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# If you've got a question And you don't know where to go | 0:00:06 | 0:00:08 | |
# Ask Nina for some help Cos she's got a science show | 0:00:08 | 0:00:11 | |
# She makes sense of her senses While helping all her fans | 0:00:11 | 0:00:14 | |
# By doing her experiments With potions and with bangs | 0:00:14 | 0:00:17 | |
-# Touch your tongue -Tongue | 0:00:17 | 0:00:19 | |
-# Fingers -Fingers | 0:00:19 | 0:00:20 | |
-# Eyes -Eyes -Ears -Ears | 0:00:20 | 0:00:22 | |
-# Nose -Nose | 0:00:22 | 0:00:23 | |
# Nina and the Neurons Find out what you need to know | 0:00:23 | 0:00:26 | |
# Nina and the Neurons Find out what you need to know | 0:00:26 | 0:00:29 | |
# Luke he helps us with our eyes And Felix with our touch | 0:00:29 | 0:00:32 | |
# Ollie sniffs out smells and scents And Belle she hears so much | 0:00:32 | 0:00:36 | |
# Bud is Ollie's brother He helps us with our taste | 0:00:36 | 0:00:38 | |
# They're Nina's little Neurons And they're coming to your place | 0:00:38 | 0:00:41 | |
-# Touch your tongue -Tongue | 0:00:41 | 0:00:43 | |
-# Fingers -Fingers | 0:00:43 | 0:00:44 | |
-# Eyes -Eyes -Ears -Ears | 0:00:44 | 0:00:46 | |
-# Nose -Nose | 0:00:46 | 0:00:48 | |
-# Nina and the Neurons find out What you need to know -Yeah! | 0:00:48 | 0:00:50 | |
# Nina and the Neurons Find out what you need to know | 0:00:50 | 0:00:53 | |
# Oh, yeah! # | 0:00:53 | 0:00:55 | |
Testing, testing, one, two... | 0:00:55 | 0:00:58 | |
Oh, hello there! | 0:00:58 | 0:01:00 | |
I'm just trying to see if I can make my voice sound louder. | 0:01:00 | 0:01:03 | |
Can you hear me?! | 0:01:03 | 0:01:05 | |
Hee-hee! | 0:01:05 | 0:01:07 | |
BEEPING | 0:01:07 | 0:01:09 | |
I hear a beep, I see a flash, I wonder what they're going to ask. | 0:01:09 | 0:01:13 | |
BOTH: Hi, Nina! | 0:01:18 | 0:01:20 | |
Hi! | 0:01:20 | 0:01:21 | |
We've got a question for you. | 0:01:21 | 0:01:23 | |
What is an amphitheatre? | 0:01:23 | 0:01:25 | |
Oh, that's a great question! | 0:01:25 | 0:01:28 | |
What is an amphitheatre? | 0:01:28 | 0:01:30 | |
Amphitheatres are places where people go to see | 0:01:30 | 0:01:33 | |
a play or a performance. | 0:01:33 | 0:01:35 | |
Come down to my workshop and we'll investigate. | 0:01:35 | 0:01:38 | |
BOTH: See you soon, Nina! Bye! | 0:01:38 | 0:01:40 | |
Bye! | 0:01:40 | 0:01:42 | |
Well, I'm going to need some help to answer this one | 0:01:42 | 0:01:45 | |
and I know just who to ask. | 0:01:45 | 0:01:47 | |
OK, Neurons, time to get to work. | 0:01:47 | 0:01:50 | |
ALL: Neurons at the ready, Nina. | 0:02:05 | 0:02:08 | |
OK, today's question is what is an amphitheatre? | 0:02:08 | 0:02:12 | |
Which Neuron will be most useful in helping us find the answer? | 0:02:12 | 0:02:15 | |
It's Belle! | 0:02:18 | 0:02:19 | |
CHEERING | 0:02:19 | 0:02:20 | |
ALL: Go, Belle! Go, Belle! Go, Belle! | 0:02:20 | 0:02:23 | |
Go, Belle! Go, Belle! Go, Belle! | 0:02:23 | 0:02:26 | |
Go, Belle! | 0:02:26 | 0:02:27 | |
Brilliant! I'm all ears, Nina! | 0:02:27 | 0:02:30 | |
Today's question is what is an amphitheatre? | 0:02:30 | 0:02:33 | |
Because amphitheatres help sound travel, | 0:02:33 | 0:02:36 | |
Belle will be helping us today. | 0:02:36 | 0:02:38 | |
But stand by, Neurons, I've a feeling I may | 0:02:38 | 0:02:41 | |
need help from all of you. | 0:02:41 | 0:02:42 | |
I need to get the workshop ready before the experimenters arrive. | 0:02:42 | 0:02:46 | |
Arnav loves playing video games. | 0:02:48 | 0:02:51 | |
Ayomide likes playing fashion games. | 0:02:51 | 0:02:54 | |
But they both want to know what is an amphitheatre? | 0:02:54 | 0:02:58 | |
So today, for one day only, Arnav and Ayomide | 0:02:58 | 0:03:02 | |
become the experimenters! | 0:03:02 | 0:03:04 | |
-Hi, guys! -BOTH: Hi, Nina! | 0:03:10 | 0:03:14 | |
Welcome to my workshop and thank you for your great question - | 0:03:14 | 0:03:17 | |
what is an amphitheatre? | 0:03:17 | 0:03:19 | |
Well, let's start by looking at some. | 0:03:19 | 0:03:22 | |
An amphitheatre is a type of theatre where shows and plays are performed. | 0:03:22 | 0:03:27 | |
Some of them are oval-shaped, some are completely round | 0:03:27 | 0:03:30 | |
and some are semicircles. | 0:03:30 | 0:03:33 | |
The stage is at the front and the audience sit on the steps. | 0:03:33 | 0:03:37 | |
Oh, how does sound get all of the way to the people at the back, Nina? | 0:03:37 | 0:03:42 | |
That's a great question, Belle! | 0:03:42 | 0:03:44 | |
Well, let's do an experiment to find out how sound travels. | 0:03:44 | 0:03:48 | |
ALL: Whoop-whoop! An experiment! | 0:03:48 | 0:03:50 | |
We're ready, Nina! | 0:03:50 | 0:03:52 | |
We are going to pretend that, Ayomide, you are on stage singing | 0:03:52 | 0:03:57 | |
and, Arnav, you are in the audience trying to hear the singing. | 0:03:57 | 0:04:01 | |
Now, when you make a sound it needs to go through the air to Arnav | 0:04:01 | 0:04:05 | |
so that he can hear it. | 0:04:05 | 0:04:07 | |
We're also going to pretend that the spring here is | 0:04:07 | 0:04:10 | |
the air in between you. | 0:04:10 | 0:04:12 | |
When you make a sound it pushes the air. | 0:04:12 | 0:04:15 | |
So, Ayomide, can I ask you to push the spring | 0:04:15 | 0:04:18 | |
and we'll see what happens? | 0:04:18 | 0:04:20 | |
-BUD: -Wow! Look, it's wibbly-wobbly! | 0:04:26 | 0:04:29 | |
Great! You made a wave that moved forwards, through the spring, | 0:04:32 | 0:04:36 | |
all the way to Arnav. | 0:04:36 | 0:04:39 | |
When you push the springs, the first loops push the ones next to it | 0:04:39 | 0:04:43 | |
and that happened all the way along until it reached Arnav. | 0:04:43 | 0:04:47 | |
Even though you can't see it, sound moves through the air in waves too. | 0:04:47 | 0:04:51 | |
So when you make a sound, the sound from your voice pushes the air, | 0:04:51 | 0:04:55 | |
making it wobble. That air wobbles the air next to it, | 0:04:55 | 0:04:59 | |
until, finally, it wobbles the air next to Arnav's ears, | 0:04:59 | 0:05:02 | |
so he can hear the sound. | 0:05:02 | 0:05:04 | |
Now, you guys are quite close together. | 0:05:04 | 0:05:07 | |
So let's see what happens if we get you to move further apart. | 0:05:07 | 0:05:11 | |
Arnav, can you move over there for me? | 0:05:11 | 0:05:14 | |
Now, you've moved further apart. | 0:05:16 | 0:05:19 | |
There is more air between you, so you've got a longer spring. | 0:05:19 | 0:05:22 | |
Ayomide, could you push the spring for me again, | 0:05:22 | 0:05:25 | |
exactly the same as you did before? | 0:05:25 | 0:05:28 | |
And we'll see if the wave reaches Arnav. | 0:05:28 | 0:05:31 | |
That's good. | 0:05:33 | 0:05:35 | |
Oh, the waves aren't going all the way along. | 0:05:39 | 0:05:43 | |
-So, Arnav, did the wave get to you this time? -No. | 0:05:43 | 0:05:47 | |
You're right! And that's because you're further apart. | 0:05:47 | 0:05:50 | |
The same thing happens with sound. | 0:05:50 | 0:05:53 | |
The further away you are from the person making the sound, | 0:05:53 | 0:05:56 | |
the further the sound waves have to travel. | 0:05:56 | 0:05:59 | |
If you're too far away, the sound wave won't reach you | 0:05:59 | 0:06:02 | |
and you won't hear the sound. | 0:06:02 | 0:06:04 | |
People at the back of the amphitheatre are a long way away | 0:06:04 | 0:06:07 | |
from the stage but they can still hear and that's | 0:06:07 | 0:06:11 | |
because amphitheatres do something clever to make it easier | 0:06:11 | 0:06:14 | |
for sound waves to travel much further. | 0:06:14 | 0:06:17 | |
I think we need to go somewhere far away to find out more. | 0:06:17 | 0:06:21 | |
Hmm, where do you think we're going today? | 0:06:27 | 0:06:30 | |
Nina said we were going somewhere far away. | 0:06:30 | 0:06:34 | |
Maybe we're going to the moon! | 0:06:34 | 0:06:36 | |
I think the moon's a bit too far away, Bud. | 0:06:36 | 0:06:39 | |
Well, we're not too far away now. In fact, we're here! | 0:06:39 | 0:06:43 | |
So we've come far away from the workshop to this | 0:06:48 | 0:06:52 | |
amazing amphitheatre in Lyon, in France. | 0:06:52 | 0:06:54 | |
This amphitheatre was built a long, long time ago. | 0:06:54 | 0:06:58 | |
So this is the stage and all those steps are where the audience | 0:06:58 | 0:07:03 | |
would sit to listen to the performance. | 0:07:03 | 0:07:05 | |
I hope it's not too noisy. | 0:07:05 | 0:07:07 | |
In the past, they didn't have microphones | 0:07:07 | 0:07:10 | |
to make the singers on stage sound louder. | 0:07:10 | 0:07:12 | |
But it's a long way from the stage up to the back of the audience. | 0:07:12 | 0:07:16 | |
How did the people at the back hear? Let's do an experiment! | 0:07:16 | 0:07:20 | |
We are going to pretend to be performers singing on the stage. | 0:07:20 | 0:07:24 | |
So let's make some noise! | 0:07:24 | 0:07:27 | |
ALL: La-la-la-la-la-la! | 0:07:27 | 0:07:31 | |
ALL: La-la-la-la-la-la-la! | 0:07:33 | 0:07:35 | |
Loo-loo! | 0:07:37 | 0:07:38 | |
Hey, fabulous performance, experimenters! | 0:07:38 | 0:07:42 | |
Now, let's see what happens when we do the same thing again | 0:07:42 | 0:07:45 | |
but this time holding a plastic board in front of our mouths. | 0:07:45 | 0:07:50 | |
There you go, Arnav. Here we go! | 0:07:50 | 0:07:52 | |
ALL: La-la-la-la-la-la-la! | 0:07:54 | 0:07:57 | |
That sounds different this time. | 0:07:59 | 0:08:01 | |
What did you notice, experimenters? | 0:08:01 | 0:08:04 | |
It sounds different. | 0:08:04 | 0:08:06 | |
Yes, and that's because the sound we made hit the hard board | 0:08:06 | 0:08:10 | |
and bounced off. You see, sound bounces off hard things. | 0:08:10 | 0:08:14 | |
So have a look at the amphitheatre steps. | 0:08:14 | 0:08:17 | |
-What do you think they're made of? -Stone. | 0:08:17 | 0:08:20 | |
That's right! And is stone hard or soft? | 0:08:20 | 0:08:23 | |
-Hard. -Yes! | 0:08:23 | 0:08:25 | |
Amphitheatres are made of hard stone so that | 0:08:25 | 0:08:28 | |
sound bounces off them. | 0:08:28 | 0:08:29 | |
So the sound from the singer on stage hits the hard stone and keeps | 0:08:29 | 0:08:33 | |
bouncing all the way around the amphitheatre | 0:08:33 | 0:08:37 | |
-so everyone inside can hear it. -Sound bounces off hard things. | 0:08:37 | 0:08:41 | |
Amphitheatres are made of hard stone, | 0:08:41 | 0:08:44 | |
so the sound bounces all around and everyone can hear it. | 0:08:44 | 0:08:48 | |
But it's not just the performers on stage that make a noise, | 0:08:48 | 0:08:53 | |
the audience sometimes make a noise too. | 0:08:53 | 0:08:55 | |
So let's do an experiment to find out more. | 0:08:55 | 0:08:58 | |
Now, there are different types of sound. | 0:09:00 | 0:09:03 | |
There are high-pitched sounds. | 0:09:03 | 0:09:06 | |
And there are low-pitched sounds. | 0:09:06 | 0:09:10 | |
-High-pitched! -Low-pitched. | 0:09:10 | 0:09:13 | |
Do you think the singer on the stage would mostly be using... | 0:09:13 | 0:09:17 | |
-HIGH PITCH: -..high-pitched sounds... | 0:09:17 | 0:09:19 | |
-LOW PITCH: -..or low-pitched sounds? | 0:09:19 | 0:09:22 | |
-High-pitched! -That's right. And what do you think about the audience? | 0:09:22 | 0:09:26 | |
Low-pitched or high-pitched? | 0:09:26 | 0:09:29 | |
Oh, yes, very good show. Huh-huh-huh. | 0:09:29 | 0:09:32 | |
-Low-pitched. -That's right! | 0:09:32 | 0:09:34 | |
We want to hear the high-pitched sounds from the singer | 0:09:34 | 0:09:38 | |
but we don't want to hear the low-pitched sounds | 0:09:38 | 0:09:41 | |
from the audience. Let's play a game to show us | 0:09:41 | 0:09:44 | |
how an amphitheatre does this. | 0:09:44 | 0:09:46 | |
You guys are going to be the high-pitched sound waves from | 0:09:46 | 0:09:49 | |
the singer on stage and you'll do something like this! | 0:09:49 | 0:09:53 | |
La-la-la-la-la! | 0:09:53 | 0:09:54 | |
-Let me hear you. -BOTH: La-la-la-la-la! | 0:09:54 | 0:09:57 | |
I'm going to be the low-pitched sounds from the audience. | 0:09:57 | 0:10:01 | |
So I'll sound like this, oh, mumble, mumble. Ho-ho. | 0:10:01 | 0:10:05 | |
Oh, pass me a sweet. Hee-hee! | 0:10:05 | 0:10:08 | |
Our ear is someone sitting at the back of the audience | 0:10:08 | 0:10:11 | |
trying to hear the singer. | 0:10:11 | 0:10:13 | |
I'd like you guys to run around the amphitheatre, | 0:10:13 | 0:10:16 | |
like the high-pitched sounds bouncing off the hard stone. | 0:10:16 | 0:10:20 | |
I'll do what the low-pitched audience sounds do. | 0:10:20 | 0:10:23 | |
OK? Let's go! | 0:10:23 | 0:10:25 | |
-Are you ready?! -BOTH: Yes! | 0:10:27 | 0:10:30 | |
Three, two, one - go! | 0:10:30 | 0:10:33 | |
BOTH: La-la-la-la! | 0:10:33 | 0:10:38 | |
(Mumble, mumble, mumble.) | 0:10:38 | 0:10:40 | |
BOTH: La-la-la-la-la-la! | 0:10:40 | 0:10:44 | |
SHE MUMBLES | 0:10:46 | 0:10:49 | |
Those high-pitched sounds are bouncing all round the amphitheatre. | 0:10:49 | 0:10:53 | |
Everyone will be able to hear them. | 0:10:53 | 0:10:55 | |
Nina's low-pitched sounds aren't bouncing anywhere, | 0:10:55 | 0:10:59 | |
they're staying still, no-one will hear them. | 0:10:59 | 0:11:02 | |
Stop there, everyone, you've reached the ear at the back! Well done! | 0:11:02 | 0:11:07 | |
Your high-pitched sounds bounced all around the amphitheatre. | 0:11:07 | 0:11:11 | |
-But what about the low-pitched sounds? -You stayed still. | 0:11:11 | 0:11:15 | |
That's right! | 0:11:15 | 0:11:16 | |
The bumpy shape of the steps in the amphitheatre stops the | 0:11:16 | 0:11:20 | |
low-pitched sounds from bouncing around. | 0:11:20 | 0:11:23 | |
It's only high-pitched sounds that can bounce about. | 0:11:23 | 0:11:26 | |
It's easier for everyone in the audience to hear | 0:11:26 | 0:11:29 | |
the high-pitched sounds from the singer, | 0:11:29 | 0:11:32 | |
even if you're sitting at the back. | 0:11:32 | 0:11:34 | |
# Nina and the Neurons. # | 0:11:34 | 0:11:36 | |
Your question was what is an amphitheatre? | 0:11:38 | 0:11:40 | |
and I think we've answered it. | 0:11:40 | 0:11:42 | |
Amphitheatres help sound go from the stage, to the | 0:11:42 | 0:11:46 | |
people at the back of the audience. | 0:11:46 | 0:11:49 | |
Sound travels through the air as a wave. | 0:11:49 | 0:11:51 | |
The hard stone in an amphitheatre helps the sound bounce around. | 0:11:51 | 0:11:56 | |
The low-pitched sounds from the audience don't travel... | 0:11:56 | 0:11:59 | |
But the high-pitched sounds do! | 0:11:59 | 0:12:02 | |
So everyone can hear the singer! Laaaa! | 0:12:02 | 0:12:05 | |
So I hope that's answered your question. | 0:12:06 | 0:12:09 | |
BOTH: Thanks, Nina! Bye! | 0:12:09 | 0:12:12 | |
You're welcome. Bye! | 0:12:12 | 0:12:14 | |
If you want to know more about the science that's all around us, | 0:12:16 | 0:12:20 | |
go to the Nina section on the CBeebies website. Have fun! | 0:12:20 | 0:12:24 | |
# Super structures Super structures | 0:12:24 | 0:12:28 | |
# Super structures Super structures | 0:12:28 | 0:12:30 | |
# Super structures | 0:12:30 | 0:12:32 | |
# Some of them are tall Some of them are wide | 0:12:32 | 0:12:36 | |
# They're bumpy, lumpy, wiggly too | 0:12:36 | 0:12:38 | |
# Wiggly too | 0:12:38 | 0:12:40 | |
# Some of them are strong Some of them are small | 0:12:40 | 0:12:43 | |
# Like me | 0:12:43 | 0:12:44 | |
# They're windy, whirly, whooshy too | 0:12:44 | 0:12:46 | |
# All around Look over here | 0:12:46 | 0:12:50 | |
# Build it, stack it up, pile it up | 0:12:50 | 0:12:52 | |
# Come on, let's get building | 0:12:52 | 0:12:56 | |
-# Building, -building, -building | 0:12:56 | 0:12:58 | |
# Race it, hold it, make it stick | 0:12:58 | 0:13:02 | |
# Come on, let's get building | 0:13:02 | 0:13:06 | |
# Come on, let's get building | 0:13:06 | 0:13:10 | |
# Some of them are cosy warm Some of them are chilly | 0:13:12 | 0:13:16 | |
# Keep us safe and hide us too | 0:13:16 | 0:13:19 | |
# Hide us too | 0:13:19 | 0:13:20 | |
# Some of them are just for fun Or help us to stay dry | 0:13:20 | 0:13:24 | |
# They're underground and high up too | 0:13:24 | 0:13:27 | |
# Look around Over here | 0:13:27 | 0:13:30 | |
# Build it, stack it, pile it up | 0:13:30 | 0:13:34 | |
# Come on, let's get building | 0:13:34 | 0:13:36 | |
-# Building, -building, -building | 0:13:36 | 0:13:39 | |
# Race it, hold it, make it stick | 0:13:39 | 0:13:42 | |
# Come on, let's get building | 0:13:42 | 0:13:46 | |
# Come on, let's get building! # | 0:13:46 | 0:13:50 | |
And remember, there are super structures everywhere. | 0:13:50 | 0:13:53 | |
Whether they're big or small, wide or tall, we can all get building. | 0:13:53 | 0:13:58 | |
See you again soon. Bye! | 0:13:58 | 0:14:00 | |
-ALL: Bye! -Get building! | 0:14:00 | 0:14:04 |