-Nothing, how's it coming on? -Not too bad, actually. -Good. | 0:08:31 | 0:08:34 | |
Hey, man, you're really good. | 0:08:34 | 0:08:35 | |
Do you think I could get you on one of my tracks? | 0:08:35 | 0:08:38 | |
I'd love to, but I'm actually an assistant for this guy | 0:08:38 | 0:08:41 | |
named Taylor Shay, so... I can't right now. Sorry, man. | 0:08:41 | 0:08:44 | |
Jude, this is the guy. This is Tyler Shaw. | 0:08:44 | 0:08:47 | |
This guy is so cool, he doesn't even know my name. | 0:08:47 | 0:08:52 | |
I love it. I love it! | 0:08:52 | 0:08:54 | |
-Sorry, bro, I'd be delighted to. -Thank you. | 0:08:54 | 0:08:57 | |
I think this means I'm going to need another assistant, though. | 0:08:57 | 0:09:00 | |
Perfect, I will text Rachel. | 0:09:00 | 0:09:02 | |
In my eyes, this is a win-win for me and Rachel. | 0:09:02 | 0:09:06 | |
My win is obviously just a little bit bigger, I take the cake. | 0:09:06 | 0:09:10 | |
-Annabelle! -Hey. -Hey, thank you so much for being here. | 0:09:17 | 0:09:20 | |
-Do you mind helping me set up a little bit? -Yeah, of course. | 0:09:20 | 0:09:23 | |
-Can you go get the napkins? -Oh, yeah, sure. | 0:09:23 | 0:09:26 | |
-So how many people are coming to life choir? -Um... | 0:09:26 | 0:09:29 | |
kind of depends on the song and who I think should be involved. | 0:09:29 | 0:09:33 | |
OK, sounds good. | 0:09:34 | 0:09:36 | |
So I need you to fold the napkins into triangles | 0:09:36 | 0:09:38 | |
and I need you to put those cupcakes on that platter. | 0:09:38 | 0:09:41 | |
I love how Leia is treating me like I'm Rachel. I mean, | 0:09:41 | 0:09:43 | |
she's bossing me around and acting like we're friends, it's great. | 0:09:43 | 0:09:46 | |
Shoot, I forgot the chopsticks. | 0:09:46 | 0:09:49 | |
-Keep setting up, I'll be right back. -Er, OK? | 0:09:49 | 0:09:52 | |
Er...all right. | 0:09:54 | 0:09:56 | |
-So this is a big deal. -Oh, yeah. | 0:09:58 | 0:10:01 | |
But don't act like it. | 0:10:01 | 0:10:03 | |
-Just be still. -I'm cool, I'm cool. | 0:10:03 | 0:10:06 | |
You're not acting cool. Breathe. OK. | 0:10:06 | 0:10:09 | |
-Tyler. -Hey. -This is Rachel. -This is Rachel. | 0:10:12 | 0:10:15 | |
-Rachel, this is Tyler. -This is Tyler! | 0:10:15 | 0:10:17 | |
-I'm glad you're here. -I'm glad I'm here, too. | 0:10:17 | 0:10:21 | |
Meeting Tyler Shaw is the best thing to happen to me ever. | 0:10:21 | 0:10:25 | |
I can't believe Jude found a way to mess this up. Like, thank you! | 0:10:25 | 0:10:30 | |
So, what did Jude do to get himself fired? | 0:10:30 | 0:10:34 | |
Hey, hey, guys, I'm back. | 0:10:34 | 0:10:35 | |
I just had to make a quick phone call, you know, | 0:10:35 | 0:10:38 | |
Mama Jude texted me so I had to give her a call back. | 0:10:38 | 0:10:40 | |
-You know what I mean, Taylor, right? -I do. -It's Tyler! | 0:10:40 | 0:10:43 | |
It's OK, he can call me whatever he wants. | 0:10:43 | 0:10:46 | |
But, hey, let's lay down some tracks, | 0:10:46 | 0:10:48 | |
-I feel loose, you know what I mean? -Loosey-goosey? -Exactly. | 0:10:48 | 0:10:51 | |
All right, let's do it. | 0:10:51 | 0:10:52 | |
When I asked Parker what Jude had done to get fired, | 0:10:52 | 0:10:55 | |
I did not expect him to be in the recording studio with Tyler Shaw. | 0:10:55 | 0:10:59 | |
That should've been me. This isn't how this day was supposed to go. | 0:10:59 | 0:11:04 | |
Actually, you know what, Rachel? Do mind getting some sandwiches? | 0:11:04 | 0:11:07 | |
-I love tomatoes. -Sure. | 0:11:07 | 0:11:09 | |
Jude, I'm getting a sandwich with lots of tomatoes, what do you want? | 0:11:09 | 0:11:12 | |
Mmm, give me no tomatoes. | 0:11:12 | 0:11:14 | |
Sandwiches are, you know, my top-two food, right after pirogies. | 0:11:14 | 0:11:17 | |
If you put pirogies on a sandwich... | 0:11:17 | 0:11:19 | |
-No tomatoes at all? No tomatoes at all. -Sure. -No tomatoes for me. | 0:11:23 | 0:11:26 | |
OK, fine, he wants sandwiches, | 0:11:26 | 0:11:28 | |
they will be the greatest sandwiches in the world. | 0:11:28 | 0:11:31 | |
-Annabelle, the place looks fantastic. -Thanks. | 0:11:38 | 0:11:42 | |
-Thank you so much. -No problem. -That's sweet of you. Hey, guys. | 0:11:42 | 0:11:45 | |
-It's gorgeous. -I know! -Hey. -Hey! | 0:11:45 | 0:11:48 | |
We didn't get to hang out much, but I rocked setting up this party. | 0:11:48 | 0:11:53 | |
-Great! -Do you want the blue cupcakes? -No, that's OK. | 0:11:53 | 0:11:57 | |
Thanks, I'll see you later. | 0:11:57 | 0:11:59 | |
I set this whole party up, Leia did nothing | 0:12:01 | 0:12:03 | |
and I don't even get to come. | 0:12:03 | 0:12:06 | |
It's payback time. | 0:12:06 | 0:12:08 | |
OK... | 0:12:08 | 0:12:10 | |
Hey, Leia. Have a refreshing beverage before I go. | 0:12:14 | 0:12:17 | |
Thank you so much. That's so sweet of you. | 0:12:17 | 0:12:19 | |
I shook that thing so hard! | 0:12:25 | 0:12:27 | |
-I can't believe that the soda can did not explode. -See you tomorrow. | 0:12:27 | 0:12:30 | |
See you. | 0:12:30 | 0:12:32 | |
Thank you, thank you! | 0:12:42 | 0:12:45 | |
OK... | 0:12:45 | 0:12:47 | |
His has tomatoes... | 0:12:47 | 0:12:49 | |
What? What?! | 0:12:49 | 0:12:51 | |
No tomatoes, I need tomatoes, I need tomatoes, do you have tomatoes? | 0:12:51 | 0:12:54 | |
I really need tomatoes, please! | 0:12:54 | 0:12:56 | |
Tyler likes tomato... Oh! Thank you. | 0:12:56 | 0:12:59 | |
I can do this. | 0:13:03 | 0:13:04 | |
You know what? | 0:13:14 | 0:13:15 | |
There's a five second rule, | 0:13:15 | 0:13:17 | |
I'll just pick it up quick and we'll be good to go. | 0:13:17 | 0:13:19 | |
-Rachel! -Yeah, tomatoes, we have tomatoes, do you one? -I'm good. | 0:13:21 | 0:13:24 | |
But we should get going, we've got to get moving on the session, | 0:13:24 | 0:13:27 | |
-come on. -I don't know what I'm going to do. | 0:13:27 | 0:13:29 | |
I really hope that Tyler doesn't notice that | 0:13:29 | 0:13:31 | |
I kind of dropped his sandwich on the floor. | 0:13:31 | 0:13:33 | |
# Dancing in the light of your love | 0:13:42 | 0:13:45 | |
# Shot like an arrow to the place in your heart | 0:13:45 | 0:13:49 | |
# Dreaming of a... # | 0:13:49 | 0:13:51 | |
Being a part of live choir is awesome. | 0:13:51 | 0:13:53 | |
It's this wonderful, crazy eclectic feeling and it's incredible. | 0:13:53 | 0:13:57 | |
# You were always famous | 0:13:59 | 0:14:02 | |
# You had all the right stuff, yeah... # | 0:14:02 | 0:14:06 | |
I just wish that, more than anything, | 0:14:06 | 0:14:07 | |
I could go in there and sing with them. | 0:14:07 | 0:14:09 | |
I feel like an outsider. | 0:14:09 | 0:14:11 | |
# Get right back, you're making me stumble | 0:14:13 | 0:14:16 | |
# And I'm not ready to fall... # | 0:14:16 | 0:14:21 | |
Annabelle looked so sad. | 0:14:21 | 0:14:23 | |
I feel really bad because I think she might have wanted to come and | 0:14:23 | 0:14:27 | |
I only asked her to help set up and I kind of took advantage of her. | 0:14:27 | 0:14:32 | |
I have to do something to fix this. | 0:14:32 | 0:14:34 | |
I'm telling you, man, music video, | 0:14:44 | 0:14:46 | |
dance moves, stools, more dance moves. | 0:14:46 | 0:14:48 | |
I think we need a big cat suit. | 0:14:48 | 0:14:49 | |
Me and Tommy, we're here just chilling, | 0:14:49 | 0:14:52 | |
he's giving me some stories and I'm like, wow, interesting. | 0:14:52 | 0:14:55 | |
-With the fur and I'm just... -Like that? -Something like that. | 0:14:55 | 0:14:59 | |
-I can't do that. -Lunch is served. -Yes! | 0:14:59 | 0:15:01 | |
Coming back into the recording studio with all the sandwiches, | 0:15:01 | 0:15:05 | |
I have no plan, I don't know what I'm going to do. | 0:15:05 | 0:15:08 | |
My only hope is to maybe just gave Jude the sandwich | 0:15:08 | 0:15:11 | |
with the floor tomatoes. | 0:15:11 | 0:15:12 | |
-Here you go. -Thank you. | 0:15:14 | 0:15:15 | |
Er... | 0:15:17 | 0:15:19 | |
-Mine doesn't have tomatoes. -Yeah, mine does. -That must be mine. | 0:15:19 | 0:15:22 | |
All right, man, thanks. Rachel, really appreciate you doing this. | 0:15:22 | 0:15:26 | |
As Tyler unwraps the sandwich with the floor tomatoes, I am mortified. | 0:15:26 | 0:15:31 | |
You are mine! | 0:15:31 | 0:15:33 | |
-Rachel! -Mm-hm? -What was that? | 0:15:38 | 0:15:41 | |
-Why did you hit me with Tommy's sandwich? -Um... Heh... | 0:15:41 | 0:15:45 | |
Look, I'm sorry, I was trying to get the sandwiches fast | 0:15:45 | 0:15:48 | |
and one of them might have fallen and it was the one with tomatoes | 0:15:48 | 0:15:51 | |
and I didn't want to give you the floor sandwich so | 0:15:51 | 0:15:54 | |
I thought, if he ate it, it wouldn't be a big deal but then it was | 0:15:54 | 0:15:57 | |
cos I'm a terrible person and it's all my fault, I'm sorry, | 0:15:57 | 0:16:00 | |
I'm sorry and... | 0:16:00 | 0:16:01 | |
I'm so... I'm sorry. | 0:16:01 | 0:16:03 | |
And his name is TYLER! | 0:16:06 | 0:16:09 | |
OK. | 0:16:13 | 0:16:15 | |
I'm just sitting in the Rose Room | 0:16:20 | 0:16:21 | |
and I'm playing Tyler Shaw's song House Of Cards. | 0:16:21 | 0:16:26 | |
I'm just feeling totally defeated, I don't know what to do. | 0:16:26 | 0:16:29 | |
-There she is, man. -Yeah, I should go talk to her. -Work your magic. | 0:16:29 | 0:16:32 | |
Rachel. | 0:16:38 | 0:16:40 | |
-You OK? -Yeah. Sorry I got so... | 0:16:40 | 0:16:44 | |
out-of-control. | 0:16:44 | 0:16:46 | |
No, no, like, seriously, it's totally fine, | 0:16:46 | 0:16:49 | |
musicians are like that. Sometimes great songs come from it, actually. | 0:16:49 | 0:16:52 | |
-Really? -Yeah, let me show you something. | 0:16:52 | 0:16:55 | |
'When Tyler starts telling me that it's OK to sometimes | 0:16:55 | 0:16:59 | |
'lose control, it makes me feel a lot better about this whole day,' | 0:16:59 | 0:17:02 | |
and I think maybe he's giving me another chance. | 0:17:02 | 0:17:06 | |
# A fire was burning out | 0:17:08 | 0:17:12 | |
# My mind was filled with doubt | 0:17:15 | 0:17:20 | |
# I long to feel alive... # | 0:17:22 | 0:17:27 | |
'I think my biggest problem today was not treating Tyler Shaw | 0:17:27 | 0:17:32 | |
'like a fellow musician and a real person. | 0:17:32 | 0:17:35 | |
'I think if I would've just acted like we were equals, | 0:17:35 | 0:17:39 | |
'it would've been OK.' | 0:17:39 | 0:17:40 | |
# You appeared out of nowhere | 0:17:40 | 0:17:43 | |
# Yeah, it was more than an illusion | 0:17:43 | 0:17:46 | |
# More than I could ever know | 0:17:46 | 0:17:49 | |
# Baby, it's magic, the way you came around | 0:17:49 | 0:17:55 | |
# You caught me before I hit the ground | 0:17:56 | 0:18:01 | |
# Yeah, something was missing in my house of cards | 0:18:03 | 0:18:08 | |
# And all I needed was the queen of my heart... # | 0:18:08 | 0:18:11 | |
'Singing with Tyler Shaw is probably the best thing | 0:18:11 | 0:18:14 | |
'that's ever happened to me.' | 0:18:14 | 0:18:16 | |
I'm just in awe watching him play and listening to his voice. | 0:18:16 | 0:18:21 | |
It's amazing. | 0:18:21 | 0:18:23 | |
# Yeah, you, you make me believe | 0:18:23 | 0:18:28 | |
# When my hope was running low You appeared out of nowhere | 0:18:31 | 0:18:38 | |
# Yeah, it was more than an illusion | 0:18:38 | 0:18:41 | |
# More than I could ever know | 0:18:41 | 0:18:45 | |
# Baby, it's magic, the way you came around | 0:18:45 | 0:18:50 | |
# And you caught me before I hit the ground | 0:18:52 | 0:18:57 | |
# Yeah, something was missing in my house of cards | 0:18:59 | 0:19:03 | |
# And all that I needed was the queen of my heart | 0:19:03 | 0:19:06 | |
# It's magic, the way you came around | 0:19:06 | 0:19:10 | |
# It's magic, the way you came around. # | 0:19:12 | 0:19:20 | |
I just basically ruined my chances of ever being invited to | 0:19:32 | 0:19:35 | |
another of live choir event again. | 0:19:35 | 0:19:36 | |
This isn't the first time that I've been excluded from something. | 0:19:36 | 0:19:39 | |
I mean, I felt like it would be different around here. | 0:19:39 | 0:19:42 | |
I'm walking into the Junction to find Annabelle because I feel sorry. | 0:19:45 | 0:19:50 | |
I didn't know she wanted to be invited to live choir. | 0:19:50 | 0:19:53 | |
-Hey. -Oh, hey. | 0:19:53 | 0:19:55 | |
-How are you doing? -Good, and yourself? | 0:19:55 | 0:19:59 | |
Good. Listen, about live choir. | 0:19:59 | 0:20:03 | |
I didn't know you wanted to come. | 0:20:03 | 0:20:06 | |
I almost didn't get in here, I feel like you guys still don't accept me. | 0:20:06 | 0:20:10 | |
-Annabelle, the only one who still remembers that is you. -Really? | 0:20:10 | 0:20:14 | |
If you really wanted to come, you could've just said so. | 0:20:14 | 0:20:18 | |
OK, well, I want to go to live choir. | 0:20:18 | 0:20:21 | |
Er, Leia... | 0:20:24 | 0:20:25 | |
I want to go to live choir. | 0:20:26 | 0:20:29 | |
I can't believe that Leia is not even responding to me. | 0:20:29 | 0:20:32 | |
I mean, she told me all I had to do was ask, I'm asking. | 0:20:32 | 0:20:36 | |
Are you kidding me? | 0:20:36 | 0:20:38 | |
NOTIFICATION ALERT | 0:20:38 | 0:20:40 | |
There's the song for next week, learn the alto part. | 0:20:40 | 0:20:43 | |
-So are you coming or what? -Yeah. -Come on! | 0:20:47 | 0:20:50 | |
# Dancing in the light of your love | 0:20:53 | 0:20:56 | |
# Shot like an arrow to that place in your heart | 0:20:56 | 0:21:01 | |
# Dreaming of a good way to start | 0:21:01 | 0:21:03 | |
# Getting together... # | 0:21:03 | 0:21:05 | |
I just feel like now I finally belong here | 0:21:05 | 0:21:07 | |
and that people accept me. | 0:21:07 | 0:21:09 | |
# We are the lost and the found | 0:21:27 | 0:21:30 | |
# We don't know where we stand But it's solid ground | 0:21:30 | 0:21:33 | |
# It's our shot to see what you got | 0:21:33 | 0:21:35 | |
# Only a true light shines as bright as you | 0:21:35 | 0:21:40 | |
# Whoa, whoa, whoaaa | 0:21:40 | 0:21:44 | |
# Whoa, whoa, whoaaa. # | 0:21:46 | 0:21:52 |