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Two of the biggest pop stars in the universe | 0:00:02 | 0:00:03 | |
are about to go into battle. | 0:00:03 | 0:00:05 | |
The power voice of Adele versus the king of grime, Dizzee Rascal. | 0:00:05 | 0:00:09 | |
There can only be one winner, so stay right here. | 0:00:10 | 0:00:13 | |
I'm Amberley Lobo and this is Pop Slam! | 0:00:13 | 0:00:16 | |
Going head-to-head, we've got... | 0:00:32 | 0:00:34 | |
-# Bonkers... # -..Dizzee Rascal. | 0:00:34 | 0:00:36 | |
# Some people think I'm bonkers... # | 0:00:36 | 0:00:38 | |
The east London rapper, grime MC, writer and producer. | 0:00:38 | 0:00:42 | |
As UK rappers go, he is as big as there is. | 0:00:42 | 0:00:46 | |
But how will he do against... | 0:00:47 | 0:00:49 | |
# We could have had it all... # | 0:00:49 | 0:00:51 | |
..Adele? | 0:00:51 | 0:00:53 | |
She's got one killer voice and can write songs that make grown men cry. | 0:00:53 | 0:00:57 | |
This is going to be one epic Pop Slam! | 0:00:58 | 0:01:01 | |
So, whose team are you on? | 0:01:01 | 0:01:03 | |
Team Dizzee or Team Adele? | 0:01:03 | 0:01:06 | |
I'll be hitting the road to find out everything there is to know | 0:01:08 | 0:01:11 | |
about their superstar lives | 0:01:11 | 0:01:13 | |
and to see who deserves to win the coolest prize in pop - the Ambo. | 0:01:13 | 0:01:16 | |
There's only one way to win the Ambo | 0:01:18 | 0:01:20 | |
and that's by gaining as many of my Ambo points as possible. | 0:01:20 | 0:01:24 | |
I'll be dishing them out over three slamming rounds of pop-osity, | 0:01:24 | 0:01:28 | |
where I meet the people who knew the stars back in the day, | 0:01:28 | 0:01:32 | |
then I check out how hard they've been working. | 0:01:32 | 0:01:35 | |
And finally I scrutinise their style. | 0:01:36 | 0:01:40 | |
All before the big moment. | 0:01:40 | 0:01:42 | |
The winner of the Ambo is... | 0:01:42 | 0:01:45 | |
Now, you might not agree with the outcome, | 0:01:45 | 0:01:48 | |
and, if not, go to the CBBC website and have your say. | 0:01:48 | 0:01:52 | |
But seriously, who would you choose? | 0:01:52 | 0:01:53 | |
I mean, Adele arguably has the best voice in pop | 0:01:53 | 0:01:56 | |
and Dizzee is an awesome rapper. I mean, I'm about as confused as you. | 0:01:56 | 0:02:00 | |
There's only one way to sort it. It's time for Pop Slam! | 0:02:00 | 0:02:04 | |
CRASH! | 0:02:04 | 0:02:05 | |
Round one, Pop Potential. | 0:02:09 | 0:02:12 | |
This is all about how our stars made it. | 0:02:12 | 0:02:14 | |
# Fix up, look sharp... # | 0:02:17 | 0:02:20 | |
Dizzee may be one of the biggest UK rappers in the world nowadays, | 0:02:20 | 0:02:24 | |
but before that he was a bit of a rascal | 0:02:24 | 0:02:27 | |
and he grew up right here, in Bow in east London. | 0:02:27 | 0:02:31 | |
# You graze me with your cold shoulder... # | 0:02:31 | 0:02:34 | |
And then there's Adele. Years before she became a colossal superstar, | 0:02:34 | 0:02:39 | |
she grew up in a few places in and around London Town. | 0:02:39 | 0:02:43 | |
So, just how did Dizzee and Adele | 0:02:45 | 0:02:47 | |
become the superstars they are today? | 0:02:47 | 0:02:50 | |
I'm gonna find out. | 0:02:50 | 0:02:52 | |
First up, | 0:02:52 | 0:02:54 | |
Mr Rascal. | 0:02:54 | 0:02:55 | |
# Stress on the brain complain to the full | 0:02:55 | 0:02:56 | |
# Stress on the brain complain to the max | 0:02:56 | 0:02:58 | |
# I'm gonna search for big money stacks... # | 0:02:58 | 0:03:00 | |
This is Bow, east London, where Dylan Mills, aka Dizzee Rascal, | 0:03:00 | 0:03:05 | |
spend most of his youth. | 0:03:05 | 0:03:06 | |
In fact, he spend a lot more time around here than | 0:03:06 | 0:03:09 | |
he actually did at school. | 0:03:09 | 0:03:10 | |
And that's the type of thing that will get you expelled - and it did. | 0:03:10 | 0:03:14 | |
Dylan got expelled four times. | 0:03:14 | 0:03:16 | |
But while he was struggling with his schooling, a new type of music | 0:03:16 | 0:03:19 | |
was taking off around Bow, which saw Dylan become a music superstar. | 0:03:19 | 0:03:23 | |
This is how Dylan Mills became the biggest grime MC in the world. | 0:03:23 | 0:03:27 | |
# He's just a rascal Just a rascal... # | 0:03:27 | 0:03:30 | |
# He's just a rascal Dizzee Rascal... # | 0:03:30 | 0:03:33 | |
In the early 2000s, | 0:03:33 | 0:03:35 | |
grime was the coolest underground music in east London. | 0:03:35 | 0:03:38 | |
# He's just a rascal Just a rascal... # | 0:03:38 | 0:03:41 | |
He may be living the high life nowadays, but when | 0:03:41 | 0:03:44 | |
he was growing up, things for young Dylan Mills were very different. | 0:03:44 | 0:03:48 | |
# So you can try anything you want I definitely don't mind... # | 0:03:48 | 0:03:51 | |
Life for Dylan was pretty hard as a teenager. | 0:03:51 | 0:03:53 | |
He grew up here and his mum worked two jobs | 0:03:53 | 0:03:55 | |
to keep him out of trouble. | 0:03:55 | 0:03:57 | |
# Blood, don't make me get old school... # | 0:03:57 | 0:03:59 | |
But that was a tough task. After being kicked out of a few schools, | 0:03:59 | 0:04:03 | |
Dylan finally ended up somewhere that didn't give up on him. | 0:04:03 | 0:04:07 | |
This is Langdon Park School. And it's here where he discovered | 0:04:08 | 0:04:12 | |
one class that he absolutely loved - maths. | 0:04:12 | 0:04:15 | |
Ah, it was music! | 0:04:17 | 0:04:18 | |
In fact, music was the only class he was allowed in and this was | 0:04:21 | 0:04:26 | |
taught by someone who changed Dylan's life forever - Tim Smith. | 0:04:26 | 0:04:30 | |
And I caught up with him to get the lowdown. | 0:04:30 | 0:04:32 | |
What he was like in a classroom environment? | 0:04:33 | 0:04:36 | |
Initially he walked in the classroom, hood up, | 0:04:36 | 0:04:40 | |
a bit withdrawn but he was like an outcast. | 0:04:40 | 0:04:43 | |
So he came in, kept his head down and got on. | 0:04:43 | 0:04:46 | |
# And if it's on top you know I got that... # | 0:04:46 | 0:04:49 | |
He came to Langdon Park clearly with some skills already | 0:04:49 | 0:04:54 | |
but maybe not so much opportunity or time or something like that. | 0:04:54 | 0:04:58 | |
It was quite...quite exciting from the word go, | 0:04:58 | 0:05:02 | |
that this was something different. | 0:05:02 | 0:05:04 | |
# The sun's the biggest star in the sky | 0:05:04 | 0:05:06 | |
# But naturally it's gotta make room for the moon every night... # | 0:05:06 | 0:05:09 | |
Dizzee actually thanked you on his first album. How did that feel? | 0:05:09 | 0:05:13 | |
I was gobsmacked. | 0:05:13 | 0:05:15 | |
I was... I felt so humbled that he would thank me for... | 0:05:15 | 0:05:20 | |
I think the expression was "keeping the faith even when times got grim." | 0:05:20 | 0:05:24 | |
They did get grim from time to time for him at school. | 0:05:24 | 0:05:27 | |
But we had some good times, and fabulous memories. | 0:05:27 | 0:05:30 | |
Did you think when he was in the classroom, sitting there | 0:05:30 | 0:05:33 | |
with his music, that he was going to just blow up and become massive? | 0:05:33 | 0:05:37 | |
I'm really genuinely proud that he's moved on and changed, evolved, | 0:05:37 | 0:05:42 | |
and I've been teaching now 37 years. | 0:05:42 | 0:05:45 | |
I've never come across such raw talent. | 0:05:45 | 0:05:50 | |
I've never come across a student who knew where | 0:05:50 | 0:05:53 | |
he wanted to take that talent. | 0:05:53 | 0:05:55 | |
# Blood, don't make me get old school... # | 0:05:55 | 0:05:57 | |
Oi! | 0:05:57 | 0:05:59 | |
Although he had been a troublemaker and struggled at school, | 0:05:59 | 0:06:03 | |
with the help of Mr Smith, Dylan had found his calling - music. | 0:06:03 | 0:06:06 | |
Have five Ambo points for turning your life around. | 0:06:06 | 0:06:10 | |
# Fix up, look sharp... # | 0:06:10 | 0:06:12 | |
Dylan became known as Dizzee Rascal, and was creating a name for himself | 0:06:13 | 0:06:18 | |
by emceeing on underground radio stations and at raves. | 0:06:18 | 0:06:23 | |
He got signed to a record label and released his first album, | 0:06:23 | 0:06:26 | |
Boy In Da Corner, in 2003. | 0:06:26 | 0:06:28 | |
But he was still pretty underground | 0:06:30 | 0:06:32 | |
until he got nominated for a Mercury Music Prize. | 0:06:32 | 0:06:36 | |
# I got the big beat... # | 0:06:36 | 0:06:39 | |
The Mercury Prize is one of the mega-important awards in music | 0:06:39 | 0:06:43 | |
and usually won by super-serious artists. | 0:06:43 | 0:06:46 | |
# They're trying to see if Dizzee stays true to his grammar... # | 0:06:46 | 0:06:49 | |
Dizzee was up against Coldplay and Radiohead, | 0:06:49 | 0:06:52 | |
two of the biggest bands in the world. | 0:06:52 | 0:06:55 | |
APPLAUSE | 0:06:55 | 0:06:57 | |
If you are nominated for a Mercury Music Prize, | 0:06:57 | 0:07:00 | |
all of a sudden people pay more attention to your music. | 0:07:00 | 0:07:03 | |
The winner of the 2003 Mercury Music Prize is... | 0:07:03 | 0:07:10 | |
Dizzee Rascal. | 0:07:10 | 0:07:12 | |
CHEERING | 0:07:12 | 0:07:13 | |
When Dizzee won it, and won it over the people that were the favourites | 0:07:14 | 0:07:18 | |
to win it, I think immediately everybody was like, who is this guy? | 0:07:18 | 0:07:22 | |
We need to find out who this guy is. | 0:07:22 | 0:07:23 | |
And, immediately, it was all eyes on Dizzee Rascal. | 0:07:23 | 0:07:27 | |
I just want to thank God, I want to thank my mum, my family, everyone. | 0:07:27 | 0:07:31 | |
Remember to support British talent cos it's there. | 0:07:31 | 0:07:34 | |
Yes, man, big up all the Bow E3 crew, East London crew, London, stand up, | 0:07:34 | 0:07:37 | |
England, UK talent. Watch out. | 0:07:37 | 0:07:39 | |
What a winner. That's two Ambo points coming your way, Mr Rascal. | 0:07:40 | 0:07:45 | |
Soon Dizzee had become the most talked about rapper in ages. | 0:07:46 | 0:07:49 | |
So from then it was all number ones, multiplatinum records | 0:07:49 | 0:07:53 | |
and private jets, right? Well, not quite. | 0:07:53 | 0:07:55 | |
See, it actually took six years of hard work and three albums | 0:07:55 | 0:07:59 | |
later before the big bucks actually started to kick in. | 0:07:59 | 0:08:02 | |
And for that he needed a Scottish producer and asked us | 0:08:02 | 0:08:05 | |
to dance with him. | 0:08:05 | 0:08:06 | |
Oh, Dizzee, I thought you'd never ask. | 0:08:06 | 0:08:08 | |
SHE HUMS THE TUNE TO "DANCE WIV ME" | 0:08:08 | 0:08:12 | |
# I see you glance at me That's why I'm askin', B | 0:08:12 | 0:08:14 | |
# So let's party, B Come and dance wiv me... # | 0:08:14 | 0:08:16 | |
Dizzee teamed up with smash hit maker Calvin Harris to produce | 0:08:16 | 0:08:20 | |
the single Dance Wiv Me, and it was Dizzee's first number one. | 0:08:20 | 0:08:25 | |
# Get away from the bar | 0:08:25 | 0:08:27 | |
# Tell your boyfriend hold your jar and dance wiv me. # | 0:08:27 | 0:08:30 | |
Dizzee had finally broke into the big time and became one of | 0:08:30 | 0:08:34 | |
Britain's biggest male solo artists, but that was only the start for him. | 0:08:34 | 0:08:39 | |
Elsewhere in London, Adele was on her way. | 0:08:39 | 0:08:41 | |
Let's find out how she made it big. | 0:08:41 | 0:08:43 | |
# Round my hometown | 0:08:43 | 0:08:46 | |
# Memories are fresh | 0:08:46 | 0:08:51 | |
# Round my hometown | 0:08:51 | 0:08:54 | |
# Oooh, the people I've met... # | 0:08:54 | 0:08:59 | |
Adele Laurie Blue Adkins was just a normal London girl | 0:08:59 | 0:09:02 | |
who loved to sing Spice Girls in her bedroom. | 0:09:02 | 0:09:05 | |
So how did she become the record-breaking worldwide | 0:09:05 | 0:09:08 | |
megastar we know and love today? | 0:09:08 | 0:09:10 | |
# Are the wonders of my world... # | 0:09:11 | 0:09:15 | |
Before Adele hit the big time, she hung out here, | 0:09:15 | 0:09:18 | |
on Portobello Road, dreaming of becoming a pop star. | 0:09:18 | 0:09:21 | |
But there was one other place that really helped her make it. | 0:09:22 | 0:09:27 | |
# Short skirts, shorts and shades... # | 0:09:27 | 0:09:30 | |
In her early teens, she got into the Brit School, | 0:09:30 | 0:09:33 | |
which is a performing arts school where loads of megastars go. | 0:09:33 | 0:09:36 | |
Imagine sharing a school with Jessie J and Leona Lewis, | 0:09:36 | 0:09:40 | |
cos that's exactly what happened to Adele. | 0:09:40 | 0:09:42 | |
So jealous! | 0:09:42 | 0:09:43 | |
It was at the Brit School that Adele learned | 0:09:46 | 0:09:48 | |
to write songs, but she still hadn't quite found her sound. | 0:09:48 | 0:09:52 | |
It wasn't until she bought a couple of albums by Etta James... | 0:09:52 | 0:09:55 | |
# Something told me | 0:09:55 | 0:09:59 | |
# It was over, babe... # | 0:09:59 | 0:10:02 | |
..and Ella Fitzgerald... | 0:10:02 | 0:10:04 | |
# Dream a little dream of me... # | 0:10:04 | 0:10:08 | |
..that she found the soulful voice that made her famous today. | 0:10:09 | 0:10:13 | |
# No, there's nothing that I wouldn't do | 0:10:13 | 0:10:19 | |
# To make you feel my love... # | 0:10:19 | 0:10:23 | |
So Adele had the voice and all she needed was the songs | 0:10:23 | 0:10:26 | |
and that's where this place comes in. | 0:10:26 | 0:10:28 | |
This is the very place where Adele signed her record contract, | 0:10:31 | 0:10:35 | |
but this pub is it so important to Adele's story for other reasons too. | 0:10:35 | 0:10:39 | |
# I could hold you for a million years | 0:10:39 | 0:10:45 | |
# To make you feel my love. # | 0:10:45 | 0:10:50 | |
Every singer dreams of the moment they get offered a record contract | 0:10:50 | 0:10:54 | |
and usually that comes from being super-talented | 0:10:54 | 0:10:56 | |
and working really hard. But for Adele it came much easier, | 0:10:56 | 0:11:00 | |
not that she's not talented or hard-working. | 0:11:00 | 0:11:03 | |
You see, one of her friends posted some of her music online | 0:11:03 | 0:11:07 | |
and someone from XL Recordings saw it and offered her a contract. | 0:11:07 | 0:11:11 | |
Boom - it was that easy. | 0:11:11 | 0:11:13 | |
But Adele needed some inspiration for her writing. | 0:11:13 | 0:11:16 | |
And right on cue, she broke up with her boyfriend. | 0:11:16 | 0:11:19 | |
A little bit sad, but she had her writing material | 0:11:19 | 0:11:23 | |
and started writing right here in this pub. | 0:11:23 | 0:11:25 | |
# I've made up my mind | 0:11:25 | 0:11:28 | |
# Don't need to think it over | 0:11:28 | 0:11:31 | |
# If I'm wrong I am right | 0:11:31 | 0:11:34 | |
# Don't need to look no further | 0:11:34 | 0:11:37 | |
# This ain't lust | 0:11:37 | 0:11:39 | |
# I know | 0:11:39 | 0:11:42 | |
# This is love, but... # | 0:11:42 | 0:11:48 | |
No-one knows how to write a song like she does. | 0:11:48 | 0:11:50 | |
-That's true. -No-one can tell your story better than yourself. | 0:11:50 | 0:11:54 | |
With Adele it's her story. | 0:11:54 | 0:11:56 | |
# And that's exactly what I need to do... # | 0:11:56 | 0:12:00 | |
The album that took her international was very, very honest | 0:12:00 | 0:12:03 | |
and it was about a break-up with an ex-boyfriend | 0:12:03 | 0:12:06 | |
and everybody can kind of relate to breaking up with someone | 0:12:06 | 0:12:09 | |
and a bit of heartache and she was honest enough to put that on paper. | 0:12:09 | 0:12:13 | |
# Even it leads nowhere | 0:12:13 | 0:12:16 | |
# Or would it be a waste... # | 0:12:16 | 0:12:19 | |
That is some superb writing talent and defo deserves three Ambo points | 0:12:19 | 0:12:24 | |
for sharing your pain with the world. | 0:12:24 | 0:12:26 | |
# Should I give up... # | 0:12:26 | 0:12:28 | |
In 2008, Adele released her first album, 19, | 0:12:28 | 0:12:32 | |
named after her age when she wrote it, | 0:12:32 | 0:12:35 | |
and it hit number one in the album charts. | 0:12:35 | 0:12:38 | |
Have another Ambo point for getting straight to the top spot. | 0:12:38 | 0:12:42 | |
APPLAUSE | 0:12:42 | 0:12:43 | |
Let's check out the scores. | 0:12:43 | 0:12:45 | |
Both Dizzee and Adele had raw talent from a young age, | 0:12:47 | 0:12:51 | |
but Dizzee really managing to find his focus | 0:12:51 | 0:12:54 | |
has pitched him into the lead. | 0:12:54 | 0:12:56 | |
If you don't agree with me, then get online to the CBBC website | 0:12:56 | 0:13:00 | |
and have your say. | 0:13:00 | 0:13:01 | |
Round two - Pop Success. | 0:13:08 | 0:13:10 | |
This is all about what our stars have been up to to make sure | 0:13:10 | 0:13:13 | |
that they stay at the top of the charts. First up, Dizzee Rascal. | 0:13:13 | 0:13:17 | |
When Dizzee first started out, he was mainly doing smaller gigs. | 0:13:17 | 0:13:21 | |
Respect. But since Dance Wiv Me, he got to perform | 0:13:21 | 0:13:24 | |
on much bigger stages, | 0:13:24 | 0:13:26 | |
like Radio One's Big Weekend and even Glastonbury. | 0:13:26 | 0:13:29 | |
# I know you're really busy and I know you got plans | 0:13:29 | 0:13:31 | |
# But are you really too busy for a sun tan? | 0:13:31 | 0:13:33 | |
# I ain't talkin' 'bout walkin' down the high street | 0:13:33 | 0:13:35 | |
# I'm talkin 'bout layin' on a bright white beach... # | 0:13:35 | 0:13:37 | |
A Dizzee Rascal gig is insane. | 0:13:37 | 0:13:39 | |
I think he's probably one of the best live UK hip-hop acts | 0:13:39 | 0:13:44 | |
or emcees that we have. | 0:13:44 | 0:13:46 | |
The crowd go crazy, his energy is insane | 0:13:46 | 0:13:50 | |
and I've never seen anything like it. | 0:13:50 | 0:13:52 | |
Glastonbury, are you ready? | 0:13:52 | 0:13:54 | |
Bounce, bounce, bounce... | 0:13:58 | 0:14:00 | |
As well as playing some of the biggest festivals | 0:14:00 | 0:14:03 | |
in the world, Dizzee Rascal has sold out massive venues across the UK. | 0:14:03 | 0:14:07 | |
He is so good that he was even asked to perform | 0:14:07 | 0:14:10 | |
at the London 2012 Olympic opening ceremony, | 0:14:10 | 0:14:13 | |
watched by an estimated 900 million people. Wow! | 0:14:13 | 0:14:18 | |
-# Hey! -Baby | 0:14:18 | 0:14:19 | |
-# Hey! -Baby | 0:14:19 | 0:14:21 | |
# Hey... # | 0:14:21 | 0:14:23 | |
Have three Ambo points for working hard to entertain the fans. | 0:14:23 | 0:14:27 | |
Peace and love! | 0:14:28 | 0:14:29 | |
But where Dizzee's performances are full of energy | 0:14:29 | 0:14:33 | |
and get the crowd totally wowed, | 0:14:33 | 0:14:35 | |
Adele's performances are completely different | 0:14:35 | 0:14:39 | |
but still extremely powerful. | 0:14:39 | 0:14:41 | |
# Old friend | 0:14:41 | 0:14:44 | |
# Why are you so shy? # | 0:14:44 | 0:14:48 | |
One performance in particular took her career from big to huge. | 0:14:48 | 0:14:53 | |
This from the Brit Awards in 2011. | 0:14:53 | 0:14:57 | |
# I hate to turn up out of the blue uninvited | 0:14:57 | 0:15:00 | |
# But I couldn't stay away... # | 0:15:00 | 0:15:03 | |
When she performed on the Brits, | 0:15:03 | 0:15:05 | |
everybody was mesmerised by her performance, | 0:15:05 | 0:15:07 | |
and that performance was syndicated across the world, | 0:15:07 | 0:15:10 | |
so loads of people got to see it around the world | 0:15:10 | 0:15:12 | |
and just see how amazing she is. | 0:15:12 | 0:15:14 | |
# Never mind, I'll find someone like you... # | 0:15:14 | 0:15:21 | |
I was at the Brits when Adele was performing Someone Like You | 0:15:21 | 0:15:24 | |
and you could hear a pin drop. | 0:15:24 | 0:15:25 | |
# For you too... # | 0:15:25 | 0:15:28 | |
She was just stood on stage, there was no fancy pyrotechnics, | 0:15:28 | 0:15:33 | |
no dance moves, nothing really going on in the background, | 0:15:33 | 0:15:36 | |
it was literally just her and her voice | 0:15:36 | 0:15:38 | |
and that shows the power of Adele's songs, | 0:15:38 | 0:15:41 | |
because it sent goose bumps down you. | 0:15:41 | 0:15:44 | |
# Nothing compares, no worries or cares | 0:15:44 | 0:15:48 | |
# Regrets and mistakes They're memories made... # | 0:15:48 | 0:15:51 | |
When she sang a track at the Brit Awards, I cried a bit. | 0:15:51 | 0:15:55 | |
I definitely cried a bit. | 0:15:55 | 0:15:57 | |
If any of my friends are watching this, | 0:15:57 | 0:15:59 | |
I'm sorry but it doesn't matter, | 0:15:59 | 0:16:00 | |
it was a good song and she meant it. | 0:16:00 | 0:16:02 | |
# Never mind, I'll find | 0:16:04 | 0:16:06 | |
# Someone like you... # | 0:16:06 | 0:16:10 | |
After this incredible performance, | 0:16:10 | 0:16:12 | |
Someone Like You became Adele's first number one. | 0:16:12 | 0:16:16 | |
It also went on to become the most downloaded digital single | 0:16:17 | 0:16:22 | |
of all time in the UK. | 0:16:22 | 0:16:24 | |
That is a most amazing statistic - have five chart-topping Ambo points. | 0:16:24 | 0:16:30 | |
# Instead | 0:16:30 | 0:16:32 | |
# Sometimes it lasts in love but sometimes it hurts instead | 0:16:32 | 0:16:39 | |
# Yeah, yeah. # | 0:16:39 | 0:16:42 | |
CHEERING AND APPLAUSE | 0:16:42 | 0:16:44 | |
But Adele isn't the only one to have some major commercial success. | 0:16:56 | 0:17:01 | |
It was on Dizzee's fourth album that he really hit the mainstream. | 0:17:02 | 0:17:06 | |
He had four number ones and released this monster of a track. | 0:17:06 | 0:17:10 | |
# Some people think I'm bonkers but I just think I'm free... # | 0:17:10 | 0:17:14 | |
Bonkers got to number one back in 2009 | 0:17:14 | 0:17:17 | |
and stayed in the charts for 23 weeks. | 0:17:17 | 0:17:20 | |
Ah! Have two Ambo for creating an absolute tune. | 0:17:20 | 0:17:24 | |
# Bonkers | 0:17:24 | 0:17:26 | |
# I wake up, every day is a daydream | 0:17:26 | 0:17:28 | |
# Everything in my life ain't what it seems | 0:17:28 | 0:17:30 | |
# I wake up just to go back to sleep | 0:17:30 | 0:17:31 | |
# I act really shallow but I'm in too deep... # | 0:17:31 | 0:17:33 | |
It seems like things are going great for Dizzee, right? | 0:17:33 | 0:17:36 | |
Well, not quite. | 0:17:36 | 0:17:38 | |
Even superstar rappers can have a wardrobe malfunction, | 0:17:38 | 0:17:41 | |
and one particular time was pretty embarrassing. | 0:17:41 | 0:17:44 | |
Unfortunately, there's no video footage | 0:17:44 | 0:17:46 | |
but I can recreate it for you. | 0:17:46 | 0:17:48 | |
Yo, hi, bruv, my name's Dizzee Rascal | 0:17:48 | 0:17:51 | |
and I'm just about to go on American TV. | 0:17:51 | 0:17:53 | |
So I'm just going to warm up my voice, yeah? Here I go. M-m-m-m-m-m. | 0:17:53 | 0:17:57 | |
# He's just a rascal, just a rascal | 0:17:57 | 0:17:59 | |
# He's just a rascal, Dizzee Rascal | 0:17:59 | 0:18:02 | |
# Rascal, he's just a rascal, Dizzee... # | 0:18:02 | 0:18:05 | |
Oh, my pants fell down. Oh! | 0:18:05 | 0:18:08 | |
Oh! Oh! | 0:18:08 | 0:18:09 | |
Oh, no! Hit the deck! | 0:18:09 | 0:18:11 | |
I'm not 100% sure that that's how that went down | 0:18:11 | 0:18:15 | |
but, to make matters even worse, | 0:18:15 | 0:18:17 | |
Dizzee wasn't actually wearing any underwear, | 0:18:17 | 0:18:19 | |
so his entire crew saw his bottom. | 0:18:19 | 0:18:21 | |
That's what I call awkward. | 0:18:21 | 0:18:24 | |
# I let sanity give me the slip... # | 0:18:24 | 0:18:25 | |
Not wearing any pants when you're working, | 0:18:25 | 0:18:27 | |
I'm taking off an Ambo point for that one. | 0:18:27 | 0:18:30 | |
# Some people think I'm bonkers but I just think I'm free... # | 0:18:30 | 0:18:33 | |
But while Dizzee was sorting out his trousers... | 0:18:33 | 0:18:36 | |
# There's a fire starting in my heart... # | 0:18:36 | 0:18:40 | |
Adele was really starting to hit the big time. | 0:18:40 | 0:18:43 | |
Adele's success was so quick that in a matter of months | 0:18:45 | 0:18:48 | |
she went from Rolling In The Deep to rolling in the cash. | 0:18:48 | 0:18:51 | |
# They keep me thinking that we almost had it all... # | 0:18:51 | 0:18:55 | |
Her second album, 21, became the bestselling album | 0:18:55 | 0:18:58 | |
of the 21st century and the fourth bestselling album ever in the UK. | 0:18:58 | 0:19:04 | |
I'll say it again. The fourth bestselling album ever in the UK. | 0:19:04 | 0:19:09 | |
Have two Ambo points for some mega sales success. | 0:19:09 | 0:19:12 | |
# You had my heart inside your hand | 0:19:12 | 0:19:16 | |
# And you played it to the beat... # | 0:19:16 | 0:19:20 | |
Adele is so good that she has won a tonne of awards, | 0:19:20 | 0:19:25 | |
like, an actual tonne. | 0:19:25 | 0:19:26 | |
She's gone on to win four Brits, a MOBO, | 0:19:27 | 0:19:31 | |
an MTV EMA | 0:19:31 | 0:19:32 | |
and three MTV VMAs, | 0:19:32 | 0:19:35 | |
nine Grammys and two Ivor Novello Awards. | 0:19:35 | 0:19:38 | |
Not only this, but after she recorded Skyfall | 0:19:38 | 0:19:41 | |
for the James Bond film, she only went on to win an Oscar. | 0:19:41 | 0:19:45 | |
I mean, it's just amazing! | 0:19:45 | 0:19:47 | |
You can have five award-winning Ambo points for that lot. | 0:19:47 | 0:19:51 | |
# But you played it, you played it, you played it to the beat. # | 0:19:52 | 0:19:59 | |
And while Adele was appearing at all these award shows, | 0:20:01 | 0:20:04 | |
Dizzee was also appearing in some pretty surprising places. | 0:20:04 | 0:20:08 | |
# Life's too short to be livin' with stress | 0:20:08 | 0:20:10 | |
# I'm too young to be all depressed | 0:20:10 | 0:20:12 | |
# I can't complain, I'm highly blessed | 0:20:12 | 0:20:14 | |
# And there's one thing that I wanna get off my chest. # | 0:20:14 | 0:20:16 | |
Dizzee was popping up everywhere | 0:20:16 | 0:20:17 | |
and even in places you wouldn't expect him, like Newsnight. | 0:20:17 | 0:20:21 | |
Get this, in 2008 Dizzee was asked to come on Newsnight | 0:20:21 | 0:20:25 | |
to talk about Barack Obama, who had just been elected as president. | 0:20:25 | 0:20:28 | |
And, as always, he was super cool. | 0:20:28 | 0:20:30 | |
-Mr Rascal, could you see this happening in Britain? -Yeah. In time. | 0:20:30 | 0:20:34 | |
I think a black man, purple man, Martian man can run the country, | 0:20:34 | 0:20:37 | |
whatever, man, as long as he does right by the people. | 0:20:37 | 0:20:40 | |
To see a grime artist on Newsnight was a really big deal. | 0:20:40 | 0:20:44 | |
-It was ground-breaking. -It's history. | 0:20:44 | 0:20:45 | |
No-one's ever done it before. | 0:20:45 | 0:20:47 | |
And to see someone like Dizzee do it, we was proud of him. | 0:20:47 | 0:20:50 | |
-Why don't you run for office? -See, that's a very good idea. | 0:20:50 | 0:20:53 | |
I might have to do that one day, | 0:20:53 | 0:20:55 | |
still Dizzee Rascal for Prime Minister, yeah? What's happening? | 0:20:55 | 0:20:58 | |
Go, Dizzee! Have three political Ambo points. | 0:20:58 | 0:21:01 | |
# Get with the programme, I got the flow and I got the dough... # | 0:21:01 | 0:21:04 | |
But how has all this affected their sales? Let's take a little look. | 0:21:04 | 0:21:08 | |
Dizzee has sold over 5.3 million records in the UK. | 0:21:08 | 0:21:14 | |
Pretty good going. Have an Ambo point. | 0:21:14 | 0:21:16 | |
But Adele has sold a whopping 13.2 million. | 0:21:19 | 0:21:24 | |
You can't argue with the stats. | 0:21:24 | 0:21:26 | |
That's three multi-million selling Ambo points to Adele. | 0:21:26 | 0:21:31 | |
Let's check out the scores. | 0:21:31 | 0:21:33 | |
They've both had some uber success, | 0:21:35 | 0:21:37 | |
but because Adele has sold so much music, she's gone into the lead. | 0:21:37 | 0:21:42 | |
If you're on Team Dizzee and disagree, | 0:21:42 | 0:21:44 | |
then hit up the CBBC website and have your say. | 0:21:44 | 0:21:47 | |
It's all to play for going into round three. | 0:21:47 | 0:21:50 | |
Round three - Pop Style. | 0:21:56 | 0:21:59 | |
This is all about our celebrities' lives, clothes, cars, | 0:21:59 | 0:22:02 | |
pets or whatever else they like to spend the cash on. | 0:22:02 | 0:22:05 | |
First up, Dizzee Rascal. | 0:22:05 | 0:22:07 | |
Dizzee Rascal is the king of street cool, right? | 0:22:07 | 0:22:11 | |
So he would look pretty out of place performing with this person. | 0:22:11 | 0:22:14 | |
# Diamonds are forever... # | 0:22:14 | 0:22:17 | |
This is legendary diva Dame Shirley Bassey singing | 0:22:17 | 0:22:21 | |
Diamonds Are Forever, possibly the most iconic James Bond song ever. | 0:22:21 | 0:22:26 | |
She's singing in the uber-classy Royal Albert Hall. | 0:22:26 | 0:22:29 | |
It is one elegant performance, people, | 0:22:29 | 0:22:32 | |
but who can scrub up, don a suit | 0:22:32 | 0:22:34 | |
and not be afraid to bring some rap to the proceedings? | 0:22:34 | 0:22:37 | |
Yeah! | 0:22:37 | 0:22:38 | |
# Diamonds in my ear, diamonds in my ring | 0:22:38 | 0:22:41 | |
# Diamonds on my watch keep me looking like a king... # | 0:22:41 | 0:22:44 | |
Dizzee Rascal of course! Looking pretty sharp in his tuxedo. | 0:22:44 | 0:22:48 | |
# They keep me looking good you can see me from afar... # | 0:22:48 | 0:22:51 | |
Have two Ambo points for pulling off an awesomely chic style. | 0:22:51 | 0:22:55 | |
And have another point for not being afraid to try something new. | 0:22:55 | 0:22:59 | |
But while Dizzee was showing off his classy style... | 0:23:02 | 0:23:05 | |
..Adele was showing off her more down-to-earth style | 0:23:07 | 0:23:10 | |
in a very different way. | 0:23:10 | 0:23:12 | |
You probably think earning millions of pounds changes you | 0:23:14 | 0:23:18 | |
as a person and you can't do anything normal. | 0:23:18 | 0:23:20 | |
Well, nobody seems to have told Adele. | 0:23:20 | 0:23:23 | |
How did she celebrate after winning two Grammys for her first album? | 0:23:23 | 0:23:26 | |
By getting a job here. | 0:23:26 | 0:23:28 | |
CHEERING | 0:23:28 | 0:23:30 | |
It seems unbelievable but after Adele had hit the big time, | 0:23:31 | 0:23:35 | |
she got a job right here in this record shop. | 0:23:35 | 0:23:38 | |
I've caught up with Chris, who worked with Adele, | 0:23:38 | 0:23:41 | |
to tell me all about it. | 0:23:41 | 0:23:42 | |
Now, Chris, first thing I want to know is how did it all | 0:23:42 | 0:23:45 | |
-come about, did she just hand you a job application? -No. | 0:23:45 | 0:23:49 | |
She just said, "I want to do something, | 0:23:49 | 0:23:51 | |
"I need something to focus on in the week | 0:23:51 | 0:23:54 | |
"because, you know, I've got nothing better to do." | 0:23:54 | 0:23:58 | |
So she was like, "Do you need someone? Can I work here?" | 0:23:58 | 0:24:01 | |
You know, I did stand back at first but she was obviously deadly serious. | 0:24:01 | 0:24:05 | |
So we were just like, "Yeah, that's fine. Let's do it." | 0:24:05 | 0:24:08 | |
-Did it last a while? Did she stick around for a little bit? -Yeah. | 0:24:08 | 0:24:11 | |
She was here for maybe two or three months and then obviously | 0:24:11 | 0:24:15 | |
her proper job kicked back in and we all know what happened after that. | 0:24:15 | 0:24:19 | |
So how hard-working was Adele when she was here? | 0:24:19 | 0:24:22 | |
She was extremely hard-working. | 0:24:22 | 0:24:24 | |
She would just knuckle down, get everything done, | 0:24:24 | 0:24:27 | |
cos obviously we get a lot of stock in here every day, | 0:24:27 | 0:24:30 | |
but she would just power through it and get it done really quick. | 0:24:30 | 0:24:34 | |
# It burned while I cried cos I heard it screaming out your name | 0:24:34 | 0:24:41 | |
# Your name... # | 0:24:41 | 0:24:42 | |
-Does she ever come back to the store? -She does now and again. Yeah. | 0:24:42 | 0:24:46 | |
The last time I saw her she was walking on the other side | 0:24:46 | 0:24:49 | |
of the road with one of her dogs and she said, "Oh, hello," | 0:24:49 | 0:24:52 | |
but, yeah, she's super... | 0:24:52 | 0:24:54 | |
She's just super-friendly, down to earth, totally normal. | 0:24:54 | 0:24:58 | |
She just hasn't really changed. | 0:24:58 | 0:25:00 | |
Going back to the shop floor after you've hit the big time - kudos! | 0:25:00 | 0:25:05 | |
Have three Ambo points for a down-to-earth lifestyle. | 0:25:05 | 0:25:09 | |
Oh, yeah, you've got to love the fact that fame didn't change Adele, | 0:25:10 | 0:25:14 | |
but what does she spent her money on? | 0:25:14 | 0:25:16 | |
I mean, come on, a girl has got to treat herself, right? | 0:25:16 | 0:25:19 | |
Well, when most people pass their driving test | 0:25:19 | 0:25:21 | |
they celebrate by jumping in their car, going around the block. | 0:25:21 | 0:25:25 | |
But not Adele. | 0:25:25 | 0:25:26 | |
She celebrated by buying herself a car that costs £100,000. | 0:25:26 | 0:25:31 | |
Ha - no biggie! | 0:25:31 | 0:25:32 | |
# I set fire... # | 0:25:32 | 0:25:36 | |
For such a down-to-earth girl to do something | 0:25:36 | 0:25:38 | |
that's really kind of grand and starry is fab, | 0:25:38 | 0:25:43 | |
it goes to show how many facets to her there is. | 0:25:43 | 0:25:45 | |
She is the down-to-earth girl but at the end of the day, | 0:25:45 | 0:25:48 | |
she's very rich - she's not going to be driving around in a Mini Cooper. | 0:25:48 | 0:25:52 | |
Splashing the cash on a snazzy ride. How very showbiz. | 0:25:55 | 0:26:00 | |
Have another Ambo point. | 0:26:00 | 0:26:01 | |
And while Adele was spending some of her hard-earned wonga, | 0:26:04 | 0:26:07 | |
Dizzee was getting back into education. Well, sort of. | 0:26:07 | 0:26:12 | |
The University of East London, | 0:26:12 | 0:26:13 | |
nearby where Dizzee grew up in Bow, awarded him | 0:26:13 | 0:26:16 | |
an honorary Doctorate in the Arts for his services to the community. | 0:26:16 | 0:26:20 | |
Nice. | 0:26:20 | 0:26:21 | |
# I love it when you act like that | 0:26:21 | 0:26:23 | |
# Slow, fast, bring it back... # | 0:26:23 | 0:26:25 | |
Dr Dizzee - hmm, it's got a good ring to it. | 0:26:25 | 0:26:27 | |
You can take two Ambo points for an educational style. | 0:26:27 | 0:26:30 | |
And that takes us to the end of round three. | 0:26:30 | 0:26:33 | |
We've reached the end of another awesome Pop Slam! | 0:26:37 | 0:26:40 | |
But who has won the Ambo? Will it be Adele or Dizzee Rascal? | 0:26:40 | 0:26:44 | |
It's a tough one. Let's find out what we've learned. | 0:26:44 | 0:26:47 | |
We probably couldn't have had two more different pop stars. | 0:26:49 | 0:26:53 | |
But they've both shown that they had natural talent from a young age, | 0:26:53 | 0:26:57 | |
are totally awesome performers and have had some massive hits. | 0:26:57 | 0:27:03 | |
This Pop Slam! is on a knife edge. | 0:27:03 | 0:27:06 | |
Ladies and gentlemen, it is the moment we've all been waiting for. | 0:27:06 | 0:27:11 | |
The points have been counted and independently verified - by me. | 0:27:11 | 0:27:16 | |
And the winner of the Ambo is... | 0:27:16 | 0:27:19 | |
It's Adele! Dizzee, get out of here! Bring it in, hugs all around. | 0:27:25 | 0:27:31 | |
Let's have a look at you in action. | 0:27:31 | 0:27:33 | |
# She is half your age | 0:27:33 | 0:27:36 | |
# But I'm guessing that's the reason that you strayed... # | 0:27:36 | 0:27:40 | |
Hi, it's Amberley, I was wondering if Adele's in. | 0:27:40 | 0:27:43 | |
I'm from CBBC, she's just won a massive award. | 0:27:43 | 0:27:46 | |
Ah, she's polishing some of her awards? | 0:27:46 | 0:27:48 | |
Well, this is perfect, maybe we can chat about the new one she's won. | 0:27:48 | 0:27:51 | |
No? | 0:27:51 | 0:27:53 | |
I can call back at another time if it's convenient. | 0:27:53 | 0:27:56 | |
No, I could pop round? | 0:27:56 | 0:27:58 | |
No... | 0:27:58 | 0:27:59 | |
I... | 0:27:59 | 0:28:00 | |
I will hold on to it for her. You know what, how about we...? | 0:28:00 | 0:28:04 | |
LINE GOES DEAD | 0:28:04 | 0:28:05 |