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Your orders - save the Mastermind or die! | 0:00:06 | 0:00:10 | |
B. Nine. Five. | 0:00:13 | 0:00:17 | |
-B. Nine. Five. -What! | 0:00:17 | 0:00:20 | |
B. Nine... | 0:00:21 | 0:00:23 | |
But the box is virtually destroyed. | 0:00:23 | 0:00:25 | |
We're losing him. | 0:00:28 | 0:00:31 | |
It's not working! | 0:00:31 | 0:00:33 | |
Nine. Five... | 0:00:33 | 0:00:35 | |
VOICE FADES | 0:00:35 | 0:00:38 | |
It's too late. | 0:00:44 | 0:00:45 | |
My master. | 0:00:52 | 0:00:54 | |
Your death will be avenged. | 0:00:56 | 0:00:59 | |
I will destroy MI9 for what they have done. | 0:01:00 | 0:01:04 | |
He lives! | 0:01:17 | 0:01:19 | |
B, nine, five was not the one. | 0:01:19 | 0:01:23 | |
Then we renew our search for a match. | 0:01:23 | 0:01:26 | |
KORPS shall prevail. | 0:01:27 | 0:01:29 | |
MI9 may have won the battle... | 0:01:32 | 0:01:34 | |
..but the war is just beginning. | 0:01:36 | 0:01:40 | |
The 21st-century faces a new kind of threat, | 0:01:53 | 0:01:55 | |
and MI9 must create a new breed of skilled undercover agent. | 0:01:55 | 0:01:59 | |
Hidden in a place no villain will think to look, welcome to M.I.High. | 0:02:14 | 0:02:18 | |
Yes, yes, but your mentor sent me a new deputy today, where are they? | 0:02:22 | 0:02:26 | |
I mean, it's a new term and I need them. | 0:02:26 | 0:02:29 | |
Of course I'm not desperate, we're all having a lovely time. | 0:02:29 | 0:02:33 | |
Three months, Zoe hasn't called one. | 0:02:33 | 0:02:35 | |
Dan, she went from having zero family | 0:02:35 | 0:02:36 | |
to finding out she's got 86 sisters hidden around the world. | 0:02:36 | 0:02:39 | |
They're not sisters, they're genetic copies of the Mastermind | 0:02:39 | 0:02:42 | |
-brought up in labs. -To her they're sisters, | 0:02:42 | 0:02:43 | |
you can't blame her for trying to find them. | 0:02:43 | 0:02:45 | |
I'm sure she'll call when she can. | 0:02:45 | 0:02:47 | |
This place has gone nuts now Mr McNab's left, | 0:02:48 | 0:02:51 | |
it's brilliant! | 0:02:51 | 0:02:52 | |
Roland, could I have a word, please? | 0:02:52 | 0:02:54 | |
Uh-oh! Work! | 0:02:54 | 0:02:56 | |
Oh, ah...Aneisha, would you mind showing...Preston, isn't it? Yes. | 0:02:57 | 0:03:02 | |
Preston around? | 0:03:02 | 0:03:03 | |
He's a new member of our educational family. | 0:03:03 | 0:03:06 | |
I'm sure you'll have a lovely time here. | 0:03:06 | 0:03:09 | |
Not if I have to watch it destroying the planet all day. | 0:03:09 | 0:03:11 | |
There's like a teaspoon of coal left in the world, | 0:03:11 | 0:03:14 | |
and you've got your lights on during the day. | 0:03:14 | 0:03:16 | |
Oh, I hadn't thought of it like that. | 0:03:16 | 0:03:19 | |
I've seen 20 ways I can make this school greener, | 0:03:19 | 0:03:21 | |
and I've only been here five minutes. | 0:03:21 | 0:03:23 | |
Goodness. Well, you better show me, young man. | 0:03:23 | 0:03:26 | |
-Oh, looks like a bundle of laughs. -Hm. Oh, look out, it's Lady J. | 0:03:26 | 0:03:30 | |
Yo, N to the E to the E to the... | 0:03:30 | 0:03:34 | |
..Neisha! | 0:03:35 | 0:03:37 | |
Lady J's new dance crew is looking for some radical movers. | 0:03:37 | 0:03:42 | |
No, thanks. | 0:03:42 | 0:03:43 | |
You need time to thing, yeah, respect. | 0:03:43 | 0:03:46 | |
Let me show you the vibe. | 0:03:46 | 0:03:48 | |
Straight from the ghetto. | 0:03:48 | 0:03:50 | |
COMMUNICATOR VIBRATES | 0:03:50 | 0:03:52 | |
Some people can't handle the moves, man. | 0:04:01 | 0:04:04 | |
ALARM BLARES | 0:04:15 | 0:04:16 | |
BELL RINGS | 0:04:16 | 0:04:18 | |
Wow, computer overload. Aren't you going to blow a fuse? | 0:04:29 | 0:04:32 | |
No, I'm siphoning off extra power from the school, | 0:04:32 | 0:04:35 | |
that is going into the Saint Hope's fuse box. | 0:04:35 | 0:04:37 | |
Eh, I meant a fuse in your brain. Tom, you need to take a break. | 0:04:37 | 0:04:41 | |
You two need to listen to what Tom has to say. | 0:04:41 | 0:04:43 | |
I'm studying the process KORPS used to transfer | 0:04:43 | 0:04:45 | |
the Mastermind's consciousness into Zoe's brain. | 0:04:45 | 0:04:47 | |
-It didn't work. -We know. We stopped it. | 0:04:47 | 0:04:49 | |
That's the point, we shouldn't have had time. | 0:04:49 | 0:04:51 | |
Look, the process only takes three seconds. | 0:04:51 | 0:04:53 | |
-KORPS got it wrong, Zoe wasn't a match. -So, who is? | 0:04:53 | 0:04:55 | |
According to Zoe's research, a girl Keri. | 0:04:55 | 0:04:57 | |
She was given some kind of special treatment away from others | 0:04:57 | 0:05:00 | |
that makes her ideal. | 0:05:00 | 0:05:01 | |
KORPS thought it hadn't worked and got rid of her. | 0:05:01 | 0:05:03 | |
-It looks like they were wrong. -When did you talk to Zoe? | 0:05:03 | 0:05:05 | |
Probably not the time for that, Dan. | 0:05:05 | 0:05:07 | |
Try to understand, if we can work out that Keri's a match, | 0:05:07 | 0:05:10 | |
and so can KORPS. | 0:05:10 | 0:05:11 | |
Ah, our new Scientist General. | 0:05:15 | 0:05:18 | |
I trust you have good news. | 0:05:18 | 0:05:20 | |
I have. | 0:05:20 | 0:05:21 | |
And while I'm here I wondered if I might show you my idea | 0:05:21 | 0:05:24 | |
for upgrading the Mastermind's neuron containment casing. | 0:05:24 | 0:05:27 | |
There's really no reason why it can't be practical, and look good. | 0:05:27 | 0:05:31 | |
I'm not a fan of chat. Do your job and you will live. | 0:05:31 | 0:05:36 | |
-Now, you mentioned news. -Yes. We think we have located the girl. | 0:05:36 | 0:05:41 | |
Good. | 0:05:41 | 0:05:43 | |
The Mastermind will be pleased. | 0:05:43 | 0:05:45 | |
The Mastermind's been trapped inside a computer for ten years. | 0:05:47 | 0:05:49 | |
Like any ten-year-old computer, it's very slow. | 0:05:49 | 0:05:52 | |
With the new body, the Mastermind will be over 300% smarter, | 0:05:52 | 0:05:55 | |
enabled to operate anywhere in the world. | 0:05:55 | 0:05:56 | |
Think of the mayhem he could cause. | 0:05:56 | 0:05:58 | |
The things he could invent and use for evil, weapons, viruses, diseases. | 0:05:58 | 0:06:01 | |
My best prediction is have MI9 destroyed within a year. | 0:06:01 | 0:06:04 | |
Not to mention some innocent girl losing her mind. | 0:06:04 | 0:06:07 | |
So, where is she? | 0:06:07 | 0:06:08 | |
After a short time in a children's home, | 0:06:08 | 0:06:10 | |
Keri was adopted by a regular family. | 0:06:10 | 0:06:12 | |
She won't' have an idea about any of this. | 0:06:12 | 0:06:14 | |
I just hope we get to her before they do. | 0:06:14 | 0:06:15 | |
Yo, Neisha, check it and respond! | 0:06:15 | 0:06:19 | |
Frank, we need photos of the girl. | 0:06:23 | 0:06:25 | |
Ah, ah, ah, ah, ah. Hold it right there. | 0:06:25 | 0:06:28 | |
Sorry, Mr Flatley, we're in a hurry. | 0:06:28 | 0:06:30 | |
Dentist appointment. | 0:06:30 | 0:06:31 | |
What, all of you? | 0:06:31 | 0:06:33 | |
Yeah, we got a three for two. | 0:06:33 | 0:06:36 | |
Oh, an economy dentist, how unusual. You must give me the details. | 0:06:36 | 0:06:40 | |
Oh, yes, of course. But for now I need Aneisha's pencil. | 0:06:41 | 0:06:44 | |
What? | 0:06:44 | 0:06:45 | |
I am confiscating all carbon based equipment. | 0:06:45 | 0:06:48 | |
We're saving the planet. | 0:06:48 | 0:06:51 | |
-But... -Excellent. | 0:06:51 | 0:06:53 | |
Let's go and turn off some lights. | 0:06:53 | 0:06:55 | |
Come on, Preston. | 0:06:55 | 0:06:56 | |
-Discount dentist? -Sorry, I panicked. | 0:06:56 | 0:06:58 | |
-It's her. -OK. | 0:07:08 | 0:07:10 | |
How about we tell her she has won a holiday, | 0:07:10 | 0:07:12 | |
but to collect she has to come with us? | 0:07:12 | 0:07:13 | |
How about we tell her the truth? | 0:07:13 | 0:07:15 | |
How about we rescue her from the bad guys and worry about it after? | 0:07:15 | 0:07:18 | |
Huh? | 0:07:18 | 0:07:19 | |
Hey! Can you weirdoes let me go? | 0:07:19 | 0:07:22 | |
If I'm not at Trina's in an hour, she'll never speak to me again. | 0:07:22 | 0:07:25 | |
Excuse me! Does the number 12 bus stop here? | 0:07:25 | 0:07:29 | |
They don't really know about buses. | 0:07:29 | 0:07:31 | |
They're more the "Oh, you! You're coming with us" types. | 0:07:31 | 0:07:34 | |
-The 12 doesn't stop here. -That's OK. | 0:07:34 | 0:07:36 | |
We only said that to get close enough to rescue you. | 0:07:36 | 0:07:39 | |
BANG | 0:07:43 | 0:07:45 | |
-Let's go! -Hang on! | 0:07:45 | 0:07:47 | |
I don't want to go with you either. | 0:07:47 | 0:07:48 | |
I've had a really busy day and you've clearly all got me mixed up | 0:07:48 | 0:07:51 | |
-with someone else. So, I'll just... -Truth? | 0:07:51 | 0:07:54 | |
Your name's Keri. | 0:07:54 | 0:07:55 | |
You've got a mark on your arm that I'm guessing includes K3R1. | 0:07:55 | 0:07:58 | |
The greatest threat to the world is called the Mastermind. | 0:08:00 | 0:08:03 | |
He created you in lab from his own DNA, now he's looking for you | 0:08:03 | 0:08:06 | |
so he can put his mind into your head. | 0:08:06 | 0:08:08 | |
We work for MI9 and we're trying to save your life. | 0:08:08 | 0:08:11 | |
Any questions? | 0:08:11 | 0:08:13 | |
Yeah. | 0:08:13 | 0:08:15 | |
Do I have any superpowers? | 0:08:15 | 0:08:17 | |
Shall we go before the gorillas sort themselves out? | 0:08:18 | 0:08:21 | |
GROANS | 0:08:21 | 0:08:24 | |
Yeah, OK. | 0:08:24 | 0:08:25 | |
Keri, you may take off the blindfold. | 0:08:30 | 0:08:33 | |
Welcome to M.I.High. | 0:08:37 | 0:08:40 | |
How come I didn't get a spy outfit? | 0:08:40 | 0:08:42 | |
I would look good in that stuff. | 0:08:42 | 0:08:44 | |
You don't get a spy outfit because you're not a spy. | 0:08:44 | 0:08:46 | |
Now, can you try and focus? There's important stuff going on here. | 0:08:46 | 0:08:49 | |
Hey, if this is all because of what happened when I was little, | 0:08:49 | 0:08:51 | |
does that mean Libi's in danger too? | 0:08:51 | 0:08:53 | |
Who's Libi? | 0:08:53 | 0:08:54 | |
The other girl in the lab. | 0:08:54 | 0:08:56 | |
We went through everything together. | 0:08:56 | 0:08:58 | |
Kind of made it easier knowing I wasn't alone. | 0:08:58 | 0:09:01 | |
She used to stroke my hair when I got scared. | 0:09:01 | 0:09:03 | |
Nope, she' not on our files. No record of her anywhere. | 0:09:03 | 0:09:06 | |
But if she had the same treatment as Keri, she'd be a match too. | 0:09:06 | 0:09:08 | |
We need to find out what happened to her. | 0:09:08 | 0:09:10 | |
There'll be records at the base where she and Keri were kept. | 0:09:10 | 0:09:14 | |
What? | 0:09:15 | 0:09:17 | |
It's a secret underground base called Mayze. | 0:09:17 | 0:09:19 | |
The last two we sent to find it vanished 12 years ago. | 0:09:19 | 0:09:22 | |
Nobody knows where it is. | 0:09:22 | 0:09:23 | |
There is one person who might know. | 0:09:23 | 0:09:25 | |
Are you filming our HQ? | 0:09:28 | 0:09:29 | |
Yeah, my friends are never going to believe this. | 0:09:29 | 0:09:32 | |
Hey! My phone crashed. | 0:09:35 | 0:09:37 | |
Hm, weird that. | 0:09:37 | 0:09:38 | |
Keri, we need your help. | 0:09:38 | 0:09:40 | |
Did KORPS ever let you outside? | 0:09:40 | 0:09:42 | |
Only once, when I left. | 0:09:44 | 0:09:46 | |
It's really cold in here, and what's with all these white tiles... | 0:09:46 | 0:09:50 | |
Did this used to be a toilet? | 0:09:50 | 0:09:52 | |
-No. -Keri, we need you to concentrate. | 0:09:52 | 0:09:54 | |
The missing team's last report came from the Tower Estate. | 0:09:54 | 0:09:57 | |
The base must be near there. | 0:09:57 | 0:09:58 | |
Any more detail would help narrow down that location. | 0:09:58 | 0:10:02 | |
OK, a canal, maybe two or three, | 0:10:02 | 0:10:05 | |
a railway bridge overhead, a running track, a phone box. | 0:10:05 | 0:10:08 | |
And a clown face painted on the wall. | 0:10:08 | 0:10:11 | |
Got it. All apart from the clown. | 0:10:11 | 0:10:13 | |
We need those records if we're going to find Libi before KORPS. | 0:10:13 | 0:10:16 | |
Take Keri, being there may help her memory. | 0:10:16 | 0:10:18 | |
It will be safe, the Mayze must have been abandoned years ago. | 0:10:18 | 0:10:21 | |
Fine. I don't want to stay in this freezing cold toilet all day. | 0:10:21 | 0:10:23 | |
It's not a toilet. | 0:10:23 | 0:10:25 | |
Believe it. You is my street dance crew. | 0:10:27 | 0:10:31 | |
First lesson, check it. | 0:10:31 | 0:10:33 | |
MORRIS DANCE MUSIC PLAYS | 0:10:36 | 0:10:41 | |
That's Morris dancing! | 0:10:41 | 0:10:43 | |
It's street Morris, it's a fusion. | 0:10:43 | 0:10:46 | |
DUBSTEP MORRIS DANCE MUSIC PLAYS | 0:10:46 | 0:10:51 | |
Better idea - let's play bundle ball. | 0:10:51 | 0:10:55 | |
How do you play bundle ball? | 0:10:55 | 0:10:56 | |
Bundle! | 0:10:57 | 0:10:59 | |
No sign of any underground lair. | 0:11:06 | 0:11:08 | |
CRASH | 0:11:08 | 0:11:10 | |
So, Dan, you fancy Zoe, and Keri is basically the same girl, so... | 0:11:12 | 0:11:17 | |
I'm trying to work here, Tom. | 0:11:17 | 0:11:19 | |
What's he saying? | 0:11:19 | 0:11:21 | |
Mr Flatley's got my communicator, remember? | 0:11:21 | 0:11:23 | |
Nothing important. | 0:11:23 | 0:11:24 | |
Keri, see anything familiar? | 0:11:25 | 0:11:28 | |
Keri, see anything you like? | 0:11:28 | 0:11:29 | |
Maybe a hunky, blonde spy? | 0:11:29 | 0:11:31 | |
Seriously, Tom. | 0:11:31 | 0:11:32 | |
Dan, what is going on? | 0:11:32 | 0:11:34 | |
-He's just winding me up. -Found it! | 0:11:34 | 0:11:36 | |
Must have looked like a clown when I was little. | 0:11:36 | 0:11:38 | |
-Tom, can you...? -Ten-year-old defences? Please. | 0:11:48 | 0:11:51 | |
Wow, this thing is huge. | 0:12:01 | 0:12:02 | |
I mean, the bottom floor is like half a mile down, | 0:12:02 | 0:12:04 | |
I'm not even sure it is the bottom. | 0:12:04 | 0:12:06 | |
Enter with extreme caution. | 0:12:06 | 0:12:08 | |
-Shout if you remember anything, OK? -Yep. | 0:12:09 | 0:12:11 | |
Oh, can I say "roger" now that we're on a mission? | 0:12:11 | 0:12:14 | |
-Yeah, it's fine. -Roger, that.. | 0:12:14 | 0:12:16 | |
Tom, can you see what I'm seeing? | 0:12:17 | 0:12:19 | |
Yes, you seem to be looking at Keri. | 0:12:20 | 0:12:22 | |
Do you love her? | 0:12:22 | 0:12:23 | |
Tom, can you please be a little more professional? | 0:12:23 | 0:12:26 | |
Fine. Each level of the base was run by a different branch of KORPS. | 0:12:26 | 0:12:31 | |
This levels' the HQ of their architectural wing the Vizion. | 0:12:31 | 0:12:34 | |
Vizion was KORPS's architectural division. | 0:12:34 | 0:12:37 | |
Why would they need architects? | 0:12:37 | 0:12:38 | |
To build massive secret underground bases, I guess. | 0:12:38 | 0:12:41 | |
Ew! | 0:12:46 | 0:12:48 | |
It's the missing team. | 0:12:54 | 0:12:55 | |
They were so close to the exit. | 0:12:55 | 0:12:57 | |
Why didn't they just leave? | 0:12:57 | 0:12:59 | |
Will you stop filming everything! | 0:12:59 | 0:13:01 | |
Sorry. | 0:13:01 | 0:13:02 | |
Unbelievable. | 0:13:02 | 0:13:04 | |
Some kind of android. | 0:13:16 | 0:13:18 | |
How many divisions of KORPS are there? | 0:13:18 | 0:13:21 | |
I've never even heard of Skotoma before. | 0:13:21 | 0:13:23 | |
I wonder what they do. | 0:13:23 | 0:13:25 | |
They kill people. | 0:13:25 | 0:13:26 | |
Lots of people. | 0:13:28 | 0:13:30 | |
I used to sneak up here sometimes. | 0:13:32 | 0:13:34 | |
All they talked about was the invisible death. | 0:13:35 | 0:13:38 | |
The lab's still five floor down but there's a shortcut this way. | 0:13:39 | 0:13:42 | |
You are approaching the Sternum lab, that's where Keri | 0:13:51 | 0:13:53 | |
and Libby were held. | 0:13:53 | 0:13:54 | |
Let's get a move on. We won't be the only ones looking for them. | 0:13:56 | 0:14:00 | |
If we're going to find the girl, we need records of around 14 years ago. | 0:14:00 | 0:14:04 | |
Forget it. We already found her. | 0:14:04 | 0:14:06 | |
Do you have orders from the Scientist General? | 0:14:08 | 0:14:10 | |
Keri. | 0:14:12 | 0:14:13 | |
Libi. | 0:14:13 | 0:14:15 | |
If Sternum already have Libi, why do they want Keri? | 0:14:21 | 0:14:24 | |
They can't put his mind into two bodies. | 0:14:24 | 0:14:27 | |
They can. | 0:14:27 | 0:14:29 | |
That's why they want them both. They want to make two Masterminds. | 0:14:29 | 0:14:32 | |
Imagine, two working on different parts of the planet. | 0:14:32 | 0:14:34 | |
Nothing can stop them. | 0:14:34 | 0:14:35 | |
We brought Keri right to them. We need to get out of here now. | 0:14:35 | 0:14:38 | |
That's not going to be so easy. | 0:14:38 | 0:14:39 | |
I shouldn't have come back. | 0:14:51 | 0:14:52 | |
I'm pleased you did. | 0:14:52 | 0:14:54 | |
There'll be more fun now there's two of us again. | 0:14:54 | 0:14:57 | |
Libi, you can't stay here. You need to come with us. | 0:14:57 | 0:15:00 | |
I'm not allowed to leave. | 0:15:00 | 0:15:01 | |
I'm never allowed to leave. | 0:15:03 | 0:15:04 | |
Look, we really don't have time for this. We need to leave now. | 0:15:04 | 0:15:07 | |
Leave me alone! Please. | 0:15:07 | 0:15:09 | |
ALARM BLARES | 0:15:09 | 0:15:11 | |
We have a breach at the Mayze. | 0:15:15 | 0:15:17 | |
The L1B1 must be kept safe. | 0:15:17 | 0:15:19 | |
You've already lost one of the girls, | 0:15:19 | 0:15:20 | |
we will not tolerate a second failure. | 0:15:20 | 0:15:22 | |
Fear not. | 0:15:22 | 0:15:23 | |
The Mayze's automated security systems have activated | 0:15:23 | 0:15:26 | |
and I have the only controller. | 0:15:26 | 0:15:28 | |
You're chatting again. | 0:15:28 | 0:15:30 | |
Get the girl! | 0:15:30 | 0:15:32 | |
WALL CLOSES | 0:15:38 | 0:15:40 | |
Let me go! I'm sure the Scientist General would... | 0:15:41 | 0:15:45 | |
It's not going to happen. Talk to me, Tom. | 0:15:45 | 0:15:47 | |
Security systems are lighting up all across the Mayze. | 0:15:47 | 0:15:49 | |
Getting out is not going to be easy. | 0:15:49 | 0:15:51 | |
Uh-oh. | 0:15:51 | 0:15:53 | |
We've got company. Sensors show there's a KORPS team in the Mayze. | 0:15:53 | 0:15:56 | |
I think I can get you out without them seeing you. | 0:15:56 | 0:15:58 | |
But you're going to do exactly what I tell you. | 0:15:58 | 0:16:00 | |
I'm sure the new Deputy Head will be thrilled | 0:16:03 | 0:16:05 | |
with all this power we're saving. | 0:16:05 | 0:16:07 | |
Mr Flatley, you know what to do. | 0:16:09 | 0:16:11 | |
-Yes. -Mr F, no! | 0:16:11 | 0:16:14 | |
Skotoma level next and... | 0:16:14 | 0:16:16 | |
Tom. | 0:16:16 | 0:16:18 | |
Dan. | 0:16:19 | 0:16:20 | |
Dan! | 0:16:20 | 0:16:21 | |
Tom! | 0:16:21 | 0:16:22 | |
Frank, the power's gone! | 0:16:27 | 0:16:30 | |
I need power! Frank, they are on their own! | 0:16:30 | 0:16:33 | |
It's against rule 11 via the school health and safety regulations. | 0:16:33 | 0:16:36 | |
Plus, how am I suppose to boil the kettle without any power? | 0:16:36 | 0:16:39 | |
Just give me that! | 0:16:39 | 0:16:40 | |
Never! We are trying to save the world! | 0:16:40 | 0:16:43 | |
-Tom's saying KORPS are in the Mayze. -Like this wasn't hard enough. | 0:16:46 | 0:16:49 | |
I've got to go back! | 0:16:49 | 0:16:50 | |
Please, let me go! | 0:16:50 | 0:16:52 | |
I'm not allowed to leave. | 0:16:52 | 0:16:53 | |
This is hopeless. We've got to calm her down or we'll never get out. | 0:16:53 | 0:16:56 | |
Let me try. | 0:16:58 | 0:16:59 | |
I'm here. | 0:17:01 | 0:17:02 | |
What do you think the Skotoma people meant by the invisible death? | 0:17:09 | 0:17:13 | |
The androids have gone. | 0:17:16 | 0:17:18 | |
Guys, what's going on? | 0:17:27 | 0:17:28 | |
Stealth androids, I should have know. Skotoma means blind spot. | 0:17:28 | 0:17:31 | |
My head cam! | 0:17:35 | 0:17:36 | |
We can't win if we can't see them! | 0:17:41 | 0:17:43 | |
They could be anywhere. | 0:17:43 | 0:17:45 | |
There. | 0:17:53 | 0:17:55 | |
There's still one left. | 0:17:58 | 0:17:59 | |
Wait. I've had an idea. | 0:17:59 | 0:18:02 | |
Libi, help. | 0:18:03 | 0:18:04 | |
Watch the floor for any movement. | 0:18:14 | 0:18:15 | |
There! | 0:18:24 | 0:18:25 | |
Where did you learn to do that? | 0:18:30 | 0:18:32 | |
Just then, watching you. | 0:18:32 | 0:18:35 | |
-Why, did I do it wrong? -No, you did it right. | 0:18:35 | 0:18:37 | |
DOOR OPENS | 0:18:39 | 0:18:41 | |
We can't wait for Tom to fix whatever's gone wrong at his end, | 0:19:00 | 0:19:03 | |
we need to go. | 0:19:03 | 0:19:05 | |
Frank, can you hear me? There is no power. | 0:19:06 | 0:19:09 | |
Frank! | 0:19:09 | 0:19:10 | |
Don't give in, Mr Flatley. | 0:19:12 | 0:19:14 | |
I won't, Preston. | 0:19:14 | 0:19:15 | |
Yo, Mr F, man! Hold up. | 0:19:15 | 0:19:17 | |
I can't practice my street Morris without my vibes! | 0:19:17 | 0:19:20 | |
Sir, the floodlights are out on me indoor bundle ball pitch. | 0:19:20 | 0:19:24 | |
Felicity, I realise that you need power, | 0:19:26 | 0:19:29 | |
but we are trying to save the world. | 0:19:29 | 0:19:31 | |
Yes! | 0:19:32 | 0:19:33 | |
They've taken the girl! | 0:19:39 | 0:19:41 | |
Vizion Level - perfect. | 0:19:46 | 0:19:48 | |
They're going nowhere. | 0:19:48 | 0:19:50 | |
Dan, I'm back online. | 0:19:52 | 0:19:54 | |
Finally. We're lost. | 0:19:54 | 0:19:56 | |
Don't' worry, not far to the exit. | 0:19:56 | 0:19:57 | |
Straight ahead 2m, then right. | 0:19:57 | 0:19:59 | |
Oh, no, hang on. | 0:20:03 | 0:20:05 | |
Sorry, left, back the way you came. | 0:20:05 | 0:20:07 | |
Keep going down the corridor for ten metres and then left again. | 0:20:07 | 0:20:11 | |
That doesn't lead out any more. | 0:20:15 | 0:20:16 | |
This sounds crazy, but... | 0:20:16 | 0:20:18 | |
The walls are moving. | 0:20:18 | 0:20:20 | |
I can't... | 0:20:26 | 0:20:28 | |
I mean, whatever I tell you was wrong five seconds later. | 0:20:28 | 0:20:30 | |
There's no way out. | 0:20:30 | 0:20:31 | |
This way. | 0:20:33 | 0:20:34 | |
Well, I guess we know what happened now, they were trapped. | 0:20:40 | 0:20:43 | |
There must be something we can do. | 0:20:43 | 0:20:45 | |
The exit must be in the same place, right? | 0:20:46 | 0:20:49 | |
I mean, they can't move what's outside the Mayze. | 0:20:49 | 0:20:52 | |
So? | 0:20:52 | 0:20:53 | |
So we take the same steps that we did the way in. | 0:20:53 | 0:20:56 | |
If there's a wall in the way, we wait for it to move. | 0:20:56 | 0:20:58 | |
But how do we know the exact route that we took? | 0:20:58 | 0:21:01 | |
I filmed it, remember. | 0:21:01 | 0:21:03 | |
Ah, you see at times like these, I see why you fancy her so much. | 0:21:03 | 0:21:07 | |
I don't fancy her! | 0:21:07 | 0:21:09 | |
Awkward. | 0:21:12 | 0:21:14 | |
Let's do it. | 0:21:14 | 0:21:15 | |
You lost the girl! | 0:21:19 | 0:21:21 | |
Don't worry, Crime Minster, it's all under control. | 0:21:21 | 0:21:23 | |
We're just going to get her now. | 0:21:23 | 0:21:25 | |
Fail us, Scientist General, and you will get the sack, | 0:21:25 | 0:21:28 | |
and more precisely, you'll be in that sack. | 0:21:28 | 0:21:31 | |
Parts of you, anyway. | 0:21:31 | 0:21:33 | |
Yes, Crime Minister. | 0:21:33 | 0:21:35 | |
Right. | 0:21:39 | 0:21:41 | |
Forward. | 0:21:41 | 0:21:42 | |
Wait. | 0:21:42 | 0:21:43 | |
There. We've done it. Come on. | 0:21:48 | 0:21:50 | |
I'm sorry. | 0:21:52 | 0:21:54 | |
I'm not allowed outside. | 0:21:55 | 0:21:57 | |
Libi! | 0:21:57 | 0:21:58 | |
Keri, we need to wait for tactical support. | 0:21:58 | 0:22:00 | |
-That could be too late. -It's too risky. | 0:22:00 | 0:22:02 | |
She's my sister. | 0:22:06 | 0:22:07 | |
It must have been very confusing. | 0:22:14 | 0:22:17 | |
But trust me, soon you won't have to worry about anything. | 0:22:18 | 0:22:23 | |
Ever again. | 0:22:23 | 0:22:25 | |
I'm taking my sister. | 0:22:34 | 0:22:36 | |
I doubt that. | 0:22:36 | 0:22:38 | |
None of you will ever leave here alive. | 0:22:38 | 0:22:40 | |
No. | 0:22:40 | 0:22:42 | |
Let me. She's family. | 0:22:47 | 0:22:49 | |
-Keri! -Keri! | 0:22:54 | 0:22:55 | |
Keri! | 0:22:59 | 0:23:00 | |
Tom, can you move the walls? | 0:23:00 | 0:23:02 | |
No, they are on a localised system. | 0:23:02 | 0:23:03 | |
Wherever you hide... | 0:23:34 | 0:23:35 | |
..I'll find you! | 0:23:37 | 0:23:39 | |
Yeah? | 0:23:39 | 0:23:40 | |
But who's going to find you? | 0:23:43 | 0:23:45 | |
No! No! | 0:23:47 | 0:23:49 | |
No! | 0:23:49 | 0:23:51 | |
HE SCREAMS | 0:23:54 | 0:23:56 | |
It's going to be all right. | 0:24:04 | 0:24:06 | |
I promise. | 0:24:07 | 0:24:08 | |
Is everyday as quiet at this? | 0:24:12 | 0:24:14 | |
No, this is just a Monday, | 0:24:14 | 0:24:16 | |
the rest of the week, that's when it really gets crazy. | 0:24:16 | 0:24:19 | |
It's hard to imagine what those two girls have been through. | 0:24:29 | 0:24:32 | |
I hope MI9 can help them. | 0:24:32 | 0:24:34 | |
SHOUTING | 0:24:34 | 0:24:35 | |
SHOUTING OVER POWER | 0:24:41 | 0:24:43 | |
Stop! | 0:24:45 | 0:24:47 | |
Mrs King. | 0:25:03 | 0:25:04 | |
What are you doing here? | 0:25:04 | 0:25:06 | |
I mean... | 0:25:06 | 0:25:07 | |
What a lovely surprise. | 0:25:09 | 0:25:10 | |
Everybody, Mrs King and I worked together at my last school. | 0:25:11 | 0:25:15 | |
We're like Batman and... | 0:25:15 | 0:25:18 | |
Tonto. | 0:25:18 | 0:25:19 | |
Don't speak to me, Mr Flatley. | 0:25:19 | 0:25:22 | |
I have spent today secretly observing this school, | 0:25:22 | 0:25:25 | |
and it's a disgrace. | 0:25:25 | 0:25:27 | |
No heating, no electricity, students completely out of control. | 0:25:27 | 0:25:32 | |
Well, | 0:25:32 | 0:25:34 | |
I am the new Deputy Head, and it stops now. | 0:25:34 | 0:25:40 | |
But we were just trying to save the world. | 0:25:40 | 0:25:42 | |
-Go to class! -Yes, Miss. | 0:25:42 | 0:25:44 | |
Man, you was told. | 0:25:45 | 0:25:47 | |
And you! | 0:25:47 | 0:25:48 | |
Any more loud music and you'll be suspended. | 0:25:48 | 0:25:51 | |
Not so fast, young lady. | 0:25:53 | 0:25:55 | |
Mr Flatley, | 0:25:57 | 0:25:59 | |
Aneisha here... | 0:25:59 | 0:26:00 | |
..is my niece. | 0:26:02 | 0:26:03 | |
GASPS | 0:26:03 | 0:26:05 | |
Now, according to the school records, | 0:26:05 | 0:26:07 | |
she has missed two out of every five days with bogus excuses. | 0:26:07 | 0:26:13 | |
Well, that's it, young lady. | 0:26:13 | 0:26:16 | |
From now on, I've got my eye on you. | 0:26:16 | 0:26:20 | |
My life's over. | 0:26:20 | 0:26:22 | |
Tom and I have completely erased their histories, | 0:26:22 | 0:26:24 | |
we've even hidden their true identities from MI9. | 0:26:24 | 0:26:26 | |
The only people who know who they are are the girls themselves | 0:26:26 | 0:26:29 | |
and the people in this room. | 0:26:29 | 0:26:31 | |
KORPS will never find them though. | 0:26:31 | 0:26:33 | |
Libi is safe with her new foster family, so let's talk about Keri. | 0:26:33 | 0:26:37 | |
What a liability. | 0:26:37 | 0:26:38 | |
One minute she's filming secret bases for the internet, | 0:26:38 | 0:26:41 | |
next she's running into deadly situations on her own. | 0:26:41 | 0:26:43 | |
She did help us on every level of the Mayze, | 0:26:43 | 0:26:45 | |
I mean, did you see how fast she was at learning? | 0:26:45 | 0:26:47 | |
-She was picking up our moves just by watching us. -Whatever. | 0:26:47 | 0:26:51 | |
I'm happy never having to bother with her again. | 0:26:51 | 0:26:53 | |
-Um, yes. -This is going to be hilarious. | 0:26:53 | 0:26:55 | |
The specific nature of Keri's MI9 protection | 0:26:55 | 0:26:57 | |
really ought to have been discussed with you earlier. But... | 0:26:57 | 0:27:01 | |
Do these outfits come in red? | 0:27:20 | 0:27:22 | |
I would look so good in red. | 0:27:22 | 0:27:25 | |
Can we take a group picture so I can show Trina? | 0:27:25 | 0:27:27 | |
Urgh! | 0:27:31 | 0:27:32 | |
Master. | 0:27:38 | 0:27:39 | |
Scientist General has failed us. | 0:27:45 | 0:27:47 | |
The girls are lost. | 0:27:47 | 0:27:49 | |
Maintain the search. | 0:27:49 | 0:27:51 | |
In the meantime, we will take the war to MI9. | 0:27:51 | 0:27:54 | |
It is time to activate Cortex. | 0:27:54 | 0:27:58 |