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-He's Dr Chris. -And he's Dr Xand. | 0:00:23 | 0:00:26 | |
And we're identical twins. | 0:00:26 | 0:00:29 | |
We were until you grew your beard! | 0:00:29 | 0:00:31 | |
In this series, | 0:00:31 | 0:00:32 | |
we're taking over one of the biggest children's hospitals in Europe. | 0:00:32 | 0:00:36 | |
The amazing Alder Hey in Liverpool. | 0:00:36 | 0:00:39 | |
We'll go head-to-head as we take on | 0:00:39 | 0:00:41 | |
some of our hospital's most important jobs. | 0:00:41 | 0:00:44 | |
This isn't going well. | 0:00:44 | 0:00:46 | |
Ouch And About hits the wards for more medical mysteries. | 0:00:46 | 0:00:49 | |
This tube goes into Dolly's tummy. | 0:00:49 | 0:00:51 | |
And we'll be meeting our brilliant Ouch-patients | 0:00:53 | 0:00:56 | |
-who come in for regular treatment. -Hi! | 0:00:56 | 0:00:58 | |
We've hidden our lab in a top-secret location... | 0:00:58 | 0:01:02 | |
And our experiments | 0:01:02 | 0:01:03 | |
just...got...bigger! | 0:01:03 | 0:01:07 | |
You guys are crazy! | 0:01:09 | 0:01:11 | |
So, are you ready to join us? | 0:01:11 | 0:01:13 | |
I have to change my cape. | 0:01:13 | 0:01:15 | |
-Coming up today on... -Super Xand! | 0:01:19 | 0:01:22 | |
It's Operation Ouch. | 0:01:22 | 0:01:24 | |
'We go radio gaga...' It's phenomenally stressful. | 0:01:27 | 0:01:31 | |
'..things get a bit hairy...' | 0:01:31 | 0:01:33 | |
It's just creepy. | 0:01:33 | 0:01:34 | |
'..and we're hitting the high notes.' | 0:01:34 | 0:01:37 | |
But first... | 0:01:37 | 0:01:39 | |
We're giving you exclusive access | 0:01:40 | 0:01:42 | |
to the accident and emergency department. | 0:01:42 | 0:01:45 | |
Let's meet our first patient! | 0:01:45 | 0:01:46 | |
Waiting to be seen is eight-year-old Chris and his dad. | 0:01:48 | 0:01:51 | |
Brilliant name, but that hand looks bad. | 0:01:51 | 0:01:54 | |
It's sore and it's hurting. | 0:01:54 | 0:01:56 | |
Ooh, what happened? | 0:01:56 | 0:01:58 | |
Chris was in the garden with his sister and two of her mates. | 0:01:58 | 0:02:01 | |
They were all playing... | 0:02:01 | 0:02:03 | |
Britain's Got Talent! | 0:02:03 | 0:02:05 | |
-Oh, yes! Can I be Simon Cowell? -It's a no from me. | 0:02:06 | 0:02:11 | |
Anyway, the girls were the judges, | 0:02:11 | 0:02:13 | |
hands poised over their buzzers, | 0:02:13 | 0:02:14 | |
watching the best act of the day, it was... | 0:02:14 | 0:02:17 | |
A dog dressed as a spaceman juggling ice creams? | 0:02:17 | 0:02:20 | |
Even better than that. | 0:02:20 | 0:02:22 | |
-Chris was doing parkour, so jumping and rolling off stuff. -Sounds fun. | 0:02:22 | 0:02:26 | |
Yes, but as he did his final move, | 0:02:26 | 0:02:29 | |
a gravity-defying don't-try-this-at-home leap, | 0:02:29 | 0:02:32 | |
he slipped on some moss and cut his hand on the gate. | 0:02:32 | 0:02:35 | |
-Ouch! -Don't worry, Chris, here's Dr Clare Thompson. | 0:02:35 | 0:02:39 | |
Sliced it on metal, didn't you? | 0:02:39 | 0:02:40 | |
So what we'll do, is we'll send you for a little X-ray on your hand | 0:02:40 | 0:02:44 | |
to make sure there's no little pieces in there that shouldn't be. | 0:02:44 | 0:02:47 | |
If Chris has any metal in his cut, it could get infected. | 0:02:48 | 0:02:52 | |
You can see the cut, can't you? See where it looks more black in there? | 0:02:52 | 0:02:56 | |
But there's no bits of metal, there's nothing else in there. | 0:02:56 | 0:02:59 | |
-It's looking good. -It is! | 0:02:59 | 0:03:01 | |
Next up, Dr Clare makes sure Chris hasn't lost any feeling in his hand. | 0:03:01 | 0:03:05 | |
-Can you feel this? -I can't feel it that much. | 0:03:05 | 0:03:09 | |
It could have damaged the nerves, | 0:03:09 | 0:03:12 | |
which then might have caused the sensation to be lost. | 0:03:12 | 0:03:16 | |
-Is it going to need stitching? -Yeah. | 0:03:16 | 0:03:19 | |
Because this is a deep cut in a complicated place, | 0:03:19 | 0:03:21 | |
Chris needs to come back tomorrow for surgery. | 0:03:21 | 0:03:24 | |
So, with a temporary patch-up, it's off home for the night. | 0:03:24 | 0:03:27 | |
We'll be back later to see how Chris gets on. | 0:03:27 | 0:03:30 | |
BEEPING, ALARMS BLARE | 0:03:30 | 0:03:32 | |
I'm hitting the wards with my Ouch bleeper. | 0:03:36 | 0:03:39 | |
Because we've brought Ouch And About inside the hospital. Wow! | 0:03:40 | 0:03:43 | |
Dr Xand, Dr Xand! | 0:03:43 | 0:03:45 | |
And I'm hitting the streets to answer your medical mysteries. | 0:03:45 | 0:03:48 | |
In the hospital canteen, Chris has his first call. | 0:03:49 | 0:03:53 | |
A question! Right, I better go. | 0:03:53 | 0:03:55 | |
It's from Lydia, who is recovering from brain surgery | 0:03:56 | 0:03:59 | |
to help cure her epilepsy. | 0:03:59 | 0:04:01 | |
-Hi, Lydia, how are you? -Good. -Very nice to see you. | 0:04:01 | 0:04:05 | |
-You have a question for me. -Yeah. | 0:04:05 | 0:04:06 | |
How long does it take for the stitches in my head to dissolve? | 0:04:06 | 0:04:10 | |
Well, what's the diagnosis, Doc? | 0:04:10 | 0:04:12 | |
Sounds like a case of... | 0:04:12 | 0:04:16 | |
Ha-ha, Lydia's in stitches! | 0:04:16 | 0:04:17 | |
Well, they should take about 10 days to two weeks, | 0:04:17 | 0:04:21 | |
but sometimes the stitches can take up to six weeks to dissolve fully. | 0:04:21 | 0:04:25 | |
-Shall we have a look with the Ouch cam? -Yeah. -OK, I'll put that there. | 0:04:25 | 0:04:30 | |
And then you can see the screen. | 0:04:30 | 0:04:32 | |
Look away if you're squeamish! | 0:04:32 | 0:04:34 | |
So, the little black lines are your hair. The black bit is a scab. | 0:04:34 | 0:04:39 | |
-It's just creepy. -You know what, Lydia? | 0:04:39 | 0:04:42 | |
I can't see any stitches at all. | 0:04:42 | 0:04:45 | |
So I think your stitches are already starting to dissolve. | 0:04:45 | 0:04:49 | |
That's actually quite cool. | 0:04:49 | 0:04:51 | |
OK, Lydia, you have earned yourself an Operation Ouch sticker. | 0:04:51 | 0:04:53 | |
-That's sticky. -Thank you very much, bye! -Bye, thank you! | 0:04:53 | 0:04:58 | |
Unlike Dr Chris, I don't have a fancy bleeper out here. | 0:04:58 | 0:05:03 | |
-How will I know when someone has a question? -Dr Xand! | 0:05:03 | 0:05:06 | |
-Have you got a question for me? -Yes. | 0:05:06 | 0:05:08 | |
Why can my shoulder blades stick out? | 0:05:08 | 0:05:10 | |
Wow! | 0:05:10 | 0:05:13 | |
So, what you have is things called winged scapulas. | 0:05:13 | 0:05:16 | |
Your scapula is your shoulder blade, | 0:05:16 | 0:05:18 | |
and they're called wings because they come out, | 0:05:18 | 0:05:20 | |
a bit like wings, on you, which is amazing. | 0:05:20 | 0:05:21 | |
Normally you have a muscle called serratus anterior, | 0:05:21 | 0:05:25 | |
and that muscle goes under the shoulder blade | 0:05:25 | 0:05:27 | |
and holds it onto your back. | 0:05:27 | 0:05:28 | |
But for some reason in you, it isn't doing that, which means | 0:05:28 | 0:05:31 | |
you can do this amazing thing which is flap your shoulder blades. | 0:05:31 | 0:05:34 | |
I've never seen that before. | 0:05:34 | 0:05:35 | |
-Well, thanks very much for showing me your amazing back. Bye! -Bye! | 0:05:35 | 0:05:39 | |
Amazing! | 0:05:39 | 0:05:41 | |
Meanwhile, my Ouch bleeper is busily beeping. | 0:05:44 | 0:05:47 | |
Get a wriggle on, Chris! | 0:05:47 | 0:05:49 | |
It's Harry, who has a condition which means he has trouble eating. | 0:05:49 | 0:05:52 | |
-Hello, Dr Chris. -How are you? -Fine. -What is your question? | 0:05:52 | 0:05:55 | |
-What is oesophagitis? -That is a very good question. | 0:05:55 | 0:05:59 | |
What's the diagnosis, Doc? | 0:05:59 | 0:06:01 | |
I think it sounds like you have a case of... | 0:06:01 | 0:06:03 | |
Ooh, a double -itis! | 0:06:08 | 0:06:10 | |
You know that an oesophagus is the tube that links your mouth | 0:06:10 | 0:06:14 | |
to your stomach. | 0:06:14 | 0:06:16 | |
So, whenever something in your body is inflamed, | 0:06:16 | 0:06:19 | |
we put -itis on the end of it. | 0:06:19 | 0:06:21 | |
And in your case, you have an oesophagus that's inflamed, | 0:06:21 | 0:06:24 | |
so we call it an oesophagitis. | 0:06:24 | 0:06:26 | |
And so when Harry eats, his oesophagus swells up | 0:06:26 | 0:06:29 | |
and food can't get down it and he feels very, very poorly indeed. | 0:06:29 | 0:06:33 | |
So, Harry, can you show me how the doctors have fixed the fact | 0:06:33 | 0:06:38 | |
-that you can't eat food using your mouth? -They put a mini button in me. | 0:06:38 | 0:06:41 | |
A mini button, what's a mini button? Wow! | 0:06:41 | 0:06:44 | |
-So, that is now a hole going straight inside your stomach. -Yes. | 0:06:44 | 0:06:49 | |
So, what kind of food do you have through the hole? | 0:06:49 | 0:06:51 | |
Just a special type of milk and some medicine. | 0:06:51 | 0:06:55 | |
That's how you stay big and strong | 0:06:55 | 0:06:56 | |
-even though you can't swallow stuff? -Yeah. | 0:06:56 | 0:06:58 | |
That's pretty amazing. You've taught me something. | 0:06:58 | 0:07:00 | |
You did such a good job, I'm giving you an Operation Ouch sticker. | 0:07:00 | 0:07:04 | |
Thank you, bye! | 0:07:04 | 0:07:05 | |
Job done for today. Clinic closed. | 0:07:05 | 0:07:08 | |
In hospital, it's not just the doctors and nurses | 0:07:14 | 0:07:17 | |
who help to get you fixed. | 0:07:17 | 0:07:18 | |
There are lots of other heroes working behind the scenes. | 0:07:18 | 0:07:22 | |
Yes! | 0:07:22 | 0:07:23 | |
'What will happen when we have a go at their amazing jobs?' | 0:07:23 | 0:07:27 | |
Useless! | 0:07:27 | 0:07:28 | |
This is Operation Takeover. | 0:07:28 | 0:07:31 | |
When you're a patient, life can be a bit boring, | 0:07:31 | 0:07:34 | |
so it's important to keep upbeat and entertained on the wards. | 0:07:34 | 0:07:37 | |
Today's hospital heroes help with that. | 0:07:37 | 0:07:39 | |
They are Radio Lollipop DJs Dom and Chaminda! | 0:07:39 | 0:07:43 | |
They're hosts on the Evelina Children's Hospital radio station | 0:07:43 | 0:07:47 | |
which broadcasts just for the patients to cheer them up | 0:07:47 | 0:07:50 | |
and reduce stress, which is good for health. | 0:07:50 | 0:07:54 | |
It is thrilling Thursday. | 0:07:54 | 0:07:55 | |
I'm really excited, we have some very special guests coming in later. | 0:07:55 | 0:07:59 | |
I think they're talking about us, Chris! Let's say hello. | 0:07:59 | 0:08:02 | |
Are we live now? | 0:08:03 | 0:08:05 | |
-Absolutely. -Hi, kids! So, what is it like doing hospital radio? | 0:08:05 | 0:08:10 | |
It's great fun. The children love it as well, | 0:08:10 | 0:08:12 | |
and if they're having fun, then we have the most fun. | 0:08:12 | 0:08:14 | |
As a kid, being in hospital is not the most exciting place to be | 0:08:14 | 0:08:17 | |
so it takes them away from the whole hospital environment. | 0:08:17 | 0:08:20 | |
What I want to know is, | 0:08:20 | 0:08:22 | |
what are the ingredients of a really good radio show? | 0:08:22 | 0:08:26 | |
I reckon you guys should go upstairs on to the wards, find out | 0:08:26 | 0:08:29 | |
first-hand from our listeners what makes a really good radio show. | 0:08:29 | 0:08:32 | |
That's a brilliant idea. | 0:08:32 | 0:08:34 | |
OK, let's hit the wards and get... | 0:08:34 | 0:08:37 | |
The top three tips to being a hospital radio show host! | 0:08:37 | 0:08:41 | |
In at number three... | 0:08:41 | 0:08:42 | |
Try to be funny a little bit. | 0:08:42 | 0:08:44 | |
-Good luck with that one, Xand! -Oi! | 0:08:44 | 0:08:47 | |
-What's at number two? -Do good singing. | 0:08:47 | 0:08:50 | |
Do you think the DJs should sing, | 0:08:50 | 0:08:52 | |
or do you think we should just play the records? | 0:08:52 | 0:08:55 | |
-Sing. -Really? | 0:08:55 | 0:08:57 | |
Uh-oh! | 0:08:57 | 0:08:58 | |
And finally, top of the charts is... | 0:08:58 | 0:09:00 | |
Don't embarrass yourselves. | 0:09:00 | 0:09:02 | |
That's easy for me, | 0:09:02 | 0:09:03 | |
a little bit less easy for Dr Xand. | 0:09:03 | 0:09:05 | |
-Thanks, Toller! -And thank you, Summer. | 0:09:05 | 0:09:09 | |
So, we've found out just how important | 0:09:09 | 0:09:11 | |
the job of hospital radio hosts really is. | 0:09:11 | 0:09:13 | |
But have we got what it takes to be on the same wavelength | 0:09:13 | 0:09:16 | |
as the real professionals? | 0:09:16 | 0:09:18 | |
Get it? Wavelength? | 0:09:18 | 0:09:19 | |
'It's time for us to be hospital radio hosts.' | 0:09:20 | 0:09:23 | |
So, your challenge today is to take over the airwaves | 0:09:25 | 0:09:28 | |
for ten minutes each. | 0:09:28 | 0:09:30 | |
And then we want to see how you handle a special guest. | 0:09:30 | 0:09:33 | |
Right, this should be trivial. | 0:09:33 | 0:09:35 | |
And I have a special guest in mind who I think will give me | 0:09:35 | 0:09:37 | |
-an enormous advantage. -I don't have a guest! | 0:09:37 | 0:09:39 | |
-Where am I going to get a guest? -Better go find a guest. | 0:09:39 | 0:09:42 | |
I have a professional DJ as my guest. | 0:09:42 | 0:09:46 | |
It's Radio 1Xtra DJ Yasmin Evans. | 0:09:46 | 0:09:49 | |
And I am going to thrash Dr Xand as a result. | 0:09:49 | 0:09:53 | |
Not so fast, Chris. | 0:09:53 | 0:09:54 | |
Meet the judges! | 0:09:54 | 0:09:55 | |
They are tuned in, ready to pick a winner. | 0:09:55 | 0:09:57 | |
Who's the best? They decide. | 0:09:57 | 0:10:00 | |
Bring it on. I'll go first. | 0:10:00 | 0:10:02 | |
EPIC JINGLE PLAYS | 0:10:02 | 0:10:04 | |
'What time is it? It's Dr Chris time! | 0:10:04 | 0:10:08 | |
'Hospital radio's number one Operation Ouch-based show.' | 0:10:08 | 0:10:12 | |
Hello, everyone, welcome to the Dr Chris show. | 0:10:12 | 0:10:14 | |
I have with me Yasmin Evans. How are you, Yasmin? | 0:10:14 | 0:10:16 | |
I'm very well, how are you? | 0:10:16 | 0:10:18 | |
I thought I'd been really clever inviting you along because you could | 0:10:18 | 0:10:21 | |
help me out but in fact it's just piled and piled on the pressure. | 0:10:21 | 0:10:24 | |
My first go as a DJ. I'm going to hit play. | 0:10:24 | 0:10:27 | |
I'm going to turn these up. | 0:10:27 | 0:10:29 | |
-And now we can hear Justin Bieber. -That's Justin Bieber. | 0:10:29 | 0:10:32 | |
-We're talking over it. -Can they still hear us? -Take us down. | 0:10:32 | 0:10:36 | |
Oops! I wonder if anyone noticed. | 0:10:36 | 0:10:38 | |
It's a good job Yasmin's here. | 0:10:38 | 0:10:41 | |
This is a nightmare! | 0:10:41 | 0:10:42 | |
Chris has already got a guest and I don't have one! | 0:10:42 | 0:10:45 | |
Where am I going to get a guest at such short notice? | 0:10:45 | 0:10:47 | |
OK, I'm going to try and work the screen. | 0:10:47 | 0:10:50 | |
I'm sorry, everyone listening. I hope I'm not losing the judges! | 0:10:50 | 0:10:54 | |
-So, that's Nick Jonas. -Nick Jonas. 'Oh, there's so many buttons!' | 0:10:54 | 0:10:57 | |
Thank goodness Xand still doesn't have a guest. | 0:10:58 | 0:11:01 | |
Hang on, I've spotted someone. | 0:11:01 | 0:11:03 | |
It's Laverne, the housekeeper. | 0:11:03 | 0:11:05 | |
Can I stop you cleaning, will you be a guest on my radio show? | 0:11:05 | 0:11:08 | |
-Oh, I'll think of it. -You'll be all right? -Yeah. | 0:11:08 | 0:11:11 | |
-Come on then, come with me. -OK. -Off we go. | 0:11:11 | 0:11:14 | |
'Phew, just in the nick of time!' | 0:11:14 | 0:11:16 | |
For all the judges out there, I'm going to leave you with the thought, | 0:11:16 | 0:11:19 | |
how much better this has been than Dr Xand is going to be. | 0:11:19 | 0:11:23 | |
Thanks a lot, everyone. Bye! | 0:11:23 | 0:11:26 | |
-Yay! -I must say, that is phenomenally stressful. | 0:11:28 | 0:11:32 | |
Gimme five. 'Beat that, Xand, over to you!' | 0:11:32 | 0:11:35 | |
Hey, everybody, it's Dr Xand. Oh... | 0:11:35 | 0:11:38 | |
One thing's for sure, I'll give it a go. | 0:11:38 | 0:11:40 | |
It's time for Dr Xand's amazing radio show! | 0:11:40 | 0:11:45 | |
This is Dr Xand, and let me tell you, | 0:11:45 | 0:11:47 | |
I'm going to make your eardrums burst. | 0:11:47 | 0:11:50 | |
No, I'm not going to do that, that would be bad. | 0:11:50 | 0:11:52 | |
I'm going to give you dandruff, how about that? | 0:11:52 | 0:11:54 | |
-See, Chris? I can be funny. -If you say so. | 0:11:54 | 0:11:57 | |
We have an incredible guest. | 0:11:57 | 0:12:00 | |
The world-famous, the one, the only, Laverne Lodric! | 0:12:00 | 0:12:03 | |
How are you doing? | 0:12:03 | 0:12:05 | |
Hi, there, Doctor. Good evening. | 0:12:05 | 0:12:06 | |
I'm going to play some relaxing music. | 0:12:06 | 0:12:09 | |
How does that go? | 0:12:09 | 0:12:11 | |
MUSIC: Uptown Funk by Mark Ronson | 0:12:11 | 0:12:13 | |
Ooh! 'The judges wanted singing.' | 0:12:15 | 0:12:17 | |
# Cos uptown funk gonna give it to you | 0:12:17 | 0:12:20 | |
# Cos uptown funk gonna give it to you... # | 0:12:20 | 0:12:22 | |
Yes, but you are 100% embarrassing. | 0:12:22 | 0:12:25 | |
What's the food like in the hospital? | 0:12:28 | 0:12:31 | |
I've never tasted the patients' food! | 0:12:31 | 0:12:35 | |
-You've never stolen food off a poorly child? -Oh, no, no. | 0:12:35 | 0:12:38 | |
That's a bad thing to do. | 0:12:38 | 0:12:40 | |
I tell you what, I have done that occasionally. | 0:12:40 | 0:12:43 | |
What? You can't do that! | 0:12:43 | 0:12:45 | |
-You're wonderful. -Thank you. -Goodnight, everyone. | 0:12:45 | 0:12:48 | |
Time to admit defeat, Chris. Let's get the verdict. | 0:12:48 | 0:12:51 | |
So, guys, tell us who the winner is. | 0:12:51 | 0:12:54 | |
No! | 0:12:55 | 0:12:57 | |
4-1! In your face! | 0:12:57 | 0:12:59 | |
You love me! You really do love me! | 0:12:59 | 0:13:04 | |
So, judges, what did you like about my show? | 0:13:04 | 0:13:07 | |
It was a little bit more funny. | 0:13:07 | 0:13:09 | |
It wasn't really you, it was more your special guest. | 0:13:09 | 0:13:13 | |
Ha! You got lucky, Xand. | 0:13:15 | 0:13:16 | |
Well, we've seen just how important the job of radio hosts | 0:13:16 | 0:13:19 | |
like Dom and Chaminda are to the running of the hospital. | 0:13:19 | 0:13:22 | |
And although I did a lot better than you, | 0:13:22 | 0:13:25 | |
according to the listening public, | 0:13:25 | 0:13:27 | |
I think it is best left to the experts. | 0:13:27 | 0:13:29 | |
-Have the headphones back, guys. -Thank you. | 0:13:29 | 0:13:31 | |
-Thank you, guys. -Thank you. | 0:13:31 | 0:13:33 | |
Back in the emergency department, | 0:13:36 | 0:13:38 | |
Chris is waiting for an operation on his hand. | 0:13:38 | 0:13:40 | |
Are you? | 0:13:40 | 0:13:42 | |
They look all right to me. But it's not my decision. | 0:13:42 | 0:13:45 | |
Let's get you to theatre. | 0:13:45 | 0:13:47 | |
Not me, Xand. Mini Chris. | 0:13:47 | 0:13:49 | |
We met him earlier, with a gory gash to his hand. | 0:13:49 | 0:13:53 | |
He'd been playing Britain's Got Talent with his sister | 0:13:53 | 0:13:55 | |
and her mate when his jumping act went totally wrong. | 0:13:55 | 0:13:58 | |
Not a good idea. | 0:13:58 | 0:14:00 | |
He slipped on some moss and cut his hand on a gate. | 0:14:00 | 0:14:02 | |
Chris's cut was too deep to fix in A&E | 0:14:04 | 0:14:06 | |
so he's back bright and early to have surgery. | 0:14:06 | 0:14:09 | |
-It's definitely looking a bit yucky. -It's gone all purple. | 0:14:11 | 0:14:15 | |
Chris needs a general anaesthetic so he'll be asleep for the operation. | 0:14:15 | 0:14:20 | |
Sweet dreams! | 0:14:20 | 0:14:22 | |
Ready to get handy with Chris's hand is Dr Susie Yao. | 0:14:22 | 0:14:25 | |
-Let's give her a big hand! -Enough with the hand jokes. | 0:14:25 | 0:14:29 | |
So, I'll just give it a quick clean. | 0:14:29 | 0:14:32 | |
Her first job in surgery is to check for any serious injuries. | 0:14:32 | 0:14:35 | |
Inside your hand there are lots of nerves, tendons and blood vessels. | 0:14:36 | 0:14:41 | |
These things are vital to your hand | 0:14:41 | 0:14:43 | |
and so they are wrapped in a protective tissue | 0:14:43 | 0:14:45 | |
called the palma fascia. | 0:14:45 | 0:14:47 | |
If Chris's cut goes deeper than this protective layer, | 0:14:47 | 0:14:50 | |
it could lead to complications. | 0:14:50 | 0:14:52 | |
Over to you, Dr Susie. | 0:14:52 | 0:14:53 | |
There is always a risk that these important structures can be damaged, | 0:14:55 | 0:14:59 | |
and if they're damaged, in the long run, | 0:14:59 | 0:15:01 | |
that can cause poor healing and poor function. | 0:15:01 | 0:15:04 | |
Time for a thorough examination. | 0:15:04 | 0:15:06 | |
Amazingly, he has not breached his fascia. Very lucky. | 0:15:09 | 0:15:12 | |
Great news. | 0:15:12 | 0:15:13 | |
Now it's time to prep the cut, ready for stitches. | 0:15:13 | 0:15:16 | |
What I did was, I took away a little bit of tissue | 0:15:16 | 0:15:18 | |
on either side of the cut. | 0:15:18 | 0:15:20 | |
It was important to create a brand-new, fresh edge | 0:15:20 | 0:15:23 | |
for the skin to heal nicely. | 0:15:23 | 0:15:25 | |
-And they've stitched him up in no time. -Lovely job. | 0:15:25 | 0:15:29 | |
Over in the recovery room, | 0:15:30 | 0:15:31 | |
our patient is still feeling a bit sleepy after his operation. | 0:15:31 | 0:15:35 | |
Whoa, a bit wobbly, there, Chris! | 0:15:35 | 0:15:38 | |
But don't worry, the anaesthetic will wear off very soon. | 0:15:38 | 0:15:40 | |
-Bye! -Ta, love. | 0:15:40 | 0:15:43 | |
Anything you've learned from this? | 0:15:43 | 0:15:46 | |
Don't climb over fences. | 0:15:46 | 0:15:48 | |
-And will you be entering any more playtime talent contests? -No. | 0:15:48 | 0:15:52 | |
This is one act Simon Cowell won't be seeing any time soon. | 0:15:52 | 0:15:56 | |
Bye, mini Chris! | 0:15:56 | 0:15:57 | |
Still to come. | 0:15:59 | 0:16:01 | |
We're tuning up... | 0:16:01 | 0:16:03 | |
HE HUMS TUNELESSLY | 0:16:03 | 0:16:04 | |
'..there's amazing anaesthetic...' | 0:16:04 | 0:16:06 | |
Now Will's job is to keep Kieran safe. | 0:16:06 | 0:16:08 | |
'..and it's breaking point for Lily.' | 0:16:08 | 0:16:11 | |
But first... | 0:16:12 | 0:16:14 | |
They're called the anvil, the stirrup and the what? | 0:16:17 | 0:16:21 | |
Is it... | 0:16:21 | 0:16:22 | |
The correct answer is A. | 0:16:29 | 0:16:31 | |
Together, we call all three bones the ossicles. | 0:16:31 | 0:16:35 | |
And they transmit sound from your ear into your brain. | 0:16:35 | 0:16:38 | |
And now to our lab. | 0:16:44 | 0:16:45 | |
But this time, we've hidden it in a top-secret location. | 0:16:45 | 0:16:48 | |
So secret, in fact, even Xand doesn't know where it is. | 0:16:48 | 0:16:51 | |
Wow! Anyway, it's time for some amazing experiments. | 0:16:53 | 0:16:57 | |
Just don't try anything you see here at home. | 0:16:57 | 0:17:00 | |
Today, we're looking at your eardrum. | 0:17:00 | 0:17:03 | |
Xand, what are you doing? | 0:17:10 | 0:17:11 | |
You know there is no trampolining allowed in the lab. | 0:17:11 | 0:17:14 | |
Yes, I know, but I just thought... | 0:17:14 | 0:17:16 | |
No buts, Xand, we have an experiment to do! | 0:17:16 | 0:17:17 | |
Yes, I know. Which is why... | 0:17:17 | 0:17:20 | |
-Xand, could we please get on with the experiment? -All right. | 0:17:20 | 0:17:24 | |
Today we're going to be HEARING about | 0:17:24 | 0:17:26 | |
one of the most amazing pieces of body kit you've got. | 0:17:26 | 0:17:29 | |
Your eardrum. Wow! | 0:17:31 | 0:17:33 | |
-There's nothing there. -No, it is there. | 0:17:33 | 0:17:36 | |
-Right there, see? -Oh, yeah. | 0:17:36 | 0:17:39 | |
Now, this one is from a pig. | 0:17:39 | 0:17:41 | |
It's similar to yours. Yours is actually a bit bigger. | 0:17:41 | 0:17:44 | |
It's called the tympanic membrane. | 0:17:44 | 0:17:47 | |
And this is the amazing piece of body kit that vibrates | 0:17:47 | 0:17:50 | |
when sound reaches it allowing you to hear. | 0:17:50 | 0:17:52 | |
Let's see one in action. | 0:17:52 | 0:17:54 | |
Now, I'm going to use this endoscope to show you my eardrum. | 0:17:54 | 0:17:59 | |
Now, remember, we can only do this because we're doctors. | 0:17:59 | 0:18:02 | |
You should never stick anything in your ears. | 0:18:02 | 0:18:05 | |
If you have a look on the screen, you can see that's my ear, | 0:18:05 | 0:18:08 | |
you can see that clearly. | 0:18:08 | 0:18:09 | |
And then that goes into the ear canal | 0:18:09 | 0:18:11 | |
and that's lined with a few hairs, a bit of wax, | 0:18:11 | 0:18:14 | |
and then that right there, that is the eardrum. | 0:18:14 | 0:18:18 | |
The eardrum is only 1/10th of a millimetre thick. | 0:18:18 | 0:18:22 | |
That is five times thinner than a sheet of paper. | 0:18:22 | 0:18:26 | |
And yet, it's incredibly strong. And if I hold my nose and blow... | 0:18:26 | 0:18:29 | |
I can make my eardrum pop. Look! You can see it's really stretchy. | 0:18:29 | 0:18:34 | |
Well, this part actually works a bit like... | 0:18:34 | 0:18:37 | |
BOTH: A trampoline! | 0:18:37 | 0:18:38 | |
That's why I brought it in. Anyway, let me get the trampoline. | 0:18:38 | 0:18:42 | |
Now, the bit of the trampoline I want you to look at | 0:18:44 | 0:18:47 | |
is the bit that you jump on. The net. | 0:18:47 | 0:18:50 | |
It's made of lots of elastic fibres that crisscross | 0:18:50 | 0:18:53 | |
and this makes it stretchy but also very strong. | 0:18:53 | 0:18:57 | |
And the middle section of your eardrum is also made of | 0:18:57 | 0:19:00 | |
lots of crisscrossing elastic fibres. | 0:19:00 | 0:19:02 | |
This time of a protein called collagen. | 0:19:02 | 0:19:04 | |
Some crossing in lines like spokes on a wheel, | 0:19:04 | 0:19:07 | |
and some arranged in circles | 0:19:07 | 0:19:09 | |
so it's also strong and stretchy just like the trampoline. | 0:19:09 | 0:19:12 | |
But how does your eardrum help you to hear? | 0:19:12 | 0:19:15 | |
To show you, we have this. | 0:19:15 | 0:19:18 | |
This is a Ruben's tube, | 0:19:18 | 0:19:21 | |
and it can show us what sound, | 0:19:21 | 0:19:22 | |
which is normally invisible, actually looks like. | 0:19:22 | 0:19:25 | |
If, for example, someone was to sing... | 0:19:25 | 0:19:27 | |
Sing?! This is my moment! | 0:19:27 | 0:19:30 | |
OK! Well, when Xand sings, the dreadful sound that he makes | 0:19:30 | 0:19:34 | |
travels through the air in invisible waves | 0:19:34 | 0:19:37 | |
and if you're unlucky enough to be near him, | 0:19:37 | 0:19:39 | |
they go into your ear. | 0:19:39 | 0:19:41 | |
With the Ruben's tube, we will be able to see the sound waves as fire. | 0:19:41 | 0:19:45 | |
OK, Xand, take it away. | 0:19:45 | 0:19:47 | |
HE SINGS NOTES BADLY | 0:19:47 | 0:19:50 | |
Now, the sound that Xand is making is amplified at this end | 0:19:52 | 0:19:56 | |
and sound waves are then sent down the tube. | 0:19:56 | 0:19:58 | |
# Ooooooh! # | 0:19:58 | 0:20:00 | |
So if you could see sound, it would look like this. | 0:20:00 | 0:20:03 | |
A wave of high and then low air pressure. | 0:20:03 | 0:20:07 | |
OK, Xand. I think that's enough. | 0:20:07 | 0:20:10 | |
So the Ruben's tube shows us that | 0:20:10 | 0:20:12 | |
sounds are made of waves of air pressure. | 0:20:12 | 0:20:15 | |
But to understand how those waves get sent into your brain, | 0:20:15 | 0:20:18 | |
take a look at this. | 0:20:18 | 0:20:20 | |
This is a model of an eardrum. | 0:20:20 | 0:20:23 | |
So, your ear would be there, sound comes in through the ear canal. | 0:20:23 | 0:20:26 | |
This is the eardrum. And this represents the ossicles. | 0:20:26 | 0:20:30 | |
Remember, that's those three bones, | 0:20:30 | 0:20:31 | |
the hammer, the anvil and the stirrup, | 0:20:31 | 0:20:34 | |
that help transmit sound into your brain. | 0:20:34 | 0:20:36 | |
So now we're going to make some sounds, | 0:20:36 | 0:20:38 | |
send them into the ear canal, | 0:20:38 | 0:20:39 | |
and you will see what happens to the ossicles. | 0:20:39 | 0:20:42 | |
And, Chris, I've cued up your favourite tune. | 0:20:42 | 0:20:45 | |
-Ooh! -Take it away. | 0:20:45 | 0:20:47 | |
OPERATION OUCH THEME TUNE | 0:20:47 | 0:20:50 | |
Now, the sound waves travel through your ear into the ear canal | 0:20:50 | 0:20:55 | |
where they hit the eardrum. | 0:20:55 | 0:20:57 | |
This is why it's strong and stretchy, | 0:20:57 | 0:20:59 | |
to cope with being bombarded with sound all day long. | 0:20:59 | 0:21:03 | |
Let's see it in slow motion. | 0:21:03 | 0:21:05 | |
Look how the ossicles, the green bit, is bouncing about. | 0:21:05 | 0:21:09 | |
It's being moved by the vibrating pink eardrum. Cool! | 0:21:09 | 0:21:13 | |
The ossicles are what transmit the sound into your brain | 0:21:13 | 0:21:17 | |
so you can hear the amazing music. | 0:21:17 | 0:21:20 | |
BOTH: Operation Ouch! | 0:21:20 | 0:21:22 | |
So, we've shown you what an eardrum looks like, | 0:21:22 | 0:21:24 | |
and how it's made of strong elastic fibres just like a trampoline. | 0:21:24 | 0:21:29 | |
And we've shown you how your eardrum works, | 0:21:29 | 0:21:31 | |
vibrating as the sound waves reach it so you can hear. | 0:21:31 | 0:21:35 | |
Your eardrum is amazing and that's why you have to look after it, | 0:21:35 | 0:21:38 | |
so you should never, ever stick anything in your ear | 0:21:38 | 0:21:41 | |
that's smaller than your elbow. | 0:21:41 | 0:21:43 | |
It's harder than you make it sound. Can I borrow your elbow? | 0:21:45 | 0:21:48 | |
SQUEAKING | 0:21:50 | 0:21:52 | |
That's better. | 0:21:52 | 0:21:54 | |
Let's head back to accident and emergency... | 0:21:57 | 0:21:59 | |
For another curious case. | 0:21:59 | 0:22:01 | |
Arriving at Alder Hey with her dad is football fanatic Lily. | 0:22:03 | 0:22:07 | |
-I play for two teams. -Two teams? Xand couldn't even get into one. | 0:22:07 | 0:22:11 | |
Oi! | 0:22:11 | 0:22:12 | |
What's with the sling? | 0:22:12 | 0:22:14 | |
Lily was playing a cup game for her local footy club. | 0:22:14 | 0:22:17 | |
As always, she was on top form. | 0:22:17 | 0:22:19 | |
She shoots and she scores! | 0:22:19 | 0:22:22 | |
But the goalkeeper hadn't turned up so Lily went in goal. | 0:22:22 | 0:22:26 | |
The match ended 2-2 and it went to penalties. | 0:22:26 | 0:22:28 | |
It's a tense game, Chris, it's going right to the wire. | 0:22:28 | 0:22:31 | |
The opposition were ready to take their first penalty. | 0:22:31 | 0:22:34 | |
It's a high shot to the top left corner! | 0:22:34 | 0:22:36 | |
Lily reached to save it when all of a sudden, | 0:22:36 | 0:22:39 | |
the ball bent her hand backwards. | 0:22:39 | 0:22:41 | |
Ouch! | 0:22:41 | 0:22:43 | |
Ooh! Lily, why not try something safer, like a crossword? | 0:22:43 | 0:22:47 | |
-I like football a lot. -Are you sure? Even more than crosswords? | 0:22:47 | 0:22:51 | |
-A lot, a lot. -OK, I believe you. | 0:22:51 | 0:22:53 | |
Emergency nurse practitioner Nicola Evans | 0:22:53 | 0:22:56 | |
is here to get you back on the ball. | 0:22:56 | 0:22:58 | |
Just going to have a little feel. | 0:22:58 | 0:23:00 | |
Nurse Nicola examines Lily's arm to explore the twist in her wrist. | 0:23:00 | 0:23:03 | |
What about when we lift it up? | 0:23:04 | 0:23:06 | |
-A bit on that side. -OK. -Ahh! There. | 0:23:06 | 0:23:10 | |
With Lily in pain, she's sent straight to X-ray. | 0:23:11 | 0:23:14 | |
-Hold them, Lily. -That's your X-ray. | 0:23:14 | 0:23:16 | |
You've got a little crack there. | 0:23:16 | 0:23:18 | |
She's broken her radius, which is the big bone in her wrist. | 0:23:18 | 0:23:22 | |
Uh-oh! It's a red card for Lily's radius. | 0:23:22 | 0:23:25 | |
-So you won't be playing in the school final. -No. | 0:23:25 | 0:23:28 | |
Oh, no! Lily will be on the bench for a while. | 0:23:28 | 0:23:31 | |
Time for a temporary cast so the swelling can go down. | 0:23:31 | 0:23:34 | |
But there's only one thing on Lily's mind. | 0:23:34 | 0:23:37 | |
-I'm going to miss the final now. -At least your hand will get better. | 0:23:37 | 0:23:40 | |
Wise words, Dad. | 0:23:40 | 0:23:42 | |
She'll be back on the football pitch before she knows it. Bye, Lily! | 0:23:42 | 0:23:46 | |
Your body is amazing, but sometimes it needs fixing. | 0:23:49 | 0:23:53 | |
In some cases, the only way to do this is with an operation. | 0:23:53 | 0:23:57 | |
Did you know that 27,000 operations happen in the UK every day? | 0:23:57 | 0:24:02 | |
Some of these are minor and happen in clinics | 0:24:02 | 0:24:04 | |
or in accident and emergency. | 0:24:04 | 0:24:06 | |
But for bigger operations, you have to go to surgery. | 0:24:06 | 0:24:10 | |
That's where I am today. | 0:24:10 | 0:24:11 | |
In the theatre at Alder Hey, there are surgeons, nurses, | 0:24:11 | 0:24:15 | |
but who's this person? That's the anaesthetist. | 0:24:15 | 0:24:18 | |
It's his job to make sure you don't feel a thing during an operation. | 0:24:18 | 0:24:22 | |
And they're a vital part of the team in any operating theatre, | 0:24:23 | 0:24:26 | |
because they put you into a special kind of sleep | 0:24:26 | 0:24:29 | |
that means you don't feel any pain | 0:24:29 | 0:24:31 | |
and you don't remember anything at all. | 0:24:31 | 0:24:33 | |
So, what is an anaesthetic? And how does it work? | 0:24:33 | 0:24:37 | |
There are two types of anaesthetic. A local and general. | 0:24:38 | 0:24:42 | |
A local anaesthetic numbs just the injured area of your body. | 0:24:42 | 0:24:46 | |
So that the pain signals sent to the brain get blocked. | 0:24:46 | 0:24:49 | |
You might have had one of these when you've had | 0:24:49 | 0:24:51 | |
a filling at the dentist or a couple of stitches. | 0:24:51 | 0:24:54 | |
And there's a general anaesthetic, | 0:24:54 | 0:24:56 | |
like mini Chris had earlier when he cut his hand. | 0:24:56 | 0:24:58 | |
This is a combination of medicines which you have as an injection | 0:24:58 | 0:25:02 | |
or as a gas that you inhale and it makes you temporarily unconscious. | 0:25:02 | 0:25:06 | |
This is anaesthetist Dr Will Gauntlett. | 0:25:08 | 0:25:10 | |
He's going to give 11-year-old Kieran | 0:25:10 | 0:25:12 | |
a general anaesthetic for his ear operation. | 0:25:12 | 0:25:15 | |
So, when was the last time you had anything to eat? | 0:25:15 | 0:25:18 | |
Before eight o'clock this morning. | 0:25:18 | 0:25:20 | |
When we go off to sleep, we want you to have | 0:25:20 | 0:25:22 | |
a nice empty tummy because the last thing we want is any burgers | 0:25:22 | 0:25:25 | |
and chips to come back up and make a reappearance when you're asleep. | 0:25:25 | 0:25:28 | |
It's a good job Kieran hasn't eaten anything, | 0:25:28 | 0:25:30 | |
because with a general anaesthetic, | 0:25:30 | 0:25:32 | |
your body doesn't function normally and a full stomach | 0:25:32 | 0:25:34 | |
might mean food gets stuck in your throat. | 0:25:34 | 0:25:37 | |
Kieran's given an injection and anaesthetic gas | 0:25:37 | 0:25:40 | |
to send him into sleep. | 0:25:40 | 0:25:41 | |
It takes him about two minutes to be fully anaesthetised. | 0:25:41 | 0:25:45 | |
Now, Dad, he's probably ready for an embarrassing kiss now. | 0:25:45 | 0:25:49 | |
Don't make it a sloppy one, Dad! | 0:25:49 | 0:25:51 | |
And you've got special plasters to keep his eyes closed? | 0:25:51 | 0:25:54 | |
Yeah, we put some tape over the eyes so that if any dust does land | 0:25:54 | 0:25:57 | |
on them, it won't risk scratching the eye while he's asleep. | 0:25:57 | 0:26:00 | |
We're all ready, now, I think. | 0:26:00 | 0:26:03 | |
The operation can begin. | 0:26:03 | 0:26:05 | |
But the anaesthetist's work isn't over yet. | 0:26:05 | 0:26:08 | |
Now Will's job is to keep Kieran safe while he's in the operation, | 0:26:08 | 0:26:13 | |
making sure he's getting lots of oxygen into his lungs, | 0:26:13 | 0:26:15 | |
but also that he doesn't wake up. | 0:26:15 | 0:26:17 | |
Dr Will has this amazing machine | 0:26:17 | 0:26:20 | |
to help him give Kieran | 0:26:20 | 0:26:21 | |
more anaesthetic during the operation if needed. | 0:26:21 | 0:26:24 | |
How does it work? | 0:26:24 | 0:26:26 | |
We've got our anaesthetic agents kept up here. | 0:26:26 | 0:26:28 | |
We have pipes at the back here with oxygen. | 0:26:28 | 0:26:32 | |
And as it goes through the machine, it will pick up, like, | 0:26:32 | 0:26:35 | |
a whiff of anaesthetic gas and then out through the pipes off to Kieran. | 0:26:35 | 0:26:41 | |
What, then, is this pump thing? Is that breathing for him? | 0:26:41 | 0:26:45 | |
This is a ventilator, and every time Kieran takes a breath, | 0:26:45 | 0:26:48 | |
the machine gives him a little extra air, | 0:26:48 | 0:26:51 | |
just to make up for the fact that under anaesthetic, | 0:26:51 | 0:26:54 | |
his breathing is not quite as strong as it is when he's awake. | 0:26:54 | 0:26:58 | |
With the operation over, | 0:27:00 | 0:27:02 | |
it's not long before Kieran is back on the ward. | 0:27:02 | 0:27:04 | |
Thanks to the awesome anaesthetic, he has no memory of the surgery. | 0:27:04 | 0:27:09 | |
-Do you remember anyone putting anything in your ears? -No. | 0:27:09 | 0:27:13 | |
-Did any of it hurt? -No. | 0:27:13 | 0:27:15 | |
So that's pretty good, isn't it? | 0:27:15 | 0:27:18 | |
And there's one sure-fire way of finding out if Kieran is better. | 0:27:18 | 0:27:22 | |
-So, what's your plan for dinner? -Hamburger and chips. | 0:27:22 | 0:27:24 | |
So if you ever need an operation like Kieran did, | 0:27:24 | 0:27:27 | |
then you don't need to worry about it being painful, all thanks to | 0:27:27 | 0:27:30 | |
the amazing anaesthetists and their general anaesthetics. | 0:27:30 | 0:27:34 | |
Next time, it's a bumpy ride... | 0:27:35 | 0:27:37 | |
I've lost my shoe completely. | 0:27:37 | 0:27:40 | |
We meet a paw-fect expert... WOOF! | 0:27:40 | 0:27:43 | |
And there's limbo in the lab. | 0:27:43 | 0:27:45 | |
Let battle commence. | 0:27:45 | 0:27:47 | |
So, we'll see you next time for more Operation Ouch. | 0:27:47 | 0:27:51 | |
-SIREN WAILS -Chris! -Bye, Xand! | 0:27:51 | 0:27:54 | |
# I am Dr Xand | 0:27:55 | 0:27:57 | |
# I'm the star of Operation Ouch... # | 0:27:57 | 0:28:00 | |
The star? | 0:28:00 | 0:28:02 | |
# I like to eat in the lab... # | 0:28:02 | 0:28:03 | |
You're not allowed to eat in the lab! | 0:28:03 | 0:28:05 | |
# And Mr Grumbles, it's not for the squeamish! # | 0:28:05 | 0:28:09 | |
-What? -That was funny. | 0:28:09 | 0:28:12 |