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Two of the biggest pop stars in the universe | 0:00:02 | 0:00:04 | |
are about to go into battle. | 0:00:04 | 0:00:06 | |
The popalicious Little Mix versus the super cool Rizzle Kicks. | 0:00:06 | 0:00:10 | |
There can only be one winner so stay right here. | 0:00:10 | 0:00:13 | |
I'm Amberley Lobo and this is Pop Slam! | 0:00:13 | 0:00:17 | |
Going head-to-head we've got... | 0:00:32 | 0:00:34 | |
..the ladies of Little Mix. | 0:00:36 | 0:00:39 | |
Perrie, Jesy, Leigh-Anne and Jade. | 0:00:39 | 0:00:43 | |
They are the pop sensation who will totally make you want to move. | 0:00:45 | 0:00:48 | |
# So when we move You move... # | 0:00:48 | 0:00:50 | |
But how will they fare going against... | 0:00:50 | 0:00:53 | |
# Mamma do the hump Mamma do the hump, hump... # | 0:00:53 | 0:00:56 | |
..Rizzle Kicks? | 0:00:56 | 0:00:57 | |
They are the uber cool duo made up of Jordan and Harley. | 0:00:59 | 0:01:03 | |
These guys are so hot, they're practically on fire. | 0:01:05 | 0:01:09 | |
# Mamma do the hump Mamma do the hump, hump | 0:01:09 | 0:01:11 | |
# Mamma won't you please let me do the hump, hump... # | 0:01:11 | 0:01:14 | |
This Pop Slam is going to be off the hook! | 0:01:14 | 0:01:16 | |
So whose team are you on? Team Little Mix or team Rizzle Kicks? | 0:01:16 | 0:01:21 | |
I'll be hitting the road to find out everything there is to know | 0:01:23 | 0:01:26 | |
about their superstar lives to see who deserves | 0:01:26 | 0:01:28 | |
to win the coolest prize in pop - the Ambo. | 0:01:28 | 0:01:30 | |
There's only one way to win the Ambo, | 0:01:30 | 0:01:33 | |
and that's by gaining as many of my Ambo points as possible. | 0:01:33 | 0:01:37 | |
I'll be dishing them out over three slamming rounds of poposity | 0:01:37 | 0:01:42 | |
where I meet the people who knew the stars back in the day... | 0:01:42 | 0:01:45 | |
..then I check out how hard they've been working... | 0:01:47 | 0:01:50 | |
..and, finally, I scrutinise their style. | 0:01:51 | 0:01:53 | |
All before the big moment. | 0:01:53 | 0:01:56 | |
And the winner of the Ambo is... | 0:01:56 | 0:01:59 | |
Now, you might not agree with the outcome and, if not, that's OK. | 0:01:59 | 0:02:02 | |
Get onto the CBBC website and have your say. | 0:02:02 | 0:02:05 | |
Who do you think's going to win? | 0:02:05 | 0:02:07 | |
Little Mix, look at them. They're so cool. | 0:02:07 | 0:02:09 | |
Their hair's pretty, their shoes are pretty. So jealous. | 0:02:09 | 0:02:11 | |
But then the Rizzle Kicks, I mean, they're so cute | 0:02:11 | 0:02:14 | |
and they look like they have so much fun. | 0:02:14 | 0:02:16 | |
Well, there's only one way to solve it. It's time for Pop Slam! | 0:02:16 | 0:02:20 | |
Round One, Pop Potential. | 0:02:24 | 0:02:26 | |
This is all about how our stars made it big. | 0:02:26 | 0:02:29 | |
# Let's get down with the trumpets Let's get down with the trumpets... # | 0:02:31 | 0:02:35 | |
Nowadays the boys from Rizzle Kicks | 0:02:35 | 0:02:37 | |
are riding sky-high on their hip-hop pop success. | 0:02:37 | 0:02:41 | |
But before all that, Jordan and Harley were right here, in Brighton. | 0:02:41 | 0:02:46 | |
# Mamma told me not to waste my life...# | 0:02:46 | 0:02:48 | |
Today Little Mix are one of the biggest girl bands in the world | 0:02:48 | 0:02:51 | |
but, before that, they were four normal girls | 0:02:51 | 0:02:54 | |
growing up across England who dreamt of being singing superstars. | 0:02:54 | 0:02:59 | |
# Cos wings are made to fly... # | 0:02:59 | 0:03:04 | |
How did Little Mix and Rizzle Kicks become the supercool megastars | 0:03:04 | 0:03:08 | |
they are today? I'm going to find out. | 0:03:08 | 0:03:11 | |
First up, Little Mix. | 0:03:11 | 0:03:13 | |
# These wings are made to fly... # | 0:03:13 | 0:03:17 | |
# Change, change your life Take it all... # | 0:03:17 | 0:03:19 | |
We all know X Factor brought Little Mix together | 0:03:19 | 0:03:22 | |
and it's pretty hard to believe the girls | 0:03:22 | 0:03:25 | |
with so much chemistry had never met before. | 0:03:25 | 0:03:28 | |
# Change, change your life Take it all... # | 0:03:28 | 0:03:31 | |
These girls were born stars. | 0:03:31 | 0:03:35 | |
Leigh-Anne and Jesy grew up in the south of England | 0:03:35 | 0:03:37 | |
and both briefly went | 0:03:37 | 0:03:39 | |
to the world-famous Sylvia Young School in London. | 0:03:39 | 0:03:42 | |
Perrie was also studying performing arts at Newcastle College. | 0:03:42 | 0:03:47 | |
Which brings us to Jade who, like Perrie, | 0:03:47 | 0:03:50 | |
grew up in the north-east of England. | 0:03:50 | 0:03:52 | |
# So remember we were driving, driving in your car | 0:03:52 | 0:03:56 | |
# Speed so fast felt like I was drunk... # | 0:03:56 | 0:03:59 | |
Here she is before she was famous singing with her friend, Tom. | 0:03:59 | 0:04:02 | |
# Arm felt nice wrapped round my shoulder | 0:04:02 | 0:04:05 | |
# And I had a feeling that I belonged... # | 0:04:05 | 0:04:08 | |
I tracked down Tom in South Shields whilst he was busking. | 0:04:08 | 0:04:13 | |
Well, if it's good enough for Jade... | 0:04:13 | 0:04:16 | |
'I want goss so he's going to get an interruption.' | 0:04:16 | 0:04:19 | |
# You need me, man, I don't need you | 0:04:19 | 0:04:22 | |
# You need me, man, I don't need you You need me, man... # | 0:04:22 | 0:04:25 | |
-I'm just going to stop you there. Keen for a chat? -Yeah. | 0:04:25 | 0:04:28 | |
OK. Tom, loved it. So much fun. | 0:04:28 | 0:04:30 | |
-I understand you actually used to play with Jade? -I did, yeah. | 0:04:30 | 0:04:34 | |
For a little bit, yeah. | 0:04:34 | 0:04:35 | |
# I remember we were driving... # | 0:04:35 | 0:04:37 | |
So how does it feel to know someone you've performed with, | 0:04:37 | 0:04:40 | |
one of your really good friends, | 0:04:40 | 0:04:42 | |
has gone on to become this massive megastar? | 0:04:42 | 0:04:44 | |
Can't believe it. Honestly, can't believe it. | 0:04:44 | 0:04:47 | |
All the time we used to sing she was amazing | 0:04:47 | 0:04:49 | |
but I never thought she would ever get this big, to be honest. | 0:04:49 | 0:04:52 | |
She's still really down-to-earth. She's still just a friend, really. | 0:04:52 | 0:04:55 | |
She's still exactly how she was but a lot more people know her. | 0:04:55 | 0:04:58 | |
Did she have a big stage presence when she was performing with you? | 0:05:00 | 0:05:04 | |
She was always quite shy, really. | 0:05:04 | 0:05:06 | |
She always just kind of kept herself to herself | 0:05:06 | 0:05:08 | |
but now she's just let herself go. | 0:05:08 | 0:05:11 | |
# Tell her to speak up Tell her to shout out... # | 0:05:11 | 0:05:13 | |
So Jade was strutting her stuff at gigs in the north-east. | 0:05:13 | 0:05:18 | |
And Leigh-Anne, Perrie and Jesy | 0:05:18 | 0:05:20 | |
were trying to break into the music industry. | 0:05:20 | 0:05:23 | |
So it was no surprise that in 2011 they all decided to audition | 0:05:23 | 0:05:27 | |
for the biggest show on TV, the X Factor. | 0:05:27 | 0:05:30 | |
I don't know if you remember | 0:05:32 | 0:05:33 | |
but all four girls wanted to be solo singers. | 0:05:33 | 0:05:36 | |
Unfortunately, it wasn't meant to be. | 0:05:36 | 0:05:38 | |
They were not chosen to go beyond Boot Camp as individuals. | 0:05:38 | 0:05:43 | |
But they were given a lifeline | 0:05:45 | 0:05:47 | |
and put together to form a four-piece girl group. | 0:05:47 | 0:05:51 | |
# I'm gonna miss you like a child misses their blanket... # | 0:05:51 | 0:05:56 | |
I met them in Mykonos in the judges' homes | 0:05:56 | 0:05:59 | |
when they'd just been put together. | 0:05:59 | 0:06:01 | |
They were so shy, they were really, really nervous. | 0:06:01 | 0:06:05 | |
# And big girls don't cry. # | 0:06:05 | 0:06:10 | |
Watching them progress from what they were like at the judges' homes | 0:06:10 | 0:06:14 | |
to what they were like by the end of the show was amazing. | 0:06:14 | 0:06:18 | |
It was, like, the kind of confidence and strength that they found | 0:06:18 | 0:06:21 | |
throughout the show was so great to see. | 0:06:21 | 0:06:24 | |
It was like a completely different act by the final. | 0:06:24 | 0:06:28 | |
CHEERING AND APPLAUSE | 0:06:28 | 0:06:31 | |
On December 11th, 2011, | 0:06:33 | 0:06:36 | |
Little Mix won the X Factor. | 0:06:36 | 0:06:38 | |
# What's it going to be... # | 0:06:38 | 0:06:40 | |
They were the first group ever to win the competition. | 0:06:42 | 0:06:46 | |
I'm going to predict, this time next year, | 0:06:46 | 0:06:49 | |
this is going to be the biggest girl band in the UK by a mile. | 0:06:49 | 0:06:53 | |
Have three Ambo points for winning the biggest competition on TV. | 0:06:55 | 0:06:59 | |
# Stones taught me to fly... # | 0:06:59 | 0:07:04 | |
Their winners single was a cover of Damien Rice's Cannonball, | 0:07:05 | 0:07:09 | |
and it went straight in at number one in the charts, | 0:07:09 | 0:07:13 | |
becoming the fastest selling single of 2011. | 0:07:13 | 0:07:17 | |
That's an awesome achievement. Have another three Ambo points. | 0:07:17 | 0:07:22 | |
# When you know that you just don't know... # | 0:07:22 | 0:07:25 | |
That must have been a life-changing moment for the four girls | 0:07:27 | 0:07:30 | |
but while they were just getting to know each other, | 0:07:30 | 0:07:33 | |
our next act had been friends for years. | 0:07:33 | 0:07:35 | |
# I can remember that when I was a little youth | 0:07:35 | 0:07:38 | |
# I wanted to fly around the world making a new life... # | 0:07:38 | 0:07:41 | |
Jordan Stephens and Harley Alexander-Sule | 0:07:41 | 0:07:44 | |
both lived on the south coast of England in Brighton. | 0:07:44 | 0:07:47 | |
# Back when I was younger | 0:07:47 | 0:07:49 | |
# I wanted to be everything on the planet... # | 0:07:49 | 0:07:53 | |
Before they hit the big time they were two young boys | 0:07:53 | 0:07:56 | |
who were both developing a love for music, particularly hip-hop. | 0:07:56 | 0:08:00 | |
# When I was a youngster... | 0:08:00 | 0:08:02 | |
It's at this place that Jordan and Harley met, AudioActive. | 0:08:02 | 0:08:06 | |
If you're an upcoming pop star, this place is amazing. | 0:08:06 | 0:08:09 | |
It's sort of like a youth club. | 0:08:09 | 0:08:11 | |
You can sing, dance, beatbox, rap, | 0:08:11 | 0:08:14 | |
which is exactly what I'm going to do. | 0:08:14 | 0:08:16 | |
We bring it from the darkness | 0:08:16 | 0:08:18 | |
And we tackle the board like we're using magic markers... | 0:08:18 | 0:08:21 | |
One of the guys who teaches rap here is Tom. | 0:08:21 | 0:08:24 | |
He taught Jordan and Harley how to rap back in the day | 0:08:24 | 0:08:27 | |
and I've caught up with him to get the lowdown on the boys. | 0:08:27 | 0:08:31 | |
What was your first impression when he saw the boys in the classroom? | 0:08:31 | 0:08:35 | |
I can always remember Jordan as being quite hyperactive | 0:08:35 | 0:08:38 | |
and very noticeable in the room. | 0:08:38 | 0:08:39 | |
He was always either arguing or making jokes | 0:08:39 | 0:08:42 | |
and he wasn't quiet. That's for sure. | 0:08:42 | 0:08:44 | |
Did he just have a big mouth on him? | 0:08:44 | 0:08:46 | |
Very much so, yes. Yes. He was very hyperactive. | 0:08:46 | 0:08:50 | |
# When I was a youngster, youngster When I was a youngster... # | 0:08:50 | 0:08:52 | |
Harley was a bit quieter in those days. | 0:08:52 | 0:08:55 | |
He was always the cooler one, to be honest. | 0:08:55 | 0:08:57 | |
Harley used to rap a lot more than, which might surprise some people. | 0:08:57 | 0:08:59 | |
He used to be kind of a grime MC and be bang into it. | 0:08:59 | 0:09:02 | |
# Stuck in your pocket in your feathers while you sleep... # | 0:09:06 | 0:09:10 | |
How do you reckon AudioActive helped shape what they've become today? | 0:09:10 | 0:09:14 | |
We always really push them to be themselves | 0:09:14 | 0:09:17 | |
and they kind of made their subject matter very personal and fun, | 0:09:17 | 0:09:21 | |
and just stuck to their true personalities. | 0:09:21 | 0:09:24 | |
I think that's what AudioActive always tries to push. | 0:09:24 | 0:09:26 | |
People have always got their unique angle, | 0:09:26 | 0:09:29 | |
it's just trying to pull it out of them, really, | 0:09:29 | 0:09:31 | |
not try to be something but just being themselves and projecting that. | 0:09:31 | 0:09:36 | |
# Stood in the woodlands gonna set fire to the trees, who wouldn't? # | 0:09:36 | 0:09:39 | |
Tom, I'm going to cut to the chase. I want in. | 0:09:39 | 0:09:41 | |
I heard there's a class on today. Is there room for one more? | 0:09:41 | 0:09:44 | |
-Drop in, everyone's welcome. Yeah, get involved. -Let's get involved. | 0:09:44 | 0:09:47 | |
Get out there, let's go. | 0:09:47 | 0:09:50 | |
'I've gate-crashed a rap class with wannabe rappers Harry and Blake. | 0:09:50 | 0:09:54 | |
'This is what Jordan and Harley would've done back in the day.' | 0:09:54 | 0:09:59 | |
Yo, so sunshine don't compare on darkness | 0:09:59 | 0:10:02 | |
Rain can go away on the British days | 0:10:02 | 0:10:05 | |
That we say are a different day from yesterday... | 0:10:05 | 0:10:08 | |
I don't like darkness, it's not my vibe | 0:10:08 | 0:10:11 | |
I'm all about rain, that's why I go outside... | 0:10:11 | 0:10:15 | |
'Yeah, I might not be destined to become a rap star | 0:10:15 | 0:10:19 | |
'but it was a different story when Jordan and Harley were here. | 0:10:19 | 0:10:23 | |
'They clearly had real musical talent.' | 0:10:23 | 0:10:25 | |
# I said I'm living in a lost generation... # | 0:10:25 | 0:10:29 | |
Have two Ambo points for rapping from a young age. | 0:10:29 | 0:10:33 | |
# I've got my heart I found my soul... # | 0:10:34 | 0:10:38 | |
When the boys turned 16 they got a spot in the fametastic Brit School, | 0:10:38 | 0:10:42 | |
where the likes of Adele, Jessie J and Leona Lewis attended. | 0:10:42 | 0:10:46 | |
They were bound for success, right? | 0:10:46 | 0:10:49 | |
Well, not quite. | 0:10:49 | 0:10:50 | |
Jordan got a job flipping burgers | 0:10:50 | 0:10:53 | |
and Harley went back to school right here to work teaching drama. | 0:10:53 | 0:10:58 | |
'And I'm going to get the low-down | 0:10:58 | 0:10:59 | |
'from some actual kids that Harley used to teach.' | 0:10:59 | 0:11:02 | |
# Check the rhyme and rhythm It's nice and different | 0:11:02 | 0:11:04 | |
# Plus it's bright and brilliant Kind of how I like my women... # | 0:11:04 | 0:11:07 | |
Guys, I am so jealous. | 0:11:07 | 0:11:10 | |
-Harley was your teacher. What was he like? -He was really funny. | 0:11:10 | 0:11:13 | |
-Was he funny? -Yeah, he was. Quite a funny sense of humour. | 0:11:13 | 0:11:17 | |
In what way? Was he busting out jokes? | 0:11:17 | 0:11:19 | |
Was he just getting involved with everyone? | 0:11:19 | 0:11:21 | |
He was a lot like he is as you see him on TV. | 0:11:21 | 0:11:23 | |
No disappointments there. He's just really helpful. | 0:11:23 | 0:11:26 | |
He'd help you if you needed help and he'd always make it fun. | 0:11:26 | 0:11:29 | |
What is the kind of things he'd do with you guys in class? | 0:11:29 | 0:11:32 | |
Well, like a lot of the games we're doing now, that kind of stuff. | 0:11:32 | 0:11:35 | |
Directing pieces that we would be working on. | 0:11:35 | 0:11:38 | |
Anything that you do in drama, he would just help you with it. | 0:11:38 | 0:11:42 | |
Wow, I wish Harry had been a teacher at my school. | 0:11:42 | 0:11:45 | |
That's way cool! | 0:11:45 | 0:11:47 | |
# Let's skip to the good bit... # | 0:11:47 | 0:11:49 | |
Alongside their jobs, | 0:11:49 | 0:11:51 | |
Jordan and Harley were both concentrating on their music | 0:11:51 | 0:11:54 | |
and decided to join forces to form Rizzle Kicks. | 0:11:54 | 0:11:58 | |
# Yes, Rizzle Kicks, dagnabbit. # | 0:11:58 | 0:12:02 | |
They used to rap over existing tracks by people like Lily Allen | 0:12:03 | 0:12:07 | |
and the Arctic Monkeys and then post them online. | 0:12:07 | 0:12:10 | |
Jordan and Harley attracted the attention of record labels | 0:12:10 | 0:12:14 | |
and, in November 2010, they signed with Universal Records | 0:12:14 | 0:12:17 | |
and this song hit the big time. | 0:12:17 | 0:12:19 | |
# Yeah, yeah, get down with the trumpets... # | 0:12:19 | 0:12:21 | |
# Let's get down with the trumpets | 0:12:21 | 0:12:24 | |
# Yeah, yeah, let's get down with trumpets | 0:12:24 | 0:12:26 | |
# Yeah, yeah, let's get down with trumpets... # | 0:12:26 | 0:12:29 | |
With this track, Down With The Trumpets, | 0:12:29 | 0:12:31 | |
Rizzle Kicks had exploded onto the UK music scene. | 0:12:31 | 0:12:35 | |
And they were like nothing else around at the time. | 0:12:35 | 0:12:38 | |
They were here to stay. | 0:12:38 | 0:12:40 | |
Have three Ambo points for finally making it to the big time. | 0:12:40 | 0:12:43 | |
So, let's have a look at the scores after Round One. | 0:12:44 | 0:12:48 | |
Both Little Minx and Rizzle Kicks have some great musical talent | 0:12:50 | 0:12:53 | |
but Little Mix having the fastest selling single | 0:12:53 | 0:12:56 | |
of 2011 have put them one point ahead. | 0:12:56 | 0:13:00 | |
If you don't agree with the result, that's OK. | 0:13:00 | 0:13:02 | |
Hop online to the CBBC website and have your say. | 0:13:02 | 0:13:06 | |
Now that we know how our stars made it, | 0:13:07 | 0:13:10 | |
let's check out how hard they've been working since then. | 0:13:10 | 0:13:14 | |
It's time for Round Two. | 0:13:14 | 0:13:16 | |
Round two, Pop Success. | 0:13:20 | 0:13:23 | |
This is all about what our stars have been up to | 0:13:23 | 0:13:26 | |
to make sure they stay at the top of the charts. | 0:13:26 | 0:13:28 | |
First up, Little Mix. | 0:13:28 | 0:13:30 | |
# Ain't got no time for what you think can be described as love... # | 0:13:30 | 0:13:35 | |
We all know just because you win a music talent show doesn't | 0:13:35 | 0:13:38 | |
necessarily mean you're going to make it big in the music industry, | 0:13:38 | 0:13:41 | |
but that's definitely not the case for Little Mix. | 0:13:41 | 0:13:44 | |
Not only have they dominated the UK | 0:13:44 | 0:13:47 | |
but they've also made it big right here in the USA. | 0:13:47 | 0:13:52 | |
They're the first British girl group to break the American top five | 0:13:52 | 0:13:55 | |
with their debut album, DNA. | 0:13:55 | 0:13:57 | |
And for it British girl group to crack America is no mean feat. | 0:13:59 | 0:14:03 | |
It takes a lot of hard work. | 0:14:03 | 0:14:05 | |
What you have to do with America is you have to go over there | 0:14:07 | 0:14:09 | |
and you have to spend time there. | 0:14:09 | 0:14:11 | |
They've travelled around, gone to all the radio stations over America. | 0:14:11 | 0:14:16 | |
They spent months there promoting themselves. | 0:14:16 | 0:14:19 | |
But to see the album go to number one, | 0:14:19 | 0:14:22 | |
I mean, the girls were just overwhelmed by that. It was amazing. | 0:14:22 | 0:14:26 | |
Making it big in the USA just shows how talented | 0:14:27 | 0:14:31 | |
and hard-working our Little Mix are. | 0:14:31 | 0:14:33 | |
Take three all-American Ambo points for that one. | 0:14:33 | 0:14:37 | |
But despite all the success, it's not always glam for the girls. | 0:14:38 | 0:14:42 | |
Sometimes Perrie and Jade drive back up to the north-east together | 0:14:42 | 0:14:46 | |
on the weekend to visit their families. Sounds fun, right? | 0:14:46 | 0:14:50 | |
Well, it's not always plain sailing. | 0:14:50 | 0:14:54 | |
The story goes that, on one such weekend, | 0:14:54 | 0:14:56 | |
something really funny went down | 0:14:56 | 0:14:57 | |
and, of course, there's no video footage | 0:14:57 | 0:15:00 | |
but I can help us out with that. | 0:15:00 | 0:15:02 | |
"Oh, Per, I'm having so much fun | 0:15:03 | 0:15:05 | |
"just driving around with you on the weekend, pet. | 0:15:05 | 0:15:09 | |
"She's asleep. We need more petrol. Perfect, petrol station. | 0:15:09 | 0:15:14 | |
"While she's asleep I might go and grab some choccies | 0:15:14 | 0:15:17 | |
"then I won't even have to share them with her. OK." | 0:15:17 | 0:15:20 | |
"Oh, fuel station. I'm busting. | 0:15:20 | 0:15:22 | |
"I might quickly go to the toilet." | 0:15:22 | 0:15:26 | |
"Hey, Per, I got some... Oh, she's asleep in the back. | 0:15:26 | 0:15:29 | |
"I don't want to wake her up. | 0:15:29 | 0:15:31 | |
"I'll just eat them and drive really quietly." | 0:15:31 | 0:15:34 | |
"That feels so much better after going to the toilet. | 0:15:36 | 0:15:39 | |
"Jade? Jade? | 0:15:39 | 0:15:41 | |
"Aaah!" | 0:15:41 | 0:15:44 | |
And it gets worse. | 0:15:46 | 0:15:48 | |
Apparently Jade took three hours | 0:15:48 | 0:15:50 | |
to realise Perrie wasn't in the back seat, | 0:15:50 | 0:15:52 | |
so she was stranded at the fuel station for six hours. | 0:15:52 | 0:15:55 | |
I can't believe they're still talking to each other. | 0:15:55 | 0:15:59 | |
I'm not quite sure that's how it happened but it's a good story. | 0:15:59 | 0:16:03 | |
However, ditching your friend at a service station is not cool, Jade. | 0:16:03 | 0:16:07 | |
I'm going to take off one Ambo point, just because I can. | 0:16:07 | 0:16:11 | |
# Better watch it, Rizzle Kicks, ha | 0:16:13 | 0:16:16 | |
What! I'm last on the heaven list | 0:16:16 | 0:16:18 | |
# Cos I couldn't give a rass what angelic is... # | 0:16:18 | 0:16:20 | |
Jordan and Harley have been working pretty hard | 0:16:20 | 0:16:22 | |
since they hit the big time. | 0:16:22 | 0:16:24 | |
They write all their songs and it wasn't long | 0:16:24 | 0:16:26 | |
before they were in high demand from the pop glitterati. | 0:16:26 | 0:16:28 | |
In fact, their first UK number one was when they featured | 0:16:28 | 0:16:31 | |
on Olly Murs' hit summer single, # Heart skips, skips a beat. # | 0:16:31 | 0:16:36 | |
# So come on spin me around now | 0:16:37 | 0:16:39 | |
# I don't want to go home... # | 0:16:39 | 0:16:41 | |
That's right. It was August 2011 | 0:16:41 | 0:16:44 | |
and the Rizzle Kicks' collaboration with Olly Murs | 0:16:44 | 0:16:47 | |
shot straight in to the number one spot in the charts. | 0:16:47 | 0:16:51 | |
# And when you hold me like this, | 0:16:51 | 0:16:53 | |
# That's when my heart skips, skips a beat... # | 0:16:53 | 0:16:56 | |
The collaboration with Olly Murs was a real risk for both parties | 0:16:56 | 0:16:59 | |
but I think it really paid off. | 0:16:59 | 0:17:01 | |
I think a lot of Olly Murs's audience got exposed to Rizzle Kicks | 0:17:01 | 0:17:05 | |
and saw how good those guys are, | 0:17:05 | 0:17:07 | |
so they gained more of a fan base from that. | 0:17:07 | 0:17:09 | |
Similarly, I think there were a few Rizzle Kicks fans who said, | 0:17:09 | 0:17:13 | |
"You know what, he's actually quite a good singer. | 0:17:13 | 0:17:15 | |
"Let me go and see what else he might have." | 0:17:15 | 0:17:18 | |
# So spin me around now I don't want to go home... # | 0:17:18 | 0:17:21 | |
I love that summer tune. | 0:17:21 | 0:17:24 | |
Have a couple of Ambo points for some excellent collaborating | 0:17:24 | 0:17:27 | |
and chart-topping action. | 0:17:27 | 0:17:29 | |
It's not just Rizzle Kicks who are throwing out some awesome tracks. | 0:17:29 | 0:17:34 | |
Early in 2014 Little Mix released the official song | 0:17:36 | 0:17:40 | |
for their charity Sport Relief, called Word Up. | 0:17:40 | 0:17:43 | |
# Word up Everybody say | 0:17:43 | 0:17:47 | |
# When you hear the call you've got to get it under way... # | 0:17:47 | 0:17:51 | |
When Sport Relief approached the girls about doing | 0:17:51 | 0:17:54 | |
a song for the charity, the girls were totally made up. | 0:17:54 | 0:17:57 | |
That is what they... They really wanted to do it. | 0:17:57 | 0:18:00 | |
They flew over and saw a Sport Relief project, | 0:18:03 | 0:18:06 | |
which they said was an amazing experience for them, | 0:18:06 | 0:18:09 | |
and you can see how emotional it was for them. | 0:18:09 | 0:18:12 | |
That's why they became so passionate about wanting | 0:18:12 | 0:18:14 | |
to do the Sport Relief single and make it as successful | 0:18:14 | 0:18:17 | |
and make as much money for the charity as they possibly could. | 0:18:17 | 0:18:19 | |
You can have three Ambo points for singing for such a good cause | 0:18:19 | 0:18:24 | |
and another Ambo point for releasing another top tune. | 0:18:24 | 0:18:28 | |
But when it comes to top tunes... | 0:18:29 | 0:18:32 | |
..Rizzle Kicks have got some killer tracks. | 0:18:34 | 0:18:37 | |
The best thing about Rizzle Kicks songs is that it's them. | 0:18:37 | 0:18:41 | |
You know, it's their thoughts, their feelings. | 0:18:41 | 0:18:43 | |
They're not afraid to say anything slightly controversial. | 0:18:43 | 0:18:46 | |
# Jeremy Kyle got the nation laughing at other people's expense | 0:18:46 | 0:18:49 | |
# Somebody tell that guy that we hate him, too | 0:18:49 | 0:18:52 | |
# We are not his friends... # | 0:18:52 | 0:18:54 | |
They're just willing to be themselves. | 0:18:54 | 0:18:56 | |
They're an amalgamation of all their influences, | 0:18:56 | 0:18:59 | |
which is perfect because they really represent modern Britain. | 0:18:59 | 0:19:03 | |
# Hashtag trend | 0:19:03 | 0:19:04 | |
# Oi, big brother's in the house now, yeah... # | 0:19:04 | 0:19:07 | |
They've got so much energy. When you hear one of their songs, | 0:19:07 | 0:19:09 | |
you just want to get up and dance along to it. | 0:19:09 | 0:19:12 | |
# I wanna dance, I wanna have fun | 0:19:12 | 0:19:14 | |
# Let me feel the music, yeah | 0:19:14 | 0:19:15 | |
# I hope you realise how dumb you sound | 0:19:15 | 0:19:18 | |
# When you call us stupid... # | 0:19:18 | 0:19:19 | |
It's infectious, it's happy, it's cool. | 0:19:19 | 0:19:22 | |
They're really, really talented guys | 0:19:22 | 0:19:24 | |
and their music just makes everybody smile. | 0:19:24 | 0:19:27 | |
# I want you to feel useless, baby | 0:19:27 | 0:19:29 | |
# That's right, every bad boy should... # | 0:19:29 | 0:19:31 | |
But it's not just their music that's making people smile. | 0:19:31 | 0:19:34 | |
They also invented their own dance for their song Mama Do the Hump, | 0:19:34 | 0:19:37 | |
and it went viral. | 0:19:37 | 0:19:39 | |
# Mama, do the hump # Mama, do the hump hump | 0:19:39 | 0:19:41 | |
# Mama, won't you please let me do the hump hump? | 0:19:41 | 0:19:43 | |
# Mama, do the hump, Mama, do the hump hump | 0:19:43 | 0:19:46 | |
# Mama, won't you please let me do the hump hump? # | 0:19:46 | 0:19:48 | |
Not only was it a massive track, | 0:19:48 | 0:19:50 | |
getting nearly 13 million hits on YouTube, | 0:19:50 | 0:19:53 | |
but the dance move was such a hit | 0:19:53 | 0:19:55 | |
that people up and down the country were busting their humps. | 0:19:55 | 0:19:58 | |
# Yo, it's been a long week | 0:19:58 | 0:20:00 | |
# How I've got this much energy is beyond me | 0:20:00 | 0:20:03 | |
# I just want all of these girls to be on me | 0:20:03 | 0:20:05 | |
# And maybe even one of them could be Beyonce... # | 0:20:05 | 0:20:08 | |
Some people can do the hump better than others, | 0:20:08 | 0:20:10 | |
but you can't beat a bit of a boogie. | 0:20:10 | 0:20:12 | |
Have three Ambo points for creating a killer dance. | 0:20:12 | 0:20:16 | |
# Mama, do the hump Mama, do the hump hump | 0:20:17 | 0:20:20 | |
# Mama, won't you please let me do the hump hump? # | 0:20:20 | 0:20:22 | |
But the points don't stop there. | 0:20:22 | 0:20:24 | |
They filmed this video at Jordan's auntie's house. | 0:20:24 | 0:20:27 | |
# Yo, coming in with the sound fresher than cut grass | 0:20:27 | 0:20:30 | |
# Fun starts | 0:20:30 | 0:20:31 | |
# Second that we enter if you must ask... # | 0:20:31 | 0:20:33 | |
And that's his mum lip-syncing the words to the song. | 0:20:33 | 0:20:36 | |
That is one awesome idea for a music video, boys. | 0:20:38 | 0:20:41 | |
Have two Ambo points | 0:20:41 | 0:20:43 | |
for keeping it in the family. | 0:20:43 | 0:20:45 | |
# Ain't over till a fat boy slims, Mama... # | 0:20:45 | 0:20:47 | |
So, how has all this awesomeness affected their sales? | 0:20:47 | 0:20:51 | |
# Do the hump. # | 0:20:53 | 0:20:55 | |
# It's in his DNA | 0:20:55 | 0:20:56 | |
# D-D-D-DNA... # | 0:20:56 | 0:20:58 | |
Well, Little Mix have racked up | 0:20:58 | 0:21:00 | |
around 2.7 million record sales. | 0:21:00 | 0:21:03 | |
That's pretty good! | 0:21:03 | 0:21:04 | |
Take an Ambo point for that. | 0:21:04 | 0:21:07 | |
But, Rizzle Kicks have sold | 0:21:07 | 0:21:09 | |
around 3 million records. | 0:21:09 | 0:21:10 | |
It's close, but Rizzle Kicks have just got the edge. | 0:21:13 | 0:21:16 | |
That's two Ambo points to them. | 0:21:16 | 0:21:19 | |
# That I can do nothing | 0:21:19 | 0:21:20 | |
# But to despise you, girl... # | 0:21:20 | 0:21:22 | |
Let's have a look at the scores. | 0:21:22 | 0:21:24 | |
Both acts have had some stomping success, | 0:21:26 | 0:21:29 | |
but Rizzle Kicks are just in the lead | 0:21:29 | 0:21:31 | |
at the end of Round Two. | 0:21:31 | 0:21:32 | |
If you've got something to say about this, | 0:21:32 | 0:21:35 | |
then get on that CBBC website. | 0:21:35 | 0:21:37 | |
Well, it's all to play for | 0:21:37 | 0:21:39 | |
going into the final round. | 0:21:39 | 0:21:42 | |
We've seen our stars' pop potential and how hard they've worked at it. | 0:21:42 | 0:21:46 | |
But, now that they've reached the dizzy heights of superstardom, | 0:21:46 | 0:21:49 | |
let's see how glamorously outrageous they've become. | 0:21:49 | 0:21:52 | |
Round Three, what you got? | 0:21:52 | 0:21:54 | |
Round Three, Pop Style. | 0:21:57 | 0:22:00 | |
This is all about our celebrities' lives - clothes, cars, | 0:22:00 | 0:22:04 | |
pets or whatever else they splash their cash on. | 0:22:04 | 0:22:07 | |
It must be amazing to be a pop star. | 0:22:09 | 0:22:10 | |
You get people who are paid to make you look good. | 0:22:10 | 0:22:13 | |
And, in my mind, no-one looks better than Little Mix. | 0:22:13 | 0:22:16 | |
# Mama told me not to waste my life | 0:22:19 | 0:22:22 | |
# She said spread your wings, my little butterfly... # | 0:22:22 | 0:22:26 | |
Little Mix have a phenomenal style, | 0:22:26 | 0:22:29 | |
but it doesn't happen by accident. | 0:22:29 | 0:22:31 | |
No! To find out how they rock their look, | 0:22:31 | 0:22:35 | |
I'm going to chat to X Factor stylist Frank Strachan. | 0:22:35 | 0:22:39 | |
Now, Frank, Little Mix were four individual girls | 0:22:39 | 0:22:42 | |
and then they got put together on X Factor. | 0:22:42 | 0:22:44 | |
How does that work in terms of style? | 0:22:44 | 0:22:46 | |
I think, with any band that comes into X Factor, | 0:22:46 | 0:22:49 | |
they've got a bit of a style already. | 0:22:49 | 0:22:51 | |
But, with Little Mix, they got put together for the show. | 0:22:51 | 0:22:53 | |
So I think, as a viewer, it was really interesting to seeing how | 0:22:53 | 0:22:56 | |
they developed across the series, because you could really see | 0:22:56 | 0:22:59 | |
a band beginning to form and making sense. | 0:22:59 | 0:23:02 | |
And their style really helped to do that. | 0:23:02 | 0:23:05 | |
# She said spread your wings my little butterfly... # | 0:23:05 | 0:23:08 | |
How much of being in a band is being allowed to be yourself | 0:23:08 | 0:23:12 | |
and wearing what you want to wear, or going with the band image? | 0:23:12 | 0:23:15 | |
I always think it is important to look like | 0:23:15 | 0:23:18 | |
-you're going to the same party. -That's a good way to look at it. | 0:23:18 | 0:23:20 | |
So someone shouldn't be overly dressed up. | 0:23:20 | 0:23:22 | |
Someone shouldn't look too casual. | 0:23:22 | 0:23:24 | |
But it doesn't have to be, you know, | 0:23:24 | 0:23:26 | |
everyone in pink or everyone in black and white. | 0:23:26 | 0:23:28 | |
It's quite nice, usually, if there's a bit more personality. | 0:23:28 | 0:23:31 | |
# These wings are made to fly... # | 0:23:31 | 0:23:35 | |
With Little Mix, you can associate with different members of the band. | 0:23:36 | 0:23:39 | |
I think that helps to create more of their magic | 0:23:39 | 0:23:43 | |
if one of them is slightly more sporty | 0:23:43 | 0:23:47 | |
or one of them dresses a little bit more elegantly. | 0:23:47 | 0:23:50 | |
It means that the audience can associate | 0:23:50 | 0:23:53 | |
and dress like the different girls, rather than thinking, | 0:23:53 | 0:23:56 | |
"Oh, they're not a band for me, | 0:23:56 | 0:23:57 | |
"because I wouldn't dress like that." | 0:23:57 | 0:23:59 | |
Because there is probably somebody in the band that would. | 0:23:59 | 0:24:02 | |
# No matter what you say, it won't hurt me... # | 0:24:02 | 0:24:04 | |
Sound's amazing, I am ready to go get my Little Mix on. | 0:24:04 | 0:24:07 | |
Come here, bring it in. | 0:24:07 | 0:24:09 | |
# These wings are made to fly... # | 0:24:09 | 0:24:13 | |
Hands down, Little Mix have totally nailed some awesome fashion sense. | 0:24:13 | 0:24:18 | |
Have four Ambo points | 0:24:18 | 0:24:20 | |
for a trendsetting style. | 0:24:20 | 0:24:22 | |
# Don't matter if I fall from the sky | 0:24:22 | 0:24:26 | |
# These wings are made to fly. # | 0:24:26 | 0:24:29 | |
# Stop with the chit chit Stop with the chatter | 0:24:29 | 0:24:32 | |
# RK come through to deal with the matter... # | 0:24:32 | 0:24:34 | |
And, I think it's fair to say, that when it comes to Rizzle Kicks, | 0:24:34 | 0:24:37 | |
they have a slightly more laid-back approach to fashion. | 0:24:37 | 0:24:40 | |
# Then punch the air | 0:24:40 | 0:24:42 | |
# We got a bag of ideas never unprepared | 0:24:42 | 0:24:44 | |
-# To just stop with the chit chit -# Stop with the chit chit | 0:24:44 | 0:24:46 | |
# Stop with the chit chit chatter... # | 0:24:46 | 0:24:48 | |
Rizzle Kicks never look like they've been styled. | 0:24:48 | 0:24:50 | |
They look like they've crawled out of bed most of the time. | 0:24:50 | 0:24:53 | |
Really helps their image. | 0:24:53 | 0:24:54 | |
They do seem that they're quite headstrong | 0:24:54 | 0:24:56 | |
and you have no doubt that they know what they want to wear, | 0:24:56 | 0:24:59 | |
as well, and nobody is telling them what to do. | 0:24:59 | 0:25:01 | |
And I think that is incredibly appealing. | 0:25:01 | 0:25:03 | |
I imagine them, like, that's how they went to school, | 0:25:04 | 0:25:08 | |
or hung out after school or college, when making their music. | 0:25:08 | 0:25:12 | |
-They're skater boy kind of like fashion. -Yeah. | 0:25:12 | 0:25:14 | |
-A little bit like Pharrell. -Yeah. -But not as much money. | 0:25:14 | 0:25:17 | |
-Not as rich. -Yeah, and without the hat. | 0:25:17 | 0:25:19 | |
Playing it cool, guys! | 0:25:20 | 0:25:22 | |
You can take two Ambo points for that totally laid-back look. | 0:25:22 | 0:25:26 | |
And it's not just fashion they're chilled out about. | 0:25:26 | 0:25:29 | |
It's also their choice in beverages. | 0:25:29 | 0:25:32 | |
Rizzle Kicks are one of the hottest groups in the UK. | 0:25:32 | 0:25:35 | |
So what do they like to drink? Orange juice, coconut water, | 0:25:35 | 0:25:38 | |
green superfood smoothies, maybe a chai latte? Apparently not. | 0:25:38 | 0:25:42 | |
They love nothing more than a good old-fashioned cup of tea! | 0:25:42 | 0:25:47 | |
It's not very showbiz. | 0:25:47 | 0:25:48 | |
But word on the street is that Jordan and Harley | 0:25:48 | 0:25:51 | |
go wild for a cup of the good stuff. | 0:25:51 | 0:25:53 | |
You and me both, boys. I love tea. | 0:25:57 | 0:25:59 | |
Have another Ambo point for keeping it real. | 0:25:59 | 0:26:02 | |
Little Mix on the other hand are going for a slightly more | 0:26:06 | 0:26:09 | |
serious style with some off-the-hook animal impersonations. | 0:26:09 | 0:26:12 | |
You might've seen this clip online | 0:26:13 | 0:26:15 | |
but Perrie does a hilarious impression of a goat. | 0:26:15 | 0:26:18 | |
Let's check it out. | 0:26:18 | 0:26:20 | |
SHE MIMICS A GOAT | 0:26:21 | 0:26:25 | |
Thank you! | 0:26:25 | 0:26:26 | |
Have two "goatally" amazing | 0:26:26 | 0:26:28 | |
Ambo points for a pretty strange hidden talent. | 0:26:28 | 0:26:31 | |
And this little bit of weirdness takes us to the end of Round Three. | 0:26:31 | 0:26:35 | |
We're at the end of Pop Slam and it's been heaps of fun. | 0:26:39 | 0:26:42 | |
But we've still got this bad boy to give away. | 0:26:42 | 0:26:45 | |
So who has won the Ambo? | 0:26:45 | 0:26:46 | |
Will it be the Rizzle Kicks or Little Mix? | 0:26:46 | 0:26:49 | |
Ohhhh! Let's look back at what we've learned. | 0:26:49 | 0:26:52 | |
What a Pop Slam it's been. | 0:26:52 | 0:26:54 | |
Little Mix and Rizzle Kicks have proved themselves to be | 0:26:54 | 0:26:58 | |
totally awesome but very different popstars, | 0:26:58 | 0:27:01 | |
both having huge success and super cool style. | 0:27:01 | 0:27:05 | |
It really is anyone's game. | 0:27:05 | 0:27:07 | |
Well, ladies and gentlemen, | 0:27:07 | 0:27:09 | |
it's the moment we've all been waiting for. | 0:27:09 | 0:27:12 | |
The points have been counted and independently verified. By me. | 0:27:12 | 0:27:15 | |
And the winner of the Ambo is... | 0:27:15 | 0:27:18 | |
It's Little Mix! Sorry, guys. | 0:27:26 | 0:27:28 | |
Girls, get in here. I am so proud of you! | 0:27:29 | 0:27:32 | |
Let's take a look at some more of you in action. | 0:27:32 | 0:27:34 | |
# Let me hear you say it | 0:27:34 | 0:27:35 | |
# Ladies all across the world | 0:27:35 | 0:27:36 | |
# Listen up, we're looking for recruits | 0:27:36 | 0:27:39 | |
# If you're with me, let me see your hands... # | 0:27:39 | 0:27:42 | |
Hey, Jade, it's Amber. I'm just going to try a five-way call | 0:27:42 | 0:27:45 | |
between you me and the girls. Two secs. | 0:27:45 | 0:27:47 | |
OK, you still there? | 0:27:47 | 0:27:49 | |
Oooh... | 0:27:49 | 0:27:50 | |
Hey, is that...? | 0:27:51 | 0:27:52 | |
RAPID SQUEAKING | 0:27:52 | 0:27:53 | |
Yeah, hold on. I'll call you back, one second. | 0:27:53 | 0:27:56 | |
Is that Perrie? | 0:27:56 | 0:27:57 | |
No, that's still Jade. | 0:27:57 | 0:27:59 | |
One sec. I have amazing news, I promise. | 0:27:59 | 0:28:01 | |
-Hold on the line, it's worth it! -RAPID SQUEAKING | 0:28:01 | 0:28:03 | |
Hello? | 0:28:03 | 0:28:04 | |
Ahhhhh! There you go. | 0:28:04 | 0:28:06 | |
# Representing all the women, salute, salute! # | 0:28:07 | 0:28:10 |